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A close call, a moment of danger when life can hang in the balance. | 0:00:02 | 0:00:05 | |
I could die here, this is really serious. | 0:00:05 | 0:00:07 | |
A split second where the outcome could go either way. | 0:00:08 | 0:00:11 | |
Right, call 999 now. | 0:00:11 | 0:00:12 | |
The difference between disaster and survival. | 0:00:12 | 0:00:15 | |
You could see it on the faces of the crew how life-threatening this was. | 0:00:15 | 0:00:19 | |
Why would you need to swim? | 0:00:19 | 0:00:20 | |
Apparently, they're supposed to still be on a boat. | 0:00:20 | 0:00:22 | |
These are the people that have been there and lived to tell the tale. | 0:00:22 | 0:00:25 | |
I thought she had died. | 0:00:25 | 0:00:27 | |
It's a day they'll never forget. | 0:00:27 | 0:00:29 | |
The day they had a close call. | 0:00:29 | 0:00:31 | |
Today on Close Calls, | 0:00:47 | 0:00:49 | |
a dad with a pushchair, | 0:00:49 | 0:00:51 | |
two women chatting | 0:00:51 | 0:00:53 | |
and a car that's out of control. | 0:00:53 | 0:00:55 | |
It was a very big noise, | 0:00:55 | 0:00:57 | |
like I could understand straightaway accident, crash, boom. | 0:00:58 | 0:01:02 | |
-And... -Argh! | 0:01:04 | 0:01:06 | |
..a snowboarder suffers a horrendous injury after a high-speed collision | 0:01:06 | 0:01:11 | |
with a friend on the slopes. | 0:01:11 | 0:01:12 | |
Neither were moving, | 0:01:13 | 0:01:14 | |
he was in a heap on the floor a bit further down the mountain, | 0:01:14 | 0:01:17 | |
he was screaming, "My knee, my knee!" | 0:01:17 | 0:01:19 | |
HE SCREAMS | 0:01:19 | 0:01:21 | |
Plus, two students heading home by train - | 0:01:22 | 0:01:26 | |
they've just got off when this happens... | 0:01:26 | 0:01:28 | |
James! | 0:01:31 | 0:01:32 | |
Chorton-cum-Hardy, Manchester. | 0:01:42 | 0:01:44 | |
A dad is wheeling his baby son along in his pushchair. | 0:01:45 | 0:01:48 | |
I just suddenly saw a car | 0:01:49 | 0:01:51 | |
barrelling towards me and towards Theo. | 0:01:51 | 0:01:55 | |
The car's coming straight at them. | 0:01:55 | 0:01:57 | |
He has only seconds to react. | 0:01:57 | 0:01:59 | |
It keeps on going, | 0:02:00 | 0:02:02 | |
heading for a pavement cafe | 0:02:02 | 0:02:04 | |
where two women stand chatting. | 0:02:04 | 0:02:06 | |
They're directly in its path. | 0:02:06 | 0:02:08 | |
Chorlton-cum-Hardy, a leafy suburb | 0:02:16 | 0:02:19 | |
four miles south-west of Manchester city centre. | 0:02:19 | 0:02:22 | |
It's bustling with independent shops, cafes and bars, | 0:02:23 | 0:02:26 | |
making it popular with young professionals and families. | 0:02:26 | 0:02:30 | |
Chorlton is home to computer programmer Ludo. | 0:02:30 | 0:02:33 | |
A Mancunian by birth, | 0:02:33 | 0:02:34 | |
he lives in the suburb with wife Anna and their four children. | 0:02:34 | 0:02:38 | |
It's a great honour to be a parent. | 0:02:39 | 0:02:40 | |
I mean, it's a great joy. | 0:02:40 | 0:02:42 | |
It's a lot of hard work, | 0:02:42 | 0:02:44 | |
but there's nothing like having beautiful kids | 0:02:44 | 0:02:48 | |
kind of smiling at you. | 0:02:48 | 0:02:50 | |
Ludo often works from home and is a hands-on dad, | 0:02:50 | 0:02:54 | |
particularly with the youngest child, two-year-old Theo. | 0:02:54 | 0:02:57 | |
Theo, you know, is my only son. | 0:02:58 | 0:03:00 | |
He's an absolutely fantastic little boy. | 0:03:02 | 0:03:06 | |
Really, he means everything to me and Anna. | 0:03:06 | 0:03:08 | |
Ludo enjoys the busy buzz | 0:03:09 | 0:03:11 | |
of Chorlton's tearooms and coffee shops. | 0:03:11 | 0:03:14 | |
He regularly passes by the Tutku Cafe, run by Vasil, | 0:03:14 | 0:03:18 | |
who moved to the UK from Turkey a few years ago. | 0:03:18 | 0:03:21 | |
I love the Chorlton customers, | 0:03:21 | 0:03:23 | |
they are nice, polite, | 0:03:23 | 0:03:24 | |
so I'm very happy I opened a cafe in Chorlton. | 0:03:24 | 0:03:28 | |
The cafe's popularity meant Vasil needed an extra waitress. | 0:03:29 | 0:03:34 | |
Step forward Hatice, who's lived in the area for 16 years | 0:03:34 | 0:03:37 | |
and was looking for work after her youngest child started school. | 0:03:37 | 0:03:41 | |
It's a good cafe. | 0:03:41 | 0:03:43 | |
It's a very nice place to work | 0:03:43 | 0:03:45 | |
because I like the work here. | 0:03:45 | 0:03:47 | |
The regular people is good is why I like it. | 0:03:47 | 0:03:49 | |
I don't know, they like me as well, I think so! | 0:03:49 | 0:03:53 | |
Hatice has been in the job for just a week | 0:03:55 | 0:03:58 | |
when, one autumn Monday morning, Ludo sets off in a bit of a hurry | 0:03:58 | 0:04:02 | |
to drop Theo at a local childcare centre. | 0:04:02 | 0:04:05 | |
They're running later than planned, | 0:04:06 | 0:04:07 | |
but take their usual route along the main road. | 0:04:07 | 0:04:11 | |
There we were, just after 11am, | 0:04:11 | 0:04:13 | |
kind of coming up to 11:30am, going down Barlow Moor Road, | 0:04:13 | 0:04:16 | |
which is one of the main thoroughfares | 0:04:16 | 0:04:18 | |
through Chorlton and into Manchester. | 0:04:18 | 0:04:20 | |
Although it's busy it's a pretty friendly place. | 0:04:20 | 0:04:23 | |
We were just sort of trundling along. | 0:04:23 | 0:04:25 | |
Ludo and Theo are nearing Vasil's cafe, | 0:04:27 | 0:04:30 | |
which is quiet after the morning rush. | 0:04:30 | 0:04:32 | |
It was 11:30am and I had five tables | 0:04:33 | 0:04:38 | |
sitting in the cafe, | 0:04:38 | 0:04:41 | |
and one table was sitting outside, | 0:04:41 | 0:04:44 | |
he was eating breakfast. | 0:04:44 | 0:04:46 | |
Hatice has been out delivering an order to a nearby business. | 0:04:46 | 0:04:49 | |
Just as she's about to go back into the cafe, she spots a friend. | 0:04:50 | 0:04:54 | |
The two women begin to chat. | 0:04:54 | 0:04:57 | |
My friend, she sees me, | 0:04:57 | 0:04:59 | |
when she was talking to me, she says, "Hello," and, "How are you?" | 0:04:59 | 0:05:02 | |
We talk to each other like me and you. | 0:05:02 | 0:05:05 | |
The cafe's outside CCTV cameras show their position, | 0:05:06 | 0:05:10 | |
highlighted here. | 0:05:10 | 0:05:12 | |
Hatice's friend, wearing a coat and carrying a bag, | 0:05:12 | 0:05:15 | |
is nearest the camera and the cafe. | 0:05:15 | 0:05:17 | |
Hatice is just out of view, | 0:05:17 | 0:05:19 | |
in front of the row of parked cars. | 0:05:19 | 0:05:22 | |
She notices Ludo, with baby Theo | 0:05:23 | 0:05:25 | |
tucked up in his pushchair, approaching. | 0:05:25 | 0:05:27 | |
That's Ludo in the hat, | 0:05:29 | 0:05:30 | |
with Theo in the buggy facing his dad. | 0:05:30 | 0:05:33 | |
The pram, you know, the man is coming. | 0:05:34 | 0:05:37 | |
I give way, he's past. | 0:05:37 | 0:05:40 | |
Ludo and little Theo are now in front of the estate agents | 0:05:40 | 0:05:44 | |
next door to the cafe. | 0:05:44 | 0:05:46 | |
It's at this point | 0:05:48 | 0:05:49 | |
something attracts Ludo's attention. | 0:05:49 | 0:05:51 | |
I just suddenly saw a car barrelling onto the pavement | 0:05:52 | 0:05:56 | |
towards me and towards Theo, | 0:05:56 | 0:05:58 | |
and at first I just thought that he wanted to park on the pavement. | 0:05:58 | 0:06:02 | |
I knew it was going too fast and I thought it was going to stop. | 0:06:02 | 0:06:06 | |
The two different angles from the CCTV | 0:06:06 | 0:06:08 | |
show the terrifying moments that follow. | 0:06:08 | 0:06:11 | |
The car mounts the pavement | 0:06:12 | 0:06:14 | |
between the shops and the row of parked cars, | 0:06:14 | 0:06:16 | |
heading straight for Ludo and Theo. | 0:06:16 | 0:06:19 | |
Ludo reacts in record time. | 0:06:19 | 0:06:21 | |
I just got out the way straightaway. | 0:06:26 | 0:06:28 | |
I didn't think much about it at the time, I just did it. | 0:06:33 | 0:06:36 | |
It all happened very quickly, really. | 0:06:36 | 0:06:38 | |
The second I moved, the car just barrelled past me. | 0:06:38 | 0:06:41 | |
As the car passes within a breath of the dad and toddler, | 0:06:41 | 0:06:45 | |
it smashes into the large planters outside the estate agent, | 0:06:45 | 0:06:49 | |
heading straight for Hatice and her friend. | 0:06:49 | 0:06:52 | |
The noise is like a bang first, | 0:06:53 | 0:06:56 | |
but I didn't see the car, | 0:06:56 | 0:06:58 | |
I heard the noise. | 0:06:58 | 0:06:59 | |
Then I see the car is coming - I don't know what's happened here. | 0:07:00 | 0:07:04 | |
She has less than a second to react. | 0:07:04 | 0:07:06 | |
I pushed my friend, you know, | 0:07:06 | 0:07:08 | |
I take my friend and then I pushed myself back. | 0:07:08 | 0:07:11 | |
The CCTV shows Hatice grabbing her friend | 0:07:15 | 0:07:18 | |
and then falling to the ground as the car strikes her a glancing blow. | 0:07:18 | 0:07:23 | |
I heard the women behind me exclaiming in distress | 0:07:23 | 0:07:26 | |
as they jumped out the way as well. | 0:07:26 | 0:07:28 | |
I think something hit me, I fell down. | 0:07:30 | 0:07:34 | |
Then after I see the table coming in my leg. | 0:07:34 | 0:07:37 | |
Inside the cafe, Vasil is busy behind the counter. | 0:07:38 | 0:07:41 | |
But the sound of the drama outside stops him in his tracks. | 0:07:44 | 0:07:47 | |
It was a very big noise, | 0:07:48 | 0:07:50 | |
like I could understand straightaway | 0:07:50 | 0:07:53 | |
accident, crash, boom. | 0:07:53 | 0:07:55 | |
As the car comes to a stop, | 0:07:57 | 0:07:58 | |
waitress Hatice struggles back to her feet | 0:07:58 | 0:08:01 | |
and moves towards the cafe. | 0:08:01 | 0:08:03 | |
Her friend and another bystander head over to the car. | 0:08:06 | 0:08:09 | |
They find an elderly man unconscious behind the wheel | 0:08:10 | 0:08:13 | |
and call for an ambulance. | 0:08:13 | 0:08:15 | |
Although there'd been nobody in the street a second before, | 0:08:16 | 0:08:20 | |
suddenly people ran out of the shops. | 0:08:20 | 0:08:23 | |
There were broken plates on the floor. | 0:08:23 | 0:08:26 | |
The fence had been knocked through 90 degrees. | 0:08:27 | 0:08:30 | |
The big purple planters had been destroyed. | 0:08:31 | 0:08:34 | |
There were broken tables and the car, of course, | 0:08:34 | 0:08:37 | |
stuck in the middle of the pavement. | 0:08:37 | 0:08:39 | |
Vasil joins the growing crowd, | 0:08:42 | 0:08:44 | |
shocked to see the scene of devastation. | 0:08:44 | 0:08:46 | |
The table was on the floor, everything's destroyed | 0:08:47 | 0:08:51 | |
and then I couldn't believe it, I had a shock, | 0:08:51 | 0:08:54 | |
I couldn't understand what's happened here. | 0:08:54 | 0:08:56 | |
He finds Hatice amongst the debris. | 0:08:56 | 0:09:00 | |
She told me she fell down. And then I said, "Are you OK?" | 0:09:00 | 0:09:03 | |
She said, "Yeah, I am fine." | 0:09:03 | 0:09:05 | |
OK, he said, "No, you are not OK, because you're like..." | 0:09:05 | 0:09:09 | |
"Your face is... I know you're not OK." | 0:09:09 | 0:09:13 | |
"Your colour is white. You should sit | 0:09:13 | 0:09:16 | |
"and wait until ambulances come." | 0:09:16 | 0:09:19 | |
Thanks to Ludo's extraordinary reactions, | 0:09:21 | 0:09:24 | |
he and Theo are safe on the forecourt | 0:09:24 | 0:09:26 | |
of the neighbouring estate agents, | 0:09:26 | 0:09:28 | |
where staff take them in to look after them. | 0:09:28 | 0:09:30 | |
Fortunately, because it was a parent-facing buggy, | 0:09:31 | 0:09:35 | |
he didn't see the car coming. | 0:09:35 | 0:09:36 | |
I wouldn't want him to have got frightened | 0:09:36 | 0:09:38 | |
or have any sort of ongoing problems. | 0:09:38 | 0:09:40 | |
I thought it would be a good idea just to sit down for 20 minutes | 0:09:42 | 0:09:44 | |
and have a strong cup of tea. | 0:09:44 | 0:09:45 | |
And I was very glad, | 0:09:45 | 0:09:47 | |
when he started playing with the estate agents' computer - | 0:09:47 | 0:09:49 | |
they let him sit at their computer desk | 0:09:49 | 0:09:51 | |
and I realised that he was basically all right. | 0:09:51 | 0:09:53 | |
But at the cafe, Hatice is in shock and, as she waits for the ambulance, | 0:09:56 | 0:10:00 | |
she starts to register the pain in her feet, her knees and her hands. | 0:10:00 | 0:10:05 | |
When they arrive, the ambulance team give her painkillers | 0:10:07 | 0:10:09 | |
and take her to hospital. | 0:10:09 | 0:10:12 | |
They said after four or six hours, and then when I go hospital, | 0:10:12 | 0:10:17 | |
I come home as well and it's very bad, | 0:10:17 | 0:10:20 | |
my husband take me, and my friend with me. | 0:10:20 | 0:10:22 | |
Still I shake, they said, | 0:10:22 | 0:10:24 | |
"You're not all right, see, we told you." | 0:10:24 | 0:10:27 | |
Back at the cafe, | 0:10:28 | 0:10:29 | |
Vasil plays the CCTV recordings of his forecourt | 0:10:29 | 0:10:33 | |
and can't believe what he sees. | 0:10:33 | 0:10:36 | |
I understand it was a very dangerous accident. | 0:10:36 | 0:10:40 | |
Hatice was very lucky and also Ludo was very lucky, | 0:10:40 | 0:10:44 | |
because both of them had a very quick reaction. | 0:10:44 | 0:10:48 | |
Later, it's revealed the elderly male driver | 0:10:52 | 0:10:55 | |
suffered an unavoidable medical episode at the wheel. | 0:10:55 | 0:10:58 | |
Ludo has since been back to meet Vasil at his cafe. | 0:10:59 | 0:11:02 | |
I was very happy to see him here and then I offered him, | 0:11:02 | 0:11:07 | |
"Do you want me to give you that video?" Maybe he can keep it? | 0:11:07 | 0:11:11 | |
And then I said to him, I make a joke, I said to him, "One day, | 0:11:11 | 0:11:15 | |
"when your boy has grown up, you can show to him that video, | 0:11:15 | 0:11:19 | |
" 'Look, your daddy's the hero, he saved you.' " | 0:11:19 | 0:11:24 | |
For Ludo, it makes sobering viewing. | 0:11:24 | 0:11:26 | |
Now I've had a look at sort of a high-res version of it, | 0:11:27 | 0:11:31 | |
it's much closer than I realised at the time | 0:11:31 | 0:11:34 | |
and when the police spoke to me afterwards, | 0:11:34 | 0:11:36 | |
they said the same thing. | 0:11:36 | 0:11:37 | |
Actually, the police officer who spoke to me | 0:11:37 | 0:11:39 | |
said his toes were curling when he watched the footage. | 0:11:39 | 0:11:42 | |
I did do it just in time, but... | 0:11:43 | 0:11:45 | |
But I didn't realise how close it was. | 0:11:48 | 0:11:50 | |
And mum-of-four Hatice is also very thankful | 0:11:52 | 0:11:55 | |
she was able to react so quickly that morning. | 0:11:55 | 0:11:58 | |
If the car had hit us, we will die, definitely. | 0:11:58 | 0:12:01 | |
And Ludo's grateful his quick reactions saved his baby son. | 0:12:03 | 0:12:08 | |
It just shows how important it is to make every day count. | 0:12:08 | 0:12:11 | |
Flames shoot into the air, engulfing a train carriage. | 0:12:17 | 0:12:20 | |
Two young students race to warn commuters. | 0:12:20 | 0:12:23 | |
Get back! Get off the train! | 0:12:23 | 0:12:26 | |
Kitzbuhel in the Austrian Alps. | 0:12:32 | 0:12:34 | |
A snowboarder begins a downhill run, quickly accelerating. | 0:12:36 | 0:12:40 | |
His eyes fixed on the snow ahead, he doesn't see what's coming. | 0:12:40 | 0:12:44 | |
SCREAMING | 0:12:46 | 0:12:48 | |
His screams echo around the mountainside. | 0:12:48 | 0:12:51 | |
I knew there was something that was really wrong. | 0:12:51 | 0:12:53 | |
The pain coming from my knee was just off the scale. | 0:12:53 | 0:12:58 | |
The injury is catastrophic. | 0:12:58 | 0:13:00 | |
If help doesn't come quickly, he could lose his leg. | 0:13:00 | 0:13:03 | |
Firefighter Jed lives in Rochdale with his fiancee, Sharon. | 0:13:13 | 0:13:17 | |
He's been in the Fire Service for more than 25 years, | 0:13:18 | 0:13:22 | |
joining up as a lad of just 20. | 0:13:22 | 0:13:25 | |
I've been a fireman in the back of the fire engine, | 0:13:25 | 0:13:27 | |
which is the... As I would say, it's the sharp end, | 0:13:27 | 0:13:30 | |
so every day for me is different, | 0:13:30 | 0:13:32 | |
whether it's fires, rescues, helping people in the community. | 0:13:32 | 0:13:36 | |
There's no groundhog in the Fire Service. | 0:13:36 | 0:13:38 | |
Over the years, Jed's colleagues | 0:13:38 | 0:13:40 | |
have become more than just workmates. | 0:13:40 | 0:13:43 | |
It's definitely an extended family. | 0:13:43 | 0:13:45 | |
But then, when the bells go down, you turn out, | 0:13:45 | 0:13:48 | |
the feeling that you've helped someone is a great feeling. | 0:13:48 | 0:13:51 | |
But the job can be stressful and Jed makes sure he finds time to unwind. | 0:13:51 | 0:13:56 | |
Do you want to do my bike? | 0:13:56 | 0:13:58 | |
I can do yours, if you want. | 0:13:58 | 0:13:59 | |
His relaxation method of choice has always been adrenaline sports. | 0:13:59 | 0:14:03 | |
The best way of de-stressing myself is taking me completely away. | 0:14:09 | 0:14:12 | |
Whether jumping on a bike or snowboard or motocross bike, | 0:14:12 | 0:14:15 | |
it's very involving, so your mind can't wander anywhere else. | 0:14:15 | 0:14:20 | |
Many of his friends share his passions and, twice a year, | 0:14:20 | 0:14:23 | |
Jed and a group of his mates from work go snowboarding. | 0:14:23 | 0:14:26 | |
Close pal Pete has shared many of these fun trips. | 0:14:26 | 0:14:30 | |
Going snowboarding is fantastic. | 0:14:30 | 0:14:32 | |
You save up all year and it's one of your treats for the year | 0:14:32 | 0:14:34 | |
and, as soon as you're there, you can't wait to hit the slopes. | 0:14:34 | 0:14:37 | |
I just like that absolute freedom of it. | 0:14:37 | 0:14:40 | |
You know, getting a bit of adrenaline by going off-piste | 0:14:40 | 0:14:43 | |
makes it all the more fun. | 0:14:43 | 0:14:45 | |
On a winter break in the Austrian Alps, | 0:14:49 | 0:14:52 | |
Jed and Pete are looking forward | 0:14:52 | 0:14:53 | |
to their first morning snowboarding off-piste. | 0:14:53 | 0:14:57 | |
It's a bright, sunny day. | 0:14:59 | 0:15:01 | |
This is Jed's footage, filmed using a head cam, | 0:15:01 | 0:15:04 | |
as they traverse the slopes. | 0:15:04 | 0:15:05 | |
I've always been into taking video of stuff | 0:15:07 | 0:15:09 | |
and you're always hoping to capture | 0:15:09 | 0:15:11 | |
that comical event where something happens. | 0:15:11 | 0:15:15 | |
HE LAUGHS | 0:15:15 | 0:15:16 | |
After lunch, they join the rest of their group, | 0:15:18 | 0:15:20 | |
who've been skiing nearby. | 0:15:20 | 0:15:22 | |
The skiers and boarders decide to tackle some slopes together. | 0:15:22 | 0:15:26 | |
I was really looking forward to this holiday. | 0:15:26 | 0:15:28 | |
The snow is, like, nice and fresh. | 0:15:28 | 0:15:30 | |
I made a point of saying, | 0:15:30 | 0:15:32 | |
"I've had a few injuries in the past few years, | 0:15:32 | 0:15:34 | |
"it's definitely not my turn this year. | 0:15:34 | 0:15:36 | |
"Let's make it a good holiday." | 0:15:36 | 0:15:38 | |
At the top of a wide run, the friends begin their descent, | 0:15:38 | 0:15:41 | |
with Jed still filming. | 0:15:41 | 0:15:43 | |
They agreed to meet up at the head of a more testing off-piste slope. | 0:15:47 | 0:15:51 | |
After a short while, they regroup by the tricky run. | 0:15:54 | 0:15:57 | |
It's steep and covered in several feet of powdery snow. | 0:15:57 | 0:16:00 | |
Jed plans his descent. | 0:16:06 | 0:16:08 | |
His camera captures one of his friends | 0:16:10 | 0:16:13 | |
moving further along a ridge, but he doesn't notice. | 0:16:13 | 0:16:16 | |
His pal is intending to tackle the run from a different angle. | 0:16:17 | 0:16:21 | |
They set off at the same time. | 0:16:21 | 0:16:22 | |
Neither are aware they're on a collision course. | 0:16:24 | 0:16:27 | |
They quickly gather speed, | 0:16:27 | 0:16:29 | |
both totally focused on the tempting fresh snow in front of them. | 0:16:29 | 0:16:33 | |
I could see Jed working his way down, picking up speed. | 0:16:33 | 0:16:36 | |
I could see the powder coming off the back of him. | 0:16:36 | 0:16:38 | |
But Pete doesn't spot the danger either. | 0:16:38 | 0:16:41 | |
Jed and his friend are now hurtling directly towards each other. | 0:16:41 | 0:16:45 | |
By the time they realise, it's way too late. | 0:16:45 | 0:16:49 | |
I just had literally a blinking of an eye | 0:16:49 | 0:16:52 | |
and I had to just lean to the right and we hit. | 0:16:52 | 0:16:55 | |
Jed's camera captures the moment of impact... | 0:16:55 | 0:16:57 | |
HE SCREAMS | 0:16:59 | 0:17:01 | |
..and records his screams. | 0:17:01 | 0:17:03 | |
The two men collide at a combined speed of 50mph. | 0:17:04 | 0:17:08 | |
Jed catapults headfirst into the snow, | 0:17:12 | 0:17:15 | |
but it's his leg that takes the full force. | 0:17:15 | 0:17:17 | |
The pain coming through my knee was absolutely excruciating | 0:17:18 | 0:17:22 | |
and I've experienced a lot of pain in my life. | 0:17:22 | 0:17:25 | |
I've had quite a lot of injuries and whatever else. | 0:17:25 | 0:17:28 | |
The other skier is uninjured, | 0:17:28 | 0:17:31 | |
but Jed's in terrible pain and struggling to breathe. | 0:17:31 | 0:17:34 | |
I was upside down, buried right up to my knees. | 0:17:34 | 0:17:37 | |
He's in agony, but he needs to pull himself out of the snow. | 0:17:37 | 0:17:41 | |
His friends can tell it's serious. | 0:17:47 | 0:17:49 | |
He's screaming, "My knee, my knee!" | 0:17:49 | 0:17:51 | |
And it was a piercing scream, you know. | 0:17:51 | 0:17:53 | |
It's just so unlike him. | 0:17:53 | 0:17:55 | |
It's out of character for him to moan like that. | 0:17:55 | 0:17:58 | |
When they reach him, it's clear his knee is badly dislocated. | 0:17:58 | 0:18:01 | |
He pulls his ski trousers up to reveal the damage. | 0:18:03 | 0:18:06 | |
Look at my knee. | 0:18:06 | 0:18:08 | |
-Oh, -BLEEP! -Oh, -BLEEP! | 0:18:08 | 0:18:11 | |
A large bulge on the inside of his knee is clearly visible. | 0:18:11 | 0:18:14 | |
It's an extreme and excruciating dislocation. | 0:18:14 | 0:18:18 | |
Jed's desperate for the pain to stop. | 0:18:18 | 0:18:21 | |
I started thinking, strangely, about Lethal Weapon, | 0:18:21 | 0:18:26 | |
about when he puts his shoulder in, | 0:18:26 | 0:18:29 | |
and I knew it were dislocated, so I actually started saying to them, | 0:18:29 | 0:18:33 | |
"Can you not just pull my leg in?" | 0:18:33 | 0:18:35 | |
We do first aid at work. We deal with casualties a lot. | 0:18:35 | 0:18:38 | |
But to see a knee joint so far out, | 0:18:38 | 0:18:40 | |
and as soon as you touch it, and he's screaming like that, | 0:18:40 | 0:18:42 | |
it was a no-go from the start. | 0:18:42 | 0:18:44 | |
One of the group alerts staff at a nearby ski lift. | 0:18:45 | 0:18:48 | |
They call in a rescue team. | 0:18:48 | 0:18:50 | |
As they wait for help, Jed begins to shiver. | 0:18:50 | 0:18:54 | |
I was shaking a lot, I think through shock, | 0:18:54 | 0:18:56 | |
so they put a jacket, an extra jacket around me. | 0:18:56 | 0:18:59 | |
Obviously, we had nothing to take the pain away, | 0:18:59 | 0:19:01 | |
so they were just trying to sort of take my mind off it, really, | 0:19:01 | 0:19:04 | |
as much as they could. | 0:19:04 | 0:19:05 | |
It's 45 painful minutes before an air ambulance appears. | 0:19:06 | 0:19:11 | |
One of Jed's pals is filming. | 0:19:12 | 0:19:15 | |
It couldn't land because it was a 45-degree slope and so deep, | 0:19:15 | 0:19:18 | |
there was no way it was landing, | 0:19:18 | 0:19:19 | |
so he had to go and land on the piste below. | 0:19:19 | 0:19:22 | |
The medics need to reach Jed quickly, | 0:19:22 | 0:19:24 | |
so the female doctor and an assistant are then dangled on a rope | 0:19:24 | 0:19:29 | |
and flown up the slope towards him. | 0:19:29 | 0:19:31 | |
The first thing she did was to actually try and relocate his knee. | 0:19:31 | 0:19:35 | |
As soon as she touched it, Jed began screaming... | 0:19:35 | 0:19:38 | |
HE SCREAMS | 0:19:38 | 0:19:40 | |
It was echoing around the valley, | 0:19:40 | 0:19:41 | |
and I would scream again and pass out again. | 0:19:41 | 0:19:44 | |
The doctor gives Jed morphine to help alleviate the pain. | 0:19:44 | 0:19:48 | |
She knows it's vital to get his knee back into position. | 0:19:48 | 0:19:51 | |
Jed's own training means he knows | 0:19:52 | 0:19:54 | |
the seriousness of the situation too. | 0:19:54 | 0:19:57 | |
Sometimes your leg gets that badly damaged | 0:19:57 | 0:19:59 | |
because of no blood supply that you lose the bottom of your leg. | 0:19:59 | 0:20:01 | |
I knew that it had to go back in place, sooner rather than later. | 0:20:02 | 0:20:06 | |
The doctor tries once more to pull Jed's knee back into its socket. | 0:20:06 | 0:20:11 | |
The pain came back instantly and then I passed out. | 0:20:11 | 0:20:14 | |
So they decided that they were going to stick me on the stretcher. | 0:20:15 | 0:20:19 | |
They're unable to treat the injury on the slope, | 0:20:19 | 0:20:21 | |
so the decision is taken to rush Jed to hospital for emergency surgery. | 0:20:21 | 0:20:26 | |
He's in and out of consciousness as he is strapped to the stretcher, | 0:20:26 | 0:20:31 | |
but the movement, miraculously, shifts his knee. | 0:20:31 | 0:20:34 | |
My leg just popped back into place by itself. | 0:20:34 | 0:20:37 | |
What a clunk and what a horrible bone-on-bone kind of sound. | 0:20:37 | 0:20:41 | |
It was... Yeah, it was horrible. | 0:20:41 | 0:20:43 | |
It's a huge relief for Jed's friends | 0:20:45 | 0:20:47 | |
as they watch the helicopter take him down the mountain | 0:20:47 | 0:20:50 | |
to the local hospital. | 0:20:50 | 0:20:52 | |
There, doctors put his leg in an open cast | 0:20:52 | 0:20:55 | |
and tell him he'll need more treatment back home. | 0:20:55 | 0:20:58 | |
It's the end of Jed's holiday. | 0:20:58 | 0:21:00 | |
A week later, back home in Rochdale, | 0:21:02 | 0:21:04 | |
a consultant surgeon gives Jed the news he has been dreading. | 0:21:04 | 0:21:08 | |
He said that this is in the top three worst injuries | 0:21:09 | 0:21:12 | |
he's ever seen in 30-odd years of surgery of knees and he said, | 0:21:12 | 0:21:16 | |
"Be prepared that you're not going to be a fireman any more." | 0:21:16 | 0:21:20 | |
It's not something Jed's prepared to even consider, | 0:21:21 | 0:21:24 | |
and he takes on the challenge to stay a firefighter. | 0:21:24 | 0:21:28 | |
I thought, "I'm definitely going to go back to work," you know, | 0:21:28 | 0:21:31 | |
because, you know, that's what puts food on the table, so... | 0:21:31 | 0:21:34 | |
And it's something I love. | 0:21:34 | 0:21:36 | |
So I was going to move hell and earth to do it. | 0:21:36 | 0:21:39 | |
He undergoes major surgery on his knee, | 0:21:40 | 0:21:43 | |
followed by months of intense rehabilitation. | 0:21:43 | 0:21:46 | |
He surprised us all, really, with the recovery. | 0:21:46 | 0:21:49 | |
He's gone from strength to strength. | 0:21:49 | 0:21:51 | |
He's not one that you can keep down for long. | 0:21:51 | 0:21:54 | |
It takes two years until Jed's back on Blue Watch with his mates. | 0:21:54 | 0:21:58 | |
And, despite the long fight back to fitness, | 0:21:59 | 0:22:02 | |
he considers himself very lucky. | 0:22:02 | 0:22:04 | |
If we were a couple of centimetres either way, | 0:22:06 | 0:22:08 | |
our heads would have hit and at 50mph, even with helmets... | 0:22:08 | 0:22:12 | |
HE PUFFS | 0:22:12 | 0:22:13 | |
..life - over. | 0:22:13 | 0:22:16 | |
So it was very, very close that day. | 0:22:16 | 0:22:19 | |
Ouch! That looked like a very nasty injury. | 0:22:30 | 0:22:34 | |
Now, a tale of two lads commuting home from college | 0:22:34 | 0:22:37 | |
when they get a very nasty shock, almost literally. | 0:22:37 | 0:22:39 | |
Dorchester, Dorset. | 0:22:46 | 0:22:48 | |
A busy commuter train is about to leave the station when this happens. | 0:22:48 | 0:22:53 | |
SPARKS WHOOSH | 0:22:53 | 0:22:55 | |
A horrified passenger who left the train only moments before | 0:22:55 | 0:22:59 | |
films with a mobile phone. | 0:22:59 | 0:23:01 | |
It all just went mental. | 0:23:01 | 0:23:02 | |
There was loads of sparks, loads of noise, loads of smoke. | 0:23:02 | 0:23:05 | |
Everyone's screaming. And it kind of all just went, like, ballistic. | 0:23:05 | 0:23:09 | |
17-year-old students Miles and Callum | 0:23:15 | 0:23:18 | |
have been friends for a couple of years. | 0:23:18 | 0:23:21 | |
They both attend college in Weymouth. | 0:23:21 | 0:23:23 | |
They regularly travel back and forth together | 0:23:23 | 0:23:25 | |
and often hang out when lectures are over for the day. | 0:23:25 | 0:23:28 | |
The autumn term has started, | 0:23:31 | 0:23:33 | |
and Miles and Callum are about to take the train back to Dorchester, | 0:23:33 | 0:23:36 | |
where Miles lives. | 0:23:36 | 0:23:38 | |
It got to about six o'clock and I wanted to go home, | 0:23:39 | 0:23:41 | |
so I went and waited for the train, jumped on it with Callum. | 0:23:41 | 0:23:44 | |
It was the normal train ride - | 0:23:44 | 0:23:46 | |
like, nothing extraordinary, like, I was just chilling. | 0:23:46 | 0:23:49 | |
At Dorchester, they get off the busy commuter train. | 0:23:49 | 0:23:53 | |
Seconds later, Miles realises he's left his bike on board. | 0:23:53 | 0:23:57 | |
And I ran back, and as the doors were shutting, | 0:23:57 | 0:23:59 | |
I managed to get my bike off. | 0:23:59 | 0:24:00 | |
But as Miles catches up with Callum, they're stopped in their tracks. | 0:24:00 | 0:24:04 | |
Say, 20 seconds from me getting off the train | 0:24:04 | 0:24:06 | |
and, like, barely even being clear of the platform, | 0:24:06 | 0:24:08 | |
I was only just down to road level, | 0:24:08 | 0:24:10 | |
and then it all just went, like, absolute mayhem. | 0:24:10 | 0:24:12 | |
SPARKS WHOOSH | 0:24:12 | 0:24:14 | |
First thing I heard was a real loud bang. | 0:24:14 | 0:24:17 | |
Kind of like a gunshot, but more like an impact. | 0:24:17 | 0:24:20 | |
We turn around, we look and we see it's the train, | 0:24:20 | 0:24:23 | |
our carriage that we was in, just sparking. | 0:24:23 | 0:24:27 | |
The sky was lighting up, it looked like a firework display, | 0:24:27 | 0:24:30 | |
but from underneath the train. | 0:24:30 | 0:24:31 | |
And then I heard another loud bang, and I kind of thought, like, | 0:24:33 | 0:24:35 | |
"No-one's going to believe this," | 0:24:35 | 0:24:37 | |
so I just whipped out my phone, started videoing. | 0:24:37 | 0:24:40 | |
Miles jumps on his bike with his camera on his phone, | 0:24:42 | 0:24:45 | |
rides towards, recording it. | 0:24:45 | 0:24:47 | |
I'm walking behind Miles, trying to catch up to him. | 0:24:49 | 0:24:52 | |
The boys are worried about passengers still on the train. | 0:24:52 | 0:24:55 | |
GET OFF THE TRAIN! | 0:24:55 | 0:24:56 | |
You could just see the train going off, and big explosions. | 0:24:56 | 0:25:01 | |
Miles captures the chaos on his phone. | 0:25:02 | 0:25:05 | |
No-one seems to know what's happening. | 0:25:05 | 0:25:07 | |
Everyone started screaming. | 0:25:07 | 0:25:09 | |
As I kind of get closer, it's sparking and sparking and sparking, | 0:25:09 | 0:25:12 | |
and then the flames come out from under the train. | 0:25:12 | 0:25:15 | |
ELECTRICITY BUZZES AND CRACKLES | 0:25:15 | 0:25:19 | |
I got a bit closer, you could kind of feel the heat of it as well. | 0:25:19 | 0:25:22 | |
And it was getting, like... I kept feeling the heat push against me. | 0:25:22 | 0:25:25 | |
The explosions send flames leaping more than 20 feet into the air. | 0:25:26 | 0:25:31 | |
The boys aren't sure if there are any passengers | 0:25:31 | 0:25:33 | |
in the affected carriages. | 0:25:33 | 0:25:36 | |
And I got within, say, like, 10, 15 metres of the railing, | 0:25:36 | 0:25:39 | |
and it was hurting my eyes to stand there, like, | 0:25:39 | 0:25:41 | |
I couldn't look at it any more. | 0:25:41 | 0:25:42 | |
Wasn't really thinking about my safety, to be honest, | 0:25:42 | 0:25:45 | |
all I wanted to do was make sure everyone else was safe, | 0:25:45 | 0:25:47 | |
kind of get them off that train. | 0:25:47 | 0:25:48 | |
But Callum is worried his friend is getting too close. | 0:25:48 | 0:25:51 | |
And I thought, obviously, if that train goes up, he will get hurt. | 0:25:51 | 0:25:56 | |
So, I had to run and shout, "Miles, get back!" | 0:25:56 | 0:25:59 | |
GET BACK! | 0:25:59 | 0:26:01 | |
SCREAMING | 0:26:01 | 0:26:02 | |
Miles pulls back, | 0:26:02 | 0:26:04 | |
but many of the passengers still have no idea what's happening. | 0:26:04 | 0:26:07 | |
They just sat there, they didn't move. | 0:26:07 | 0:26:09 | |
Miles is shouting, "Get off the train, get off the train!" | 0:26:11 | 0:26:14 | |
And then, as I've stepped back, it all just went mental. | 0:26:14 | 0:26:17 | |
-Jeez! -ROARING | 0:26:17 | 0:26:20 | |
Everyone's screaming, and it kind of all just went, like, ballistic. | 0:26:20 | 0:26:23 | |
Like, no-one knew what to do. | 0:26:23 | 0:26:25 | |
People were shouting, "Get off, get off!" | 0:26:27 | 0:26:30 | |
Passengers begin to leave from coaches further along the platform. | 0:26:30 | 0:26:33 | |
The boys are stunned by how unruffled some of them seem. | 0:26:33 | 0:26:37 | |
GET OFF THE TRAIN! | 0:26:46 | 0:26:48 | |
Miles and Callum tell a railway official what they've just seen. | 0:26:48 | 0:26:52 | |
I showed him the video of what had happened, | 0:26:52 | 0:26:54 | |
and he kind of was like, "Oh, God," he went on the radio, | 0:26:54 | 0:26:57 | |
and then I think someone called the emergency services. | 0:26:57 | 0:27:01 | |
He then took control of the situation. | 0:27:01 | 0:27:02 | |
And he was kind of just making sure everyone was all right | 0:27:02 | 0:27:05 | |
and, like, there was not much panic any more, so I kind of just... | 0:27:05 | 0:27:07 | |
He shook my hand and then I kind of just went home. | 0:27:07 | 0:27:10 | |
Some hours later, the boys learn the explosions | 0:27:13 | 0:27:16 | |
were the result of electrical arcing underneath the train. | 0:27:16 | 0:27:20 | |
South West Trains said a problem was identified with the equipment | 0:27:20 | 0:27:23 | |
delivering electricity to the third rail, which powers the trains. | 0:27:23 | 0:27:28 | |
Carriages were damaged, but no-one was injured. | 0:27:28 | 0:27:30 | |
Back home, Miles and Callum begin to realise | 0:27:34 | 0:27:36 | |
what a lucky escape everyone had. | 0:27:36 | 0:27:39 | |
Thank God that Miles got his bike in time | 0:27:39 | 0:27:41 | |
and we got off the platform in time. | 0:27:41 | 0:27:44 | |
If we stayed on that train any longer, | 0:27:44 | 0:27:46 | |
we could have been next to our carriage while it went up. | 0:27:46 | 0:27:51 | |
Just saying, it was complete luck that I did get off. | 0:27:51 | 0:27:53 | |
Real close call. Kind of put me off travelling on trains for a while. | 0:27:53 | 0:27:57 | |
I get the bus to college, to Weymouth, from now on, like. | 0:27:57 | 0:28:01 | |
Jeez! | 0:28:01 | 0:28:02 | |
Well, that certainly livened up the journey home! | 0:28:09 | 0:28:12 | |
See you next time on Close Calls. | 0:28:12 | 0:28:13 |