Browse content similar to Episode 6. Check below for episodes and series from the same categories and more!
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The Welsh drama that's too dark, in more ways than one, | 0:00:02 | 0:00:04 | |
and the romp around Rome that has you raving. | 0:00:04 | 0:00:07 | |
All that and more of the TV that's got you talking | 0:00:07 | 0:00:10 | |
on this week's Points Of View. | 0:00:10 | 0:00:12 | |
But first, they are proving | 0:00:23 | 0:00:24 | |
the hot topic of this series of Points Of View. | 0:00:24 | 0:00:27 | |
I'm talking about the schedulers. | 0:00:27 | 0:00:29 | |
After dissatisfaction at their disruption | 0:00:29 | 0:00:32 | |
of daytime series with repeats | 0:00:32 | 0:00:34 | |
and groans and grumbles at their handling of Gardeners' World, | 0:00:34 | 0:00:38 | |
yet again there has been scheduling skulduggery afoot. | 0:00:38 | 0:00:41 | |
Now, if you'd not caught up on the last Undercover yet, | 0:00:41 | 0:00:45 | |
you might want to press mute and look away | 0:00:45 | 0:00:47 | |
for the next 25 seconds or so. | 0:00:47 | 0:00:49 | |
Last Sunday's penultimate episode saw the death row drama | 0:00:52 | 0:00:56 | |
hurtle towards its conclusion, | 0:00:56 | 0:00:58 | |
as Maya finally discovered her deceitful husband's double identity. | 0:00:58 | 0:01:02 | |
We have to stay together. | 0:01:02 | 0:01:03 | |
You have trapped me. | 0:01:06 | 0:01:07 | |
The witness who could have saved Rudy suffered a suspicious death. | 0:01:07 | 0:01:11 | |
Vernon Early is dead. | 0:01:11 | 0:01:12 | |
OK, take it off mute now, it's fine. | 0:01:14 | 0:01:16 | |
It's a cliff-hanger, Undercover, isn't it? | 0:01:16 | 0:01:19 | |
It's got us on the edge of our sofas, | 0:01:19 | 0:01:21 | |
but you are having to perch there for two weeks | 0:01:21 | 0:01:24 | |
as tonight's episode has been bumped by the BAFTAs | 0:01:24 | 0:01:27 | |
and you're not happy. | 0:01:27 | 0:01:29 | |
I was really looking forward to next week and the final episode | 0:01:29 | 0:01:32 | |
only to be told in the final credits that we'll have to wait two weeks. | 0:01:32 | 0:01:36 | |
Is that normal, to have to wait for two weeks for a final episode | 0:01:36 | 0:01:39 | |
or is it just an inept piece of BBC scheduling? | 0:01:39 | 0:01:42 | |
You tell me. | 0:01:42 | 0:01:43 | |
Very topical, Geoff. And you were quick to suggest | 0:01:52 | 0:01:55 | |
how the two-week wait could have been avoided. | 0:01:55 | 0:01:58 | |
Or... | 0:02:01 | 0:02:02 | |
Or even... | 0:02:04 | 0:02:06 | |
Could the last two episodes not have been shown together or at least | 0:02:06 | 0:02:08 | |
the series started a week early to accommodate these awards? | 0:02:08 | 0:02:11 | |
I'm a middle-aged man, I can barely remember the plot details | 0:02:11 | 0:02:14 | |
from seven days, let alone 14. | 0:02:14 | 0:02:16 | |
What's the answer, BBC? | 0:02:16 | 0:02:18 | |
Brilliant suggestions. And we put them to Lindsay Currie, | 0:02:18 | 0:02:20 | |
the man in charge of BBC One's schedules. | 0:02:20 | 0:02:23 | |
Here is his response. | 0:02:23 | 0:02:24 | |
Undercover finally concludes next Sunday at 9pm. | 0:02:46 | 0:02:49 | |
Let's hope it's worth the wait. | 0:02:49 | 0:02:51 | |
After securing Prince William and Harry's help for a DIY SOS special | 0:02:51 | 0:02:56 | |
last year, Monday night on BBC One | 0:02:56 | 0:02:58 | |
had Nick Knowles in royal company once more. | 0:02:58 | 0:03:01 | |
Invictus: The Road To The Games saw Prince Harry join Nick | 0:03:04 | 0:03:08 | |
in a one-off documentary which followed men and women | 0:03:08 | 0:03:11 | |
from the Armed Forces as they battled for a chance to compete | 0:03:11 | 0:03:14 | |
in next week's Invictus Games. | 0:03:14 | 0:03:16 | |
Got 12 slots to fill. If you want to be one of those, | 0:03:16 | 0:03:19 | |
you have to give me absolutely everything. | 0:03:19 | 0:03:21 | |
You've got to show me that you want it now. | 0:03:21 | 0:03:23 | |
Don't leave here thinking, "I could have done more." | 0:03:23 | 0:03:26 | |
OK, let's hit it. Let's get to the baseline. | 0:03:26 | 0:03:27 | |
We're onto sprints. | 0:03:27 | 0:03:29 | |
The servicemen and women's fighting spirit proved an inspiration. | 0:03:29 | 0:03:33 | |
Just spoiled for some, though, | 0:03:44 | 0:03:46 | |
at the very last minute by a clanger in the credits. | 0:03:46 | 0:03:49 | |
Now you see if you can spot this. | 0:03:49 | 0:03:51 | |
No? | 0:03:54 | 0:03:55 | |
Just a little bit unfortunate that at the end of the programme, | 0:03:55 | 0:03:58 | |
the rolling credits misspelt The Ministry Of Defence. | 0:03:58 | 0:04:02 | |
Quite right. Defence should of course have been spelt with a C, | 0:04:02 | 0:04:05 | |
not with an S. | 0:04:05 | 0:04:07 | |
PING! | 0:04:07 | 0:04:08 | |
Oh, a spell-check moment there. | 0:04:08 | 0:04:10 | |
On BBC Two recently, all roads have been leading to Rome for Mary Beard. | 0:04:10 | 0:04:16 | |
Over four episodes, | 0:04:18 | 0:04:19 | |
Mary Beard's Ultimate Rome: Empire Without Limit | 0:04:19 | 0:04:22 | |
has the Cambridge classicist exploring the history | 0:04:22 | 0:04:25 | |
and archaeology of the ancient city, | 0:04:25 | 0:04:28 | |
charting the Roman Empire's rise and fall. | 0:04:28 | 0:04:31 | |
The Romans built this massive | 0:04:31 | 0:04:34 | |
city wall around their town. | 0:04:34 | 0:04:36 | |
Now there's more to this | 0:04:36 | 0:04:38 | |
than just defence. | 0:04:38 | 0:04:40 | |
This is a big statement that Rome has arrived! | 0:04:40 | 0:04:45 | |
Her enthusiastic take on the subject means for you there really is | 0:04:45 | 0:04:49 | |
something about Mary. | 0:04:49 | 0:04:50 | |
Magnificent - | 0:05:12 | 0:05:13 | |
designed to impress. | 0:05:13 | 0:05:15 | |
From the ruins of Rome to the wilderness of Wales. | 0:05:15 | 0:05:18 | |
Previously broadcast on the Welsh channel S4C and then BBC One Wales | 0:05:21 | 0:05:25 | |
before its current BBC Four outing, | 0:05:25 | 0:05:28 | |
the crime drama Hinterland features DCI Tom Mathias, | 0:05:28 | 0:05:31 | |
a troubled former Met officer who's relocated to Aberystwyth. | 0:05:31 | 0:05:36 | |
Did you have to live in a place like this? | 0:05:36 | 0:05:38 | |
-It's what I needed. -So you can feel sorry for yourself? | 0:05:39 | 0:05:43 | |
Stop it, Meg. | 0:05:43 | 0:05:44 | |
Each scene in this series, just like the one before it, | 0:05:45 | 0:05:48 | |
was actually filmed twice, | 0:05:48 | 0:05:49 | |
in Welsh and then in English for the different broadcasters, | 0:05:49 | 0:05:53 | |
but it appears the hard work | 0:05:53 | 0:05:55 | |
that's gone into this British take on Nordic noir | 0:05:55 | 0:05:58 | |
has not paid off the second time around. | 0:05:58 | 0:06:01 | |
And for at least one of you, | 0:06:19 | 0:06:21 | |
it wasn't just the storylines that were gloomy. | 0:06:21 | 0:06:24 | |
Hinterland continues this Saturday on BBC Four and if you are a fan, | 0:06:36 | 0:06:41 | |
you'll be pleased to hear filming is currently under way on series three. | 0:06:41 | 0:06:44 | |
Over on BBC One this week, | 0:06:47 | 0:06:49 | |
the final dishes were being plated and hitting the pass... | 0:06:49 | 0:06:52 | |
Note my kitchen lingo. | 0:06:52 | 0:06:53 | |
..as the culinary contest MasterChef reached its climax. | 0:06:53 | 0:06:57 | |
And don't worry, we have no spoilers for you here. | 0:06:57 | 0:07:00 | |
After six weeks and 25 episodes, | 0:07:00 | 0:07:03 | |
Friday night saw one amateur cook walk away | 0:07:03 | 0:07:06 | |
with the title of MasterChef Champion, | 0:07:06 | 0:07:08 | |
but has the 12th series of the show left you hungry for more | 0:07:08 | 0:07:12 | |
or feeling the format is past its sell-by date? | 0:07:12 | 0:07:14 | |
We spoke to two fans of the show to get their verdict. | 0:07:16 | 0:07:19 | |
I love MasterChef. | 0:07:21 | 0:07:22 | |
I've watched all the series from the beginning, | 0:07:22 | 0:07:24 | |
both the professionals and the amateurs. | 0:07:24 | 0:07:26 | |
MasterChef is one of the most wonderful series on television. | 0:07:26 | 0:07:31 | |
They take the cooks to new restaurants abroad, | 0:07:31 | 0:07:34 | |
so it could never ever get boring. | 0:07:34 | 0:07:36 | |
We are going to take you to Mexico City. | 0:07:36 | 0:07:41 | |
It's always a challenge when a programme goes on so long | 0:07:41 | 0:07:44 | |
and has been so successful to come up with fresh ideas. | 0:07:44 | 0:07:47 | |
I think they've tried to do that this time by not doing so much of | 0:07:47 | 0:07:50 | |
the mass catering, which personally I didn't enjoy so much anyway. | 0:07:50 | 0:07:53 | |
I didn't find it that relevant. | 0:07:53 | 0:07:54 | |
Everybody from the very first round | 0:07:54 | 0:07:56 | |
was coming up with these amazing dishes that were restaurant standard | 0:07:56 | 0:08:01 | |
that you just don't see in people's homes. | 0:08:01 | 0:08:04 | |
I thought that was smashing, proper restaurant quality food. | 0:08:04 | 0:08:07 | |
If I could change one thing about this series of MasterChef, | 0:08:07 | 0:08:10 | |
it would actually be to remove Gregg Wallace. | 0:08:10 | 0:08:13 | |
-Harsh, innit? -Wow! | 0:08:13 | 0:08:15 | |
If he could cook, then fair enough, | 0:08:15 | 0:08:17 | |
maybe he should have a place on the judging panel, but he can't, | 0:08:17 | 0:08:22 | |
so why is he there? | 0:08:22 | 0:08:25 | |
He just spends a lot of time asking stupid questions, | 0:08:25 | 0:08:27 | |
raising his eyes to the ceiling and going, "Oh, what's happened now?" | 0:08:27 | 0:08:30 | |
You look a little confused, my friend. | 0:08:30 | 0:08:33 | |
I think MasterChef is still worth watching. | 0:08:33 | 0:08:35 | |
I think if you've got an interest in watching chefs develop, | 0:08:35 | 0:08:38 | |
I think it still has something to offer | 0:08:38 | 0:08:41 | |
and I still would enjoy watching it. | 0:08:41 | 0:08:43 | |
I love MasterChef and I always will watch it. | 0:08:43 | 0:08:46 | |
I just feel as though sometimes they should take the science laboratory | 0:08:46 | 0:08:50 | |
out of the kitchen. | 0:08:50 | 0:08:51 | |
It should be good food, well cooked, looks nice, tastes great. | 0:08:51 | 0:08:56 | |
Your time is up! | 0:08:56 | 0:08:59 | |
Whether something you've seen on the BBC this week has left you pleased | 0:08:59 | 0:09:03 | |
or peeved, please do let us know. You can send us an e-mail at... | 0:09:03 | 0:09:06 | |
..or contact us of course through our website, which is... | 0:09:08 | 0:09:11 | |
..where you can also easily record and upload a video, | 0:09:13 | 0:09:17 | |
which we love to get. | 0:09:17 | 0:09:18 | |
Why not join in the conversation about the week's television | 0:09:18 | 0:09:21 | |
on social media, too? | 0:09:21 | 0:09:22 | |
You can follow or message us on Twitter. We're at... | 0:09:22 | 0:09:25 | |
..or find us on Facebook... | 0:09:26 | 0:09:28 | |
Next up, quiz time. | 0:09:31 | 0:09:32 | |
Taking a break from Rogue Traders duties, | 0:09:34 | 0:09:37 | |
Matt Allwright has been presiding over a new BBC One daytime show, | 0:09:37 | 0:09:41 | |
The Code. Playing alone or with partners, | 0:09:41 | 0:09:44 | |
contestants have to answer questions correctly if they are to break open | 0:09:44 | 0:09:48 | |
a cash-filled safe. | 0:09:48 | 0:09:49 | |
We're looking for 503. | 0:09:50 | 0:09:53 | |
This week, the first solo contestant managed to walk away a winner, | 0:09:58 | 0:10:01 | |
but have the programme-makers cracked it | 0:10:01 | 0:10:05 | |
when it comes to crafting a quiz hit? Maybe. | 0:10:05 | 0:10:08 | |
I think it's a brilliant format | 0:10:14 | 0:10:16 | |
with a mix of either one, two or three players in each team. | 0:10:16 | 0:10:18 | |
I think there's also a brilliant Jeopardy element | 0:10:18 | 0:10:20 | |
of seeing the answers before seeing the questions | 0:10:20 | 0:10:23 | |
which brings the gameplay to a different level. | 0:10:23 | 0:10:25 | |
But not all of you felt the same way. | 0:10:25 | 0:10:26 | |
Others were crying out for this show to pick up the pace. | 0:10:26 | 0:10:30 | |
Well, at least one of you questioned | 0:10:38 | 0:10:40 | |
why BBC One had bothered with it at all. | 0:10:40 | 0:10:42 | |
You can make up your own mind on The Code as it continues this week. | 0:10:51 | 0:10:54 | |
On to matters of a maternal nature - Tuesday night saw the new series | 0:10:54 | 0:10:59 | |
of writer Kay Mellor's drama In The Club delivered to our screens. | 0:10:59 | 0:11:04 | |
THEME TUNE PLAYS | 0:11:04 | 0:11:05 | |
Picking up with the previously pregnant pals | 0:11:07 | 0:11:10 | |
10 months after we last saw them, | 0:11:10 | 0:11:11 | |
Tuesday's opener saw the new mums attempting to adapt to parenthood, | 0:11:11 | 0:11:15 | |
struggling with sleep and coping with hopeless husbands. | 0:11:15 | 0:11:19 | |
I tried. She wouldn't take it. | 0:11:19 | 0:11:20 | |
I've been up four times with her in the night. | 0:11:20 | 0:11:22 | |
I know, I know, maybe if the milk was warmer or... | 0:11:22 | 0:11:26 | |
Plenty of you celebrating the birth of the second series on Twitter. | 0:11:26 | 0:11:29 | |
But by the sound of it, not everyone will be making an appointment | 0:11:41 | 0:11:45 | |
to tune in again this week. | 0:11:45 | 0:11:47 | |
In The Club is ridiculous yet predictable. | 0:11:47 | 0:11:50 | |
Its plot and characters are about | 0:11:50 | 0:11:52 | |
as subtle as a slap in the face | 0:11:52 | 0:11:54 | |
with a freshly-caught cod. | 0:11:54 | 0:11:56 | |
Finally, going out with a bang on BBC Two on Wednesday night, | 0:12:12 | 0:12:15 | |
the four-part documentary | 0:12:15 | 0:12:17 | |
following eccentric farmer Desmond MacCarthy's struggle | 0:12:17 | 0:12:20 | |
to keep his 17th-century manor home afloat. | 0:12:20 | 0:12:23 | |
The final episode for Normal For Norfolk | 0:12:25 | 0:12:27 | |
saw Desmond prepare his Wiveton Hall home for hibernation | 0:12:27 | 0:12:31 | |
as winter drew near, but not before laying on a pyrotechnic extravaganza | 0:12:31 | 0:12:36 | |
to thank his farm hands for their hard work. | 0:12:36 | 0:12:38 | |
And I hope you're all going to be here again to join us and work here. | 0:12:38 | 0:12:43 | |
Wow! | 0:12:46 | 0:12:47 | |
Once more, an example of a series showing a slice of country life | 0:12:47 | 0:12:51 | |
proving to be a real hit for you. | 0:12:51 | 0:12:53 | |
But perhaps it is those extravagant... | 0:13:11 | 0:13:14 | |
eyebrows that you'll miss the most. | 0:13:14 | 0:13:16 | |
You can catch up with Desmond and those eyebrows on the iPlayer. | 0:13:23 | 0:13:27 | |
That is it for this week. | 0:13:27 | 0:13:28 | |
Please do keep your points of view coming. | 0:13:28 | 0:13:30 | |
We're back at the same time next Sunday right here on BBC One. | 0:13:30 | 0:13:34 | |
Till then, goodbye. | 0:13:34 | 0:13:35 |