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Beautiful Bournemouth. | 0:00:10 | 0:00:12 | |
They call it "God's Waiting Room". | 0:00:12 | 0:00:14 | |
But me and my friends aren't planning on a sleepy seaside retirement. | 0:00:16 | 0:00:20 | |
Cheers, Paul! | 0:00:20 | 0:00:21 | |
I'm John. And this has been my home for 30 years. | 0:00:21 | 0:00:24 | |
-It's the boys! -It's the boys! | 0:00:26 | 0:00:27 | |
We might all have bus passes, | 0:00:27 | 0:00:29 | |
but we're determined to make the most of the time we have left. | 0:00:29 | 0:00:32 | |
SHE SHRIEKS | 0:00:32 | 0:00:34 | |
Do you think he'll need to take Viagra? | 0:00:34 | 0:00:37 | |
We've got big dreams. | 0:00:37 | 0:00:39 | |
Some of us want second chances. | 0:00:39 | 0:00:42 | |
And we still have unfulfilled desires. | 0:00:42 | 0:00:45 | |
We may be getting on a bit, but we're still living. | 0:00:45 | 0:00:49 | |
This time, will Vanessa and Babs have a final showdown? | 0:00:53 | 0:00:58 | |
Are you sure he invited her? | 0:00:58 | 0:00:59 | |
I just don't want to go Round Two with her. | 0:00:59 | 0:01:02 | |
I've got a big decision to make about my future. | 0:01:03 | 0:01:05 | |
Do you really want to come here? It's awful. | 0:01:05 | 0:01:09 | |
Well, we've got to find out what it's all about, haven't we? | 0:01:09 | 0:01:13 | |
And could Chris have gone too far this time? | 0:01:13 | 0:01:16 | |
-I mean, I'm a good friend of yours, but... -No, you're not! -Yes, I am. | 0:01:16 | 0:01:19 | |
No, you're not. You think you are, but you're not! | 0:01:19 | 0:01:22 | |
1940s MUSIC PLAYS | 0:01:23 | 0:01:28 | |
-Hello, John? I'm Matt from the estate agent. -Pleased to meet you. | 0:01:32 | 0:01:35 | |
-Glad you could make it. -No problem at all. -Come in. -How you doing? | 0:01:35 | 0:01:38 | |
I thought you'd like to look round the old house. | 0:01:38 | 0:01:41 | |
So, I just wanted to check in with you to make sure that we've got | 0:01:55 | 0:01:58 | |
enough stock there, and if we come up with a great big order, that we... | 0:01:58 | 0:02:02 | |
You're ready to rock and roll within three or four days? | 0:02:02 | 0:02:06 | |
Brilliant! OK! | 0:02:06 | 0:02:08 | |
-This is my downstairs bedroom now. -Right, OK. -Yeah. | 0:02:14 | 0:02:18 | |
Right, so... What is the reason for wanting to get a valuation? | 0:02:18 | 0:02:22 | |
-What are you thinking... -Well, I'm not getting any younger. | 0:02:22 | 0:02:25 | |
-The house is far... -It's a big place. -..too big for one person. | 0:02:25 | 0:02:29 | |
Where are you looking to go to, once you leave? | 0:02:29 | 0:02:31 | |
Well, I thought I'd try the various types of establishments, | 0:02:31 | 0:02:34 | |
you know, the old people's homes, the warden-assisted homes... | 0:02:34 | 0:02:38 | |
-Right, OK. -..and all that, and... -The initial stage is get the valuation | 0:02:38 | 0:02:42 | |
-and do what you are doing. -Yeah. | 0:02:42 | 0:02:44 | |
-You've done the hardest bit then, essentially. -Yeah. | 0:02:44 | 0:02:46 | |
-So hopefully, it'll be plain sailing from now on. -We hope so. | 0:02:46 | 0:02:49 | |
# Come here, sister | 0:02:49 | 0:02:52 | |
# Papa's in the swing. # | 0:02:52 | 0:02:54 | |
-Oh, that looks good! -Yeah? -Lovely. | 0:02:56 | 0:02:58 | |
-Is that really butter on my bread, there? -Yes, it is. -Thank you. | 0:02:59 | 0:03:04 | |
# Ain't no drag | 0:03:04 | 0:03:05 | |
# Papa's got a brand-new bag | 0:03:07 | 0:03:09 | |
# He's doing the jerk | 0:03:12 | 0:03:13 | |
# And digs this crazy scene | 0:03:13 | 0:03:17 | |
# He's not too fancy | 0:03:18 | 0:03:22 | |
# But his line is pretty clean | 0:03:22 | 0:03:26 | |
# Ain't no drag | 0:03:26 | 0:03:28 | |
# Because you know he's got brand-new bag | 0:03:28 | 0:03:32 | |
# He's doing the jerk | 0:03:34 | 0:03:35 | |
# He's doing the fly | 0:03:35 | 0:03:37 | |
# Don't play him cheap | 0:03:37 | 0:03:39 | |
# Cos you know he's got a brand-new bag. # | 0:03:39 | 0:03:42 | |
I know you have some wacky ideas sometimes, | 0:03:45 | 0:03:48 | |
but I mean, this is rather impromptu. | 0:03:48 | 0:03:50 | |
Yeah, but, Gloria, if David Dimbleby can have one, | 0:03:50 | 0:03:53 | |
-then so can I. Can't I? -Well, er... | 0:03:53 | 0:03:56 | |
It's sentimental. | 0:03:57 | 0:03:59 | |
When my daughter was a baby, | 0:03:59 | 0:04:00 | |
I always used to paint things on her toes, | 0:04:00 | 0:04:02 | |
-little faces on her toes. -Oh, OK. | 0:04:02 | 0:04:04 | |
And I do the same with my grandchildren, | 0:04:04 | 0:04:06 | |
every time they have a bath. | 0:04:06 | 0:04:08 | |
-So you'll never guess what - good news, Gloria. -Yeah? | 0:04:08 | 0:04:12 | |
I'm doing an interview | 0:04:12 | 0:04:13 | |
for a local magazine for Dorset. | 0:04:13 | 0:04:15 | |
-Are you? -Yeah. | 0:04:15 | 0:04:17 | |
-Wow. -All about my baby boxes. | 0:04:17 | 0:04:19 | |
-Wow. -So, it's going to be a fabulous interview. | 0:04:19 | 0:04:23 | |
-Would you like to come down? -Yes. Love to, yes. -Thank you. | 0:04:23 | 0:04:26 | |
The dinner party you did the other night was lovely. | 0:04:27 | 0:04:31 | |
-Enjoyed it? -Yeah. Interesting. | 0:04:31 | 0:04:33 | |
Very interesting conversation, good cooking... | 0:04:33 | 0:04:36 | |
But tell me, Gloria - | 0:04:36 | 0:04:37 | |
-when I disappeared to the kitchen to potter round in there... -Yeah... | 0:04:37 | 0:04:41 | |
-and it kind of went quiet when I came back into the room. -Did it? | 0:04:41 | 0:04:45 | |
I assumed at that point | 0:04:45 | 0:04:47 | |
you were probably talking about Vanessa again, in my house. | 0:04:47 | 0:04:51 | |
-Well, he started it, you see. -Did he? | 0:04:51 | 0:04:54 | |
-That wasn't nice of him to put you in that predicament. -No. | 0:04:54 | 0:04:57 | |
You're in my house, having dinner at my table, | 0:04:57 | 0:05:00 | |
and when my back is turned he wants to bring up that woman, | 0:05:00 | 0:05:02 | |
-I don't like that. -I know, it was awful. | 0:05:02 | 0:05:04 | |
I think he just knows it upsets you. | 0:05:04 | 0:05:07 | |
-Do you think he's doing that deliberately? -I think so, yes. | 0:05:07 | 0:05:10 | |
-We were going to have a pleasant evening without mentioning anything negative... -No. | 0:05:10 | 0:05:14 | |
-And then he goes and does that. -Yeah. | 0:05:14 | 0:05:17 | |
-There you go. -Wow! | 0:05:18 | 0:05:21 | |
-What do you think? -It's lovely. | 0:05:21 | 0:05:22 | |
-Thank you. -Yeah! Mwah. | 0:05:22 | 0:05:24 | |
Oh! My smelly toes? | 0:05:24 | 0:05:26 | |
Oh, there you are, Chris. | 0:05:34 | 0:05:36 | |
A bit earlier, you could have bought me breakfast. | 0:05:36 | 0:05:39 | |
Looks well cholesterol-laden there. | 0:05:39 | 0:05:41 | |
Yeah, well, I was getting a bit hungry. | 0:05:41 | 0:05:43 | |
I'm glad you could find some time to, erm...have a chat. | 0:05:43 | 0:05:46 | |
I just hate things left on a sour note, | 0:05:46 | 0:05:49 | |
and I just hope that you can accept and forgive. | 0:05:49 | 0:05:52 | |
The way I think is I'm always prepared to give people second chances. | 0:05:52 | 0:05:55 | |
I don't believe in dwelling over things. | 0:05:55 | 0:05:58 | |
Barbara's a different kettle of fish, she is a bit of a diva. | 0:05:58 | 0:06:01 | |
She's very oversensitive about the whole issue. She won't put it to one side. | 0:06:01 | 0:06:06 | |
There's nothing I can do to get her to warm towards you | 0:06:06 | 0:06:10 | |
or even speak to you. She doesn't want to know. | 0:06:10 | 0:06:13 | |
-So you don't think there could be a reconciliation with Barbara? -No! | 0:06:13 | 0:06:17 | |
Not in a million years. | 0:06:17 | 0:06:18 | |
So what have you been up to, then, Chris? | 0:06:18 | 0:06:21 | |
Organising my bowls for the first match of the season. | 0:06:21 | 0:06:25 | |
We invite people down there to learn how to play, | 0:06:25 | 0:06:27 | |
and we're always looking for new members. | 0:06:27 | 0:06:30 | |
You're quite welcome to come down and I'll personally teach you | 0:06:30 | 0:06:33 | |
how to play. | 0:06:33 | 0:06:35 | |
And actually I think probably Barbara'll be there. | 0:06:35 | 0:06:37 | |
It'll be quite interesting to see what reaction | 0:06:37 | 0:06:39 | |
again it would be if you actually DO turn up. | 0:06:39 | 0:06:42 | |
I haven't heard from that chap, you know, Steve, that took my number. | 0:06:53 | 0:06:57 | |
-When we went blindfold speed dating. -Yes. Yeah. | 0:06:57 | 0:07:00 | |
No, I'm really... | 0:07:00 | 0:07:02 | |
surprised, cos I thought he was quite keen. | 0:07:02 | 0:07:05 | |
-I might hang up my suspenders and retire. -No, you won't. | 0:07:05 | 0:07:08 | |
Everybody knows Dee as being... | 0:07:08 | 0:07:12 | |
-Everybody knows Dee as being full of fun, and saucy. -Yes. | 0:07:13 | 0:07:17 | |
And if you weren't like that, you wouldn't be Dee. | 0:07:17 | 0:07:20 | |
Well, let's have a holiday, | 0:07:20 | 0:07:22 | |
and six months down the line I might think again. | 0:07:22 | 0:07:24 | |
-Exactly. Yeah. -We'll see. -Yeah. | 0:07:24 | 0:07:26 | |
-Ah. Hello, girls. -Hello, John. | 0:07:26 | 0:07:29 | |
-Hello, Dee, nice to see you again. -And this is my friend Annie. | 0:07:29 | 0:07:33 | |
-Hello, Annie. -This is John. | 0:07:33 | 0:07:35 | |
-Fish and chip John. -Oh, fish and chips. | 0:07:35 | 0:07:38 | |
I know how to treat a lady! | 0:07:38 | 0:07:39 | |
What have you been up to? | 0:07:39 | 0:07:40 | |
Oh, I actually had an estate agent round yesterday | 0:07:40 | 0:07:44 | |
to give me his appraisal on my little mansion. | 0:07:44 | 0:07:47 | |
Why did you get the estate agents in? | 0:07:47 | 0:07:49 | |
-Well, I'm thinking of downsizing. -Oh, are you? | 0:07:49 | 0:07:52 | |
Yeah, and I'm going to look at care homes. | 0:07:52 | 0:07:55 | |
I'm going to have a look at one tomorrow. | 0:07:55 | 0:07:57 | |
-Now - I'm going to have a go at you. -Oh, no! | 0:07:57 | 0:08:00 | |
If you mix with old people, you'll get old. | 0:08:00 | 0:08:02 | |
He can use it as a hotel. | 0:08:02 | 0:08:04 | |
If he goes there with his faculties and his car... | 0:08:04 | 0:08:08 | |
-The one I'm going to see, they said this is like a cruise ship. -Exactly. | 0:08:08 | 0:08:12 | |
I've arranged to meet the lady | 0:08:12 | 0:08:15 | |
who runs this care home. | 0:08:15 | 0:08:17 | |
Would you care to join me, and then I'd value your expertise. | 0:08:17 | 0:08:22 | |
Yes. I'd love to come and talk you out of it. | 0:08:22 | 0:08:25 | |
I don't want you to get old, | 0:08:25 | 0:08:27 | |
you've got to keep young. It's the only way to keep going. Honestly. | 0:08:27 | 0:08:30 | |
Hmm. | 0:08:30 | 0:08:32 | |
BILL WITHERS: # Ain't no sunshine when she's gone | 0:08:41 | 0:08:45 | |
# It's not warm when she's away | 0:08:47 | 0:08:51 | |
# Ain't no sunshine when she's gone | 0:08:54 | 0:08:57 | |
# And she's always gone too long Any time she goes away | 0:08:57 | 0:09:04 | |
# Wonder this time where she's gone | 0:09:06 | 0:09:10 | |
# Wonder if she's gone to stay | 0:09:13 | 0:09:17 | |
# Ain't no sunshine when she's gone | 0:09:19 | 0:09:22 | |
# And this house just ain't no home Any time she goes away | 0:09:22 | 0:09:28 | |
# And I know, I know, I know, I know, I know... # | 0:09:31 | 0:09:33 | |
PHONE RINGS | 0:09:33 | 0:09:35 | |
Hello. | 0:09:40 | 0:09:43 | |
Yes. Speaking. | 0:09:43 | 0:09:45 | |
Yeah, that would be great. | 0:09:45 | 0:09:46 | |
Whereabouts in London would I be expected to come? | 0:09:46 | 0:09:49 | |
Well, I'll look forward to hearing from you. | 0:09:50 | 0:09:53 | |
Thank you. Bye-bye. Bye. | 0:09:53 | 0:09:55 | |
Oh, wow. | 0:09:55 | 0:09:57 | |
-Oh, hi! -Hi, Vanessa. Lovely day, isn't it? | 0:09:58 | 0:10:01 | |
Oh... What a great day. Aren't we blessed with this... | 0:10:01 | 0:10:05 | |
Great day for taking the dogs out. | 0:10:05 | 0:10:08 | |
Vanessa, how are you getting on? | 0:10:08 | 0:10:10 | |
Well, before you came I had a phone call from a radio station | 0:10:10 | 0:10:15 | |
up in London, asking me | 0:10:15 | 0:10:18 | |
-if I can go up there and do an interview about my book. -Wow. | 0:10:18 | 0:10:22 | |
So... Oh, Dee, this could open so many doors. Imagine the publicity. | 0:10:22 | 0:10:28 | |
Maybe this is the opportunity that I've really been waiting for, | 0:10:28 | 0:10:31 | |
you know, my driving force has always been Elizabeth | 0:10:31 | 0:10:35 | |
and I just pray that this break, | 0:10:35 | 0:10:40 | |
this opportunity, will make a difference to our lives. | 0:10:40 | 0:10:43 | |
Because at the moment I feel I've failed her. | 0:10:43 | 0:10:46 | |
-Oh... -No, I do. | 0:10:46 | 0:10:48 | |
I worry about her. I worry about her being so vulnerable, | 0:10:48 | 0:10:52 | |
and in fact I feel a bit choked thinking about it. | 0:10:52 | 0:10:55 | |
-Oh. Don't be like that. -No, I do, because | 0:10:55 | 0:10:58 | |
it's not been easy. No, it's not been easy, Dee... | 0:10:58 | 0:11:02 | |
But you've managed. You're a survivor. That's the main thing. | 0:11:02 | 0:11:06 | |
You always say that to yourself, that you are a survivor. | 0:11:06 | 0:11:09 | |
You haven't failed her because she's still with you, you're still | 0:11:09 | 0:11:12 | |
with her, and you're working hard | 0:11:12 | 0:11:14 | |
to make something worthwhile to leave her. | 0:11:14 | 0:11:17 | |
This is when I find it difficult, Dee, when people attack me, | 0:11:17 | 0:11:21 | |
it's like as if people don't want me to get on. | 0:11:21 | 0:11:24 | |
You know, I had coffee the other day with Chris, | 0:11:24 | 0:11:27 | |
and he mentioned that he's got this bowling match. | 0:11:27 | 0:11:32 | |
-Have you been invited? -Yes, I have. I'm going to go. | 0:11:32 | 0:11:35 | |
Mm. I don't know. I mean, he did mention it, but | 0:11:35 | 0:11:38 | |
I feel sure that Barbara's going to be there | 0:11:38 | 0:11:40 | |
and quite frankly I just don't want to go round two with her. | 0:11:40 | 0:11:44 | |
-You know - I just don't want to... -Well, come along and see. | 0:11:44 | 0:11:47 | |
You can always go, can't you, if you think it might be too difficult. | 0:11:47 | 0:11:52 | |
Yeah. | 0:11:52 | 0:11:53 | |
Fantastic. And another one... | 0:11:59 | 0:12:00 | |
That's it. Big smile. | 0:12:04 | 0:12:07 | |
Great, thank you. | 0:12:07 | 0:12:08 | |
Ah. Wow... | 0:12:11 | 0:12:13 | |
-How do you feel? -Great. It was brilliant, wasn't it? | 0:12:13 | 0:12:17 | |
-You must be very pleased with how that went. -Fantastic. -Excellent. | 0:12:17 | 0:12:21 | |
So how's things with Chris? | 0:12:21 | 0:12:23 | |
Sometimes when I don't get to sleep straight away things | 0:12:23 | 0:12:27 | |
play in my mind over and over again, and I've been thinking, | 0:12:27 | 0:12:30 | |
-you know, that he can be more of a hindrance to me than a help. -Than a help, yeah, | 0:12:30 | 0:12:35 | |
I believe you. | 0:12:35 | 0:12:36 | |
Because he always tries to, you know, either throw me | 0:12:36 | 0:12:39 | |
under the bus or do something that causes a problem within my company. | 0:12:39 | 0:12:44 | |
Why would you try and mess up somebody else's pitch | 0:12:44 | 0:12:48 | |
and things like that when you're going to do something, and he | 0:12:48 | 0:12:51 | |
brings it down and laughs at it | 0:12:51 | 0:12:54 | |
and has a giggle and thinks it's hilarious. | 0:12:54 | 0:12:57 | |
You say to him, "Why did you do that?" | 0:12:57 | 0:12:59 | |
And he says, "Because I think it's hilarious!" | 0:12:59 | 0:13:03 | |
It's hilarious for him - | 0:13:03 | 0:13:05 | |
but it's not for ME, on the receiving end of it. | 0:13:05 | 0:13:07 | |
Because he wants to be known as the most obnoxious man in Bournemouth... | 0:13:07 | 0:13:12 | |
-Well, he's quite right there, then. -Well, he is. -He's proved it. | 0:13:12 | 0:13:14 | |
But do I want Mr Obnoxious attached to my company? | 0:13:14 | 0:13:19 | |
People will think, "What is she doing with him, | 0:13:19 | 0:13:21 | |
"what is he doing with her business?" | 0:13:21 | 0:13:24 | |
I don't want that association. | 0:13:24 | 0:13:25 | |
-No. -He needs cutting down to size, definitely. -Mm. | 0:13:25 | 0:13:28 | |
Definitely. Without a doubt. | 0:13:28 | 0:13:31 | |
MUSIC: Ain't Misbehavin' by Fats Waller | 0:13:31 | 0:13:33 | |
Ooh... It's a big area, isn't it? Eh? | 0:13:39 | 0:13:44 | |
Do you really want to come here? It's awful. | 0:13:47 | 0:13:50 | |
Well, we've got to find out what it's all about, haven't we? | 0:13:50 | 0:13:53 | |
-Eh? -Oh, I don't know. -It's a lovely... | 0:13:53 | 0:13:55 | |
Hello, ladies, what a pleasure it is for you to see us. | 0:13:55 | 0:13:58 | |
-You must be John. -I are. | 0:13:58 | 0:13:59 | |
-How clever of you to realise. -And who's the lovely lady with you? | 0:13:59 | 0:14:02 | |
-This is Dee. -Dee, hello. -I'm his friend, hello. -Lovely to meet you. | 0:14:02 | 0:14:05 | |
She's my support. | 0:14:05 | 0:14:06 | |
-So shall we have a little look around? -Yeah, by all means. -Is that all right with you? | 0:14:06 | 0:14:11 | |
So this is our parlour area. | 0:14:15 | 0:14:17 | |
These are all our lovely ladies. | 0:14:17 | 0:14:19 | |
We sit here and have quizzes | 0:14:19 | 0:14:21 | |
and word searches and teas and coffees... | 0:14:21 | 0:14:24 | |
-Oh, right. -..and watch the world go by. | 0:14:24 | 0:14:27 | |
Shall we go up and have a look at the rooms? | 0:14:27 | 0:14:30 | |
Let's have a go at the stairs. | 0:14:30 | 0:14:31 | |
Oh, you've got too much vitality! | 0:14:31 | 0:14:34 | |
WOMAN LAUGHS | 0:14:34 | 0:14:36 | |
-Ah... -Oh, you have, sweetheart, you have. | 0:14:36 | 0:14:39 | |
So this is our activities room, and all sorts goes on here. | 0:14:39 | 0:14:45 | |
Is there a curfew if you're out late? | 0:14:45 | 0:14:47 | |
No, not at all, we want people to be as independent as possible. | 0:14:47 | 0:14:50 | |
What about visitors? If you come home at three o'clock in the morning, blind drunk | 0:14:50 | 0:14:55 | |
and you take someone in with you? | 0:14:55 | 0:14:56 | |
I don't know who she's talking about. | 0:14:56 | 0:14:59 | |
Well, this is his home... | 0:14:59 | 0:15:00 | |
-Tut-tut. -..but we would have to risk assess anything that was going on, | 0:15:00 | 0:15:04 | |
in a discreet way. | 0:15:04 | 0:15:06 | |
-The place itself is brilliant. -It is, absolutely. | 0:15:11 | 0:15:15 | |
I mean, the dining facilities, the bar. | 0:15:15 | 0:15:17 | |
Rather than going into a flat, where you're basically on your own so if you ARE ill, tough... | 0:15:17 | 0:15:22 | |
But don't you think that's the time to come into a place like this, when you really need it? | 0:15:22 | 0:15:27 | |
What gets me is how fast my wife went downhill. | 0:15:27 | 0:15:31 | |
-Yes. -You know. And I thought, "Oh, my golly." | 0:15:31 | 0:15:33 | |
Within a year, you know, she was unable to look after herself, | 0:15:33 | 0:15:37 | |
and that's at the back of my mind having seen how fast it happens. | 0:15:37 | 0:15:41 | |
This is one of the benefits, why I've come here to have a look at this today - | 0:15:41 | 0:15:45 | |
if I'm slowly going down the river, | 0:15:45 | 0:15:48 | |
then there's somewhere for me to come so I'm not a burden on the family. | 0:15:48 | 0:15:51 | |
No. I just don't think it's right for you, John - | 0:15:51 | 0:15:54 | |
I mean, I'm older than you, as you know, | 0:15:54 | 0:15:56 | |
and I would feel stifled here. | 0:15:56 | 0:15:59 | |
We need to have some time with younger people | 0:15:59 | 0:16:01 | |
so as we get the energy from them into ourselves - | 0:16:01 | 0:16:04 | |
if you're in a place like that, there's no energy, is there? | 0:16:04 | 0:16:07 | |
-So you wouldn't be able to feed off anybody else's energy. -No. | 0:16:07 | 0:16:10 | |
It's certainly given me something to think about. | 0:16:10 | 0:16:13 | |
Don't know if anyone's here yet, but I reckon we'll get about 30 or 40. | 0:16:27 | 0:16:32 | |
MUSIC: 'S Wonderful by George and Ira Gershwin | 0:16:32 | 0:16:34 | |
Yeah, we've got Monty coming down with his music later on. | 0:16:42 | 0:16:44 | |
Oh, you've done a really good job here, Chris. | 0:17:01 | 0:17:03 | |
Looks good, doesn't it? | 0:17:03 | 0:17:05 | |
Well, I've been down since about six o'clock this morning cutting the grass... No, I haven't. | 0:17:05 | 0:17:09 | |
The green looks very, very good. | 0:17:09 | 0:17:11 | |
Hopefully you'll get some new members in today. That'd be good. | 0:17:11 | 0:17:15 | |
Well - the end of the season, probably be 25% less! | 0:17:15 | 0:17:18 | |
Looking at some of the members around at the moment... | 0:17:18 | 0:17:20 | |
Yeah, they do pop off, don't they? | 0:17:20 | 0:17:22 | |
-Is Barbara coming down? -Yes, she is. | 0:17:22 | 0:17:24 | |
Yeah. As long as she can bend down. | 0:17:24 | 0:17:27 | |
-Oh... -Well, you know what she's like. -..have a day off! | 0:17:27 | 0:17:29 | |
Leave her alone. You do upset her, you know. | 0:17:29 | 0:17:32 | |
-I don't upset her. -You wind her up... -She's too sensitive. | 0:17:32 | 0:17:35 | |
..at every opportunity. | 0:17:35 | 0:17:37 | |
She just leaves herself open... | 0:17:37 | 0:17:38 | |
-Just have a nice... -..you've just got to do it. -No, you don't. | 0:17:38 | 0:17:41 | |
-You had a good friendship, don't you value the relationship? -Of course. | 0:17:41 | 0:17:45 | |
That's where I like to wind her up because that's good fun. | 0:17:45 | 0:17:48 | |
She ends up in tears, you know, | 0:17:48 | 0:17:49 | |
-over you. -No, she doesn't. | 0:17:49 | 0:17:51 | |
-Oh, yes, she does. -She should take it with a pinch of salt. | 0:17:51 | 0:17:53 | |
-It's a bit of fun. -You go too far. | 0:17:53 | 0:17:55 | |
No, I don't go too far. Not at all. | 0:17:55 | 0:17:58 | |
Has she showed you her tattoo yet? | 0:17:58 | 0:18:01 | |
-Where is it, on her backside? -I'm not going to tell you, | 0:18:01 | 0:18:04 | |
-I'll leave it to Barbara to tell you where it is. -Don't really want to see it! | 0:18:04 | 0:18:07 | |
MUSIC: Oh, Lady Be Good! by George and Ira Gershwin | 0:18:07 | 0:18:10 | |
-All right? -That's lovely. Thanks, Rick. | 0:18:29 | 0:18:33 | |
You haven't got my kettledrums. I want my kettledrums. | 0:18:34 | 0:18:37 | |
No, the kettle's inside. You're making the tea. | 0:18:37 | 0:18:40 | |
Ah. So it won't be long now, I should think - | 0:18:59 | 0:19:02 | |
-half an hour and they'll all start coming. -Yeah. | 0:19:02 | 0:19:04 | |
I should think so, yes. | 0:19:04 | 0:19:05 | |
-So this is where you hang out, then. -Oh, hello. -How are you? | 0:19:05 | 0:19:08 | |
I haven't formally introduced you, | 0:19:08 | 0:19:10 | |
this is Gloria, Vanessa. Vanessa, Gloria. | 0:19:10 | 0:19:13 | |
-Yeah, I thought you were Vanessa. -Well, I know you're Gloria, you've got it on... -Yeah. | 0:19:13 | 0:19:17 | |
-You saw her for a quick flash in the market. -I did see a fleeting moment. | 0:19:17 | 0:19:22 | |
-Probably a better way of putting it. -Are you staying, Vanessa? | 0:19:22 | 0:19:25 | |
I only popped in because you'd invited me | 0:19:25 | 0:19:28 | |
-and I didn't want to snub you, but two reasons... -You invited her? | 0:19:28 | 0:19:31 | |
Well, I said she could come along. I've got no problem with that. | 0:19:31 | 0:19:34 | |
Chris, I can't stop because I'm going up to London - | 0:19:34 | 0:19:37 | |
I'm going to be interviewed about my book on the radio. | 0:19:37 | 0:19:39 | |
-Oh, yeah? -But one of the other reasons I came is, | 0:19:39 | 0:19:42 | |
I've got a little something here for Barbara. Right? | 0:19:42 | 0:19:45 | |
What is it, a dildo?! | 0:19:45 | 0:19:46 | |
No, behave. No. | 0:19:46 | 0:19:48 | |
It's a copy of my book. | 0:19:48 | 0:19:51 | |
Oh, wow, what a surprise! | 0:19:51 | 0:19:53 | |
No - but let me tell you something. | 0:19:53 | 0:19:55 | |
As Barbara didn't want to spend time with me, | 0:19:55 | 0:19:57 | |
maybe away from me she'd like to read this | 0:19:57 | 0:20:00 | |
because you know what? | 0:20:00 | 0:20:01 | |
In actual fact, I think we've got an awful lot in common. | 0:20:01 | 0:20:05 | |
Probably more than she realises. | 0:20:05 | 0:20:06 | |
So perhaps you could be the messenger. | 0:20:06 | 0:20:09 | |
-I think that's a job for you, Gloria. -No, no, no. | 0:20:09 | 0:20:12 | |
-Chris... -Anyway. I hope it's a very successful day. | 0:20:12 | 0:20:16 | |
-Yes, thank you. Thanks, Vanessa. -All the best. -Cheers. Thank you. | 0:20:16 | 0:20:19 | |
-There you go. -(Oh, my God.) -All yours. -No, no... | 0:20:20 | 0:20:22 | |
What do you mean, "No, no"? | 0:20:22 | 0:20:24 | |
You've got to give it to Barbara. I don't want anything to do with it. | 0:20:24 | 0:20:27 | |
Let's see what it says. Let's start reading it now. | 0:20:27 | 0:20:30 | |
"An Accidental Madam." Oh... | 0:20:30 | 0:20:33 | |
"From one entrepreneur to another." Oh-ho-ho, ho, that's a wind-up! | 0:20:33 | 0:20:37 | |
MUSIC: American Patrol by Glenn Miller | 0:20:39 | 0:20:42 | |
I hope you have a real good time here. | 0:21:03 | 0:21:05 | |
We've got a really good bunch of people. Apart from me. | 0:21:05 | 0:21:08 | |
Would you like to join? Seriously. | 0:21:08 | 0:21:10 | |
-Yes. -You would. | 0:21:10 | 0:21:12 | |
Oh, she threw it... She threw it. | 0:21:33 | 0:21:37 | |
If you hadn't thrown it, that would have been very good. | 0:21:37 | 0:21:40 | |
THEY LAUGH | 0:21:40 | 0:21:42 | |
So, hello, guys. Hello, Simon. | 0:21:42 | 0:21:44 | |
I don't wish to speak, so don't say "Hello, Simon." | 0:21:44 | 0:21:46 | |
Oh, dear. Hello. | 0:21:46 | 0:21:49 | |
Who's pulled his chain? | 0:21:49 | 0:21:51 | |
MUSIC: Perhaps, Perhaps, Perhaps by Osvaldo Farres | 0:21:55 | 0:21:58 | |
Hi... | 0:22:38 | 0:22:39 | |
Yes. Pretty good, Clive. | 0:22:58 | 0:23:00 | |
-Oh, you see, mine is just... -A bit too narrow, you just... | 0:23:03 | 0:23:06 | |
What you've got to do is aim for the post. | 0:23:06 | 0:23:09 | |
Erm... I just have to tell you something. | 0:23:09 | 0:23:12 | |
-Erm... -What? | 0:23:12 | 0:23:14 | |
Vanessa came before it all started. | 0:23:14 | 0:23:17 | |
-What, today? -Yes. | 0:23:17 | 0:23:19 | |
She left you something. | 0:23:19 | 0:23:22 | |
Erm, she left you her book. | 0:23:22 | 0:23:24 | |
-Her book? For me? -Yes. -Oh... | 0:23:24 | 0:23:27 | |
Have you got a box of matches? | 0:23:27 | 0:23:29 | |
I think Chris actually invited her this afternoon. | 0:23:29 | 0:23:32 | |
He didn't invite her. Did he? | 0:23:32 | 0:23:35 | |
He invited her. | 0:23:35 | 0:23:37 | |
Just shows you how... | 0:23:37 | 0:23:39 | |
-devious he can be, doesn't it? -I give up on him. | 0:23:39 | 0:23:41 | |
Are you sure he invited her? | 0:23:41 | 0:23:43 | |
Yeah. | 0:23:43 | 0:23:44 | |
I'm sick and tired of the whole bloody thing. Excuse my swearing. | 0:23:44 | 0:23:48 | |
-It's all Chris. -It is. He started it. | 0:23:48 | 0:23:51 | |
You and I wouldn't be having this conversation if it wasn't for Chris. | 0:23:51 | 0:23:54 | |
I know. Barbara, I've been saying this right from the beginning. | 0:23:54 | 0:23:56 | |
I know, you have. It's almost like... | 0:23:56 | 0:23:58 | |
suddenly, lately, he's become a monster. | 0:23:58 | 0:24:01 | |
-Yeah. -And he needs feeding. And you keep feeding him. | 0:24:01 | 0:24:04 | |
And the more you feed him, the bigger the monster becomes. | 0:24:04 | 0:24:07 | |
And so if you say to him, | 0:24:07 | 0:24:08 | |
"You're bloody obnoxious," he'll go, "Huh-huh-huh!" | 0:24:08 | 0:24:11 | |
I know, he loves it. | 0:24:11 | 0:24:13 | |
And I don't need that, Gloria. | 0:24:13 | 0:24:16 | |
What are you going to do about it? | 0:24:16 | 0:24:17 | |
I think I'm going to grow up. And I think the monster needs to be slain. | 0:24:17 | 0:24:21 | |
-Yeah. -And the sooner I do her, the better. -Yeah. | 0:24:21 | 0:24:25 | |
MUSIC: Take Five by The Dave Brubeck Quartet | 0:24:25 | 0:24:27 | |
With prison behind you, how do you feel about being judged? | 0:24:34 | 0:24:37 | |
People can be very prejudiced, | 0:24:37 | 0:24:40 | |
and I find that very, very sad. | 0:24:40 | 0:24:42 | |
I find it sad that people... they label you. | 0:24:42 | 0:24:46 | |
I stand tall and proud, | 0:24:46 | 0:24:49 | |
and I'm happy about the person that I am today. | 0:24:49 | 0:24:53 | |
Are you sorry for what you did? | 0:24:53 | 0:24:55 | |
No. | 0:24:55 | 0:24:57 | |
No, definitely not. | 0:24:57 | 0:24:58 | |
I wouldn't be the person I am. | 0:24:58 | 0:25:00 | |
And out of it, I hope that I can help people in the future. | 0:25:00 | 0:25:04 | |
If people do buy the book, what is the headline | 0:25:04 | 0:25:07 | |
that you'd like them to take away from it, to a reader? | 0:25:07 | 0:25:09 | |
I think the main thing is that it doesn't have matter | 0:25:09 | 0:25:12 | |
what happens to you in life - | 0:25:12 | 0:25:14 | |
you must keep going. | 0:25:14 | 0:25:15 | |
I always believe that | 0:25:15 | 0:25:17 | |
as one door closes, another opens. | 0:25:17 | 0:25:20 | |
But if you stop, then you've lost. And I could never lose. | 0:25:20 | 0:25:25 | |
I just have to keep going. | 0:25:25 | 0:25:27 | |
Vanessa, you're a very inspiring lady, thank you so much for joining me today - | 0:25:27 | 0:25:30 | |
it's been fascinating speaking to you, and it is a great book. | 0:25:30 | 0:25:33 | |
Thank you, Erica, thank you very much. | 0:25:33 | 0:25:36 | |
The Barnes Wallis of the bowling green! | 0:25:39 | 0:25:43 | |
Hello! | 0:25:52 | 0:25:54 | |
Enjoy your bowls, then? I saw you chucking 'em up down there. | 0:25:54 | 0:25:57 | |
I think I need to be chucking them in a different direction. | 0:25:57 | 0:26:00 | |
-Why? -I heard all about you today. | 0:26:00 | 0:26:03 | |
-What do you mean? -Who you invited. | 0:26:03 | 0:26:04 | |
-I didn't invite anyone. -Well, I heard there was somebody here before I arrived. | 0:26:04 | 0:26:08 | |
Oh, yeah - well, Vanessa came down. | 0:26:08 | 0:26:09 | |
At least I keep an open mind. | 0:26:09 | 0:26:11 | |
And my mind is closed, you think? | 0:26:11 | 0:26:13 | |
-Yes. -Really? -Totally. | 0:26:13 | 0:26:15 | |
-No, Chris. -It IS closed. | 0:26:15 | 0:26:17 | |
-You've got a very bigoted attitude towards the whole thing? -Have I? | 0:26:17 | 0:26:20 | |
-Yeah, you have. -Just because... | 0:26:20 | 0:26:21 | |
-I'm not arguing with you, I'm just telling you. -I don't want to argue with you. | 0:26:21 | 0:26:25 | |
You're the one that's arguing. | 0:26:25 | 0:26:27 | |
You wind me up, you, you set me up, you undermine me at every stage... | 0:26:27 | 0:26:31 | |
-In the last few months... -Not at all. -..since I allowed you back into my life, | 0:26:31 | 0:26:35 | |
you've been a pain in the bloody backside. | 0:26:35 | 0:26:37 | |
I'm a good friend of yours... | 0:26:37 | 0:26:38 | |
-No, you're not! -Yes, I am. | 0:26:38 | 0:26:40 | |
-You think you are, but you're not. -Well, that's up to you. | 0:26:40 | 0:26:43 | |
Chris, stay out of my life. My life is moving on, | 0:26:43 | 0:26:47 | |
I think our friendship has really run its course, | 0:26:47 | 0:26:50 | |
and I don't need you in my life, you're a hindrance. | 0:26:50 | 0:26:53 | |
-Well, don't invite me, then. -Don't talk crap. | 0:26:53 | 0:26:55 | |
You cried your eyes out when I offered to help you. | 0:26:55 | 0:26:58 | |
Shall I tell you why? | 0:26:58 | 0:26:59 | |
-Yeah. -Shall I really tell you why? | 0:26:59 | 0:27:00 | |
Because emotionally, you need other people to prop you up. | 0:27:00 | 0:27:04 | |
-Really? -Absolutely. | 0:27:04 | 0:27:05 | |
In all the 30 years that I've known you, Chris, you have never, | 0:27:05 | 0:27:09 | |
ever, ever once offered to help me. | 0:27:09 | 0:27:11 | |
-Rubbish. -You couldn't give a shit about anybody. -Rubbish. | 0:27:11 | 0:27:14 | |
Only your wife and your two daughters. | 0:27:14 | 0:27:15 | |
-And who else do you care... -I have friends, I care about people. | 0:27:15 | 0:27:18 | |
-You've got friends... -Yes. | 0:27:18 | 0:27:20 | |
-..who tell you what you want to hear. -Really? Oh... | 0:27:20 | 0:27:22 | |
You have people built around you, | 0:27:22 | 0:27:25 | |
that you like to hear how brilliant you are, | 0:27:25 | 0:27:29 | |
-what a great entrepreneur you are... -Really? -Oh, absolutely. | 0:27:29 | 0:27:33 | |
I'm going to show you, Chris, that I can do it without you. | 0:27:33 | 0:27:36 | |
So all the best for the future. | 0:27:36 | 0:27:37 | |
-OK. Yeah, cheers. Bye! -Bye. | 0:27:37 | 0:27:40 | |
MUSIC: Solace by Scott Joplin | 0:27:41 | 0:27:44 | |
So the time has come to say goodbye to Bournemouth. | 0:28:02 | 0:28:06 | |
Will Dee really hang up her suspenders? | 0:28:06 | 0:28:10 | |
Will Babs and Chris ever be reconciled? | 0:28:12 | 0:28:14 | |
Will Vanessa hit the big time with her memoir? | 0:28:16 | 0:28:19 | |
And will I decide to stay, or go? | 0:28:21 | 0:28:24 | |
MUSIC: Sing, Sing, Sing by Benny Goodman | 0:28:26 | 0:28:28 |