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This is Points Of View, | 0:00:02 | 0:00:03 | |
but as you've probably worked out, I'm not Jeremy Vine. | 0:00:03 | 0:00:05 | |
It's Scott Mills here, standing in for your regular host | 0:00:05 | 0:00:08 | |
for one week only, and what a privilege that is. | 0:00:08 | 0:00:10 | |
Welcome to your Points Of View. | 0:00:10 | 0:00:12 | |
It's quite nice here, I'm liking the colour scheme. | 0:00:22 | 0:00:25 | |
First up this week, it was billed as an episode full of | 0:00:25 | 0:00:27 | |
dramatic moments and seismic events, | 0:00:27 | 0:00:29 | |
and last Sunday's Poldark ended up hitting the headlines. | 0:00:29 | 0:00:33 | |
The latest instalment of BBC One's Cornwall-set drama featured | 0:00:35 | 0:00:39 | |
a fateful encounter between the show's hero, Ross, | 0:00:39 | 0:00:41 | |
and his former lover, Elizabeth. | 0:00:41 | 0:00:44 | |
After bursting into her home, Ross confronted Elizabeth over her plans | 0:00:44 | 0:00:47 | |
to marry his nemesis, George Warleggan. | 0:00:47 | 0:00:50 | |
We both know you don't love him. | 0:00:50 | 0:00:52 | |
I love him to distraction and will marry him next month. | 0:00:52 | 0:00:55 | |
Ross! | 0:00:59 | 0:01:00 | |
It was what happened next that caused controversy. | 0:01:00 | 0:01:03 | |
Viewers saw Ross throwing Elizabeth onto the bed then pinning her down | 0:01:03 | 0:01:07 | |
before she was seen succumbing to his advances | 0:01:07 | 0:01:09 | |
and responding passionately. | 0:01:09 | 0:01:11 | |
Come Monday morning, the scene was the subject of articles in print | 0:01:11 | 0:01:14 | |
and online that included accusations the scene reinforced | 0:01:14 | 0:01:18 | |
damaging narratives around the issue of consent. | 0:01:18 | 0:01:21 | |
Your reaction, however, was balanced. | 0:01:21 | 0:01:23 | |
Some felt the portrayal of Ross and Elizabeth's encounter | 0:01:23 | 0:01:26 | |
was unacceptable. | 0:01:26 | 0:01:28 | |
Others, though, were quick to come to the drama's defence. | 0:01:52 | 0:01:55 | |
Following the episode's coverage in the press, the series writer, | 0:02:17 | 0:02:20 | |
Debbie Horsfield, explained that in the novels the conclusion | 0:02:20 | 0:02:23 | |
of the scene was left to readers' imagination. | 0:02:23 | 0:02:26 | |
She went on to say... | 0:02:26 | 0:02:27 | |
The BBC told us they support Debbie | 0:02:48 | 0:02:50 | |
and the programme makers' interpretation. | 0:02:50 | 0:02:52 | |
Travelling forward in time next to modern day London | 0:02:52 | 0:02:55 | |
and a brand-new Doctor Who spin-off that launched online last weekend. | 0:02:55 | 0:02:59 | |
Eagerly awaited by Whovians - that's Doctor Who fans to you and me - | 0:03:00 | 0:03:03 | |
the first two episodes of BBC Three's Class landed last Saturday. | 0:03:03 | 0:03:08 | |
Aimed at young adults, the series focuses on | 0:03:08 | 0:03:10 | |
a group of school students struggling with supernatural events. | 0:03:10 | 0:03:14 | |
You can't seriously expect these juveniles to deal with | 0:03:14 | 0:03:17 | |
whatever's going to come through these tears in space and time. | 0:03:17 | 0:03:20 | |
-Through the what? -It's like a hellmouth. | 0:03:20 | 0:03:21 | |
-Or that town in Once Upon A Time. -Or The Vampire Diaries. | 0:03:21 | 0:03:24 | |
You watch Vampire Diaries? | 0:03:24 | 0:03:25 | |
Your report cards are in on the series debut, | 0:03:25 | 0:03:28 | |
and you've graded it highly. | 0:03:28 | 0:03:29 | |
I love it. | 0:03:36 | 0:03:37 | |
I think the cast and writing are great, | 0:03:38 | 0:03:42 | |
and I absolutely adore the characters. | 0:03:42 | 0:03:46 | |
Can't wait for more. | 0:03:47 | 0:03:48 | |
Some of you, meanwhile, are just begging for | 0:03:48 | 0:03:50 | |
a terrestrial television outing for the show. | 0:03:50 | 0:03:53 | |
Well, we've managed to look into the future and can reveal Class | 0:03:55 | 0:03:58 | |
will be making an appearance on BBC One. | 0:03:58 | 0:04:01 | |
What we weren't able to deduce was when, | 0:04:01 | 0:04:03 | |
so keep an eye on your listings. | 0:04:03 | 0:04:04 | |
Last week marked 50 years since the fateful day an avalanche of | 0:04:05 | 0:04:09 | |
coal waste killed 144 people, including 116 children, | 0:04:09 | 0:04:14 | |
in the Welsh village of Aberfan. | 0:04:14 | 0:04:16 | |
Commemorative programmes on the BBC included | 0:04:16 | 0:04:18 | |
a film by poet Owen Sheers and a memorial concert. | 0:04:18 | 0:04:22 | |
Last Sunday's Songs Of Praise also revisited the tragedy, | 0:04:22 | 0:04:25 | |
with presenter Aled Jones hearing from two people speaking for the | 0:04:25 | 0:04:28 | |
first time about their experiences of the event that shocked the world. | 0:04:28 | 0:04:33 | |
I kept hope going until about | 0:04:33 | 0:04:37 | |
three o'clock in the morning the next day, | 0:04:37 | 0:04:40 | |
when my husband came home and said, "They found Sharon." | 0:04:40 | 0:04:45 | |
It was moving viewing, | 0:04:45 | 0:04:46 | |
but around halfway through Sunday's episode the programme also | 0:04:46 | 0:04:49 | |
featured an interview with, and a song from, Alexander Armstrong. | 0:04:49 | 0:04:52 | |
That was followed by a preview of a gospel choir competition | 0:04:52 | 0:04:55 | |
and a performance from last year's winner. | 0:04:55 | 0:04:57 | |
You were not impressed. | 0:04:57 | 0:04:59 | |
Malcolm wasn't the only one with that point of view. | 0:05:14 | 0:05:17 | |
Well, we did put your complaints to | 0:05:26 | 0:05:28 | |
the executive producer of Songs Of Praise. | 0:05:28 | 0:05:30 | |
Here's what he had to say. | 0:05:30 | 0:05:32 | |
Right, quick quiz for you. | 0:05:55 | 0:05:56 | |
What do daredevil dogs, cyclists wearing capes, | 0:05:56 | 0:05:59 | |
and a lunar landing have in common? | 0:05:59 | 0:06:01 | |
The answer is they've all formed the basis of one of BBC One's | 0:06:03 | 0:06:06 | |
circle idents. | 0:06:06 | 0:06:07 | |
First appearing on our screen ten years ago this month, | 0:06:07 | 0:06:10 | |
the familiar films have now been seen over 2,100 times | 0:06:10 | 0:06:14 | |
by the average British television viewer. | 0:06:14 | 0:06:17 | |
Good fact, that. The idents have, it turns out, also proved | 0:06:17 | 0:06:20 | |
a source of fascination for one young Points Of View correspondent. | 0:06:20 | 0:06:24 | |
How could we refuse such a polite request? | 0:06:42 | 0:06:45 | |
Steve Brown took seven-year-old Luis and mum Caroline to the BBC's | 0:06:45 | 0:06:48 | |
Broadcast Centre in London to get to the bottom of his ident enquiries. | 0:06:48 | 0:06:53 | |
Luis! High five! | 0:06:53 | 0:06:54 | |
-Excellent! You happy to be here? -Yeah. -Come on, then, let's go. | 0:06:54 | 0:06:58 | |
Let's go inside. | 0:06:58 | 0:07:00 | |
First up, they met Ollie Harnett, BBC One's Creative Head. | 0:07:00 | 0:07:03 | |
How did they come up with the idea? | 0:07:06 | 0:07:08 | |
We were looking for an idea that really expressed coming together, | 0:07:08 | 0:07:11 | |
and if you think about it, | 0:07:11 | 0:07:13 | |
a circle is a perfect shape for things and people to come together. | 0:07:13 | 0:07:16 | |
-How did they make the hippos swim in a circle? -Very good question. | 0:07:19 | 0:07:24 | |
This is called storyboarding. | 0:07:24 | 0:07:25 | |
Once we've got that approved, we'll go and film it, and then we'll | 0:07:25 | 0:07:28 | |
use a lot of computer trickery to make...to bring the magic together. | 0:07:28 | 0:07:33 | |
-What, so it's CGI, not real? -That's CGI, absolutely, yeah. | 0:07:33 | 0:07:37 | |
-I thought it was going to be real hippos! -Did you really? | 0:07:37 | 0:07:40 | |
Well, I think it would have taken a few years to train those hippos | 0:07:40 | 0:07:43 | |
to swim in a circle, wouldn't it? | 0:07:43 | 0:07:45 | |
THEY LAUGH | 0:07:45 | 0:07:47 | |
So we've had a lot of ideas for idents which never got made. | 0:07:48 | 0:07:52 | |
-Would you like to see some of them? -Yeah. -OK. | 0:07:52 | 0:07:55 | |
So this one was little babies, so the idea is that they're playing | 0:07:55 | 0:07:58 | |
with all these different coloured balls, | 0:07:58 | 0:08:00 | |
and then when you reveal the top shot, | 0:08:00 | 0:08:02 | |
they've made a circle out of all the red balls. | 0:08:02 | 0:08:04 | |
The idea for this one was that | 0:08:04 | 0:08:06 | |
somebody would throw a stick for a dog, | 0:08:06 | 0:08:07 | |
and then the reveal is that there's loads of dogs running | 0:08:07 | 0:08:10 | |
around in a circle on the beach. So that one never got made. | 0:08:10 | 0:08:13 | |
-Sad, isn't it? -Maybe that's how you get new idents. You could make that! | 0:08:13 | 0:08:18 | |
Absolutely, we've got loads of spare ideas. | 0:08:18 | 0:08:21 | |
Before you go, I've got a present for you. | 0:08:21 | 0:08:24 | |
It's the dog display ident, and you can put that on your wall, | 0:08:24 | 0:08:27 | |
-and that's a memento of your visit to BBC Broadcast Centre. -Yes! | 0:08:27 | 0:08:32 | |
Shall we go and find out who schedules in the idents now? | 0:08:32 | 0:08:35 | |
Yes, please! | 0:08:35 | 0:08:36 | |
-This is Toni. -Hi, Luis! | 0:08:39 | 0:08:43 | |
I schedule the idents for BBC One. | 0:08:43 | 0:08:46 | |
Would you like to maybe have a go at Toni's job and schedule in | 0:08:46 | 0:08:50 | |
-some of the idents? -Oh, yes! | 0:08:50 | 0:08:52 | |
We've got, er, a junction coming up soon, | 0:08:52 | 0:08:54 | |
and you can choose whichever ident you want. | 0:08:54 | 0:08:57 | |
-Would you like to choose Dog Display if it's your favourite? -Yeah! -Yeah? | 0:08:57 | 0:09:01 | |
See, it's Magic Forest at the moment, | 0:09:01 | 0:09:03 | |
so what we're going to do is change that for you so it's Dog Display. | 0:09:03 | 0:09:07 | |
Five seconds. | 0:09:07 | 0:09:09 | |
Here it comes. Two... | 0:09:09 | 0:09:11 | |
-And there we go! -That's your choice! | 0:09:12 | 0:09:15 | |
ANNOUNCER: Brand-new Flog It follows in 45 minutes. | 0:09:15 | 0:09:18 | |
-Ama-a-azing! -Amazing! | 0:09:18 | 0:09:21 | |
There was no computer generated wildlife in sight | 0:09:24 | 0:09:27 | |
as Autumnwatch returned to BBC Two this week. | 0:09:27 | 0:09:29 | |
Only the real deal. | 0:09:29 | 0:09:30 | |
Celebrating its tenth year on our screens, | 0:09:33 | 0:09:35 | |
this year's series set up camp in a brand-new location, | 0:09:35 | 0:09:38 | |
the RSPB Arne reserve in Dorset, | 0:09:38 | 0:09:39 | |
with Chris Packham, Michaela Strachan and Martin Hughes-Games | 0:09:39 | 0:09:43 | |
keeping an eye on the unfolding animal action. | 0:09:43 | 0:09:47 | |
Seconds ago, this is what we saw on our live badger cam, | 0:09:47 | 0:09:51 | |
and we saw a fox, beautiful looking fox. | 0:09:51 | 0:09:55 | |
Now, is this a young one, do you reckon, Chris? | 0:09:55 | 0:09:57 | |
I think it is a young one. | 0:09:57 | 0:09:58 | |
On Twitter, you were delighted to see the nature-spotting series, | 0:09:58 | 0:10:01 | |
and its presenters, return. | 0:10:01 | 0:10:03 | |
How right you are, NegativeAl, | 0:10:13 | 0:10:15 | |
how right you are - thanks to this little scene on Monday night. | 0:10:15 | 0:10:19 | |
Would you snog a squirrel? | 0:10:19 | 0:10:20 | |
Um, no, I definitely would not snog a squirrel. | 0:10:20 | 0:10:23 | |
Is it really appropriate that Chris Packham asked | 0:10:23 | 0:10:26 | |
Michaela Strachan whether she would snog a red squirrel? | 0:10:26 | 0:10:31 | |
Is that really appropriate for a family programme? | 0:10:31 | 0:10:34 | |
That's got to be the first time talk of squirrel-snogging's | 0:10:45 | 0:10:48 | |
made it onto Points Of View, right? | 0:10:48 | 0:10:50 | |
Moving on, the natural instincts of a creature usually spotted | 0:10:50 | 0:10:53 | |
in the Strictly studio have you at your wits' end. | 0:10:53 | 0:10:56 | |
# Can't keep my hands to myself | 0:11:02 | 0:11:04 | |
# My hands to myself | 0:11:07 | 0:11:09 | |
# Can't keep my hands to myself... # | 0:11:11 | 0:11:13 | |
I know what you mean, I've got first "hand" experience. | 0:11:21 | 0:11:24 | |
Please don't tell me this is the lobster clip! | 0:11:24 | 0:11:27 | |
-My clothes fell off, nearly. -Oh, no. | 0:11:27 | 0:11:28 | |
-Hang on, we wouldn't want that to happen, would we? -No-one wants that. | 0:11:28 | 0:11:31 | |
Any excuse to drag that one out, eh? | 0:11:31 | 0:11:33 | |
Tess, if you're watching, I'll let Barbara have the last word. | 0:11:33 | 0:11:36 | |
Or three. | 0:11:36 | 0:11:37 | |
Oh, gosh, sorry! | 0:11:39 | 0:11:41 | |
And finally all we're left with are "fondant" memories as | 0:11:41 | 0:11:44 | |
The Great British Bake-Off crowned its final winner | 0:11:44 | 0:11:47 | |
on BBC One this week. | 0:11:47 | 0:11:49 | |
Not counting two upcoming Christmas specials, | 0:11:50 | 0:11:53 | |
it was of course our last chance to see the dream team - | 0:11:53 | 0:11:56 | |
Mel, Sue, Mary and Paul - | 0:11:56 | 0:11:57 | |
together in the tent, after three of the team | 0:11:57 | 0:12:00 | |
announced they won't be making the move to Channel 4. | 0:12:00 | 0:12:03 | |
Well, this was an absolute humdinger of a show stopper. | 0:12:03 | 0:12:07 | |
The standard was exceptionally high. | 0:12:07 | 0:12:09 | |
By all accounts, Wednesday night proved emotional for you. | 0:12:09 | 0:12:13 | |
I heard even the cakes were in "tiers." Get it? | 0:12:20 | 0:12:23 | |
That's all for this week, but as Mr Vine always says, | 0:12:23 | 0:12:25 | |
please do keep your points of view coming. | 0:12:25 | 0:12:28 | |
I hear he's a fan of foul-ups in particular. | 0:12:28 | 0:12:30 | |
You can e-mail your thoughts | 0:12:30 | 0:12:32 | |
on the week's BBC television programmes to... | 0:12:32 | 0:12:34 | |
..or via the Points Of View website. You'll find that at... | 0:12:36 | 0:12:39 | |
Also, it's easy to react while you watch via social media. | 0:12:41 | 0:12:44 | |
On Twitter, just send a tweet to... | 0:12:44 | 0:12:46 | |
..or to message us on Facebook, just search for... | 0:12:48 | 0:12:51 | |
Next week, Jeremy is back in the hot seat for the last show | 0:12:51 | 0:12:54 | |
in the series, and guess what? | 0:12:54 | 0:12:56 | |
As I gather happens regularly round these parts, | 0:12:56 | 0:12:58 | |
we've been bumped for sport. | 0:12:58 | 0:13:00 | |
Points Of View is on BBC One next Sunday at the earlier time of | 0:13:00 | 0:13:03 | |
half past one, and I will leave you with | 0:13:03 | 0:13:05 | |
a slice of Bake-Off's best bits from its time on the BBC. | 0:13:05 | 0:13:09 | |
Thanks for having me. | 0:13:09 | 0:13:10 | |
# Goodbye, my friend... # | 0:13:10 | 0:13:13 | |
-There's too much salt in there! -It is dead salty. -Oh! | 0:13:13 | 0:13:16 | |
I think that's my elbow! I think that's my elbow in your muffin! | 0:13:16 | 0:13:19 | |
OK. Oh! | 0:13:19 | 0:13:22 | |
-Oh, no. Oh, God. -Oh, my God, I would sooner... | 0:13:22 | 0:13:26 | |
I would sooner have another baby! | 0:13:26 | 0:13:27 | |
That is one of the best things I've seen in bread ever. | 0:13:27 | 0:13:31 | |
It's going to taste rather good. | 0:13:31 | 0:13:33 | |
-You've finished! -Wahey! Well done! | 0:13:33 | 0:13:35 |