Browse content similar to Episode 4. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Hello and welcome to Man Lab, | 0:00:02 | 0:00:03 | |
where the long-lost 10mm spanner of good intention is restored | 0:00:03 | 0:00:06 | |
to its rightful place in the toolbox of personal triumph. | 0:00:06 | 0:00:10 | |
'Coming up. | 0:00:27 | 0:00:29 | |
'We put pedal to metal, | 0:00:29 | 0:00:31 | |
'revolutionising the dull old bicycle. | 0:00:31 | 0:00:34 | |
'We turn a U-bend into a utopia with our urinal Eden...' | 0:00:35 | 0:00:38 | |
There's a rabbit! Hello! | 0:00:38 | 0:00:41 | |
'I build my own boat from a bin liner...' | 0:00:41 | 0:00:44 | |
God, it's knackering. | 0:00:44 | 0:00:46 | |
'And I try to address the nation's inability to score a penalty | 0:00:47 | 0:00:50 | |
'by taking one myself.' | 0:00:50 | 0:00:52 | |
CHEERING | 0:00:54 | 0:00:57 | |
KETTLE WHISTLES | 0:00:59 | 0:01:01 | |
This is a bicycle, | 0:01:01 | 0:01:03 | |
and it is surely one of humankind's greatest inventions. | 0:01:03 | 0:01:07 | |
The modern bicycle, as we know it, was invented in 1885 | 0:01:07 | 0:01:11 | |
and since then has liberated nations, mobilised armies, | 0:01:11 | 0:01:16 | |
and provided the inspiration for the 1971 hit The Pushbike Song | 0:01:16 | 0:01:19 | |
by The Mixtures, but even so it's pretty good. | 0:01:19 | 0:01:23 | |
But in a world where your phone is also a camera | 0:01:23 | 0:01:25 | |
and an alarm clock is also a teapot, | 0:01:25 | 0:01:28 | |
the bicycle is starting to look laughably mono-functional. | 0:01:28 | 0:01:32 | |
Curiously, at about the same time the bicycle was invented, | 0:01:32 | 0:01:35 | |
somebody also invented this - the famous penknife made by Swiss Army. | 0:01:35 | 0:01:41 | |
Now, for centuries the pocket knife had been a simple single folding blade | 0:01:41 | 0:01:45 | |
that you used to eat your ploughman's lunch | 0:01:45 | 0:01:48 | |
or lance an unsightly boil on your face. | 0:01:48 | 0:01:50 | |
But then a man called Karl Elsner added a second blade | 0:01:50 | 0:01:55 | |
and then somebody added a screwdriver and a corkscrew | 0:01:55 | 0:01:57 | |
and a toothpick and that thing that boy scouts know how to use. | 0:01:57 | 0:02:00 | |
And this gave us an idea. | 0:02:00 | 0:02:02 | |
Our Man Lab chief engineer, Simmy, has been working with his team | 0:02:04 | 0:02:08 | |
in secret, in case the Swiss are watching, | 0:02:08 | 0:02:11 | |
to disassemble and utterly revolutionise | 0:02:11 | 0:02:13 | |
the humble bicycle, bringing it screaming | 0:02:13 | 0:02:15 | |
into the 21st-century world of multitasking convenience. | 0:02:15 | 0:02:18 | |
It was a process that called for ingenuity, | 0:02:18 | 0:02:22 | |
adaptation and lots of good old-fashioned welding. | 0:02:22 | 0:02:25 | |
No space on our bike's frame could be inefficiently wasted, | 0:02:25 | 0:02:28 | |
no gadget left undeployed. | 0:02:28 | 0:02:31 | |
Did we succeed? You can decide. | 0:02:31 | 0:02:34 | |
# I've got a bike You can ride it if you like... # | 0:02:34 | 0:02:38 | |
Here it is, the world's first Swiss Army bike. | 0:02:38 | 0:02:42 | |
It's still a bicycle, I'm still enjoying a pleasant ride | 0:02:42 | 0:02:44 | |
through leafy Cambridgeshire, but it has added functionality. | 0:02:44 | 0:02:49 | |
It's a wheeled multi-tool. Let's see how it works. | 0:02:49 | 0:02:52 | |
Mmm. I wonder if anybody in this traditional Fenland village | 0:02:56 | 0:03:01 | |
needs my help. | 0:03:01 | 0:03:03 | |
'Yes! This tavern landlord lacks the stature needed to buff up his windows to a fine polish. | 0:03:03 | 0:03:09 | |
'Luckily, one of Simmy's first breakthroughs was to utilise | 0:03:09 | 0:03:13 | |
'all wasted spaces on the bicycle. Even the ones inside the tubes.' | 0:03:13 | 0:03:16 | |
Give me a moment. | 0:03:16 | 0:03:17 | |
'By turning a few levers I release the Swiss Army bike's secret | 0:03:19 | 0:03:22 | |
'under-saddle squeegee and scraper, | 0:03:22 | 0:03:24 | |
'which can reach the top floor windows with ease. | 0:03:24 | 0:03:27 | |
'Within minutes, they were sparkling like the East Anglian intellect.' | 0:03:27 | 0:03:31 | |
Well, if you're happy with that, sir, I'll be on my way. | 0:03:31 | 0:03:34 | |
Thank you very much and have a very safe journey. | 0:03:34 | 0:03:36 | |
Don't thank me, thank the Swiss Army bicycle. | 0:03:36 | 0:03:38 | |
The point of all this is this - | 0:03:40 | 0:03:43 | |
the wheel is the basis of civilisation. | 0:03:43 | 0:03:46 | |
It's also fundamental to industrialisation. | 0:03:46 | 0:03:49 | |
Think of the spinning wheel, the water wheel, the cranked fly wheel | 0:03:49 | 0:03:53 | |
on a steam engine. These things have empowered us. | 0:03:53 | 0:03:56 | |
So if you have a wheel or a shaft spinning round, | 0:03:56 | 0:03:59 | |
you can do work with it, you can produce things, | 0:03:59 | 0:04:02 | |
and bicycles have wheels and shafts spinning round on them | 0:04:02 | 0:04:06 | |
and we can make them work for us, and that's what we're doing here. | 0:04:06 | 0:04:10 | |
Sim's next innovation wasn't simply going to be a thing | 0:04:10 | 0:04:13 | |
that fitted in a space, like the squeegee. | 0:04:13 | 0:04:15 | |
It had to capture the spirit of industrial rotational dynamics. | 0:04:15 | 0:04:20 | |
What better than another useful wheel, a grindstone? | 0:04:20 | 0:04:24 | |
We'll strip that down, get rid of all the plastics and the electrics | 0:04:24 | 0:04:29 | |
and see what's inside. | 0:04:29 | 0:04:30 | |
Cannibalising an electric grinder, Sim re-appropriated | 0:04:30 | 0:04:34 | |
not only the grindstone, but also the motor elements. | 0:04:34 | 0:04:36 | |
So that'll end up on the wheel... | 0:04:36 | 0:04:39 | |
Encased in a welded framework, the idea is that | 0:04:39 | 0:04:42 | |
the pedals are worked, the back wheel turns and the grinders grind. But would it work? | 0:04:42 | 0:04:46 | |
Would you believe it? | 0:04:46 | 0:04:48 | |
I soon rode past a man who would give his kingdom for a grinder. A blunt-knifed butcher. | 0:04:48 | 0:04:54 | |
-Excuse me, Mr Cyclist. -Yes, sir. | 0:04:54 | 0:04:56 | |
I'm happy to find that with an adjustable backwards-facing second seat | 0:04:58 | 0:05:02 | |
and a perfectly positioned grindstone attachment, sharpening any knife becomes child's play. | 0:05:02 | 0:05:07 | |
Not literally, of course. That would be irresponsible. | 0:05:07 | 0:05:10 | |
How's that, sir? | 0:05:14 | 0:05:16 | |
Wonderful. | 0:05:19 | 0:05:20 | |
# Bicycle, bicycle! # | 0:05:20 | 0:05:22 | |
Mounting a hanging basket bracket in full view of a passing cyclist? | 0:05:22 | 0:05:26 | |
Never fear. Swiss Army bike's here. | 0:05:26 | 0:05:29 | |
For this job I'm going to have to use the Swiss Army Bike's rotary tool. | 0:05:29 | 0:05:34 | |
This attaches to a rotating shaft here, driven by the back wheel. | 0:05:34 | 0:05:39 | |
In my small pouch I have a variety of drill bits. | 0:05:39 | 0:05:42 | |
So, there is the bit in the chuck. | 0:05:43 | 0:05:46 | |
You engage the friction drive on the rear wheel there, like so, | 0:05:46 | 0:05:51 | |
and then I climb backwards onto the bicycle... | 0:05:51 | 0:05:55 | |
..and when I pedal, | 0:05:57 | 0:06:00 | |
the drill, or whatever else you put in there, rotates. | 0:06:00 | 0:06:04 | |
Look at that. It's a reduction ratio of about 120 to 1. | 0:06:04 | 0:06:07 | |
Thanks to Swiss Army bike's revolutionary versatility, | 0:06:09 | 0:06:13 | |
the hole for the hanging basket is drilled in mere seconds. | 0:06:13 | 0:06:15 | |
But that's not all. | 0:06:15 | 0:06:17 | |
In the handlebars of the bike are concealed screwdrivers, | 0:06:17 | 0:06:21 | |
to finish the job off thoroughly. | 0:06:21 | 0:06:22 | |
There, I'll just hang the basket up and then I'll be on my way. | 0:06:24 | 0:06:28 | |
'I could probably have done with a slightly longer flexible drive-shaft | 0:06:28 | 0:06:32 | |
'but that's an improvement for the mark two.' Bye! | 0:06:32 | 0:06:35 | |
Now we've come to a downhill section and normally | 0:06:35 | 0:06:38 | |
when you go downhill on a bike, you slow down using the brake, | 0:06:38 | 0:06:41 | |
but that's very wasteful because the kinetic energy you have, | 0:06:41 | 0:06:44 | |
all the energy you have because you're moving, | 0:06:44 | 0:06:47 | |
is turned into heat in the brake blocks and that's a waste, | 0:06:47 | 0:06:50 | |
so what I've got is a regenerative system. I'm slowing down with | 0:06:50 | 0:06:54 | |
an elaborate pump that pressurises a cylinder full of creosote. | 0:06:54 | 0:06:59 | |
The hurdle with this ingenious gizmo was to use something that was going | 0:06:59 | 0:07:03 | |
round and round, the wheel, to drive something up and down, the pump. | 0:07:03 | 0:07:08 | |
We did this by making an eccentric - | 0:07:08 | 0:07:10 | |
a circular plate off-centre with the wheel. | 0:07:10 | 0:07:13 | |
As it rotates it gives a high point and a low point. | 0:07:13 | 0:07:15 | |
We got the idea from Stephenson's Rocket. | 0:07:15 | 0:07:18 | |
Next we added the creosote reservoir to the back. | 0:07:18 | 0:07:21 | |
"Why creosote?" I hear you cry. | 0:07:21 | 0:07:23 | |
Fear, not sir, no wood is safe from the Swiss Army bicycle. | 0:07:23 | 0:07:28 | |
The high pressure power from the air-compressing brake system | 0:07:31 | 0:07:34 | |
leaves not a single knot of wood unsprayed! | 0:07:34 | 0:07:37 | |
Bye! | 0:07:39 | 0:07:40 | |
But this bicycle is not just for the resolutely practical, | 0:07:41 | 0:07:44 | |
modern DIY enthusiast. Oh, no. | 0:07:44 | 0:07:47 | |
What if you were to chance across a fine fruit-picking maiden | 0:07:47 | 0:07:51 | |
with excellent dress sense, | 0:07:51 | 0:07:54 | |
and wished to woo her with the gift of a refreshing milky beverage, | 0:07:54 | 0:07:57 | |
to wit, a smoothie? | 0:07:57 | 0:07:59 | |
Modifying the bike to perform this most disarming of romantic gestures | 0:07:59 | 0:08:03 | |
was probably the toughest job of the lot. | 0:08:03 | 0:08:05 | |
First, Sim disassembled an existing blender and nicked the motor. | 0:08:05 | 0:08:10 | |
With a bit of welding, we attached it to a strut. | 0:08:10 | 0:08:12 | |
Bicycle, we bring you an offering of a dismantled old food blender. | 0:08:12 | 0:08:17 | |
James, we're going to be somewhere like this. | 0:08:17 | 0:08:20 | |
That against the tyre there, the tyre goes round, that goes round. | 0:08:20 | 0:08:24 | |
That's the original electric motor from the blender. | 0:08:24 | 0:08:27 | |
It's now becoming the drive wheel. | 0:08:27 | 0:08:28 | |
'With the blades rotating nicely, the trick was going to be to make | 0:08:28 | 0:08:32 | |
'a catch that would disconnect the blender from the tyre at will. | 0:08:32 | 0:08:35 | |
'After all, who'd want to pedal around the place on a bike | 0:08:35 | 0:08:39 | |
'with a blender that was spinning the whole time? That would just look stupid.' | 0:08:39 | 0:08:44 | |
Back in the field, all I need to do is engage the clasp | 0:08:46 | 0:08:49 | |
which pushes the drive shaft against the wheel, | 0:08:49 | 0:08:51 | |
pinch the fine lady's fruit, | 0:08:51 | 0:08:55 | |
add some milk from my cycle flask and away we go. | 0:08:55 | 0:09:01 | |
The blender is powered by the front wheel, | 0:09:01 | 0:09:03 | |
which means I have to be moving forwards for it to work. | 0:09:03 | 0:09:06 | |
Thank you. | 0:09:16 | 0:09:18 | |
Your pleasure is my pleasure. | 0:09:18 | 0:09:20 | |
'What a smoothie.' | 0:09:20 | 0:09:22 | |
Excuse me, I don't suppose you've got one of those things | 0:09:31 | 0:09:34 | |
that gets a stone out of a horse's hoof, have you? | 0:09:34 | 0:09:37 | |
Damn. | 0:09:37 | 0:09:38 | |
The Swiss Army bike mark two with horse shoe de-stoner, | 0:09:39 | 0:09:43 | |
extended drill lead and better gearing can wait for another day. | 0:09:43 | 0:09:47 | |
For now, I rest safe in the knowledge that the hectic world | 0:09:47 | 0:09:50 | |
of the modern two-wheeled, clean-windowed, sharp-knived | 0:09:50 | 0:09:53 | |
pristine-fenced, smoothie-wooing gentleman is just | 0:09:53 | 0:09:56 | |
that little bit more convenient. | 0:09:56 | 0:09:58 | |
In fact, we were so pleased with the Swiss Army bike | 0:09:58 | 0:10:02 | |
that we created this shoddy graphic | 0:10:02 | 0:10:04 | |
and pretended I'd ridden it to Germany | 0:10:04 | 0:10:06 | |
to deal with a problem. | 0:10:06 | 0:10:08 | |
This is the Veltins-Arena in Gelsenkirchen. | 0:10:08 | 0:10:12 | |
A great football stadium, certainly, but it's so much more than that. | 0:10:12 | 0:10:16 | |
It's more of a colossal monument to modern Germany herself. | 0:10:16 | 0:10:20 | |
To her reputation for great engineering, civic efficiency, | 0:10:20 | 0:10:24 | |
finishing things on time, doing things properly | 0:10:24 | 0:10:27 | |
and all the rest of it. | 0:10:27 | 0:10:29 | |
But to us Englanders it is a place of shame. | 0:10:29 | 0:10:33 | |
For this is where, in 2006, a dispirited England, | 0:10:33 | 0:10:38 | |
minus their red-carded wunderkind Rooney, went out of the World Cup | 0:10:38 | 0:10:43 | |
in a penalty shoot-out against the Portugal of Ronaldo. | 0:10:43 | 0:10:46 | |
-COMMENTARY: -'He steps up...and it's saved! Another missed penalty.' | 0:10:46 | 0:10:51 | |
Their sixth penalty shoot-out defeat since 1990. | 0:10:51 | 0:10:55 | |
Now, England has given the world many great things. | 0:10:55 | 0:10:59 | |
The printing press, equations of motion, the steam locomotive, | 0:10:59 | 0:11:03 | |
the puddling furnace, the shape of the DNA spiral, | 0:11:03 | 0:11:07 | |
the world wide web and, of course, the corkscrew | 0:11:07 | 0:11:10 | |
but the achievements of Caxton, | 0:11:10 | 0:11:12 | |
Newton, Trevithick, Cort, Crick and Watson, Berners-Lee and Oz Clarke | 0:11:12 | 0:11:18 | |
count for absolutely nothing in the gruelling arena of world prestige. | 0:11:18 | 0:11:23 | |
Just so long as we remain completely inept at kicking an inflated pig's bladder | 0:11:23 | 0:11:28 | |
into the back of an onion bag. Something must be done. | 0:11:28 | 0:11:33 | |
In exactly one week's time, I will return to this benighted stadium | 0:11:34 | 0:11:38 | |
and demonstrate to the nation once and for all how to score a penalty. | 0:11:38 | 0:11:44 | |
But if I'm to succeed, | 0:11:44 | 0:11:46 | |
I need to get to the bottom of why it's all gone so wrong for England. | 0:11:46 | 0:11:50 | |
Recently, we have seen some ruthless cuts in this country's public spending, | 0:11:58 | 0:12:03 | |
and the reason for these is the woeful state of English penalty-taking. | 0:12:03 | 0:12:07 | |
In actual fact, we have spent almost half our GDP | 0:12:07 | 0:12:10 | |
on this state-of-the art laboratory | 0:12:10 | 0:12:12 | |
in an attempt to get to the root of the problem. | 0:12:12 | 0:12:15 | |
Welcome to the Department of Penalty Studies at the University of Loughborough, | 0:12:15 | 0:12:19 | |
where they even have their own infallible striker in the form of this penalty-taking robot. | 0:12:19 | 0:12:26 | |
Now, bizarrely, they call this thing "David", and the great thing about David | 0:12:26 | 0:12:30 | |
is he can kick a ball up to 100 yards at up to 100mph, | 0:12:30 | 0:12:34 | |
and replicate the power and the direction of the kick exactly, every single time. | 0:12:34 | 0:12:40 | |
Like this. | 0:12:40 | 0:12:42 | |
'Sadly, the seminal 1848 Cambridge Rules of Football | 0:12:52 | 0:12:56 | |
'specifically prohibit the use of a robotic striker in an international fixture. | 0:12:56 | 0:13:00 | |
'Never mind. | 0:13:00 | 0:13:02 | |
'To succeed in Germany, all I'll need to do is follow David's example | 0:13:02 | 0:13:06 | |
'and give it some Duke of Wellington.' | 0:13:06 | 0:13:08 | |
'Hmm... There is, unfortunately, one slight snag. | 0:13:20 | 0:13:24 | |
'Unlike my metal mentor, I've never scored a single goal in my entire life, | 0:13:25 | 0:13:29 | |
'and that's not a joke. | 0:13:29 | 0:13:32 | |
'But it doesn't matter, because science and technology can still come to the aid of England.' | 0:13:32 | 0:13:37 | |
Right. Let's find out where I went wrong. | 0:13:37 | 0:13:40 | |
And that requires me, sadly, to wear this ridiculous gimp suit and the John McEnroe headband, | 0:13:40 | 0:13:45 | |
and you will notice that they are covered with these little grey nipples. | 0:13:45 | 0:13:49 | |
Those are infra-red reflectors, and they allow my every movement | 0:13:49 | 0:13:53 | |
to be analysed by these sensors around the laboratory. | 0:13:53 | 0:13:57 | |
It's very similar to the technology used to make the graphics for video games. | 0:13:57 | 0:14:02 | |
Down here we also have our super-slow-motion camera to analyse the point where I kick the ball. | 0:14:02 | 0:14:06 | |
That can record at up to 650,000 frames per second, | 0:14:06 | 0:14:11 | |
rather than the usual 25 frames per second at which you're watching your television now. | 0:14:11 | 0:14:16 | |
Finally, over here, we have this piece of kit, | 0:14:16 | 0:14:19 | |
which will track the flight of the ball towards the goal, | 0:14:19 | 0:14:23 | |
and then display it in 3D on the computer screen there. | 0:14:23 | 0:14:26 | |
Developed by the Danish military | 0:14:26 | 0:14:28 | |
to monitor the flow of pastries across the Channel to England. | 0:14:28 | 0:14:31 | |
-Right, are you ready, doctor? -We're ready. | 0:14:31 | 0:14:34 | |
Let us take a penalty. | 0:14:34 | 0:14:36 | |
Well, I can tell without your computer that I kicked it straight at the goalie. | 0:14:44 | 0:14:48 | |
-What does it tell you? -It tells us that the speed of your kick was 34mph. | 0:14:48 | 0:14:52 | |
A professional player would be looking at hitting | 0:14:52 | 0:14:55 | |
the corners a little bit more, perhaps at a slightly higher speed. | 0:14:55 | 0:14:58 | |
'What he means, for the non-academic, | 0:14:58 | 0:15:01 | |
'is that real footballers can kick at 80mph.' | 0:15:01 | 0:15:05 | |
-I am truly, astronomically -BLEEP -at football, aren't I? | 0:15:05 | 0:15:08 | |
Am I the worst player you've ever had in here? | 0:15:08 | 0:15:12 | |
Penalty number five. | 0:15:12 | 0:15:13 | |
Missed four so far, so if I miss this one, | 0:15:13 | 0:15:16 | |
I think I'm right in saying England is out of the cup, as usual. | 0:15:16 | 0:15:20 | |
OK, boss, say when. | 0:15:20 | 0:15:21 | |
Stand by. Shot five. Go! | 0:15:21 | 0:15:24 | |
Yes! | 0:15:26 | 0:15:29 | |
APPLAUSE | 0:15:29 | 0:15:32 | |
-Right, let's see if the... -HE LAUGHS | 0:15:36 | 0:15:38 | |
That's the first goal I've ever scored in my entire life, | 0:15:38 | 0:15:41 | |
and I'm 48, so that's quite an emotional moment. | 0:15:41 | 0:15:44 | |
Erm... | 0:15:44 | 0:15:45 | |
I'm going to go and look at the, er, whatever we call that, | 0:15:45 | 0:15:48 | |
the motion analysis system, | 0:15:48 | 0:15:50 | |
to see if it can throw any infrared light on what I'm doing. | 0:15:50 | 0:15:54 | |
Even though you did score, there are a few faults with your technique - | 0:15:56 | 0:16:00 | |
you are very square with your pelvis, | 0:16:00 | 0:16:04 | |
it's square-on to the goal throughout your shot. | 0:16:04 | 0:16:07 | |
So you're not getting any power from your hips. | 0:16:07 | 0:16:10 | |
Is that why I appear to be kicking the ball like a complete Jessie? Doing a little skip at the end? | 0:16:10 | 0:16:15 | |
A little bit, yes. | 0:16:15 | 0:16:16 | |
Your main fault is that you're only flicking through with your lower leg at the last minute. | 0:16:16 | 0:16:21 | |
You're not really getting the power of your whole body behind the shot. | 0:16:21 | 0:16:24 | |
'If my computerised stick man doppelganger exposes a few shortcomings, | 0:16:24 | 0:16:28 | |
'it's nothing compared with the horror of the slow-motion camera.' | 0:16:28 | 0:16:33 | |
So what am I actually doing wrong? | 0:16:39 | 0:16:41 | |
There are a couple of things that are quite obvious | 0:16:41 | 0:16:43 | |
when we look at this. | 0:16:43 | 0:16:44 | |
You can see first of all that your planting foot | 0:16:44 | 0:16:47 | |
-is too far behind the ball. -Yeah. | 0:16:47 | 0:16:49 | |
I can't time the run-up properly. I can't work it out. I'm leaning backwards as well. | 0:16:49 | 0:16:53 | |
-That's not right, is it? You're supposed to be over the ball. -Yours is more of a toe poke. | 0:16:53 | 0:16:57 | |
You can see my toes buckling in that one. | 0:16:57 | 0:16:59 | |
Great. And I look like an idiot. | 0:16:59 | 0:17:03 | |
Well, the white suit doesn't help. | 0:17:03 | 0:17:05 | |
'After hours of tests... | 0:17:05 | 0:17:07 | |
'..the technicians had delivered their in-depth analysis | 0:17:08 | 0:17:12 | |
'of the areas that need addressing if I'm to beat the Germans in their backyard.' | 0:17:12 | 0:17:16 | |
My run-up is poorly timed, I'm not putting my left foot next to the ball, | 0:17:16 | 0:17:21 | |
I'm not putting my weight over the ball because I'm leaning backwards, | 0:17:21 | 0:17:24 | |
I'm kicking the ball with the wrong part of my foot, my ankle is too floppy, my knee is too stiff, | 0:17:24 | 0:17:29 | |
I'm not getting the correct articulation in my hips, | 0:17:29 | 0:17:32 | |
I'm not accurately aiming at the top left-hand of the goal, | 0:17:32 | 0:17:35 | |
and I'm crap at football. | 0:17:35 | 0:17:36 | |
And in a real penalty situation, a real shoot-out, it would be even harder, | 0:17:36 | 0:17:40 | |
because there would, of course, be the psychological element. | 0:17:40 | 0:17:43 | |
The enemy goalkeeper would be trying to psyche me out. | 0:17:43 | 0:17:48 | |
'I'm going to face this in Germany. Urgent remedial action is needed. | 0:17:48 | 0:17:53 | |
'Coming up - a masterclass in the ancient art of penalty psychology.' | 0:17:53 | 0:17:58 | |
-Hate the ball! Hate that ball! -I do hate the ball! | 0:17:58 | 0:18:01 | |
'..with the man they call the Socrates of South London.' | 0:18:01 | 0:18:04 | |
Ah, you mug! Everyone hates you now! | 0:18:05 | 0:18:07 | |
'The Man Lab stands cathedral-like as a monument to male endeavour and achievement. | 0:18:12 | 0:18:18 | |
'From its workshops flows a torrent of invention and ingenuity, | 0:18:18 | 0:18:21 | |
inspiring like-minded fellows to go forth and waste time. | 0:18:21 | 0:18:25 | |
'But hidden in a forgotten corner lies the Man Lab's dirty little secret. | 0:18:27 | 0:18:31 | |
'A putrid hell-hole that threatens to condemn our achievements | 0:18:31 | 0:18:34 | |
'to the U-bend of inadequacy.' | 0:18:34 | 0:18:37 | |
This is the shameful secret of our Man Lab, the old urinal block. | 0:18:39 | 0:18:45 | |
It's so awful in here, we've never actually used it. | 0:18:45 | 0:18:48 | |
It's just sat in the corner, taunting us with its filth and its squalor. | 0:18:48 | 0:18:54 | |
It's absolutely disgusting, it's like some anteroom to Hades. | 0:18:54 | 0:18:58 | |
Something has to be done, and I'm not talking about a wazz. | 0:18:58 | 0:19:02 | |
What has to be done first is the removal of this wall. | 0:19:02 | 0:19:07 | |
'This act of vandalism obscures a genteel ambition. | 0:19:08 | 0:19:11 | |
'For what we have in mind is to transform this pestilential pissoir | 0:19:11 | 0:19:16 | |
'into the most idyllic of rest rooms. | 0:19:16 | 0:19:21 | |
'Henry Miller said that every Englishman should own one. | 0:19:21 | 0:19:25 | |
'Francis Bacon called them "the purest of human pleasures". | 0:19:25 | 0:19:29 | |
'And even the Frenchman Voltaire exalted us to cultivate them. | 0:19:29 | 0:19:34 | |
'In this squalid space, we shall create a living Eden, | 0:19:34 | 0:19:37 | |
'a garden of earthly delights.' | 0:19:37 | 0:19:40 | |
TOILET FLUSHES | 0:19:40 | 0:19:42 | |
"The Earth," said Nicolaus Copernicus, I think, "conceives by the sun, | 0:19:47 | 0:19:52 | |
"and by him, becomes pregnant with ripe fruit." | 0:19:52 | 0:19:54 | |
The problem we have indoors | 0:19:54 | 0:19:56 | |
is that normal light bulbs don't give the full spectrum of white light, | 0:19:56 | 0:20:00 | |
so you're missing quite a lot of the ultraviolet, so things will grow, but not very well. | 0:20:00 | 0:20:04 | |
So what we're going to do first is put up some daylight bulbs - | 0:20:04 | 0:20:07 | |
they have all of the white light spectrum. They will encourage things to grow, | 0:20:07 | 0:20:11 | |
and this is Darren the sparky, who is helping me with that. | 0:20:11 | 0:20:15 | |
'As any student who's grown their own herbs for cooking will tell you, | 0:20:15 | 0:20:20 | |
'these lights burn cold, so you can put them close to the plants without singeing the leaves. | 0:20:20 | 0:20:25 | |
'But because our garden will also need water, | 0:20:25 | 0:20:28 | |
'we've got to be careful when wiring them in.' | 0:20:28 | 0:20:31 | |
Everything electrical in this room has to be waterproofed, | 0:20:31 | 0:20:34 | |
cos it's going be damp, because it'll be irrigated, so this is a waterproof junction box. | 0:20:34 | 0:20:38 | |
These have little rubber glands in them. | 0:20:38 | 0:20:40 | |
You do have to remember to tighten these up, and then no water can get in. | 0:20:40 | 0:20:44 | |
These walls have been lined with this stuff, which is... | 0:20:44 | 0:20:49 | |
It's a sort of reconstituted plastic waste sheet. It's brilliant stuff. | 0:20:49 | 0:20:53 | |
None of us can remember what it's called, but anyway, it's that stuff. | 0:20:53 | 0:20:57 | |
Then onto that, we're going to add this waterproof membrane, | 0:20:57 | 0:21:01 | |
because there's going to be an irrigation system in here, | 0:21:01 | 0:21:05 | |
and the plants are quite literally going to be growing up the wall. | 0:21:05 | 0:21:09 | |
'My vision for the Man Lab garden is a horticultural heaven, | 0:21:11 | 0:21:15 | |
'where the serenity of Sissinghurst and the culture of Kew shall coalesce. | 0:21:15 | 0:21:19 | |
'But we start with a humble homage to the greatest historical garden of all - | 0:21:19 | 0:21:24 | |
'the hanging garden of imperial Babylon.' | 0:21:24 | 0:21:27 | |
OK, so this is a hanging basket. It is basket-shaped and it hangs. | 0:21:27 | 0:21:32 | |
-We need to line it. -Right. | 0:21:33 | 0:21:35 | |
So, erm, a natural product, just using natural moss, | 0:21:35 | 0:21:38 | |
so literally just fill round the finished layer, | 0:21:38 | 0:21:41 | |
and pack the whole of the basket out with the moss. | 0:21:41 | 0:21:44 | |
Mm. Smells marvellous. | 0:21:44 | 0:21:46 | |
'To give our Babylonian basket a distinctly British flavour, we're starting with strawberries, | 0:21:46 | 0:21:52 | |
'although the possibilities for our garden are limited only by our imagination.' | 0:21:52 | 0:21:56 | |
What else can we put in there? | 0:21:56 | 0:21:58 | |
We can have orchids, we can have some flowers, | 0:21:58 | 0:22:01 | |
what other edible things can we grow - salads? | 0:22:01 | 0:22:05 | |
-Salads, yeah. -Peas. Leeks. -Yep. | 0:22:05 | 0:22:07 | |
Opium? | 0:22:07 | 0:22:09 | |
Poppies would grow in there, wouldn't they? If you had a bed of...? | 0:22:09 | 0:22:12 | |
Yeah, with the... Yeah, with good light and heat, then yeah. | 0:22:12 | 0:22:17 | |
'Before Ian goes off to phone the police, | 0:22:18 | 0:22:20 | |
'I placate him with a plant that even Thomas De Quincey would never try to smoke.' | 0:22:20 | 0:22:24 | |
Tomatoes! | 0:22:24 | 0:22:26 | |
So, actually, basic gardening is not that difficult, is it? | 0:22:26 | 0:22:30 | |
The golden rules are decent composted soil, | 0:22:30 | 0:22:33 | |
healthy plants, dig a hole, loosen the roots, stick it in, pack it round, put some water on it. | 0:22:33 | 0:22:38 | |
That's the basic principles, really. | 0:22:38 | 0:22:41 | |
I hope Monty Don watched that bit. | 0:22:41 | 0:22:43 | |
'With our lighting and irrigation ready, we bring in our seedlings, | 0:22:45 | 0:22:49 | |
'and lay down matting sown with the grasses of the meadow. | 0:22:49 | 0:22:53 | |
'But our garden is not yet complete - | 0:22:53 | 0:22:55 | |
'we must leave Mother Nature to work her magic.' | 0:22:55 | 0:22:59 | |
And there will be more. | 0:22:59 | 0:23:00 | |
Our former khazi is going to be transformed into a cornucopia of exotic produce, | 0:23:00 | 0:23:06 | |
all of which will mature and ripen and blossom in the next five weeks. | 0:23:06 | 0:23:11 | |
And you're just going to have to take my word for that, | 0:23:11 | 0:23:13 | |
because I don't want to spoil the surprise of the final reveal. | 0:23:13 | 0:23:17 | |
We shall revisit that world that was once just stains and soap scum | 0:23:17 | 0:23:21 | |
about five weeks hence. | 0:23:21 | 0:23:23 | |
Wa-hey! | 0:23:23 | 0:23:24 | |
'So, while we got on with other exciting activities...' | 0:23:24 | 0:23:27 | |
HE LAUGHS | 0:23:27 | 0:23:29 | |
'..grasses grew and plants silently sprouted.' | 0:23:29 | 0:23:32 | |
Timber! | 0:23:35 | 0:23:37 | |
So, here we are at hence. | 0:23:37 | 0:23:39 | |
It's five weeks later, | 0:23:39 | 0:23:41 | |
the garden has been tended by members of the Man Lab. | 0:23:41 | 0:23:44 | |
I genuinely haven't seen it yet, and I'm about to see it for the first time. | 0:23:44 | 0:23:47 | |
So, here we go. | 0:23:47 | 0:23:49 | |
Come into my garden. | 0:23:53 | 0:23:57 | |
Wow. | 0:23:57 | 0:23:58 | |
'Where once were cracked cisterns and indelible stains, | 0:24:00 | 0:24:03 | |
'now flourish exotic vistas of herbs and peppers, fruits and vines. | 0:24:03 | 0:24:08 | |
'Himalayan Vanda orchids festoon the walls and ceiling, | 0:24:09 | 0:24:13 | |
'while cacti from the Americas nestle in the pan. | 0:24:13 | 0:24:17 | |
'Butterflies flit, ferns unfurl and flowers blossom | 0:24:17 | 0:24:20 | |
'in our unlikely indoor Alhambra.' | 0:24:20 | 0:24:24 | |
Thomas Campion, 1567-1620, wrote, | 0:24:24 | 0:24:29 | |
"There is a garden in her face, where roses and white lilies blow." | 0:24:29 | 0:24:34 | |
And it's a good job he lived when he did, because if he was here today, | 0:24:34 | 0:24:37 | |
he'd have to write, "There is a garden in our bog," which wouldn't have been as good. | 0:24:37 | 0:24:41 | |
But that... There's a rabbit! Look! | 0:24:41 | 0:24:43 | |
Hello! | 0:24:43 | 0:24:45 | |
Surely not?! | 0:24:47 | 0:24:48 | |
Strawberries! | 0:24:49 | 0:24:51 | |
See, the garden is like a sort of waiting room at paradise, | 0:24:53 | 0:24:57 | |
it's why they're popular in all cultures - it's where we ultimately long to be. | 0:24:57 | 0:25:01 | |
I'm sitting here, or crouching here, | 0:25:01 | 0:25:03 | |
like the first man in the first garden. | 0:25:03 | 0:25:06 | |
Mmm. | 0:25:08 | 0:25:09 | |
All is innocence and pleasure. | 0:25:09 | 0:25:12 | |
He's eaten a hole in my trousers! | 0:25:19 | 0:25:21 | |
LAUGHTER | 0:25:21 | 0:25:23 | |
You...idiot! | 0:25:24 | 0:25:27 | |
Look at all these things you can eat, you fool! | 0:25:27 | 0:25:30 | |
Leaves and strawberries and you've eaten a pair of jeans. | 0:25:30 | 0:25:35 | |
You're not bright, are you? | 0:25:35 | 0:25:38 | |
Maybe you have an unloved spare room, you know, the sort of place where there's a mouldy mattress | 0:25:39 | 0:25:45 | |
and some books you no longer read, and a broken pushchair. | 0:25:45 | 0:25:48 | |
Turn it into one of these. | 0:25:48 | 0:25:50 | |
Come to think of it, I've got a small downstairs lavatory that I don't really use very much. | 0:25:50 | 0:25:54 | |
I could certainly make the experience of using it a great deal better. | 0:25:54 | 0:25:57 | |
'If you have already transformed your bog, | 0:25:57 | 0:26:00 | |
'why not write to us at - | 0:26:00 | 0:26:03 | |
'Mark your subject line "I feel much better after that." ' | 0:26:05 | 0:26:09 | |
'There's less than a week to go | 0:26:12 | 0:26:14 | |
'before my attempt to rescue the nation's sporting reputation | 0:26:14 | 0:26:17 | |
'by scoring a penalty from the very spot where England were knocked out of the 2006 World Cup. | 0:26:17 | 0:26:24 | |
'So far, my efforts have been, at best, pants.' | 0:26:24 | 0:26:27 | |
Oh, that was terrible! | 0:26:27 | 0:26:29 | |
'Good job, then, that science has developed a confidence-inspiring formula | 0:26:29 | 0:26:34 | |
'based on the study of over 10,000 penalty kicks.' | 0:26:34 | 0:26:38 | |
Right, I've done a bit more research, | 0:26:38 | 0:26:40 | |
and on the internet I found this very handy formula, | 0:26:40 | 0:26:43 | |
which gives me my LPS, my likelihood of penalty success. | 0:26:43 | 0:26:47 | |
It looks very complicated, but actually it isn't. | 0:26:47 | 0:26:49 | |
It all breaks down into a series of ones and noughts. | 0:26:49 | 0:26:52 | |
This half of it is about the player. | 0:26:52 | 0:26:54 | |
This half of it is about my technique. So let's work it out. | 0:26:54 | 0:26:58 | |
Am I right footed? Yes, I'm pretty sure I am. | 0:26:58 | 0:27:01 | |
Am I a striker or a defender? I don't really know, | 0:27:01 | 0:27:04 | |
but I'll call myself a striker because that gives me a one. | 0:27:04 | 0:27:06 | |
Is my age 21 or under? Sadly not, so I get a nought for that. | 0:27:06 | 0:27:11 | |
And have I been on the pitch for under 45 minutes? Well, yes. | 0:27:11 | 0:27:14 | |
I've only been here about 15 seconds. | 0:27:14 | 0:27:16 | |
So that's that half of the equation divided by four. | 0:27:16 | 0:27:19 | |
I have to multiply that by this side. | 0:27:19 | 0:27:21 | |
Will I be starting my run-up outside the penalty box? I think I will. | 0:27:21 | 0:27:25 | |
So that's a one. | 0:27:25 | 0:27:27 | |
Am I going to do a slow run-up - SRU? Yeah, why not? | 0:27:27 | 0:27:30 | |
It's unlikely to be fast, let's be honest. | 0:27:30 | 0:27:32 | |
Am I going to kick to my natural side? | 0:27:32 | 0:27:35 | |
That is, if I'm right footed, that way, so the ball goes over there. | 0:27:35 | 0:27:38 | |
Almost certainly. That's a one. | 0:27:38 | 0:27:41 | |
Am I going to use the inside of my boot? | 0:27:41 | 0:27:43 | |
I'll probably toe-jab it but let's say I manage to do it properly. | 0:27:43 | 0:27:46 | |
Am I going to aim for the top left-hand corner, | 0:27:46 | 0:27:48 | |
the most obvious place to shoot for a penalty? Yes, so that's a one. | 0:27:48 | 0:27:53 | |
And that is divided by five so that gives me three over four, | 0:27:53 | 0:27:56 | |
0.75, multiply by five over five, one equals... | 0:27:56 | 0:28:02 | |
0.75, multiply by 100, | 0:28:02 | 0:28:06 | |
gives me a whopping 75% chance of scoring a penalty. | 0:28:06 | 0:28:11 | |
How about that? | 0:28:11 | 0:28:13 | |
'Maybe I worked that out wrong. | 0:28:17 | 0:28:19 | |
'Luckily, I've enlisted help from the professor of the penalty kick, | 0:28:19 | 0:28:23 | |
'ex-Liverpool, Spurs and West Ham's Neil "Razor" Ruddock. | 0:28:23 | 0:28:27 | |
'He's the thinking man's football coach, | 0:28:27 | 0:28:30 | |
'but only if you're the sort of man who likes thinking about pies.' | 0:28:30 | 0:28:33 | |
Listen. The penalty, your formula was absolute rubbish. | 0:28:34 | 0:28:38 | |
Taking a penalty's about there. | 0:28:38 | 0:28:40 | |
This ain't your friend. Get angry. Get in the zone. | 0:28:40 | 0:28:43 | |
Show me your zone face. That's it. Number one, get in the zone. | 0:28:43 | 0:28:48 | |
-Number two, put the ball down. Yes? -Yep. | 0:28:48 | 0:28:50 | |
Number three, never look at the keeper. | 0:28:50 | 0:28:52 | |
He's going to try and put you off. | 0:28:52 | 0:28:55 | |
Four, you're in the zone, don't change your mind. | 0:28:55 | 0:28:57 | |
Number five, important foot is your standing foot, | 0:28:57 | 0:29:01 | |
not your kicking foot. OK? | 0:29:01 | 0:29:03 | |
Number six, make sure you get a good strike. Shall I show you? | 0:29:03 | 0:29:09 | |
-Yeah. -I'm in the zone, I'm not looking at the goalkeeper. | 0:29:09 | 0:29:12 | |
-How do you know where the goal is? -It's straight in front of you, James. | 0:29:14 | 0:29:18 | |
'I'm not sure Mr Razor realises just how little I know about all this. | 0:29:19 | 0:29:23 | |
'I'm going to have to put some effort in to avoid a trademark Ruddock roasting.' | 0:29:23 | 0:29:28 | |
-Right, so zone... -Zone. | 0:29:28 | 0:29:30 | |
-Zone face. -Never look at the goalkeeper. | 0:29:30 | 0:29:32 | |
-Hate the ball, don't look at the goalkeeper. -Hate that ball! | 0:29:32 | 0:29:35 | |
I do hate the ball. I've hated it since I was a child. | 0:29:35 | 0:29:39 | |
Take the ironing board out of your back. | 0:29:39 | 0:29:42 | |
-Loose. -And it's that bit of the boot. | 0:29:42 | 0:29:45 | |
Just the inside of your laces. | 0:29:45 | 0:29:47 | |
If you toe-punt it, it could go anywhere | 0:29:47 | 0:29:49 | |
-and you'll break your toe. -OK. -Do you want to give it a whirl? | 0:29:49 | 0:29:52 | |
It was too straight. | 0:29:54 | 0:29:56 | |
'In case you haven't worked it out yet, or you've just tuned in, | 0:30:04 | 0:30:08 | |
'I'm really crap at football.' | 0:30:08 | 0:30:12 | |
What chance do you think James has with his current technique? | 0:30:12 | 0:30:15 | |
To be fair, it's the worst technique I've ever seen from a human. | 0:30:15 | 0:30:19 | |
That formula said 75%. | 0:30:21 | 0:30:23 | |
25% of scoring one goal, cos he just ain't got the power. | 0:30:23 | 0:30:28 | |
I mean, look at him, he looks like Bambi on ice. | 0:30:28 | 0:30:31 | |
Just have a look at this technique, watch, look... | 0:30:31 | 0:30:34 | |
Brilliant, James(!) | 0:30:36 | 0:30:38 | |
That only bounced four times before it hit the goalkeeper. | 0:30:38 | 0:30:42 | |
Try and kick it, try and see if you can hit the goal without bouncing. Power! C'mon! Hate that football! | 0:30:42 | 0:30:47 | |
'Stung by Razor's despairing cries, | 0:30:47 | 0:30:50 | |
'I readjusted my priorities and gave it a right bloiter.' | 0:30:50 | 0:30:54 | |
There you go! Oh, what a save! What a save! | 0:30:55 | 0:30:59 | |
'It was a belter!' | 0:30:59 | 0:31:01 | |
'And for Razor, it was the first stirrings | 0:31:06 | 0:31:08 | |
'of a vague hope that the whole exercise wasn't a complete waste of time.' | 0:31:08 | 0:31:12 | |
You can't come back failing, you know that? | 0:31:12 | 0:31:15 | |
You have to do it for England. | 0:31:15 | 0:31:17 | |
What will happen to me if I don't? | 0:31:17 | 0:31:19 | |
I think people will hate you more than they already do. | 0:31:19 | 0:31:23 | |
This is for your country. If you score, every England football fan... You'll be a hero, won't you? | 0:31:23 | 0:31:28 | |
You'll be bigger than Beckham, imagine that! | 0:31:28 | 0:31:31 | |
You get page three birds after you. | 0:31:31 | 0:31:33 | |
'I just couldn't let Raquel, 21, from Essex, down. | 0:31:33 | 0:31:37 | |
'It was time to do this properly.' | 0:31:37 | 0:31:39 | |
Get your foot like your fist. | 0:31:39 | 0:31:41 | |
At the last second, make your foot hard. | 0:31:41 | 0:31:44 | |
-Your standing foot goes there. -Where was I putting it? | 0:31:44 | 0:31:46 | |
You're coming from here, you're kicking from here. | 0:31:46 | 0:31:49 | |
-Is it there, or is it there? About a ball's width. -Another ball's, yeah. Smash it. | 0:31:49 | 0:31:54 | |
Don't look at the goalkeeper. Get in the zone. Number one, get in the zone. | 0:31:54 | 0:31:58 | |
Power! | 0:31:58 | 0:32:01 | |
'And then...' | 0:32:01 | 0:32:02 | |
Whoa, that was a good one. Just inside the post! | 0:32:02 | 0:32:05 | |
Not even Jurgen the German would save that. | 0:32:05 | 0:32:08 | |
'It was a thunderbolt, as if from the iron-clad boot of Thor himself!' | 0:32:08 | 0:32:12 | |
Take ball. | 0:32:12 | 0:32:14 | |
'And to disprove that lightning never strikes twice...' | 0:32:14 | 0:32:17 | |
-How good did that feel? -Excellent. | 0:32:19 | 0:32:22 | |
'Razor had taught me well, but there was more. | 0:32:24 | 0:32:28 | |
'The pressure of match conditions.' | 0:32:28 | 0:32:30 | |
I'll tell you what we're going to do. You've got to walk the walk. | 0:32:30 | 0:32:33 | |
I'll be a German supporter behind the goal. You've got to do it for real. | 0:32:33 | 0:32:37 | |
-You've got to get on the halfway line, and walk the walk, while I give you abuse. -OK. | 0:32:37 | 0:32:40 | |
-See if you can do it. -It's BBC Two, remember. | 0:32:40 | 0:32:43 | |
-It's on quite early in the evening. -Do they understand German, BBC Two? | 0:32:43 | 0:32:46 | |
-Yeah, some of them will. Keep it German. -OK. | 0:32:46 | 0:32:49 | |
'Alone on the pitch, I tried to imagine the horror of holding | 0:32:50 | 0:32:54 | |
'a whole nation's sporting destiny in my quivering hands. | 0:32:54 | 0:32:58 | |
'To make matters worse, Razor's impersonation of 50,000 hostile fans | 0:32:58 | 0:33:02 | |
'was surprisingly convincing.' | 0:33:02 | 0:33:05 | |
CROWD CHANTS | 0:33:05 | 0:33:07 | |
GERMAN ACCENT: Ah, ja! English man! We want you to miss! | 0:33:10 | 0:33:15 | |
Woo-hoo! Come on, sweetheart! Look at the state of him! | 0:33:16 | 0:33:21 | |
Eh? Have a look at them legs! | 0:33:21 | 0:33:23 | |
Seen more fat on a chip, mate! | 0:33:23 | 0:33:26 | |
Pressure! The whole country's watching you! | 0:33:26 | 0:33:28 | |
If you miss, you're nothing, son. | 0:33:28 | 0:33:31 | |
In the zone, face, zone. | 0:33:31 | 0:33:33 | |
What are you talking to me for? Get in the zone. You can't talk to the fans! | 0:33:33 | 0:33:36 | |
I'll blow the whistle. WHISTLE | 0:33:49 | 0:33:53 | |
Ooh! You mug! Everyone hates you now! | 0:33:58 | 0:34:01 | |
You can't go back to England, you're going to have to stay in Germany! | 0:34:01 | 0:34:05 | |
THEY LAUGH What a bad penalty, what happened? | 0:34:05 | 0:34:08 | |
It was the German supporters, they put me off. | 0:34:08 | 0:34:11 | |
-Was it? -Yeah, they're ugly. | 0:34:11 | 0:34:14 | |
'Practice ends in disappointment. | 0:34:14 | 0:34:16 | |
'If I'm to avoid a disastrous repeat performance on the big day, | 0:34:16 | 0:34:20 | |
'I must remember the key points of the Razor sharp penalty procedure.' | 0:34:20 | 0:34:24 | |
OK, here we go. This is the basics. | 0:34:24 | 0:34:27 | |
Don't tell me. Let me see if I get it right. | 0:34:27 | 0:34:28 | |
In the zone, get the face, hate the ball. | 0:34:28 | 0:34:31 | |
Don't look at the goalie, short run-up, | 0:34:31 | 0:34:33 | |
standing foot right of the ball, a ball's width away, | 0:34:33 | 0:34:36 | |
kick the bottom of the ball, toe down, | 0:34:36 | 0:34:38 | |
on the laces, aim at the top right-hand corner, | 0:34:38 | 0:34:40 | |
shoulders square but get the ironing board out of your spine. | 0:34:40 | 0:34:43 | |
What could be simpler? Then you go home either sick as a parrot or over the moon. | 0:34:43 | 0:34:47 | |
'I sort of wish I hadn't got into this. | 0:34:47 | 0:34:49 | |
'I've elected to make my limp right leg an ambassador for all England. | 0:34:49 | 0:34:54 | |
'And in the cauldron of Gelsenkirchen, failure is not an option.' | 0:34:55 | 0:35:00 | |
And now, boat-building. | 0:35:07 | 0:35:10 | |
'This is Antony's Passage crossing near Plymouth.' | 0:35:13 | 0:35:16 | |
Until 60 years ago it was a ferry crossing by prescriptive right, | 0:35:17 | 0:35:22 | |
that is to say it had been there for so long that nobody could | 0:35:22 | 0:35:25 | |
question it or interfere with its operation. | 0:35:25 | 0:35:28 | |
It was mentioned in documents as long ago as 1324. | 0:35:28 | 0:35:32 | |
'Small ferries were once as commonplace as abandoned shopping trolleys | 0:35:32 | 0:35:37 | |
'on the inland waterways of Britain. | 0:35:37 | 0:35:40 | |
'The building of small boats, in fact, was once a vital component | 0:35:40 | 0:35:43 | |
'in maintaining the country's integrated public transport system.' | 0:35:43 | 0:35:47 | |
But of course, with the coming of the family car, | 0:35:47 | 0:35:50 | |
this ferry crossing was closed in 1952. | 0:35:50 | 0:35:53 | |
But was that a good idea? | 0:35:54 | 0:35:57 | |
'Ever since the ferry stopped sailing, | 0:35:57 | 0:35:59 | |
'reaching Antony's Passage from Torpoint has become | 0:35:59 | 0:36:03 | |
'a 16-mile journey by road, rather than the 416 yards across the water. | 0:36:03 | 0:36:07 | |
'This leads us to a fatuous question.' | 0:36:07 | 0:36:10 | |
What if, for example, you bought a two litre tub of ice-cream | 0:36:10 | 0:36:15 | |
here in Torpoint, on this side of the water, | 0:36:15 | 0:36:17 | |
because you had the vicar coming round for afternoon tea, | 0:36:17 | 0:36:21 | |
but you live over there in Antony's Passage, | 0:36:21 | 0:36:25 | |
and you don't drive? | 0:36:25 | 0:36:28 | |
'This is exactly the problem facing Rita and Heather. They've stocked up on a two-for-one special on vanilla, | 0:36:30 | 0:36:37 | |
'and with the vicar coming over for a Sunday sundae, | 0:36:37 | 0:36:40 | |
'they must get home to Antony's Passage before it melts. | 0:36:40 | 0:36:44 | |
'So that's a race. | 0:36:44 | 0:36:46 | |
'Rita will be hiking the 16 miles around the bay by road. | 0:36:46 | 0:36:49 | |
'But Heather drew the short straw and must rely on Man Lab.' | 0:36:49 | 0:36:53 | |
Here then, finally, is an excuse to build a boat, | 0:36:53 | 0:36:57 | |
and it's going to be a coracle. | 0:36:57 | 0:37:00 | |
'So, while I start here on Operation Can We Dream Up An Excuse To Build A Coracle, | 0:37:01 | 0:37:05 | |
'Rita is hot-footing it round the long way, chaperoned by Rory.' | 0:37:05 | 0:37:10 | |
-So, ramblers aren't just getting up every morning, rambling straightaway? -Oh, no, no. | 0:37:11 | 0:37:16 | |
A coracle is, in essence, | 0:37:16 | 0:37:18 | |
a very large wickerwork basket made out of any springy wood, | 0:37:18 | 0:37:21 | |
typically ash or willow, and then it's covered with an animal skin, | 0:37:21 | 0:37:26 | |
although these days we'll be using a waterproof builder's plastic sheet. | 0:37:26 | 0:37:30 | |
Now in centuries gone by, people would have to forage | 0:37:30 | 0:37:33 | |
for their coracle-building materials in nearby woodland, but now | 0:37:33 | 0:37:37 | |
we find, following the invention of fact-based television entertainment, | 0:37:37 | 0:37:41 | |
that everything we need is in a very neat pile right here. | 0:37:41 | 0:37:45 | |
'The first thing to know about coracle building is that, | 0:37:45 | 0:37:48 | |
'unlike a normal boat, you build it upside-down. | 0:37:48 | 0:37:51 | |
'Step one is to use these wooden pegs to carefully mark out | 0:37:51 | 0:37:55 | |
'the boat's perimeter. | 0:37:55 | 0:37:57 | |
'Then you position the dubiously titled "longitudinal members" | 0:37:57 | 0:38:01 | |
'that will eventually be bent over to form the hull. | 0:38:01 | 0:38:04 | |
'Coracle building is one of the oldest man skills in Britain. | 0:38:04 | 0:38:08 | |
'Julius Caesar himself reported ancient Britons using them in 54BC. | 0:38:08 | 0:38:13 | |
'And so to speed things up, I've invited an ancient Briton to help. | 0:38:13 | 0:38:18 | |
'This is Peter, our coracle building expert. | 0:38:18 | 0:38:22 | |
'It's already 3pm and the afternoon is marching on. | 0:38:22 | 0:38:26 | |
'Peter and I need to finish by 5pm at the latest, if we're to catch the tide. | 0:38:26 | 0:38:33 | |
'So at the moment, in the Great Man Lab Ice-cream Race of 2011, | 0:38:33 | 0:38:37 | |
'we've still to leave the gates. | 0:38:37 | 0:38:39 | |
'Meanwhile, though, Rita and Rory are storming ahead, | 0:38:39 | 0:38:42 | |
'at almost four miles around the route. | 0:38:42 | 0:38:44 | |
'But for Rita, it may have felt like a bit further.' | 0:38:44 | 0:38:47 | |
What about those? What are those trees called? | 0:38:47 | 0:38:50 | |
Fir trees, as far as I'm concerned. | 0:38:50 | 0:38:52 | |
-But you're not sure? -No. -Right. | 0:38:52 | 0:38:55 | |
'Peter and I get weaving, inserting strips of willow | 0:38:57 | 0:39:01 | |
'in and out of our still upright members to form the sides, | 0:39:01 | 0:39:04 | |
'or gunnels, of our upside-down coracle. | 0:39:04 | 0:39:07 | |
So you end up, in effect, with a sort of knitted boat. | 0:39:07 | 0:39:11 | |
'Each willow strip must snake inside and outside the uprights, | 0:39:11 | 0:39:15 | |
'with each willow strip above that snaking the opposite way. | 0:39:15 | 0:39:19 | |
'It's a surprisingly intricate procedure and if we get it wrong, | 0:39:19 | 0:39:22 | |
our coracle will look far from ship-shape, as Peter explains. | 0:39:22 | 0:39:26 | |
It'll be a mingy comumbus, as they say in Shropshire. | 0:39:26 | 0:39:29 | |
-Do they? -Yeah. -What does that mean? | 0:39:29 | 0:39:31 | |
A mingy comumbus, to describe it, you're going to a market | 0:39:31 | 0:39:36 | |
with a basket full of butter, all rolled up nicely, all together in a basket, | 0:39:36 | 0:39:41 | |
the sun gets on it, heats it, it sticks together and makes a mingy comumbus. | 0:39:41 | 0:39:45 | |
A mingy comumbus. Sounds like "a right cock-up" in the Southeast. | 0:39:45 | 0:39:49 | |
Yes, an absolute muddle and mess. | 0:39:49 | 0:39:52 | |
'With Heather's ice-cream becoming a mingy comumbus, | 0:39:52 | 0:39:55 | |
'Peter drives the build forward at a speed that's, frankly, | 0:39:55 | 0:39:59 | |
'terrifying for an elderly gentleman in tiny shorts.' | 0:39:59 | 0:40:02 | |
Ow! | 0:40:02 | 0:40:03 | |
'With our torn and uncomplaining hands, | 0:40:06 | 0:40:08 | |
'we start to bend the ribs over. | 0:40:08 | 0:40:10 | |
'Our mystical communion with ancient man is slightly lost on Heather.' | 0:40:11 | 0:40:15 | |
How long do you think you're going to be? This ice-cream's melting. | 0:40:15 | 0:40:21 | |
We'll be 15 minutes. Stay in the shade, please. | 0:40:21 | 0:40:24 | |
Are you sure? Cos I could catch the bus. | 0:40:24 | 0:40:26 | |
No! No, you can't catch the bus. There isn't one. | 0:40:26 | 0:40:29 | |
'Whilst I re-explain the rules of the game to Heather, Rita and Rory | 0:40:29 | 0:40:34 | |
'are well over halfway and fast closing in on Antony's Passage. | 0:40:34 | 0:40:38 | |
'But back by the shore, suddenly, our coracle springs from the wood.' | 0:40:39 | 0:40:44 | |
-Look at that! -There's our boat. -That's tremendous. | 0:40:45 | 0:40:49 | |
'The only thing left to do is wrap the boat in plastic sheeting | 0:40:49 | 0:40:53 | |
'and we're ready to go.' | 0:40:53 | 0:40:56 | |
There you go, a complete coracle. | 0:40:56 | 0:40:58 | |
It's not the showroom edition, it's slightly rough and ready, we've done it in a hurry. | 0:40:58 | 0:41:02 | |
But it is not just part of the integrated transport solution, | 0:41:02 | 0:41:06 | |
it is a specific transport solution for a specific journey, | 0:41:06 | 0:41:11 | |
and this, apparently, is the traditional way of carrying one. | 0:41:11 | 0:41:16 | |
-Heather! -I'm on my way. | 0:41:16 | 0:41:18 | |
We're ready. Rita won't be there yet. | 0:41:18 | 0:41:21 | |
The vicar must be bored to death. | 0:41:21 | 0:41:24 | |
'To stay in the race we had to set sail immediately. | 0:41:27 | 0:41:30 | |
'Incredibly, our pile of sticks seemed to be seaworthy. | 0:41:30 | 0:41:33 | |
'There was even a ship's dog.' | 0:41:33 | 0:41:36 | |
Here we go! | 0:41:39 | 0:41:41 | |
For the first time in 60 years, | 0:41:41 | 0:41:42 | |
Antony's Passage will be reached from the sea. | 0:41:42 | 0:41:49 | |
It is no longer safe from invading forces, | 0:41:49 | 0:41:53 | |
from the envy of less happy shores. | 0:41:53 | 0:41:56 | |
See the blue boat to your left? Aim for that. | 0:41:56 | 0:42:01 | |
That's easy for him to say, isn't it? | 0:42:02 | 0:42:04 | |
'Finally, we have progress! | 0:42:06 | 0:42:09 | |
'Look at that! | 0:42:09 | 0:42:11 | |
'Unfortunately, Rory and Rita have now made it almost | 0:42:11 | 0:42:14 | |
'all the way round the bay and are on the home straight.' | 0:42:14 | 0:42:17 | |
-That's Antony's Passage there? -Yeah. -So we're that close? -We're that close. | 0:42:17 | 0:42:21 | |
We're nearly there. I can almost taste it, Rita. | 0:42:21 | 0:42:24 | |
I wonder if James is in the water yet. | 0:42:24 | 0:42:27 | |
# And the stormy winds did blow | 0:42:27 | 0:42:30 | |
# And we jolly sailor boys were up, up, up aloft | 0:42:30 | 0:42:33 | |
# With the land-lubbers lying down below, below, below. # | 0:42:33 | 0:42:37 | |
Oh, I've gone off course. I can't sing and row. | 0:42:37 | 0:42:42 | |
'That's partly because rowing a coracle isn't like rowing any other boat.' | 0:42:42 | 0:42:46 | |
You're suppose to move the oar in a very elongated figure of eight, | 0:42:46 | 0:42:51 | |
so you have a little push there and a little push there. | 0:42:51 | 0:42:55 | |
'But little pushes aren't going to cut it in this race. | 0:42:55 | 0:42:59 | |
'If we're going to beat Rita and Rory, and serve the vicar | 0:42:59 | 0:43:02 | |
'his definitely-not-melted ice-cream, | 0:43:02 | 0:43:04 | |
'I must row like Sir Steve Redgrave.' | 0:43:04 | 0:43:07 | |
We have absolutely no idea where Rita is, | 0:43:07 | 0:43:10 | |
I don't think I can see her standing on the shore. | 0:43:10 | 0:43:13 | |
-Where am I aiming for? -Just in front of our boat here. | 0:43:16 | 0:43:19 | |
-Hang on a minute, "your boat"?! -Yeah. | 0:43:19 | 0:43:21 | |
Well, why the bloody hell am I paddling this polythene bag | 0:43:22 | 0:43:25 | |
across the bay if you've got that thing?! | 0:43:25 | 0:43:28 | |
-Seriously, is that yours? -Yes! | 0:43:28 | 0:43:31 | |
Oh, it's been a long day, Rita. | 0:43:31 | 0:43:32 | |
-It's been a long day. -How much longer? -A long walk. Not very far now. | 0:43:32 | 0:43:37 | |
We are almost there. | 0:43:37 | 0:43:39 | |
I'm quite exhausted, | 0:43:39 | 0:43:41 | |
but as Nelson said, I think, at the Battle of the Nile | 0:43:41 | 0:43:45 | |
when he thought he'd been mortally wounded, | 0:43:45 | 0:43:47 | |
"I am killed. Send regards to Mother!" | 0:43:47 | 0:43:50 | |
Then he realised that he hadn't been killed at all | 0:43:50 | 0:43:53 | |
and he was so excited and pleased he said, "Oh, kiss my Hardy." | 0:43:53 | 0:43:57 | |
That's not true, I just made that up! | 0:43:57 | 0:43:59 | |
Nobody panic in these last few feet. | 0:44:00 | 0:44:04 | |
Hold it there. | 0:44:05 | 0:44:07 | |
'Even though we'd landed we still weren't home and dry, | 0:44:07 | 0:44:10 | |
'and the tricky process of getting out of a round-bottomed boat | 0:44:10 | 0:44:12 | |
'was costing us valuable seconds.' | 0:44:12 | 0:44:15 | |
How the hell do you do this? Here you are, madam. | 0:44:20 | 0:44:24 | |
And welcome ashore. It wasn't that frightening, was it? | 0:44:33 | 0:44:37 | |
I'm absolutely soaked. | 0:44:40 | 0:44:42 | |
It's not perfect, but it has promise. | 0:44:43 | 0:44:46 | |
Thank you very much for being my first passenger. | 0:44:46 | 0:44:49 | |
Don't forget your ice-cream. The vicar will be disappointed. | 0:44:49 | 0:44:52 | |
'We've done it! Heather just has time to change her trousers | 0:44:52 | 0:44:56 | |
'before Rita and Rory and the Reverend turn up at the finish line.' | 0:44:56 | 0:45:01 | |
I'm so pleased I've come for the tea! | 0:45:01 | 0:45:03 | |
Good, we're glad to have you. | 0:45:03 | 0:45:05 | |
'The maiden voyage of the good ship Mingy Comumbus is an unparalleled success.' | 0:45:05 | 0:45:10 | |
Well, I suppose, for many centuries, a stretch of water like that | 0:45:11 | 0:45:14 | |
was an enormous obstacle to human progress. | 0:45:14 | 0:45:17 | |
All you actually need in the end to conquer that social | 0:45:17 | 0:45:22 | |
and indeed philosophical divide is the sticks of the forest | 0:45:22 | 0:45:27 | |
and a plastic ground sheet. | 0:45:27 | 0:45:30 | |
And that's it. | 0:45:30 | 0:45:32 | |
'And so, my job done, I row away, | 0:45:33 | 0:45:36 | |
'marvelling at the ingenuity of ancient man, but wondering | 0:45:36 | 0:45:40 | |
'why it took him so long to come up with the outboard motor.' | 0:45:40 | 0:45:44 | |
So, there you are. | 0:45:46 | 0:45:48 | |
If you live near a disused ferry crossing | 0:45:48 | 0:45:50 | |
and you're bored of taking the long way round and you don't have a car, | 0:45:50 | 0:45:54 | |
and the water's reasonably calm and the distances aren't too great | 0:45:54 | 0:45:57 | |
and somebody's left a pile of coracle-building materials | 0:45:57 | 0:46:00 | |
in a convenient clearing in a nearby woodland, you know what to do. | 0:46:00 | 0:46:04 | |
Ah! | 0:46:18 | 0:46:20 | |
David Drumsticks writes in to say, "I live up a dark alleyway | 0:46:20 | 0:46:24 | |
"and at night I really need a torch to find my way to the front door. | 0:46:24 | 0:46:28 | |
"Unfortunately, I keep forgetting to take it with me. Any suggestions?" | 0:46:28 | 0:46:32 | |
Well, the obvious answer to this, David Drumsticks, | 0:46:32 | 0:46:34 | |
is to wear a head torch but unfortunately they do tend to make | 0:46:34 | 0:46:38 | |
you look like a complete idiot and they encourage dogs to urinate | 0:46:38 | 0:46:42 | |
on your leg if you stand in one place for more than ten seconds. So we've come up with something better. | 0:46:42 | 0:46:47 | |
Why not incorporate the torch idea into something you know | 0:46:53 | 0:46:56 | |
you're going to take with you whatever? For example, your boots. | 0:46:56 | 0:47:00 | |
We've decided to fit these coarse Victorian boots with | 0:47:00 | 0:47:03 | |
futuristic light-emitting diodes, or LEDs. | 0:47:03 | 0:47:06 | |
'The LEDs will go in the toe of the boot, | 0:47:07 | 0:47:09 | |
'with the circuit and batteries towards the heel. | 0:47:09 | 0:47:12 | |
'A bit of metal on the side of the boot should | 0:47:12 | 0:47:14 | |
'work like an on-off switch when I click my heels together, a bit like | 0:47:14 | 0:47:17 | |
'Dorothy in The Wizard Of Oz, but with clodhoppers and more stubble. | 0:47:17 | 0:47:21 | |
'So, all this means I get to do my fifth favourite thing in the world, soldering.' | 0:47:21 | 0:47:25 | |
Now just hang on while I steady my trembling... | 0:47:25 | 0:47:27 | |
Do you want to lean on something? | 0:47:27 | 0:47:29 | |
Why don't you lean on that? That's it... | 0:47:29 | 0:47:31 | |
'With the diode wired up, we completely | 0:47:31 | 0:47:34 | |
'naff our chances of returning these boots for a refund by drilling | 0:47:34 | 0:47:37 | |
'a big hole in the toe and forcing the LED in with some pliers. | 0:47:37 | 0:47:41 | |
'The wires will be connected via a simple circuit board | 0:47:41 | 0:47:43 | |
'to the batteries, all contained within the hollowed-out sole.' | 0:47:43 | 0:47:46 | |
"That'll do," comes the cry of the perfectionist down the ages. | 0:47:46 | 0:47:50 | |
Don't show that too close, in case electronics enthusiasts are watching. | 0:47:50 | 0:47:53 | |
'Lastly we drill two more screws into the boot | 0:47:53 | 0:47:56 | |
'and solder the wires on, almost completing our circuit. | 0:47:56 | 0:47:59 | |
'However, we're not quite there yet, so to make them fully operational, | 0:47:59 | 0:48:03 | |
'we drill another screw into the opposite shoe, thus making it possible | 0:48:03 | 0:48:06 | |
'to complete the circuit and turn the light on and off with a simple tap.' | 0:48:06 | 0:48:10 | |
-There you go, not bad! -It's quite good, isn't it? -That is good. | 0:48:10 | 0:48:15 | |
'Unfortunately, doing the other boot took a really long time, | 0:48:15 | 0:48:18 | |
'and watching two long-sighted middle-aged blokes | 0:48:18 | 0:48:21 | |
'fumble about with wires really doesn't make good television. | 0:48:21 | 0:48:24 | |
So, there you go, that's those finished, then. | 0:48:26 | 0:48:28 | |
-There you go. -Shall I try them out? | 0:48:28 | 0:48:30 | |
Yeah, go and try them out. | 0:48:30 | 0:48:32 | |
Right, here's how we're going to test the headlamp boots. | 0:48:35 | 0:48:39 | |
Here we are in the seating area of the Man Lab | 0:48:39 | 0:48:41 | |
and if we walk this way, past all these many and varied obstacles | 0:48:41 | 0:48:45 | |
that we have around the place, past our bar that we built, | 0:48:45 | 0:48:47 | |
the kitchen we built in the last series, the railway bridge, | 0:48:47 | 0:48:51 | |
Sim's workshop, Sam's workshop, this bloke who I've never met before with the trolley, | 0:48:51 | 0:48:56 | |
the organ, the canisters, the wires, | 0:48:56 | 0:49:00 | |
a very hazardous piece of wire here, | 0:49:00 | 0:49:02 | |
the punch bag and the filing cabinet, | 0:49:02 | 0:49:04 | |
we arrive at the door of my office which, for the purposes of this experiment, | 0:49:04 | 0:49:08 | |
is our correspondent Mr David Drumsticks' front door. | 0:49:08 | 0:49:12 | |
Now let's go back to the beginning and do it at night. | 0:49:12 | 0:49:15 | |
Let the experiment begin. | 0:49:15 | 0:49:17 | |
Boots on! | 0:49:18 | 0:49:20 | |
Hang on. | 0:49:25 | 0:49:27 | |
I don't want them flashing, I want normal boot. | 0:49:27 | 0:49:30 | |
That's off and that's on. | 0:49:30 | 0:49:33 | |
Here we go. OK, I'm ready to make my way and this is fantastic. | 0:49:33 | 0:49:39 | |
I can see quite clearly that there is the front wheel of the unmendable motorcycle. | 0:49:39 | 0:49:43 | |
As I go, you see, no chance whatsoever of hitting... | 0:49:43 | 0:49:46 | |
-CRASHING -..of hitting that. | 0:49:46 | 0:49:50 | |
Moving across the otherwise pitch-black room, there's a box of stuff Sim has left. | 0:49:50 | 0:49:54 | |
There's the edge of the compressor, some boxes, stepladder. | 0:49:54 | 0:49:57 | |
Be very careful not to walk into that. | 0:49:57 | 0:49:59 | |
There's that bloke again who I've never met. | 0:49:59 | 0:50:02 | |
I'm making my way very easily to the front door where | 0:50:02 | 0:50:05 | |
I have to put the code in. | 0:50:05 | 0:50:06 | |
Oh, yeah. I hadn't thought of this, actually. | 0:50:06 | 0:50:09 | |
Erm, I'm going to have to lift my leg up. | 0:50:09 | 0:50:11 | |
Cos this, this doesn't, it doesn't use a key, it's one of those, | 0:50:11 | 0:50:14 | |
one of those press things. | 0:50:14 | 0:50:18 | |
This is a good stretching exercise, it's quite yogic. | 0:50:18 | 0:50:21 | |
There we go! Ta-da! | 0:50:22 | 0:50:25 | |
Those are, without question, the finest boots I've ever seen or used. | 0:50:26 | 0:50:32 | |
These, though, I'm not so sure about. | 0:50:33 | 0:50:37 | |
'It's the day of my sporting date with destiny. Bugger. | 0:50:43 | 0:50:49 | |
'My mission, to score a single penalty from the very spot where | 0:50:49 | 0:50:53 | |
'England failed in the 2006 World Cup.' | 0:50:53 | 0:50:57 | |
'He steps up. Oh, and it's saved. It's another penalty disaster for England!' | 0:50:57 | 0:51:03 | |
'I've been training hard. | 0:51:03 | 0:51:05 | |
'My performance has been scientifically analysed by state-of-the-art laboratories.' | 0:51:05 | 0:51:09 | |
Am I the worst player you've ever had in here? | 0:51:09 | 0:51:12 | |
'I've benefited from elite professional coaching.' | 0:51:12 | 0:51:15 | |
You mug! Everyone hates you now! | 0:51:15 | 0:51:17 | |
'But as the stadium fills with thousands of hostile fans, | 0:51:19 | 0:51:23 | |
'I begin to realise what a hideous ordeal it must be to take a genuinely vital penalty.' | 0:51:23 | 0:51:29 | |
Well, I'm in the changing room with ten minutes to go. | 0:51:40 | 0:51:45 | |
I'm only going out there to kick a football. | 0:51:45 | 0:51:48 | |
It doesn't matter, does it? | 0:51:48 | 0:51:50 | |
And yet it really does matter, somehow. | 0:51:50 | 0:51:52 | |
And I slightly regret agreeing to do it because, | 0:51:53 | 0:51:58 | |
well, I accepted at the age of eight I was useless at football | 0:51:58 | 0:52:02 | |
and that was 40 years ago | 0:52:02 | 0:52:04 | |
and now I'm just going to make an absolute donkey of myself | 0:52:04 | 0:52:08 | |
and disappoint an enormous number of people, | 0:52:08 | 0:52:12 | |
ruin my career and as I've often feared, | 0:52:12 | 0:52:14 | |
I'll have to run a small provincial shoe shop for the rest of my life. | 0:52:14 | 0:52:20 | |
'Hang on. | 0:52:21 | 0:52:23 | |
'This is defeatist rubbish. I know I can score. | 0:52:23 | 0:52:27 | |
'I've done it in training.' | 0:52:27 | 0:52:29 | |
That was a good one! | 0:52:29 | 0:52:31 | |
'So to keep me focussed I've smuggled Razor Ruddock into Germany, | 0:52:31 | 0:52:34 | |
'through the oversized channel.' | 0:52:34 | 0:52:37 | |
See James, you've got understand | 0:52:37 | 0:52:39 | |
this goes far beyond the boundaries of football. | 0:52:39 | 0:52:43 | |
This is life. It means a lot to people. | 0:52:43 | 0:52:46 | |
To an aesthete, it is an art form, an athletic ballet. | 0:52:46 | 0:52:50 | |
To the spiritually inclined, it is a religion. | 0:52:50 | 0:52:53 | |
Jean Paul Sartre? | 0:52:53 | 0:52:55 | |
No Paul Gardner, used to play for Blackpool. | 0:52:55 | 0:52:58 | |
I know what he meant. | 0:52:58 | 0:53:00 | |
C'mon, ten minutes, son. Put that all aside... | 0:53:00 | 0:53:04 | |
-Right. Hate the ball! -You've got to get focussed. | 0:53:04 | 0:53:06 | |
Zone, remember the zone? Get in the zone. | 0:53:06 | 0:53:09 | |
-Get in the zone. -Zone, hate the ball. Hate him. | 0:53:09 | 0:53:12 | |
In your mind's eye you can see yourself scoring a goal. | 0:53:12 | 0:53:14 | |
I'm hating the ball. Why do I hate it? | 0:53:14 | 0:53:19 | |
Cos you're going to smash it past the goalkeeper you hate even more. | 0:53:19 | 0:53:23 | |
We'll call this football Hammond. | 0:53:23 | 0:53:27 | |
I hate it, I hate you... | 0:53:27 | 0:53:30 | |
Feel that hate. | 0:53:30 | 0:53:32 | |
Deep loathing. Deep, deep, deep loathing of this... | 0:53:32 | 0:53:37 | |
KNOCKING | 0:53:37 | 0:53:38 | |
I think it's time to go, son, I think it's time. | 0:53:38 | 0:53:43 | |
C'mon, England. Think of England. Think of England. | 0:53:43 | 0:53:47 | |
I'll think of England without lying back. More, more! | 0:53:47 | 0:53:50 | |
'Some, when faced with destiny, feel the hand of history upon their shoulder. | 0:54:09 | 0:54:15 | |
'All I had was the giant hairy bear paw of Ruddock. | 0:54:16 | 0:54:19 | |
'It'll have to do.' | 0:54:19 | 0:54:23 | |
Now get out there and show me what you can do! Go on, son. | 0:54:23 | 0:54:25 | |
CROWD CHANT | 0:54:37 | 0:54:41 | |
Go on, son! | 0:54:51 | 0:54:53 | |
Oh, no! | 0:54:55 | 0:54:57 | |
WHISTLE BLOWS | 0:55:03 | 0:55:05 | |
'This was for the fallen heroes of England's doomed campaigns. | 0:55:13 | 0:55:17 | |
'For the souls of Beckham and Batty, and Southgate and Ince. | 0:55:17 | 0:55:22 | |
'And as Rupert Brooke might have said, | 0:55:28 | 0:55:30 | |
'had he managed to get a ticket, | 0:55:30 | 0:55:33 | |
' "If I should miss, think only this of me, | 0:55:33 | 0:55:36 | |
' "that there is a corner of some foreign field that is forever England nil." ' | 0:55:36 | 0:55:42 | |
Come on! The side! | 0:55:42 | 0:55:46 | |
This is the big moment. | 0:55:51 | 0:55:53 | |
WHISTLE BLOWS | 0:55:53 | 0:55:56 | |
'I've cocked it up.' | 0:56:11 | 0:56:13 | |
CROWD CHEER | 0:56:13 | 0:56:16 | |
I've seen your Beckhams miss, I've seen your Inces, your Battys, | 0:56:23 | 0:56:26 | |
your Gerrards, Lampards, miss. | 0:56:26 | 0:56:29 | |
That is the worst performance I have ever seen by an Englishman on a football field! | 0:56:29 | 0:56:35 | |
Disgusting! | 0:56:35 | 0:56:37 | |
'To paraphrase the great Glen Hoddle, I'd let the fans down, | 0:56:43 | 0:56:47 | |
'I'd let my country down, but most importantly, I'd let Man Lab down. | 0:56:47 | 0:56:53 | |
'And it had all been going so well. | 0:56:53 | 0:56:56 | |
'We had navigated the toughest terrain, | 0:56:58 | 0:57:01 | |
'and built sturdy altars to the spirit of sporting fraternity. | 0:57:01 | 0:57:05 | |
'We had confronted our fears and reached for the stars. | 0:57:05 | 0:57:09 | |
'We had wrought transports of delight, and brought forth | 0:57:09 | 0:57:13 | |
'from the dank fog of confusion, a sunlit dawn for all mankind. | 0:57:13 | 0:57:17 | |
'But for all our hard-won triumphs there lies within us all | 0:57:19 | 0:57:22 | |
'an eternal frailty, a hardwired capacity for error. | 0:57:22 | 0:57:26 | |
'We are, despite our vaulted ambitions, only men.' | 0:57:28 | 0:57:33 | |
That, I'm afraid, brings us to the end of the current series of Man Lab, | 0:57:38 | 0:57:41 | |
the programme that hopes to bridge the age-old divide between the arts and sciences | 0:57:41 | 0:57:47 | |
and between craft and creativity. And we conclude with a man who, more than anybody else, | 0:57:47 | 0:57:52 | |
embodies the true spirit of Man Lab. | 0:57:52 | 0:57:55 | |
He is a mechanic the equal of Thomas Newcomen, | 0:57:55 | 0:57:58 | |
a musician the peer of Beethoven, an artist with the soul of Pissarro | 0:57:58 | 0:58:03 | |
and the beating, lyrical heart of Thomas Campion, 1567-1620. | 0:58:03 | 0:58:08 | |
Most importantly, though, he is an unmitigated optimist. | 0:58:08 | 0:58:13 | |
It's goodbye from us, and from the man they know simply as "Paul". | 0:58:13 | 0:58:17 | |
Subtitles by Red Bee Media Ltd | 0:58:38 | 0:58:40 | |
E-mail [email protected] | 0:58:40 | 0:58:42 |