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Good afternoon and welcome to Points Of View in what has been | 0:00:10 | 0:00:14 | |
a turbulent week for the BBC. | 0:00:14 | 0:00:16 | |
Newsnight got itself into a real mess but elsewhere it's been | 0:00:16 | 0:00:20 | |
David Attenborough who captured your attention. | 0:00:20 | 0:00:23 | |
In his latest production, he becomes a modern day Noah with | 0:00:23 | 0:00:26 | |
just ten places in his Ark to save endangered species. | 0:00:26 | 0:00:30 | |
If, on my Ark, I am going to have space | 0:00:32 | 0:00:35 | |
for the creatures that really need a berth to survive, | 0:00:35 | 0:00:43 | |
the black lion tamarin is a very strong candidate. | 0:00:43 | 0:00:47 | |
You've got a ticket! | 0:00:50 | 0:00:51 | |
Sir David doesn't let us down, and what's more, he's British - | 0:01:22 | 0:01:26 | |
don't worry, I haven't become hostile to other countries, | 0:01:26 | 0:01:29 | |
just reflecting the views of many people who believe BBC | 0:01:29 | 0:01:32 | |
science output is too heavily reliant on American experts. | 0:01:32 | 0:01:37 | |
Could you please explain why, whenever I watch documentaries, | 0:01:37 | 0:01:42 | |
mainly the excellent science ones that have been on lately, | 0:01:42 | 0:01:45 | |
whenever they need a talking head to explain anything, | 0:01:45 | 0:01:50 | |
they are invariably American. | 0:01:50 | 0:01:53 | |
Chimpanzees, they do remarkable things with their feet and ankles. | 0:01:53 | 0:01:56 | |
They can take the top of their foot and press it against their shin. | 0:01:56 | 0:02:00 | |
What we do have, humans, is brains. | 0:02:00 | 0:02:03 | |
You get a lot of stuff for free when you select against aggression. | 0:02:03 | 0:02:07 | |
Have we not got any experts over here that can put it over | 0:02:07 | 0:02:11 | |
just as well and probably cheaper? | 0:02:11 | 0:02:16 | |
It is true that science is a very international business these days | 0:02:16 | 0:02:21 | |
and there's a lot of expertise in America | 0:02:21 | 0:02:23 | |
and other countries where they fund science very well. | 0:02:23 | 0:02:28 | |
And we think it makes sense, budget allowing, to go to the places where | 0:02:28 | 0:02:34 | |
the greatest expertise is located, in order to make sure | 0:02:34 | 0:02:37 | |
we are giving our viewers the best possible perspective that we can | 0:02:37 | 0:02:42 | |
on a given topic. | 0:02:42 | 0:02:44 | |
Everything is in motion in space. | 0:02:44 | 0:02:45 | |
Mars is moving around the Sun and the Earth is also moving | 0:02:49 | 0:02:53 | |
around the Sun and their motion, relative to each other, is changing. | 0:02:53 | 0:02:57 | |
I think if you look across the full range of our science | 0:02:57 | 0:03:00 | |
output on BBC One, BBC Two, BBC Four you do see there are an awful lot | 0:03:00 | 0:03:04 | |
of British voices, whether interviewees or expert presenters | 0:03:04 | 0:03:09 | |
like Brian Cox, Ian Stewart, Alice Roberts, and many others. | 0:03:09 | 0:03:13 | |
Great, this is a chimp. | 0:03:13 | 0:03:15 | |
Washington University is at the heart of this new science. | 0:03:15 | 0:03:18 | |
We do think it's always important to bring our viewers the best comment | 0:03:18 | 0:03:23 | |
we possibly can on the given topic and as a result we do find ourselves | 0:03:23 | 0:03:28 | |
going abroad for our interviewees a reasonable amount of the time. | 0:03:28 | 0:03:32 | |
Well, Dara O'Briain is not American | 0:03:32 | 0:03:35 | |
and he's been convening a science club on BBC Two. | 0:03:35 | 0:03:39 | |
Has he managed the alchemy of combining science expertise | 0:03:39 | 0:03:44 | |
with not being American? | 0:03:44 | 0:03:45 | |
With all this talk of DNA, | 0:03:45 | 0:03:47 | |
we shouldn't act like it's a mysterious thing. | 0:03:47 | 0:03:49 | |
You can see your own DNA but what you might not know is you can extract it, | 0:03:49 | 0:03:55 | |
using simple household ingredients. | 0:03:55 | 0:03:58 | |
Assuming your house has a ready supply of super strength vodka. | 0:03:58 | 0:04:01 | |
-What percentage? -88%. -88%. | 0:04:01 | 0:04:05 | |
So, professionalism and personality is the sought-after compound. | 0:04:18 | 0:04:23 | |
It was the personality of Adolf Hitler that preoccupied | 0:04:23 | 0:04:26 | |
the makers of the latest documentary on the Nazis. | 0:04:26 | 0:04:29 | |
The Dark Charisma of Adolf Hitler examined the flawed character | 0:04:29 | 0:04:34 | |
who held vast crowds spellbound but couldn't talk to individuals. | 0:04:34 | 0:04:38 | |
'When I first met him, | 0:04:39 | 0:04:40 | |
'he was like a tired stray dog looking for a master.' | 0:04:40 | 0:04:43 | |
But Mayer detected in Hitler qualities he could use. | 0:04:46 | 0:04:50 | |
He decided to train Hitler as a propaganda agent. | 0:04:53 | 0:04:57 | |
Hitler was sent on a short course at the University of Munich | 0:05:00 | 0:05:04 | |
and then started giving right-wing speeches to his fellow soldiers. | 0:05:04 | 0:05:08 | |
Dismissed as disappointing then, | 0:05:28 | 0:05:30 | |
but some programmes are loved so much by viewers that they | 0:05:30 | 0:05:33 | |
spill over from their timeslots and develop entirely separate | 0:05:33 | 0:05:36 | |
background programmes to accommodate all the interest they generate. | 0:05:36 | 0:05:41 | |
Unsprung, You're Fired, It Takes Two, | 0:05:41 | 0:05:43 | |
the phenomenon of the spin-off has taken hold | 0:05:43 | 0:05:46 | |
and it has taken hold tightly. | 0:05:46 | 0:05:48 | |
Ever keen to reward fan loyalty, the BBC's programme | 0:05:50 | 0:05:53 | |
about a programme concept has been around for at least seven years. | 0:05:53 | 0:05:57 | |
Doctor Who's spin-off spun onto our screens in 2005 | 0:05:57 | 0:06:01 | |
when Simon Pegg divulged all things "Confidential." | 0:06:01 | 0:06:05 | |
Then, a spin-off of a spin-off, | 0:06:05 | 0:06:07 | |
the Doctor Who spin-off Torchwood got its own "Declassified." | 0:06:07 | 0:06:12 | |
The spellbinding fantasy Merlin's Secrets and Magic | 0:06:12 | 0:06:15 | |
was also revelatory but regrettably even the BBC | 0:06:15 | 0:06:19 | |
couldn't conjure up enough money to sustain this, | 0:06:19 | 0:06:21 | |
so if you wanted more, you had to tweet and like and poke | 0:06:21 | 0:06:26 | |
and generally hunt online to get your fix of behind-the-scenes gossip. | 0:06:26 | 0:06:30 | |
Getting more bang for his buck, Lord Sugar's Apprentice diversified | 0:06:34 | 0:06:37 | |
with You're Fired, although it seems the young apprentices | 0:06:37 | 0:06:42 | |
are spared the enterprise that is Dara O'Briain's boardroom. | 0:06:42 | 0:06:47 | |
And within the last month, Autumn Watch has Unsprung. | 0:06:47 | 0:06:50 | |
The unsprungs are an extra for the viewers who are very engaged | 0:06:50 | 0:06:55 | |
with the programme. | 0:06:55 | 0:06:56 | |
But I think it also allows us an opportunity to do something which | 0:06:56 | 0:06:59 | |
the main show doesn't do, which is actually to directly address people's | 0:06:59 | 0:07:04 | |
questions and interactivity, and work to their agenda rather than our own. | 0:07:04 | 0:07:09 | |
But sashaying to centre stage with more than two million viewers | 0:07:09 | 0:07:12 | |
every week day is Strictly: It Takes Two. | 0:07:12 | 0:07:17 | |
Watching It Takes Two, you become more acquainted with what | 0:07:17 | 0:07:20 | |
the celebs are like, we have more time to find out how | 0:07:20 | 0:07:25 | |
they really feel about how they are doing... | 0:07:25 | 0:07:28 | |
It's so technical that I did really struggle. | 0:07:28 | 0:07:31 | |
..and also get a little sneaky look at things | 0:07:31 | 0:07:34 | |
that you are not going to see on Saturday night. | 0:07:34 | 0:07:37 | |
This seems to be the most successful, | 0:07:37 | 0:07:40 | |
you just can't get enough of the blood, sweat and sequins. | 0:07:40 | 0:07:43 | |
Now, let's delve into daytime. | 0:07:44 | 0:07:48 | |
Often criticised for delivering an unchanging diet of property | 0:07:48 | 0:07:51 | |
and antique shows in the morning, and quizzes and cookery for tea, | 0:07:51 | 0:07:54 | |
its latest title Watchdog Daily has a distinctly familiar | 0:07:54 | 0:07:59 | |
peaktime ring to it. | 0:07:59 | 0:08:00 | |
Following officers as they crack down on counterfeit crime... | 0:08:00 | 0:08:03 | |
Van's gone. | 0:08:03 | 0:08:05 | |
..we've been with them as they hunt for illicit alcohol. | 0:08:05 | 0:08:07 | |
Is there any chance we can have the truth now, because you told us there was no more vodka in here? | 0:08:07 | 0:08:11 | |
We've also discovered the shocking truth about the illegal jewellery trade. | 0:08:11 | 0:08:16 | |
We are going through it, don't make it worse for yourself. | 0:08:16 | 0:08:19 | |
And as if that wasn't enough, | 0:08:49 | 0:08:50 | |
daytime drama has tried its hand at a Dickens adaptation with | 0:08:50 | 0:08:55 | |
Nick Nickleby, and it looks like they've pulled it off. | 0:08:55 | 0:08:58 | |
We find this kind of thing benefits | 0:09:01 | 0:09:03 | |
the residents' mental, physical and spiritual well-being. | 0:09:03 | 0:09:06 | |
They seem well, Mr Squeers. | 0:09:06 | 0:09:10 | |
But I would like to speak to some of the residents in private. | 0:09:10 | 0:09:13 | |
No trouble at all. | 0:09:13 | 0:09:15 | |
Just make sure you ask them about the business with Nick Nickleby. | 0:09:15 | 0:09:19 | |
Let's capture this moment, shall we? Praise for daytime. | 0:09:55 | 0:09:59 | |
Will they be aiming for more? | 0:09:59 | 0:10:01 | |
Well, we are not going back to Dickens again at the moment | 0:10:01 | 0:10:03 | |
but we have more period dramas coming up in the New Year. | 0:10:03 | 0:10:06 | |
We have one set around the last year of conscription called Privates | 0:10:06 | 0:10:11 | |
and we've got a series of dramas around the GK Chesterton novels, | 0:10:11 | 0:10:16 | |
Father Brown mysteries. | 0:10:16 | 0:10:18 | |
So, that would be great to see, as well. | 0:10:18 | 0:10:20 | |
Mark Williams is leading that one. | 0:10:20 | 0:10:22 | |
With a big budget and constant trailing, The Hour | 0:10:22 | 0:10:25 | |
is an example of a drama that's had the best of everything thrown at it, | 0:10:25 | 0:10:30 | |
so is there a corresponding increase in appreciation | 0:10:30 | 0:10:33 | |
for the end result? | 0:10:33 | 0:10:34 | |
I have in my hand the minutes from a recent meeting to discuss | 0:10:34 | 0:10:37 | |
the budgetary pressures on the Metropolitan Police. | 0:10:37 | 0:10:42 | |
When asked why you are cutting Scotland Yard's budget | 0:10:42 | 0:10:44 | |
and yet increasing defence's tenfold, you replied, | 0:10:44 | 0:10:47 | |
"There will always be crime, but when faced with total annihilation | 0:10:47 | 0:10:52 | |
"there is no need to waste our resources on the odd body here and there." | 0:10:52 | 0:10:57 | |
Not necessarily for Annie-Lou, at least. | 0:11:18 | 0:11:21 | |
One area BBC drama would do well to look at is adult science fiction. | 0:11:21 | 0:11:26 | |
Last week we heard calls from George Matthews for some new grown-up sci-fi, | 0:11:26 | 0:11:30 | |
as he's currently getting his fix from Doctor Who, | 0:11:30 | 0:11:33 | |
and this week Porle Miller tells us CBBC's Wolf Blood has become | 0:11:33 | 0:11:38 | |
cult viewing for shortchanged adult sci-fi fans. | 0:11:38 | 0:11:42 | |
Congratulations, CBBC, for the superbly acted | 0:11:42 | 0:11:45 | |
and produced new series Wolf Blood, | 0:11:45 | 0:11:47 | |
that has gripped myself and friends for the last seven weeks. | 0:11:47 | 0:11:51 | |
Thanks to excellent production values, a brilliant storyline, | 0:12:00 | 0:12:03 | |
superb and plausible acting by the cast, and a gripping ending | 0:12:03 | 0:12:06 | |
its no wonder this has been commissioned for a second series. | 0:12:06 | 0:12:10 | |
So will any science fiction land from outer space | 0:12:10 | 0:12:13 | |
or materialise in a lockdown lab any time soon? | 0:12:13 | 0:12:16 | |
Now, Rod Stewart, of all people, has been popping up | 0:12:37 | 0:12:41 | |
all over our inbox this week. | 0:12:41 | 0:12:42 | |
Many felt he was an inappropriate performer | 0:12:42 | 0:12:44 | |
for the Royal British Legion Festival of Remembrance last week, | 0:12:44 | 0:12:49 | |
singing alternate lyrics to Auld Lang Syne. | 0:12:49 | 0:12:52 | |
# And surely you will buy your cup | 0:12:52 | 0:12:58 | |
# And surely I'll buy mine... # | 0:12:58 | 0:13:03 | |
But far more people were irritated by his rather early launch | 0:13:03 | 0:13:08 | |
of the festive season when he sang a Christmas song on Graham Norton. | 0:13:08 | 0:13:12 | |
OK, that's awkward, ideally I would have wished you | 0:13:29 | 0:13:33 | |
a Merry Christmas now, because this is the last in the current series | 0:13:33 | 0:13:36 | |
of Points Of View, but actually you can continue to discuss TV - | 0:13:36 | 0:13:41 | |
you can get a lively discussion on the messageboard. | 0:13:41 | 0:13:45 | |
You can also e-mail us, even when the programme is off the air... | 0:13:47 | 0:13:53 | |
Well, have a great... I won't say it! | 0:13:53 | 0:13:56 | |
Until next spring, goodbye. | 0:13:56 | 0:13:58 | |
Subtitles by Red Bee Media Ltd | 0:13:58 | 0:14:02 |