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Hello and welcome to Points of View, | 0:00:10 | 0:00:13 | |
where YOU review what you've been watching on TV over the past week | 0:00:13 | 0:00:17 | |
and we've a full menu of your comments to serve up, | 0:00:17 | 0:00:20 | |
so here's what's for starters. | 0:00:20 | 0:00:22 | |
The winner of the 2013 | 0:00:22 | 0:00:25 | |
Great British Bake Off is... | 0:00:25 | 0:00:29 | |
Frances! | 0:00:29 | 0:00:32 | |
An audience of nearly 8.5 million tuned in on Tuesday night | 0:00:32 | 0:00:35 | |
to see Frances Quinn crowned the winner of the fourth series | 0:00:35 | 0:00:39 | |
of the Great British Bake Off. | 0:00:39 | 0:00:42 | |
Here you are. | 0:00:42 | 0:00:44 | |
The Great British Bake Off, how are you feeling? | 0:00:44 | 0:00:47 | |
I hoped... I dreamt it, | 0:00:47 | 0:00:50 | |
but I don't think I ever truly, truly believed it. | 0:00:50 | 0:00:54 | |
Oh, darling! Congratulations! | 0:00:54 | 0:00:57 | |
So, the wait is over for Bake Off fans | 0:00:57 | 0:01:00 | |
who have enjoyed every mouthwatering moment of this series. | 0:01:00 | 0:01:04 | |
Now who would have thought a cake-baking competition | 0:01:18 | 0:01:21 | |
could be such a big hit? | 0:01:21 | 0:01:23 | |
But it's just that, Bake Off has had higher ratings | 0:01:23 | 0:01:26 | |
than any other programme on BBC Two in the past ten years. | 0:01:26 | 0:01:31 | |
Little wonder that it's been poached by BBC One for the next series. | 0:01:31 | 0:01:36 | |
And that's enough cooking references now. | 0:01:36 | 0:01:39 | |
We asked the team at the BBC Bake Off HQ for assurances | 0:01:47 | 0:01:51 | |
that things won't change too dramatically | 0:01:51 | 0:01:53 | |
with the move to BBC One. Here's what they told us. | 0:01:53 | 0:01:57 | |
Blatant advertising? Or filming in the real world? | 0:03:12 | 0:03:15 | |
Now, the BBC has some pretty strong guidelines on this. | 0:03:15 | 0:03:18 | |
There are people in this building whose job it is | 0:03:18 | 0:03:20 | |
to make sure they're followed. The show's producers have told us | 0:03:20 | 0:03:24 | |
they did adhere to the so-called editorial guidelines at all times, | 0:03:24 | 0:03:29 | |
but at what point do products and logos and brands become a problem? | 0:03:29 | 0:03:34 | |
Who better to answer that than the Director of Editorial Policy, | 0:03:34 | 0:03:37 | |
David Jordan? | 0:03:37 | 0:03:39 | |
Well, we live in a world which is full of logos, | 0:03:39 | 0:03:42 | |
full of brands, full of brand names and they're constantly around us, | 0:03:42 | 0:03:46 | |
so we have to accept that it's not possible | 0:03:46 | 0:03:49 | |
to eradicate all of those things from our lives and nor do we want to. | 0:03:49 | 0:03:53 | |
On the other hand, we don't want to be put in a position | 0:03:53 | 0:03:56 | |
where excessive commercialisation on-screen | 0:03:56 | 0:04:01 | |
threatens the BBC's independence and editorial integrity. | 0:04:01 | 0:04:05 | |
So, it's about striking a balance and obviously that balance | 0:04:05 | 0:04:09 | |
is more difficult to strike when you're focusing on the work | 0:04:09 | 0:04:13 | |
of a company or a business or even of a charity, | 0:04:13 | 0:04:18 | |
when logos abound in the workplace | 0:04:18 | 0:04:22 | |
and in the other business places in which you're filming in. | 0:04:22 | 0:04:26 | |
From one form of promotion to another, now | 0:04:26 | 0:04:28 | |
and the way the BBC advertises upcoming programmes, | 0:04:28 | 0:04:32 | |
with trails as they're called. | 0:04:32 | 0:04:34 | |
Lots of people feeling overwhelmed by them. Have a look at this. | 0:04:34 | 0:04:37 | |
Unlike commercial advertisers, | 0:05:03 | 0:05:05 | |
we don't do big billboard campaigns | 0:05:05 | 0:05:08 | |
or expensive campaigns, using other people's airwaves. | 0:05:08 | 0:05:11 | |
We restrict ourselves to our own airtime within programmes. | 0:05:11 | 0:05:15 | |
The amount of advertising we do, for example, on BBC One | 0:05:18 | 0:05:21 | |
of our own content is almost exactly the same as ITV do | 0:05:21 | 0:05:25 | |
for their own content, however what we obviously don't do | 0:05:25 | 0:05:28 | |
is we don't have commercial breaks between the programmes | 0:05:28 | 0:05:31 | |
or around the programmes. | 0:05:31 | 0:05:32 | |
This is all connected with the way that we target the trails, | 0:05:42 | 0:05:45 | |
so if we take a programme like, say, for example, | 0:05:45 | 0:05:48 | |
Russell Howard's Good News on BBC Three. | 0:05:48 | 0:05:51 | |
Fifteen stone man mugged by a fox! | 0:05:51 | 0:05:54 | |
Give me your wallet or I'll run you through! | 0:05:54 | 0:05:56 | |
We normally target that at 15 to 25 year olds. | 0:05:56 | 0:05:59 | |
And what we try to achieve is that 65 per cent of that audience | 0:05:59 | 0:06:03 | |
should see that trail once and 40 per cent should see it three times. | 0:06:03 | 0:06:08 | |
However, if you watch a lot of BBC, | 0:06:08 | 0:06:11 | |
that might mean that you see that trail more often. | 0:06:11 | 0:06:14 | |
On average, there's about 1.5 minutes of trails allowed | 0:06:27 | 0:06:31 | |
per hour across all our airwaves, that's television and radio. | 0:06:31 | 0:06:35 | |
That will normally mean two or three trails in the break. | 0:06:35 | 0:06:39 | |
..Continues Thursday at nine on BBC One and catch up on BBC iPlayer. | 0:06:39 | 0:06:42 | |
Actually, the amount of time we give to trails has been stable | 0:06:51 | 0:06:54 | |
for the last three years, so it's the same now in 2013 | 0:06:54 | 0:06:57 | |
as it was in 2010. | 0:06:57 | 0:06:59 | |
The Escape Artist, starts Tuesday at nine on BBC One. | 0:06:59 | 0:07:02 | |
While I know that your mute button is clearly getting a lot of use, | 0:07:02 | 0:07:05 | |
there are people who actually really like our trails. | 0:07:05 | 0:07:08 | |
Last week, we launched our trail for the 50th anniversary episode | 0:07:08 | 0:07:11 | |
of Doctor Who. It was launched on Saturday night, | 0:07:11 | 0:07:14 | |
by the Tuesday morning, 2.5 million people | 0:07:14 | 0:07:17 | |
had sought out and downloaded that trail on YouTube. | 0:07:17 | 0:07:20 | |
So, some people do really love our trails. | 0:07:20 | 0:07:22 | |
The day of the Doctor. | 0:07:22 | 0:07:25 | |
Now, one programme which seems to require no promotion | 0:07:29 | 0:07:32 | |
is The Paradise which returned on Sunday. | 0:07:32 | 0:07:36 | |
I could see you today across the store and... | 0:07:36 | 0:07:40 | |
I was thinking... This is how it should be. | 0:07:40 | 0:07:42 | |
The Paradise, bursting with customers. | 0:07:42 | 0:07:45 | |
And at the same time, thinking... | 0:07:45 | 0:07:47 | |
Longing for them all to go! | 0:07:47 | 0:07:49 | |
So we could have the place to ourselves. | 0:07:49 | 0:07:53 | |
The intoxicating love story set in England's first department store, | 0:07:53 | 0:07:57 | |
proving to be a winner all over again. | 0:07:57 | 0:08:00 | |
Yes, sometimes things ARE better the second time around, | 0:08:17 | 0:08:20 | |
which leads us on nicely to the whole issue of repeats. | 0:08:20 | 0:08:23 | |
Now remember, last series the head of daytime, Damian Kavanagh, | 0:08:23 | 0:08:27 | |
made this admission. | 0:08:27 | 0:08:29 | |
For us to be able to continue to do the distinctive programming | 0:08:29 | 0:08:32 | |
that we aspire to do on BBC One, we have to play some repeats. | 0:08:32 | 0:08:34 | |
If we didn't play any repeats, we wouldn't be able to afford | 0:08:34 | 0:08:37 | |
to do any original drama in the afternoons. | 0:08:37 | 0:08:39 | |
We couldn't afford to continue doing the campaigning shows that we do. | 0:08:39 | 0:08:42 | |
But, it would seem there are changes afoot on BBC daytime. | 0:08:42 | 0:08:45 | |
The eagle-eyed among you noticing an increasing number of programmes | 0:08:45 | 0:08:48 | |
from further back in the archives. | 0:08:48 | 0:08:50 | |
Now, they're still repeats, but do we call them classics? | 0:08:50 | 0:08:54 | |
So, we have to have repeats in daytime, | 0:08:56 | 0:08:59 | |
but faced with the choice, modern-day series or golden oldies? | 0:08:59 | 0:09:04 | |
# It's a repeat... # | 0:09:04 | 0:09:06 | |
Which do you prefer? | 0:09:06 | 0:09:08 | |
I prefer classic programmes, which offers a bit more than | 0:09:08 | 0:09:11 | |
the modern programmes to a younger generation anyway. | 0:09:11 | 0:09:14 | |
That's classic criminals, there's a chapter in there. Let me see it. | 0:09:14 | 0:09:17 | |
The old classics more than the regular programmes, | 0:09:17 | 0:09:19 | |
even though you have already seen them. | 0:09:19 | 0:09:21 | |
One of my favourite programmes is on there, Keeping Up Appearances. | 0:09:21 | 0:09:24 | |
Oh, yes, he always had good taste. | 0:09:24 | 0:09:26 | |
Something that makes you happy, makes you laugh. | 0:09:26 | 0:09:28 | |
I'd rather have classics than stuff that was repeated ten months ago. | 0:09:28 | 0:09:32 | |
Which, under normal certain circumstances would be bad news... | 0:09:32 | 0:09:35 | |
There's only a certain amount of times you can see old classics | 0:09:35 | 0:09:38 | |
and one day these will be classics as well. | 0:09:38 | 0:09:41 | |
Especially being a young person, | 0:09:41 | 0:09:43 | |
I'm at that age where you're looking to buy a property and you learn. | 0:09:43 | 0:09:46 | |
You've seen this before, so how are you feeling about it at the moment? | 0:09:46 | 0:09:50 | |
I have watched far too much Bargain Hunt on study leave | 0:09:50 | 0:09:53 | |
and on my days off at uni, so... | 0:09:53 | 0:09:56 | |
it would be nice to have a bit of a change, you know. | 0:09:56 | 0:09:58 | |
I'm free. I'm free. I'm free. | 0:09:58 | 0:10:00 | |
Some people like the old, some the new, keep everyone happy. | 0:10:00 | 0:10:04 | |
Bring the classics back, I've always found them well worth watching. | 0:10:04 | 0:10:07 | |
Give us more old classics. | 0:10:07 | 0:10:09 | |
She will repeat nothing. | 0:10:09 | 0:10:11 | |
Listen very carefully, I shall say this only once. | 0:10:11 | 0:10:14 | |
It seems the weight of opinion is firmly behind the classics. | 0:10:14 | 0:10:19 | |
But what programmes would they really like to see repeated? Freeze! | 0:10:19 | 0:10:23 | |
Only Fools And Horses, I would like that put back on television. | 0:10:23 | 0:10:25 | |
Only Fools And Horses, you'd laugh every day. The Two Ronnies. | 0:10:25 | 0:10:28 | |
Old tennis matches, John McEnroe. | 0:10:28 | 0:10:30 | |
The two brothers, Cain and Abel, or was that a film? | 0:10:30 | 0:10:33 | |
Morecambe and Wise. Even Butterflies. | 0:10:33 | 0:10:35 | |
Fools And Horses, that's repeated already, isn't it? | 0:10:35 | 0:10:40 | |
Now, brace yourself, Rodney. | 0:10:40 | 0:10:42 | |
Brace yourself. | 0:10:42 | 0:10:44 | |
LAUGHTER | 0:10:45 | 0:10:49 | |
Well, this has really caught the imagination. | 0:10:49 | 0:10:52 | |
Thanks to all who have been suggesting series | 0:10:52 | 0:10:54 | |
that you'd like to see repeated. | 0:10:54 | 0:10:56 | |
Hey, we've got some insider information, too. | 0:10:56 | 0:10:58 | |
There are plans for more afternoon classics coming up in 2014. | 0:10:58 | 0:11:02 | |
We can confirm The Pallisers. | 0:11:02 | 0:11:04 | |
And Bergerac. | 0:11:08 | 0:11:10 | |
Back to our youth, eh? | 0:11:10 | 0:11:12 | |
Hello, good evening and welcome. | 0:11:12 | 0:11:14 | |
And speaking of nostalgia, some real gems of broadcasting remembered | 0:11:14 | 0:11:18 | |
during a special tribute night | 0:11:18 | 0:11:20 | |
to the late Sir David Frost on Saturday. | 0:11:20 | 0:11:23 | |
Family and friends, among them some well-known faces, | 0:11:23 | 0:11:25 | |
spoke about the man in front of and behind the cameras. | 0:11:25 | 0:11:30 | |
Well, I think he was on one of the daily chat shows | 0:11:43 | 0:11:46 | |
a couple of years ago and rather than Sir David Frost | 0:11:46 | 0:11:50 | |
and underneath saying, broadcaster or journalist or whatever, | 0:11:50 | 0:11:54 | |
it just said the word legend. | 0:11:54 | 0:11:56 | |
Sir David would surely have enjoyed the complex politics | 0:11:58 | 0:12:02 | |
in this latest comedy drama. | 0:12:02 | 0:12:04 | |
Right, as guest of honour, he sits next to me. | 0:12:04 | 0:12:09 | |
Who should we put on the other side of him? The French ambassador. | 0:12:09 | 0:12:13 | |
Very funny. | 0:12:13 | 0:12:15 | |
You know he's coming, don't you? What? | 0:12:15 | 0:12:19 | |
No! Yes. | 0:12:19 | 0:12:20 | |
Comedy couple Mitchell and Webb joined the diplomatic world | 0:12:20 | 0:12:24 | |
in Ambassadors, on Wednesday night. | 0:12:24 | 0:12:27 | |
Thanks for your comments, as always. | 0:13:02 | 0:13:04 | |
Before we go, we wanted to let you know about a special programme | 0:13:04 | 0:13:07 | |
later in the series where we'll be putting your questions | 0:13:07 | 0:13:10 | |
to the top man at the BBC, the Director-General, Tony Hall. | 0:13:10 | 0:13:14 | |
If you've a question about BBC TV, anything you'd like him to answer, | 0:13:14 | 0:13:18 | |
please get in contact and of course you can do so in lots of ways. | 0:13:18 | 0:13:22 | |
The number is charged as a local rate call from any landline. | 0:13:29 | 0:13:32 | |
And we're tweeting away on Twitter. Find us @bbcpov. | 0:13:47 | 0:13:51 | |
That's it, until next Sunday, goodbye. | 0:13:51 | 0:13:54 | |
Subtitles by Red Bee Media Ltd | 0:13:54 | 0:13:57 |