Episode 3 Points of View


Episode 3

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Transcript


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Good afternoon and welcome to Points of View -

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your chance to take over the BBC and have your views aired on what

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you've been watching - sometimes before you even watch.

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As was the case this week with Monday's planned

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edition of Panorama featuring North Korea.

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No wonder North Korea is fast running out of friends.

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The controversial decision to allow reporter John Sweeney to join

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a group of students from the London School of Economics

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on their visit to the country

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made news before the programme even went to air.

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And when it did broadcast, many of you were left

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wondering if the controversy could have been avoided altogether.

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We put your criticisms to the editor of Panorama, Tom Giles.

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A lot of the hype, a lot of the fuss

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and the controversy wasn't actually stirred up by us.

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But aside from that, I'd say that this was a programme that was

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played out to a mass audience on BBC One of well over five million.

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That's the highest audience that Panorama's been able to get

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since it went to 8:30 in 2007, and that should tell you there was

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a huge public interest in what was going on in North Korea.

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We were able to show that audience what was going on at that exact

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historic moment when there was no other independent journalist there.

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At the time when the regime was making extraordinary threats.

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So I'm pretty confident that a lot of people came to it

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and did learn something insightful and new.

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More frustration, this time from Formula 1 fans who say the BBC

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is ruining their enjoyment of the season

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by letting the cat out of the bag.

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Under new arrangements, BBC and Sky Sports now share the rights

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to broadcast Formula 1 live.

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The BBC will show nine of the rounds live,

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with Sky Sports showing the remaining 11.

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When they don't have the live rights,

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the BBC will air highlight programmes later in the day.

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Hello and welcome to qualifying for the Chinese Grand Prix.

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The first of the BBC's live Grand Prix coverage

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came last Saturday, from the Shanghai International Circuit.

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The qualifying round was broadcast at the ungodly hour of 6:00am.

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That's great for the early risers.

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But for those of you hoping to catch the sporting drama on the

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highlights programme at the far more sociable hour of 1:00,

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the TV news was out to spoil the party -

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without so much as a warning.

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Lewis Hamilton has qualified for pole position in tomorrow's

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Chinese Grand Prix.

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So is it just a question of tough luck for those who don't

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get up early in the morning?

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We put the question to Richard Burgess, Head of Sports News.

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We do carry warnings.

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We carry a warning every time ahead of a highlights programme

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when we haven't shown the race live.

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That addresses the major concern of most of the audience.

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We also do the same with football ahead of Match Of The Day.

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And we also do the same with other sports, if we haven't shown it live.

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If we've shown the race live, then we don't give warnings.

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It would seem they're not going to back down on this one.

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If you want to avoid the results from trackside, you're either

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going to have to get up early for the live programming

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or avoid BBC news for the day!

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Now, the issue of subtitling.

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A valued service, but earning a "could do better" mark from some.

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Can somebody tell me why the BBC subtitles are not in sync with

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the pictures and are not accurate?

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There we are. No subtitles.

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It'll come in a minute.

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There you are. "You are watching Breakfast on BBC News."

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What was it? Three, four seconds?

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Inevitably, when you're subtitling a programme live, there is

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a delay between when the viewer hears the programme audio

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and the subtitle appears on the screen.

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A restructuring firm will buy the 141 stores...

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Predominantly, we use respeaking technology,

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where a subtitler will sit and listen to the programme's sound

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and they will respeak the dialogue into a speech recognition engine,

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which then translates that audio into text.

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And that's what appears on screen.

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We access the programme audio as early as possible.

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And often we are listening to the sound coming directly

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out of the studio, rather than waiting for that to go via

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satellite or via a distribution network to the viewer.

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There's also the problem of the accuracy.

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"This is the day the Gazan met the roof."

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What on earth does that mean?

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'I don't even know how people sound any more... '

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The subtitlers take a lot of time to train

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vocabulary into their dictionaries.

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Kim Jong Un, the Supreme Leader. Ban Ki Moon.

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Inevitably, sometimes the speech recognition engine does not

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translate what the subtitler is saying 100% accurately.

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And that's when mistakes occur.

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"Do you want O wind and a raised that picked?"

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We do understand the frustrations that viewers feel.

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We are in the process this year of rolling out new software

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which will see a positive step change

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in the levels of textual accuracy

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that you see on-screen, without making a compromise

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on the delay to those subtitles reaching the screen.

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New software. Well, it's going to spoil the fun,

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but it should make the subtitles we see on-screen less muddled.

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Now, a muddle isn't something you'd expect from the high-brow quiz show

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that is University Challenge -

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the long-running series that pits the brightest of our students

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against one another in a battle of brains.

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But the brains behind the questions seem to have

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suffered a lapse in concentration.

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This is a question from the episode broadcast

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on the 11th February this year.

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Le Cid, La Veuve and Cinna are among the tragedies of which dramatist

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born in Rouen in 1606 and a rival of Racine?

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And this is that very same question from the episode just

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nine weeks later in the series.

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Le Cid, La Veuve and Cinna are among the tragedies of which dramatist

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born in Rouen in 1606 and a rival of Racine?

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In fact, three of the exact same questions were

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aired across the two programmes.

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-Sorry, we don't know.

-It's Corneille.

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Did the programme makers think their duplication would go unnoticed?

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Quiz makers be warned -

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you can't get anything past the Points of View customers.

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And you were very engaged last Friday with Have I Got News for You.

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I'm Brian Blessed! Yes, it's me!

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BOOMING LAUGH

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Actor Brian Blessed was tasked

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with chairing the weekly satirical panel show.

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Am I on that?

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His failure at times to include the panel members

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really raised hackles.

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Have I Got News For You,

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praised by you on this programme just last week,

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but a very different story this week.

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From hero to zero in seven days.

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Time now for the odd one out round.

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< It's you.

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THEY ALL LAUGH

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Now, remember the great national tripod shortage where

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wobbly camera work used to be de rigeur.

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Some of you have been in touch to say it's back.

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It's not just the wobbles, it's the fast moves,

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quick edits and out-of-focus shots

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that are making a lot of people feel a bit at sea.

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Hello. Things have been pretty steady at the BBC of late.

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But I've noticed the old woozy cam is coming back into fashion.

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Will you stop it and give me a steady shot!

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# Shake it, shake, shake it, shake it, shake it

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# Shake it like a Polaroid picture

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Really straightforwardly well executed.

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# Shake it, shake, shake it, shake it, shake it... #

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I turned on the Sewing Bee expecting to be taught how to darn my socks or

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turn up my trousers, and the camera technique immediately put me off.

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And after five minutes, I had to stop watching it

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because they were zooming in and out. It was going in and out of focus.

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'Patrick and May's first challenge will test how good

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'the sewers are at following a basic pattern.'

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After a few minutes watching this, I did feel slightly odd.

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I feel as though I'm on a rollercoaster.

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It's the zooming in and out.

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You do really feel quite queasy after a time. Does it add to it?

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Does it make it seem more dynamic?

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I'm not quite sure that sewing up a pair of trousers needs to be dynamic.

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Ha! D'you see what he did there?

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And wobble-cam is by no means confined

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to the sedate world of sewing, because many more of you

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have noticed shaky shots creeping back elsewhere.

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At the moment, you have warnings of flash photography

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coming up in programmes.

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So perhaps you should have nausea warnings.

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Or woozy warnings.

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I like that.

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So are we witnessing the return of motion sickness to our screens?

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We asked the powers that be who commission the factual programmes.

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If you spot programmes on the move, do let us know.

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BBC Four's The Secret Life of Rockpools proved

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a real hit on Tuesday night.

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Palaeontologist Professor Richard Fortey took us

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to an underwater world we know so little about.

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And not a wobble cam in sight.

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In a rockpool, there is nothing quite as sinister

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as a marauding starfish.

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Using the edge of the shell,

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a limpet can push the starfish away to prevent it climbing on top.

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-There he goes. Look at that.

-That's really very agitated.

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It becomes like an animated mushroom.

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We can't say that rockpools lack drama.

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Praise too for Casualty.

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Last week's episode tackled the really difficult, and for some,

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disturbing issue of female genital mutilation or FGM, as it is known.

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The writer Sasha Hails is with me. Let's see a clip first.

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Was it your sister that was due to have the operation?

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Are you worried that someone might take her on another flight?

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As long as you're a patient in this hospital,

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I can help you and your little sister.

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I'm pleased to say the writer, Sasha, joins us now.

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Why tell this story?

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Ten years ago, there was

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a little girl who was affected by this in our neighbourhood.

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I was haunted by her story ever since.

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I've been looking for a way to tell it and finally,

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Casualty had the courage to take it on.

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And you had expert advice.

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From Integrate Bristol and Daughters of Eve -

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young people directly affected by this.

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And when you talk to them,

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you realise just how completely important it is.

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Thank you.

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And that is it from us for this week.

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So keep in touch, please.

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By post - at our new address, remember.

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By phone. The number is charged as a local rate call from any landline.

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Or join the messageboard. It's always lively there.

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Finally, there's email.

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Goodbye.

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Subtitles by Red Bee Media Ltd

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