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Good afternoon to and welcome to the last programme in this | 0:00:11 | 0:00:14 | |
series of Points Of View. | 0:00:14 | 0:00:16 | |
It may be the last, but you, the viewers, will not let us | 0:00:16 | 0:00:19 | |
go out quietly. | 0:00:19 | 0:00:20 | |
So, hold on to your seats for the next 30 minutes, | 0:00:20 | 0:00:23 | |
and your review of the TV that you've been watching this week. | 0:00:23 | 0:00:26 | |
Every weekend, parties are happening across the UK. | 0:00:28 | 0:00:31 | |
But how many of them end up like this? | 0:00:33 | 0:00:36 | |
CALL HANDLER: Emergency, which service? | 0:00:36 | 0:00:38 | |
I want to speak to the police. | 0:00:38 | 0:00:40 | |
We start with Monday night, | 0:00:40 | 0:00:41 | |
and proving yet again that it is never afraid to tackle challenging | 0:00:41 | 0:00:45 | |
subjects in potentially controversial ways, | 0:00:45 | 0:00:48 | |
BBC Three put sex on trial. | 0:00:48 | 0:00:51 | |
What the actual hell are you people talking about? | 0:00:51 | 0:00:54 | |
It is rape, OK? | 0:00:54 | 0:00:57 | |
It's a unique event, and at the end of it we'll know what | 0:00:57 | 0:01:00 | |
they think you can and can't do when it comes to sex. | 0:01:00 | 0:01:05 | |
The interactive documentary presented a group of young people with | 0:01:05 | 0:01:08 | |
a dramatised scenario, and asked them, as well as the viewers, | 0:01:08 | 0:01:12 | |
to decide, is this rape? | 0:01:12 | 0:01:14 | |
Much praise for this, especially on social media. | 0:01:14 | 0:01:18 | |
Yasmin Chaudhry described the show as "fantastic", giving it a special | 0:01:18 | 0:01:22 | |
"wow, wow, wow". Aaron Smythe said it "Was a great show. | 0:01:22 | 0:01:25 | |
"If it makes just one young lad think twice, then absolute job done." | 0:01:25 | 0:01:29 | |
While Bill praised the channel "for airing a programme that | 0:01:29 | 0:01:33 | |
"finally educates people on what consent actually is". | 0:01:33 | 0:01:36 | |
From one set of moral dilemmas to another, and the ever mounting | 0:01:36 | 0:01:39 | |
issue of food waste is Hugh Fearnley-Whittingstall's latest mission. | 0:01:39 | 0:01:44 | |
His aim? To reduce the staggering amount of food we waste every year. | 0:01:44 | 0:01:49 | |
..yet a third of all the food we produce never gets eaten. | 0:01:49 | 0:01:52 | |
That has to be wrong. | 0:01:53 | 0:01:55 | |
Oh, my God. You do get a better class of waste at Waitrose. | 0:01:55 | 0:02:00 | |
Oh, beautiful pears. | 0:02:00 | 0:02:02 | |
'With your help, I want to do something about it.' | 0:02:03 | 0:02:06 | |
But this might well be Hugh's mission impossible as he quickly realises, | 0:02:06 | 0:02:10 | |
when it comes to food, the supermarkets are king. | 0:02:10 | 0:02:13 | |
Do you expect to make a profit on the farm this year? No. None? No. | 0:02:13 | 0:02:18 | |
Really? How long has it been like that? | 0:02:18 | 0:02:20 | |
How long have you been in that cycle? Probably longer than is... | 0:02:20 | 0:02:23 | |
is good for us as a family business. | 0:02:23 | 0:02:26 | |
If this continues, what's the future? | 0:02:26 | 0:02:29 | |
Closure, basically. | 0:02:29 | 0:02:31 | |
SHE EXHALES | 0:02:34 | 0:02:35 | |
You're upset, aren't you? | 0:02:38 | 0:02:39 | |
Next up, making her much heralded return to the BBC, | 0:02:55 | 0:02:58 | |
Nigella Lawson was keeping it simple in the kitchen. | 0:02:58 | 0:03:01 | |
'Simply Nigella is about dishes that do just that. | 0:03:01 | 0:03:06 | |
'Recipes that relax and restore... | 0:03:06 | 0:03:08 | |
'..uplift and enrich.' | 0:03:10 | 0:03:12 | |
And that's perfect. | 0:03:20 | 0:03:22 | |
Lamb ribs are cut from the breast, and I lived on breast of lamb | 0:03:22 | 0:03:26 | |
when I was a student. | 0:03:26 | 0:03:28 | |
I used to braise them, in one piece, all the time. | 0:03:28 | 0:03:32 | |
Now I go for the ribs, which I roast with cumin seeds | 0:03:32 | 0:03:36 | |
and nigella seeds, and I can tell you, it is the way forward. | 0:03:36 | 0:03:40 | |
In what world do students see lamb as an everyday ingredient? | 0:03:40 | 0:03:45 | |
I've been a student, and now I work, but I still see | 0:03:45 | 0:03:48 | |
lamb as an expensive luxury ingredient, a treat on a Sunday. | 0:03:48 | 0:03:52 | |
An everyday ingredient? | 0:03:52 | 0:03:53 | |
No way. And how many other people in this country will think like that? | 0:03:53 | 0:03:57 | |
Nigella seems but a parody in the way she presents | 0:03:57 | 0:04:00 | |
and the way she uses expensive, luxury ingredients. | 0:04:00 | 0:04:04 | |
I could keep moaning, but now I'm off to knock up a quick | 0:04:04 | 0:04:06 | |
lobster ravioli with some unicorn sweat and gold leaf. | 0:04:06 | 0:04:10 | |
Simply Nigella was the title, but for some it was just a bit too simple. | 0:04:10 | 0:04:14 | |
Don't mind me while I mash. | 0:04:14 | 0:04:16 | |
My toast of choice is ready and waiting. | 0:04:22 | 0:04:24 | |
And I can pile this on. | 0:04:24 | 0:04:26 | |
Beans AND cheese, Kat? You could be starting something there. | 0:04:39 | 0:04:42 | |
If cookery isn't your thing, what about a bit of pottering? | 0:04:42 | 0:04:46 | |
Hot on the heels of The Great British Bake Off, the latest | 0:04:51 | 0:04:53 | |
offering from the same producers, The Great Pottery Throw Down. | 0:04:53 | 0:04:57 | |
And on BBC Two, Tuesday night, | 0:05:00 | 0:05:02 | |
there was certainly a lot of familiarity with the format. | 0:05:02 | 0:05:05 | |
'It's day one of the first-ever search for Britain's best | 0:05:05 | 0:05:08 | |
'home potter.' There were the group of contestants... | 0:05:08 | 0:05:11 | |
I'm so passionate about ceramics. | 0:05:11 | 0:05:13 | |
..the two judges whose job it is to choose | 0:05:13 | 0:05:15 | |
which of the potters would leave the competition each week... | 0:05:15 | 0:05:18 | |
You're going to have to do something with that. Just go bold with it. | 0:05:18 | 0:05:21 | |
..and a fair bit of innuendo that made Mary Berry's "soggy bottom" seem | 0:05:21 | 0:05:25 | |
quite tame. | 0:05:25 | 0:05:27 | |
MUSIC: Unchained Melody by The Righteous Brothers | 0:05:27 | 0:05:30 | |
'Size matters.' 27.5. It is quite primal. | 0:05:31 | 0:05:34 | |
It's a very sexual feeling when you're working with clay. | 0:05:34 | 0:05:38 | |
Is pottery better than sex? No. | 0:05:38 | 0:05:41 | |
Am I being really prudish to say it was just innuendo...? | 0:05:41 | 0:05:45 | |
In fact, it was beyond innuendo, it was sexual connotation, | 0:05:45 | 0:05:49 | |
and they were getting extremely rude and vulgar, and it is pottery. | 0:05:49 | 0:05:53 | |
I appreciate that it was over the watershed, at nine o'clock, | 0:05:53 | 0:05:58 | |
but it is pottery. | 0:05:58 | 0:05:59 | |
There was all the slipping and sliding and the firm hand movements. | 0:05:59 | 0:06:03 | |
We all saw Ghost, we know how this ends. | 0:06:03 | 0:06:05 | |
It is almost too easy to make jokes about it. | 0:06:05 | 0:06:08 | |
So, leaving the innuendo aside, is pottery the new baking? | 0:06:12 | 0:06:17 | |
Did it get you all fired up, or did you glaze over? I'm sorry. | 0:06:17 | 0:06:21 | |
Who better placed to judge this one than a group of potters? | 0:06:21 | 0:06:25 | |
We went along to Parade Mews Pottery | 0:06:25 | 0:06:27 | |
group in South London to hear what they thought of The Throw Down. | 0:06:27 | 0:06:31 | |
MUSIC: You Spin Me Round (Like A Record) by Dead Or Alive | 0:06:31 | 0:06:34 | |
I thought Throw Down was interesting. | 0:06:36 | 0:06:39 | |
I actually found it a bit sentimental | 0:06:39 | 0:06:41 | |
and kind of nostalgic, in a way. | 0:06:41 | 0:06:43 | |
I found it entertaining. Oh, gosh. | 0:06:43 | 0:06:46 | |
It was slightly crazy. | 0:06:46 | 0:06:48 | |
I thought the show was really interesting, I thought | 0:06:50 | 0:06:53 | |
it was a great introduction to pottery for people who | 0:06:53 | 0:06:55 | |
haven't been exposed to it before. This is how it is going to work, OK. | 0:06:55 | 0:06:59 | |
Each week, one of you will be named Top Potter. | 0:06:59 | 0:07:02 | |
Maybe Sara Cox wasn't the best choice of presenter, | 0:07:02 | 0:07:05 | |
but I still think she was funny... You know, her interactions | 0:07:05 | 0:07:09 | |
and stuff with the contestants, she seemed really lovely and seemed to | 0:07:09 | 0:07:13 | |
be having fun with it, even though she didn't know too much about it. | 0:07:13 | 0:07:16 | |
I feel like I just want to rub your shoulders. I'll do some sort of... | 0:07:16 | 0:07:19 | |
I'm fine. Sara Cox is trying to throw in sexual innuendo at every | 0:07:19 | 0:07:22 | |
point possibly. I felt like that was her only joke, | 0:07:22 | 0:07:25 | |
and that frustrated me. | 0:07:25 | 0:07:26 | |
Does your wife ever...do pottery with you? No, she doesn't. | 0:07:26 | 0:07:30 | |
Does she not? No. I thought that Kate and Keith did an OK job. | 0:07:30 | 0:07:34 | |
Morning, people. Hey! Hello, everybody. | 0:07:34 | 0:07:37 | |
Usually you have one baddie and one goodie, | 0:07:37 | 0:07:40 | |
and they were both very supportive. | 0:07:40 | 0:07:42 | |
Potters of the world unite. LAUGHTER | 0:07:42 | 0:07:44 | |
'They were quite a strange pair, I thought.' | 0:07:44 | 0:07:47 | |
I didn't really get why Keith was crying over pots at the end of it. | 0:07:47 | 0:07:51 | |
You were so nervous. And you've just excelled yourself. | 0:07:51 | 0:07:55 | |
He was obviously prepared for that, he had | 0:07:55 | 0:07:57 | |
brought a handkerchief. But it was a little bit unexpected. | 0:07:57 | 0:08:02 | |
I do think Throw Down could become a really popular show | 0:08:02 | 0:08:05 | |
and do for pottery what The Bake Off has done for baking. | 0:08:05 | 0:08:10 | |
Throw Down will be Bake Off for a couple of weeks | 0:08:10 | 0:08:12 | |
and then there'll be something else that people will talk about. | 0:08:12 | 0:08:15 | |
It won't last. I thought it was OK. | 0:08:15 | 0:08:17 | |
I couldn't help but compare it a bit to The Bake Off. | 0:08:17 | 0:08:21 | |
Is Throw Down the new Bake Off? No, probably not. | 0:08:21 | 0:08:25 | |
I think it wishes it was... | 0:08:25 | 0:08:26 | |
This is your mammoth task. | 0:08:26 | 0:08:28 | |
..but it's not. | 0:08:28 | 0:08:29 | |
Bake Off rules. | 0:08:29 | 0:08:31 | |
From the search for the best potter to BBC Three's hunt | 0:08:31 | 0:08:35 | |
for Britain's Biggest Sexists on Tuesday night. | 0:08:35 | 0:08:39 | |
Sexists of Britain, your moment has come. | 0:08:39 | 0:08:42 | |
Journalist Leah Green presented the contenders for this most | 0:08:44 | 0:08:47 | |
un-coveted of prizes. | 0:08:47 | 0:08:49 | |
For sheer stupidity and self sabotage, I'm going | 0:08:49 | 0:08:52 | |
to go with employers who discriminate against pregnant women. | 0:08:52 | 0:08:56 | |
But, for some, the fact that only men were targeted meant | 0:08:56 | 0:08:59 | |
the programme makers had decided already that sexism | 0:08:59 | 0:09:03 | |
was a one-way street. | 0:09:03 | 0:09:04 | |
It was clear from the offset the programme was biased, | 0:09:10 | 0:09:13 | |
misinforming and rather denigrating. | 0:09:13 | 0:09:15 | |
The show demonstrates the lack of professionalism and ethical | 0:09:15 | 0:09:18 | |
journalism that I would expect from a public service broadcaster. | 0:09:18 | 0:09:21 | |
For Britain's biggest sexist TV programme, | 0:09:21 | 0:09:24 | |
I'd like to nominate Britain's Biggest Sexists. | 0:09:24 | 0:09:26 | |
The show had an air of hypocrisy about it by only discussing | 0:09:26 | 0:09:29 | |
the problem of sexism towards women. | 0:09:29 | 0:09:32 | |
It is of course more prevalent, | 0:09:32 | 0:09:33 | |
but does not define the concept of sexism. | 0:09:33 | 0:09:35 | |
Two knighted titans of stage and screen graced us | 0:09:35 | 0:09:39 | |
with their acting presence on BBC Two this week. | 0:09:39 | 0:09:42 | |
What performances is this? Well, tonight will be your... | 0:09:42 | 0:09:46 | |
227th performance of the part, Sir. | 0:09:46 | 0:09:49 | |
Sirs Anthony Hopkins and Ian McKellen starred in | 0:09:49 | 0:09:52 | |
an adaptation of The Dresser, the story of an ageing actor's | 0:09:52 | 0:09:56 | |
intense relationship with his personal assistant. | 0:09:56 | 0:09:59 | |
This decidedly old-fashioned play had lots of you shouting, "Bravo." | 0:09:59 | 0:10:03 | |
The BBC Two production of The Dresser on Saturday night was | 0:10:03 | 0:10:07 | |
a masterclass and worth every penny of the BBC licence fee. | 0:10:07 | 0:10:12 | |
Really, the BBC at its best. | 0:10:12 | 0:10:15 | |
Sir Ian McKellen's characterisation of Norman was brilliant. | 0:10:15 | 0:10:19 | |
His monologue at the end where he isn't mentioned by the man | 0:10:19 | 0:10:22 | |
he has served faithfully all those years brought me to tears. | 0:10:22 | 0:10:27 | |
Sir Anthony Hopkins's Sir was egotistical and self-centred, | 0:10:27 | 0:10:31 | |
and watching his mind breaking down was at times uncomfortable to watch. | 0:10:31 | 0:10:36 | |
Seems like years since we've had such quality drama on the BBC | 0:10:36 | 0:10:40 | |
such as The Dresser. | 0:10:40 | 0:10:41 | |
The superb production was second to none. Well done, BBC. | 0:10:41 | 0:10:45 | |
You're a fine one! | 0:10:45 | 0:10:47 | |
I must say. | 0:10:47 | 0:10:49 | |
You of all people. | 0:10:49 | 0:10:51 | |
You disappoint me. If you don't mind me saying so. | 0:10:51 | 0:10:55 | |
Staying with drama, | 0:10:55 | 0:10:56 | |
and after last week's uproar over the pre-watershed scheduling | 0:10:56 | 0:11:00 | |
of the new police drama Cuffs, there's been quite a bit of debate | 0:11:00 | 0:11:03 | |
over whether there are currently just too many cop shows on the BBC. | 0:11:03 | 0:11:08 | |
Control, this is 220... | 0:11:08 | 0:11:10 | |
As well as Cuffs, there's River, From Darkness, Arne Dahl, | 0:11:10 | 0:11:15 | |
The Young Montalbano, | 0:11:15 | 0:11:17 | |
and comedy series Top Coppers. | 0:11:17 | 0:11:20 | |
Not bad. | 0:11:20 | 0:11:22 | |
It seems the police are everywhere on the BBC, you just can't escape them. | 0:11:22 | 0:11:26 | |
MUSIC: Theme from The Naked Gun | 0:11:26 | 0:11:29 | |
I have noticed recently that we've an awful lot of police dramas on. | 0:11:36 | 0:11:40 | |
Cuffs, River, and even Arne Dahl on BBC Four. | 0:11:40 | 0:11:44 | |
Is it possible to sort of spread them out over the year? | 0:11:44 | 0:11:47 | |
Sometimes it feels like every other scripted programme on BBC One | 0:11:47 | 0:11:50 | |
is a police drama, and few of them distinctive. | 0:11:50 | 0:11:53 | |
I'd like to see more comedy, and dramas in other settings. | 0:11:53 | 0:11:57 | |
But not everyone is complaining. Some of you can't get enough cop action. | 0:12:04 | 0:12:09 | |
Every time I see another crime show on TV I think, "Not another one!" | 0:12:09 | 0:12:12 | |
But they've all been amazing. Cuffs is funny, River is interesting. | 0:12:12 | 0:12:18 | |
I don't know quite what is going to happen. | 0:12:18 | 0:12:20 | |
Partners In Crime was hilarious, one of the best shows I've ever seen. | 0:12:20 | 0:12:23 | |
And New Tricks probably had their best... | 0:12:23 | 0:12:26 | |
Definitely had their best season ever. | 0:12:26 | 0:12:28 | |
I really love that one, so, yes, keep them coming. | 0:12:28 | 0:12:31 | |
I think they were having too much fun with that blue light. | 0:12:33 | 0:12:36 | |
Thanks to all of you who got in touch to air your views this week, | 0:12:36 | 0:12:39 | |
and every week of this series. We've been overwhelmed by the number of you | 0:12:39 | 0:12:43 | |
who took the time to write, call and record your own viewer videos. | 0:12:43 | 0:12:48 | |
The first episode of this new series captured the charm, | 0:12:48 | 0:12:51 | |
wit and humour of the original. It was fantastic, I just loved it. | 0:12:51 | 0:12:55 | |
Shame on you, BBC. | 0:12:55 | 0:12:56 | |
It was inspirational and motivating, | 0:12:56 | 0:12:59 | |
and it just proves that anyone can follow their dreams and succeed. | 0:12:59 | 0:13:03 | |
It is addictive viewing, it is a guilty pleasure, | 0:13:03 | 0:13:06 | |
but one that I shall be rejoicing in many times, hopefully. | 0:13:06 | 0:13:08 | |
I was really angry and upset. This is a family programme. | 0:13:08 | 0:13:13 | |
It is not exactly ground-breaking television, | 0:13:13 | 0:13:15 | |
but it's certainly enjoyable in its own right. | 0:13:15 | 0:13:18 | |
I'm really looking forward to the next episode. | 0:13:18 | 0:13:20 | |
I'm sure there will be further twists and intrigue to come. | 0:13:20 | 0:13:23 | |
I was very disappointed in the programme. | 0:13:23 | 0:13:25 | |
I'm totally addicted to it, but, like, it hurts my stomach at the same time. | 0:13:25 | 0:13:29 | |
In praise or criticism, | 0:13:29 | 0:13:31 | |
good or bad, your views are what makes this programme a success. | 0:13:31 | 0:13:35 | |
Without them, the show simply wouldn't exist. | 0:13:35 | 0:13:38 | |
We are off air now until the spring, | 0:13:40 | 0:13:42 | |
but that doesn't mean you can't continue the conversation | 0:13:42 | 0:13:44 | |
online, on Facebook, for example, on Twitter, on our message boards. | 0:13:44 | 0:13:49 | |
So do keep talking there, we will return to do it all again in 2016. | 0:13:49 | 0:13:54 | |
Until then, goodbye. | 0:13:54 | 0:13:56 |