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A close call, a moment of danger when life can hang in the balance. | 0:00:02 | 0:00:04 | |
I could die here, this is really serious. | 0:00:04 | 0:00:07 | |
A split second where the outcome could go either way. | 0:00:08 | 0:00:11 | |
Right, call 999 now! | 0:00:11 | 0:00:12 | |
The difference between disaster and survival. | 0:00:12 | 0:00:15 | |
You could see it on the faces of the crew how life-threatening this was. | 0:00:15 | 0:00:19 | |
Why would he need to swim? They're supposed to still be on a boat. | 0:00:19 | 0:00:21 | |
These are the people that have been there and lived to tell the tale. | 0:00:21 | 0:00:25 | |
I thought she had died. | 0:00:25 | 0:00:26 | |
It's a day they'll never forget. | 0:00:26 | 0:00:29 | |
The day they had a close call. | 0:00:29 | 0:00:31 | |
Today on Close Calls: | 0:00:47 | 0:00:49 | |
Emergency workers flood the scene of an accident | 0:00:49 | 0:00:52 | |
on a busy dual carriageway. | 0:00:52 | 0:00:53 | |
The victim is one of their own. | 0:00:53 | 0:00:56 | |
A traffic officer hit by a car while racing to an accident nearby. | 0:00:56 | 0:01:01 | |
His police motorcycle lays mangled and abandoned in the road. | 0:01:01 | 0:01:05 | |
Air Ambulance trauma medics battle to save him. | 0:01:05 | 0:01:08 | |
His body is shattered and broken. | 0:01:08 | 0:01:10 | |
We just had, literally, | 0:01:10 | 0:01:12 | |
a minute or two to sort him out before his heart actually stopped, | 0:01:12 | 0:01:15 | |
he was that poorly. He was trying his best to die. | 0:01:15 | 0:01:18 | |
And an animal charity worker is charged by an elephant | 0:01:18 | 0:01:22 | |
he's trying to help. | 0:01:22 | 0:01:24 | |
And I'm catching a glimpse of this elephant closing on me. | 0:01:24 | 0:01:28 | |
The five tonne beast sends him flying. | 0:01:28 | 0:01:31 | |
I could see this is going to hurt. | 0:01:31 | 0:01:33 | |
The A31 near Alton, Hampshire. | 0:01:42 | 0:01:45 | |
A shattered police motorcycle lays abandoned in the road, | 0:01:45 | 0:01:49 | |
and debris is strewn across both carriageways. | 0:01:49 | 0:01:53 | |
The rider's helmet, boots and leathers have been discarded. | 0:01:53 | 0:01:56 | |
Their owner, a traffic cop racing to a road accident, | 0:01:57 | 0:02:01 | |
has been hit by a car and catapulted more than 100 metres | 0:02:01 | 0:02:04 | |
down the busy dual carriageway. | 0:02:04 | 0:02:06 | |
Now he's fighting for his life. | 0:02:06 | 0:02:08 | |
Another policeman at the scene of the original accident | 0:02:08 | 0:02:12 | |
witnessed the collision. | 0:02:12 | 0:02:13 | |
It was horrific, the way that he kind of bounced, if you like. | 0:02:13 | 0:02:16 | |
Rushing to the side of the injured man, he makes a shocking discovery. | 0:02:16 | 0:02:20 | |
It's one of his closest colleagues. | 0:02:20 | 0:02:23 | |
I guess my heart almost stopped. | 0:02:23 | 0:02:26 | |
Because it's almost like a family member. | 0:02:26 | 0:02:28 | |
Retired police officer Nick Barman lives in the countryside | 0:02:37 | 0:02:40 | |
on the outskirts of Arbroath in Scotland. | 0:02:40 | 0:02:43 | |
He recently moved here from the south of England. | 0:02:43 | 0:02:46 | |
It's become a haven, one he shares with his girlfriend, Alice. | 0:02:46 | 0:02:50 | |
It is a slow pace of life, | 0:02:50 | 0:02:51 | |
and in actual fact, this suits me a lot better, being up here. | 0:02:51 | 0:02:54 | |
Their new home has also given Nick plenty of space | 0:02:54 | 0:02:58 | |
to indulge his passion for restoring vintage vehicles. | 0:02:58 | 0:03:02 | |
I've always renovated old cars, and also my motorbikes, | 0:03:02 | 0:03:05 | |
more often than not at the same time. | 0:03:05 | 0:03:07 | |
In the past, Nick combined his love of cars and bikes with work. | 0:03:10 | 0:03:13 | |
He joined the police force at 25 and was overjoyed when he was posted | 0:03:13 | 0:03:17 | |
to the traffic department. | 0:03:17 | 0:03:19 | |
I did traffic in cars, and then on the bikes. | 0:03:19 | 0:03:22 | |
The freedom of being on a bike, there was days when I used to think, | 0:03:22 | 0:03:26 | |
I can't believe I'm getting paid to do this. | 0:03:26 | 0:03:28 | |
Every day I looked forward to going to work, | 0:03:29 | 0:03:31 | |
and I wouldn't have swapped places | 0:03:31 | 0:03:34 | |
with anyone for anything. | 0:03:34 | 0:03:36 | |
One of Nick's closest colleagues on the force was PC Tristan Flanagan. | 0:03:36 | 0:03:40 | |
They worked together on and off for ten years. | 0:03:40 | 0:03:44 | |
Nick was such a lovely, approachable chap, always happy, funny, | 0:03:44 | 0:03:48 | |
telling silly jokes, and a very good mechanic, | 0:03:48 | 0:03:52 | |
so he was sort of the go-to guy | 0:03:52 | 0:03:54 | |
if you had any questions about your car or your motorbike. | 0:03:54 | 0:03:57 | |
It's quite an involving job in the police, | 0:03:58 | 0:04:01 | |
and so generally a lot of your friends tend to be in the job. | 0:04:01 | 0:04:05 | |
And we work together and get to know one another well. | 0:04:05 | 0:04:08 | |
It's almost like a family. | 0:04:08 | 0:04:10 | |
Working in the police force also brought Nick together | 0:04:13 | 0:04:16 | |
with his girlfriend, Alice. | 0:04:16 | 0:04:18 | |
Alice worked in the admin department | 0:04:18 | 0:04:20 | |
on the traffic division, where I was stationed. | 0:04:20 | 0:04:23 | |
He would come down to the station and we were friends | 0:04:23 | 0:04:27 | |
for quite a while before we were dating. | 0:04:27 | 0:04:30 | |
They have been together now for more than four years. | 0:04:30 | 0:04:33 | |
He is my best friend. | 0:04:33 | 0:04:35 | |
He's just a really good person. | 0:04:35 | 0:04:37 | |
He loves what he does, | 0:04:37 | 0:04:39 | |
and when he loves something he's very passionate about it, | 0:04:39 | 0:04:42 | |
be it his job, cars, bikes. | 0:04:42 | 0:04:45 | |
It's a Monday morning in February, the start of the working week, | 0:04:49 | 0:04:53 | |
and the roads in Hampshire are heavy with traffic, | 0:04:53 | 0:04:56 | |
when Nick gets an urgent call-out. | 0:04:56 | 0:04:58 | |
His pal Tristan is already at the scene. | 0:04:58 | 0:05:00 | |
It came over the radio, could I attend an accident, | 0:05:00 | 0:05:04 | |
which occurred on the A31 at Alton, | 0:05:04 | 0:05:07 | |
where a motorcyclist had been knocked off by a vehicle. | 0:05:07 | 0:05:10 | |
We sorted out the initial traffic issues, | 0:05:10 | 0:05:14 | |
let the ambulance, which had quite quickly turned up, | 0:05:14 | 0:05:17 | |
assess the rider that was still laying partially in lane two | 0:05:17 | 0:05:22 | |
of the dual carriageway. | 0:05:22 | 0:05:23 | |
Needing help with controlling the traffic, Tristan calls for backup. | 0:05:25 | 0:05:29 | |
He is unaware it's Nick who's nearest and responds. | 0:05:29 | 0:05:32 | |
And I set off on blues and twos. | 0:05:32 | 0:05:35 | |
Minutes later, Tristan hears a siren approaching. | 0:05:35 | 0:05:39 | |
I looked up to see who it was, | 0:05:39 | 0:05:41 | |
and it was a traffic motorcyclist coming up the opposite carriageway. | 0:05:41 | 0:05:45 | |
To reach the scene of the accident, | 0:05:45 | 0:05:48 | |
Nick has to travel down the southbound carriageway, | 0:05:48 | 0:05:51 | |
cross over and head back. | 0:05:51 | 0:05:53 | |
A highly skilled and trained emergency biker, | 0:05:54 | 0:05:57 | |
he's travelling at around 100 miles an hour with blue lights flashing | 0:05:57 | 0:06:01 | |
when a yellow car in the nearside lane catches his attention. | 0:06:01 | 0:06:05 | |
I could see the driver was looking at the accident, | 0:06:05 | 0:06:08 | |
and he was also closing on the vehicle ahead. | 0:06:08 | 0:06:11 | |
On the other side of the carriageway, | 0:06:12 | 0:06:14 | |
Tristan also sees the car suddenly pull out, | 0:06:14 | 0:06:17 | |
straight into the path of the approaching police biker. | 0:06:17 | 0:06:21 | |
There was a huge collision, | 0:06:25 | 0:06:27 | |
and the police motorcyclist and the motorbike went sort of flying | 0:06:27 | 0:06:33 | |
through the air, | 0:06:33 | 0:06:34 | |
sort of pitched and landed on the central reservation, | 0:06:34 | 0:06:37 | |
which then threw the rider off. | 0:06:37 | 0:06:39 | |
I do remember thinking, I'm in trouble, | 0:06:41 | 0:06:43 | |
because I had become separated from the bike. | 0:06:43 | 0:06:47 | |
It was horrific, the way that he kind of bounced, if you like. | 0:06:49 | 0:06:52 | |
And there was debris and paperwork and bike parts all over the show. | 0:06:53 | 0:06:59 | |
I knew it wasn't going to end well, | 0:07:01 | 0:07:02 | |
and I knew I was still travelling at quite a high speed. | 0:07:02 | 0:07:05 | |
He slides along the rough ground of the central reservation, | 0:07:07 | 0:07:10 | |
eventually coming to a halt 125 metres from the point of impact. | 0:07:10 | 0:07:16 | |
A police helicopter later films the wreck of his mangled bike. | 0:07:16 | 0:07:19 | |
I do remember lying there for a second feeling winded, and thinking, | 0:07:21 | 0:07:25 | |
I've got away with this. | 0:07:25 | 0:07:28 | |
And... Not smug, but thinking, actually, this has ended OK. | 0:07:28 | 0:07:35 | |
But it hasn't. | 0:07:38 | 0:07:40 | |
Nick's in shock, adrenaline is masking the pain. | 0:07:40 | 0:07:43 | |
For experienced traffic officer Tristan, however, | 0:07:43 | 0:07:46 | |
there's no doubting the horror he has just witnessed. | 0:07:46 | 0:07:49 | |
Straight away he calls the Air Ambulance, | 0:07:49 | 0:07:51 | |
then heads to the injured biker. | 0:07:51 | 0:07:53 | |
I ran towards the police rider, | 0:07:53 | 0:07:56 | |
not knowing what condition he was going to be in, | 0:07:56 | 0:07:59 | |
if he was even going to be alive, to be brutally honest. | 0:07:59 | 0:08:02 | |
He is, but only just. | 0:08:02 | 0:08:04 | |
His pelvis was at a horrible 45 degree angle, | 0:08:04 | 0:08:08 | |
with sort of one leg over the other at quite a skewed angle, | 0:08:08 | 0:08:12 | |
with sort of blood inside his visor. | 0:08:12 | 0:08:15 | |
But the helmet does not hide the identity of the injured man. | 0:08:16 | 0:08:20 | |
When I first realised it was Nick... | 0:08:20 | 0:08:22 | |
..I guess my heart almost stopped | 0:08:24 | 0:08:26 | |
because it was that dawn of realisation it was someone you knew. | 0:08:26 | 0:08:30 | |
It's almost like a family member. | 0:08:31 | 0:08:33 | |
And you want to do absolutely everything you can to help them, | 0:08:33 | 0:08:37 | |
and that's why it was very, very difficult to then... | 0:08:37 | 0:08:40 | |
..separate yourself, have that emotional connection, | 0:08:41 | 0:08:45 | |
kind of stop that, and start doing your job. | 0:08:45 | 0:08:48 | |
Fighting back a wave of emotion, that's what Tristan does. | 0:08:48 | 0:08:53 | |
The best thing I could do until one of the paramedics came up to help us | 0:08:53 | 0:08:57 | |
was just get hold of his head and neck and make sure | 0:08:57 | 0:09:01 | |
I kept him still and he couldn't move, | 0:09:01 | 0:09:03 | |
and he didn't try to take his helmet off, or anything like that. | 0:09:03 | 0:09:06 | |
Just reassure him. | 0:09:06 | 0:09:07 | |
He's overwhelmed by the feeling | 0:09:07 | 0:09:09 | |
that, at any moment, his friend could die in his arms. | 0:09:09 | 0:09:13 | |
Later, the Air Ambulance arrives. | 0:09:16 | 0:09:18 | |
A specialist trauma doctor is on board. | 0:09:18 | 0:09:21 | |
But it's going to take all his skill to save the dying policeman. | 0:09:21 | 0:09:26 | |
We just had, literally, a minute or two to sort him out | 0:09:26 | 0:09:28 | |
in terms of particularly his airway and breathing, | 0:09:28 | 0:09:31 | |
before his heart actually stopped. He was that poorly. | 0:09:31 | 0:09:33 | |
And Nick's girlfriend rushes to his side. | 0:09:33 | 0:09:37 | |
I just remember staring at him thinking, you can't die. | 0:09:37 | 0:09:41 | |
Mount Elgon National Park, Kenya. | 0:09:51 | 0:09:54 | |
A British wildlife expert is filming a unique herd of elephants. | 0:09:54 | 0:09:58 | |
But one of them is about to single him out for some special attention. | 0:09:58 | 0:10:03 | |
I never expected to be hurt by an elephant. | 0:10:03 | 0:10:05 | |
I thought I was fairly good at reading them, | 0:10:05 | 0:10:08 | |
but on this occasion, things kind of went wrong. | 0:10:08 | 0:10:11 | |
Without warning, a five-tonne female elephant charges | 0:10:11 | 0:10:15 | |
and smashes him to the ground. | 0:10:15 | 0:10:17 | |
She was trying to squash me. | 0:10:17 | 0:10:19 | |
With more than 36 years' experience, | 0:10:32 | 0:10:35 | |
Ian Redmond is a renowned wildlife consultant and conservationist, | 0:10:35 | 0:10:39 | |
who's been awarded an OBE for his efforts. | 0:10:39 | 0:10:42 | |
One of his passions is following the Mount Elgon elephants in Kenya, | 0:10:42 | 0:10:46 | |
a herd world-famous for their unusual habit | 0:10:46 | 0:10:49 | |
of venturing into the area's large caves. | 0:10:49 | 0:10:52 | |
The Elgon elephants are the only elephant tribe | 0:10:52 | 0:10:55 | |
that goes deep underground. | 0:10:55 | 0:10:57 | |
One of the most exciting things on the planet | 0:10:57 | 0:10:59 | |
is a herd of elephants disappearing into the black maw of a cave, | 0:10:59 | 0:11:03 | |
and then coming out several hours later. | 0:11:03 | 0:11:05 | |
What were they doing in there? Why so long? | 0:11:05 | 0:11:08 | |
And that was what got me hooked. | 0:11:08 | 0:11:11 | |
It's since been discovered the elephants have a taste | 0:11:11 | 0:11:14 | |
for the salty rocks in the caves. | 0:11:14 | 0:11:16 | |
To help protect them from ivory hunters, | 0:11:16 | 0:11:19 | |
Ian set up a monitoring unit. | 0:11:19 | 0:11:21 | |
His family often join him in Kenya when he's working with the team. | 0:11:21 | 0:11:24 | |
My wife is understanding of my | 0:11:24 | 0:11:27 | |
passion for wildlife, and my desire to conserve it. | 0:11:27 | 0:11:30 | |
She has been in Elgon. | 0:11:30 | 0:11:32 | |
She lived in the cave with me for six weeks before we got married. | 0:11:32 | 0:11:34 | |
Kind of a field test! | 0:11:34 | 0:11:36 | |
And it worked! And we're still married. | 0:11:36 | 0:11:38 | |
So, Elgon means a lot to both of us. | 0:11:38 | 0:11:41 | |
Ian's work is sponsored by the Born Free Foundation, | 0:11:43 | 0:11:46 | |
an international wildlife charity. | 0:11:46 | 0:11:48 | |
Its president is Will Travers. | 0:11:48 | 0:11:50 | |
I would regard Ian as | 0:11:50 | 0:11:53 | |
one of the world's top elephant and great ape specialists. | 0:11:53 | 0:11:56 | |
I don't know anybody quite like him. | 0:11:56 | 0:11:59 | |
The nearest person that I can think of who is a bit like Ian | 0:11:59 | 0:12:03 | |
is actually Sir David Attenborough. | 0:12:03 | 0:12:04 | |
It's a Sunday in April. | 0:12:09 | 0:12:11 | |
Ian and Will have travelled to Nairobi, Kenya, | 0:12:11 | 0:12:14 | |
to witness a landmark destruction of 105 tonnes of confiscated ivory. | 0:12:14 | 0:12:20 | |
It's designed to show ivory hunters they won't profit from their crimes. | 0:12:21 | 0:12:27 | |
What we're really at is a mass funeral, | 0:12:27 | 0:12:29 | |
it's a cremation for thousands of elephants. | 0:12:29 | 0:12:32 | |
We had both been to see this huge bonfire of the vanities, | 0:12:34 | 0:12:39 | |
bearing witness to something that we have been fighting together | 0:12:39 | 0:12:43 | |
for more than 25 years. | 0:12:43 | 0:12:45 | |
To me, what was significant was the fact that several of those tusks | 0:12:45 | 0:12:49 | |
came from elephants on Mount Elgon, | 0:12:49 | 0:12:52 | |
because elephants have very close-knit family groups. | 0:12:52 | 0:12:55 | |
Mothers and daughters stay together for life - | 0:12:55 | 0:12:58 | |
perhaps 50, 60 years of relationship, | 0:12:58 | 0:13:01 | |
and when someone in that kind of tight family group is killed, | 0:13:01 | 0:13:05 | |
the other members of the family mourn. | 0:13:05 | 0:13:08 | |
Leaving Will in Nairobi, Ian then travels north | 0:13:10 | 0:13:13 | |
to continue monitoring the elephants at Mount Elgon. | 0:13:13 | 0:13:16 | |
The big question is, how many are there? | 0:13:16 | 0:13:18 | |
Each time we get an opportunity to film them, | 0:13:18 | 0:13:20 | |
we try and look for characteristics on the individual elephants | 0:13:20 | 0:13:23 | |
and give them names, so that we will eventually | 0:13:23 | 0:13:26 | |
know the society of Elgon elephants. | 0:13:26 | 0:13:29 | |
But, when Ian goes out with park rangers to look for the elephants, | 0:13:32 | 0:13:36 | |
they find evidence of charcoal production. | 0:13:36 | 0:13:38 | |
This illegal activity scares the elephants, | 0:13:39 | 0:13:42 | |
and destroys the trees they eat from. | 0:13:42 | 0:13:45 | |
The team records what they find. | 0:13:45 | 0:13:47 | |
The elphants are just a few yards away down there. | 0:13:48 | 0:13:51 | |
It looks as though they have been feeding on the leaves | 0:13:51 | 0:13:54 | |
of this massive branch. | 0:13:54 | 0:13:55 | |
Afterwards, it's hard to catch the frightened herd on camera | 0:13:55 | 0:13:58 | |
as they hide in the deep foliage. | 0:13:58 | 0:14:01 | |
But Ian does manage to film one lone male. | 0:14:01 | 0:14:04 | |
Trying to get close to elephants when they are already frightened, | 0:14:04 | 0:14:07 | |
when you have to work on foot, | 0:14:07 | 0:14:10 | |
is clearly going to be potentially dangerous. | 0:14:10 | 0:14:13 | |
Ian needs to record large numbers of elephants at the same time | 0:14:15 | 0:14:18 | |
to help identify them. | 0:14:18 | 0:14:20 | |
So, the next day, the team set up at the edge of a glade | 0:14:22 | 0:14:25 | |
where the herd often cross. | 0:14:25 | 0:14:27 | |
And they get lucky. | 0:14:30 | 0:14:31 | |
Around 40 elephants cross the glade right in front of them. | 0:14:31 | 0:14:34 | |
It's one of the things I live for, it's wonderful! | 0:14:34 | 0:14:38 | |
But on this occasion, things kind of went wrong. | 0:14:38 | 0:14:42 | |
Giving them space, Ian and the team are filming from 150 metres away. | 0:14:43 | 0:14:48 | |
They think it's a safe distance. | 0:14:48 | 0:14:50 | |
I never expected to be hurt by an elephant. | 0:14:52 | 0:14:55 | |
As the last of the elephants cross the clearing, | 0:14:57 | 0:14:59 | |
the team prepare to pack up. | 0:14:59 | 0:15:01 | |
But this large female splits from the herd. | 0:15:03 | 0:15:06 | |
Then we noticed that the last one had actually turned | 0:15:08 | 0:15:11 | |
and was running towards us. | 0:15:11 | 0:15:12 | |
Ian runs as the elephant heads straight for him. | 0:15:12 | 0:15:15 | |
I peer over my shoulder, | 0:15:15 | 0:15:17 | |
catching a glimpse of this elephant closing on me. | 0:15:17 | 0:15:20 | |
Ian's camera captures the terrifying moment | 0:15:22 | 0:15:24 | |
the five-tonne elephant attacks him. | 0:15:24 | 0:15:26 | |
I could see this is going to hurt, | 0:15:26 | 0:15:28 | |
so I didn't want to be hit from behind... | 0:15:28 | 0:15:31 | |
..and I turned around. | 0:15:32 | 0:15:33 | |
As the elephant rams Ian, it smashes him to the ground. | 0:15:42 | 0:15:46 | |
There's a sort of moment where everything seems to slow down, | 0:15:46 | 0:15:49 | |
and my hand hit her face as I went over backwards, | 0:15:49 | 0:15:54 | |
and I have a sensory memory of the cool, hard ivory, | 0:15:54 | 0:16:00 | |
and the warm, soft upper lip, | 0:16:00 | 0:16:02 | |
that contrast. | 0:16:02 | 0:16:05 | |
Before he drops the camera, | 0:16:05 | 0:16:06 | |
this last freeze-frame shows Ian under the elephant | 0:16:06 | 0:16:10 | |
as he struggles to avoid being crushed. | 0:16:10 | 0:16:12 | |
The next memory is looking up at her chest, with my feet pushing off her chest. | 0:16:12 | 0:16:17 | |
She was trying to squash me. | 0:16:17 | 0:16:19 | |
I remember at one point I had hold of her front right leg. | 0:16:19 | 0:16:23 | |
She started to squash me, but I wriggled. | 0:16:23 | 0:16:26 | |
The next thing I know, | 0:16:26 | 0:16:28 | |
I've been kicked or flicked out from underneath her, | 0:16:28 | 0:16:32 | |
and land on the grass to one side. | 0:16:32 | 0:16:34 | |
Ian's flailing legs can be seen as he is kicked away by the elephant. | 0:16:34 | 0:16:38 | |
And barely had I landed there, when the first shot rang out. | 0:16:38 | 0:16:42 | |
A ranger fires his gun into the air. | 0:16:42 | 0:16:45 | |
GUNFIRE | 0:16:45 | 0:16:47 | |
It scares off the elephant. | 0:16:47 | 0:16:49 | |
Then the only noise is Ian gasping for breath. | 0:16:49 | 0:16:52 | |
HE GASPS | 0:16:52 | 0:16:55 | |
The shots rang out, I'm still here, | 0:16:55 | 0:16:58 | |
and I got up, but as I got up, a sharp pain in my neck | 0:16:58 | 0:17:04 | |
and ribs, and a buzzing sensation in my fingers. | 0:17:04 | 0:17:10 | |
Fearing he may have damage to his spine, Ian lies down again. | 0:17:15 | 0:17:20 | |
Will is still in Nairobi | 0:17:22 | 0:17:23 | |
when he hears about the elephant attacking Ian. | 0:17:23 | 0:17:26 | |
We don't know the extent of his injuries, | 0:17:27 | 0:17:29 | |
they're taking him down on a stretcher, | 0:17:29 | 0:17:32 | |
they lashed some ponchos together. | 0:17:32 | 0:17:35 | |
I guess they were carrying me for an hour, hour and a half, | 0:17:35 | 0:17:38 | |
before we got to the Land Rover. | 0:17:38 | 0:17:41 | |
But we got him back down to Nairobi | 0:17:41 | 0:17:43 | |
using the flying doctor service in Kenya. | 0:17:43 | 0:17:46 | |
Ian gets thoroughly checked over at the hospital. | 0:17:46 | 0:17:49 | |
I had what's known as a stove-in chest, | 0:17:50 | 0:17:53 | |
where intense pressure on the sternum squashes your chest, | 0:17:53 | 0:17:57 | |
but in fact nothing had broken. | 0:17:57 | 0:17:59 | |
It obviously stretched a bit. | 0:17:59 | 0:18:02 | |
But it had managed to remain intact, | 0:18:02 | 0:18:05 | |
so I have got an elephant-proof skeleton, guaranteed! | 0:18:05 | 0:18:08 | |
Ian is found to have a partially dislocated shoulder | 0:18:09 | 0:18:13 | |
and soft tissue damage to his head and chest. | 0:18:13 | 0:18:16 | |
He is still undergoing physiotherapy, | 0:18:16 | 0:18:19 | |
but knows he had a lucky escape. | 0:18:19 | 0:18:21 | |
I am very aware of that. | 0:18:21 | 0:18:23 | |
If there hadn't been a ranger to fire a shot, um... | 0:18:23 | 0:18:28 | |
then... | 0:18:28 | 0:18:29 | |
I'd got through round one, I don't think I'd have managed round two. | 0:18:29 | 0:18:33 | |
Nobody can be sure exactly what caused the elephant | 0:18:34 | 0:18:38 | |
to run 150 metres to attack Ian, but he has a theory. | 0:18:38 | 0:18:42 | |
I think it happened because the elephants were stressed | 0:18:42 | 0:18:46 | |
and frightened from the charcoal burners, | 0:18:46 | 0:18:48 | |
and it's only a couple of years since they lost several members | 0:18:48 | 0:18:51 | |
of their family to ivory poachers, | 0:18:51 | 0:18:53 | |
and really, when you think about that elephant, | 0:18:53 | 0:18:56 | |
she had obviously just had enough of humans, | 0:18:56 | 0:18:59 | |
and wanted to come and bring the fight to the enemy. | 0:18:59 | 0:19:04 | |
Carly, as the team have named her, | 0:19:06 | 0:19:08 | |
has been near humans since without problems, | 0:19:08 | 0:19:11 | |
and Ian certainly hasn't taken it personally. | 0:19:11 | 0:19:14 | |
I haven't finished yet, I've got a lot that I want to do | 0:19:14 | 0:19:17 | |
to try and make the world a safe place for apes and elephants. | 0:19:17 | 0:19:20 | |
Great that Ian is still carrying on his good work. | 0:19:31 | 0:19:33 | |
Now, back to that earlier story. | 0:19:33 | 0:19:35 | |
Our emergency services do great work helping us when we're in trouble. | 0:19:35 | 0:19:40 | |
But sometimes, they have to help each other. | 0:19:40 | 0:19:42 | |
The A31 near Alton in Hampshire. | 0:19:49 | 0:19:52 | |
A mangled police motorbike lies in the road, | 0:19:52 | 0:19:55 | |
its debris is strewn across both carriageways. | 0:19:55 | 0:19:57 | |
Nearby Air Ambulance medics are fighting to save the life | 0:19:57 | 0:20:01 | |
of its rider, PC Nick Barman. | 0:20:01 | 0:20:03 | |
Travelling at more than 100mph on his way to a traffic accident, | 0:20:03 | 0:20:08 | |
Nick was hit by a yellow car. | 0:20:08 | 0:20:10 | |
Accident investigators take these pictures, detailing the path | 0:20:10 | 0:20:14 | |
of his powerful motorbike as it careered 75 metres | 0:20:14 | 0:20:18 | |
along the central reservation. | 0:20:18 | 0:20:21 | |
Its front wheel then hit a drain gully, catapulting him into the air. | 0:20:21 | 0:20:25 | |
Nick landed between the carriageways narrowly missing a silver Volvo. | 0:20:25 | 0:20:31 | |
Video from a police helicopter captures images of the bike, | 0:20:31 | 0:20:34 | |
plus Nick's boots and leathers. | 0:20:34 | 0:20:37 | |
Nick's friend and colleague, Tristan, | 0:20:37 | 0:20:39 | |
witnessed the whole shocking incident. | 0:20:39 | 0:20:42 | |
Obviously a bit of a heart in your mouth moment, | 0:20:42 | 0:20:45 | |
and you kind of can't believe what you're seeing. | 0:20:45 | 0:20:48 | |
Tristan has attended many accidents, | 0:20:49 | 0:20:51 | |
but this time it's a friend whose life is hanging in the balance. | 0:20:51 | 0:20:55 | |
To his relief, a motorist comes to help. | 0:20:55 | 0:20:58 | |
There was a paramedic in the queueing traffic | 0:20:58 | 0:21:02 | |
on the opposite carriageway, | 0:21:02 | 0:21:04 | |
who was some kind of expert with the nature of Nick's injuries. | 0:21:04 | 0:21:08 | |
He knew exactly what to do. | 0:21:08 | 0:21:10 | |
Tristan quickly closes down the entire southbound carriageway | 0:21:10 | 0:21:14 | |
to allow access for emergency vehicles and the Air Ambulance. | 0:21:14 | 0:21:18 | |
The helicopter is minutes away, | 0:21:19 | 0:21:21 | |
specialist trauma doctor Professor Charles Deakin is on board. | 0:21:21 | 0:21:25 | |
As we were overhead, I had a chance to look and see | 0:21:25 | 0:21:28 | |
what had actually happened at the incident below. | 0:21:28 | 0:21:31 | |
It was obvious that he'd been travelling at very high speed, | 0:21:31 | 0:21:33 | |
had come off his bike, and had tumbled down the road. | 0:21:33 | 0:21:36 | |
That's a long way to bounce, | 0:21:36 | 0:21:38 | |
so I was expecting a very seriously ill person when I got to the scene. | 0:21:38 | 0:21:44 | |
Nick's leathers are quickly cut away | 0:21:45 | 0:21:47 | |
so Professor Deakin can assess his injuries. | 0:21:47 | 0:21:50 | |
We just had literally a minute or two to sort him out, | 0:21:50 | 0:21:53 | |
particularly in terms of his airway and breathing, | 0:21:53 | 0:21:55 | |
before his heart actually stopped. He was that poorly. | 0:21:55 | 0:21:58 | |
Nick is struggling to breathe, and has multiple fractures. | 0:21:58 | 0:22:02 | |
The medical team works quickly to stabilise him. | 0:22:02 | 0:22:05 | |
Behind a screen held by firefighters, | 0:22:05 | 0:22:08 | |
Professor Deakin puts Nick into an induced coma. | 0:22:08 | 0:22:11 | |
Normally that's only something we'd do in hospital, | 0:22:11 | 0:22:14 | |
so it's quite a delicate procedure to do out on the road side, | 0:22:14 | 0:22:17 | |
and is not without its challenges. | 0:22:17 | 0:22:20 | |
Nick's airway is clear, but he can't breathe. | 0:22:20 | 0:22:23 | |
His lungs have collapsed. | 0:22:23 | 0:22:25 | |
The way to treat that is to make an incision through the chest wall, | 0:22:25 | 0:22:30 | |
in both sides of the chest, just under the armpit, | 0:22:30 | 0:22:32 | |
which goes through all the muscles, | 0:22:32 | 0:22:34 | |
between the ribs and into the chest cavity itself. | 0:22:34 | 0:22:37 | |
The purpose of that is to let the air out, | 0:22:37 | 0:22:40 | |
which has accumulated outside the lungs, | 0:22:40 | 0:22:43 | |
and the lungs are then able to re-inflate, | 0:22:43 | 0:22:46 | |
so that is done very quickly just with a scalpel, | 0:22:46 | 0:22:51 | |
but is immediately life-saving. | 0:22:51 | 0:22:53 | |
But Nick has additional injuries. | 0:22:53 | 0:22:56 | |
They're extensive and complicated. | 0:22:56 | 0:22:59 | |
He has internal bleeding and his arms, legs and pelvis are shattered. | 0:22:59 | 0:23:04 | |
We worked our way round, and splinted his arms and his legs. | 0:23:04 | 0:23:08 | |
Also we were concerned about his pelvis, that was probably broken. | 0:23:08 | 0:23:11 | |
So that can bleed very significantly, | 0:23:11 | 0:23:13 | |
so we needed to put a splint around his waist | 0:23:13 | 0:23:16 | |
to try and hold his pelvic bones together, and reduce the bleeding. | 0:23:16 | 0:23:19 | |
There's no more they can do at the scene. | 0:23:21 | 0:23:23 | |
Nick's blood pressure is falling. | 0:23:23 | 0:23:25 | |
They must get him to hospital. | 0:23:25 | 0:23:27 | |
The Air Ambulance rushes him to Southampton General, | 0:23:27 | 0:23:30 | |
a specialist trauma centre. | 0:23:30 | 0:23:32 | |
Back at police HQ, word of the accident has spread. | 0:23:32 | 0:23:36 | |
Nick's girlfriend Alice is not on shift, | 0:23:36 | 0:23:39 | |
so it falls to a senior officer to make the difficult call. | 0:23:39 | 0:23:43 | |
He was very frank, he was very calm, | 0:23:43 | 0:23:46 | |
he didn't give me very much detail. | 0:23:46 | 0:23:50 | |
I don't think I really thought too much about it. | 0:23:50 | 0:23:53 | |
My main concern was to get to the hospital. | 0:23:53 | 0:23:56 | |
It takes 15 minutes for the Air Ambulance to reach Southampton General. | 0:23:57 | 0:24:01 | |
An emergency trauma team is waiting. | 0:24:01 | 0:24:04 | |
They rush Nick straight into resuscitation, | 0:24:04 | 0:24:07 | |
and operate immediately. | 0:24:07 | 0:24:08 | |
He has a torn bowel and concussion, and his entire body is shattered. | 0:24:10 | 0:24:14 | |
He has broken both knees, all his ribs on the left side, a shoulder, | 0:24:15 | 0:24:20 | |
an ankle, one of his feet, | 0:24:20 | 0:24:22 | |
and his pelvis. | 0:24:22 | 0:24:24 | |
After long and complicated surgery, he is taken to intensive care. | 0:24:24 | 0:24:28 | |
Alice is at the hospital, | 0:24:29 | 0:24:31 | |
but must endure an agonising eight-hour wait | 0:24:31 | 0:24:34 | |
before she can be with him. | 0:24:34 | 0:24:36 | |
Seeing someone that you care about like that, | 0:24:36 | 0:24:40 | |
with a machine breathing for them... | 0:24:40 | 0:24:42 | |
..it's very difficult. | 0:24:43 | 0:24:45 | |
Very difficult. | 0:24:45 | 0:24:46 | |
And I think it also... | 0:24:46 | 0:24:49 | |
..in that second, you can't do anything. | 0:24:50 | 0:24:54 | |
I just remember staring at him thinking, | 0:24:57 | 0:25:00 | |
you can't die. | 0:25:00 | 0:25:02 | |
The accident has an effect on all Nick's colleagues. | 0:25:04 | 0:25:07 | |
Those of us that were involved went home feeling extremely low, | 0:25:07 | 0:25:11 | |
not knowing what the outcome the following day was going to be. | 0:25:11 | 0:25:15 | |
My wife knew something has gone wrong. A, because I was so late off, | 0:25:15 | 0:25:19 | |
and that's I think when you just sort of let it all out. | 0:25:19 | 0:25:23 | |
I burst out in tears that night, | 0:25:23 | 0:25:25 | |
because up until that point you just feel you can't let that emotion out | 0:25:25 | 0:25:30 | |
because you've got to do your job. | 0:25:30 | 0:25:32 | |
The following day, Nick regains consciousness | 0:25:32 | 0:25:36 | |
and becomes aware of the shocking reality of his injuries. | 0:25:36 | 0:25:40 | |
I couldn't move, I couldn't turn over, | 0:25:40 | 0:25:43 | |
there wasn't a part of me that actually, other than my right arm, | 0:25:43 | 0:25:46 | |
that actually moved. | 0:25:46 | 0:25:47 | |
Tristan visits his friend and is shocked by his appearance. | 0:25:47 | 0:25:51 | |
I've never seen anything like it, to be honest. | 0:25:51 | 0:25:54 | |
The pins and the bars and everything that were in his legs, | 0:25:54 | 0:25:58 | |
there were just so many of them. | 0:25:58 | 0:25:59 | |
After two more successful operations in the next 48 hours, | 0:26:01 | 0:26:05 | |
and five days in intensive care, Nick is out of danger. | 0:26:05 | 0:26:09 | |
He's moved to a general ward, | 0:26:11 | 0:26:12 | |
where he starts a gruelling daily regime of physiotherapy | 0:26:12 | 0:26:16 | |
in an attempt to get him back on its feet. | 0:26:16 | 0:26:18 | |
But the medics aren't hopeful. | 0:26:18 | 0:26:20 | |
My legs didn't go straight any more, they were so bent in one position, | 0:26:20 | 0:26:25 | |
and my back also didn't go straight, | 0:26:25 | 0:26:28 | |
and I remember thinking at that point, this actually feels like | 0:26:28 | 0:26:31 | |
this is never going to be right again. | 0:26:31 | 0:26:34 | |
But, thanks to Nick's sheer determination, | 0:26:35 | 0:26:38 | |
and against all the odds, | 0:26:38 | 0:26:40 | |
just 14 weeks after his accident, Nick takes his first steps. | 0:26:40 | 0:26:46 | |
I managed to go from walking one or two lengths of the parallel bars | 0:26:46 | 0:26:51 | |
to walking outside the parallel bars, | 0:26:51 | 0:26:55 | |
and then walking between cones and things like that. | 0:26:55 | 0:26:59 | |
Nick later returned to work, but due to the extent of his injuries, | 0:27:01 | 0:27:05 | |
eventually he had to give up life with the police. | 0:27:05 | 0:27:08 | |
The driver of the yellow car was fined for careless driving | 0:27:09 | 0:27:13 | |
and given nine points on his licence. | 0:27:13 | 0:27:15 | |
I don't hold any ill will towards him. | 0:27:15 | 0:27:18 | |
He made a mistake, we all make mistakes. | 0:27:18 | 0:27:22 | |
After taking medical retirement, Nick moved to Scotland with Alice, | 0:27:23 | 0:27:27 | |
where he's settled for a slower pace of life. | 0:27:27 | 0:27:30 | |
I can't walk very far, I can't walk on uneven ground. | 0:27:30 | 0:27:35 | |
If I step on something uneven, my ankle goes over, | 0:27:35 | 0:27:39 | |
followed by my knee, and then I'll fall. | 0:27:39 | 0:27:42 | |
And I fall quite regularly. | 0:27:42 | 0:27:43 | |
He will push himself, sometimes to his detriment, | 0:27:43 | 0:27:48 | |
because he doesn't want to feel he can't do things. | 0:27:48 | 0:27:50 | |
I just have to accept there are a lot of things I can't do any more, | 0:27:50 | 0:27:54 | |
and I've just had to change the way I go about life. | 0:27:54 | 0:27:57 | |
But he knows it's a miracle he survived at all. | 0:27:57 | 0:28:00 | |
So many circumstances worked out in my favour, | 0:28:00 | 0:28:04 | |
I don't think you could have got a closer call than that. | 0:28:04 | 0:28:06 | |
Unbelievable to think anyone could survive that crash, | 0:28:15 | 0:28:19 | |
but thank goodness Nick did. | 0:28:19 | 0:28:20 | |
Join me next time on Close Calls for more amazing stories | 0:28:20 | 0:28:24 | |
from people who've lived to tell the tale. | 0:28:24 | 0:28:27 |