Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
A Hallowe'en welcome to Out of The Blue, with Graham Little. And | 0:00:18 | 0:00:23 | |
Joanne Salley. It may be the Day of the Dead, but | 0:00:23 | 0:00:26 | |
we checked the crew's pulses a few minutes ago and some of them | 0:00:26 | 0:00:31 | |
clearly showed signs of life. With the possible exception of Seamus. | 0:00:31 | 0:00:33 | |
With us tonight, Bangor-born five- piece Farriers make their | 0:00:33 | 0:00:39 | |
television debut. And Katherine Rush is already hard | 0:00:39 | 0:00:44 | |
at work on this week's 60 minute masterpiece. | 0:00:44 | 0:00:49 | |
It could be yours. We'll tell you how later. He's made a living out | 0:00:50 | 0:00:53 | |
of catchphrases and given us a few himself, Say what you see, it's the | 0:00:53 | 0:01:03 | |
0:01:03 | 0:01:04 | ||
legend that is Roy Walker! Roy, you grew up in East Belfast, | 0:01:04 | 0:01:13 | |
where there's now a Walker Court named after you. It's just a short | 0:01:13 | 0:01:20 | |
cut for the school children. My mother lived in Houston Street, and | 0:01:20 | 0:01:23 | |
the kids watch catchphrase and they were asked what they would like to | 0:01:23 | 0:01:31 | |
do, and they said my mistreat after Roy Walker, so. Would you ever | 0:01:31 | 0:01:36 | |
think about coming back over? often think about retiring here | 0:01:36 | 0:01:42 | |
because it is such an exciting place. Meantime, if you're going | 0:01:42 | 0:01:45 | |
out trick or treating or heading for a party tonight and you've put | 0:01:45 | 0:01:49 | |
some heart, and art, into your ghoulish get up, then email us a | 0:01:49 | 0:01:53 | |
pic of your Hallowe'en outfit. And we'll aim to show the best later on. | 0:01:53 | 0:01:57 | |
First up though, Roy, why did the vampire keep visiting the doctor? | 0:01:57 | 0:02:07 | |
0:02:07 | 0:02:16 | ||
We do have some real Halloween news. The private notebook of Dracula | 0:02:16 | 0:02:19 | |
creator, Bram Stoker, was uncovered in an attic on the Isle of Wight. | 0:02:20 | 0:02:23 | |
Scholars hope it will shed new light on the mind of the man who | 0:02:23 | 0:02:28 | |
gave us one of literature's most feared characters. Our own Michael | 0:02:28 | 0:02:32 | |
Bradley's done some research of his own and lifts the lid on Dracula's | 0:02:32 | 0:02:42 | |
0:02:42 | 0:02:43 | ||
Coleraine connection. His right hand gripped her by the | 0:02:43 | 0:02:48 | |
back at the neck. Her white nightdress was smeared with blood. | 0:02:48 | 0:02:52 | |
The white shark teeth behind the Bill teeth of the blood dripping | 0:02:52 | 0:02:57 | |
mouth, jammed together like those of all wild beast. And the life | 0:02:57 | 0:03:02 | |
blood for all these countless vampire films and books is the | 0:03:02 | 0:03:06 | |
Irishman Bram Stoker and his story of Dracula, but the inspiration for | 0:03:06 | 0:03:10 | |
his creation may have less to do with France will be near than the | 0:03:10 | 0:03:15 | |
foothills of this Berens. Far real- life story of Dracula goes back to | 0:03:15 | 0:03:21 | |
1890 when he started penning his bloodthirsty novel. Hard journey | 0:03:21 | 0:03:25 | |
starts in England, where he worked as a manager in the Lyceum Theatre. | 0:03:25 | 0:03:32 | |
In the British Library she studied books about a medieval tyrant calls | 0:03:32 | 0:03:37 | |
flat Dracula, he impaled the bodies of his victims. Another Chelsea but | 0:03:37 | 0:03:44 | |
inspiration from his own Celtic past. Bram Stoker read a lot about | 0:03:44 | 0:03:47 | |
Irish legends and Celtic legend, particularly at famous but at the | 0:03:47 | 0:03:53 | |
time called history of violence. There was a phrase in the Gaelic | 0:03:53 | 0:04:00 | |
language which resonates with Dracula, that is Dracula, which | 0:04:00 | 0:04:03 | |
means bad blood. Another Irish connection would have been the | 0:04:03 | 0:04:08 | |
famine. His parents would have told him to horrific stories of that | 0:04:08 | 0:04:12 | |
time and peasants that were trying to survive the famine would have | 0:04:12 | 0:04:18 | |
drink animal blood. Stoker's Irish roots give him plenty to inspire | 0:04:18 | 0:04:23 | |
his lower for the living dead. As a young Dublin boy he went to a local | 0:04:23 | 0:04:27 | |
cemetery and here flayed suicide victims, robbers and all the rest | 0:04:27 | 0:04:32 | |
lost souls of the city. It was found he saw the mummified bodies | 0:04:32 | 0:04:36 | |
of this and Mike Ince gripped, but by daybreak the story of the real | 0:04:36 | 0:04:43 | |
Dracula brings us north towards Coleraine. The town land here is | 0:04:43 | 0:04:47 | |
said to beat the home of a blood- sucking tyrant who kept rising from | 0:04:47 | 0:04:53 | |
the dead. Now, that sounds familiar. The name of this place is Irish for | 0:04:53 | 0:04:59 | |
the tomb of an evil dwarf who terrorise the people of this town | 0:04:59 | 0:05:03 | |
land around a further six century AD. Some said this is the legend | 0:05:03 | 0:05:08 | |
that Bram Stoker based his story on. So this is the term of the infamous | 0:05:08 | 0:05:12 | |
tour. Yeah see was buried underneath this very stone. He was | 0:05:12 | 0:05:17 | |
not a nice man. His own try brother and hitman to get rid of him and he | 0:05:17 | 0:05:23 | |
slot judge him. They buried him in the next morning he pops up out of | 0:05:23 | 0:05:27 | |
the grave demanding blood. The kill him again, happy pups. The third | 0:05:27 | 0:05:31 | |
time they needed to seek advice from a wild man who give them | 0:05:31 | 0:05:36 | |
instructions were to get rid of him. So what evidence do we have that | 0:05:36 | 0:05:39 | |
the story is the inspiration for the story of Dracula? There are so | 0:05:39 | 0:05:44 | |
many parallels. A man who comes back from the grave, who depends on | 0:05:44 | 0:05:48 | |
blood do minting his state, and when it comes to get rid of him you | 0:05:48 | 0:05:51 | |
have the van Hun Sen figure who gives them advice on how to deal | 0:05:51 | 0:05:54 | |
with this and dead creature, that is to stab him through the heart | 0:05:54 | 0:06:00 | |
with a wooden stake. We engrams Stoker finally published a book in | 0:06:00 | 0:06:04 | |
1897 it made just a few ripples and literary circles. He dreamt of | 0:06:04 | 0:06:08 | |
staging it with this great actor friend Sir Henry Irving and account, | 0:06:08 | 0:06:13 | |
but this was never to be. Sadly Dracula really took off after Bram | 0:06:13 | 0:06:18 | |
Stoker's death, with classics like moss for rat soup in the 20s and | 0:06:18 | 0:06:22 | |
Belinda go see's a comic role a decade later. More recently the | 0:06:22 | 0:06:28 | |
twilight pictures have grossed nearly $2 billion at the box-office. | 0:06:28 | 0:06:33 | |
Stoker never sold his wicket Genesis has bombed, and he never | 0:06:33 | 0:06:37 | |
came back to the mother country either. He died in London in 1912, | 0:06:37 | 0:06:42 | |
so we will never know for sure which local legends made it into | 0:06:42 | 0:06:46 | |
the Dracula legend. Unlike his principal living dead, Bram Stoker | 0:06:46 | 0:06:56 | |
0:06:56 | 0:07:05 | ||
will not rise up to tell us. He was cremated in Golders Green. | 0:07:05 | 0:07:11 | |
Roy, Dracula would be one of our most fearsome Hallowe'en characters. | 0:07:11 | 0:07:15 | |
Roy, you'd have given a vampire a run for his money if you came | 0:07:15 | 0:07:18 | |
across one in the dead of night. For two years you were Northern | 0:07:18 | 0:07:23 | |
Ireland's champion hammer thrower. About 50 years ago I was. I wish | 0:07:23 | 0:07:26 | |
you hadn't told everybody because they once they find out you are | 0:07:26 | 0:07:33 | |
annexed hammer thrower than ever as good to walk their dog. East | 0:07:33 | 0:07:37 | |
Belfast's given us more than a few who made it to the top of their | 0:07:37 | 0:07:40 | |
trade, George Best, Van Morrison, CS Lewis. Is there something in the | 0:07:40 | 0:07:49 | |
air down there? I wouldn't put myself with those three! East | 0:07:49 | 0:07:54 | |
Belfast is a great wee place full of comedians. I moved there when I | 0:07:54 | 0:08:00 | |
was about seven and went to school on the river narrowed. I started | 0:08:00 | 0:08:07 | |
off in that the Trocadero in the marketplace, right in the middle of | 0:08:07 | 0:08:14 | |
the markets for Danny Rice. Then I was headhunted to be East Belfast | 0:08:14 | 0:08:19 | |
to open up the talk of the town. With Guy Mitchell, who was as big | 0:08:20 | 0:08:23 | |
as Frank Sinatra at one time. We opened it up and 500 people every | 0:08:23 | 0:08:30 | |
night and went on for years and years. It was made very clear | 0:08:30 | 0:08:35 | |
during the Troubles Thatcher career lay over the water. Well, the | 0:08:35 | 0:08:38 | |
Troubles came and like everyone would think it would be over in a | 0:08:38 | 0:08:45 | |
weekend's. It was not going to last. It was so horrific. It was like the | 0:08:45 | 0:08:50 | |
war and people were dying right left and centre. I had three very | 0:08:50 | 0:08:53 | |
young children and we were a mixed marriage, so there were people far | 0:08:53 | 0:08:58 | |
worse off than me. I had a little bit of talent, so I grabbed my wife | 0:08:58 | 0:09:02 | |
and three children and we headed for England. By two really had no | 0:09:02 | 0:09:07 | |
choice. There was the work here and I couldn't go to Jean's house | 0:09:07 | 0:09:11 | |
because there were one side, and my side of the town was the other side | 0:09:11 | 0:09:15 | |
and never the twain shall meet. left and were sad to leave and | 0:09:15 | 0:09:20 | |
always came back, and always glad to come back. Look how wonderful it | 0:09:20 | 0:09:26 | |
is now. Hong will always be home for you. You never forget it. You | 0:09:26 | 0:09:31 | |
never remember bad times, only the good times. It hasn't done me any | 0:09:31 | 0:09:41 | |
0:09:41 | 0:09:51 | ||
harm anyway. Here is another side of Roy Walker. The art lover. This | 0:09:51 | 0:09:55 | |
is a we ask guests to tell us the works that have inspired them. Well, | 0:09:55 | 0:10:04 | |
well, well. My favourite painting. Who would have believed its? It is | 0:10:04 | 0:10:13 | |
here. Just the way I saw it just off Trafalgar Square in that famous | 0:10:13 | 0:10:17 | |
gallery, which I nearly walked past it, but there it is. My favourite | 0:10:17 | 0:10:25 | |
painting of all time. The Hay Wain by John Constable. It reminds me of | 0:10:25 | 0:10:32 | |
my childhood down in Ireland Magee and I was a boy and Jack Hill had a | 0:10:32 | 0:10:38 | |
farm there. His hay cart was as bad as that! I was driving it for him | 0:10:38 | 0:10:43 | |
one day and we were stuck in this little stream, except the horse was | 0:10:43 | 0:10:49 | |
drinking and wouldn't stop. Jack was shouting! A will never forget | 0:10:49 | 0:10:55 | |
it. I used to help him up with the haystacks onto the back of the cart, | 0:10:55 | 0:11:03 | |
thistles and all! Sliding down them, needles in your backside. The paint | 0:11:03 | 0:11:13 | |
0:11:13 | 0:11:19 | ||
And now a book. A great book, but first to Reading. Dearly beloved. | 0:11:19 | 0:11:24 | |
This is a great book. This book was written by an extraordinary man. It | 0:11:24 | 0:11:29 | |
was funny because you would think he was from Belfast. Some of the | 0:11:29 | 0:11:36 | |
word he writes here, yet, where, on my what do you might call it. On my | 0:11:36 | 0:11:41 | |
thing in a jig. Those are Belfast words, and he is from New York. JD | 0:11:41 | 0:11:46 | |
Salinger, the Catcher In the Rye. Probably one of the best books I | 0:11:46 | 0:11:51 | |
have ever read. He was a tortured soul. Became a recluse. Just after | 0:11:51 | 0:11:56 | |
the war he was in Nuremberg were had to interview all of the Nazi | 0:11:56 | 0:12:01 | |
criminals and he never found one of them who said they were sorry. He | 0:12:01 | 0:12:11 | |
0:12:11 | 0:12:28 | ||
lost faith in human nature. Sad. I was born under a wandering star. | 0:12:28 | 0:12:38 | |
0:12:38 | 0:12:39 | ||
Lee Martin. And Paul Newman. Terry O'Neill's famous picture, pocket | 0:12:39 | 0:12:43 | |
money in 1971. I sought and a magazine and never forgot it. I | 0:12:43 | 0:12:48 | |
thought what an iconic Buddha grass. Two ordinary-looking guys who were | 0:12:48 | 0:12:52 | |
really at the top of their profession. I never missed any of | 0:12:52 | 0:12:57 | |
their movies and they never, ever disappointed. That is a great | 0:12:58 | 0:13:07 | |
0:13:08 | 0:13:21 | ||
My favourite song. Night time shamans, heightens each sensation. | 0:13:21 | 0:13:29 | |
The most erotic lyric I have ever heard in my life. The music of the | 0:13:29 | 0:13:35 | |
90s by Andrew Lloyd Webber was a phantom of the opera. It is a | 0:13:35 | 0:13:39 | |
lovely story. Andrew was taking Sarah along for a singing lesson | 0:13:39 | 0:13:43 | |
and Michael Crawford was singing up the stairs and Andrew heard him and | 0:13:43 | 0:13:48 | |
said the Sarah, I think we have found our phantom. I went to that | 0:13:48 | 0:13:58 | |
0:13:58 | 0:13:58 | ||
singing teacher and learn how to sing up to the highest notes. My | 0:13:58 | 0:14:07 | |
fear that song. My favourite song. Michael Crawford, Paul Newman, Lee | 0:14:07 | 0:14:17 | |
0:14:17 | 0:14:17 | ||
Martin, JD Salinger, Constable. It doesn't get any better than this! | 0:14:17 | 0:14:23 | |
That is a great voice you have got there! Can you get a high note now | 0:14:23 | 0:14:28 | |
for us? Yes, I still can. looked a bit emotional, but there | 0:14:28 | 0:14:32 | |
is a good reason for that because your doctor was also in Phantom of | 0:14:32 | 0:14:36 | |
the opera. Yes, I should like Christine. She has been in most of | 0:14:36 | 0:14:41 | |
the West End musicals. She has just opened in the till Death in Covent | 0:14:41 | 0:14:46 | |
Garden. She has got a main part? You yes, she got the main part and | 0:14:46 | 0:14:51 | |
that. We couldn't ask you about your role for a - - you are most | 0:14:51 | 0:14:56 | |
famous work. Catchphrase. Tom Jones played a part in the land in that | 0:14:56 | 0:15:01 | |
gig? Well, I was touring with Tom Jones. I got the gig three Shirley | 0:15:01 | 0:15:04 | |
Bassey. I used to open for all the big singers and Tom Jones was | 0:15:04 | 0:15:09 | |
coming back to Britain in the 80s and Shirley Bassey Dalton to use me | 0:15:09 | 0:15:15 | |
as an opener. I finished up at the Albert Hall twice nightly for yet | 0:15:15 | 0:15:21 | |
nights. That was 13,000 people per night, he was sold out completely. | 0:15:21 | 0:15:25 | |
His manager came over, Gordon Mills, and said to me, Roy, everybody is | 0:15:25 | 0:15:30 | |
talking about you and they want you to go on tour with them. I had been | 0:15:30 | 0:15:34 | |
on the road a long, long time and I had three children and my wife | 0:15:34 | 0:15:39 | |
hardly ever saw me. I just thought, I can be doing this, uprating and | 0:15:39 | 0:15:44 | |
what have you. My manager he got mitigate in the Albert Hall, so I | 0:15:44 | 0:15:48 | |
never would have met Tom Jones are the wasn't for him. I was loyal to | 0:15:48 | 0:15:58 | |
0:15:58 | 0:15:59 | ||
him. Six months later he got the Well, time to put you to the test | 0:15:59 | 0:16:02 | |
Roy - you should be good at this after 13 years of Catchphrases! | 0:16:02 | 0:16:05 | |
Each of our animations represent the name of a famous painting. For | 0:16:05 | 0:16:13 | |
copyright reasons, we have Mr Fish rather than Mr Chips. We will | 0:16:13 | 0:16:17 | |
please some videos and just say what you see when you get to the | 0:16:17 | 0:16:26 | |
Catchphrase. Smack your buzzer there. Here is your first one. Say | 0:16:26 | 0:16:36 | |
0:16:36 | 0:16:42 | ||
what you see! It is good it is good that it is not right. Shall I tell | 0:16:42 | 0:16:52 | |
0:16:52 | 0:17:07 | ||
you? Yes. Morning he's. Moaning Lisa. Say what you see! Cod and | 0:17:07 | 0:17:17 | |
0:17:17 | 0:17:21 | ||
chips. One fish supper left - the last supper! Told you I was | 0:17:21 | 0:17:23 | |
useless!$$NEWLINE Catchphrase was obviously good to you,but you've | 0:17:23 | 0:17:26 | |
been quoted as saying whilst doing it that you felt you lost your | 0:17:26 | 0:17:36 | |
0:17:36 | 0:17:40 | ||
Earlier we asked you to send in your Hallowe'en get up. Thank you | 0:17:40 | 0:17:47 | |
for sending his picture in. We have Katie Douglas H four from Lisburn. | 0:17:47 | 0:17:54 | |
She looks very green and skates. This is from Patrick who is three | 0:17:54 | 0:18:04 | |
0:18:04 | 0:18:12 | ||
months old. He is gorgeous. Thank you for sending us in. Now if | 0:18:12 | 0:18:15 | |
there's one place in Northern Ireland that really knows how to | 0:18:15 | 0:18:17 | |
celebrate Hallowe'en it's Londonderry, and joining us there | 0:18:17 | 0:18:26 | |
is Ralph McLean - hi, Ralph. There are thousands of families out here | 0:18:26 | 0:18:30 | |
tonight to celebrate Hallowe'en. Tell us what you like about | 0:18:30 | 0:18:36 | |
Hallowe'en? The fireworks and the parade. Are you really cold | 0:18:36 | 0:18:44 | |
tonight? Yes. Tell me how long you have been coming year? 10 years. | 0:18:44 | 0:18:50 | |
What is the secret, why is any better than anywhere else? Because | 0:18:50 | 0:18:54 | |
everyone gets involved and dresses up, people make a big effort. The | 0:18:54 | 0:18:59 | |
parade is a brilliant and the fireworks are excellent. I thought | 0:18:59 | 0:19:03 | |
maybe you would make an effort and it Hamas gone! Have a brilliant | 0:19:03 | 0:19:09 | |
night, thanks for coming along, enjoyed their fireworks. Derry has | 0:19:09 | 0:19:13 | |
a great reputation for Hallowe'en celebrations but also has a | 0:19:13 | 0:19:19 | |
reputation for great folklore. There is one story you have to pay | 0:19:19 | 0:19:29 | |
0:19:29 | 0:19:34 | ||
attention to - about a man who had to be hanged twice. Deep in the | 0:19:34 | 0:19:40 | |
woods, have stocks McNaughton, they hanged him high from the gallows | 0:19:40 | 0:19:50 | |
0:19:50 | 0:19:50 | ||
tree. It was 250 years ago that the tragic truth took -- true tale of | 0:19:51 | 0:19:56 | |
Half Hanged McNaughton took place. It takes that tale of a highway | 0:19:56 | 0:20:03 | |
robbery, revenge and a murder. It started with boy-meets-girl, or | 0:20:03 | 0:20:09 | |
less comfortably, older man needs a teenager. John McNaughton was an | 0:20:09 | 0:20:13 | |
impoverished landowner but he was also at gambler and a drunkard. He | 0:20:13 | 0:20:19 | |
had a friend called Andrew Knox who lived in Prehen House. Andrew took | 0:20:19 | 0:20:26 | |
him in. He also had a young daughter, aged about 16. McNaughton | 0:20:26 | 0:20:35 | |
took a fancy to his daughter, Mary Ann. He began to woo her. This is | 0:20:35 | 0:20:39 | |
Mr John McNaughton, our guest, he will stay with us for some time. | 0:20:39 | 0:20:48 | |
John, this is my daughter, Ms May and knocks. This play is on at the | 0:20:48 | 0:20:51 | |
Derry Playhouse which unravels the story of the ill-starred couple. | 0:20:51 | 0:20:55 | |
Andrew Knox was not happy with the attention Johnny Norton was plain | 0:20:55 | 0:20:59 | |
to his daughter, but when he went to take his wife and daughter to | 0:20:59 | 0:21:04 | |
the parliament, their coach was and used by Mike Norton in an attempt | 0:21:04 | 0:21:10 | |
to kidnap the girl. But the shot he fired, killed the woman he said he | 0:21:10 | 0:21:19 | |
loved. He was eventually caught and charged with the murder and they | 0:21:19 | 0:21:24 | |
found him guilty. They were going to hang him and decapitated him. | 0:21:24 | 0:21:32 | |
those p gallows days, you were hung from a tree. The rope broke. | 0:21:32 | 0:21:37 | |
those days that was looked at as divine intervention. You were not | 0:21:37 | 0:21:45 | |
guilty. They told him to go away. But he said no, I killed her, | 0:21:45 | 0:21:50 | |
therefore I deserve to die but I did not murder her. So we went back | 0:21:50 | 0:21:56 | |
on the gallows and cut the rope round his own neck, and jumped. | 0:21:56 | 0:22:02 | |
second leap into the great unknown is more successful. He was later | 0:22:02 | 0:22:10 | |
buried here in Strabane in an unmarked grave. John Nick not in - | 0:22:10 | 0:22:14 | |
and man who would not do anything by half was wholly responsible for | 0:22:14 | 0:22:19 | |
earning his own place in Irish folklore. -- John McNaughton. He | 0:22:19 | 0:22:23 | |
didn't want to be remembered as Half Hanged McNaughton, he is | 0:22:23 | 0:22:31 | |
dramatic proof you cannot always get what you want. | 0:22:31 | 0:22:37 | |
As spooky story for this but he is night. One man who knows everything | 0:22:37 | 0:22:42 | |
about have hanged McNaughton is Ken. Why are people so obsessed by him? | 0:22:42 | 0:22:48 | |
He was handsome and debonair, he had blond hair and blue eyes, he | 0:22:48 | 0:22:53 | |
was irresistible to the ladies it was said. It was a story that | 0:22:53 | 0:22:59 | |
refuses to go away from the north- west. It is a story of tragic love. | 0:22:59 | 0:23:07 | |
It is forbidden love, unrequited love, tragic love. John McNaughton | 0:23:07 | 0:23:12 | |
actually shot the girl dead that he was the love with. His is a classic | 0:23:12 | 0:23:19 | |
story. Why is the north-west so rich in for war? 2000 years of | 0:23:19 | 0:23:23 | |
people living here, but then reverie here, flowing through the | 0:23:23 | 0:23:30 | |
hills, the Druids, the oak woods, right through DNA and the | 0:23:30 | 0:23:36 | |
outpouring of the famine, sailing ships, all sorts of things. This is | 0:23:36 | 0:23:40 | |
the place for it and they will celebrate tonight. Back to you in | 0:23:40 | 0:23:50 | |
0:23:50 | 0:23:51 | ||
the studio. Thank you very much. Joining us this week to create our | 0:23:51 | 0:23:54 | |
60 minute masterpiece is recently graduated artist Katherine Rush, | 0:23:54 | 0:24:01 | |
welcome Katherine... Katherine, you've used aluminium today as your | 0:24:01 | 0:24:09 | |
canvas - is that always what you work with? I love Alan Ninian, you | 0:24:09 | 0:24:16 | |
can get a smooth surface. And you often do diptychs or triptychs - | 0:24:17 | 0:24:19 | |
working across two or three pieces - does that give greater | 0:24:19 | 0:24:27 | |
flexibility? I love ecclesiastical work and you can copy that with | 0:24:27 | 0:24:37 | |
0:24:37 | 0:24:38 | ||
Alan Ninian. You have to sign this. If you would like Katherine's work | 0:24:38 | 0:24:43 | |
decorating your living run, you're in with the chance. All the work of | 0:24:43 | 0:24:49 | |
the artists will be auctioned off in aid of Children In Need. Log on | 0:24:49 | 0:24:54 | |
and go to the Northern Ireland section for more information. | 0:24:54 | 0:24:59 | |
for some music now. Playing as out tonight at the Bangor based band | 0:24:59 | 0:25:04 | |
the Farriers. Rachel, thank you for joining us. You'll met in the pub, | 0:25:04 | 0:25:10 | |
you have come a long way. We have come a long way, we have been | 0:25:10 | 0:25:15 | |
together for three years. Derek joined us about a year ago. We're | 0:25:15 | 0:25:20 | |
doing is many gigs as possible these days. There is a good Cajun | 0:25:20 | 0:25:26 | |
sound hear music. Yes, there is. It is very am in a canal, very | 0:25:26 | 0:25:32 | |
vigorous. I gather it might be impeded by a cynical Hallowe'en | 0:25:32 | 0:25:38 | |
type story. Steve here managed to chop off have of his own some! How | 0:25:38 | 0:25:45 | |
did he do that there? I heard he was chopping firewood in the dark. | 0:25:45 | 0:25:50 | |
It was his career as an axe murderer! It has been a big year | 0:25:50 | 0:25:57 | |
for you, tell us about your first album. Yes, we recorded it this | 0:25:57 | 0:26:02 | |
year. We started last March. We have just finished recording, we | 0:26:02 | 0:26:07 | |
just need to get this CD's done. Check out our Facebook Page if you | 0:26:07 | 0:26:13 | |
want to find out more about a album. I like she go and get ready, be | 0:26:13 | 0:26:23 | |
0:26:23 | 0:26:34 | ||
look forward to hearing you. -- I will let you go. The studio will be | 0:26:34 | 0:26:38 | |
alive with the Sound of Music - West End star Connie Fisher will be | 0:26:38 | 0:26:41 | |
with us. And we'll have music from New York duo, The Pierces. We leave | 0:26:41 | 0:26:44 | |
you with Farriers, and A Final Harvest. Goodnight, and sleep | 0:26:44 | 0:26:54 | |
0:26:54 | 0:26:54 | ||
Apology for the loss of subtitles for 48 seconds | 0:26:54 | 0:27:42 | |
tight! MUSIC: The Farriers: A Final MUSIC: The Farriers - The Final | 0:27:42 | 0:27:52 | |
0:27:52 | 0:28:24 |