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Now on BBC News, the week's
strongest stories from | 0:00:00 | 0:00:02 | |
the BBC's Inside Out teams. | 0:00:02 | 0:00:05 | |
Welcome to a very cold
Inside Out West Midlands. | 0:00:07 | 0:00:10 | |
Tonight, the conman
peddling dreams of breaking | 0:00:10 | 0:00:12 | |
into the entertainment business. | 0:00:12 | 0:00:15 | |
I am not a potential customer. | 0:00:15 | 0:00:16 | |
I'm a BBC journalist and I have
been investigating your | 0:00:16 | 0:00:18 | |
business and you're conning
people, aren't you? | 0:00:18 | 0:00:26 | |
You're conning people out
of thousands of pounds at a time. | 0:00:26 | 0:00:29 | |
And the hunt for an
historic shipwreck, lost | 0:00:29 | 0:00:31 | |
for almost a century. | 0:00:31 | 0:00:34 | |
It was just the most exciting moment
in life, to have found it. | 0:00:34 | 0:00:38 | |
We were hugging each other,
dancing around the prop. | 0:00:38 | 0:00:42 | |
And above a very ordinary shopping
parade in Birmingham, | 0:00:42 | 0:00:50 | |
an almost mythical music venue,
The Who played here, | 0:00:50 | 0:00:54 | |
Led Zepplin, Black Sabbath,
Fleetwood Mac, Jethro Tull, | 0:00:54 | 0:00:55 | |
Elton John played here
the night before it closed. | 0:00:55 | 0:01:04 | |
I am Ayo Akinwolere
and this is Inside Out. | 0:01:04 | 0:01:08 | |
Tonight, we are in Birmingham,
and later on, we will be finding out | 0:01:11 | 0:01:15 | |
about a festival celebrating some
of the extraordinary | 0:01:15 | 0:01:16 | |
things that happened
in the city 50 years ago, | 0:01:16 | 0:01:19 | |
in 1968, but first, being a voice
artist and doing things | 0:01:19 | 0:01:23 | |
like computer games,
adverts and audio books can be | 0:01:23 | 0:01:29 | |
lucrative, but one serial conman has
been cashing in on the dreams | 0:01:29 | 0:01:32 | |
of those trying to break
into the business. | 0:01:32 | 0:01:35 | |
Simon Hare has been
finding out more. | 0:01:35 | 0:01:37 | |
Hi, nice to meet you. | 0:01:37 | 0:01:38 | |
Come and have a sit down and we'll
go through everything with you. | 0:01:38 | 0:01:41 | |
Ed Harwell says he's a voice actor
who can get you into the business. | 0:01:41 | 0:01:45 | |
You are just where I was,
sort of ten years ago. | 0:01:45 | 0:01:49 | |
But ten years ago, Inside Out
was exposing his Nottingham | 0:01:49 | 0:01:53 | |
company Broadcast Support. | 0:01:53 | 0:01:57 | |
Back then, he was using his real
name, Carl Mould, and claiming | 0:01:57 | 0:02:01 | |
he could help people become TV
presenters but all he did was charge | 0:02:01 | 0:02:08 | |
thousands for poor quality
showreels and websites. | 0:02:08 | 0:02:10 | |
Five years ago he was jailed
for conning pensioners out | 0:02:10 | 0:02:12 | |
of thousands for mobility aids. | 0:02:12 | 0:02:16 | |
Carl Mould likes telling stories
and creating characters. | 0:02:16 | 0:02:22 | |
Even one for himself,
Edward C Harwell, filmed | 0:02:22 | 0:02:27 | |
here at the Custard Factory
in Birmingham, a hub | 0:02:27 | 0:02:30 | |
of creative businesses,
including his own firm, | 0:02:30 | 0:02:32 | |
Sun King Media. | 0:02:32 | 0:02:34 | |
You are following me, aren't you? | 0:02:34 | 0:02:36 | |
If I give you a story,
will you go away? | 0:02:36 | 0:02:39 | |
Mould is full of tall stories. | 0:02:39 | 0:02:41 | |
This is a promotional
video on his website. | 0:02:41 | 0:02:46 | |
10,000-20,000 a month is achievable. | 0:02:46 | 0:02:53 | |
My advice, get up early, work hard,
and join Sun King Studios. | 0:02:53 | 0:02:56 | |
Now it is my full-time profession,
I have absolutely no hesitation | 0:02:56 | 0:02:59 | |
in recommending Sun King Media. | 0:02:59 | 0:03:03 | |
Glowing testimonials,
but who are they and how | 0:03:03 | 0:03:05 | |
accurate are those figures? | 0:03:05 | 0:03:11 | |
Similar tales of high earnings have
enticed dozens of victims, | 0:03:11 | 0:03:13 | |
many of them pensioners. | 0:03:13 | 0:03:18 | |
David Taylor is a former
president of his local | 0:03:18 | 0:03:20 | |
rugby club in Manchester. | 0:03:20 | 0:03:25 | |
In his retirement, he has taken up
acting and he gave Ed Harwell | 0:03:25 | 0:03:28 | |
or Carl Mould £1,500 to help him
become an audio book narrator. | 0:03:28 | 0:03:38 | |
For 35 years I was in the prison
service, and the last 20 | 0:03:39 | 0:03:42 | |
of which I was a prison governor. | 0:03:42 | 0:03:44 | |
You're probably going to say
I should have known better, | 0:03:44 | 0:03:46 | |
but we are all human, after all. | 0:03:46 | 0:03:48 | |
The secret is, you play
on people's desires, | 0:03:48 | 0:03:50 | |
and that is the bit
that | 0:03:50 | 0:03:51 | |
I am really ashamed of,
that I should have seen | 0:03:51 | 0:03:54 | |
through it, really. | 0:03:54 | 0:03:55 | |
I just feel a fool. | 0:03:55 | 0:04:00 | |
All David got for his money
was of foam-lined box described | 0:04:00 | 0:04:06 | |
as a "home recording studio",
a cheap microphone, and one | 0:04:06 | 0:04:08 | |
audio recording uploaded
to two free websites. | 0:04:08 | 0:04:14 | |
I have come to see two
voice-over industry experts. | 0:04:14 | 0:04:19 | |
Hugh Edwards is a casting director,
and Peter Dixon one of the UK's | 0:04:19 | 0:04:22 | |
best-known performers. | 0:04:22 | 0:04:24 | |
I work in all the genres
of voice-overs from commercials | 0:04:24 | 0:04:27 | |
to big entertainment shows
like X Factor and Britain's | 0:04:27 | 0:04:29 | |
Got Talent, of course. | 0:04:29 | 0:04:33 | |
It's time to face the music. | 0:04:33 | 0:04:36 | |
It is a skill that you need
to learn, and it takes | 0:04:36 | 0:04:41 | |
time and practice. | 0:04:41 | 0:04:43 | |
So what is their verdict
on what David got for his money? | 0:04:43 | 0:04:50 | |
That did not sound particularly
professionally well done, | 0:04:50 | 0:04:52 | |
the levels were too low,
I was straining to hear it. | 0:04:52 | 0:04:54 | |
You can do that yourself
by recording yourself or paying | 0:04:54 | 0:04:57 | |
maybe £100 to go into a studio
and have some and press record, | 0:04:57 | 0:05:00 | |
put it on YouTube yourself for free. | 0:05:00 | 0:05:02 | |
You can put it on Amazon for free,
you do not need to pay | 0:05:02 | 0:05:05 | |
anyone to do this for you. | 0:05:05 | 0:05:06 | |
That is appalling value for money
that he's got there, | 0:05:06 | 0:05:10 | |
it is saddening and sickening. | 0:05:10 | 0:05:11 | |
I was always told... | 0:05:11 | 0:05:16 | |
And what about those claims
of big money in return? | 0:05:16 | 0:05:19 | |
10,000-20,000 a month is achievable. | 0:05:19 | 0:05:22 | |
There are voices artists
in the world who do earn that, | 0:05:22 | 0:05:26 | |
but you're talking about the top two
or three percent. | 0:05:26 | 0:05:29 | |
We all know in the industry
that the audio book sector | 0:05:29 | 0:05:31 | |
of the industry is low-paid. | 0:05:31 | 0:05:35 | |
The sooner that this man who's
running this company can | 0:05:35 | 0:05:37 | |
be stopped the better. | 0:05:37 | 0:05:40 | |
People need to be
protected from him, soon. | 0:05:40 | 0:05:45 | |
I want to see the sales
pitch for myself. | 0:05:45 | 0:05:49 | |
Hello, I have got an
appointment with Sun King. | 0:05:49 | 0:05:53 | |
I have come to meet
Ed Harwell for what is billed | 0:05:53 | 0:05:56 | |
as a free assessment
of my voice-over potential. | 0:05:56 | 0:05:58 | |
Hi, nice to meet you. | 0:05:58 | 0:05:59 | |
Nice to meet you. | 0:05:59 | 0:06:01 | |
Sit down and we will go
through everything with you. | 0:06:01 | 0:06:03 | |
Right. | 0:06:03 | 0:06:13 | |
What the Amazon group require from
us is an audio book or a showreel | 0:06:13 | 0:06:16 | |
that someone has worked on before. | 0:06:16 | 0:06:17 | |
Right. | 0:06:17 | 0:06:19 | |
Our work area within the Amazon
group looks like this. | 0:06:19 | 0:06:21 | |
But it is just Sun King Media's
YouTube channel, and talk of links | 0:06:21 | 0:06:24 | |
to Amazon keep coming. | 0:06:24 | 0:06:25 | |
We are affiliated
with the Amazon group. | 0:06:25 | 0:06:28 | |
We are approved content providers
and work in conjunction with them. | 0:06:28 | 0:06:32 | |
It is not long before there
are claims of how much I could earn. | 0:06:32 | 0:06:38 | |
I have people doing
pretty well out of it. | 0:06:38 | 0:06:40 | |
I will show you. | 0:06:40 | 0:06:44 | |
That is you, Edward C Harwell? | 0:06:44 | 0:06:45 | |
That is you? | 0:06:45 | 0:06:46 | |
Yeah. | 0:06:46 | 0:06:47 | |
And you got £11,000? | 0:06:47 | 0:06:49 | |
Dollars. | 0:06:49 | 0:06:50 | |
That is for one month? | 0:06:50 | 0:06:51 | |
Blimey. | 0:06:51 | 0:06:57 | |
It's not too shabby. | 0:06:57 | 0:06:59 | |
After a bit of prompting, Harwell
or Mould finally records my voice | 0:06:59 | 0:07:02 | |
for his professional assessment. | 0:07:02 | 0:07:04 | |
I am a broadcaster, but no actor. | 0:07:04 | 0:07:12 | |
Daughters of a deeply
royalistic man convinced | 0:07:12 | 0:07:13 | |
he was doing the King's work. | 0:07:13 | 0:07:15 | |
Brilliant. | 0:07:15 | 0:07:16 | |
Nothing wrong with that at all. | 0:07:16 | 0:07:17 | |
Oh, right. | 0:07:17 | 0:07:18 | |
Absolutely bang on. | 0:07:18 | 0:07:22 | |
You are just where
I was ten years ago. | 0:07:22 | 0:07:24 | |
I like to think I am leaving
some kind of legacy. | 0:07:24 | 0:07:27 | |
I wouldn't know what else to do now. | 0:07:28 | 0:07:29 | |
I have found my niche. | 0:07:29 | 0:07:31 | |
It has been a lucrative niche. | 0:07:31 | 0:07:36 | |
Inside Out estimates he has
taken more than £100,000 | 0:07:36 | 0:07:38 | |
over the last 18 months. | 0:07:38 | 0:07:43 | |
The Custard Factory says
it was completely unaware | 0:07:43 | 0:07:45 | |
of what Mould was doing. | 0:07:45 | 0:07:47 | |
It is grateful to Inside Out
for bringing the matter | 0:07:47 | 0:07:50 | |
to its attention, and it has
terminated his lease. | 0:07:50 | 0:07:55 | |
And the people in the video,
we tracked them down | 0:07:55 | 0:08:00 | |
to the website fivesquid.com,
offering video testimonials | 0:08:00 | 0:08:01 | |
for just £10 or £20. | 0:08:01 | 0:08:07 | |
They and the website expressed
concern but said such testimonials | 0:08:07 | 0:08:09 | |
are provided on condition
they are clearly labelled | 0:08:09 | 0:08:16 | |
as a paid-for promotion,
something which Mould did not do. | 0:08:16 | 0:08:21 | |
The audio book company
within the Amazon group, | 0:08:21 | 0:08:23 | |
Audible, says narrators
are at the heart of its work. | 0:08:23 | 0:08:26 | |
It takes this misrepresentation very
seriously and its lawyers | 0:08:26 | 0:08:28 | |
are contacting Sun King Media. | 0:08:28 | 0:08:30 | |
It is time to confront Mould. | 0:08:30 | 0:08:33 | |
I have arranged to meet him outside
a bank in Birmingham. | 0:08:33 | 0:08:38 | |
I am not a potential customer. | 0:08:38 | 0:08:44 | |
I am a BBC journalist and I have
been investigating your | 0:08:44 | 0:08:47 | |
business and you're conning
people, aren't you? | 0:08:47 | 0:08:48 | |
You're conning people out
of thousands of pounds a time? | 0:08:48 | 0:08:51 | |
Really? | 0:08:51 | 0:08:52 | |
Yeah, you are. | 0:08:52 | 0:08:53 | |
You're uploading poor quality audio
to free to use websites, | 0:08:53 | 0:08:56 | |
you're making false claims about how
much money people can earn. | 0:08:56 | 0:08:59 | |
You're making false claims
about your relationship with Amazon. | 0:08:59 | 0:09:01 | |
You're not Ed Harwell, are you? | 0:09:01 | 0:09:04 | |
You are Carl Mould, serial conman. | 0:09:04 | 0:09:05 | |
Do you want to say sorry? | 0:09:05 | 0:09:06 | |
Sorry for what? | 0:09:06 | 0:09:07 | |
Sorry for what? | 0:09:07 | 0:09:09 | |
For conning people? | 0:09:09 | 0:09:10 | |
It is just rubbish. | 0:09:10 | 0:09:12 | |
Did you write all these
stories in prison? | 0:09:12 | 0:09:16 | |
Because you were on a creative
writing course in prison last time. | 0:09:16 | 0:09:19 | |
Is that the end of this interview? | 0:09:19 | 0:09:21 | |
How long is it going to go on for? | 0:09:21 | 0:09:23 | |
As long as you stand there. | 0:09:23 | 0:09:24 | |
Are you sorry? | 0:09:24 | 0:09:25 | |
Are you sorry for what you've done? | 0:09:25 | 0:09:27 | |
I am not sorry for anything,
I have not done anything wrong. | 0:09:27 | 0:09:30 | |
So you do not think you've
done anything wrong? | 0:09:30 | 0:09:32 | |
Absolutely not, no. | 0:09:32 | 0:09:33 | |
Inside Out understands he has
since left his offices | 0:09:33 | 0:09:36 | |
at the Custard Factory
but in a letter he told us that | 0:09:36 | 0:09:39 | |
if anyone was not happy
with the service he provided, | 0:09:39 | 0:09:42 | |
they could come back
and record it again. | 0:09:42 | 0:09:44 | |
We recorded a special
message for him. | 0:09:44 | 0:09:47 | |
Carl Mould, it's time
to stop conning the public! | 0:09:47 | 0:09:53 | |
Next tonight, an underwater
detective story. | 0:09:53 | 0:09:57 | |
It all started off with one man's
dream to find an historic wreck lost | 0:09:57 | 0:10:02 | |
for decades in a remote location. | 0:10:02 | 0:10:04 | |
Behind the doors of
the National Maritime | 0:10:14 | 0:10:16 | |
Museum in London lie
a | 0:10:16 | 0:10:17 | |
thousand stories of the sea. | 0:10:17 | 0:10:20 | |
During the Great War of 1914-1918,
Britain lost more than 5,000 | 0:10:20 | 0:10:22 | |
ships across the globe. | 0:10:23 | 0:10:24 | |
There were tales of glory,
there were tales of tragedy. | 0:10:24 | 0:10:27 | |
There are some incredible naval war
stories that are remembered | 0:10:27 | 0:10:30 | |
and honoured in here today,
but there is one tale | 0:10:30 | 0:10:32 | |
you will not find in here,
about the first merchant ship to be | 0:10:32 | 0:10:36 | |
sunk during World War I. | 0:10:36 | 0:10:38 | |
The City Of Winchester. | 0:10:38 | 0:10:43 | |
A 6,000 tonne cargo ship
that was sunk by a German cruiser | 0:10:43 | 0:10:46 | |
in 1914, somewhere in the Arabian
Sea. | 0:10:46 | 0:10:53 | |
Its whereabouts remained a mystery
for more than 80 years, | 0:10:53 | 0:10:57 | |
until one man changed all of that
and found more than he could ever | 0:10:57 | 0:11:00 | |
have imagined possible lurking
at the bottom of the sea. | 0:11:00 | 0:11:06 | |
Steve Dover from Warwickshire heard
whispers of a World War I wreck | 0:11:06 | 0:11:09 | |
around the coast of Oman
in the 1980s. | 0:11:09 | 0:11:12 | |
It began a 12 year obsession
which started with him tracking down | 0:11:12 | 0:11:15 | |
which ship it could be,
buying it from the British | 0:11:15 | 0:11:20 | |
government for a pound,
and ended with him convincing a team | 0:11:20 | 0:11:23 | |
of divers to follow him
to the Hallaniyat Islands. | 0:11:23 | 0:11:27 | |
They are remote, the seas
are dangerous between the mainland | 0:11:32 | 0:11:41 | |
and the islands. | 0:11:41 | 0:11:42 | |
We got there, 35 divers,
in three boats, on-site, | 0:11:42 | 0:11:44 | |
and I pretty much knew that
I would find that wreck | 0:11:44 | 0:11:47 | |
on the first dive. | 0:11:47 | 0:11:48 | |
I was really, really confident. | 0:11:48 | 0:11:49 | |
But confidence on land can quickly
turn to doubt when you're | 0:11:49 | 0:11:51 | |
30 metres underwater. | 0:11:51 | 0:11:53 | |
I was so confident. | 0:11:53 | 0:11:57 | |
I had been organising and raising
funds for two and a half years, | 0:11:57 | 0:12:00 | |
12 years of research,
this was the moment. | 0:12:00 | 0:12:03 | |
Down the anchor line we went,
hit the bottom, nothing. | 0:12:03 | 0:12:09 | |
So we went along for a bit,
I got my compass out, | 0:12:09 | 0:12:12 | |
pretending I knew the way,
which I didn't. | 0:12:12 | 0:12:15 | |
And Pete was right by my side. | 0:12:15 | 0:12:19 | |
He points down to my
buoyancy compensator, | 0:12:19 | 0:12:22 | |
the jacket that you wear,
and underneath the flap | 0:12:22 | 0:12:25 | |
of the jacket was a tiny little fish
that had yellow and silver stripes | 0:12:25 | 0:12:30 | |
on it, it is called
a sergeant major fish. | 0:12:30 | 0:12:34 | |
What he knew as a marine biologist
was that this is a reef fish, | 0:12:34 | 0:12:40 | |
so he is signalling to me follow
this thing, follow this fish, | 0:12:40 | 0:12:43 | |
and the two of us were following it. | 0:12:43 | 0:12:47 | |
It was like a scene
from Finding Nemo and the fish put | 0:12:47 | 0:12:50 | |
on a final spurt and disappeared
into the blue, and this shadow | 0:12:50 | 0:12:54 | |
appeared in front of my eyes,
and that was the stern | 0:12:54 | 0:12:57 | |
of the City Of Winchester,
the wreck. | 0:12:57 | 0:13:01 | |
And it was just the most exciting
moment in life to have found it | 0:13:01 | 0:13:06 | |
and we were dancing,
we were hugging each other, | 0:13:06 | 0:13:12 | |
dancing around the prop,
the propeller at the bottom | 0:13:12 | 0:13:14 | |
of the rudder. | 0:13:14 | 0:13:17 | |
Not only was Steve's discovery
important for historians, | 0:13:17 | 0:13:24 | |
they caused ripples
through the scientific | 0:13:24 | 0:13:25 | |
community as well. | 0:13:25 | 0:13:26 | |
So what we have is this wreck
which over the course of 70 or 80 | 0:13:26 | 0:13:30 | |
years has become a real haven
for marine life, and | 0:13:30 | 0:13:32 | |
because it is a metal hull,
and it is a very long metal hull, | 0:13:32 | 0:13:41 | |
all sorts of marine life is attached
to it that would not necessarily | 0:13:41 | 0:13:44 | |
want to attach to rocks. | 0:13:44 | 0:13:45 | |
One of the exciting things
about having a range of colourful | 0:13:45 | 0:13:48 | |
fishes is it attracts other life
as well, and that is why | 0:13:48 | 0:13:51 | |
we were recording pods
of dolphins every day. | 0:13:51 | 0:13:53 | |
What had begun with looking
for a 100-year-old shipwreck had | 0:13:53 | 0:13:55 | |
now opened up a whole
new world to explore. | 0:13:55 | 0:13:59 | |
The City Of Winchester was once
forgotten, but unlike all these | 0:13:59 | 0:14:03 | |
relics of sunken warships that now
are in a museum, it has | 0:14:03 | 0:14:06 | |
a new lease of life,
not just about the past | 0:14:06 | 0:14:09 | |
but supporting life for the future. | 0:14:09 | 0:14:16 | |
With quite literally the biggest
finding imaginable. I have film of | 0:14:16 | 0:14:21 | |
humpback whales on the surface, of
one humpback whale actually giving | 0:14:21 | 0:14:26 | |
birth, and within the same time
period, we have got film of them | 0:14:26 | 0:14:30 | |
feeding. Humpback whales do not feed
and breed at the same time in the | 0:14:30 | 0:14:34 | |
same place. This caused confusion.
Why were these humpback whales | 0:14:34 | 0:14:41 | |
acting so out of character? Could it
be that this was an altogether new | 0:14:41 | 0:14:46 | |
species? Further studies were made
by the Ministry of foreign | 0:14:46 | 0:14:49 | |
environment in the country. It was
all followed up and in 2014, they | 0:14:49 | 0:14:55 | |
declared a brand-new species of
humpback whale as a consequence of | 0:14:55 | 0:14:58 | |
what I found, the Arabian Sea
humpback. | 0:14:58 | 0:15:03 | |
But the ecosystem that's
built up around the City | 0:15:03 | 0:15:05 | |
of Winchester is now in danger. | 0:15:05 | 0:15:07 | |
When I went back there last year,
after 17 years and dived around, | 0:15:07 | 0:15:14 | |
it was very clear there'd been
a great depletion | 0:15:14 | 0:15:16 | |
of fish life and species. | 0:15:16 | 0:15:20 | |
When I spoke to the islanders they'd
said to me that the fishing | 0:15:20 | 0:15:24 | |
rights had been sold. | 0:15:24 | 0:15:34 | |
You can't stop us and it's
on the brink I would | 0:15:35 | 0:15:38 | |
say of breaking down. | 0:15:38 | 0:15:40 | |
One day there will be no Arabian Sea
humpback Whales in that area | 0:15:40 | 0:15:43 | |
because they don't travel around,
they tend to like their home, | 0:15:43 | 0:15:46 | |
so if there is a threat
they're stuck there. | 0:15:46 | 0:15:52 | |
Steve's idea is for a conservation
area around the Islands | 0:15:52 | 0:15:54 | |
and the government of Oman
are considering his proposal. | 0:15:54 | 0:16:03 | |
There's also a strict 25 mile
no-take zone around the wreck. | 0:16:03 | 0:16:10 | |
The no-go zone combined will mean
the marine life will bounce back | 0:16:10 | 0:16:13 | |
to where it was in about 5-10 years. | 0:16:13 | 0:16:20 | |
This could be the lifeline needed,
to protect not just the whales | 0:16:20 | 0:16:23 | |
but this whole incredible ecosystem. | 0:16:23 | 0:16:28 | |
There is such a wealth of research
to do over the next decade and even | 0:16:28 | 0:16:34 | |
then we will not have found
all of the species and all | 0:16:34 | 0:16:39 | |
of the many many things that I am
certain dwell in and around | 0:16:39 | 0:16:42 | |
the waters of those islands. | 0:16:42 | 0:16:47 | |
So, the amazing tale of The City
of Winchester now has a new chapter | 0:16:47 | 0:16:51 | |
at the bottom of the sea. | 0:16:51 | 0:16:52 | |
And I wonder, how many other
stories are out there, | 0:16:52 | 0:16:55 | |
waiting to be discovered? | 0:16:55 | 0:16:58 | |
The Birmingham Flatpack Festival
will start soon and this year | 0:16:58 | 0:17:01 | |
it will feature a series of events
marking things that happened | 0:17:01 | 0:17:04 | |
in the city 50 years ago. | 0:17:04 | 0:17:07 | |
So we sent comedian Tom Price
back in time, well, | 0:17:07 | 0:17:10 | |
sort of, to find out more. | 0:17:10 | 0:17:17 | |
# If I only had time | 0:17:17 | 0:17:19 | |
# Only time #. | 0:17:19 | 0:17:23 | |
It's no secret that we in the media
love an anniversary, | 0:17:23 | 0:17:27 | |
and they don't get much bigger
than 50 years. | 0:17:27 | 0:17:32 | |
Well, OK, technically they do,
but let's not get bogged down | 0:17:32 | 0:17:35 | |
in details because 50 years ago,
1968, to be precise, | 0:17:35 | 0:17:37 | |
was a pretty big year. | 0:17:37 | 0:17:47 | |
In fact, there was so much
going on that Ian Francis, founder | 0:17:47 | 0:17:50 | |
of the Flatpack Film Festival,
held every year in Birmingham, | 0:17:50 | 0:17:52 | |
is organising a series
of events to mark the year. | 0:17:52 | 0:17:55 | |
A really interesting
time in the city. | 0:17:55 | 0:17:56 | |
All sorts of things going on,
new bands, counter culture, | 0:17:56 | 0:17:59 | |
student protests, so we've got
a whole programme of exhibitions, | 0:17:59 | 0:18:01 | |
screenings and events all over
the city as the first weekend | 0:18:01 | 0:18:04 | |
of the festival. | 0:18:04 | 0:18:11 | |
One of the events will focus
on an almost mythical music venue | 0:18:11 | 0:18:14 | |
which opened in the north
of Birmingham in 1968, | 0:18:14 | 0:18:16 | |
right here on Erdington High Street. | 0:18:16 | 0:18:20 | |
Yep, I know what you're thinking,
it looks like that sort | 0:18:20 | 0:18:23 | |
of place, doesn't it? | 0:18:23 | 0:18:26 | |
This is music historian Jez Collins
and we're meeting outside | 0:18:26 | 0:18:28 | |
what was voted the best club
in the world two years running, | 0:18:28 | 0:18:32 | |
known simply as Mothers. | 0:18:32 | 0:18:36 | |
The club was only open three years
but boy did it leave a legacy, | 0:18:36 | 0:18:39 | |
and I'm not talking about the fact
that it's now a supermarket. | 0:18:39 | 0:18:45 | |
It's absolutely incredible,
on Erdington High Street, | 0:18:45 | 0:18:47 | |
not many people know about it,
there's a little sign | 0:18:47 | 0:18:51 | |
above, but honestly,
this was the home of sounds. | 0:18:51 | 0:18:54 | |
The Who played here,
Led Zeppelin, Black Sabbath, | 0:18:54 | 0:18:56 | |
Fleetwood Mac, Jethro Tull. | 0:18:56 | 0:18:57 | |
Elton John played here the night
before it closed and moaned about it | 0:18:57 | 0:19:01 | |
not having a grand piano. | 0:19:01 | 0:19:03 | |
John Peel was the resident DJ,
there's a gate behind us and he used | 0:19:03 | 0:19:06 | |
to park his Winnebago and sleep
there, and he'd DJ. | 0:19:06 | 0:19:09 | |
So a really important place,
not just in Birmingham but in terms | 0:19:09 | 0:19:12 | |
of rock music history. | 0:19:12 | 0:19:15 | |
They had a membership
that reached 45,0000, | 0:19:15 | 0:19:20 | |
which is just insane for a club that
could hold 300 people. | 0:19:20 | 0:19:24 | |
45,000 people became members
at the time it closed. | 0:19:24 | 0:19:27 | |
Apparently global stars Joan Baez
and Bob Dylan were members. | 0:19:27 | 0:19:30 | |
Well, I haven't been able to get
them here today, to be honest, | 0:19:30 | 0:19:33 | |
I didn't actually try,
but I have arranged to meet two | 0:19:33 | 0:19:36 | |
other former members,
Rob Moore and Syd Wall, | 0:19:36 | 0:19:39 | |
who are just as A-list
but a bit more local. | 0:19:39 | 0:19:43 | |
I hardly recognised
it when I walked in. | 0:19:43 | 0:19:45 | |
I can still remember
where the stage was. | 0:19:45 | 0:19:48 | |
Where was the stage, then? | 0:19:48 | 0:19:51 | |
The stage was over there. | 0:19:51 | 0:19:54 | |
It went from that corner
right over to here. | 0:19:54 | 0:19:56 | |
I went to most of these. | 0:19:56 | 0:19:58 | |
There's a couple that I didn't see. | 0:19:58 | 0:20:01 | |
The one that I wish I had seen
which I couldn't get to | 0:20:01 | 0:20:04 | |
was this Pink Floyd one. | 0:20:04 | 0:20:06 | |
Whatever happened to them? | 0:20:06 | 0:20:07 | |
Where did they go?! | 0:20:07 | 0:20:08 | |
When Zeppelin first played,
it was the first gig | 0:20:08 | 0:20:11 | |
of their first UK tour. | 0:20:12 | 0:20:15 | |
My brother has got
photographs of the gig, | 0:20:15 | 0:20:17 | |
and they are in the loft,
he said he can't find them. | 0:20:17 | 0:20:20 | |
Got to get in there! | 0:20:20 | 0:20:21 | |
Try and find them,
try and find them. | 0:20:21 | 0:20:24 | |
Syd's brother's photos aside,
regrettably there seems to be very | 0:20:24 | 0:20:30 | |
little archive of the club,
but, although Mothers closed | 0:20:30 | 0:20:34 | |
in 1971, in 2016 its name cropped up
in American courts when Led Zeppelin | 0:20:34 | 0:20:37 | |
were successfully defending
themselves against a charge | 0:20:37 | 0:20:40 | |
of plagiarism brought
about by the band Spirit, | 0:20:40 | 0:20:43 | |
who alleged their song
Taurus was the inspiration | 0:20:43 | 0:20:45 | |
for Stairway To Heaven. | 0:20:45 | 0:20:50 | |
Well, when Spirit came to play
here at Mothers there were rumours | 0:20:50 | 0:20:53 | |
that Page and Plant were here,
and part of that evidence | 0:20:53 | 0:20:58 | |
was that Plant and Page
were here and they would have heard | 0:20:58 | 0:21:04 | |
Taurus played and that planted that
seed in their minds that that music | 0:21:04 | 0:21:08 | |
hook turned into Stairway To Heaven. | 0:21:08 | 0:21:17 | |
Life in late '60s Birmingham
wasn't all glamour and | 0:21:17 | 0:21:20 | |
rock and roll, though. | 0:21:20 | 0:21:22 | |
In the south of the city,
American photographer | 0:21:22 | 0:21:24 | |
Janet Mendelsohn spent much of 1968
documenting Balsall Heath, | 0:21:24 | 0:21:28 | |
a down on its luck suburb. | 0:21:28 | 0:21:30 | |
Her pictures will form one | 0:21:30 | 0:21:31 | |
of the exhibitions in
the Flatpack Festival. | 0:21:31 | 0:21:36 | |
Why was she drawn to Balsall Heath? | 0:21:36 | 0:21:38 | |
It was a big subject in the media | 0:21:38 | 0:21:42 | |
for various reasons, really, to do
with housing, immigration. | 0:21:42 | 0:21:46 | |
There were lots of
photographers coming here. | 0:21:46 | 0:21:51 | |
But on the whole, the media covered
it in kind of a sensationalist way | 0:21:51 | 0:21:55 | |
and Janet's project was much more
about, let's show life, | 0:21:55 | 0:21:57 | |
the everyday fabric of life. | 0:21:57 | 0:22:02 | |
You've got pictures of this
crossroads here, so this | 0:22:02 | 0:22:05 | |
is a butcher's, grocer's here. | 0:22:05 | 0:22:08 | |
So that is literally that? | 0:22:08 | 0:22:10 | |
Yeah. | 0:22:10 | 0:22:11 | |
That corner there is that? | 0:22:11 | 0:22:12 | |
That corner there. | 0:22:12 | 0:22:13 | |
That's incredible. | 0:22:13 | 0:22:14 | |
A number of cafes. | 0:22:14 | 0:22:15 | |
It was a very busy spot. | 0:22:15 | 0:22:18 | |
Yeah. | 0:22:18 | 0:22:19 | |
And this treasure trove
of photographs, we nearly | 0:22:19 | 0:22:21 | |
lost it, didn't we? | 0:22:21 | 0:22:22 | |
Yeah, it was hidden
away for many years. | 0:22:22 | 0:22:26 | |
She went back to America, it ended
up in her attic in Massachusetts. | 0:22:26 | 0:22:29 | |
That's amazing to think that great
resource was sitting | 0:22:29 | 0:22:31 | |
in an attic in Massachusetts. | 0:22:31 | 0:22:32 | |
Yeah, we has no idea
about any of this. | 0:22:32 | 0:22:38 | |
A guy at the university got in touch
with her a few years ago | 0:22:38 | 0:22:41 | |
and she just basically sent two
massive boxes full of | 0:22:41 | 0:22:44 | |
prints and negatives. | 0:22:44 | 0:22:45 | |
And suddenly we've got
this incredible document | 0:22:45 | 0:22:49 | |
of what Balsall Heath
was like in the 1960s. | 0:22:49 | 0:22:51 | |
It's hardly surprising these
photos have generated such | 0:22:51 | 0:22:54 | |
interest amongst historians,
but there's also | 0:22:54 | 0:22:56 | |
a personal side to them. | 0:22:56 | 0:22:58 | |
Whilst researching the project,
Ian found a photo taken | 0:22:58 | 0:23:00 | |
in 1968 of the shop Uncles. | 0:23:00 | 0:23:05 | |
The owner, Mr Singh,
opened it shortly after arriving | 0:23:05 | 0:23:08 | |
in the UK from India but didn't have
any pictures of it from the time. | 0:23:08 | 0:23:18 | |
Surinder, tell us, how did
you and your dad feel when Ian found | 0:23:18 | 0:23:22 | |
this amazing photograph? | 0:23:22 | 0:23:23 | |
Taken aback, as you can imagine
we've never had a photograph. | 0:23:23 | 0:23:28 | |
Dad was tearsome, it did
bring tears to his eyes. | 0:23:28 | 0:23:31 | |
Just overwhelming, really. | 0:23:31 | 0:23:36 | |
What makes the photo even more
poignant is that the woman | 0:23:36 | 0:23:38 | |
in the alley is Mr Singh's wife,
Surinder's mother. | 0:23:38 | 0:23:41 | |
She died in 1977. | 0:23:41 | 0:23:43 | |
Mr Singh, how did it
feel to see this? | 0:23:43 | 0:23:48 | |
I was really glad, I was really glad
when I seen this picture. | 0:23:48 | 0:23:55 | |
I don't know if you know this,
but Ian has been looking | 0:23:55 | 0:23:58 | |
into the archives, there's
a new exhibition coming up. | 0:23:58 | 0:24:00 | |
And whilst researching
that new exhibition, | 0:24:00 | 0:24:06 | |
he's found some other photographs. | 0:24:06 | 0:24:07 | |
So, Ian, over to you. | 0:24:07 | 0:24:13 | |
You mentioned that the lady in the
alleyway was your wife, your mum. | 0:24:13 | 0:24:17 | |
I had a dig around and there
were actually a couple of closer | 0:24:17 | 0:24:20 | |
shots from the collection. | 0:24:20 | 0:24:22 | |
There's your mum. | 0:24:22 | 0:24:24 | |
Is it? | 0:24:24 | 0:24:25 | |
Fantastic. | 0:24:25 | 0:24:26 | |
Yeah, that's Mum. | 0:24:26 | 0:24:29 | |
That is a truly, truly great photo. | 0:24:29 | 0:24:32 | |
Isn't that gorgeous? | 0:24:32 | 0:24:33 | |
Look at that. | 0:24:33 | 0:24:34 | |
I love that. | 0:24:34 | 0:24:35 | |
And who is the child? | 0:24:35 | 0:24:36 | |
She's my daughter. | 0:24:36 | 0:24:38 | |
It's great. | 0:24:38 | 0:24:41 | |
Very nice. | 0:24:41 | 0:24:45 | |
We haven't got many pictures of Mum. | 0:24:45 | 0:24:52 | |
This is really nice. | 0:24:52 | 0:24:56 | |
Now in her 70s and unlikely
to return to Birmingham again, | 0:24:56 | 0:24:59 | |
Janet and the Singhs will probably
never meet, but we've sent her this | 0:24:59 | 0:25:02 | |
footage so she can see for herself
just what an impact her photos | 0:25:02 | 0:25:05 | |
are still having on people,
half a century after she took them. | 0:25:05 | 0:25:10 | |
Well, there we are, just a snapshot
of the plethora of things | 0:25:10 | 0:25:15 | |
going on in Birmingham in 1968,
50 years ago. | 0:25:15 | 0:25:17 | |
Hope you enjoyed it. | 0:25:17 | 0:25:19 | |
I'll be back next year with
a special feature looking at 1969. | 0:25:19 | 0:25:22 | |
That's how this works, right? | 0:25:22 | 0:25:25 | |
Has anyone got a history
book I can borrow? | 0:25:25 | 0:25:31 | |
Right, that's your lot for tonight. | 0:25:31 | 0:25:33 | |
Don't forget, we are on the iPlayer
and also on Twitter at bbciowm. | 0:25:33 | 0:25:36 | |
We'll see you next
week, have a good one. | 0:25:36 | 0:25:38 | |
Bye-bye. | 0:25:38 | 0:25:43 |