Browse content similar to Episode 16. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Today on Real Rescues. | 0:00:02 | 0:00:04 | |
A joint rescue operation at sea to save a woman with | 0:00:04 | 0:00:07 | |
life-threatening head injuries. | 0:00:07 | 0:00:09 | |
A motorway accident leaves a young au pair lying on the hard shoulder. | 0:00:15 | 0:00:19 | |
Right, I'd like you to keep very still. Whereabouts are you injured? | 0:00:19 | 0:00:22 | |
And chest pains strike again for John. | 0:00:24 | 0:00:28 | |
I've had a cardiac arrest, I've had two heart attacks, | 0:00:28 | 0:00:31 | |
I've got six stents inside me. | 0:00:31 | 0:00:32 | |
But this might not be quite what it seems. | 0:00:32 | 0:00:35 | |
Hello and welcome to Real Rescues, where we go out to see the work | 0:00:53 | 0:00:57 | |
of Britain's emergency services. | 0:00:57 | 0:00:59 | |
It's places like this where calls are answered when people dial 999. | 0:00:59 | 0:01:03 | |
Right, let's get started. We're about to witness a challenging | 0:01:03 | 0:01:06 | |
rescue operation after a call comes in from a yacht in high seas. | 0:01:06 | 0:01:09 | |
A woman has been very seriously hurt. | 0:01:09 | 0:01:12 | |
Midsummer, Lee-on-Solent Air-Sea Rescue is preparing for takeoff. | 0:01:16 | 0:01:19 | |
They're responding to an urgent Mayday call to Coastguard Control. | 0:01:19 | 0:01:24 | |
It's a short flight from the airbase to the Isle of Wight. | 0:01:47 | 0:01:50 | |
The RNLI lifeboat from Limington | 0:01:50 | 0:01:52 | |
and the inshore rib from Yarmouth are also en route, | 0:01:52 | 0:01:56 | |
but the coastguard needs more details. | 0:01:56 | 0:01:58 | |
The man making the emergency call is distressed and struggling. | 0:01:58 | 0:02:02 | |
The winchman on board the coastguard helicopter is also | 0:02:23 | 0:02:25 | |
a trained paramedic. | 0:02:25 | 0:02:27 | |
As they get closer, more details of the injury come through. | 0:02:27 | 0:02:30 | |
The Limington RNLI rib is first to the yacht, Blue Boat. | 0:02:49 | 0:02:53 | |
The boom is swinging free. The sea conditions are rough. | 0:02:53 | 0:02:56 | |
First, RNLI crew Paul Harrison | 0:03:00 | 0:03:02 | |
and Stuart Lane need to get on board to control the boat. | 0:03:02 | 0:03:06 | |
The yacht's skipper, Laura, | 0:03:11 | 0:03:12 | |
is drifting in and out of consciousness. | 0:03:12 | 0:03:16 | |
Her partner, Steven, saw her thrown against the cabin. | 0:03:16 | 0:03:19 | |
He was left struggling to control the boat, help her, | 0:03:19 | 0:03:22 | |
and make the Mayday call. | 0:03:22 | 0:03:24 | |
The boat's still in danger. | 0:03:25 | 0:03:27 | |
Lifeboat crewman Paul grabs the tiller as Stuart secures the boom. | 0:03:27 | 0:03:31 | |
Can you grab this? Yeah. | 0:03:32 | 0:03:33 | |
But they need more help from the Yarmouth crew to carry out | 0:03:36 | 0:03:39 | |
emergency first aid. | 0:03:39 | 0:03:41 | |
The Limington crew bring their colleagues up-to-date. | 0:03:41 | 0:03:43 | |
The RNLI first-aider can see that Laura has suffered | 0:04:02 | 0:04:05 | |
a major head trauma. | 0:04:05 | 0:04:06 | |
A sudden gust of wind sent the boat into a gybe | 0:04:06 | 0:04:09 | |
and she was in the way of the boom. | 0:04:09 | 0:04:11 | |
All the time her condition is deteriorating. | 0:04:11 | 0:04:14 | |
Her consciousness levels are slipping. | 0:04:14 | 0:04:16 | |
By now, air-sea rescue is overhead. | 0:04:25 | 0:04:27 | |
It's too risky to follow the usual procedure. | 0:04:28 | 0:04:31 | |
Laura is too poorly to cope with the transfer to the lifeboat | 0:04:31 | 0:04:34 | |
and then an airlift. | 0:04:34 | 0:04:36 | |
That leaves one option for the pilot. | 0:04:36 | 0:04:39 | |
Immediately, they start preparing Laura for the airlift. | 0:04:51 | 0:04:54 | |
They have to make the yacht as stable as possible | 0:05:04 | 0:05:07 | |
before the winch can go ahead. | 0:05:07 | 0:05:09 | |
The RNLI volunteer, Paul, needs to steer the boat into the wind, | 0:05:09 | 0:05:13 | |
but he's struggling because of the way Laura has fallen. | 0:05:13 | 0:05:16 | |
'I'm on the helm of the casualty vessel, | 0:05:16 | 0:05:18 | |
'trying to keep the boat into sea.' | 0:05:18 | 0:05:20 | |
The problem I had was Laura's leg was actually trapped | 0:05:20 | 0:05:22 | |
just beneath the tiller for steering the boat. | 0:05:22 | 0:05:24 | |
Now, it wasn't causing her any pain, | 0:05:24 | 0:05:26 | |
but it meant that, sometimes, I was unable to get the boat around. | 0:05:26 | 0:05:29 | |
It's going to be precarious winching around the mast | 0:05:29 | 0:05:33 | |
onto the small, unstable yacht. | 0:05:33 | 0:05:35 | |
Winchman and paramedic Nick Horst is being | 0:05:35 | 0:05:37 | |
lowered onto the more stable platform | 0:05:37 | 0:05:40 | |
of the larger Yarmouth lifeboat... | 0:05:40 | 0:05:42 | |
..then transferred on the rib to Blue Boat. | 0:05:49 | 0:05:51 | |
Now on board, Nick assesses Laura's condition. | 0:05:57 | 0:06:00 | |
He needs to maintain her airways. | 0:06:00 | 0:06:02 | |
'As soon as I got there, I could see that she had' | 0:06:02 | 0:06:04 | |
quite a large wound on the right-hand side of her head. | 0:06:04 | 0:06:07 | |
'My initial thoughts were' | 0:06:09 | 0:06:11 | |
that she could well have spinal injuries. | 0:06:11 | 0:06:14 | |
All the time, sea conditions are getting worse. | 0:06:14 | 0:06:17 | |
'We were rolling and pitching' | 0:06:17 | 0:06:19 | |
and there's waves being taken over the bow | 0:06:19 | 0:06:22 | |
and we were getting sprayed quite frequently. | 0:06:22 | 0:06:24 | |
'It was quite awkward to do,' | 0:06:24 | 0:06:26 | |
but between myself and the lifeboatmen who managed to get | 0:06:26 | 0:06:30 | |
a collar on and then place a Kendrick splint on her back, | 0:06:30 | 0:06:34 | |
then basically she was ready for winching. | 0:06:34 | 0:06:36 | |
But the helicopter pilot is worried the boat can't be held in position. | 0:06:38 | 0:06:42 | |
He discusses the options with the Yarmouth lifeboat. | 0:06:46 | 0:06:48 | |
Later, winchman Nick is forced to make a decision. | 0:06:59 | 0:07:01 | |
They can't delay Laura's airlift to hospital any longer. | 0:07:01 | 0:07:04 | |
Early evening on the M27 in Southampton. | 0:07:21 | 0:07:24 | |
Rain and low sun are making driving conditions treacherous. | 0:07:24 | 0:07:28 | |
SIRENS WAIL | 0:07:28 | 0:07:29 | |
Emergency care practitioner Mark Ainsworth-Smith | 0:07:32 | 0:07:35 | |
is heading to a crash. Two vehicles are involved. | 0:07:35 | 0:07:38 | |
We have got a call to a car versus van, | 0:07:38 | 0:07:41 | |
it's another accident | 0:07:41 | 0:07:42 | |
on the motorway, unfortunately. It's a Sunday evening, so the traffic's | 0:07:42 | 0:07:46 | |
likely to be fairly heavy and, of course, | 0:07:46 | 0:07:47 | |
the road conditions are fairly wet, | 0:07:47 | 0:07:49 | |
so this is quite a common call to get, unfortunately. | 0:07:49 | 0:07:52 | |
We've got no information on the incident at all at this stage. | 0:07:52 | 0:07:55 | |
I believe it's westbound, | 0:07:55 | 0:07:57 | |
but could you just confirm, cos it may be eastbound, over. | 0:07:57 | 0:08:00 | |
I've just seen the police going the opposite way, | 0:08:00 | 0:08:03 | |
so I'll give you a sitrep as soon as I get there, over. | 0:08:03 | 0:08:06 | |
The accident is on the opposite carriageway, | 0:08:06 | 0:08:08 | |
somewhere in the gridlock caused by a previous incident. | 0:08:08 | 0:08:11 | |
Oh, there we go. | 0:08:14 | 0:08:16 | |
SAT NAV: You have arrived at your destination. | 0:08:19 | 0:08:21 | |
The young woman is lying on the ground, | 0:08:25 | 0:08:27 | |
surrounded by a concerned family. | 0:08:27 | 0:08:29 | |
Right, I'd like you to keep very still. My name is Mark. | 0:08:31 | 0:08:34 | |
What's your name? | 0:08:34 | 0:08:36 | |
OK. Whereabouts are you injured? | 0:08:36 | 0:08:38 | |
Have you got pain anywhere? | 0:08:40 | 0:08:41 | |
In your chest. How about your neck? | 0:08:42 | 0:08:44 | |
Left ear. And that's all since the accident, is it? | 0:08:51 | 0:08:54 | |
Mark finds out what's happening. | 0:08:54 | 0:08:57 | |
You were in a different car to her? No, we were all in the same car. | 0:08:57 | 0:09:01 | |
OK, and you're in a car. OK. How is she, normally? Is she normally well? | 0:09:01 | 0:09:04 | |
Yes, she's normally well. Is she a family friend of yours? | 0:09:04 | 0:09:08 | |
She's our au pair. Au pair, OK, fantastic. | 0:09:08 | 0:09:11 | |
Where was she sitting in the car? In the seat by the driver. | 0:09:11 | 0:09:13 | |
OK, all right. So, has she taken quite a bit...? | 0:09:13 | 0:09:16 | |
The young woman got out of the car, but then collapsed. | 0:09:16 | 0:09:19 | |
The vehicle she was in collided with the one in front, | 0:09:19 | 0:09:22 | |
the impact setting off the airbags. | 0:09:22 | 0:09:24 | |
I don't want you to move at all. OK? | 0:09:24 | 0:09:27 | |
Yeah, keep very still. | 0:09:28 | 0:09:30 | |
What we're going to do is... I'm in a car. | 0:09:30 | 0:09:32 | |
We're going to get an ambulance as well | 0:09:32 | 0:09:34 | |
so we can properly assess her in the back of the ambulance. | 0:09:34 | 0:09:36 | |
I don't want to move her neck until I've got some extra help, | 0:09:36 | 0:09:39 | |
so what I need to do is have a little look at your arm. | 0:09:39 | 0:09:41 | |
Now, how precious is this coat? | 0:09:41 | 0:09:43 | |
Normally, we'd cut it off you to do your blood pressure. | 0:09:43 | 0:09:47 | |
No... No, you don't want us to do that. Take it off... | 0:09:47 | 0:09:49 | |
Yeah, OK, we don't want to move your neck, though, | 0:09:49 | 0:09:51 | |
don't let that compromise her neck, please. I understand... | 0:09:51 | 0:09:54 | |
This is all routine. It's normal, we do this for everyone. | 0:09:54 | 0:09:57 | |
Keep your head nice and still, that's it. | 0:09:57 | 0:10:00 | |
How bad is the pain in your chest and stuff? | 0:10:00 | 0:10:02 | |
OK. | 0:10:05 | 0:10:06 | |
OK. | 0:10:09 | 0:10:11 | |
Au pair Rosa has chest pain. | 0:10:11 | 0:10:13 | |
Mark wants to check for any major injuries. | 0:10:13 | 0:10:16 | |
Rosa, I'd like you to take some big breaths for me, please. | 0:10:16 | 0:10:20 | |
Big breaths for me. | 0:10:20 | 0:10:22 | |
OK, just try and take SOME breaths for me. | 0:10:22 | 0:10:25 | |
Because of the combination of Rosa's symptoms - hearing loss | 0:10:25 | 0:10:29 | |
and breathing difficulties - Mark wants to insert | 0:10:29 | 0:10:31 | |
a line into her hand in case she needs drugs or fluids. | 0:10:31 | 0:10:35 | |
I'm going to pop a little needle in your arm now, OK? | 0:10:35 | 0:10:38 | |
I want you to try and keep still and not to jump. | 0:10:38 | 0:10:41 | |
I'm treating her for the worst. | 0:10:41 | 0:10:42 | |
The symptoms she's saying, I've got to treat...you know? | 0:10:42 | 0:10:45 | |
She's quite cold. She's been lying here... It's not the easiest job. | 0:10:45 | 0:10:48 | |
Fortunately for Rosa, the backup ambulance has arrived. | 0:10:50 | 0:10:53 | |
Mark briefs the crew. | 0:10:53 | 0:10:55 | |
She's got good airways, but she was complaining of difficulty breathing, | 0:10:55 | 0:10:58 | |
says she can't breathe. Her oxygen saturations are 100%. | 0:10:58 | 0:11:01 | |
I see she's got a good radial pulse, | 0:11:01 | 0:11:03 | |
but she's got a blood pressure of 97 on 56, | 0:11:03 | 0:11:05 | |
and I'm just putting in a precautionary cannula | 0:11:05 | 0:11:07 | |
because of that. | 0:11:07 | 0:11:09 | |
Rosa will be put on a rigid longboard to keep her neck secure. | 0:11:09 | 0:11:13 | |
Once we get her rolled and on a scoop, then we'll stick | 0:11:13 | 0:11:15 | |
a collar on when she's on her back. Is that all right with you? | 0:11:15 | 0:11:18 | |
That seems like the easiest thing. | 0:11:18 | 0:11:20 | |
A paramedic tells Rosa what's about to happen, | 0:11:20 | 0:11:22 | |
but now it seems mum Olga is feeling unwell too. | 0:11:22 | 0:11:26 | |
Do you want us to get another ambulance here? What do you feel? | 0:11:26 | 0:11:29 | |
No, no, I just would like to... Are you going to be going in with her? | 0:11:29 | 0:11:33 | |
I don't know. So, if you are, you could get checked out in the... | 0:11:33 | 0:11:36 | |
I'm going to concentrate on her for a minute, OK? | 0:11:38 | 0:11:41 | |
Rosa, can you straighten your legs out just a little bit? | 0:11:41 | 0:11:44 | |
Rosa is in an awkward position, not helped by prickly undergrowth. | 0:11:44 | 0:11:49 | |
I've got a better idea. I'm going to use your quick-cuts... | 0:11:49 | 0:11:53 | |
I'm going to do a bit of pruning, mate. | 0:11:53 | 0:11:56 | |
Rosa is gently rolled onto her back, | 0:11:56 | 0:11:57 | |
so they can slide the board underneath her. | 0:11:57 | 0:12:00 | |
Nearly in, actually, that's brilliant. | 0:12:02 | 0:12:04 | |
Her head is then immobilised to protect her neck. | 0:12:04 | 0:12:08 | |
Good. Secured safely to the board, Rosa is finally off the ground. | 0:12:08 | 0:12:12 | |
Beautiful, well done. Yeah, we're going to get you | 0:12:12 | 0:12:15 | |
in the warm now, all right, in the back of an ambulance? | 0:12:15 | 0:12:18 | |
You'll be a lot warmer in there. | 0:12:18 | 0:12:20 | |
Mark goes back to check how the others are doing. | 0:12:20 | 0:12:22 | |
Right, if anyone's got any injuries, | 0:12:23 | 0:12:25 | |
you need to travel in the ambulance and go to hospital. | 0:12:25 | 0:12:29 | |
It looks like one of the children | 0:12:29 | 0:12:31 | |
might now be feeling a bit poorly too. | 0:12:31 | 0:12:33 | |
Jump in the ambulance, we'll check you over. | 0:12:33 | 0:12:36 | |
Um, now Mum is saying she's got chest injuries, | 0:12:39 | 0:12:42 | |
the same as the little one as well. | 0:12:42 | 0:12:44 | |
So, are you happy to take a kid and one adult in the back? | 0:12:44 | 0:12:47 | |
All three patients will now be thoroughly checked out at hospital, | 0:12:47 | 0:12:51 | |
leaving Mark to get back on shift. | 0:12:51 | 0:12:54 | |
As you can imagine, not all births are straightforward | 0:12:58 | 0:13:01 | |
and that's true of births that happen at home as well as ones | 0:13:01 | 0:13:04 | |
that happen in the hospital. | 0:13:04 | 0:13:05 | |
So, the call-takers here have to deal with those too. | 0:13:05 | 0:13:07 | |
If Leanne's not on a call, can we have a chat? Yeah. | 0:13:07 | 0:13:11 | |
So, have you got an example of this recently? Tell us about this call. | 0:13:11 | 0:13:14 | |
Yeah, we had a call come in - a second call, actually - | 0:13:14 | 0:13:16 | |
from the mother-in-law of a daughter. | 0:13:16 | 0:13:18 | |
The daughter was on the floor in the pub and she was in labour... | 0:13:18 | 0:13:23 | |
This was the landlady in labour? | 0:13:23 | 0:13:24 | |
Yeah, they'd already called, but they were in quite a remote location. | 0:13:24 | 0:13:28 | |
It took quite a while for us to get there, so, um, she... | 0:13:28 | 0:13:31 | |
So, mother-in-law's having to midwife a little bit at that stage. | 0:13:31 | 0:13:34 | |
Yeah. And what instructions are you giving in the early part? | 0:13:34 | 0:13:37 | |
Presumably, you hope the ambulance will get there? | 0:13:37 | 0:13:39 | |
We always hope they're going to get there, but you have to prepare them, | 0:13:39 | 0:13:43 | |
so you tell them to get the towels out and get some water, | 0:13:43 | 0:13:45 | |
make sure Mum's in a comfortable position cos she's on the floor | 0:13:45 | 0:13:48 | |
in the pub, but you need to be as comfortable as you can and then | 0:13:48 | 0:13:51 | |
you need to start talking through to the mother-in-law on | 0:13:51 | 0:13:54 | |
how to deliver the baby there. At this stage, you now actually have | 0:13:54 | 0:13:56 | |
a clinician, a paramedic who works in the room here. | 0:13:56 | 0:13:59 | |
Yeah, if it's looking like the ambulance isn't going to come in time | 0:13:59 | 0:14:02 | |
and you're going to have to be delivering the baby over the phone, | 0:14:02 | 0:14:05 | |
then you need a clinician in to listen. | 0:14:05 | 0:14:07 | |
It was at this point that it suddenly became more serious? | 0:14:07 | 0:14:09 | |
Yeah. Obviously, over the phone it's difficult anyway, | 0:14:09 | 0:14:12 | |
but at this point we then realised that the baby | 0:14:12 | 0:14:14 | |
was in a breech position so it was coming out legs and rear first. | 0:14:14 | 0:14:17 | |
OK, at which point, presumably, the clinician takes over. | 0:14:17 | 0:14:20 | |
Yeah. They were already listening and it then gets difficult | 0:14:20 | 0:14:23 | |
and then you just pass it over to the clinician on duty at the time | 0:14:23 | 0:14:25 | |
to take over. Who's your clinician at the moment? | 0:14:25 | 0:14:28 | |
Our clinician is Phil. Phil, so... Thank you very much. | 0:14:28 | 0:14:30 | |
I'm going to have a word with Phil and see what happens at that point. | 0:14:30 | 0:14:33 | |
So, I don't know if you overheard there, Phil. | 0:14:33 | 0:14:36 | |
We were talking about the landlady who was giving birth | 0:14:36 | 0:14:38 | |
on the floor of the pub and suddenly... | 0:14:38 | 0:14:40 | |
How do you recognise that a birth is breech, | 0:14:40 | 0:14:42 | |
because, when a bum starts to come through, | 0:14:42 | 0:14:45 | |
it can look very much like a head. | 0:14:45 | 0:14:47 | |
Yeah, exactly. | 0:14:47 | 0:14:48 | |
I mean, the normal perception for any childbirth | 0:14:48 | 0:14:50 | |
is the head comes out first, | 0:14:50 | 0:14:52 | |
um, but on the odd occasion I've actually listened to a call | 0:14:52 | 0:14:55 | |
where somebody's actually said, "The head's coming through, but | 0:14:55 | 0:14:58 | |
"there's a massive, great, big crack in it." | 0:14:58 | 0:15:00 | |
So, it's, "OK, let's calm the situation down. | 0:15:00 | 0:15:02 | |
"That's actually his backside that's coming out." | 0:15:02 | 0:15:04 | |
Um, and on that occasion it would be just to calm everything down, um, | 0:15:04 | 0:15:08 | |
and just let it progress naturally and just do not touch the child. | 0:15:08 | 0:15:12 | |
Why not touch the child? | 0:15:12 | 0:15:14 | |
Because if the body is being birthed, but the head hasn't yet, | 0:15:14 | 0:15:17 | |
the temptation would be to try and pull the baby out, but | 0:15:17 | 0:15:19 | |
that's not necessarily the right thing? No, you're right there. | 0:15:19 | 0:15:22 | |
Normally, in a normal childbirth, when the head comes out | 0:15:22 | 0:15:25 | |
and most of the body comes out, | 0:15:25 | 0:15:26 | |
the baby will gasp for air with a bit of stimulation. | 0:15:26 | 0:15:29 | |
Now, if you manhandle that child before the head's out, | 0:15:29 | 0:15:33 | |
that stimulises that child, he will then try to breathe. | 0:15:33 | 0:15:36 | |
And bearing in mind that the head is still inside the woman's pelvis... | 0:15:36 | 0:15:39 | |
So, even if the body is out of the...in the birth, | 0:15:39 | 0:15:42 | |
the head is still engaged, you would still not...not stimulate the child | 0:15:42 | 0:15:47 | |
and you'd leave that hanging in that position for the ambulance... | 0:15:47 | 0:15:50 | |
Yeah, yeah. Cos the child won't take a breath till it's completely out. | 0:15:50 | 0:15:54 | |
Exactly. You need to support it, | 0:15:54 | 0:15:56 | |
cos they tend to let the mum sort of dangle into space, basically, | 0:15:56 | 0:16:01 | |
and let the child come out naturally. Invariably it will, and then, | 0:16:01 | 0:16:05 | |
as long as the cord's not wrapped round the neck, | 0:16:05 | 0:16:07 | |
everything should be fine. | 0:16:07 | 0:16:09 | |
Which is the danger with a breech birth as well, where the cord is... | 0:16:09 | 0:16:12 | |
On this occasion, everything was OK? Yeah, absolutely. | 0:16:12 | 0:16:14 | |
So, mother-in-law managed to deliver a breech birth, | 0:16:14 | 0:16:17 | |
something that's frightening even within hospital. | 0:16:17 | 0:16:19 | |
Not a call you want to get every day, is it? No, not really. | 0:16:19 | 0:16:22 | |
All right. Thank you very much. OK. | 0:16:22 | 0:16:24 | |
In the Solent, five crew from the RNLI and an air-sea rescue paramedic | 0:16:34 | 0:16:39 | |
are on board a small yacht preparing to airlift skipper Laura | 0:16:39 | 0:16:43 | |
who's suffered a critical head injury. | 0:16:43 | 0:16:45 | |
She needs urgent specialist care. | 0:16:45 | 0:16:48 | |
The yacht is at the mercy of the rough seas, | 0:16:51 | 0:16:53 | |
making an airlift difficult. | 0:16:53 | 0:16:55 | |
The more stable Yarmouth lifeboat would make | 0:16:55 | 0:16:57 | |
a better platform, but winchman Nick fears time is | 0:16:57 | 0:17:00 | |
running out for his casualty. | 0:17:00 | 0:17:02 | |
But even if Blue Boat is undertow, | 0:17:10 | 0:17:13 | |
this will be precarious for the helicopter. | 0:17:13 | 0:17:16 | |
The yacht's mast is a potential hazard. | 0:17:16 | 0:17:18 | |
But they can't wait any longer. | 0:17:27 | 0:17:30 | |
A decision is made to go ahead with the winch. | 0:17:30 | 0:17:33 | |
They're going to use a high line - a wire that will allow | 0:17:45 | 0:17:48 | |
the helicopter to fly to the side of the boat. | 0:17:48 | 0:17:50 | |
Avoiding being directly over the mast, | 0:17:50 | 0:17:53 | |
it needs a lot of expertise and specialist knowledge. | 0:17:53 | 0:17:57 | |
We lower a line with weights on it | 0:18:08 | 0:18:11 | |
to the yacht, they take the line in hand, | 0:18:11 | 0:18:13 | |
and then they pull in the slack, | 0:18:13 | 0:18:15 | |
and on the end of that is the hook. | 0:18:15 | 0:18:17 | |
The line comes in without a hitch and is connected to Laura and Nick. | 0:18:21 | 0:18:26 | |
This is the most critical time. | 0:18:26 | 0:18:28 | |
The helicopter is now connected to the people on the boat. | 0:18:28 | 0:18:32 | |
Any contact with the mast and everyone is in danger in the air | 0:18:32 | 0:18:36 | |
and on the boat. | 0:18:36 | 0:18:37 | |
The pilot needs immense precision to avoid the yacht mast, | 0:18:47 | 0:18:51 | |
but if he's too far away, winchman Nick | 0:18:51 | 0:18:54 | |
and Laura will swing violently off the boat. | 0:18:54 | 0:18:56 | |
One forward... | 0:18:56 | 0:18:58 | |
One only... | 0:19:00 | 0:19:02 | |
Touch. | 0:19:04 | 0:19:06 | |
Right, one... | 0:19:06 | 0:19:08 | |
Winch, you clear? | 0:19:08 | 0:19:09 | |
Clear, clear, back and left. | 0:19:09 | 0:19:11 | |
They swing, there's not a straight lift, | 0:19:11 | 0:19:13 | |
the crew on the yacht would then stabilise the swing using this | 0:19:13 | 0:19:17 | |
attached line and then we winch them to the aircraft. | 0:19:17 | 0:19:21 | |
On target. | 0:19:23 | 0:19:24 | |
As Laura is being lifted, winchman Nick tries to rouse her, | 0:19:26 | 0:19:30 | |
but with no success. | 0:19:30 | 0:19:31 | |
In the doorway. | 0:19:36 | 0:19:37 | |
Bring her in. | 0:19:39 | 0:19:40 | |
On board. | 0:19:46 | 0:19:47 | |
I'm going to clear the high line and throw it overboard. | 0:19:47 | 0:19:50 | |
As soon as she's in the helicopter, the crew work to stabilise her. | 0:19:50 | 0:19:54 | |
Both of us maintained life support for the young lady, | 0:19:54 | 0:19:58 | |
she looked quite bad. She looked very pale, unconscious. | 0:19:58 | 0:20:03 | |
It was... It looked quite serious. | 0:20:03 | 0:20:05 | |
We made the decision to take the casualty to Southampton, | 0:20:05 | 0:20:09 | |
because that is the major trauma unit for this area | 0:20:09 | 0:20:13 | |
and if there's any complications, | 0:20:13 | 0:23:03 | |
All you need to do is take one deep breath | 0:23:03 | 0:23:05 | |
and blow till I tell you to stop. | 0:23:05 | 0:23:07 | |
Ready? And just blow. Keep going. Keep going. Keep going. | 0:23:07 | 0:23:10 | |
Stop. That's perfect, thank you. | 0:23:10 | 0:23:12 | |
I shall leave your souvenir in the car. They're both clear. | 0:23:12 | 0:23:14 | |
That's a zero as well. | 0:23:14 | 0:23:15 | |
The other chap's provided a negative breath test as well, | 0:23:15 | 0:23:18 | |
so he hadn't had any alcohol, OK? | 0:23:18 | 0:23:20 | |
And what is he to you, relation-wise? | 0:23:21 | 0:23:24 | |
Right now, a friend of one of the drivers has arrived. | 0:23:24 | 0:23:27 | |
Was you in the car with him or not? | 0:23:27 | 0:23:28 | |
He didn't see anything and was not involved. | 0:23:28 | 0:23:31 | |
So, you've come to help him? OK. | 0:23:31 | 0:23:33 | |
Mat's going to interview both of the men at the hospital, | 0:23:33 | 0:23:36 | |
but first he needs to gather all the evidence from the crash scene. | 0:23:36 | 0:23:39 | |
What I'll do now is I'll take pictures of the scene | 0:23:41 | 0:23:43 | |
and then I'll start building up an investigation into what's happened. | 0:23:43 | 0:23:47 | |
It's turning into a very long day for recovery driver Alan. | 0:23:47 | 0:23:51 | |
I'm dying to find out - what was your dinner? | 0:23:51 | 0:23:55 | |
What was it? | 0:23:55 | 0:23:56 | |
A salad? | 0:24:00 | 0:24:01 | |
Oh, not a...not a roast dinner or anything like that? | 0:24:07 | 0:24:10 | |
No, mate! | 0:24:10 | 0:24:12 | |
And it's not over yet. Alan's proving too useful. | 0:24:12 | 0:24:16 | |
To PC Water's relief, he agrees to recover one of the cars. | 0:24:16 | 0:24:19 | |
No rest for the wicked. So, it's back to the day job for Alan. | 0:24:23 | 0:24:27 | |
It's going to be a while before he sees that ready meal. | 0:24:27 | 0:24:30 | |
One zero, can I have your own details, please? | 0:24:37 | 0:24:39 | |
Time of call, time of arrival? | 0:24:39 | 0:24:41 | |
The damage to the front of the car makes this slow work. | 0:24:45 | 0:24:48 | |
Yes, yes, both vehicles are leaking coolant. It's just the debris that... | 0:24:48 | 0:24:53 | |
It's just the coolant to remove from the road surface and, yes, | 0:24:53 | 0:24:56 | |
Alan sees to that as well. | 0:24:56 | 0:24:58 | |
Mate, so this stuff they're putting down is dry sand, | 0:25:00 | 0:25:02 | |
which will absorb the... like, the oil and the coolant, | 0:25:02 | 0:25:05 | |
to prevent it being slippery. | 0:25:05 | 0:25:07 | |
Obviously, there's motorcyclists going over it | 0:25:07 | 0:25:09 | |
and if it's not treated, it could be dangerous for them. | 0:25:09 | 0:25:11 | |
At last, Alan's work is done. | 0:25:16 | 0:25:18 | |
Thanks for your help. Traffic flowing again, | 0:25:20 | 0:25:22 | |
Mat can get off to the hospital to continue his investigations. | 0:25:22 | 0:25:26 | |
Coming up on Real Rescues. | 0:25:33 | 0:25:34 | |
Why violent chest pains don't always signal | 0:25:36 | 0:25:39 | |
heart failure for a patient with a serious cardiac history. | 0:25:39 | 0:25:43 | |
They're saying I've got so many stents on one artery now that, over | 0:25:43 | 0:25:46 | |
a period of time, they said it tries to reject and it goes into spasm. | 0:25:46 | 0:25:50 | |
And Laura the yacht skipper rescued from her boat at sea | 0:25:52 | 0:25:55 | |
faces a long road to recovery. | 0:25:55 | 0:25:58 | |
Partner Steven recalls the moment it happened. | 0:25:58 | 0:26:00 | |
It was quite horrific, really, | 0:26:00 | 0:26:02 | |
cos she was over the other side of the cockpit. | 0:26:02 | 0:26:04 | |
It just caught the back of her lifejacket and flicked her | 0:26:04 | 0:26:07 | |
and she went across like a ragdoll and just dashed | 0:26:07 | 0:26:10 | |
against the side of the cockpit, which was a horrible thing to see. | 0:26:10 | 0:26:14 | |
This is Julie who's a clinician here at the hub and, indeed, | 0:26:17 | 0:26:20 | |
a paramedic as well. That is correct. | 0:26:20 | 0:26:23 | |
Tell us about this call that you had from a carer recently. | 0:26:23 | 0:26:26 | |
We had a call from a carer come in to the 111, | 0:26:26 | 0:26:30 | |
it was earlier this year. | 0:26:30 | 0:26:32 | |
She actually looks after a 90-year-old lady and, um, | 0:26:32 | 0:26:35 | |
she was very concerned this particular morning, the lady | 0:26:35 | 0:26:39 | |
was quite cold, she felt cold to touch and she was somewhat confused. | 0:26:39 | 0:26:43 | |
She just didn't seem to be herself, so the call was made. | 0:26:43 | 0:26:47 | |
Um, and from the information, | 0:26:47 | 0:26:49 | |
we were concerned and a clinician called her back | 0:26:49 | 0:26:53 | |
to speak with her and from lots of questions | 0:26:53 | 0:26:57 | |
about how the lady was and how she was presenting, | 0:26:57 | 0:27:00 | |
and how she seemed, signs and symptoms, and, um... | 0:27:00 | 0:27:04 | |
Although it was confusion, originally, | 0:27:06 | 0:27:09 | |
that the carer was concerned about, | 0:27:09 | 0:27:11 | |
confusion is a symptom of hypothermia. | 0:27:11 | 0:27:13 | |
Oh, was that what it was - hypothermia? Yes, yes. | 0:27:13 | 0:27:16 | |
So, what do you look for in a relative or somebody | 0:27:16 | 0:27:18 | |
that you know that might be hypothermic? | 0:27:18 | 0:27:21 | |
Well, there are three stages to hypothermia. | 0:27:21 | 0:27:24 | |
There is mild hypothermia, | 0:27:24 | 0:27:25 | |
the body's temperature's usually about 37 and, um, | 0:27:25 | 0:27:29 | |
when it drops to 35, then it's starting to go into mild hypothermia. | 0:27:29 | 0:27:33 | |
So, only a two-degree difference will take you into mild hypothermia? | 0:27:33 | 0:27:36 | |
Two degrees, yes. Wow. | 0:27:36 | 0:27:37 | |
The elderly and the very young are the ones most at risk | 0:27:37 | 0:27:42 | |
and this is what we have to be aware of. And what are you looking for? | 0:27:42 | 0:27:45 | |
What are those signs? | 0:27:45 | 0:27:47 | |
Uh... | 0:27:47 | 0:27:49 | |
Someone would be maybe cold to touch, they'd be tired, um, | 0:27:49 | 0:27:53 | |
lethargic, um, | 0:27:53 | 0:27:55 | |
maybe loss of appetite... | 0:27:55 | 0:27:57 | |
It's easy to be confused with many things... Yes. | 0:27:57 | 0:28:00 | |
Especially with the elderly, who might be feeling that way anyway. | 0:28:00 | 0:28:03 | |
Well, by the time confusion comes in, | 0:28:03 | 0:28:05 | |
we're well into moderate hypothermia where someone would then be | 0:28:05 | 0:28:08 | |
starting to get a little colder and the symptoms would change. | 0:28:08 | 0:28:13 | |
That's when the confusion would start to come in. | 0:28:13 | 0:28:15 | |
They would still be shivering, they'd still be cold, | 0:28:15 | 0:28:18 | |
they may be sleeping a great deal, but, um... | 0:28:18 | 0:28:22 | |
When we take calls, when we consider anyone who we are | 0:28:22 | 0:28:27 | |
concerned about, we also have to take the whole picture on board. | 0:28:27 | 0:28:30 | |
It's not just the symptoms, it's where the person is. | 0:28:30 | 0:28:35 | |
This particular lady was in a very cold house, | 0:28:35 | 0:28:38 | |
because she didn't want to put the heating on | 0:28:38 | 0:28:40 | |
and this is the concern that we all have about the elderly, | 0:28:40 | 0:28:45 | |
when they don't want to put the heating on. | 0:28:45 | 0:28:47 | |
So, it's not an unusual call here during the winter months? | 0:28:47 | 0:28:50 | |
No, it's not, no. OK. | 0:28:50 | 0:28:51 | |
How do you warm someone up or how do you help someone in that situation? | 0:28:51 | 0:28:55 | |
Plainly, medical attention is a good idea | 0:28:55 | 0:28:57 | |
when it's something serious like that, but should you warm them up, | 0:28:57 | 0:28:59 | |
put a hot-water bottle on them, | 0:28:59 | 0:29:01 | |
or give them a hot drink or something to...? | 0:29:01 | 0:29:03 | |
Um, what we need to do is we need to warm them up slowly. | 0:29:03 | 0:29:06 | |
Oh, slowly, not quickly. That is the main thing to do. | 0:29:06 | 0:29:09 | |
Putting extra blankets on them, maybe a warm drink, um, not alcohol, | 0:29:09 | 0:29:13 | |
not hot-water bottles, don't put them in front of the fire, you know, | 0:29:13 | 0:29:17 | |
put the fire on and then snoodle them up right in front of the fire - | 0:29:17 | 0:29:20 | |
we need to do it very slowly, | 0:29:20 | 0:29:21 | |
the body temperature has to return slowly back to normal. | 0:29:21 | 0:29:25 | |
So, warm drinks, you know, blankets, duvet covers, | 0:29:25 | 0:29:28 | |
even, if you're very close to them, even giving them a good cuddle will | 0:29:28 | 0:29:33 | |
help as well because the warmth from your body will help them. | 0:29:33 | 0:29:37 | |
So, there you go - the message is cuddle a pensioner this winter | 0:29:37 | 0:29:40 | |
and you can help people out. Important information, though. | 0:29:40 | 0:29:43 | |
Thank you very much indeed. You're very welcome. | 0:29:43 | 0:29:45 | |
In the Solent, a critically injured woman has been airlifted to | 0:29:51 | 0:29:54 | |
safety from her yacht, the Blue Boat. | 0:29:54 | 0:29:57 | |
Laura, the skipper of the boat, | 0:29:57 | 0:29:58 | |
suffered a very severe head injury and has been taken to | 0:29:58 | 0:30:02 | |
Southampton General Hospital, a six-minute flight away. | 0:30:02 | 0:30:05 | |
She was slammed into the cabin by a rope on the main sail. | 0:30:10 | 0:30:13 | |
Her partner, Steven, was left stranded, | 0:30:13 | 0:30:15 | |
struggling with the boat at the same time as trying to help Laura. | 0:30:15 | 0:30:20 | |
It's taken a coastguard helicopter and two RNLI crews to | 0:30:20 | 0:30:23 | |
pull off the rescue in some of the most demanding conditions. | 0:30:23 | 0:30:26 | |
All the time, Steven was fearing the worst. | 0:30:26 | 0:30:30 | |
The conditions were so rough that I could sort of anticipate | 0:30:30 | 0:30:35 | |
further things happening, but as soon as she got into that helicopter, | 0:30:35 | 0:30:38 | |
I felt so relieved and I looked up at the helicopter and | 0:30:38 | 0:30:42 | |
I remember one of the lifeboatmen put his hand on my shoulder | 0:30:42 | 0:30:46 | |
and he said, "Are you OK?" And I said, "Yes. | 0:30:46 | 0:30:48 | |
"I'm so glad that she's gone onto the helicopter now." | 0:30:48 | 0:30:50 | |
And that was the point when I was relieved that she was in safe hands. | 0:30:50 | 0:30:53 | |
But Steven and Blue Boat are not out of danger. | 0:30:55 | 0:30:58 | |
As one crew escorts the yacht back to the Isle of Wight, their | 0:30:58 | 0:31:01 | |
RNLI colleagues on board suddenly notice water pouring onto the deck. | 0:31:01 | 0:31:07 | |
Because the sea was so rough, it was taking on water | 0:31:07 | 0:31:10 | |
and we started sinking. | 0:31:10 | 0:31:12 | |
But the pump's not working, the gasket's gone. | 0:31:26 | 0:31:29 | |
I gave them a washing-up bowl, which they said was perfect, | 0:31:31 | 0:31:33 | |
a big, square washing-up bowl | 0:31:33 | 0:31:35 | |
and they were chucking the water over the side | 0:31:35 | 0:31:37 | |
and they decided that there were too many people on board | 0:31:37 | 0:31:40 | |
because the water was just coming in over the sides of the boat | 0:31:40 | 0:31:43 | |
and over the back and it was filling up more than it was emptying. | 0:31:43 | 0:31:47 | |
We were just paddling that out as quickly as we can | 0:31:51 | 0:31:53 | |
and then we decided to take a couple of crew members off. | 0:31:53 | 0:31:56 | |
Two hours after Laura's accident, | 0:32:01 | 0:32:02 | |
yacht Blue Boat finally limps into Cowes on the Isle of Wight. | 0:32:02 | 0:32:07 | |
It had all started so differently. | 0:32:07 | 0:32:09 | |
Steven and Laura had set sail that morning with their dog | 0:32:09 | 0:32:12 | |
in good weather, but, out at sea, conditions became rough and windy. | 0:32:12 | 0:32:17 | |
Steven remembers vividly what happened next. | 0:32:17 | 0:32:20 | |
The boom flicked right over and the main sheet that holds | 0:32:20 | 0:32:24 | |
the boom down to the deck was caught on the back of Laura's lifejacket. | 0:32:24 | 0:32:30 | |
It was quite horrific, really, | 0:32:30 | 0:32:32 | |
because she was over the other side of the cockpit | 0:32:32 | 0:32:34 | |
and it just caught behind the back of her lifejacket and flicked her | 0:32:34 | 0:32:38 | |
and she went across like a ragdoll and just dashed | 0:32:38 | 0:32:40 | |
against the side of the cockpit, which was a horrible thing to see. | 0:32:40 | 0:32:45 | |
I could sense that her head was hurting, | 0:32:45 | 0:32:47 | |
cos she put her hand up to shield her head and she turned and faced me | 0:32:47 | 0:32:53 | |
and she was just completely different, she wasn't really there. | 0:32:53 | 0:32:56 | |
Her eyes were completely black. | 0:32:56 | 0:32:58 | |
It was so scary. I just thought she wasn't there any more. | 0:33:01 | 0:33:04 | |
It was very, very frightening. | 0:33:04 | 0:33:06 | |
After Laura's accident, | 0:33:07 | 0:33:09 | |
Steven finds her in the Trauma Unit at Southampton General Hospital. | 0:33:09 | 0:33:13 | |
They didn't sort of give me any false hopes and they didn't scare me | 0:33:13 | 0:33:17 | |
to death either. | 0:33:17 | 0:33:18 | |
Laura's head had been badly fractured | 0:33:18 | 0:33:20 | |
and there were fears she had a bleed on her brain. | 0:33:20 | 0:33:23 | |
They'd said that, from the CT scan, | 0:33:23 | 0:33:25 | |
liquid inside her skull had probably come from the fracture | 0:33:25 | 0:33:30 | |
inside her skull, | 0:33:30 | 0:33:31 | |
which wasn't as concerning as what it would have been | 0:33:31 | 0:33:35 | |
if it had been from the brain, which was quite a relief, really, | 0:33:35 | 0:33:38 | |
and they said that she was going to be OK. | 0:33:38 | 0:33:41 | |
Later, Laura faces a long recovery to full health. | 0:33:43 | 0:33:47 | |
Bournemouth, mid-morning, | 0:33:56 | 0:33:58 | |
a 999 call has come into South-western Ambulance Control | 0:33:58 | 0:34:02 | |
from a GP's surgery. | 0:34:02 | 0:34:04 | |
A doctor fears one of his patients is having a heart attack. | 0:34:04 | 0:34:07 | |
He needs to be taken to hospital by the fastest possible means. | 0:34:07 | 0:34:11 | |
Ambulance crew Phil Barrett and Karen Wright need to wire him up | 0:34:11 | 0:34:16 | |
to an ECG so they can monitor him on the journey. | 0:34:16 | 0:34:19 | |
It might seem a silly question, John - | 0:34:19 | 0:34:21 | |
zero, no pain, ten, the worst pain you ever had. | 0:34:21 | 0:34:24 | |
What number would you give it at the moment? It's about eight. Eight, OK. | 0:34:24 | 0:34:27 | |
Can you give me something for it? Yeah, I'm going to sort that out. | 0:34:27 | 0:34:30 | |
60-year-old John is suffering from severe chest pains. | 0:34:30 | 0:34:33 | |
'They came on last night, but died down again. | 0:34:33 | 0:34:36 | |
'This morning they're back with a vengeance.' | 0:34:36 | 0:34:39 | |
When did you last have a squirt of GTN? | 0:34:39 | 0:34:43 | |
When I was in the reception, I... Oh, God... OK. | 0:34:43 | 0:34:47 | |
So, how long ago roughly | 0:34:53 | 0:34:54 | |
did all of this episode sort of occur, previously? | 0:34:54 | 0:34:58 | |
I was in hospital back in May. May, was it? OK, right. | 0:34:58 | 0:35:00 | |
I'm just going to look underneath your tongue, then. | 0:35:00 | 0:35:03 | |
The GTN spray dilates his arteries and eases the pain. | 0:35:03 | 0:35:07 | |
The crew also want to minimise the risk of a clot forming. | 0:35:07 | 0:35:11 | |
If we can, we'll take your top off, if that's all right. | 0:35:11 | 0:35:15 | |
Aspirin in some water for you there, John. All right? So, if you... | 0:35:20 | 0:35:25 | |
can drink that for me. | 0:35:25 | 0:35:26 | |
'The ECG will tell Phil if John is having, | 0:35:29 | 0:35:32 | |
'or about to have, a heart attack.' | 0:35:32 | 0:35:35 | |
This patient has a long history of serious heart problems | 0:35:36 | 0:35:39 | |
and cardiac surgery. | 0:35:39 | 0:35:41 | |
I've had a cardiac arrest, I've had two heart attacks, | 0:35:41 | 0:35:44 | |
I've got six stents inside me. | 0:35:44 | 0:35:47 | |
Stents are minute wire mesh tubes inserted into arteries after | 0:35:47 | 0:35:51 | |
they've been cleared of any blockage. | 0:35:51 | 0:35:54 | |
OK, there doesn't appear to be anything new or acute | 0:35:54 | 0:35:57 | |
showing on the ECG there, John, all right? That's good. | 0:35:57 | 0:36:01 | |
That's a huge relief. There would be clear signs of another heart attack. | 0:36:01 | 0:36:05 | |
But John's still in great pain. | 0:36:07 | 0:36:10 | |
Although the spray has taken the edge off it, | 0:36:10 | 0:36:12 | |
he needs more powerful painkillers. | 0:36:12 | 0:36:13 | |
A sharp scratch to the back of your hand, all right? Yeah. | 0:36:13 | 0:36:16 | |
Paramedics are going to give him the strongest painkiller they carry. | 0:36:17 | 0:36:22 | |
All right, so you've had some morphine before? Yeah. | 0:36:22 | 0:36:25 | |
So, you know, it might make you feel | 0:36:25 | 0:36:27 | |
a little bit woozy and light-headed. OK. | 0:36:27 | 0:36:30 | |
Like, maybe, you've had a few of your favourite tipple, if you enjoy one. | 0:36:30 | 0:36:34 | |
It seems the problem might be caused by the body reacting to | 0:36:34 | 0:36:38 | |
the stents, trying to reject the foreign bodies. | 0:36:38 | 0:36:40 | |
It's the second time this has happened in three months. | 0:36:40 | 0:36:44 | |
After going through so much, | 0:36:44 | 0:36:46 | |
John has a good understanding of his heart problems. | 0:36:46 | 0:36:49 | |
Did they say last time anything sort of about the arteries just | 0:36:50 | 0:36:53 | |
sort of, you know, almost consistently spasming at all? Or...? | 0:36:53 | 0:36:58 | |
Because a part of my heart's died... Yeah. | 0:36:58 | 0:37:01 | |
..and I've got a blocked artery, which they... | 0:37:01 | 0:37:05 | |
they have tried to drill out... | 0:37:05 | 0:37:08 | |
but it's very small. | 0:37:08 | 0:37:09 | |
Um...I've had more stents put in my other artery. | 0:37:11 | 0:37:15 | |
Yeah. Um... | 0:37:15 | 0:37:16 | |
and they're saying I've got so many stents on one artery now that, | 0:37:16 | 0:37:20 | |
over a period of time, it tries to reject and it goes into spasm. | 0:37:20 | 0:37:24 | |
It sounds a similar sort of episode to... Something's not right. No. | 0:37:26 | 0:37:31 | |
It's possible the coronary artery is going into spasm as the body | 0:37:31 | 0:37:36 | |
tries to reject the stents. | 0:37:36 | 0:37:38 | |
If that continues, it could cause another heart attack. | 0:37:38 | 0:37:41 | |
Feeling anything yet? | 0:37:42 | 0:37:44 | |
A little bit more relaxed...? Yeah. | 0:37:44 | 0:37:47 | |
OK. Right, we'll see how that goes. Yeah. | 0:37:51 | 0:37:54 | |
All right, what sort of number would you give it at the moment | 0:37:54 | 0:37:56 | |
between zero and ten? | 0:37:56 | 0:37:58 | |
About four or five now. It's about four or five. It's come down now. | 0:37:58 | 0:38:01 | |
John's had a rough time, but, for now, the morphine is doing its job. | 0:38:01 | 0:38:05 | |
Pain under control, | 0:38:05 | 0:38:06 | |
John's stable enough to start the journey to hospital. | 0:38:06 | 0:38:09 | |
Phil stays by his side, continually monitoring the ECG to make sure | 0:38:09 | 0:38:14 | |
there are no signs of a heart attack. | 0:38:14 | 0:38:16 | |
With John's history, they can't take any chances. | 0:38:16 | 0:38:20 | |
Everything's checking out all right, John. OK? | 0:38:20 | 0:38:23 | |
All your observations are stable, which are good | 0:38:23 | 0:38:26 | |
and there's no changes on the ECG at all. All right? That's good. | 0:38:26 | 0:38:30 | |
At hospital, John will be taken to the cardiology unit, | 0:38:38 | 0:38:40 | |
where his chest pains will be fully investigated. | 0:38:40 | 0:38:44 | |
The au pair who collapsed by the roadside after | 0:38:54 | 0:38:56 | |
a shunt on the M27 motorway was checked over at hospital. | 0:38:56 | 0:39:00 | |
Have you got pain anywhere? | 0:39:00 | 0:39:02 | |
In my chest. In your chest? How about your neck? | 0:39:02 | 0:39:04 | |
Rosa suffered serious bruising from the seatbelt | 0:39:04 | 0:39:07 | |
and was sent home to rest with painkillers. | 0:39:07 | 0:39:10 | |
Right, if anyone's got any injuries, | 0:39:10 | 0:39:12 | |
you need to travel in the ambulance and go to hospital. | 0:39:12 | 0:39:15 | |
Both Olga and her son, Alec, also suffered minor bruising, | 0:39:15 | 0:39:20 | |
but are now fully recovered. | 0:39:20 | 0:39:22 | |
At hospital, the driver of the car that went into the crash barrier | 0:39:23 | 0:39:27 | |
was found to have a broken rib and fractured bones in his feet. | 0:39:27 | 0:39:31 | |
No charges were brought against him | 0:39:31 | 0:39:33 | |
or the other driver, who was treated for whiplash. | 0:39:33 | 0:39:37 | |
As for Alan, the recovery driver who stopped to help, | 0:39:37 | 0:39:40 | |
he didn't make it home until the early hours of the morning. | 0:39:40 | 0:39:43 | |
Too late for dinner. | 0:39:43 | 0:39:45 | |
John, the heart patient taken into hospital with severe | 0:39:46 | 0:39:50 | |
chest pains, was kept in for a week. | 0:39:50 | 0:39:51 | |
During that time, his anti-rejection medication was adjusted. | 0:39:51 | 0:39:55 | |
He's now back home and feeling much better. | 0:39:55 | 0:39:58 | |
It's three months since Laura's accident on Blue Boat. | 0:40:03 | 0:40:06 | |
She was left with multiple fractures to her skull. | 0:40:06 | 0:40:09 | |
Although she was discharged from hospital after a week, | 0:40:09 | 0:40:12 | |
she may still have to undergo surgery, | 0:40:12 | 0:40:14 | |
but doctors want to wait for the injuries to settle. | 0:40:14 | 0:40:18 | |
What I understand is that I had a fracture in my skull here | 0:40:18 | 0:40:21 | |
and that fractured the eye socket on the right side. | 0:40:21 | 0:40:26 | |
They had to shave my head and put stitches under here | 0:40:26 | 0:40:29 | |
and I have had something that feels like a concave kind of crater, | 0:40:29 | 0:40:33 | |
I called it a crater, here, | 0:40:33 | 0:40:35 | |
but even that is becoming more and more normal. | 0:40:35 | 0:40:38 | |
It's fantastic, actually. I'm incredibly lucky. | 0:40:39 | 0:40:42 | |
One of the most disabling effects of a head injury is coping | 0:40:43 | 0:40:46 | |
with double vision, which makes everyday tasks much more difficult. | 0:40:46 | 0:40:51 | |
My two eyes are working quite differently | 0:40:51 | 0:40:54 | |
and it's too much for my brain to pull it together. | 0:40:54 | 0:40:57 | |
In hospital, they were trying to encourage me | 0:40:57 | 0:40:59 | |
to do things independently and pour a glass of water, and I couldn't. | 0:40:59 | 0:41:02 | |
I couldn't see where the glass was | 0:41:02 | 0:41:04 | |
and I'd be pouring it all over the table, | 0:41:04 | 0:41:06 | |
but just walking about, it's amazed me | 0:41:06 | 0:41:08 | |
how much you count on your eyes to see if the ground's uneven | 0:41:08 | 0:41:11 | |
or if there are steps | 0:41:11 | 0:41:12 | |
and I've become someone who thinks there should be | 0:41:12 | 0:41:15 | |
a yellow strip on every step now. | 0:41:15 | 0:41:17 | |
Life is now continually interrupted by medical appointments, but Laura | 0:41:17 | 0:41:21 | |
has been reassured that, in time, her sight will return to normal. | 0:41:21 | 0:41:26 | |
Every morning as I wake up and look, | 0:41:26 | 0:41:27 | |
"Have I got double vision this morning?" | 0:41:27 | 0:41:29 | |
Um, unfortunately, I always have so far, but I am hopeful that | 0:41:29 | 0:41:33 | |
it's going to correct itself and will sort itself out. | 0:41:33 | 0:41:37 | |
Laura can't remember anything about the accident | 0:41:37 | 0:41:39 | |
and it has not put her or her partner, Steven, off sailing. | 0:41:39 | 0:41:44 | |
I think Laura has always had sailing in her blood, | 0:41:44 | 0:41:47 | |
she's always been sailing, she's always done something on boats. | 0:41:47 | 0:41:50 | |
She's drawn to that lifestyle and those activities. | 0:41:50 | 0:41:55 | |
She's a very positive person. She's always upbeat about everything. | 0:41:55 | 0:41:59 | |
She always sees the bright side of things | 0:41:59 | 0:42:01 | |
and I think it's that ambition and that drive that keeps her going and | 0:42:01 | 0:42:05 | |
I think we will start to sail again, maybe after Christmas | 0:42:05 | 0:42:09 | |
and maybe next season. | 0:42:09 | 0:42:11 | |
The rescue operation saved Laura's life. | 0:42:14 | 0:42:16 | |
The difficult weather conditions requiring all the experience | 0:42:16 | 0:42:20 | |
and expertise of the coastguard, air-sea rescue | 0:42:20 | 0:42:23 | |
and two RNLI crews. | 0:42:23 | 0:42:26 | |
Oh, it was a superb team effort. | 0:42:26 | 0:42:29 | |
I don't think we could have got the casualty out from | 0:42:29 | 0:42:33 | |
where she was without the effort of the RNLI. | 0:42:33 | 0:42:36 | |
Um, they were very good. | 0:42:36 | 0:42:37 | |
There's three of them on the yacht all doing different jobs and, uh... | 0:42:37 | 0:42:43 | |
they all acted extremely well. | 0:42:43 | 0:42:45 | |
It was a good shout for us. | 0:42:45 | 0:42:46 | |
It was where we all worked together, it's where the training kicked in. | 0:42:46 | 0:42:49 | |
It was the first time I had done a high line with the winchman. | 0:42:49 | 0:42:52 | |
So, again we knew the theory, | 0:42:52 | 0:42:53 | |
but it was nice to put some of that theory into practice | 0:42:53 | 0:42:56 | |
and it's nice to hear that, obviously, | 0:42:56 | 0:42:58 | |
Laura's making a recovery and we were able to help her that day. | 0:42:58 | 0:43:01 | |
It never fails to amaze me - | 0:43:07 | 0:43:08 | |
the skill, dedication and selflessness of the helicopter crews | 0:43:08 | 0:43:12 | |
and RNLI who are out there helping those in need around our coastline. | 0:43:12 | 0:43:17 | |
That's it for today's Real Rescues. See you next time. | 0:43:17 | 0:43:19 | |
Subtitles by Red Bee Media Ltd | 0:43:23 | 0:43:26 |