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A close call, a moment of danger when life can hang in the balance. | 0:00:03 | 0:00:05 | |
I could die here. This is really serious. | 0:00:05 | 0:00:07 | |
A split-second where the outcome could go either way. | 0:00:09 | 0:00:12 | |
Right. Call 999 now. | 0:00:12 | 0:00:13 | |
The difference between disaster and survival. | 0:00:13 | 0:00:16 | |
You could see it on the faces of the crew how life-threatening this was. | 0:00:16 | 0:00:19 | |
Why would you need to swim? | 0:00:19 | 0:00:21 | |
Apparently they're supposed to still be on a boat. | 0:00:21 | 0:00:23 | |
These are the people that have been there and lived to tell the tale. | 0:00:23 | 0:00:26 | |
I thought she had died. | 0:00:26 | 0:00:28 | |
It's a day they'll never forget. | 0:00:28 | 0:00:30 | |
The day they had a close call. | 0:00:30 | 0:00:32 | |
Today on Close Calls, a mountain biker takes a jump, | 0:00:48 | 0:00:52 | |
but fails to take off and smashes headfirst into the ground. | 0:00:52 | 0:00:56 | |
You all right? Leave him on his side! Leave him on his side! | 0:00:58 | 0:01:01 | |
And a grandmother misreads a traffic signal and steps out into the road. | 0:01:04 | 0:01:09 | |
She doesn't see the motorbike coming towards her. | 0:01:09 | 0:01:12 | |
Also today, horror on a birthday skiing trip in the Alps | 0:01:16 | 0:01:21 | |
when an avalanche strikes. | 0:01:21 | 0:01:23 | |
I just saw the snow craze and break up and become liquid. | 0:01:23 | 0:01:27 | |
Surrey Hills National Park. | 0:01:36 | 0:01:38 | |
A mountain biker out with his mates in the forest | 0:01:38 | 0:01:40 | |
has an horrendous accident attempting a jump. | 0:01:40 | 0:01:43 | |
He hits the ground hard, face first. | 0:01:45 | 0:01:48 | |
He's unconscious, bleeding and struggling to breathe. | 0:01:48 | 0:01:52 | |
His panicked friends rush to his side. | 0:01:52 | 0:01:54 | |
Talk to me. Talk to me. | 0:01:54 | 0:01:57 | |
They're joined by an off-duty police officer who's witnessed the smash. | 0:01:57 | 0:02:00 | |
What's your name? Fella, what's your name? | 0:02:00 | 0:02:03 | |
I realised straightaway that this is a serious situation. | 0:02:03 | 0:02:06 | |
Fella, talk to me. | 0:02:06 | 0:02:07 | |
He'll need all his first aid training - | 0:02:07 | 0:02:10 | |
the rider may have severe head injuries. | 0:02:10 | 0:02:13 | |
Right. Call 999 now. | 0:02:13 | 0:02:15 | |
Originally from the North East of England, | 0:02:23 | 0:02:25 | |
46-year-old Andy Hill now lives and works in London. | 0:02:25 | 0:02:29 | |
I never thought I'd be a big city man, I like the countryside, | 0:02:29 | 0:02:32 | |
but the diversity and the different things going on, | 0:02:32 | 0:02:36 | |
it's a fantastic, eclectic city. | 0:02:36 | 0:02:38 | |
But Andy also appreciates every opportunity to get out of | 0:02:38 | 0:02:42 | |
the big smoke. | 0:02:42 | 0:02:43 | |
I enjoy cycling, walking, I really appreciate the outdoors. | 0:02:43 | 0:02:48 | |
It was through one of his other hobbies that Andy met his girlfriend | 0:02:48 | 0:02:51 | |
Abby at a literary festival. | 0:02:51 | 0:02:54 | |
I saw him sit down and I thought, "He's a handsome man." | 0:02:54 | 0:02:57 | |
Abby means everything to me. Abby is the most beautiful woman ever. | 0:02:58 | 0:03:03 | |
He's got a brilliant sense of humour. | 0:03:03 | 0:03:05 | |
Gives a lot of time to other people, which is a really nice quality. | 0:03:05 | 0:03:09 | |
But it's a day out with the boys for Andy | 0:03:09 | 0:03:11 | |
that nearly ends in tragedy for the couple. | 0:03:11 | 0:03:14 | |
It's a pleasant Saturday morning in October and Andy is looking | 0:03:16 | 0:03:19 | |
forward to a day's mountain biking in the Surrey Hills - | 0:03:19 | 0:03:23 | |
an Area of Outstanding Natural Beauty. | 0:03:23 | 0:03:25 | |
He's joining a group of friends from work. | 0:03:25 | 0:03:28 | |
I used to mountain bike a lot when I was young, | 0:03:28 | 0:03:31 | |
and I hadn't been mountain biking for about 15 years. | 0:03:31 | 0:03:33 | |
I know he's fit and I know he's capable and he's a grown man, | 0:03:33 | 0:03:37 | |
but obviously was still concerned because he hadn't been for a while. | 0:03:37 | 0:03:42 | |
I was like, "Yep, of course. Of course I'll always be careful." | 0:03:42 | 0:03:46 | |
Although a keen road cyclist, | 0:03:46 | 0:03:47 | |
Andy doesn't own a mountain bike, so borrows a pal's for the day. | 0:03:47 | 0:03:52 | |
I went with Ian and two of his friends, | 0:03:52 | 0:03:54 | |
two keen mountain bikers and two novices, me being one. | 0:03:54 | 0:03:58 | |
They were looking out for us and taking us to different jumps, | 0:03:59 | 0:04:02 | |
but nothing too crazy. | 0:04:02 | 0:04:04 | |
It doesn't take Andy long to feel back in the saddle. | 0:04:04 | 0:04:07 | |
Riding was brilliant, cycling along, going down some of these hills. | 0:04:07 | 0:04:11 | |
It's a real buzz when you go over a jump. | 0:04:11 | 0:04:12 | |
You get in the air for a brief time and you think, | 0:04:12 | 0:04:15 | |
"Wow! This is life. This is living." | 0:04:15 | 0:04:18 | |
Also enjoying the thrill of a day out on two wheels today | 0:04:19 | 0:04:22 | |
is local IT worker Tim Rowsell. | 0:04:22 | 0:04:24 | |
He's with a friend and they're recording | 0:04:26 | 0:04:28 | |
the action on chest cameras. | 0:04:28 | 0:04:30 | |
Tim is a special constable for the police in his spare time. | 0:04:30 | 0:04:33 | |
I've always been the kind of person that I don't like to walk on | 0:04:35 | 0:04:38 | |
by things, I always stop and get involved | 0:04:38 | 0:04:40 | |
and try and help out where I can. | 0:04:40 | 0:04:43 | |
Tim also set up the Surrey Search and Rescue charity, | 0:04:43 | 0:04:45 | |
a specialist team of volunteers which helps the emergency services | 0:04:45 | 0:04:49 | |
find missing adults and children. | 0:04:49 | 0:04:52 | |
Surrey Search and Rescue has now grown from the initial ten members | 0:04:52 | 0:04:55 | |
and we're now approaching 70. | 0:04:55 | 0:04:57 | |
Really just kind of being there when | 0:04:57 | 0:04:59 | |
the people of Surrey need us the most. | 0:04:59 | 0:05:01 | |
Tim and Andy don't know each other, | 0:05:01 | 0:05:03 | |
but are about to tackle the same mountain bike trail. | 0:05:03 | 0:05:06 | |
It's an area Tim knows well, | 0:05:06 | 0:05:08 | |
and whilst his friend adjusts his bike, Tim rides on ahead. | 0:05:08 | 0:05:12 | |
The camera on his chest records as he goes over a difficult jump. | 0:05:12 | 0:05:16 | |
Then he stops to wait for his friend. | 0:05:18 | 0:05:20 | |
If you haven't done it before, it's a definite challenging jump | 0:05:20 | 0:05:23 | |
that you have to make sure you make it over the lip. | 0:05:23 | 0:05:27 | |
I was expecting my friend Dan to come down the trail next. | 0:05:27 | 0:05:30 | |
Instead, these four riders came down. | 0:05:30 | 0:05:33 | |
It's Andy's group. | 0:05:33 | 0:05:35 | |
The bikers exchange a few words. | 0:05:35 | 0:05:37 | |
Go for it. You have enough speed there. | 0:05:38 | 0:05:41 | |
Last of his group to take the jump is Andy. | 0:05:41 | 0:05:44 | |
He hits it at an angle and doesn't get off the ground, | 0:05:46 | 0:05:50 | |
planting the bike's front wheel. | 0:05:50 | 0:05:52 | |
He somersaults straight over the handlebars, landing face down. | 0:05:52 | 0:05:56 | |
You all right? | 0:05:58 | 0:05:59 | |
Andy's friends rush to help, but it's Tim who takes charge. | 0:05:59 | 0:06:03 | |
Fella, talk to me. No, no, leave him on his side. | 0:06:03 | 0:06:05 | |
Leave him on his side. Right. Call 999 now. | 0:06:05 | 0:06:07 | |
999, mate? Yeah. | 0:06:07 | 0:06:09 | |
Right, fella, talk to me. | 0:06:09 | 0:06:11 | |
Talk to me. | 0:06:11 | 0:06:13 | |
Andy was unconscious, his eyes rolling in his head | 0:06:13 | 0:06:16 | |
and I realised straightaway that this is a serious situation. | 0:06:16 | 0:06:21 | |
Give him some time to get his breath. Fella, talk to me. | 0:06:21 | 0:06:24 | |
I mean, his face literally hit the ground and then scraped along | 0:06:25 | 0:06:29 | |
the ground for a good metre or two. | 0:06:29 | 0:06:31 | |
Fella, what's your name? What's your name? Talk to me. | 0:06:33 | 0:06:35 | |
ANDY MUMBLES What's your name? | 0:06:35 | 0:06:37 | |
There could become quite dire consequences from that cos | 0:06:37 | 0:06:39 | |
his entire body weight going down through his neck into his head. | 0:06:39 | 0:06:44 | |
What's your name? Talk to me. | 0:06:44 | 0:06:46 | |
Talk to me. HE MUMBLES | 0:06:46 | 0:06:48 | |
All right. HE MUMBLES | 0:06:48 | 0:06:50 | |
All right, talk to me. We're going to get help, all right? | 0:06:50 | 0:06:53 | |
While one of Andy's shocked friends phones 999, | 0:06:53 | 0:06:56 | |
Tim supports his head to keep his neck straight | 0:06:56 | 0:06:59 | |
and his airway open. | 0:06:59 | 0:07:01 | |
Andy is unconscious and breathing heavily. | 0:07:02 | 0:07:05 | |
I was concerned about spinal injuries, | 0:07:05 | 0:07:07 | |
I was concerned about head injuries, | 0:07:07 | 0:07:08 | |
I was concerned about brain injuries, | 0:07:08 | 0:07:10 | |
I was concerned about his breathing. | 0:07:10 | 0:07:12 | |
There was bleeding coming out of his mouth as well. | 0:07:12 | 0:07:14 | |
You have to talk to me, all right? What's your name? | 0:07:14 | 0:07:17 | |
What's your name? | 0:07:17 | 0:07:19 | |
'He wasn't well at all. | 0:07:20 | 0:07:22 | |
'He needed some expert medical attention' | 0:07:22 | 0:07:25 | |
and some expert medical kit up there as well. | 0:07:25 | 0:07:27 | |
It can't come quick enough. Andy just isn't responding. | 0:07:28 | 0:07:33 | |
Right. Come here a second. | 0:07:33 | 0:07:35 | |
As part of Surrey Search and Rescue, Tim has a special app on his phone | 0:07:35 | 0:07:39 | |
that gives the grid reference of their position. | 0:07:39 | 0:07:42 | |
Go through the list, find G, for grid. | 0:07:42 | 0:07:44 | |
'Because we are basically in the middle of nowhere,' | 0:07:44 | 0:07:46 | |
'I was able to get kind of' | 0:07:46 | 0:07:48 | |
10 metres square area, | 0:07:48 | 0:07:49 | |
the ambulance would be able to figure out where we were. | 0:07:49 | 0:07:51 | |
Right. Give it to the 999 coordinators, all right? | 0:07:51 | 0:07:55 | |
Fella, what's your name? | 0:07:55 | 0:07:57 | |
And stop anybody else coming down here, all right? | 0:07:57 | 0:08:00 | |
Andy's still not responding. | 0:08:00 | 0:08:02 | |
Tim keeps trying to get through to him. | 0:08:02 | 0:08:04 | |
What's your name? | 0:08:04 | 0:08:05 | |
You had a bit of a fall, but you're going to be all right, OK? | 0:08:05 | 0:08:08 | |
'We didn't know what injures he may have.' | 0:08:08 | 0:08:10 | |
I need to try and get him conscious as soon as possible. | 0:08:10 | 0:08:12 | |
Talk to me. Come on. Wake up. | 0:08:12 | 0:08:14 | |
They say quite often that unconscious people | 0:08:14 | 0:08:15 | |
can hear what is going on around them. | 0:08:15 | 0:08:17 | |
'I was basically asking him a question over and over again.' | 0:08:17 | 0:08:20 | |
OK. Come on. Open your eyes. | 0:08:20 | 0:08:22 | |
Open your eyes for me. OK? Open your eyes. | 0:08:22 | 0:08:25 | |
So that in the background, he'd be kind of thinking, | 0:08:25 | 0:08:27 | |
"I must answer. I must answer. I must answer." | 0:08:27 | 0:08:30 | |
Open your eyes. | 0:08:30 | 0:08:32 | |
Tim keeps trying, and after three minutes... | 0:08:32 | 0:08:35 | |
Andy stirs. | 0:08:35 | 0:08:37 | |
What's your name? Fella, come on. | 0:08:37 | 0:08:39 | |
Talk to me. | 0:08:39 | 0:08:40 | |
HE MUMBLES: Andrew. | 0:08:40 | 0:08:41 | |
Andrew. All right, Andrew, my name's Tim. | 0:08:41 | 0:08:44 | |
You're going to be all right, OK? | 0:08:44 | 0:08:45 | |
Andy's beginning to come round. | 0:08:45 | 0:08:48 | |
'Getting the first reaction from Andy was a really good sign.' | 0:08:48 | 0:08:50 | |
He was getting better and start being able to tell us what | 0:08:50 | 0:08:54 | |
he could feel was wrong with him. | 0:08:54 | 0:08:56 | |
All right. Stay still. You've got to stay still, all right? | 0:08:56 | 0:08:58 | |
You've had a bit of fall there. | 0:08:58 | 0:09:00 | |
His eyes are now open, but Andy's very disorientated. | 0:09:00 | 0:09:03 | |
Stay still. No, no, stay still. | 0:09:03 | 0:09:05 | |
He struggles to get up. Stay laying down. | 0:09:05 | 0:09:07 | |
All right? Lay onto your back. Use this as a pillow. | 0:09:07 | 0:09:10 | |
Yeah, I'm fine. | 0:09:10 | 0:09:11 | |
'It could be a very tough call to either try and force someone down,' | 0:09:11 | 0:09:15 | |
where you could cause more injuries, then let them get up. | 0:09:15 | 0:09:18 | |
Andy sits himself up. | 0:09:18 | 0:09:20 | |
One of his pals is at his side. Tim fills in the gaps for him. | 0:09:20 | 0:09:24 | |
Fella, we need to get you an ambulance, all right? | 0:09:24 | 0:09:26 | |
You've been unconscious for quite a while there. Yeah? Yeah. | 0:09:26 | 0:09:28 | |
It's a good five minutes you've been unconscious, | 0:09:28 | 0:09:31 | |
so we need to get you sorted out. Have you got any pain anywhere? | 0:09:31 | 0:09:33 | |
Erm... | 0:09:33 | 0:09:35 | |
A bit of a bad head. Yeah? Whereabouts? Just... | 0:09:35 | 0:09:38 | |
What happened? | 0:09:40 | 0:09:42 | |
Down here. Just did the jump too slowly | 0:09:42 | 0:09:45 | |
and you went straight over the handlebar. | 0:09:45 | 0:09:47 | |
Andy can't remember the fall, but his helmet shows the impact. | 0:09:47 | 0:09:52 | |
Look, it's gone straight through. | 0:09:52 | 0:09:55 | |
'It definitely shows that wearing a helmet can literally save your life.' | 0:09:55 | 0:09:58 | |
Was I out for a while, then? | 0:09:58 | 0:10:00 | |
Yeah, a good five minutes. Yeah? You were out. | 0:10:00 | 0:10:02 | |
How? Coming down here? Yeah. | 0:10:02 | 0:10:05 | |
'Even though he was back with us and talking to us,' | 0:10:05 | 0:10:08 | |
he was being very repetitive. | 0:10:08 | 0:10:10 | |
So, what happened? | 0:10:10 | 0:10:11 | |
You went over the handlebars. | 0:10:11 | 0:10:13 | |
Right, remember the word aardvark for us, all right? Mm-hm. | 0:10:13 | 0:10:16 | |
Yeah, I'm going to ask you in a few minutes, yeah? | 0:10:16 | 0:10:18 | |
'There were still definite signs that the head injury had been sustained.' | 0:10:18 | 0:10:21 | |
It was a big worry for me. | 0:10:21 | 0:10:23 | |
What just happened? You went over the bars. | 0:10:23 | 0:10:25 | |
Do you remember what word I gave you a couple of seconds ago? | 0:10:25 | 0:10:28 | |
Aardvark. Cool. OK. | 0:10:28 | 0:10:30 | |
Thanks to the grid reference given by Tim, | 0:10:30 | 0:10:33 | |
the ambulance crew reach the group quickly. | 0:10:33 | 0:10:36 | |
Andy. Andy. Right. Can you keep nice and still? | 0:10:36 | 0:10:38 | |
Keep your head nice and still, OK? | 0:10:38 | 0:10:40 | |
Andy's condition appears to be improving, but because | 0:10:40 | 0:10:42 | |
he was unconscious for so long, the medics must take every precaution | 0:10:42 | 0:10:46 | |
in case he has a brain injury. | 0:10:46 | 0:10:49 | |
Andy's memory of these moments is fragmented. | 0:10:49 | 0:10:53 | |
When I came round, I was really disorientated, confused. | 0:10:53 | 0:10:57 | |
Moments ago, I had been enjoying it | 0:10:57 | 0:10:59 | |
and I cycled through the hills, and then kind of woken up. | 0:10:59 | 0:11:03 | |
You're still a bit confused, aren't you? Yeah, slightly. | 0:11:03 | 0:11:06 | |
'I'm not generally the centre of attention,' | 0:11:06 | 0:11:09 | |
so having everybody kind of looking at me and focusing on me | 0:11:09 | 0:11:12 | |
was a bit strange, and I started to worry then, how bad is it? | 0:11:12 | 0:11:16 | |
We're just going to lay you down, OK? Yeah. | 0:11:16 | 0:11:19 | |
The ambulance crew fit Andy with a neck collar and put him on | 0:11:19 | 0:11:23 | |
a special mattress to protect his spine. | 0:11:23 | 0:11:25 | |
Andy is taken to hospital in nearby Guildford. | 0:11:27 | 0:11:29 | |
30 minutes later, he calls girlfriend Abby. | 0:11:31 | 0:11:34 | |
I could tell from his voice that something was wrong. | 0:11:34 | 0:11:38 | |
Got it out of him that he was in hospital. | 0:11:38 | 0:11:42 | |
I got into my car and drove to the hospital. | 0:11:42 | 0:11:45 | |
He was more concerned that I was going to be OK driving there | 0:11:45 | 0:11:48 | |
than he was for his condition, so that's typical of him. | 0:11:48 | 0:11:52 | |
While Abby's on her way, | 0:11:52 | 0:11:55 | |
Andy is sent for x-rays and a CT scan of his head. | 0:11:55 | 0:11:59 | |
Amazingly, helped by the protection of his helmet, | 0:11:59 | 0:12:02 | |
he's come out relatively unscathed. | 0:12:02 | 0:12:04 | |
I was really lucky to escape with a few cuts and bruises to my face | 0:12:04 | 0:12:08 | |
and I broke one of the little bones in my right ring finger. | 0:12:08 | 0:12:13 | |
Even though he was unconscious, nothing major had happened to him | 0:12:13 | 0:12:17 | |
physically with his spine or his brain, he was so fortunate. | 0:12:17 | 0:12:24 | |
I was so relieved to see him. | 0:12:24 | 0:12:25 | |
We just gave each other a hug and I tried not to hug him too hard. | 0:12:25 | 0:12:29 | |
Andy still can't remember the moments immediately before | 0:12:31 | 0:12:34 | |
and after his crash, but thanks to Tim's camera, he can watch them. | 0:12:34 | 0:12:39 | |
Fella, talk to me. No, no, leave him on his side. | 0:12:45 | 0:12:47 | |
Leave him on his side, leave him on his side. | 0:12:47 | 0:12:48 | |
'That is... It's a scary, scary, scary moment.' | 0:12:48 | 0:12:51 | |
It's really difficult to watch. | 0:12:51 | 0:12:54 | |
Just seeing myself completely unable to respond, react, to get up. | 0:12:54 | 0:13:00 | |
I am extremely lucky to be alive. | 0:13:00 | 0:13:03 | |
Andy is thankful to rescuer Tim. | 0:13:05 | 0:13:07 | |
'I spoke to Tim afterwards, expressed my thanks.' | 0:13:07 | 0:13:11 | |
I definitely, I owe him more than a pint. | 0:13:11 | 0:13:14 | |
I'm obviously very pleased Andy is alive, he's well, | 0:13:14 | 0:13:17 | |
he's basically uninjured so, yeah, very good ending to this story. | 0:13:17 | 0:13:21 | |
Coming up, a skier's helmet camera captures the moment | 0:13:25 | 0:13:29 | |
he is swept down the mountain by an avalanche. | 0:13:29 | 0:13:32 | |
Harlow, Essex. | 0:13:44 | 0:13:45 | |
A commuter records his journey to work using cameras on | 0:13:46 | 0:13:49 | |
the front and rear of his scooter. | 0:13:49 | 0:13:52 | |
He approaches a junction. | 0:13:52 | 0:13:54 | |
While the right-lane filter lights are red, | 0:13:54 | 0:13:57 | |
the main road light is green for go. | 0:13:57 | 0:14:00 | |
But a grandmother about to cross the road misreads the signals | 0:14:00 | 0:14:03 | |
and steps out. | 0:14:03 | 0:14:06 | |
The impact is unavoidable. | 0:14:06 | 0:14:08 | |
She crashes to the ground. | 0:14:08 | 0:14:10 | |
I was so much in shock that it affected me right to my core. | 0:14:10 | 0:14:14 | |
74-year-old Madeline from Cheshunt in Hertfordshire | 0:14:26 | 0:14:30 | |
is always on the go. | 0:14:30 | 0:14:31 | |
I don't have time to sit down. | 0:14:31 | 0:14:34 | |
I fall asleep if I sit down. | 0:14:34 | 0:14:35 | |
I love gardening. I've done gardening for other people. | 0:14:37 | 0:14:40 | |
Decorating. | 0:14:40 | 0:14:41 | |
I get pleasure in doing things for other people. | 0:14:43 | 0:14:46 | |
Before she retired, Madeline worked in many different roles in retail, | 0:14:46 | 0:14:49 | |
manufacturing and hygiene. | 0:14:49 | 0:14:52 | |
I just had amazing jobs. I loved my work. | 0:14:52 | 0:14:56 | |
Madeline's always been devoted | 0:14:56 | 0:14:57 | |
to her two children, John and Michelle, | 0:14:57 | 0:15:00 | |
and four grandchildren. | 0:15:00 | 0:15:02 | |
Two are in Italy, so obviously, I don't see them as much. | 0:15:02 | 0:15:06 | |
We FaceTime each other, so that's cool. | 0:15:06 | 0:15:08 | |
Then we have Maddie, who is named after me, and Joshua - | 0:15:08 | 0:15:13 | |
he's got the most cheeky little grin and chuckle. | 0:15:13 | 0:15:17 | |
Maddie and Joshua are daughter Michelle's children, | 0:15:17 | 0:15:19 | |
with her partner, Jay. | 0:15:19 | 0:15:22 | |
Sadly, less than a year ago, | 0:15:22 | 0:15:24 | |
the family suffered a great loss when Michelle passed away. | 0:15:24 | 0:15:28 | |
She... | 0:15:29 | 0:15:32 | |
Just an amazing person. | 0:15:32 | 0:15:34 | |
She helped so many other people and she'd walk into a room | 0:15:34 | 0:15:39 | |
and her smile would light up everyone. | 0:15:39 | 0:15:42 | |
She was just a very loving, caring person. | 0:15:42 | 0:15:45 | |
Life isn't right sometimes, is it? | 0:15:45 | 0:15:47 | |
It doesn't make sense. | 0:15:47 | 0:15:49 | |
It's something you can't get over, | 0:15:49 | 0:15:51 | |
you don't get over, but you've got to try and cope. | 0:15:51 | 0:15:54 | |
Madeline's way of coping is to help her daughter's partner, Jay, | 0:15:54 | 0:15:59 | |
look after the children. | 0:15:59 | 0:16:00 | |
I see Maddie and Joshua every day. | 0:16:00 | 0:16:02 | |
I make sure I sort her school clothes, | 0:16:02 | 0:16:04 | |
make sure she's got them, she just has to put them on. | 0:16:04 | 0:16:08 | |
It's all the little things. | 0:16:08 | 0:16:10 | |
All the appointments to the doctors, | 0:16:10 | 0:16:12 | |
dentist and take them to parties and try to help Jay sort stuff out. | 0:16:12 | 0:16:17 | |
She's become the linchpin of the family, | 0:16:17 | 0:16:19 | |
they couldn't do without her. | 0:16:19 | 0:16:21 | |
It's a gloomy, rainy August morning with little sign of summer when | 0:16:23 | 0:16:27 | |
the busy grandmother finishes her domestic chores | 0:16:27 | 0:16:30 | |
and gets ready to go out on an errand. | 0:16:30 | 0:16:33 | |
The plan that day was to take my daughter's car in to be | 0:16:33 | 0:16:35 | |
serviced cos we've decided we needed to keep it for the little ones, | 0:16:35 | 0:16:39 | |
and a friend of ours was going to take it in for us, | 0:16:39 | 0:16:42 | |
but I decided to go as well. | 0:16:42 | 0:16:46 | |
Madeline and her friend head for the garage in the nearby town of | 0:16:46 | 0:16:49 | |
Harlow, 25 minutes away. | 0:16:49 | 0:16:51 | |
At about the same time, flour mill worker Peter is leaving his | 0:16:52 | 0:16:56 | |
Harlow flat on the way to work by scooter. | 0:16:56 | 0:17:00 | |
He's an experienced rush-hour commuter | 0:17:00 | 0:17:02 | |
and always videos his journeys, | 0:17:02 | 0:17:04 | |
with one camera facing front and the other, back. | 0:17:04 | 0:17:07 | |
It's about ten miles from where I live to where I work. | 0:17:09 | 0:17:12 | |
I don't always take the same route. | 0:17:12 | 0:17:14 | |
Just to avoid complacency, normally I switch every month. | 0:17:14 | 0:17:18 | |
And this particular route is the shortest journey. | 0:17:18 | 0:17:21 | |
Madeline and her friend are now on foot, having just dropped | 0:17:21 | 0:17:25 | |
the car off at the garage. | 0:17:25 | 0:17:27 | |
We were just coming out of there and we thought we'd go for a coffee, | 0:17:27 | 0:17:30 | |
and wait. And I was going to cross the road, cos it looked clear. | 0:17:30 | 0:17:35 | |
My friend said, "No, it's safer to go to the traffic lights." | 0:17:35 | 0:17:38 | |
The pair are aiming for the supermarket cafe on | 0:17:38 | 0:17:41 | |
the other side of the road. | 0:17:41 | 0:17:43 | |
They approach the traffic lights. | 0:17:43 | 0:17:46 | |
There are no pedestrian signals, just traffic control. | 0:17:46 | 0:17:49 | |
But there is a sign on the tarmac | 0:17:49 | 0:17:50 | |
instructing pedestrians to look right. | 0:17:50 | 0:17:54 | |
But Madeline doesn't notice it. | 0:17:54 | 0:17:56 | |
When you go towards the road, | 0:17:56 | 0:17:58 | |
the path sloped down a little bit and there was a hedge on the right. | 0:17:58 | 0:18:02 | |
I couldn't see clearly. | 0:18:02 | 0:18:04 | |
Saw the traffic lights were red, cars stopped. | 0:18:04 | 0:18:07 | |
But the red traffic light she sees controls cars in the filter lane | 0:18:07 | 0:18:11 | |
waiting to turn right. | 0:18:11 | 0:18:13 | |
The lane on the left for the main flow of traffic | 0:18:13 | 0:18:17 | |
is controlled by another light, and that's on green. | 0:18:17 | 0:18:20 | |
I just wanted to get across the road, like you do. | 0:18:20 | 0:18:24 | |
Peter is approaching the junction. | 0:18:24 | 0:18:27 | |
I wasn't in a rush that day. | 0:18:27 | 0:18:28 | |
I was just taking it easy, as I normally do. | 0:18:28 | 0:18:32 | |
The speed limit is 40mph, but he's doing 30, | 0:18:32 | 0:18:35 | |
conscious of the wet tarmac. | 0:18:35 | 0:18:37 | |
Madeline's view is blocked by her umbrella, | 0:18:37 | 0:18:40 | |
she's totally unaware of the approaching bike. | 0:18:40 | 0:18:43 | |
She steps out into the road. | 0:18:43 | 0:18:45 | |
Her friend behind her. | 0:18:45 | 0:18:47 | |
Peter brakes, but he can't avoid the impact. | 0:18:51 | 0:18:53 | |
Looking back in horror, he sees Madeline face down on the tarmac. | 0:18:55 | 0:18:58 | |
I was able to react as quickly as I could and just... | 0:19:01 | 0:19:06 | |
managed to glance her, rather than hitting her full-on. | 0:19:06 | 0:19:10 | |
I was so much in shock that it affected me right to my core. | 0:19:12 | 0:19:16 | |
Madeline's friend tries to revive her | 0:19:16 | 0:19:18 | |
as other drivers call for an ambulance. | 0:19:18 | 0:19:21 | |
Peter turns his scooter around and heads back to the crossing. | 0:19:21 | 0:19:25 | |
She was moving, I knew she wasn't dead. | 0:19:25 | 0:19:29 | |
But...because she was so small, I was just picturing in my head | 0:19:29 | 0:19:33 | |
that maybe she'd got broken bones or anything like that. | 0:19:33 | 0:19:36 | |
Madeline is unconscious. | 0:19:36 | 0:19:38 | |
I don't remember anything at all, | 0:19:38 | 0:19:41 | |
which I'm glad, because I think I would have been in a lot of pain. | 0:19:41 | 0:19:44 | |
The 74-year-old lies in the road, | 0:19:44 | 0:19:47 | |
her confused friend standing over her. | 0:19:47 | 0:19:49 | |
Two passers-by stop to help. | 0:19:49 | 0:19:52 | |
By chance, one of the helpers is an off-duty nurse. | 0:19:55 | 0:19:58 | |
Apparently, I was trying to get up. | 0:19:59 | 0:20:02 | |
Yeah, I'm one of these people if I fall over, "I'm fine," you know. | 0:20:02 | 0:20:05 | |
The emergency services arrive quickly. | 0:20:05 | 0:20:09 | |
The first responder showed up within a couple of minutes. | 0:20:09 | 0:20:13 | |
I don't think it had any impact on how I felt, cos I was so... | 0:20:13 | 0:20:16 | |
..so much in shock. | 0:20:18 | 0:20:20 | |
Moments later, an ambulance crew arrive | 0:20:20 | 0:20:22 | |
and take Madeline to hospital. | 0:20:22 | 0:20:25 | |
The next thing she remembers is waking up in a ward with | 0:20:25 | 0:20:28 | |
the concerned faces of son-in-law Jay and her friend | 0:20:28 | 0:20:30 | |
looking down at her. | 0:20:30 | 0:20:33 | |
I looked up and I thought, "What are they doing there?" | 0:20:33 | 0:20:35 | |
These two faces looking at me. | 0:20:35 | 0:20:38 | |
And then obviously, everywhere aches cos I was all bruised. | 0:20:38 | 0:20:43 | |
Madeline is black and blue all over, | 0:20:43 | 0:20:46 | |
with nasty deep cuts on her head and arm. | 0:20:46 | 0:20:49 | |
But thankfully, she has no broken bones. | 0:20:49 | 0:20:51 | |
She remains in hospital for six days and is fitted with a neck brace. | 0:20:51 | 0:20:55 | |
My first thought was for Maddie because, | 0:20:56 | 0:21:00 | |
"Oh, my gosh! She's just lost her mummy. | 0:21:00 | 0:21:03 | |
"How is she going to react with me not being there, | 0:21:03 | 0:21:06 | |
"not being at home?" | 0:21:06 | 0:21:07 | |
So, son-in-law Jay brings the children to see her. | 0:21:07 | 0:21:10 | |
She held back a little bit, | 0:21:10 | 0:21:12 | |
but once I started talking to her, she was fine. | 0:21:12 | 0:21:14 | |
We had to tell her I fell down the stairs and she says, | 0:21:14 | 0:21:17 | |
"OK, Nanny, what you do is you go down on your bottom, | 0:21:17 | 0:21:20 | |
"like I did when I was tiny," she's only four - | 0:21:20 | 0:21:23 | |
"and I'll hold your hand." | 0:21:23 | 0:21:25 | |
While she's in hospital, | 0:21:27 | 0:21:28 | |
Madeline gets a chance to reflect on the accident. | 0:21:28 | 0:21:31 | |
I think it was a warning to slow down. | 0:21:31 | 0:21:34 | |
I do... I was doing, you know... | 0:21:35 | 0:21:38 | |
Since I've lost Michelle, I've been doing this, doing that. | 0:21:38 | 0:21:43 | |
John, my son, said, "Well, I hope they keep you in for a week, Mum." | 0:21:43 | 0:21:47 | |
I went, "That's not nice." | 0:21:47 | 0:21:49 | |
He said, "Well, you need to rest." | 0:21:49 | 0:21:51 | |
When she recovers, | 0:21:51 | 0:21:52 | |
Madeline apologises to Peter for walking out in front of him | 0:21:52 | 0:21:55 | |
and insists on paying for the damage to his scooter. | 0:21:55 | 0:21:58 | |
Well, she's just such a wonderful person. | 0:22:00 | 0:22:02 | |
I've kept in touch and, yeah, | 0:22:02 | 0:22:05 | |
I think she's a really good person to know. | 0:22:05 | 0:22:08 | |
They're both very grateful he's such a careful driver. | 0:22:08 | 0:22:11 | |
I was so pleased it was Peter, to be quite honest, | 0:22:11 | 0:22:14 | |
and not a car or someone that was speeding, | 0:22:14 | 0:22:16 | |
because I wouldn't be here now. | 0:22:16 | 0:22:18 | |
Great to see so many people willing to help out in a crisis. | 0:22:26 | 0:22:30 | |
Now, they say it's good to expect the unexpected, | 0:22:30 | 0:22:33 | |
and that applies even when we're on holiday. | 0:22:33 | 0:22:35 | |
Here's a tale about a lucky escape for some pals on the slopes. | 0:22:35 | 0:22:40 | |
Val d'Isere in the French Alps. | 0:22:46 | 0:22:49 | |
Wearing helmet cameras, a group of friends enjoy some off-piste skiing | 0:22:49 | 0:22:53 | |
on the region's tallest mountain, | 0:22:53 | 0:22:56 | |
but it's about to go badly wrong. | 0:22:56 | 0:22:58 | |
A large crack suddenly appears on the slope. | 0:22:58 | 0:23:02 | |
I saw the slab open up | 0:23:02 | 0:23:03 | |
and I knew immediately that there was going to be an avalanche. | 0:23:03 | 0:23:07 | |
The powerful snow surge engulfs one of the skiers, | 0:23:07 | 0:23:10 | |
violently throwing him down the mountain. | 0:23:10 | 0:23:13 | |
I saw Alex go down and I knew that he was in trouble, | 0:23:16 | 0:23:19 | |
because if you're buried, especially in that snow, you've only got | 0:23:19 | 0:23:22 | |
a few seconds before you're going to start running out of breath. | 0:23:22 | 0:23:25 | |
Landscape architect Alex lives in Gloucestershire, and when | 0:23:33 | 0:23:37 | |
he's not working, he grabs every chance he can to hit the slopes. | 0:23:37 | 0:23:41 | |
Basically, I garden and I ski. | 0:23:41 | 0:23:44 | |
The two things that I do with my... any time I have. | 0:23:44 | 0:23:47 | |
It's exhilarating being in the mountains, | 0:23:47 | 0:23:49 | |
the area is fabulous, the scenery is amazing, | 0:23:49 | 0:23:51 | |
you're exercising all the time and you just feel really good. | 0:23:51 | 0:23:54 | |
The week of his 60th birthday, Alex heads to Val d'Isere in | 0:23:56 | 0:23:59 | |
the French Alps to celebrate with a large group of family and friends, | 0:23:59 | 0:24:03 | |
including 25-year-old Teddy. | 0:24:03 | 0:24:06 | |
Alex is a friend of my father's. | 0:24:06 | 0:24:08 | |
I've known him since I was very young. | 0:24:08 | 0:24:10 | |
He's just always been there, skiing with my dad. | 0:24:10 | 0:24:13 | |
We've skied together with our families for many, many years. | 0:24:13 | 0:24:17 | |
It's a few days into their trip and six of the more advanced skiers, | 0:24:17 | 0:24:20 | |
including Alex and Teddy, have an adventurous day planned. | 0:24:20 | 0:24:25 | |
Where I can, I prefer to go off-piste where there is | 0:24:25 | 0:24:28 | |
a degree of danger, but it's usually very well controlled. | 0:24:28 | 0:24:32 | |
There are reports of avalanches in the mountains, | 0:24:33 | 0:24:35 | |
but they're very, very rare. | 0:24:35 | 0:24:37 | |
But, to be on the safe side, the group hire a guide to take them down | 0:24:37 | 0:24:41 | |
the Grande Motte mountain, the highest in the area. | 0:24:41 | 0:24:45 | |
It's an absolutely gorgeous mountain and you can ski down the front | 0:24:45 | 0:24:47 | |
of it on the piste, but we had decided to go off the back. | 0:24:47 | 0:24:50 | |
It was the day before my 60th birthday, we were going to have | 0:24:50 | 0:24:55 | |
a party that evening and we were all in very, very good spirits. | 0:24:55 | 0:24:58 | |
Alex and Teddy are both wearing helmet cameras | 0:24:58 | 0:25:01 | |
to record their descent. | 0:25:01 | 0:25:02 | |
Well, for my birthday, I had been given the helmet camera, | 0:25:02 | 0:25:05 | |
so we're having a great time videoing everybody. | 0:25:05 | 0:25:08 | |
Alex can be seen skiing past Teddy. | 0:25:08 | 0:25:11 | |
Then they start down a stretch of snow lying on top of a glacier. | 0:25:11 | 0:25:15 | |
Alex goes third behind another member of the group - Henry. | 0:25:16 | 0:25:19 | |
His camera shows the guide at the front leading the way. | 0:25:19 | 0:25:23 | |
Conditions were great. | 0:25:24 | 0:25:25 | |
There was nothing untoward about the slope. | 0:25:25 | 0:25:28 | |
But disaster's about to strike. | 0:25:28 | 0:25:31 | |
In front of Alex, Henry turns sharply. | 0:25:31 | 0:25:34 | |
A deep crack appears in the snow. | 0:25:37 | 0:25:40 | |
Behind Alex, Teddy senses the danger. | 0:25:40 | 0:25:43 | |
I saw the slab open up | 0:25:43 | 0:25:44 | |
and I knew immediately that there was going to be an avalanche. | 0:25:44 | 0:25:48 | |
And I shouted, "Avalanche!" | 0:25:48 | 0:25:51 | |
I didn't see the crack as the slab broke away. | 0:25:51 | 0:25:54 | |
I just saw the snow craze and break up and become sort of liquid. | 0:25:54 | 0:25:59 | |
Everything was floating and moving like it was a boiling pan of water. | 0:25:59 | 0:26:03 | |
Alex loses his footing and his camera captures the moment | 0:26:03 | 0:26:07 | |
the avalanche swallows him up. | 0:26:07 | 0:26:09 | |
Alex is swept down the mountain at great speed. | 0:26:20 | 0:26:23 | |
Pummelled by the heavy weight of the sliding snow, | 0:26:23 | 0:26:26 | |
he struggles to keep himself from going under. | 0:26:26 | 0:26:29 | |
The power of the snow was just unbelievable. | 0:26:29 | 0:26:31 | |
There was nothing I could do about it. | 0:26:31 | 0:26:33 | |
I was just tumbling, falling, somersaulting backwards, | 0:26:34 | 0:26:37 | |
forwards, upside-down. | 0:26:37 | 0:26:39 | |
I was thinking, "Stay alive, stay alive, stay alive!" | 0:26:39 | 0:26:41 | |
Close behind, Teddy just manages to avoid the avalanche | 0:26:41 | 0:26:46 | |
by skiing to the side, out of its path. | 0:26:46 | 0:26:49 | |
When I saw Alex go down I knew that he was in trouble, because if you're | 0:26:49 | 0:26:52 | |
buried, especially in that snow, you've only got | 0:26:52 | 0:26:54 | |
a few seconds before you're going to start running out of breath. | 0:26:54 | 0:26:57 | |
Alex is thrown around by the snow for nearly 30 seconds, | 0:26:57 | 0:27:01 | |
but then the avalanche slows and he comes to a stop. | 0:27:01 | 0:27:05 | |
He lands face up, but his legs are buried. | 0:27:05 | 0:27:08 | |
The snow continues moving past him like lava from a volcano. | 0:27:08 | 0:27:12 | |
I was panting with adrenaline, I think. | 0:27:12 | 0:27:16 | |
Alex frees himself as the avalanche travels on more than a mile | 0:27:16 | 0:27:20 | |
to the bottom of the mountain, leaving him in its wake. | 0:27:20 | 0:27:23 | |
Alex went down, I think, 500m down the hill, he went a long way. | 0:27:23 | 0:27:27 | |
If he had done one more tumble and ended up face down with a foot | 0:27:27 | 0:27:31 | |
of snow on his back, he wouldn't have been able to pull his body up. | 0:27:31 | 0:27:34 | |
He would have...perhaps suffocated if we hadn't found him in time. | 0:27:34 | 0:27:37 | |
Luckily, everyone was OK. | 0:27:37 | 0:27:39 | |
Nothing more than bruises and dented pride, really. | 0:27:39 | 0:27:43 | |
We just clapped each other on the back and said, | 0:27:43 | 0:27:45 | |
"Let's go get a beer." | 0:27:45 | 0:27:47 | |
With his birthday present camera also surviving its dramatic | 0:27:47 | 0:27:51 | |
first outing, Alex will always be able to recall what happened | 0:27:51 | 0:27:55 | |
on the day he turned 60. | 0:27:55 | 0:27:56 | |
Well, the first half of it, anyway. | 0:27:56 | 0:27:59 | |
Alex had a fantastic 60th birthday that night. | 0:27:59 | 0:28:01 | |
We had a great party that evening, | 0:28:01 | 0:28:03 | |
especially with being all exhilarated from that experience, | 0:28:03 | 0:28:06 | |
and I don't remember much about it, actually. | 0:28:06 | 0:28:09 | |
Some truly gripping stories today, I think you'll agree. | 0:28:17 | 0:28:20 | |
But that's all from Close Calls. See you next time. | 0:28:20 | 0:28:22 |