Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Good afternoon and a rather special welcome to Points of View, not just | :00:14. | :00:19. | |
a new series but a new production centre. We're coming to you this | :00:19. | :00:26. | |
week from Belfast. And a good moment to answer a fundamental | :00:26. | :00:36. | |
:00:36. | :00:53. | ||
question put directly to us on the To answer that question let me take | :00:53. | :01:03. | |
:01:03. | :01:04. | ||
you back a few years. 51 years in Good evening. Everyone Monday at | :01:04. | :01:08. | |
this time I'm going to read you your own letters. I do hope they | :01:08. | :01:15. | |
are going to be highly critical and frightfully disbeadient and help | :01:15. | :01:19. | |
television from one of its sins, which is complacency. Welcome to | :01:19. | :01:26. | |
Points of View. Enough! This is yet another television | :01:26. | :01:31. | |
stitch-up. I get really frustrated. Thank you of it more carefully in | :01:31. | :01:39. | |
future... To hear profannities, swearing and blasphemy, it is not | :01:39. | :01:44. | |
on. So there we are. The aim of Points of View is the same now as | :01:44. | :01:51. | |
then to give you a voice on TV, and to keep them on their toes. | :01:51. | :01:57. | |
clearly didn't get it right on this occasion and I'm sorry about that. | :01:57. | :02:07. | |
:02:07. | :02:14. | ||
I think some people would refer the music... It's a first and a great | :02:14. | :02:20. | |
example of people power. Following the positive feed-back of | :02:20. | :02:25. | |
Helicopter Heroes to Points of View, we've decided to air the programme | :02:25. | :02:32. | |
on Monday evening at 7.30pm. I did consider this a bit of a kick in | :02:32. | :02:42. | |
:02:42. | :02:56. | ||
When you come into your own home you expect the television is going | :02:56. | :03:00. | |
to reinforce the messages that you teach your children. | :03:00. | :03:06. | |
So I was very disappointed when we sat down to watch the new animation, | :03:06. | :03:11. | |
Sarah and Duck. As far as my son was concerned, the little girl was | :03:11. | :03:17. | |
going off with a stranger. Come back with me. I have just the thing. | :03:17. | :03:22. | |
OK. It made me really cross, because it is sending out the wrong | :03:22. | :03:27. | |
message to children. It is saying that the stranger danger we are | :03:27. | :03:33. | |
trying to teach them doesn't exist. Get inside. That sounds like a very | :03:33. | :03:37. | |
good idea. Sarah and Duck are always accompanied by the narrator. | :03:37. | :03:41. | |
He is with them in the house and out of it, every minute of the day, | :03:41. | :03:47. | |
so they are never left on their own The scene where they meet the scarf | :03:47. | :03:56. | |
lady on the street, the narrator says, "Hello scarf lady... So you | :03:56. | :04:02. | |
know they know each other. That it was first time we ever saw that | :04:02. | :04:07. | |
episode. We couldn't tell she wasn't a stranger and there was an | :04:07. | :04:16. | |
offscreen presence, the narrator. To me they are overestimating the | :04:16. | :04:19. | |
cognitive reasoning abilities of a three-year-old. I didn't get that | :04:19. | :04:22. | |
from the episode and I have a psychology degree. If most | :04:22. | :04:31. | |
important thing is to say that on C CBeebies the welfare of the | :04:31. | :04:34. | |
children is paramount. We'll record dialogue to make it absolutely | :04:34. | :04:40. | |
clear to the viewers that Sarah, Duck, the narrator and the Scarf | :04:40. | :04:48. | |
lady know each other. When we know we can make a message clearer, we | :04:48. | :04:51. | |
do everything to do that. There you go, our first score on | :04:51. | :04:54. | |
the board for the new series. Your views and opinions count, so let's | :04:54. | :04:57. | |
hear them. Views like a perceived lack of air time for religious | :04:57. | :05:07. | |
:05:07. | :05:29. | ||
programmes over Easter, Good Friday I think during Holy Week there was | :05:29. | :05:35. | |
a lot of programming on TV and radio, Easter at Kings, a | :05:35. | :05:41. | |
documentary about Mary Magdalene, a documentary about Christie and | :05:41. | :05:46. | |
poetry, a Pope's speech. There was a lot of programming. We can never | :05:46. | :05:48. | |
please everybody but there was enough programming there to really | :05:48. | :05:51. | |
give a good service to our viewers over the Easter period. | :05:51. | :05:54. | |
The one religious programme that aired on Good Friday on BBC TV was | :05:54. | :05:57. | |
"The Mystery of Mary Magdalene" in which Melvyn Bragg tackled the | :05:57. | :06:00. | |
controversy of one of the Bible's most enigmatic figures. But it just | :06:00. | :06:10. | |
:06:10. | :06:30. | ||
Something which is still challenging to the church today and | :06:30. | :06:37. | |
which has provoked a great deal of speculation among biblical scholars, | :06:37. | :06:41. | |
that Mary Magdalene might have been did lover of Jesus Christ and even | :06:41. | :06:46. | |
his wife. Don't think the programme was inflammatory and speculative. | :06:46. | :06:49. | |
It had academics from around the world. As a subject matter it has | :06:49. | :06:52. | |
been there for a long time. There was nothing particularly shocking | :06:52. | :06:56. | |
in that. If people are upset by it, we never set out to do that and I'm | :06:56. | :06:59. | |
sorry about that. But I think the vast majority of people who watched | :06:59. | :07:03. | |
it, and the audience figures were very good as well, they would have | :07:03. | :07:09. | |
come away with a deep understanding of the importance of Mary Magdalene | :07:09. | :07:14. | |
story. Rediscovered texts give voice to these visionary women and | :07:14. | :07:18. | |
illustrate the struggles they were having with the mainstream churches. | :07:18. | :07:22. | |
We do lots of programming to reflect as wide an audience as | :07:22. | :07:28. | |
possible. In this programme, I think it was good programme and | :07:28. | :07:38. | |
:07:38. | :08:06. | ||
That fits perfectly. This pie is relatively small compared to the | :08:06. | :08:10. | |
Christmas pies of all. Although it will take three hours to cook, we | :08:10. | :08:15. | |
are more than happy to hang around to see how it turns out. There he | :08:15. | :08:21. | |
is! Surely nothing pays finer tribute to our great British fowl | :08:21. | :08:25. | |
than a Yorkshire Christmas pie. Well, maybe it's been this weather | :08:25. | :08:26. | |
that's been making us think of Christmas! | :08:26. | :08:29. | |
Speaking of times past, BBC One rewound a whole century on Sunday | :08:29. | :08:39. | |
:08:39. | :08:47. | ||
evening for the start of the new Lots of praise for the concept, but | :08:47. | :08:57. | |
:08:57. | :09:03. | ||
a rap on the knuckles from the Hubert Parry's Jerusalem is played | :09:03. | :09:07. | |
by the brass band as the village's young recruits march off to war. A | :09:07. | :09:11. | |
poignant departure and dramatic ending to the first episode. Except, | :09:11. | :09:21. | |
:09:21. | :09:28. | ||
And that wasn't all. This is Bill Jones, who plays young Bert in the | :09:28. | :09:33. | |
series. And this is accomplished actor David Ryall, who plays that | :09:33. | :09:35. | |
same Bert in his latter years. Notice anything wrong? An | :09:35. | :09:45. | |
:09:45. | :09:58. | ||
No, Margaret, your eyes weren't deceiving you. But you aren't alone. | :09:58. | :10:01. | |
Some fans of Jonathan Creek couldn't believe what they were | :10:01. | :10:06. | |
watching on Monday night. I thought it might be a good idea to pool our | :10:06. | :10:11. | |
thoughts and see if we can't nudge this one into the back of the net. | :10:11. | :10:18. | |
Sceptic as I was about that secret society nonsense it was at the | :10:18. | :10:28. | |
:10:28. | :10:36. | ||
heart of this illusion, as That's what we asked the comedy | :10:36. | :10:46. | |
:10:46. | :10:56. | ||
And while the plot confused some, others were offended by the | :10:56. | :11:04. | |
treatment of a transgender character. I was born a man. | :11:04. | :11:10. | |
Exactly. Must not forget by the way, it's Jack and daveina's anniversary | :11:10. | :11:15. | |
today, so many congratulations to you both. To the lucky husband and | :11:15. | :11:25. | |
And the name I suppose, Jacqueline, appropriate with your identity | :11:25. | :11:31. | |
issues. Jacqueline Hyde? How you do mean | :11:31. | :11:41. | |
:11:41. | :11:55. | ||
Programme makers are always on the hunt for the next big thing, and | :11:55. | :12:04. | |
who'd have thought they'd have all stitched up with a sewing show? | :12:04. | :12:08. | |
have ten minutes left on this alteration challenge. As soon as | :12:08. | :12:14. | |
that time pressure came on you saw a couple of moosive clangers. | :12:14. | :12:19. | |
think Tilly was a little overambitious. She gave herself a | :12:19. | :12:22. | |
pat everyone drafting challenge as well as making the collar for her | :12:22. | :12:29. | |
Funny you should mention that, we're tucking into cookery shows | :12:29. | :12:32. | |
next week. If you've got anything to say about those or anything else | :12:32. | :12:36. | |
on BBC TV, please let us know. And you can do so by using the same | :12:36. | :12:46. | |
:12:46. | :13:09. | ||
Thanks to those of you who've been in touch while we've been off air. | :13:09. | :13:13. |