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APPLAUSE | 0:00:27 | 0:00:29 | |
I think the gay community in Derry is quite close, anyway, | 0:07:57 | 0:07:59 | |
and very welcoming on days like this and I feel like... | 0:07:59 | 0:08:03 | |
Cos it's kind of been emotional, | 0:08:03 | 0:08:05 | |
I guess, my family comes out, | 0:08:05 | 0:08:06 | |
my entire family comes out | 0:08:06 | 0:08:08 | |
to celebrate it. | 0:08:08 | 0:08:09 | |
My mum's actually in the samba band | 0:08:09 | 0:08:12 | |
today with her boyfriend so... | 0:08:12 | 0:08:13 | |
I think it's a family thing, anyway. | 0:08:13 | 0:08:15 | |
How does that make you feel, | 0:08:15 | 0:08:16 | |
that your family's supporting you today? | 0:08:16 | 0:08:18 | |
I mean, I've always felt very accepting of my family, | 0:08:18 | 0:08:21 | |
but I think on a specific day like this, it's always... | 0:08:21 | 0:08:23 | |
I feel very lucky that I have the family I do | 0:08:23 | 0:08:25 | |
and that they're so supportive. | 0:08:25 | 0:08:26 | |
I had horrible experiences with high school, not primary school, | 0:09:36 | 0:09:41 | |
but from first year right up until the fifth year, I was bullied. | 0:09:41 | 0:09:45 | |
It was kind of on and off, but pretty much the whole way through | 0:09:45 | 0:09:48 | |
and I didn't want to be there and I was having a hard time at home | 0:09:48 | 0:09:52 | |
so I didn't want to be there, either, | 0:09:52 | 0:09:54 | |
and it kind of just seemed like there was nowhere to go. | 0:09:54 | 0:09:56 | |
Do you think it's essential that schools offer more workshops | 0:09:56 | 0:10:00 | |
and support events to young people? | 0:10:00 | 0:10:02 | |
100%, because my whole five years of being in that school, | 0:10:02 | 0:10:04 | |
there was not one thing about it. | 0:10:04 | 0:10:06 | |
I mean, they did, you know, safe sex talks and stuff like that, | 0:10:06 | 0:10:11 | |
but that was all regarding straight couples. | 0:10:11 | 0:10:14 | |
There was never anything about awareness of LGBT people. | 0:10:14 | 0:10:20 | |
There was nothing - no workshops, nothing. | 0:10:20 | 0:10:23 | |
My school didn't have a lot to offer and I knew... | 0:10:23 | 0:10:26 | |
I know that a lot of other schools are like that, too. | 0:10:26 | 0:10:28 | |
Sex is what you were born with and gender is how you express yourself. | 0:10:47 | 0:10:51 | |
"This is my identity and it doesn't matter | 0:11:11 | 0:11:14 | |
"who I'm in a relationship with..." | 0:11:14 | 0:11:15 | |
We know that there are other LGBT awareness workshops | 0:11:28 | 0:11:32 | |
running in other schools in Northern Ireland, Declan, | 0:11:32 | 0:11:34 | |
but what's different about the ShoutOut model? | 0:11:34 | 0:11:37 | |
ShoutOut has had a lot of success in the south up till now | 0:11:37 | 0:11:40 | |
and I think it's because it doesn't do campaigning, | 0:11:40 | 0:11:44 | |
it's not politically engaged. | 0:11:44 | 0:11:45 | |
It is just going in to address | 0:11:45 | 0:11:47 | |
the issues at hand of bullying | 0:11:47 | 0:11:49 | |
and I think that the classroom setting and having some conversation | 0:11:49 | 0:11:53 | |
and dialogue around it makes it different as well. | 0:11:53 | 0:11:55 | |
I knew I wasn't straight and I knew I wasn't gay. | 0:11:55 | 0:11:58 | |
You know yourself better than anybody else | 0:12:37 | 0:12:39 | |
and once you're comfortable, then that's up to you. | 0:12:39 | 0:12:41 | |
-You're so welcome. -Thanks for having us, it's great to be here. | 0:16:16 | 0:16:18 | |
The big question, Mal - has it All Worked Out? | 0:16:18 | 0:16:20 | |
Yes, I guess it has, yeah. | 0:16:20 | 0:16:21 | |
We've had a hectic two years since we released All Works Out | 0:16:21 | 0:16:24 | |
and of course Getting Through, | 0:16:24 | 0:16:25 | |
the album went gold in Dublin, yeah, | 0:16:25 | 0:16:29 | |
we've got to tour all around the world | 0:16:29 | 0:16:31 | |
and now we're back with a new album, Ghosts. | 0:16:31 | 0:16:34 | |
We just finished up in Texas, we recorded that over there. | 0:16:34 | 0:16:36 | |
We spent five weeks out there recording the album | 0:16:36 | 0:16:39 | |
and, yeah, just releasing it now and can't wait to get it out. | 0:16:39 | 0:16:42 | |
-Our fourth album, believe it or not. -That's amazing, isn't it? | 0:16:42 | 0:16:44 | |
But without doubt, | 0:16:44 | 0:16:46 | |
It All Works Out and Getting Through were the big breakthroughs for you. | 0:16:46 | 0:16:49 | |
-Definitely. -So, how did you approach the follow-up? | 0:16:49 | 0:16:51 | |
First, it's always organic, like. We just... | 0:16:51 | 0:16:54 | |
We kind of just follow our gut instinct | 0:16:54 | 0:16:57 | |
and with Getting Through, it's an album we're very proud of. | 0:16:57 | 0:17:01 | |
I guess it's more raucous and on this album, | 0:17:01 | 0:17:06 | |
there's more textures and I think the songs are more crafted | 0:17:06 | 0:17:09 | |
and it's an album I'm really, really excited about. | 0:17:09 | 0:17:11 | |
And the first single, of course, is doing great on radio, | 0:17:11 | 0:17:13 | |
-Elephant In The Room. -Absolutely. | 0:17:13 | 0:17:15 | |
And tell me about that song | 0:17:15 | 0:17:17 | |
because you have a real knack of writing anthemic songs | 0:17:17 | 0:17:20 | |
that are real ear worms as well, | 0:17:20 | 0:17:22 | |
that the audience will all ultimately sing back to you. | 0:17:22 | 0:17:24 | |
Yeah, well, with Elephant In The Room, | 0:17:24 | 0:17:27 | |
it's a song that's deeply personal to the band, | 0:17:27 | 0:17:31 | |
but in saying that, | 0:17:31 | 0:17:33 | |
when we were writing it and putting it on the album, | 0:17:33 | 0:17:35 | |
we thought it would be a good anthem for mental health | 0:17:35 | 0:17:37 | |
and for depression and anxiety | 0:17:37 | 0:17:41 | |
and self-harm and suicide because I guess, | 0:17:41 | 0:17:43 | |
for a long time, it's been the elephant in the room, | 0:17:43 | 0:17:46 | |
people kind of tiptoeing around it and I guess with this song, | 0:17:46 | 0:17:49 | |
we wanted to continue that conversation - | 0:17:49 | 0:17:51 | |
get people to reach out, open up and talk to each other | 0:17:51 | 0:17:54 | |
so that's what Elephant In The Room is about. | 0:17:54 | 0:17:56 | |
Well, well done. It's certainly working. | 0:17:56 | 0:17:58 | |
Frank was really a complete one-off. | 0:18:24 | 0:18:27 | |
He was a little bit idiosyncratic from his early days. | 0:18:27 | 0:18:30 | |
He was in the Royal Army Medical Corps. | 0:18:30 | 0:18:34 | |
He was a military doctor and he was awarded the Military Cross | 0:18:34 | 0:18:38 | |
in the field, which is pretty unusual, | 0:18:38 | 0:18:41 | |
for his outstanding gallantry, | 0:18:41 | 0:18:42 | |
his total disregard for bullets and bombs going off around him | 0:18:42 | 0:18:47 | |
and he told me that what he was doing | 0:18:47 | 0:18:50 | |
was making sure that men were not dying in pain. | 0:18:50 | 0:18:54 | |
The experiences must have been extremely harrowing. | 0:18:54 | 0:18:58 | |
They were portable only in the sense | 0:19:12 | 0:19:14 | |
that you were an entrant in a world's strongest person contest. | 0:19:14 | 0:19:18 | |
The first ones weighed 70kg. | 0:19:18 | 0:19:21 | |
What Frank did was to miniaturise it. | 0:19:21 | 0:19:25 | |
He developed the concept of the automatic external defibrillator, | 0:19:25 | 0:19:30 | |
which, if you like, was foolproof and could be used by anyone. | 0:19:30 | 0:19:32 | |
-RECORDED VOICE: -Press the shock button now. | 0:20:47 | 0:20:50 | |
# Do you destroy everything you desire? | 0:24:09 | 0:24:14 | |
# Ba-da-da | 0:24:14 | 0:24:17 | |
# Coming in here like a ball of fire | 0:24:17 | 0:24:21 | |
# Ba-da-da | 0:24:21 | 0:24:24 | |
# Burning all the oxygen out the room | 0:24:24 | 0:24:29 | |
# Ba-da-da | 0:24:29 | 0:24:31 | |
# Heating up faster than a chemist's spoon | 0:24:31 | 0:24:36 | |
# Ba-da-da | 0:24:36 | 0:24:38 | |
# That feeling again | 0:24:38 | 0:24:40 | |
# Is taking hold of you | 0:24:40 | 0:24:45 | |
# You're feeling so down | 0:24:45 | 0:24:47 | |
# You're feeling so blue | 0:24:48 | 0:24:52 | |
# We don't talk about that | 0:24:52 | 0:24:55 | |
# The elephant in the room | 0:24:55 | 0:24:58 | |
# We don't talk about that | 0:24:58 | 0:25:02 | |
# The elephant in the room | 0:25:02 | 0:25:05 | |
# I'm feeling lost, I feel dejected | 0:25:23 | 0:25:28 | |
# Ba-da-da | 0:25:28 | 0:25:30 | |
# So isolated, disconnected | 0:25:30 | 0:25:35 | |
# Ba-da-da | 0:25:35 | 0:25:37 | |
# Self-denigrating, I'm obsessive | 0:25:37 | 0:25:42 | |
# Ba-da-da | 0:25:42 | 0:25:44 | |
# Just another clinical depressive | 0:25:44 | 0:25:50 | |
# Ba-da-da | 0:25:50 | 0:25:51 | |
# That feeling again | 0:25:51 | 0:25:53 | |
# Is taking hold of you | 0:25:54 | 0:25:57 | |
# You're feeling so down | 0:25:59 | 0:26:01 | |
# You're feeling so blue | 0:26:02 | 0:26:05 | |
# We don't talk about that | 0:26:05 | 0:26:08 | |
# The elephant in the room | 0:26:08 | 0:26:11 | |
# We don't talk about that | 0:26:13 | 0:26:15 | |
# The elephant in the room | 0:26:16 | 0:26:19 | |
# Can you hear me now? | 0:26:22 | 0:26:24 | |
# Can you hear me now? | 0:26:24 | 0:26:26 | |
# Can you hear me now? | 0:26:26 | 0:26:28 | |
# Can you hear me now? | 0:26:28 | 0:26:31 | |
# Can you hear me now? | 0:26:31 | 0:26:33 | |
# That feeling again | 0:26:50 | 0:26:52 | |
# Is taking hold of you | 0:26:54 | 0:26:56 | |
# You're feeling so down | 0:26:58 | 0:27:00 | |
# You're feeling so blue | 0:27:02 | 0:27:04 | |
# But we don't talk about that | 0:27:04 | 0:27:08 | |
# Aaah-aaah-aaah-aaah-aaah | 0:27:08 | 0:27:12 | |
# The elephant in the room | 0:27:13 | 0:27:15 | |
# Aaah-aaah-aaah-aaah-aaah | 0:27:15 | 0:27:20 | |
# We don't talk about that | 0:27:20 | 0:27:23 | |
# Aaah-aaah-aaah-aaah-aaah | 0:27:23 | 0:27:27 | |
# The elephant in the room | 0:27:27 | 0:27:31 | |
# Aaah-aaah-aaah-aaah-aaah | 0:27:31 | 0:27:35 | |
# We don't talk about that | 0:27:35 | 0:27:39 | |
# The elephant in the room | 0:27:39 | 0:27:43 | |
# We don't talk about that | 0:27:43 | 0:27:46 | |
# The elephant in the room | 0:27:46 | 0:27:49 | |
# No, we don't talk about that | 0:27:50 | 0:27:54 | |
# The elephant in the room | 0:27:54 | 0:27:57 | |
# No, we don't talk about that | 0:27:57 | 0:28:01 | |
# The elephant in the room | 0:28:01 | 0:28:05 | |
# The elephant in the room. # | 0:28:05 | 0:28:08 | |
CHEERING AND APPLAUSE | 0:28:10 | 0:28:12 | |
Thank you. | 0:28:12 | 0:28:14 |