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A close call - a moment of danger when life can hang in the balance. | 0:00:02 | 0:00:04 | |
What would happen if I wasn't found or didn't find a way out of it? | 0:00:04 | 0:00:08 | |
A split second when the outcome could go either way. | 0:00:08 | 0:00:11 | |
It's a choice - life or death. | 0:00:11 | 0:00:13 | |
The difference between disaster and survival. | 0:00:13 | 0:00:16 | |
We saw a lady who was critically ill, if not dying, in front of us. | 0:00:16 | 0:00:20 | |
I kept thinking the hotel was going to fall on us. | 0:00:20 | 0:00:22 | |
These are the people that have been there and lived to tell the tale. | 0:00:22 | 0:00:26 | |
It's a day they'll never forget - | 0:00:26 | 0:00:29 | |
the day they had a close call. | 0:00:29 | 0:00:31 | |
Today on Close Calls... | 0:00:47 | 0:00:49 | |
British tourist Steve | 0:00:49 | 0:00:50 | |
on a safari holiday with his family struggles to remain calm as a large | 0:00:50 | 0:00:55 | |
elephant invades their camp. | 0:00:55 | 0:00:58 | |
I was doing some nervous tapping | 0:00:58 | 0:00:59 | |
that was Morse code for "Get me out of here". | 0:00:59 | 0:01:02 | |
I look over at Dineen, and I'm looking at her sunglasses. | 0:01:02 | 0:01:05 | |
All of a sudden, the elephant is huge, so I'm like, | 0:01:05 | 0:01:09 | |
"Uh-oh, it's right on top of us." | 0:01:09 | 0:01:11 | |
But what happens next shocks them all. | 0:01:11 | 0:01:13 | |
Also today, a climber plummeting from a high peak slams into rocks. | 0:01:16 | 0:01:22 | |
My knee was pretty much in my face. My foot was twisted. | 0:01:23 | 0:01:26 | |
I remember thinking to myself, "That's not right." | 0:01:26 | 0:01:29 | |
The injury is severe. The only way off the mountain is by helicopter. | 0:01:29 | 0:01:33 | |
But strong winds and poor visibility make the rescue treacherous. | 0:01:33 | 0:01:38 | |
And New Year fun at rehearsals for jazz singer Anita and her band. | 0:01:39 | 0:01:44 | |
But it's followed by fear, when fire interrupts their performance. | 0:01:46 | 0:01:50 | |
And the five-star hotel where they're appearing is engulfed in flames. | 0:01:53 | 0:01:57 | |
There was absolute panic, because we had no idea where to go, | 0:01:57 | 0:02:01 | |
or how to get out. I kept thinking the hotel was going to fall on us. | 0:02:01 | 0:02:04 | |
Mana Pools National Park, Zimbabwe. | 0:02:11 | 0:02:14 | |
Irishman Steve Montague and his family are enjoying getting close | 0:02:14 | 0:02:18 | |
to the wildlife on a safari holiday. | 0:02:18 | 0:02:20 | |
But then, one encounter gets too close when a ten-foot-high, | 0:02:20 | 0:02:24 | |
five-tonne male elephant approaches their table. | 0:02:24 | 0:02:28 | |
The guides tell us, "Stay still at all times. | 0:02:28 | 0:02:32 | |
"Don't get up and run, cos that could provoke an attack." | 0:02:32 | 0:02:36 | |
This footage, shot by his mum-in-law, captures the moment | 0:02:36 | 0:02:40 | |
when, without warning, this elephant DOES attack. | 0:02:40 | 0:02:43 | |
Originally from County Tyrone, Northern Ireland, | 0:02:55 | 0:02:58 | |
Steve now lives in California with his American wife, Shannon. | 0:02:58 | 0:03:02 | |
'Shannon and I, we've been together since 2005.' | 0:03:02 | 0:03:05 | |
How is it looking? | 0:03:05 | 0:03:07 | |
We actually met in a pub, believe it or not, in Galway. | 0:03:07 | 0:03:11 | |
'Where I was working, and Stephen was a patron at the pub.' | 0:03:11 | 0:03:14 | |
After living together in Northern Ireland, | 0:03:16 | 0:03:18 | |
they recently moved to the States to be closer to Shannon's family. | 0:03:18 | 0:03:21 | |
And Steve has become firm friends with brother-in-law Shane. | 0:03:21 | 0:03:24 | |
Shane shares some of our interests with myself. | 0:03:26 | 0:03:29 | |
He loves the mountains and hiking. | 0:03:29 | 0:03:31 | |
Stephen is a pretty adventurous guy, I'd say. | 0:03:31 | 0:03:34 | |
He likes to be in the outdoors. | 0:03:34 | 0:03:35 | |
He doesn't really show his emotions too much. | 0:03:35 | 0:03:37 | |
He's very even-keeled. | 0:03:37 | 0:03:39 | |
Shane is a really calm person, you know. | 0:03:39 | 0:03:41 | |
I've never seen him flustered, ever. | 0:03:41 | 0:03:44 | |
But Steve and Shane are soon to share an experience | 0:03:44 | 0:03:47 | |
that will test them both. | 0:03:47 | 0:03:49 | |
Is that a mom and a cow? | 0:03:50 | 0:03:52 | |
It's September. Steve and his extended family are on a special | 0:03:52 | 0:03:56 | |
visit to Africa. | 0:03:56 | 0:03:58 | |
We went on Safari because it was Mitch, my father-in-law's, 65th birthday | 0:03:58 | 0:04:02 | |
and Shane's 30th birthday. | 0:04:02 | 0:04:03 | |
As well as the boys, the party of six is made up of Shannon, | 0:04:04 | 0:04:07 | |
her mother, Marianne, and Shane's wife, Dineen. | 0:04:07 | 0:04:10 | |
We went to Botswana in 2013. | 0:04:11 | 0:04:14 | |
So, this was our second trip altogether. | 0:04:14 | 0:04:17 | |
The family film their progress. | 0:04:17 | 0:04:19 | |
Steve is in his element. | 0:04:19 | 0:04:21 | |
I've always been very interested in Africa, particularly the wildlife | 0:04:21 | 0:04:24 | |
and my favourite animal is the elephant, probably. | 0:04:24 | 0:04:27 | |
And they're seeing plenty of elephants here in Mana Pools National Park. | 0:04:27 | 0:04:31 | |
It's a camp that's specifically home to a very large herd of elephants. | 0:04:31 | 0:04:37 | |
It was a home for the elephants prior to, | 0:04:37 | 0:04:39 | |
and then they built the camp there, and the elephants have gotten used to it. | 0:04:39 | 0:04:43 | |
Yeah, pretty much in their territory, you know. | 0:04:43 | 0:04:45 | |
Really, they walk about freely through the camps. | 0:04:45 | 0:04:48 | |
But these are still wild animals, and to be treated with caution. | 0:04:49 | 0:04:54 | |
You have to be respectful of its size. | 0:04:54 | 0:04:56 | |
Even it being gentle could be fatal to something as small and | 0:04:56 | 0:04:59 | |
insignificant as a human. | 0:04:59 | 0:05:02 | |
It's late morning. | 0:05:02 | 0:05:03 | |
The family have just got back from an early safari, | 0:05:03 | 0:05:06 | |
and are sitting down to eat brunch, with the elephants nearby. | 0:05:06 | 0:05:09 | |
Steve's mother-in-law, Marianne, is filming. | 0:05:09 | 0:05:12 | |
Oh, it's a little boy. | 0:05:13 | 0:05:14 | |
This is the time of day when the nearby trees drop their fruit pods | 0:05:16 | 0:05:20 | |
on the ground, attracting the elephants into the camp. | 0:05:20 | 0:05:22 | |
They had prepped us whenever we arrived at the camp and they said, | 0:05:24 | 0:05:27 | |
"Look, elephants will walk around. | 0:05:27 | 0:05:28 | |
"If they come close to you, don't move. | 0:05:28 | 0:05:31 | |
"Stay as still as possible and they'll pass." | 0:05:31 | 0:05:33 | |
Try to stay still when there's elephants next to you...! | 0:05:33 | 0:05:37 | |
Most just graze on the pods and walk harmlessly on through the camp. | 0:05:37 | 0:05:42 | |
But suddenly, one elephant comes round the corner towards them. | 0:05:42 | 0:05:44 | |
It's a ten-foot-high male, weighing around five tonnes. | 0:05:45 | 0:05:49 | |
That's the equivalent of four cars. | 0:05:49 | 0:05:51 | |
It had really big tusks. | 0:05:51 | 0:05:55 | |
As they've been instructed, the family freeze. | 0:05:55 | 0:05:58 | |
The elephant started to approach a little bit closer, | 0:05:58 | 0:06:01 | |
and move up the hill. | 0:06:01 | 0:06:04 | |
And at this stage I had my back to the elephant. | 0:06:04 | 0:06:07 | |
As it was coming up, I was trying not to look at it. | 0:06:07 | 0:06:09 | |
I was sort of looking at Stephen a little bit, | 0:06:09 | 0:06:13 | |
and looking at Dineen a little bit. | 0:06:13 | 0:06:15 | |
And then, trying to sort of keep my composure. | 0:06:15 | 0:06:17 | |
I could sense by the other people at the other side of the table, | 0:06:17 | 0:06:20 | |
they were getting tense. | 0:06:20 | 0:06:21 | |
I'm looking across and could see my sister, my dad and my mum. | 0:06:21 | 0:06:26 | |
They're all trying to keep their composure. | 0:06:26 | 0:06:29 | |
Then a pod drops off the tree in front of the elephant, | 0:06:29 | 0:06:32 | |
bringing it even closer to the group, | 0:06:32 | 0:06:35 | |
and directly behind Shane and Steve. | 0:06:35 | 0:06:37 | |
I was doing some nervous tapping. It was like... | 0:06:37 | 0:06:40 | |
that was Morse code for "get me out of here". | 0:06:40 | 0:06:42 | |
Stephen's looking over there, and you could see he is really tense. | 0:06:43 | 0:06:46 | |
There is a bit of a conflict in your mind, | 0:06:46 | 0:06:48 | |
because natural instinct is to flee. | 0:06:48 | 0:06:50 | |
But, actually, fleeing probably could provoke an attack. | 0:06:50 | 0:06:54 | |
But then, Steve can't resist looking round. | 0:06:54 | 0:06:57 | |
And I thought, right, I need to look around or else I'm... | 0:07:00 | 0:07:03 | |
You know, it could be standing literally at my back. | 0:07:03 | 0:07:06 | |
So, Steve looks at the elephant. | 0:07:06 | 0:07:08 | |
And the elephant looks at Steve. | 0:07:08 | 0:07:10 | |
Probably that look around maybe triggered some sort of aggression. | 0:07:11 | 0:07:15 | |
Steve's mother-in-law is so transfixed by what she sees down the lens, | 0:07:15 | 0:07:19 | |
she keeps filming what happens next. | 0:07:19 | 0:07:21 | |
Another holiday-maker also photographed | 0:07:28 | 0:07:31 | |
the moment the elephant hit Steve. | 0:07:31 | 0:07:34 | |
I thought, if I caught the tusk, | 0:07:34 | 0:07:36 | |
it could actually propel me back and I could escape without an injury, | 0:07:36 | 0:07:39 | |
and that's what happened. | 0:07:39 | 0:07:41 | |
The elephant's power simply swats Steve out of the way. | 0:07:41 | 0:07:44 | |
It then aims a more aggressive blow at Shane, | 0:07:46 | 0:07:48 | |
which sends him flying between the tables. | 0:07:48 | 0:07:50 | |
I look over at Dineen, and I'm looking at her sunglasses | 0:07:52 | 0:07:56 | |
and all of a sudden the elephant is huge, | 0:07:56 | 0:07:59 | |
like, filling up her sunglasses. | 0:07:59 | 0:08:01 | |
So, I'm like, "Uh-oh, it's right on top of us." | 0:08:01 | 0:08:03 | |
It hit me and threw me through the table, | 0:08:03 | 0:08:06 | |
and luckily the tables broke away, otherwise I think I could have got | 0:08:06 | 0:08:09 | |
smashed a little bit. | 0:08:09 | 0:08:10 | |
When I got tossed on the ground, I was thinking, | 0:08:10 | 0:08:13 | |
"Oh, my God. Is this thing going to, like, trample me?" | 0:08:13 | 0:08:16 | |
At that point, once it started knocking Shane over, | 0:08:16 | 0:08:18 | |
that's where I like crouched down behind the table. | 0:08:18 | 0:08:21 | |
That was really scary. | 0:08:21 | 0:08:22 | |
The rest of the family jump to their feet and try to move out of the way | 0:08:22 | 0:08:26 | |
as Shane staggers back up. | 0:08:26 | 0:08:29 | |
The elephant looked back at Shane | 0:08:29 | 0:08:31 | |
and made, like, two steps toward him again. | 0:08:31 | 0:08:34 | |
But a camp worker quickly claps his hands to deter the elephant. | 0:08:34 | 0:08:39 | |
Thankfully, it backs off | 0:08:41 | 0:08:43 | |
as the family take refuge under one of the camp's wooden shelters. | 0:08:43 | 0:08:47 | |
-Shane, you OK? -Yeah. | 0:08:47 | 0:08:50 | |
It just was like a blunt blow to the hip | 0:08:50 | 0:08:52 | |
and it sort of was just numb. | 0:08:52 | 0:08:54 | |
And once the adrenaline started to go away, | 0:08:54 | 0:08:57 | |
it hurt pretty good and started swelling up. | 0:08:57 | 0:08:59 | |
-Was that the tusk, or...? -Yeah, the tusk. | 0:08:59 | 0:09:02 | |
Whoa, bad boy. | 0:09:02 | 0:09:03 | |
I'm very surprised I didn't get badly hurt. | 0:09:03 | 0:09:06 | |
Shane was hit by a two-and-a-half-foot-long tusk. | 0:09:06 | 0:09:10 | |
Remarkably, it didn't impale him and he escaped with just soft tissue | 0:09:10 | 0:09:15 | |
damage and serious bruising. | 0:09:15 | 0:09:17 | |
Get back! | 0:09:17 | 0:09:19 | |
It's been about six months, eight months and... | 0:09:19 | 0:09:22 | |
I mean, there's a tiny, little O, | 0:09:22 | 0:09:25 | |
like little baby bruise right there. | 0:09:25 | 0:09:28 | |
But it was about that big before - swelled up and got a little purple. | 0:09:28 | 0:09:32 | |
I thought it was going to be a huge, like, gouge all the way up. | 0:09:32 | 0:09:35 | |
So, I was pretty lucky. | 0:09:35 | 0:09:37 | |
And Steve got away with no injuries at all. | 0:09:37 | 0:09:40 | |
Some emotional scarring, but that can heal. | 0:09:40 | 0:09:42 | |
It's fair to say this is one of the family's most re-watched home videos. | 0:09:44 | 0:09:49 | |
Too close for comfort. | 0:09:49 | 0:09:50 | |
Nobody knows for sure why the elephant behaved the way it did. | 0:09:50 | 0:09:55 | |
When I looked at the elephant, | 0:09:55 | 0:09:56 | |
there was a delay for a couple of seconds before it actually, um, | 0:09:56 | 0:10:00 | |
poked its ears up and then attacked, so who knows? | 0:10:00 | 0:10:04 | |
It mightn't have liked Irishmen! | 0:10:04 | 0:10:06 | |
Coming up... Anita and her band were planning a five-star performance. | 0:10:14 | 0:10:19 | |
I knew that it was going to be THE gig for our career, really. | 0:10:19 | 0:10:22 | |
It was incredible. | 0:10:22 | 0:10:24 | |
Now they're fleeing for their lives. | 0:10:24 | 0:10:26 | |
I remember hysteria. I lost my band members. | 0:10:26 | 0:10:29 | |
You know, we all lost each other. | 0:10:29 | 0:10:31 | |
Helvellyn in the Lake District. | 0:10:40 | 0:10:43 | |
A mountain rescue team and a coastguard helicopter crew | 0:10:43 | 0:10:46 | |
join forces to get an injured climber to hospital | 0:10:46 | 0:10:50 | |
following an horrific fall. | 0:10:50 | 0:10:51 | |
Adam went over the edge, catapulting down the side of the mountain. | 0:10:53 | 0:10:57 | |
I was just in front, and I just heard a scream. | 0:10:57 | 0:11:00 | |
I was just gone. Just thought that I was going to die. | 0:11:00 | 0:11:03 | |
The Lake District is one of the UK's most popular tourist destinations. | 0:11:11 | 0:11:15 | |
It's also a Mecca for ramblers and rock climbers. | 0:11:15 | 0:11:19 | |
28-year-old electrician Adam, from Stockton-on-Tees, | 0:11:19 | 0:11:22 | |
is one of those who has the bug. | 0:11:22 | 0:11:24 | |
I've in climbing for about a year now. | 0:11:24 | 0:11:27 | |
Since I started climbing, I just haven't stopped. | 0:11:27 | 0:11:29 | |
People always ask me, "Why the hell do you go climbing mountains?" | 0:11:29 | 0:11:33 | |
I suppose the way you'd say it is it makes you feel alive, kind of thing. | 0:11:33 | 0:11:37 | |
Life's problems just go away. | 0:11:37 | 0:11:39 | |
Up until now, Adam's only climbed the small stuff. | 0:11:41 | 0:11:44 | |
But, eager to reach new heights, | 0:11:44 | 0:11:46 | |
he's been training with his more experienced climbing buddy, Johnny. | 0:11:46 | 0:11:50 | |
I go climbing all around the country. | 0:11:50 | 0:11:52 | |
It's just the thrill you get | 0:11:52 | 0:11:54 | |
from climbing up something and looking down, | 0:11:54 | 0:11:57 | |
just thinking... | 0:11:57 | 0:11:59 | |
-"I've just got up that." -After a few trips together, | 0:11:59 | 0:12:02 | |
Johnny invites Adam to join him on an ice climb up Helvellyn, | 0:12:02 | 0:12:06 | |
in the Lake District. | 0:12:06 | 0:12:08 | |
I was like, "Yeah." I was like, "I'll get the day off." | 0:12:08 | 0:12:10 | |
950 metres tall, | 0:12:10 | 0:12:12 | |
Helvellyn is the third-highest peak in England. | 0:12:12 | 0:12:16 | |
Thousands visit each year. | 0:12:16 | 0:12:18 | |
This is Adam and Johnny's footage, | 0:12:18 | 0:12:20 | |
as they start their day at the base of the mountain. | 0:12:20 | 0:12:23 | |
'You just have to go slow and steady and take your time to make sure you | 0:12:23 | 0:12:28 | |
'don't have an accident before you even get there.' | 0:12:28 | 0:12:31 | |
Helvellyn's summit is up ahead, but shrouded by the clouds. | 0:12:31 | 0:12:35 | |
This is where the climb really begins, | 0:12:35 | 0:12:38 | |
and the lads are fully equipped. | 0:12:38 | 0:12:40 | |
That was when we started putting all our gear on, | 0:12:40 | 0:12:42 | |
we put our crampons on and stuff like that. Got our ice axes out. | 0:12:42 | 0:12:45 | |
Crampons fit over a climber's shoes, and help give them grip on the ice. | 0:12:45 | 0:12:50 | |
They use their ice axes to help support them as they climb. | 0:12:50 | 0:12:55 | |
You can see, this bit's really icy. | 0:12:55 | 0:12:57 | |
This is Adam's first ice climb. | 0:12:57 | 0:12:59 | |
I was grinning all the way up to the top, I kept turning around, | 0:12:59 | 0:13:02 | |
looking back at Johnny. He was like, "You OK?" | 0:13:02 | 0:13:05 | |
"Yeah, man. I'm fine." | 0:13:06 | 0:13:07 | |
I was like, "I'm having a whale of a time." | 0:13:07 | 0:13:10 | |
After a couple of hours' hard climbing, they reach Helvellyn's summit. | 0:13:10 | 0:13:14 | |
Whoo! 'We were both really excited, huge grins on our faces.' | 0:13:14 | 0:13:19 | |
I've thoroughly enjoyed myself. | 0:13:19 | 0:13:21 | |
After a snack, the boys decide to come back down one of the mountain's | 0:13:21 | 0:13:25 | |
other popular routes - Swirral Edge. | 0:13:25 | 0:13:27 | |
It's a narrow ridge, with steep, sharp slopes on either side. | 0:13:30 | 0:13:34 | |
We only got about ten metres along it, not even that, so, | 0:13:34 | 0:13:36 | |
we're pretty much still at the top of the mountain. | 0:13:36 | 0:13:39 | |
I was just in front of Adam, and I just heard a scream. | 0:13:39 | 0:13:42 | |
I'm just put my foot on, like, an extra-icy piece of snow, | 0:13:44 | 0:13:47 | |
you know, it was really hard underneath it. | 0:13:47 | 0:13:50 | |
The crampons didn't go into the ice, and unfortunately I slipped. | 0:13:50 | 0:13:54 | |
So, all my weight came down onto the ice axe. | 0:13:54 | 0:13:56 | |
And my hand slid straight off the ice axe, | 0:13:56 | 0:13:58 | |
and the sling that you have round it | 0:13:58 | 0:14:00 | |
to stop it falling off. | 0:14:00 | 0:14:02 | |
Just came straight off my wrist, like that. | 0:14:02 | 0:14:04 | |
The first thing I thought was to shout, "Use your axe." | 0:14:04 | 0:14:08 | |
I turned round and his axe was still where he placed it to stop himself. | 0:14:08 | 0:14:11 | |
Adam starts hurtling down the steep side of the ridge, | 0:14:11 | 0:14:15 | |
lying on his stomach. Feet first. | 0:14:15 | 0:14:17 | |
I was just gone. Like, Johnny was gone. | 0:14:17 | 0:14:19 | |
-In a second. -Cos you are in full waterproofs, | 0:14:21 | 0:14:24 | |
you just, like, get on a plastic bag, basically. | 0:14:24 | 0:14:26 | |
I mean, you just pick speed up, and pick speed up, and pick speed up. | 0:14:26 | 0:14:31 | |
I'm travelling 20, 30 mile an hour. | 0:14:31 | 0:14:33 | |
And I was only getting faster. | 0:14:33 | 0:14:34 | |
I knew that if I stuck my heels in, | 0:14:34 | 0:14:36 | |
I was going to flip myself over and go down headfirst. | 0:14:36 | 0:14:39 | |
Which is a million times worse. | 0:14:39 | 0:14:41 | |
Just thought that I was going to die. | 0:14:41 | 0:14:44 | |
Desperate, Adam manages to turn himself onto his back, | 0:14:46 | 0:14:49 | |
so at least he can see where he's going. | 0:14:49 | 0:14:51 | |
I remember seeing this rock sticking up, | 0:14:51 | 0:14:53 | |
probably just enough to be able to get my foot flat on it. | 0:14:53 | 0:14:56 | |
Straight away, I thought, I'll steer myself towards it, | 0:14:56 | 0:14:59 | |
and put myself into the rock. | 0:14:59 | 0:15:01 | |
I did think, I'm going to hurt myself here, | 0:15:01 | 0:15:04 | |
but I thought it's got to be better than carrying...keeping going. | 0:15:04 | 0:15:07 | |
Using his hands as paddles, | 0:15:09 | 0:15:10 | |
he steers himself towards the rock and braces for the impact. | 0:15:10 | 0:15:14 | |
I hit the rock. And my knee was pretty much in my face. | 0:15:14 | 0:15:18 | |
I remember looking at my foot, and it was just twisted on the rock. | 0:15:18 | 0:15:22 | |
I remember thinking to myself, "That's not right." | 0:15:22 | 0:15:24 | |
And the next thing I knew, again, I was sliding down the mountain again. | 0:15:24 | 0:15:28 | |
I remember clawing in the snow, trying to grab the rock and stuff, | 0:15:28 | 0:15:31 | |
and I just went again. | 0:15:31 | 0:15:32 | |
And then, that's when I did really think, "That's it." | 0:15:32 | 0:15:34 | |
There's no... That was my chance. | 0:15:36 | 0:15:38 | |
But crucially, although Adam's badly injured from hitting the rock, | 0:15:39 | 0:15:43 | |
he has succeeded in reducing his speed. | 0:15:43 | 0:15:45 | |
He comes to a stop just before a cluster of sharp rocks, | 0:15:47 | 0:15:50 | |
at the bottom of the slope. | 0:15:50 | 0:15:52 | |
If I didn't hit the rock, I would have just obviously picked up more speed | 0:15:53 | 0:15:56 | |
and would have hit those rocks at the bottom... | 0:15:56 | 0:15:59 | |
I just don't think it would have ended well. | 0:16:00 | 0:16:02 | |
He's survived. | 0:16:04 | 0:16:06 | |
But Adam's left leg is badly broken. | 0:16:06 | 0:16:09 | |
He can't walk, and it's freezing. | 0:16:09 | 0:16:12 | |
But then, to his left, he catches sight of another climber. | 0:16:12 | 0:16:16 | |
And that's when I shouted, "Help". | 0:16:16 | 0:16:17 | |
As chance would have it, the man Adam's spotted, Mark, | 0:16:17 | 0:16:21 | |
is a local mountain guide. | 0:16:21 | 0:16:23 | |
He is with a client, teaching them winter survival skills, | 0:16:23 | 0:16:26 | |
when he hears Adam's cry and rushes over. | 0:16:26 | 0:16:29 | |
I knew, immediately, that he'd fallen. | 0:16:29 | 0:16:32 | |
Not exactly sure from where. | 0:16:32 | 0:16:34 | |
I felt I kind of sigh of relief when he told me he was a guide. | 0:16:34 | 0:16:38 | |
Mark knows their exact position and immediately puts a call in | 0:16:39 | 0:16:42 | |
to mountain rescue. But it's going to take them at least an hour | 0:16:42 | 0:16:46 | |
to get there, and the air temperature's dropping fast. | 0:16:46 | 0:16:49 | |
The main concern for Adam was, um, hypothermia. | 0:16:49 | 0:16:54 | |
As a guide in the Lakes, | 0:16:54 | 0:16:56 | |
I carry with me sufficient emergency equipment | 0:16:56 | 0:16:59 | |
to deal with that sort of situation. | 0:16:59 | 0:17:01 | |
Mark uses his special survival sleeping bag and tent to keep | 0:17:01 | 0:17:06 | |
Adam warm. Meanwhile, not knowing whether his friend is alive or dead, | 0:17:06 | 0:17:11 | |
Johnny has carefully worked his way down the slope. | 0:17:11 | 0:17:15 | |
I've never been so happy to see Adam. | 0:17:15 | 0:17:17 | |
I found him, with his leg out in front of him, | 0:17:17 | 0:17:20 | |
just saying, "It's bust. It's bust." | 0:17:20 | 0:17:22 | |
The local mountain rescue team are on their way. | 0:17:24 | 0:17:27 | |
First to reach them is Alistair, | 0:17:27 | 0:17:29 | |
who realises Adam has fallen at least 150 metres. | 0:17:29 | 0:17:34 | |
I informed our duty leader, Andy, | 0:17:34 | 0:17:37 | |
and he immediately requested a helicopter as well. | 0:17:37 | 0:17:39 | |
This photograph shows the arrival of the rest of the mountain rescue team, | 0:17:41 | 0:17:45 | |
minutes later. | 0:17:45 | 0:17:47 | |
But it's another 45 minutes before a coastguard rescue helicopter reaches | 0:17:47 | 0:17:51 | |
them, battling through strong winds and poor visibility. | 0:17:51 | 0:17:55 | |
Johnny begins to film on his mobile phone. | 0:17:56 | 0:17:59 | |
The helicopter's winchman is lowered down. | 0:17:59 | 0:18:03 | |
Then, with the aid of the mountain rescue team, | 0:18:03 | 0:18:05 | |
he puts Adam on a stretcher, and attaches it to a line. | 0:18:05 | 0:18:09 | |
So, everyone had to batten down the hatches for the downdraught. | 0:18:10 | 0:18:14 | |
And one of the mountain rescue blokes gave me his dog and said to keep tight | 0:18:14 | 0:18:18 | |
hold of her, because she'll get blown off. | 0:18:18 | 0:18:21 | |
Next, the winchman signals the helicopter down to a safe height, | 0:18:21 | 0:18:25 | |
so they can be lifted off the mountain. | 0:18:25 | 0:18:28 | |
But they're in a steep-sided bowl, | 0:18:28 | 0:18:30 | |
which funnels the wind and puts them into an unavoidable spin. | 0:18:30 | 0:18:34 | |
When I was getting winched up, and like the wind was... | 0:18:35 | 0:18:38 | |
crazy. I've never experienced wind like that. | 0:18:38 | 0:18:41 | |
Obviously it will be from the downforce from the blades of the helicopter as well. | 0:18:41 | 0:18:45 | |
But I just remember thinking, like, "Man, these guys are pretty crazy, | 0:18:45 | 0:18:49 | |
"coming out to try and get me off this mountain." | 0:18:49 | 0:18:52 | |
The two men make it safely into the helicopter, | 0:18:52 | 0:18:55 | |
which is hovering nearly 20 metres above. | 0:18:55 | 0:18:57 | |
He's flown to the Royal Preston Hospital. | 0:18:59 | 0:19:02 | |
I found out that I had actually broken my leg and my ankle, | 0:19:02 | 0:19:05 | |
not just one or the other. | 0:19:05 | 0:19:06 | |
It is quite a serious break in my ankle. | 0:19:06 | 0:19:09 | |
Adam has an emergency operation, | 0:19:10 | 0:19:12 | |
where surgeons insert pins to stabilise his leg. | 0:19:12 | 0:19:15 | |
Eight weeks on, he's still recovering at home. | 0:19:16 | 0:19:19 | |
But everyone involved acknowledges how lucky he was that day. | 0:19:20 | 0:19:25 | |
He's gone probably 150, 200 metres. | 0:19:25 | 0:19:27 | |
That's quite a bum slide, that. | 0:19:27 | 0:19:29 | |
He's lucky he's just got a broken leg. | 0:19:29 | 0:19:32 | |
I just feel lucky that nothing else happened. | 0:19:33 | 0:19:36 | |
I saw, like, the first news story posted about it. | 0:19:36 | 0:19:39 | |
And I scrolled to the bottom, | 0:19:39 | 0:19:41 | |
and all the related articles were people falling less than I did - | 0:19:41 | 0:19:45 | |
and dying. And that's kind of when it sunk in, like really, really, | 0:19:45 | 0:19:49 | |
really...how lucky I'd just been. | 0:19:49 | 0:19:51 | |
When things go wrong, we often need to depend on others. | 0:19:59 | 0:20:01 | |
And it's good to know there are plenty of people out there willing to help. | 0:20:01 | 0:20:05 | |
Downtown Dubai. | 0:20:11 | 0:20:13 | |
New Year's Eve, the five-star Address Hotel. | 0:20:13 | 0:20:16 | |
A fire rages 20 floors up the 63-storey building. | 0:20:18 | 0:20:22 | |
We need to go. There is a fire. | 0:20:22 | 0:20:24 | |
On the rear terrace, performing with her band, is singer Anita Williams. | 0:20:26 | 0:20:30 | |
It was just out of control, in literally under a minute. | 0:20:30 | 0:20:34 | |
All you could see is bits coming down. | 0:20:34 | 0:20:35 | |
They were coming away from the building. | 0:20:35 | 0:20:37 | |
They are trapped on the wrong side of the hotel, | 0:20:37 | 0:20:41 | |
not sure which is the safest escape route. | 0:20:41 | 0:20:43 | |
Singer and mum-of-two Anita Williams is originally from Cork in Ireland, | 0:20:55 | 0:21:00 | |
but now lives in Dubai with her husband. | 0:21:00 | 0:21:02 | |
Anita's passion is jazz. | 0:21:04 | 0:21:06 | |
It's my whole life now, and I love it... | 0:21:06 | 0:21:08 | |
I love it, love it, love it. | 0:21:08 | 0:21:10 | |
# Sweet rhythm captivates me Hot rhythm stimulates me... # | 0:21:10 | 0:21:14 | |
She has her own band, and performs on the hotel and nightclub scene | 0:21:14 | 0:21:18 | |
-in the popular holiday hot spot. -Well, there's... | 0:21:18 | 0:21:21 | |
there's five of us, and I'm so blessed with these guys. | 0:21:21 | 0:21:25 | |
We are multinational, so my bass player's Danish, | 0:21:25 | 0:21:28 | |
my guitar player's Russian, my drummer is Ivory Coast, | 0:21:28 | 0:21:31 | |
and my sax player is Chicago Korean. | 0:21:31 | 0:21:34 | |
So, we are... We're some bunch. | 0:21:34 | 0:21:35 | |
It's New Year's Eve, and Anita and the band | 0:21:37 | 0:21:40 | |
are due to perform at the five-star Address Hotel. | 0:21:40 | 0:21:43 | |
It's located across from the iconic Burj Khalifa, | 0:21:43 | 0:21:47 | |
the world's tallest building, | 0:21:47 | 0:21:49 | |
which is putting on a massive fireworks display | 0:21:49 | 0:21:51 | |
later in the evening. | 0:21:51 | 0:21:53 | |
I knew that it was going to be THE gig for our career, really. | 0:21:53 | 0:21:58 | |
You know, so we were thrilled to have been given that opportunity. | 0:21:58 | 0:22:01 | |
It was incredible. | 0:22:01 | 0:22:03 | |
Anita and the band are appearing on the rear terrace of the luxury | 0:22:03 | 0:22:07 | |
building, which soars to nearly 1,000 feet. | 0:22:07 | 0:22:11 | |
Part of the pool has been covered to form their stage. | 0:22:11 | 0:22:14 | |
In the afternoon sunshine, the band do a sound check | 0:22:14 | 0:22:17 | |
to make sure everything is perfect for the evening's performance. | 0:22:17 | 0:22:21 | |
So, then we all went to the green room. | 0:22:22 | 0:22:24 | |
Chilled out, ate, got ready and then we were called to perform. | 0:22:24 | 0:22:28 | |
Anita's husband is with her, but her mum, who is visiting from Ireland, | 0:22:30 | 0:22:34 | |
decides at the last moment to stay at the house | 0:22:34 | 0:22:37 | |
and watch the midnight fireworks on TV. | 0:22:37 | 0:22:39 | |
She'd been down the beach all that day and she was too tired. | 0:22:39 | 0:22:42 | |
And I had an argument with her. | 0:22:42 | 0:22:44 | |
"You're missing the best night of your life." | 0:22:44 | 0:22:46 | |
But even without her mum, Anita's determined to enjoy her big night. | 0:22:46 | 0:22:51 | |
It was this huge, big party atmosphere. | 0:22:51 | 0:22:54 | |
It was like a movie. It was incredible, it really was. | 0:22:54 | 0:22:57 | |
It's two hours to midnight, | 0:22:59 | 0:23:01 | |
and Anita is just finishing her fifth number, | 0:23:01 | 0:23:03 | |
when she realises something is wrong. | 0:23:03 | 0:23:06 | |
I remember the song distinctly. | 0:23:07 | 0:23:09 | |
Cheek To Cheek, by Irving Berlin. | 0:23:09 | 0:23:11 | |
# ..dancing cheek-to-cheek... # | 0:23:11 | 0:23:14 | |
I will never forget it. | 0:23:14 | 0:23:16 | |
It was either my bass player or the drummer, | 0:23:18 | 0:23:20 | |
they were the first to notice there's a fire | 0:23:20 | 0:23:22 | |
on the balcony. | 0:23:22 | 0:23:24 | |
So, the fire was just behind us. | 0:23:24 | 0:23:26 | |
So everybody looked. | 0:23:26 | 0:23:27 | |
You know, we all looked at the balcony, which was there. | 0:23:27 | 0:23:30 | |
At first, no-one is aware quite how serious it is. | 0:23:30 | 0:23:34 | |
And it was, you know, it was... | 0:23:34 | 0:23:35 | |
Yes, there was a fire, but it was a tiny fire, so we presumed, you know, | 0:23:35 | 0:23:40 | |
it'll go out. Somebody will out it, or somebody will do something. | 0:23:40 | 0:23:44 | |
And we carried on. | 0:23:44 | 0:23:45 | |
'That was it. | 0:23:46 | 0:23:48 | |
'We carried on our performance.' | 0:23:48 | 0:23:50 | |
However, within seconds, the blaze intensifies. | 0:23:51 | 0:23:55 | |
It happened so quickly. | 0:23:55 | 0:23:57 | |
It is incredible how quickly it happened. | 0:23:57 | 0:23:59 | |
It was just out of control in literally under a minute. | 0:23:59 | 0:24:03 | |
All you could see is bits coming down, you know, coming away from the building. | 0:24:03 | 0:24:06 | |
My husband just came and grabbed me and said, "We've got to go. | 0:24:07 | 0:24:10 | |
"Everybody's got to go. Everybody, get offstage." | 0:24:10 | 0:24:14 | |
One of the guests on the terrace begins to film the blaze - | 0:24:14 | 0:24:17 | |
and the panic - on his phone. | 0:24:17 | 0:24:19 | |
Anita and the band can be heard trying to decide what to do. | 0:24:19 | 0:24:23 | |
I was telling all the band to get off the stage, and go... | 0:24:35 | 0:24:38 | |
The drummer ran, you know, he left all his gear. | 0:24:38 | 0:24:41 | |
We all ran. | 0:24:41 | 0:24:43 | |
But they're not sure where they should be heading. | 0:24:43 | 0:24:46 | |
At that stage there was absolute panic, | 0:24:46 | 0:24:48 | |
because we had no idea, you know, what we... Where to go, or how to get out. | 0:24:48 | 0:24:53 | |
What we were supposed to do. | 0:24:53 | 0:24:54 | |
And we all ran in different directions. | 0:24:54 | 0:24:57 | |
I lost my band members. | 0:24:57 | 0:24:58 | |
You know, we all lost each other. | 0:24:58 | 0:25:00 | |
My husband was very calm. | 0:25:02 | 0:25:03 | |
He just kept saying, "Keep going, keep going, keep going." | 0:25:03 | 0:25:07 | |
But I...I remember hysteria. | 0:25:07 | 0:25:09 | |
I honestly thought the building was going to fall down. | 0:25:09 | 0:25:12 | |
Anita, the band, and their audience are at the rear of the hotel. | 0:25:13 | 0:25:18 | |
The fire is 20 floors up. | 0:25:18 | 0:25:20 | |
But debris is raining down, and the flames are shooting higher, | 0:25:20 | 0:25:24 | |
beginning to engulf one whole side of the hotel, above the terrace. | 0:25:24 | 0:25:29 | |
Some people were running out front, | 0:25:29 | 0:25:31 | |
and you couldn't get out the front. | 0:25:31 | 0:25:33 | |
So we had to go down the back. | 0:25:33 | 0:25:35 | |
So, then we all turned back and went down the stairwell. | 0:25:35 | 0:25:38 | |
The stairs take them under the hotel | 0:25:38 | 0:25:41 | |
and into a passageway which comes out near its main entrance. | 0:25:41 | 0:25:45 | |
There was a lovely young guy, I'll never forget him, | 0:25:45 | 0:25:47 | |
he worked for the hotel. | 0:25:47 | 0:25:49 | |
And he was so calm, and he guided everybody down that stairwell. | 0:25:49 | 0:25:53 | |
And when we got down the stairwell, there was another guy, | 0:25:53 | 0:25:56 | |
and he led as all out the tunnel. | 0:25:56 | 0:25:58 | |
The escaping crowds are channelled through a shopping mall | 0:26:02 | 0:26:05 | |
and out onto a main road. | 0:26:05 | 0:26:07 | |
Hundreds of people there. Hundreds of people. | 0:26:11 | 0:26:14 | |
People with buggies, kids, people... you know, all walks of life. | 0:26:14 | 0:26:18 | |
By now, fire crews have arrived at the front of the building. | 0:26:21 | 0:26:25 | |
The emergency services were everywhere. | 0:26:25 | 0:26:28 | |
It was incredible, | 0:26:28 | 0:26:29 | |
the speed that they got things done. | 0:26:29 | 0:26:31 | |
I didn't start to feel safe until we got out onto the main road | 0:26:33 | 0:26:37 | |
and there was huge pandemonium there. | 0:26:37 | 0:26:39 | |
And that's when I really started to feel, "Where is the band? | 0:26:41 | 0:26:44 | |
"Where is everybody?" | 0:26:44 | 0:26:45 | |
So, I started to call the band and I couldn't really get through. | 0:26:46 | 0:26:50 | |
I think the first person I got through to was Alex, my guitar player. | 0:26:50 | 0:26:55 | |
Within an hour, Anita manages to track them all down. | 0:26:55 | 0:26:58 | |
Along with the thousands of partygoers and staff, | 0:26:58 | 0:27:01 | |
they've all made it out of the building. | 0:27:01 | 0:27:03 | |
But, back at the house, Anita's mum, watching the whole thing on TV, | 0:27:07 | 0:27:11 | |
is desperately trying to get hold of her. | 0:27:11 | 0:27:14 | |
She actually called my sons to see if THEY could get us. | 0:27:14 | 0:27:17 | |
I mean, obviously everybody was hugely upset because | 0:27:17 | 0:27:20 | |
they could see it on TV. You know, she was absolutely petrified. | 0:27:20 | 0:27:24 | |
And then my mum got through, so at that stage you start to feel relief. | 0:27:25 | 0:27:29 | |
And then we found one taxi driver on the road, | 0:27:29 | 0:27:32 | |
and he picked us up and dropped us home. | 0:27:32 | 0:27:36 | |
It's not until you get out afterwards and look at it from afar, | 0:27:36 | 0:27:39 | |
that you realise how bad it was. | 0:27:39 | 0:27:41 | |
You know, from a tiny, tiny thing to a huge inferno. | 0:27:42 | 0:27:47 | |
Emergency services bring the fire under control before midnight - | 0:27:47 | 0:27:51 | |
although it continues to smoulder, | 0:27:51 | 0:27:53 | |
as the Burj Khalifa fireworks display welcomes in the New Year. | 0:27:53 | 0:27:57 | |
I was actually here, in the house, and I could hear the fireworks. | 0:27:59 | 0:28:03 | |
And I was so genuinely thrilled that they did decide to go ahead, | 0:28:03 | 0:28:08 | |
because the work that had gone in to those fireworks. | 0:28:08 | 0:28:11 | |
They were going to be the biggest fireworks ever. | 0:28:11 | 0:28:13 | |
Some really close calls today, but all with remarkably good outcomes. | 0:28:22 | 0:28:26 | |
See you next time. | 0:28:26 | 0:28:27 |