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Hello and welcome to Points Of View in the weather in Glasgow, | 0:00:10 | 0:00:13 | |
and if it's good enough for Prince Charles, | 0:00:13 | 0:00:15 | |
it's good enough for us. | 0:00:15 | 0:00:16 | |
Aha! | 0:00:16 | 0:00:18 | |
Now this is BBC Scotland HQ here, | 0:00:18 | 0:00:22 | |
a TV powerhouse which has brought us things like | 0:00:22 | 0:00:25 | |
BBC Four's Terry Pratchett - Choosing To Die | 0:00:25 | 0:00:28 | |
and the children's favourite Nina And The Neurons. | 0:00:28 | 0:00:32 | |
But it's actually a programme that is not being made any more | 0:00:32 | 0:00:36 | |
by BBC Scotland Drama | 0:00:36 | 0:00:38 | |
which has got many of you hot under the collar. | 0:00:38 | 0:00:41 | |
The way you shot at me marks you as a loathsome cad. | 0:01:27 | 0:01:29 | |
Steady, Garrow. I could challenge you. | 0:01:29 | 0:01:31 | |
-This is torment. -For now, yes. | 0:01:31 | 0:01:34 | |
-But given time... -William, there is no hope. | 0:01:34 | 0:01:36 | |
You are ill-prepared. | 0:01:36 | 0:01:38 | |
Be reckless with your own life, not your clients'. | 0:01:38 | 0:01:40 | |
-But you do not own me! -If this association is no longer beneficial... | 0:01:40 | 0:01:44 | |
Very well. | 0:01:44 | 0:01:46 | |
So the decision has been made and it is final on both counts. | 0:01:53 | 0:01:58 | |
But they are going to call "action" on something else | 0:01:58 | 0:02:01 | |
in BBC Scotland Drama and that is Waterloo Road. | 0:02:01 | 0:02:05 | |
From now on, it is being made in Greenock. | 0:02:05 | 0:02:07 | |
The migration of 50 hours of Waterloo Road | 0:02:07 | 0:02:11 | |
will bring £25 million to Scotland | 0:02:11 | 0:02:13 | |
over the next two years, creating 230 jobs. | 0:02:13 | 0:02:16 | |
This all adds to the statistic | 0:02:16 | 0:02:18 | |
that Scotland has the highest level of film, TV | 0:02:18 | 0:02:21 | |
and animation production in the UK outside London. | 0:02:21 | 0:02:24 | |
This year will also see the return of David Morrissey's Field Of Blood | 0:02:24 | 0:02:29 | |
and next month, filming starts on a new two-part drama | 0:02:29 | 0:02:33 | |
starring Douglas Henshall called Shetland, | 0:02:33 | 0:02:35 | |
which will be shot on location on the Shetland Isles and in Glasgow. | 0:02:35 | 0:02:40 | |
I'm prepared to take the rap for what I've done. | 0:02:40 | 0:02:42 | |
And also from the streets of Glasgow, | 0:02:42 | 0:02:45 | |
BBC Three drama Lip Service has returned by popular demand. | 0:02:45 | 0:02:48 | |
Jason Isaacs will be back in the Highlands later this year | 0:02:48 | 0:02:51 | |
as flawed detective Jackson Brodie | 0:02:51 | 0:02:53 | |
to film another series of Case Histories. | 0:02:53 | 0:02:56 | |
Suffice to say, they are busy. | 0:02:56 | 0:02:58 | |
Now, you find me here in the Eggheads studio, | 0:02:58 | 0:03:01 | |
the home of the BBC Two quiz show which I host, | 0:03:01 | 0:03:04 | |
and it's also made here in Glasgow. | 0:03:04 | 0:03:07 | |
But our tea-time tussle was rather overshadowed this week | 0:03:07 | 0:03:10 | |
by that elder statesman of quiz shows, Mastermind, | 0:03:10 | 0:03:13 | |
who held their final on Friday night, | 0:03:13 | 0:03:16 | |
and in the run-up to the final there was quite a controversy. | 0:03:16 | 0:03:20 | |
Mastermind has been testing the nation's grey cells since 1972, | 0:03:20 | 0:03:24 | |
but 40 years on, | 0:03:24 | 0:03:25 | |
some viewers think contestants are exploiting a loophole. | 0:03:25 | 0:03:29 | |
On Mastermind, | 0:03:52 | 0:03:53 | |
if two contestants at the end of the two rounds | 0:03:53 | 0:03:56 | |
end up with the same score, | 0:03:56 | 0:03:57 | |
the number of questions that they've passed on | 0:03:57 | 0:04:00 | |
is taken into account, | 0:04:00 | 0:04:02 | |
and the one with the fewer passes is deemed to be the winner. | 0:04:02 | 0:04:05 | |
Smith. | 0:04:05 | 0:04:06 | |
Smith. | 0:04:08 | 0:04:09 | |
'When it came to the end of the programme, | 0:04:09 | 0:04:12 | |
'he and another contestant had the same score,' | 0:04:12 | 0:04:16 | |
and he won because he'd had fewer passes | 0:04:16 | 0:04:20 | |
because of the fact that he'd said a different word to "pass". | 0:04:20 | 0:04:23 | |
Well, I did say that the passes matter a lot. | 0:04:23 | 0:04:26 | |
First place, 27 points and one pass, George Ferzoco. | 0:04:26 | 0:04:32 | |
'I felt desperately sorry for the other contestant | 0:04:33 | 0:04:36 | |
'who ended up coming second. | 0:04:36 | 0:04:38 | |
'So, BBC,' | 0:04:38 | 0:04:40 | |
can you tighten the rules up so this doesn't happen again? | 0:04:40 | 0:04:43 | |
If a contestant chooses not to pass | 0:04:43 | 0:04:45 | |
and give an answer that is incorrect, | 0:04:45 | 0:04:48 | |
that will cost them time, | 0:04:48 | 0:04:50 | |
as John has to correct each incorrect answer, | 0:04:50 | 0:04:53 | |
as was the case here. | 0:04:53 | 0:04:55 | |
Which global arts prize was he awarded in 1990 by the Japanese Art Association? | 0:04:55 | 0:04:59 | |
Smith. | 0:05:00 | 0:05:01 | |
Praemium Imperiale. | 0:05:01 | 0:05:03 | |
It did cost him time. | 0:05:03 | 0:05:04 | |
He answered less questions than the contestant he was tied with | 0:05:04 | 0:05:07 | |
and, as a point of information, | 0:05:07 | 0:05:09 | |
if he had said "pass" at each of those occasions, | 0:05:09 | 0:05:12 | |
he still would have had less passes than the other contestant. | 0:05:12 | 0:05:16 | |
This has not been an issue in the past. | 0:05:16 | 0:05:18 | |
We do not anticipate it being an issue in the future, | 0:05:18 | 0:05:21 | |
and as somebody has played the game within the rules, | 0:05:21 | 0:05:23 | |
we are not going to change the rules. | 0:05:23 | 0:05:26 | |
It may be within the rules to say "Smith" instead of "pass", | 0:05:26 | 0:05:29 | |
but in my opinion it's gamesmanship | 0:05:29 | 0:05:33 | |
and it's not within the spirit of Mastermind, | 0:05:33 | 0:05:36 | |
and to me it's just not cricket. | 0:05:36 | 0:05:39 | |
With intelligence comes ingenuity, | 0:05:39 | 0:05:42 | |
but not enough to force a change in the rules. | 0:05:42 | 0:05:44 | |
Now, I couldn't resist this children's area here, | 0:05:44 | 0:05:47 | |
which is apparently where all the creative types | 0:05:47 | 0:05:49 | |
of children's TV get their ideas. | 0:05:49 | 0:05:51 | |
All Over The Place, for example, being spawned from this very room. | 0:05:51 | 0:05:55 | |
That madcap road trip covers Britain, | 0:05:55 | 0:05:59 | |
but Planet Earth Live, which started this week, | 0:05:59 | 0:06:02 | |
goes somewhat further afield for a rather more grown-up audience. | 0:06:02 | 0:06:06 | |
Planet Earth Live is the most ambitious | 0:06:06 | 0:06:08 | |
live wildlife broadcast ever undertaken by anyone. | 0:06:08 | 0:06:12 | |
We're covering six countries in five continents. | 0:06:16 | 0:06:19 | |
We really wanted to give a sense that we're all around the world. | 0:06:19 | 0:06:22 | |
Maybe a little too ambitious for the Hamster? | 0:06:22 | 0:06:25 | |
He's certainly getting a mauling in the viewers' lion's den. | 0:06:25 | 0:06:29 | |
Whoa! | 0:06:44 | 0:06:46 | |
Wahhh! | 0:06:46 | 0:06:48 | |
Richard Hammond, I'm sure, surprises a few people, | 0:06:49 | 0:06:52 | |
and surprised me at first, | 0:06:52 | 0:06:53 | |
but what a lot of people don't know, | 0:06:53 | 0:06:56 | |
Richard has always had a fascination with wildlife. | 0:06:56 | 0:06:59 | |
In this show, he wants to lift the bonnet on nature | 0:06:59 | 0:07:02 | |
and I would encourage people to leave their preconceptions | 0:07:02 | 0:07:06 | |
of the petrolhead behind and give him a chance. | 0:07:06 | 0:07:08 | |
Trying to get footage from around the world, | 0:07:18 | 0:07:22 | |
from some very remote field locations, | 0:07:22 | 0:07:24 | |
is quite a feat, and we have the most amazing hand-picked team | 0:07:24 | 0:07:29 | |
of technical professionals. | 0:07:29 | 0:07:31 | |
This series is designed to be really broad appeal, | 0:07:37 | 0:07:41 | |
really mainstream, something that people can share together, | 0:07:41 | 0:07:45 | |
that families can watch together. | 0:07:45 | 0:07:47 | |
Jewel eventually returned to the base of the tree | 0:07:53 | 0:07:56 | |
and called her cubs down. | 0:07:56 | 0:07:57 | |
'We're not doing generic stories about | 0:07:57 | 0:07:59 | |
'"Here are some lions, here are some elephants." | 0:07:59 | 0:08:02 | |
'We're following individual animals.' | 0:08:02 | 0:08:05 | |
We've seen nature writing us the most spectacular script | 0:08:05 | 0:08:08 | |
and, as the executive producer, | 0:08:08 | 0:08:10 | |
I can safely say I have no idea what's going to happen. | 0:08:10 | 0:08:13 | |
So "Planet Earth Partly Live" on TV, | 0:08:13 | 0:08:15 | |
but a bit livelier on Facebook and Twitter. | 0:08:15 | 0:08:18 | |
Now, high-quality programmes coming out of this building, | 0:08:18 | 0:08:21 | |
as you can see from the metalwork here, | 0:08:21 | 0:08:23 | |
and it's BBC Four's obsession with metalwork | 0:08:23 | 0:08:26 | |
which has got the Points Of View message board buzzing. | 0:08:26 | 0:08:29 | |
That's where the royal workshops were. | 0:08:46 | 0:08:48 | |
There's just a bunch of trees there now. | 0:08:50 | 0:08:52 | |
And looking at the site now, | 0:08:53 | 0:08:56 | |
we get a much better sense, actually, | 0:08:56 | 0:08:59 | |
of the distance between the royal workshops | 0:08:59 | 0:09:03 | |
and the palace itself. | 0:09:03 | 0:09:05 | |
It's close enough for the king to just stroll over | 0:09:05 | 0:09:09 | |
and meet with his armourers if he wished to, | 0:09:09 | 0:09:11 | |
but at the same time, | 0:09:11 | 0:09:13 | |
it's far enough away so that the king and the palace | 0:09:13 | 0:09:16 | |
aren't disturbed by the incredible clamour and noise | 0:09:16 | 0:09:21 | |
of the armourers at work. | 0:09:21 | 0:09:23 | |
Not only the noise, but the smell of burning charcoal and fuming mercury. | 0:09:23 | 0:09:29 | |
It would have been a noisy, nasty place. | 0:09:29 | 0:09:33 | |
And BBC Scotland celebrates its metal too. | 0:09:33 | 0:09:35 | |
Glasgow's very proud of its steel-making history, | 0:09:35 | 0:09:38 | |
which is why its reception desk here | 0:09:38 | 0:09:41 | |
is actually made from a two-ton girder. | 0:09:41 | 0:09:44 | |
And if Glasgow is synonymous with steel-making, | 0:09:44 | 0:09:46 | |
Italy is synonymous with food, | 0:09:46 | 0:09:48 | |
and the Two Greedy Italians are still hungry. | 0:09:48 | 0:09:51 | |
One time, Gennaro, I was eating near the harbour, | 0:09:51 | 0:09:57 | |
20 of those. | 0:09:57 | 0:09:59 | |
And I was taking one by one and nibbling, ba-ba-ba-ba-ba. | 0:09:59 | 0:10:03 | |
-And the other side, ba-ba-ba-ba-ba. -Ba-ba-ba-ba-ba. | 0:10:03 | 0:10:05 | |
Just like playing mouth harmonica. | 0:10:05 | 0:10:08 | |
So you were playing, "Zoom! Zoom! Zoom!" | 0:10:08 | 0:10:12 | |
HE GRUNTS | 0:10:12 | 0:10:14 | |
-No, you do that noise. I didn't. -OK, all right. | 0:10:14 | 0:10:16 | |
When they're not eating, | 0:10:27 | 0:10:28 | |
Italians are being romantic or tragic or both. | 0:10:28 | 0:10:32 | |
At least in Shakespeare they are. | 0:10:32 | 0:10:34 | |
If we are looking for the political message at the heart of the play, | 0:10:34 | 0:10:38 | |
forget Antony and Cleopatra. | 0:10:38 | 0:10:40 | |
Shakespeare is more interested in Octavius. | 0:10:40 | 0:10:44 | |
He outmanoeuvres everyone and plays according to a new book of rules. | 0:10:44 | 0:10:50 | |
Culture vultures are at odds over that one, then, | 0:11:23 | 0:11:25 | |
and talking of culture, | 0:11:25 | 0:11:27 | |
The Culture Show is made here in Glasgow too. | 0:11:27 | 0:11:30 | |
Now, one programme that has united viewers in praise | 0:11:30 | 0:11:33 | |
is Great Ormond Street Hospital. | 0:11:33 | 0:11:36 | |
Praise, of course, for the medical teams | 0:11:36 | 0:11:38 | |
who've been on display in the programme, | 0:11:38 | 0:11:40 | |
but also for the production team. | 0:11:40 | 0:11:42 | |
Her doctor Anthony Michalski and the surgical team | 0:11:42 | 0:11:45 | |
are reviewing her scan to see if the surgery's been successful. | 0:11:45 | 0:11:49 | |
And you can see that she had | 0:11:50 | 0:11:52 | |
a large left foramen of Luschka recurrence, which has been resected, | 0:11:52 | 0:11:58 | |
and now what she has is a new, more anterior lesion. | 0:11:58 | 0:12:03 | |
I'd rather hope that after this last operation, | 0:12:03 | 0:12:08 | |
it would have been the first time where we would have got her | 0:12:08 | 0:12:11 | |
into a position where she was surgically clear, or scanned clear. | 0:12:11 | 0:12:16 | |
She's never been that since we saw her. | 0:12:16 | 0:12:18 | |
This is just a recurrent phenomenon, | 0:12:18 | 0:12:20 | |
and it's not actually treating a tumour, | 0:12:20 | 0:12:23 | |
it's treating the scan. | 0:12:23 | 0:12:24 | |
One feels one's chasing shadows a bit here. | 0:12:26 | 0:12:29 | |
Another rare quality, according to Barbara Eley, | 0:12:51 | 0:12:53 | |
is correct pronunciation, | 0:12:53 | 0:12:55 | |
and it is some-THINK that gets her very annoyed. | 0:12:55 | 0:12:58 | |
Hi, Points Of View. | 0:12:58 | 0:13:00 | |
Many TV personalities use the words "any-THINK", "some-THINK", | 0:13:00 | 0:13:04 | |
"every-THINK" and "no-THINK". | 0:13:04 | 0:13:06 | |
There is no K on the end of these words. | 0:13:06 | 0:13:09 | |
I find it very irritating | 0:13:09 | 0:13:11 | |
and wonder why BBC chiefs do not notice this | 0:13:11 | 0:13:14 | |
and eradicate it from our screens. | 0:13:14 | 0:13:16 | |
Please help me in my mission to clean up this abomination. | 0:13:16 | 0:13:20 | |
I can tell you're angry, Barbara. | 0:13:20 | 0:13:21 | |
Now, if there's something winding you up, | 0:13:21 | 0:13:23 | |
to get it off your chest, why not e-mail us? | 0:13:23 | 0:13:25 | |
You can write to us. | 0:13:28 | 0:13:30 | |
You can call us, local rate, from a landline, | 0:13:32 | 0:13:35 | |
although mobiles may cost more. | 0:13:35 | 0:13:37 | |
Or hop on the message board, which is always lively. | 0:13:41 | 0:13:43 | |
From us here in Glasgow, goodbye. | 0:13:46 | 0:13:49 | |
Subtitles by Red Bee Media Ltd | 0:13:49 | 0:13:52 |