Browse content similar to Episode 6. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
APPLAUSE | 0:00:27 | 0:00:30 | |
HE PLAYS GLASS | 0:05:48 | 0:05:50 | |
TRADITIONAL MUSIC PLAYS | 0:06:51 | 0:06:54 | |
Up, down. | 0:07:11 | 0:07:13 | |
Exercise is really important for people with Parkinson's. | 0:07:13 | 0:07:16 | |
And they've found that music is also really important, | 0:07:16 | 0:07:20 | |
so the beat of the actual music for set dancing | 0:07:20 | 0:07:24 | |
really helps the people with Parkinson's to get back that rhythm | 0:07:24 | 0:07:27 | |
that they've lost. Most people think of Parkinson's as | 0:07:27 | 0:07:30 | |
an older person's disease and somebody who shakes, | 0:07:30 | 0:07:33 | |
so, for me, I don't have a tremor. | 0:07:33 | 0:07:34 | |
My body sometimes moves a little bit more fluidly than others, but that's | 0:07:34 | 0:07:39 | |
as a result of the medication, not as a result of the Parkinson's. | 0:07:39 | 0:07:43 | |
So, for me, freezing gait is my worst symptom. | 0:07:43 | 0:07:46 | |
That's when I basically get locked in my own body | 0:07:46 | 0:07:49 | |
and get completely paralysed. | 0:07:49 | 0:07:50 | |
And that can happen three or four times a day. | 0:07:50 | 0:07:53 | |
Who put the two together? | 0:07:53 | 0:07:54 | |
So, the set dancing was put together by Daniel Volpe, | 0:07:54 | 0:07:57 | |
who's an Italian neurologist who lives in Venice. | 0:07:57 | 0:08:00 | |
And he comes to Ireland on his holidays quite a bit | 0:08:00 | 0:08:02 | |
and likes traditional music and traditional dancing, | 0:08:02 | 0:08:05 | |
so he was in a pub one night, as you do, | 0:08:05 | 0:08:07 | |
and he saw a gentleman who he knew had Parkinson's because | 0:08:07 | 0:08:09 | |
Daniel Volpe is actually a movement disorder specialist himself, | 0:08:09 | 0:08:13 | |
specialising in Parkinson's. | 0:08:13 | 0:08:14 | |
So he saw this gentleman walk onto the floor | 0:08:14 | 0:08:17 | |
with very obvious Parkinsonian traits. | 0:08:17 | 0:08:19 | |
And once the music started, | 0:08:19 | 0:08:21 | |
the gentleman then started to be able to dance. | 0:08:21 | 0:08:25 | |
So, he knew there was something about that. | 0:08:25 | 0:08:26 | |
So, he went back to Venice, found out there was set-dancing classes in Venice, believe it or not... | 0:08:26 | 0:08:31 | |
-Set dancing in Venice? -Absolutely, yeah. | 0:08:31 | 0:08:33 | |
And then, which I think is fantastic, is he went and learned how to set-dance. | 0:08:33 | 0:08:36 | |
So, he went and began to understand what was going on for the people, | 0:08:36 | 0:08:39 | |
and then he did research on it. | 0:08:39 | 0:08:41 | |
And I think that's the really most important piece of any of this, | 0:08:41 | 0:08:44 | |
is that if you experience something, you can then really talk about it | 0:08:44 | 0:08:47 | |
because it's a learned outcome that you'll get from the actual project. | 0:08:47 | 0:08:51 | |
So it's great, really good. | 0:08:51 | 0:08:53 | |
And you're going to let me join in? | 0:08:53 | 0:08:55 | |
-Absolutely, love to. And you as well? -For sure, yeah. | 0:08:55 | 0:08:57 | |
TRADITIONAL MUSIC PLAYS | 0:08:57 | 0:08:59 | |
Move that hand now. Up. | 0:08:59 | 0:09:01 | |
Raise that hand up. | 0:09:03 | 0:09:05 | |
Keep it up. | 0:09:08 | 0:09:10 | |
Up, down. | 0:10:31 | 0:10:32 | |
And hold. Forward, back. | 0:10:32 | 0:10:34 | |
And up. | 0:11:13 | 0:11:14 | |
Last time! Well done, everybody. | 0:11:14 | 0:11:17 | |
APPLAUSE | 0:11:17 | 0:11:19 | |
# When I was a young lad | 0:23:53 | 0:23:57 | |
# I worked as a postal boy | 0:24:00 | 0:24:04 | |
# In a slick navy outfit | 0:24:09 | 0:24:13 | |
# I cycled all day and night | 0:24:16 | 0:24:22 | |
# Now I'm a young man | 0:24:26 | 0:24:29 | |
# It's time for a new plan | 0:24:33 | 0:24:38 | |
# Down by the schoolhouse | 0:24:43 | 0:24:48 | |
# At the corner of Mount Street Bridge | 0:24:49 | 0:24:55 | |
# The crack of a bullet | 0:24:59 | 0:25:03 | |
# Echoes from the Surgeon's College | 0:25:06 | 0:25:11 | |
# And here by the canal | 0:25:16 | 0:25:20 | |
# A silence descends like death | 0:25:20 | 0:25:24 | |
# Little do some know | 0:25:24 | 0:25:27 | |
# They're about to draw their final breath | 0:25:27 | 0:25:32 | |
# Officer Rigby | 0:25:36 | 0:25:41 | |
# Screams for a forward march | 0:25:43 | 0:25:48 | |
# For a well-drilled army | 0:25:53 | 0:25:57 | |
# A handful of firebrands can be no match | 0:25:59 | 0:26:05 | |
# But if there's a God in the Heavens | 0:26:09 | 0:26:13 | |
# He'll protect me and my friends | 0:26:13 | 0:26:17 | |
# For we've been good Christians | 0:26:17 | 0:26:21 | |
# Hard-working Britons | 0:26:21 | 0:26:25 | |
# And when the day is done | 0:26:25 | 0:26:27 | |
# My time will come | 0:26:27 | 0:26:30 | |
# But not yet for I've so much to do | 0:26:30 | 0:26:33 | |
# Fall in love, settle down | 0:26:33 | 0:26:35 | |
# Start a family | 0:26:35 | 0:26:37 | |
# Watch them grow up to be like me | 0:26:37 | 0:26:41 | |
# Or their beautiful mother Or a mix of both | 0:26:41 | 0:26:45 | |
# I don't mind, once they're healthy I'll keep them safe | 0:26:45 | 0:26:50 | |
# Just let me get past this bridge I don't wanna be here | 0:26:50 | 0:26:54 | |
# I'm crippled with fear I'm frozen and frightened | 0:26:54 | 0:26:57 | |
# Now the deafening silence | 0:26:57 | 0:27:02 | |
# The silence is killing me. # | 0:27:05 | 0:27:14 |