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And we are back. Welcome to Points Of View, | 0:00:02 | 0:00:04 | |
the show that gives you the chance to have your say | 0:00:04 | 0:00:07 | |
on the BBC television programmes you've loved and loathed. | 0:00:07 | 0:00:11 | |
It was billed as being full of epic fails and big, big wins, | 0:00:22 | 0:00:26 | |
but BBC One's new Saturday night game show may have only managed | 0:00:26 | 0:00:30 | |
to live up to PART of that publicity patter. | 0:00:30 | 0:00:33 | |
Can't Touch This sees 16 contestants battle it out on an assault course | 0:00:37 | 0:00:42 | |
with the premise that if they touch a prize, they can win it. | 0:00:42 | 0:00:45 | |
Let's see what he's got. | 0:00:45 | 0:00:46 | |
-A very sore chin. -Oh! | 0:00:48 | 0:00:50 | |
Oh, look, that last grab. | 0:00:50 | 0:00:52 | |
But, for some of you, it was the format itself | 0:00:52 | 0:00:55 | |
that ended up falling flat. | 0:00:55 | 0:00:57 | |
SCREAMING | 0:00:59 | 0:01:02 | |
Imagine Total Wipeout without | 0:01:09 | 0:01:11 | |
the humour of Richard Hammond, | 0:01:11 | 0:01:13 | |
where the audience appear to have gone home in total despair, | 0:01:13 | 0:01:16 | |
where the desperate presenters try to find something to laugh at. | 0:01:16 | 0:01:20 | |
You've got it. That's Can't Touch This. | 0:01:20 | 0:01:23 | |
The show seemed to have too many contestants, was long and drawn-out, | 0:01:23 | 0:01:27 | |
and 50 minutes' airtime seemed like two hours. | 0:01:27 | 0:01:31 | |
This should be fun. | 0:01:31 | 0:01:32 | |
Oh, sorry, I meant painful. | 0:01:33 | 0:01:35 | |
Can't Touch This, failing to make a splash. | 0:01:37 | 0:01:40 | |
Sorry. More water sports for you now, | 0:01:40 | 0:01:43 | |
and last Sunday's Oxford-Cambridge Boat Race. | 0:01:43 | 0:01:46 | |
It is Cambridge. | 0:01:46 | 0:01:47 | |
It is Cambridge who take it, who win the 162nd Boat Race. | 0:01:47 | 0:01:51 | |
Cambridge powered to victory in the men's race, | 0:01:51 | 0:01:54 | |
claiming their first win since 2012. | 0:01:54 | 0:01:57 | |
CHEERING | 0:01:57 | 0:02:00 | |
The decision to include comedian Seann Walsh | 0:02:00 | 0:02:02 | |
as part of the television line-up, though, | 0:02:02 | 0:02:05 | |
gave a lot of viewers a distinct sinking feeling. | 0:02:05 | 0:02:09 | |
What is your experience of the Boat Race so far? | 0:02:09 | 0:02:11 | |
So far... I know nothing about this. | 0:02:11 | 0:02:13 | |
I thought it was in Cambridge. | 0:02:13 | 0:02:14 | |
I have no idea. So I'm happy to be here. | 0:02:14 | 0:02:17 | |
I think there's been a booking error, basically. | 0:02:17 | 0:02:19 | |
I felt that it hit a new low, with the comedian Seann Walsh | 0:02:19 | 0:02:23 | |
making somewhat uninformed, mildly humorous comments | 0:02:23 | 0:02:27 | |
on a subject he admitted he knew nothing about. | 0:02:27 | 0:02:30 | |
The guy with the long hair, Seann Walsh, | 0:02:30 | 0:02:32 | |
ruined the coverage between the races | 0:02:32 | 0:02:35 | |
with his attempts at humour and with | 0:02:35 | 0:02:38 | |
his offensive and sexist comments. | 0:02:38 | 0:02:40 | |
I was surprised and disappointed to see the coverage | 0:02:40 | 0:02:43 | |
of the women's Boat Race debased by the antics of Seann Walsh, | 0:02:43 | 0:02:47 | |
whose so-called humour was intended to enhance the experience. | 0:02:47 | 0:02:51 | |
How anyone, even with the minimum of wit, can find this acceptable, | 0:02:51 | 0:02:55 | |
I fail to understand. | 0:02:55 | 0:02:57 | |
At times even the co-presenter Helen Skelton appeared to have had enough. | 0:02:57 | 0:03:01 | |
I've found an activity that means Seann is too exhausted to talk. | 0:03:01 | 0:03:07 | |
And it wasn't just Points Of View you complained to. | 0:03:08 | 0:03:10 | |
The BBC itself got more than 200 complaints about Seann's antics, | 0:03:10 | 0:03:15 | |
and they have offered us this statement in response. | 0:03:15 | 0:03:18 | |
Last Sunday night, | 0:03:31 | 0:03:32 | |
we saw the tense climax of the BBC's lavish adaptation of John Le Carre's | 0:03:32 | 0:03:37 | |
1993 novel The Night Manager. | 0:03:37 | 0:03:39 | |
Just under seven million of you tuned in | 0:03:42 | 0:03:44 | |
to see Hugh Laurie's character Richard Roper get his comeuppance, | 0:03:44 | 0:03:47 | |
and you were not disappointed. | 0:03:47 | 0:03:49 | |
No! No! | 0:03:49 | 0:03:52 | |
No! No! | 0:03:52 | 0:03:53 | |
No! | 0:03:53 | 0:03:55 | |
Hugh Laurie was superbly sinister and clearly a nasty piece of work. | 0:03:55 | 0:04:00 | |
Edge-of-the-seat tension was maintained throughout the series. | 0:04:00 | 0:04:03 | |
It was an excellent piece of television, | 0:04:05 | 0:04:07 | |
it was a well-developed plot and well-thought-through characters. | 0:04:07 | 0:04:11 | |
It was a thrilling finale to what has been a fantastic series | 0:04:18 | 0:04:22 | |
and it really didn't disappoint. | 0:04:22 | 0:04:25 | |
Though Le Carre didn't pen a sequel, | 0:04:25 | 0:04:27 | |
the BBC's controller of TV channels and iPlayer, Charlotte Moore, | 0:04:27 | 0:04:30 | |
has revealed the corporation is speaking to the author | 0:04:30 | 0:04:34 | |
about a possible follow-up. | 0:04:34 | 0:04:36 | |
So Jonathan Pine, Angela Burr and, who knows, | 0:04:36 | 0:04:38 | |
maybe even Richard Roper could be making a comeback. | 0:04:38 | 0:04:42 | |
Next, a show you're maybe not so keen to see return. | 0:04:42 | 0:04:46 | |
We are gearing up for the Easter Weekend with two women | 0:04:46 | 0:04:49 | |
who put the great in great outdoors. | 0:04:49 | 0:04:51 | |
That's Julia Bradbury and Gardener's World legend Carol Klein. | 0:04:51 | 0:04:54 | |
Oh, I'm feeling fresh as a daisy. Let's hop to it. | 0:04:54 | 0:04:57 | |
Drawing to a close on Friday was Too Much TV, | 0:05:00 | 0:05:04 | |
a tea-time show on BBC Two all about...well, you have a guess. | 0:05:04 | 0:05:08 | |
Just walk on casually, why not? | 0:05:08 | 0:05:10 | |
-Hello and welcome to the show. -The aim, apparently, | 0:05:10 | 0:05:13 | |
was to highlight must-see programmes and let you catch | 0:05:13 | 0:05:16 | |
the water-cooler moments you might have missed. | 0:05:16 | 0:05:19 | |
The biggest decision of the day still remains... | 0:05:19 | 0:05:21 | |
ALL: What are we watching tonight? | 0:05:21 | 0:05:23 | |
If nothing else, it sounds like they got the title right. | 0:05:23 | 0:05:26 | |
You did not hold back. | 0:05:26 | 0:05:28 | |
The show is uninventive, soporific, | 0:05:28 | 0:05:31 | |
vomit-inducing | 0:05:31 | 0:05:33 | |
in its self-reverential, self-congratulatory, | 0:05:33 | 0:05:38 | |
uncritical oozings over D-list celebrity culture. | 0:05:38 | 0:05:44 | |
It's a real horror. | 0:05:44 | 0:05:46 | |
D-list celebs? | 0:05:46 | 0:05:47 | |
-Wait a minute, -I -was a guest on it, Tony! | 0:05:47 | 0:05:50 | |
This programme is not fit for BBC Two. | 0:06:00 | 0:06:03 | |
It is shallow and it is more suitable | 0:06:03 | 0:06:05 | |
for the lightweight channels. | 0:06:05 | 0:06:07 | |
I think the standards have certainly slipped. | 0:06:07 | 0:06:09 | |
No word yet if Too Much TV will be back. | 0:06:09 | 0:06:12 | |
Back in January, | 0:06:15 | 0:06:16 | |
BBC Three revealed a new logo, and we will have more | 0:06:16 | 0:06:19 | |
on that channel's move online later in the series. | 0:06:19 | 0:06:22 | |
But recently it was the turn of the BBC channel | 0:06:22 | 0:06:25 | |
for 6- to 12-year-olds, CBBC, to unveil their new look. | 0:06:25 | 0:06:30 | |
What was previously this now looks like this. | 0:06:30 | 0:06:34 | |
And you got in touch to say you are not impressed. | 0:06:34 | 0:06:37 | |
But what do CBBC's target audience think of their channel's new look? | 0:06:46 | 0:06:50 | |
Can they read it? | 0:06:50 | 0:06:52 | |
And could they, as some of you have suggested, | 0:06:52 | 0:06:54 | |
have come up with something better? | 0:06:54 | 0:06:56 | |
We headed to a school in Aberdeen to find out. | 0:06:56 | 0:06:59 | |
MUSIC: Bills by LunchMoney Lewis | 0:06:59 | 0:07:01 | |
It looks like a C... | 0:07:10 | 0:07:12 | |
BBC. Oh? | 0:07:12 | 0:07:14 | |
-No, I don't recognise it at all. -BBC One. | 0:07:14 | 0:07:17 | |
-BBC Two. -A "C". | 0:07:17 | 0:07:20 | |
I'm getting confused. | 0:07:20 | 0:07:21 | |
-CBBC. -CBBC. | 0:07:21 | 0:07:24 | |
I think it's brilliant. | 0:07:28 | 0:07:29 | |
-I think it's really nice. -I think it's really nice. | 0:07:29 | 0:07:32 | |
It looks like a flower. | 0:07:32 | 0:07:34 | |
It's very dark and it's not bold. | 0:07:34 | 0:07:37 | |
And it looks dumb. | 0:07:37 | 0:07:38 | |
It has lots of colours in it. | 0:07:38 | 0:07:40 | |
All the colours of the rainbow. | 0:07:40 | 0:07:43 | |
It's hard to read it anyway. | 0:07:43 | 0:07:45 | |
And it's got lots of bits. | 0:07:45 | 0:07:48 | |
The logo is amazing. | 0:07:48 | 0:07:50 | |
I think it will make loads of children want to watch it. | 0:07:50 | 0:07:55 | |
OK, boys and girls, we are going to design our own CBBC logos. | 0:07:55 | 0:07:59 | |
-Are we ready? -ALL: Yeah! | 0:07:59 | 0:08:02 | |
This is my CBBC design. | 0:08:06 | 0:08:09 | |
I designed it like the Britain flag. | 0:08:09 | 0:08:12 | |
I've done my BBBC and I put flowers on it. | 0:08:16 | 0:08:21 | |
This is my CBBC sign. | 0:08:23 | 0:08:25 | |
And I made it cool because CBBC is cool. | 0:08:25 | 0:08:30 | |
And there we are. | 0:08:32 | 0:08:33 | |
There's my one. Not as good as the kids', though, is it? | 0:08:33 | 0:08:37 | |
The announcement way back in October last year that Antiques Roadshow had | 0:08:37 | 0:08:41 | |
found its highest-value item had you on tenterhooks, | 0:08:41 | 0:08:44 | |
waiting for the prize piece to be revealed. | 0:08:44 | 0:08:47 | |
Last Sunday, | 0:08:47 | 0:08:49 | |
the dramatic moment finally arrived, but the item turned out to be | 0:08:49 | 0:08:53 | |
not a priceless painting or a valuable vase... | 0:08:53 | 0:08:56 | |
With football's most prestigious cup competition in full swing | 0:08:56 | 0:09:00 | |
here on the BBC, we were offered a rare opportunity | 0:09:00 | 0:09:03 | |
to work with a very special piece of silver. | 0:09:03 | 0:09:06 | |
And that left some of you feeling, well, cheated. | 0:09:06 | 0:09:09 | |
Along comes Gabby Logan with one of the FA Cups. | 0:09:09 | 0:09:12 | |
How totally disappointing. | 0:09:12 | 0:09:15 | |
And how appalling of the BBC and of Antiques Roadshow for all the hype | 0:09:15 | 0:09:19 | |
and publicity surrounding this item. | 0:09:19 | 0:09:22 | |
To be fair, the BBC had described the item last October | 0:09:34 | 0:09:38 | |
as a world-famous piece owned by a sporting institution but, still, | 0:09:38 | 0:09:42 | |
many of you felt that the former FA Cup's inclusion | 0:09:42 | 0:09:45 | |
wasn't in keeping with the spirit of the show. | 0:09:45 | 0:09:49 | |
And we put your comments to the BBC. | 0:09:49 | 0:09:51 | |
This is their reply. | 0:09:51 | 0:09:53 | |
Next, plenty of you in touch to show your appreciation for BBC Two's | 0:10:15 | 0:10:20 | |
This Farming Life. | 0:10:20 | 0:10:22 | |
This one's mum didn't have enough milk. | 0:10:22 | 0:10:24 | |
This one is the same. As you can see, it's a lot smaller. | 0:10:24 | 0:10:28 | |
So I thought I would take it away and bottle-feed it. | 0:10:28 | 0:10:31 | |
So I'm basically giving myself more work. | 0:10:31 | 0:10:34 | |
The 12-part series, which finished its run this week, | 0:10:34 | 0:10:37 | |
followed five different farming families in Scotland | 0:10:37 | 0:10:40 | |
as they tried to turn a profit in tough economic times. | 0:10:40 | 0:10:43 | |
If you missed it, This Farming Life is available on the iPlayer. | 0:11:09 | 0:11:12 | |
Also concluding recently, | 0:11:12 | 0:11:13 | |
the historical drama that has left you desperate | 0:11:13 | 0:11:17 | |
to discover what happens next. | 0:11:17 | 0:11:19 | |
Set in Australia after World War II, | 0:11:19 | 0:11:21 | |
series three of A Place To Call Home finished on BBC Two last month, | 0:11:21 | 0:11:26 | |
and what an ending! | 0:11:26 | 0:11:28 | |
We saw Sarah's tonic being poisoned by George's jealous lover, | 0:11:28 | 0:11:32 | |
James learning the child he thought was his own, wasn't, | 0:11:32 | 0:11:35 | |
and Elizabeth and Douglas's romantic rendezvous | 0:11:35 | 0:11:39 | |
derailed by a heart attack. | 0:11:39 | 0:11:41 | |
You're hooked and you want more. | 0:11:41 | 0:11:43 | |
I will let Arianwen Parkes-Lockwood, who plays Olivia, answer that one. | 0:11:59 | 0:12:04 | |
We are, right now, as we speak, shooting season four | 0:12:04 | 0:12:09 | |
and, although I'm under very solemn oath not to tell you | 0:12:09 | 0:12:12 | |
what happens in it, | 0:12:12 | 0:12:14 | |
I CAN say that it's very exciting and it's very 1950s Australia, | 0:12:14 | 0:12:20 | |
and we are very, very thrilled to be making season four for you to see. | 0:12:20 | 0:12:24 | |
But will we be able to see it here in the UK? | 0:12:24 | 0:12:28 | |
Well, we can exclusively reveal that the BBC has snapped up the rights to | 0:12:28 | 0:12:32 | |
series four just this week. | 0:12:32 | 0:12:33 | |
So Arianwen and the rest of the cast | 0:12:33 | 0:12:36 | |
will be back on UK screens in early 2017. | 0:12:36 | 0:12:39 | |
Darling, what splendid news. | 0:12:39 | 0:12:42 | |
Please, do keep your points of view coming. | 0:12:43 | 0:12:45 | |
You can e-mail us at - | 0:12:45 | 0:12:48 | |
Or via the website - | 0:12:48 | 0:12:52 | |
where you can also send us a video, which we love. | 0:12:52 | 0:12:54 | |
We are on social media, too. Tweet us - | 0:12:54 | 0:12:58 | |
or join in the conversation about the week's television | 0:12:58 | 0:13:01 | |
on our brilliant Facebook page. | 0:13:01 | 0:13:04 | |
And finally, Britain lost a real comedy legend this week, | 0:13:04 | 0:13:07 | |
when Ronnie Corbett sadly passed away. | 0:13:07 | 0:13:09 | |
We will leave you with a clip. | 0:13:09 | 0:13:11 | |
We're back at the same time, 4pm, next Sunday. | 0:13:11 | 0:13:13 | |
Until then, it's goodnight from me. | 0:13:13 | 0:13:16 | |
This record is actually something rather special to me | 0:13:16 | 0:13:19 | |
because it contains all the funniest jokes that I've told | 0:13:19 | 0:13:23 | |
in 30 years of show business. | 0:13:23 | 0:13:25 | |
LAUGHTER | 0:13:26 | 0:13:28 | |
It's pathetic, isn't it? | 0:13:31 | 0:13:33 | |
I've heard of compact discs, but that's ridiculous. | 0:13:33 | 0:13:36 |