Episode 3 Points of View


Episode 3

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Hello and welcome to Points Of View in the weather in Glasgow,

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and if it's good enough for Prince Charles,

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it's good enough for us.

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Aha!

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Now this is BBC Scotland HQ here,

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a TV powerhouse which has brought us things like

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BBC Four's Terry Pratchett - Choosing To Die

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and the children's favourite Nina And The Neurons.

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But it's actually a programme that is not being made any more

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by BBC Scotland Drama

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which has got many of you hot under the collar.

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The way you shot at me marks you as a loathsome cad.

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Steady, Garrow. I could challenge you.

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-This is torment.

-For now, yes.

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-But given time...

-William, there is no hope.

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You are ill-prepared.

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Be reckless with your own life, not your clients'.

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-But you do not own me!

-If this association is no longer beneficial...

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Very well.

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So the decision has been made and it is final on both counts.

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But they are going to call "action" on something else

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in BBC Scotland Drama and that is Waterloo Road.

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From now on, it is being made in Greenock.

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The migration of 50 hours of Waterloo Road

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will bring £25 million to Scotland

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over the next two years, creating 230 jobs.

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This all adds to the statistic

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that Scotland has the highest level of film, TV

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and animation production in the UK outside London.

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This year will also see the return of David Morrissey's Field Of Blood

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and next month, filming starts on a new two-part drama

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starring Douglas Henshall called Shetland,

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which will be shot on location on the Shetland Isles and in Glasgow.

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I'm prepared to take the rap for what I've done.

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And also from the streets of Glasgow,

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BBC Three drama Lip Service has returned by popular demand.

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Jason Isaacs will be back in the Highlands later this year

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as flawed detective Jackson Brodie

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to film another series of Case Histories.

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Suffice to say, they are busy.

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Now, you find me here in the Eggheads studio,

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the home of the BBC Two quiz show which I host,

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and it's also made here in Glasgow.

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But our tea-time tussle was rather overshadowed this week

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by that elder statesman of quiz shows, Mastermind,

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who held their final on Friday night,

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and in the run-up to the final there was quite a controversy.

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Mastermind has been testing the nation's grey cells since 1972,

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but 40 years on,

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some viewers think contestants are exploiting a loophole.

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On Mastermind,

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if two contestants at the end of the two rounds

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end up with the same score,

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the number of questions that they've passed on

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is taken into account,

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and the one with the fewer passes is deemed to be the winner.

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Smith.

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Smith.

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'When it came to the end of the programme,

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'he and another contestant had the same score,'

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and he won because he'd had fewer passes

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because of the fact that he'd said a different word to "pass".

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Well, I did say that the passes matter a lot.

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First place, 27 points and one pass, George Ferzoco.

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'I felt desperately sorry for the other contestant

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'who ended up coming second.

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'So, BBC,'

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can you tighten the rules up so this doesn't happen again?

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If a contestant chooses not to pass

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and give an answer that is incorrect,

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that will cost them time,

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as John has to correct each incorrect answer,

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as was the case here.

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Which global arts prize was he awarded in 1990 by the Japanese Art Association?

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Smith.

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Praemium Imperiale.

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It did cost him time.

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He answered less questions than the contestant he was tied with

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and, as a point of information,

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if he had said "pass" at each of those occasions,

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he still would have had less passes than the other contestant.

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This has not been an issue in the past.

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We do not anticipate it being an issue in the future,

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and as somebody has played the game within the rules,

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we are not going to change the rules.

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It may be within the rules to say "Smith" instead of "pass",

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but in my opinion it's gamesmanship

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and it's not within the spirit of Mastermind,

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and to me it's just not cricket.

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With intelligence comes ingenuity,

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but not enough to force a change in the rules.

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Now, I couldn't resist this children's area here,

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which is apparently where all the creative types

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of children's TV get their ideas.

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All Over The Place, for example, being spawned from this very room.

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That madcap road trip covers Britain,

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but Planet Earth Live, which started this week,

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goes somewhat further afield for a rather more grown-up audience.

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Planet Earth Live is the most ambitious

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live wildlife broadcast ever undertaken by anyone.

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We're covering six countries in five continents.

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We really wanted to give a sense that we're all around the world.

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Maybe a little too ambitious for the Hamster?

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He's certainly getting a mauling in the viewers' lion's den.

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Whoa!

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Wahhh!

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Richard Hammond, I'm sure, surprises a few people,

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and surprised me at first,

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but what a lot of people don't know,

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Richard has always had a fascination with wildlife.

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In this show, he wants to lift the bonnet on nature

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and I would encourage people to leave their preconceptions

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of the petrolhead behind and give him a chance.

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Trying to get footage from around the world,

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from some very remote field locations,

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is quite a feat, and we have the most amazing hand-picked team

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of technical professionals.

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This series is designed to be really broad appeal,

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really mainstream, something that people can share together,

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that families can watch together.

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Jewel eventually returned to the base of the tree

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and called her cubs down.

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'We're not doing generic stories about

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'"Here are some lions, here are some elephants."

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'We're following individual animals.'

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We've seen nature writing us the most spectacular script

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and, as the executive producer,

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I can safely say I have no idea what's going to happen.

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So "Planet Earth Partly Live" on TV,

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but a bit livelier on Facebook and Twitter.

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Now, high-quality programmes coming out of this building,

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as you can see from the metalwork here,

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and it's BBC Four's obsession with metalwork

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which has got the Points Of View message board buzzing.

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That's where the royal workshops were.

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There's just a bunch of trees there now.

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And looking at the site now,

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we get a much better sense, actually,

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of the distance between the royal workshops

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and the palace itself.

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It's close enough for the king to just stroll over

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and meet with his armourers if he wished to,

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but at the same time,

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it's far enough away so that the king and the palace

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aren't disturbed by the incredible clamour and noise

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of the armourers at work.

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Not only the noise, but the smell of burning charcoal and fuming mercury.

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It would have been a noisy, nasty place.

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And BBC Scotland celebrates its metal too.

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Glasgow's very proud of its steel-making history,

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which is why its reception desk here

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is actually made from a two-ton girder.

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And if Glasgow is synonymous with steel-making,

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Italy is synonymous with food,

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and the Two Greedy Italians are still hungry.

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One time, Gennaro, I was eating near the harbour,

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20 of those.

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And I was taking one by one and nibbling, ba-ba-ba-ba-ba.

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-And the other side, ba-ba-ba-ba-ba.

-Ba-ba-ba-ba-ba.

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Just like playing mouth harmonica.

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So you were playing, "Zoom! Zoom! Zoom!"

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HE GRUNTS

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-No, you do that noise. I didn't.

-OK, all right.

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When they're not eating,

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Italians are being romantic or tragic or both.

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At least in Shakespeare they are.

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If we are looking for the political message at the heart of the play,

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forget Antony and Cleopatra.

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Shakespeare is more interested in Octavius.

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He outmanoeuvres everyone and plays according to a new book of rules.

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Culture vultures are at odds over that one, then,

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and talking of culture,

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The Culture Show is made here in Glasgow too.

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Now, one programme that has united viewers in praise

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is Great Ormond Street Hospital.

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Praise, of course, for the medical teams

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who've been on display in the programme,

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but also for the production team.

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Her doctor Anthony Michalski and the surgical team

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are reviewing her scan to see if the surgery's been successful.

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And you can see that she had

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a large left foramen of Luschka recurrence, which has been resected,

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and now what she has is a new, more anterior lesion.

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I'd rather hope that after this last operation,

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it would have been the first time where we would have got her

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into a position where she was surgically clear, or scanned clear.

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She's never been that since we saw her.

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This is just a recurrent phenomenon,

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and it's not actually treating a tumour,

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it's treating the scan.

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One feels one's chasing shadows a bit here.

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Another rare quality, according to Barbara Eley,

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is correct pronunciation,

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and it is some-THINK that gets her very annoyed.

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Hi, Points Of View.

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Many TV personalities use the words "any-THINK", "some-THINK",

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"every-THINK" and "no-THINK".

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There is no K on the end of these words.

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I find it very irritating

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and wonder why BBC chiefs do not notice this

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and eradicate it from our screens.

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Please help me in my mission to clean up this abomination.

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I can tell you're angry, Barbara.

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Now, if there's something winding you up,

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to get it off your chest, why not e-mail us?

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You can write to us.

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You can call us, local rate, from a landline,

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although mobiles may cost more.

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Or hop on the message board, which is always lively.

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From us here in Glasgow, goodbye.

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