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On Real Rescues today... 'The coastguard are scrambled | 0:00:02 | 0:00:04 | |
'after a woman reports her husband suffered a freak accident on a speedboat.' | 0:00:04 | 0:00:08 | |
'He's losing a lot of blood.' | 0:00:13 | 0:00:15 | |
'An unusual case for Animal Rescue. | 0:00:20 | 0:00:22 | |
'A bullock is on the loose in leafy suburbia.' | 0:00:22 | 0:00:25 | |
Coming through, coming through. No. | 0:00:25 | 0:00:28 | |
'And an emergency at the home of a young pregnant woman.' | 0:00:28 | 0:00:31 | |
'She's losing consciousness and her heartbeat is low.' | 0:00:32 | 0:00:36 | |
Just going to need to get the stretcher in ASAP. Just relax, Amy. | 0:00:36 | 0:00:41 | |
Hello and welcome to Real Rescues. | 0:00:58 | 0:01:01 | |
Any emergency 999 call made in the UK | 0:01:01 | 0:01:04 | |
will come into a control room like this one, | 0:01:04 | 0:01:06 | |
whether it's police, fire and rescue or ambulance. | 0:01:06 | 0:01:09 | |
But if anyone is in danger in any of the 1.25 million nautical square miles which surround the UK, | 0:01:09 | 0:01:15 | |
that alert is called a mayday or pan-pan | 0:01:15 | 0:01:18 | |
and that emergency is a matter for our fourth blue-light service, the coastguard. | 0:01:18 | 0:01:22 | |
The call we're about to hear reports an injury | 0:01:22 | 0:01:24 | |
that even the rescue services had never seen the like of. | 0:01:24 | 0:01:27 | |
Thanks to Pete and his family, here is the story of his rescue. | 0:01:27 | 0:01:30 | |
Gentlemen, you might want to cross your legs. | 0:01:30 | 0:01:33 | |
'It's 2pm on a Saturday in mid-summer at the coastguard control room.' | 0:01:37 | 0:01:41 | |
'An emergency call comes in from a woman who's sailing with her family in their boat off the south coast.' | 0:01:48 | 0:01:54 | |
'The woman, Lorna, goes on to describe her husband Pete's horrifying injuries. | 0:02:17 | 0:02:21 | |
'The volunteer Hamble Lifeboat team are the first to be scrambled. | 0:02:22 | 0:02:26 | |
'But these injuries are so severe, the coastguard rescue helicopter | 0:02:28 | 0:02:32 | |
'is called in, as well.' | 0:02:32 | 0:02:34 | |
All I heard was Alex shouting, "Dad! Dad!" | 0:02:34 | 0:02:36 | |
And I thought... And stood up. | 0:02:36 | 0:02:39 | |
And I heard this splash and I knew something was wrong. | 0:02:39 | 0:02:42 | |
'The owner of the boat, Pete, has fallen from the back diving area | 0:02:42 | 0:02:46 | |
'but caught himself on a piece of metal called a snap davit, | 0:02:46 | 0:02:50 | |
'tearing open his groin.' | 0:02:50 | 0:02:52 | |
So I jumped up and ran to the back of the boat | 0:02:52 | 0:02:54 | |
to try and see what was going on. | 0:02:54 | 0:02:57 | |
And at that point, I think Pete was trying to get to the bathing ladder | 0:02:58 | 0:03:03 | |
to get back out of the water. | 0:03:03 | 0:03:05 | |
So I knew it was fairly serious because of the way Alex had shouted. | 0:03:05 | 0:03:09 | |
I said to Pete, "What's wrong?" and he said, "It's bad." | 0:03:09 | 0:03:13 | |
I think he got out, managed to sit on the back | 0:03:13 | 0:03:15 | |
and straight away he was into instruction mode. | 0:03:15 | 0:03:19 | |
"You need to use the radio and you need to call the coastguard now." | 0:03:19 | 0:03:22 | |
'Within minutes, the volunteer Hamble Lifeboat team are on the scene. | 0:03:24 | 0:03:28 | |
'Lifeboat medic Liam Dobbin is the first to see the injury and give emergency treatment.' | 0:03:28 | 0:03:34 | |
As I've come on board as a first-aider, | 0:03:34 | 0:03:36 | |
I'm the person that's going to reassure them. | 0:03:36 | 0:03:39 | |
I'm trying to then compose myself and give an honest face | 0:03:39 | 0:03:42 | |
that it's not too bad. It was quite a shock for me. | 0:03:42 | 0:03:45 | |
This was the worst I've seen. I've seen a number of people damage their fingers, | 0:03:46 | 0:03:50 | |
bash their head, head bleeds a lot, but this one was a personal injury to a personal area. | 0:03:50 | 0:03:56 | |
There was a lot of blood through his hands, all around his wetsuit. | 0:03:58 | 0:04:01 | |
There was an open tear wound in his groin. | 0:04:01 | 0:04:03 | |
So I looked up at the casualty and said, "It's all still there." | 0:04:03 | 0:04:07 | |
But then that mental picture of what I saw first of all has stayed with me for a little while. | 0:04:07 | 0:04:12 | |
Once I'd had a look at what we'd got, | 0:04:14 | 0:04:16 | |
it was deemed as a major injury, that's when I reported back to our boat | 0:04:16 | 0:04:20 | |
that we're going to need a medical evacuation as soon as possible. | 0:04:20 | 0:04:23 | |
'The coastguard helicopter is en route. | 0:04:23 | 0:04:27 | |
'On board, winchman and trained paramedic Alf Kitwood.' | 0:04:27 | 0:04:30 | |
We got a call from the coastguard for a chap who'd fallen from a boat and was missing various body parts. | 0:04:30 | 0:04:37 | |
So we didn't really quite know what to expect with a call like that. | 0:04:37 | 0:04:40 | |
'The pressure of the dressing is stemming the blood loss, | 0:04:42 | 0:04:44 | |
'but Pete needs emergency surgery and fast. | 0:04:44 | 0:04:48 | |
'Alf is winched down onto the lifeboat | 0:04:48 | 0:04:50 | |
'before transferring to attend the injured man. | 0:04:50 | 0:04:53 | |
'Pete's ability to remain calm is impressing everyone.' | 0:04:54 | 0:04:58 | |
When Alf joined us on the boat, he says to me, | 0:04:58 | 0:05:01 | |
"Hello, I'm Alf," and I says, "Hello, I'm Pete. I won't shake your hand | 0:05:01 | 0:05:04 | |
"because I need them to hold myself together," and he had a giggle. | 0:05:04 | 0:05:08 | |
So then he crouched down on the rear of the platform, | 0:05:08 | 0:05:11 | |
had a good look, as well, and he looked up at me and said, | 0:05:11 | 0:05:14 | |
"Ooh, that looks a bit painful." | 0:05:14 | 0:05:16 | |
His exact words were, "I don't even know how I'm going to dress this." | 0:05:16 | 0:05:20 | |
During the process of looking at the injury, | 0:05:20 | 0:05:23 | |
I noticed that it wasn't bleeding, identified what was wrong, | 0:05:23 | 0:05:27 | |
invited him to replace the pad and then I put another one top | 0:05:27 | 0:05:32 | |
and bandaged sufficiently to offer him enough support | 0:05:32 | 0:05:36 | |
ready for a transfer. | 0:05:36 | 0:05:38 | |
'It's a relief to find there are no missing body parts. | 0:05:38 | 0:05:41 | |
'The bleeding is under control at the moment, but Pete has to airlifted. | 0:05:41 | 0:05:45 | |
'Winchman Alf has to improvise a bandage to maintain the pressure on the wound.' | 0:05:47 | 0:05:51 | |
Eventually we figured out one way of making the world's biggest nappy | 0:05:51 | 0:05:55 | |
and they dressed, basically, a nappy round me on top of my wetsuit. | 0:05:55 | 0:06:01 | |
'The coastguard helicopter is skilfully manoeuvred over the lifeboat. | 0:06:03 | 0:06:06 | |
'So Alf and Pete can be winched on board. | 0:06:09 | 0:06:12 | |
'They head straight to Southampton General Hospital. | 0:06:18 | 0:06:21 | |
'It's just a few minutes' flight away. | 0:06:21 | 0:06:24 | |
'Two specialist surgeons have been paged and are waiting to operate. | 0:06:24 | 0:06:28 | |
'In the meantime, one of the lifeboat crew stays on board the Tanzanite, | 0:06:29 | 0:06:33 | |
'taking it back to shore so Lorna and their son Alex can join Pete at hospital. | 0:06:33 | 0:06:38 | |
'Incredibly, just a few weeks after the accident, | 0:06:41 | 0:06:44 | |
'Pete is back out on his boat with his wife. | 0:06:44 | 0:06:47 | |
'Thanks to the rescue and the surgery, his recovery is in every way complete. | 0:06:47 | 0:06:52 | |
'He remembers everything about how it happened.' | 0:06:52 | 0:06:56 | |
What I actually did, because I couldn't get down there, there was a jet ski, | 0:06:56 | 0:06:59 | |
I sat here and my idea was to push myself off with my arms over the davit, | 0:06:59 | 0:07:05 | |
which I actually made, I made the manoeuvre, | 0:07:05 | 0:07:07 | |
I jumped over the davit with my arms, | 0:07:07 | 0:07:10 | |
but my wetsuit got caught on the davit as I started to jump, | 0:07:10 | 0:07:13 | |
it pulled me back in, my legs went under and I went straight down, | 0:07:13 | 0:07:17 | |
so I was pivoting being held up by my genitalia until it all gave in. | 0:07:17 | 0:07:23 | |
When I went into the water, it was instantly cold between my legs | 0:07:24 | 0:07:28 | |
so I put my hand between my legs and where there was a wetsuit, there wasn't a wetsuit, | 0:07:28 | 0:07:33 | |
there was a great big tear in the wetsuit, and I put my hand where my genitalia should be | 0:07:33 | 0:07:38 | |
and there was not a lot there, either. | 0:07:38 | 0:07:40 | |
So I sort of gathered everything up and came back onto the rear of the boat. | 0:07:40 | 0:07:44 | |
I think I had a very, very lucky escape, considering how bad it was | 0:07:45 | 0:07:49 | |
and the amount of stitches I've had down there. It looks bad, anyway. | 0:07:49 | 0:07:53 | |
I was actually told that the lifeboat wouldn't have got there in time to save me | 0:07:53 | 0:07:57 | |
if it'd gone down the inside of my leg, because I would've bled to death, anyway. | 0:07:57 | 0:08:01 | |
So I have had the luckiest escape. | 0:08:01 | 0:08:03 | |
I don't think how serious it was struck me | 0:08:05 | 0:08:08 | |
until I got back to the boat later in the evening | 0:08:08 | 0:08:10 | |
and I was left on my own on the boat that evening. | 0:08:10 | 0:08:14 | |
And that's when I think I really lost it. | 0:08:14 | 0:08:17 | |
It was just almost a bit like it was happening to somebody else. | 0:08:18 | 0:08:22 | |
You just read about these things happening but you never really think it's going to happen to you, | 0:08:22 | 0:08:27 | |
and I'm just really lucky that it worked like clockwork that day | 0:08:27 | 0:08:31 | |
and everything fell into place, | 0:08:31 | 0:08:33 | |
otherwise, yeah, I could... You know, Alex could not have a dad, | 0:08:33 | 0:08:37 | |
I could not have a husband | 0:08:37 | 0:08:39 | |
and the whole thing could've been totally different | 0:08:39 | 0:08:42 | |
without everybody working together as a team and getting it right. | 0:08:42 | 0:08:46 | |
'It's just before rush hour. | 0:08:59 | 0:09:01 | |
'A call's just come in for paramedic team Charlie Balham and Jason Fullerton. | 0:09:01 | 0:09:05 | |
'A young woman has lost consciousness at her mum's house | 0:09:07 | 0:09:10 | |
'and she's 32 weeks pregnant. | 0:09:10 | 0:09:13 | |
'They're met by the young woman's anxious father and brother.' | 0:09:15 | 0:09:18 | |
Hello there. What's your name? | 0:09:26 | 0:09:28 | |
Hi, Amy. My name's Charlie, I'm a paramedic. | 0:09:28 | 0:09:31 | |
We've managed to get in here. OK. What's been happening, Amy? | 0:09:31 | 0:09:35 | |
I don't know. I just came from the doctor's. She's just been to see the midwife. | 0:09:36 | 0:09:41 | |
And I came here and felt really dizzy. Okey-dokes. | 0:09:41 | 0:09:46 | |
How are you feeling at the moment? | 0:09:46 | 0:09:49 | |
A bit better? Yeah, a little bit. OK. | 0:09:49 | 0:09:51 | |
How's your pregnancy been in general at the moment? Fine. | 0:09:51 | 0:09:54 | |
Sorry, it feels like I've dipped it in ice. That's all right. | 0:09:54 | 0:09:57 | |
There we go. Super. | 0:09:57 | 0:09:59 | |
OK. And is this your first? Yeah. Yeah? OK. | 0:09:59 | 0:10:03 | |
Talk me back through the events in your words. | 0:10:03 | 0:10:06 | |
I walked up to the doctor's, | 0:10:06 | 0:10:09 | |
come back, and I just felt really funny. | 0:10:09 | 0:10:13 | |
Mm. Just didn't feel right. And she did go out, she did faint, pass out. | 0:10:13 | 0:10:17 | |
Completely out cold? Yeah, completely out. | 0:10:17 | 0:10:20 | |
No response. Yeah, OK. | 0:10:20 | 0:10:23 | |
What we'll do first of all is just put these sticky things on your wrists and ankles. | 0:10:23 | 0:10:26 | |
Sometimes when your heart's in distress, it'll send off a unique pattern of electricity | 0:10:26 | 0:10:32 | |
and this machine's just going to be measuring that electrical activity. | 0:10:32 | 0:10:35 | |
Do you mind just uncrossing your legs? Thanks. | 0:10:35 | 0:10:39 | |
'As paramedic Charlie starts to pick up Amy's heartbeat, he becomes more concerned.' | 0:10:39 | 0:10:43 | |
Do you know if you've normally got quite a slow heart rate? Have you been told that? No? | 0:10:43 | 0:10:48 | |
OK. | 0:10:48 | 0:10:50 | |
It's not majorly slow at the moment. It's certainly not life-threateningly slow. | 0:10:50 | 0:10:53 | |
'Suddenly, Amy starts to feel faint again.' | 0:10:53 | 0:10:56 | |
Do you get told that by the doctors? Yeah? All right. | 0:10:56 | 0:10:59 | |
Well, just relax, just breathe nice and deep, all right? | 0:10:59 | 0:11:03 | |
Don't panic. Your blood pressure's quite nice and stable, all right? | 0:11:03 | 0:11:07 | |
So just take nice, regular deep breaths. | 0:11:07 | 0:11:10 | |
Just try and think about something more peaceful. Just along there, yeah? Yeah. OK. | 0:11:10 | 0:11:15 | |
Can you feel any movement around there? | 0:11:15 | 0:11:18 | |
Yeah? Just take nice, deep breaths, in and out. | 0:11:19 | 0:11:23 | |
Jason! Yeah? Can you come and give us a hand? Yeah. | 0:11:23 | 0:11:27 | |
That's all right, don't worry. | 0:11:30 | 0:11:32 | |
We're just going to get the stretcher in ASAP. | 0:11:32 | 0:11:34 | |
Yeah, OK. Just going to get her onto the bed, as well. | 0:11:34 | 0:11:36 | |
If you just assist her... | 0:11:36 | 0:11:39 | |
'The paramedics need to put her in a different position, making it easier for her heart.' | 0:11:39 | 0:11:43 | |
OK. Just relax, Amy. I'm going to move these pillows so you can get your head back a little bit more. | 0:11:43 | 0:11:48 | |
Just nice, deep breaths. All right? | 0:11:48 | 0:11:51 | |
Don't worry about anything. All right? Keep calm. You're all right. | 0:11:51 | 0:11:55 | |
'In the ambulance, paramedic Charlie wants to check if low blood pressure is the cause of her dizziness.' | 0:11:57 | 0:12:04 | |
Lots of different beeping and stuff like that going on. Don't worry about that. | 0:12:04 | 0:12:07 | |
'But her levels are normal. It's not the reason.' | 0:12:07 | 0:12:10 | |
As soon as I get worried, that's when you need to start worrying. | 0:12:10 | 0:12:13 | |
But I'm not worried, all right? OK. So no dramas. | 0:12:13 | 0:12:16 | |
'With such a low heartbeat, it's vital that Charlie keeps monitoring it.' | 0:12:18 | 0:12:21 | |
It dropped down to 40 when we had that syncope attack episode. OK. | 0:12:24 | 0:12:29 | |
'Syncope is the medical term for a fainting attack.' | 0:12:29 | 0:12:32 | |
Let's see. Ah, it's all good. Not too many dramas there. | 0:12:34 | 0:12:40 | |
All I was looking for mainly was just anything like a heart hiccup type thing, | 0:12:40 | 0:12:45 | |
anything which was going to be interrupting your normal heart rate and stuff like that, | 0:12:45 | 0:12:49 | |
but that's all quite groovy. Not too worried about that. | 0:12:49 | 0:12:52 | |
And your heart rate's back up to normal speed now. | 0:12:52 | 0:12:55 | |
So, like I say, probably just another cheeky little faint or something like that. All right? | 0:12:55 | 0:13:00 | |
You all right, babe? 'Amy's mum is going to accompany her to hospital. | 0:13:00 | 0:13:04 | |
'Charlie phones ahead with information about his patient.' | 0:13:04 | 0:13:07 | |
I've got a lady here, a 24-year-old lady, who's 32 weeks pregnant | 0:13:10 | 0:13:15 | |
and she's had a couple of what seem to be syncope-type events. | 0:13:15 | 0:13:21 | |
She hasn't fully lost consciousness, | 0:13:21 | 0:13:23 | |
but she's gone bradycardic and her blood pressure dumped on each occasion. | 0:13:23 | 0:13:28 | |
'Charlie's concerned because Amy's heart has become bradycardic. | 0:13:28 | 0:13:33 | |
'That means it's dropped below a normal resting rate of 60 beats per minute. | 0:13:33 | 0:13:38 | |
'The ambulance crew want to know whether they can avoid the emergency department | 0:13:38 | 0:13:42 | |
'and take her straight to the maternity unit.' | 0:13:42 | 0:13:44 | |
All right. Thanks. Maternity. | 0:13:44 | 0:13:48 | |
Yeah, maternity. Cheers. | 0:13:48 | 0:13:50 | |
'By now, Charlie has more details about Amy | 0:13:52 | 0:13:54 | |
'and it seems her resting heart rate is always a bit on the low side.' | 0:13:54 | 0:13:59 | |
Looking at your notes, your blood pressures have been more or less around the same level they are now. | 0:13:59 | 0:14:04 | |
So it's not, like, drastically low. | 0:14:04 | 0:14:07 | |
So I don't think that's too much of an issue. | 0:14:07 | 0:14:10 | |
'It's a positive sign, but this patient still needs a thorough check-up. | 0:14:11 | 0:14:15 | |
'As they arrive, they're met by Amy's boyfriend, Rob.' | 0:14:15 | 0:14:18 | |
Hiya. | 0:14:21 | 0:14:22 | |
'Amy will be moved to a more comfortable bed where tests will begin. | 0:14:24 | 0:14:28 | |
'After a couple of hours, Amy was allowed home. | 0:14:33 | 0:14:36 | |
'A week later, she was called back | 0:14:36 | 0:14:38 | |
'for another ECG check on her heart and she was given the all clear. | 0:14:38 | 0:14:42 | |
'Her mother believes she was reacting to a vaccination. | 0:14:44 | 0:14:48 | |
'And news of the baby later.' | 0:14:48 | 0:14:50 | |
Coming up on Real Rescues... | 0:14:56 | 0:14:58 | |
'The firefighters of Green Watch rush to an allotment.' | 0:14:59 | 0:15:02 | |
'It's a race to stop the flames spreading to nearby houses.' | 0:15:05 | 0:15:08 | |
'Police deal with an accident that almost topples a lamp post.' | 0:15:12 | 0:15:15 | |
Sir, mind yourself, just in case the lamp post comes down. | 0:15:15 | 0:15:18 | |
'The driver is refusing to go to hospital.' | 0:15:18 | 0:15:21 | |
You've had an accident. The chances are you'll do it again. | 0:15:21 | 0:15:24 | |
You need to go to hospital and that's what's going to happen. | 0:15:24 | 0:15:26 | |
What's interesting is how operators here in the control room | 0:15:29 | 0:15:33 | |
can help people who are lost | 0:15:33 | 0:15:35 | |
or trying to help people find people who are lost. | 0:15:35 | 0:15:38 | |
We can talk to Millie about this. | 0:15:38 | 0:15:41 | |
You had a call here from a couple of children. Yep. | 0:15:41 | 0:15:44 | |
Two ten-year-old girls had been out playing in the woods. | 0:15:44 | 0:15:48 | |
They didn't know which woods they were in, | 0:15:48 | 0:15:50 | |
they didn't know whereabouts in the woods they were... | 0:15:50 | 0:15:53 | |
So they got themselves lost. Yeah, they got themselves lost. | 0:15:53 | 0:15:56 | |
They were completely stuck and didn't know what else to do other than phone 999, which they did. | 0:15:56 | 0:16:01 | |
They were quite scared, so initially, the most important thing to do was build a rapport with them, | 0:16:01 | 0:16:06 | |
make sure they felt safe on the phone to me | 0:16:06 | 0:16:09 | |
and just assuring them that we would get them out and they'd be safe. | 0:16:09 | 0:16:13 | |
They were quite concerned about where their parents would think they were | 0:16:13 | 0:16:19 | |
and what their parents would say. Whether the parents would be angry for coming home late. Yeah. | 0:16:19 | 0:16:23 | |
So you've got the two girls in the woods and they don't even know which woods they're in. | 0:16:23 | 0:16:27 | |
But you've got them on the mobile phone, so how do you find them? | 0:16:27 | 0:16:30 | |
We can look at the eastings and northings, which populate on the screen. | 0:16:30 | 0:16:35 | |
Sometimes they populate on the screen... | 0:16:35 | 0:16:37 | |
You mean when a caller comes up, sometimes on that screen, you get east and north, | 0:16:37 | 0:16:42 | |
which is a triangulation between the various aerials that pick up mobile phone calls. | 0:16:42 | 0:16:48 | |
That comes in. What if it doesn't come up on there? Can you ask for that information? | 0:16:48 | 0:16:52 | |
If they don't populate, we can request to speak with the operator again | 0:16:52 | 0:16:56 | |
and the operator will then pass them on, providing they have them, they'll pass them on. | 0:16:56 | 0:17:01 | |
Then we can put them onto the mapping system | 0:17:01 | 0:17:03 | |
and it will show us the radius of exactly where they are. | 0:17:03 | 0:17:06 | |
And how accurate is that? It's within a two-mile radius. | 0:17:06 | 0:17:09 | |
OK, so you now know which wood they're in. | 0:17:09 | 0:17:11 | |
So when it comes up on the screen, the likelihood is there'd be probably one wood in that area, | 0:17:11 | 0:17:16 | |
so we'd be able to find out exactly which wood they're in, but not exactly where they are. | 0:17:16 | 0:17:20 | |
Right. So presumably, at that stage, you've got police officers going to help. | 0:17:20 | 0:17:24 | |
Yeah, we've got police officers on the way to find them. | 0:17:24 | 0:17:26 | |
Meanwhile, I said to them, "Is there anyone you can see around you, | 0:17:26 | 0:17:29 | |
anyone that might be able to help you, tell you where you are?" | 0:17:29 | 0:17:32 | |
And they'd seen a jogger come past. So I just said, | 0:17:32 | 0:17:35 | |
"Stop the jogger, explain to him you're on the phone to the police, you need to know where you are." | 0:17:35 | 0:17:41 | |
And I then spoke to the jogger and just said, | 0:17:41 | 0:17:44 | |
"Would you be able to just show them a way out of the wood to a point | 0:17:44 | 0:17:48 | |
"where the police can then come and meet them, to a landmark?" | 0:17:48 | 0:17:51 | |
But I kept them on the phone, cos I still don't know who the jogger is | 0:17:51 | 0:17:54 | |
and I've got to ensure their safety. Of course. | 0:17:54 | 0:17:57 | |
So I kept them on the phone and then they met the police. | 0:17:57 | 0:18:00 | |
So you managed to get them out and all's well that ends well. Yeah. | 0:18:00 | 0:18:04 | |
Brilliant. So there you go. They can use a combination of technology | 0:18:04 | 0:18:07 | |
and a helpful passer-by to rescue the girls, | 0:18:07 | 0:18:11 | |
which is handy to know, isn't it? | 0:18:11 | 0:18:13 | |
'Fire Service Animal Rescue specialist Anton Phillips | 0:18:17 | 0:18:21 | |
'is facing one of the most demanding and unusual cases. | 0:18:21 | 0:18:25 | |
'A powerful bullock is on the loose in a residential area | 0:18:25 | 0:18:28 | |
'and Anton's arrived to help police trap it.' Right, OK. | 0:18:28 | 0:18:33 | |
The police were at a road traffic collision and whilst they were there, | 0:18:33 | 0:18:37 | |
a young steer trotted straight through the incident. | 0:18:37 | 0:18:39 | |
It was nothing to do with the incident. | 0:18:39 | 0:18:42 | |
They were quite astounded as to where it came from. | 0:18:42 | 0:18:44 | |
The police have followed it out of a large garden, | 0:18:44 | 0:18:47 | |
I've tried to capture it in a large garden, which was almost impossible. | 0:18:47 | 0:18:51 | |
'But this Dexter breed bullock keeps giving them the slip.' | 0:18:51 | 0:18:54 | |
The cattle... Ah, here it is. | 0:18:54 | 0:18:56 | |
'The black bullock is on the road just ahead of the police car.' | 0:18:56 | 0:19:00 | |
Right, there's our little steer, who's going to get more and more tired. | 0:19:00 | 0:19:04 | |
'Somehow Anton has to get a noose around its neck.' | 0:19:04 | 0:19:07 | |
Well, I've got a rope and I've put an emergency rope on, | 0:19:07 | 0:19:10 | |
cos he's not very big, he won't pull me around too much. | 0:19:10 | 0:19:13 | |
There's not a lot I can do until he decides that he's going to go and walk into somewhere. | 0:19:13 | 0:19:19 | |
But he's been on the move for some time now. He's obviously very stressed out. | 0:19:19 | 0:19:23 | |
Let's see what we can do. | 0:19:25 | 0:19:27 | |
'With the help of the police car, Anton is attempting to corner the animal.' | 0:19:27 | 0:19:31 | |
If you could let him go into a garden, it'd be good. | 0:19:31 | 0:19:34 | |
Don't get too tight. Let the fella do it. | 0:19:34 | 0:19:36 | |
'With the road blocked at each end, the bullock heads for a garden. | 0:19:39 | 0:19:42 | |
'But they can't get hold of the animal. | 0:19:42 | 0:19:45 | |
'It makes another bid for freedom, but Anton's ready for it.' | 0:19:46 | 0:19:50 | |
Here we go. Right. That side. | 0:19:52 | 0:19:54 | |
'Success! All they need to do now is keep it contained within the garden.' | 0:19:54 | 0:19:59 | |
Coming through, coming through. 'But no luck. This steer has got other ideas.' | 0:20:00 | 0:20:05 | |
The steer was on its own and they are a herd animal. | 0:20:06 | 0:20:09 | |
This one was also quite young. Obviously very upset, | 0:20:09 | 0:20:12 | |
wanted to be back with the rest of its herd mates | 0:20:12 | 0:20:15 | |
and was desperately trying to find them. | 0:20:15 | 0:20:18 | |
'The chase is on again. | 0:20:18 | 0:20:20 | |
'The plan is for the police to get ahead and cut it off. | 0:20:22 | 0:20:25 | |
'And so far, so good, as PC Chris Clayton approaches the animal.' | 0:20:25 | 0:20:29 | |
Some poor person's going to end up with this in his garden. | 0:20:29 | 0:20:32 | |
'But suddenly, it makes off.' | 0:20:32 | 0:20:34 | |
Where is it? Can you see it? 'It's given them the slip again. | 0:20:35 | 0:20:39 | |
'So it's back in the cars.' Little calves are a pain in the backside. | 0:20:39 | 0:20:43 | |
Yes, absolutely. Absolutely. | 0:20:44 | 0:20:47 | |
They get old and wise, but saying that, | 0:20:47 | 0:20:50 | |
young calves, some of them are really, really great escapologists, and this is one of them. There he is. | 0:20:50 | 0:20:57 | |
'Anton's spotted him again. The police car needs to get ahead of it to attempt another corral.' | 0:20:57 | 0:21:02 | |
The other thing is, he's extremely fit. | 0:21:02 | 0:21:04 | |
Cos he's now been running for probably about three miles. | 0:21:04 | 0:21:07 | |
What we don't want to happen, of course, is a collision with anybody. | 0:21:07 | 0:21:11 | |
'But... as soon as Anton gets out, the calf is off once again.' | 0:21:11 | 0:21:17 | |
Same tactic again. Great. Oh, he's in, is he? | 0:21:17 | 0:21:22 | |
'But not for long. | 0:21:22 | 0:21:24 | |
'They aim for another garden but it's no good.' | 0:21:24 | 0:21:27 | |
No. 'Anton has to contain the animal in these streets, | 0:21:29 | 0:21:33 | |
'but all the time, it's heading towards danger.' | 0:21:33 | 0:21:37 | |
'The animal was moving through a large housing estate | 0:21:37 | 0:21:40 | |
'and gradually it was gravitating towards the M3 motorway.' | 0:21:40 | 0:21:45 | |
I need to get round him if I can. | 0:21:45 | 0:21:47 | |
Now, it actually moved probably the best part of two miles | 0:21:47 | 0:21:51 | |
of the three miles towards the motorway, so sooner or later, it would've got to the motorway. | 0:21:51 | 0:21:55 | |
And all the time, it was getting more and more wound up. | 0:21:55 | 0:21:58 | |
'The rescue attempt has now been going on for 50 minutes.' | 0:21:58 | 0:22:01 | |
Where'd he go, where'd he go? | 0:22:01 | 0:22:03 | |
'More expert help has arrived on board an off-road vehicle.' | 0:22:03 | 0:22:08 | |
That might be a farmer, as well. | 0:22:08 | 0:22:10 | |
So that would be extremely helpful. | 0:22:10 | 0:22:13 | |
'It's a farmer, although not the owner. | 0:22:13 | 0:22:15 | |
'However, Andrew Graddage does know how to corral animals.' | 0:22:15 | 0:22:19 | |
That's it. 'And the extra manpower is doing the trick. | 0:22:19 | 0:22:22 | |
'This time, the bullock is headed into another garden.' | 0:22:22 | 0:22:25 | |
Yep, that'll do. Lovely. | 0:22:25 | 0:22:28 | |
'And it's got a gate. At last, the rescuers can cut off any escape route. | 0:22:28 | 0:22:32 | |
'Anton follows closely behind. | 0:22:35 | 0:22:37 | |
'He's not letting it get away this time. | 0:22:37 | 0:22:39 | |
'But it's taking the combined efforts of four men to get a lasso on it.' | 0:22:43 | 0:22:47 | |
BULLOCK MOOS Yeah, I know. | 0:22:47 | 0:22:50 | |
Let's get his head. | 0:22:50 | 0:22:52 | |
That young steer was extremely powerful | 0:22:52 | 0:22:55 | |
and the only way to control them properly is to control their head. | 0:22:55 | 0:23:01 | |
'Finally, they can get a look at the ear tag, which will identify the animal and its owner. | 0:23:01 | 0:23:06 | |
'A job for PC Lindsay Meal.' | 0:23:06 | 0:23:09 | |
Thank you, I've got 282115. | 0:23:09 | 0:23:13 | |
Trading Standards Animal Welfare will read that off the list. | 0:23:13 | 0:23:17 | |
You can get up now if you like. Let him get up. He's all right. | 0:23:18 | 0:23:22 | |
Get up, then. Steady now, steady now. | 0:23:22 | 0:23:26 | |
BULLOCK MOOS | 0:23:26 | 0:23:28 | |
How far's your cattle box, mate? Ten minutes. Oh, right, OK. | 0:23:28 | 0:23:31 | |
'But Anton's work is far from over. | 0:23:32 | 0:23:35 | |
'The animal is struggling for its survival and will not give up the fight.' | 0:23:35 | 0:23:38 | |
Because this can lash out and kick you from every angle. | 0:23:38 | 0:23:41 | |
He can kick me from here with his hind leg, smack me in the face. | 0:23:41 | 0:23:45 | |
It's only cos it hasn't quite worked it out yet. | 0:23:45 | 0:23:47 | |
Saying that, it will do. | 0:23:48 | 0:23:51 | |
'Farmer Andrew has another idea.' | 0:23:51 | 0:23:54 | |
ANTON LAUGHS | 0:23:56 | 0:23:59 | |
'But before they can carry out their threats, transport arrives. | 0:24:01 | 0:24:05 | |
'To save the bullock churning up this garden any more, | 0:24:10 | 0:24:13 | |
'they herd it into the cattle trailer. | 0:24:13 | 0:24:15 | |
'At last, the animal is safely contained. | 0:24:27 | 0:24:29 | |
'It will now be returned to its herd, | 0:24:29 | 0:24:31 | |
'a huge relief to the rescuers. | 0:24:31 | 0:24:33 | |
'But one problem still remains.' | 0:24:34 | 0:24:37 | |
'Now the bullock is safely installed, the police can catch up with the owners, | 0:24:44 | 0:24:47 | |
'warning them it could all have ended differently.' | 0:24:47 | 0:24:51 | |
We came very close to having to call somebody out to shoot it because of the risk to the public. | 0:24:51 | 0:24:55 | |
I would've done that if it was causing a danger to the public. | 0:24:55 | 0:24:58 | |
'The owner suspects the steer was chased by a dog on its nearby grazing ground, | 0:25:01 | 0:25:05 | |
'escaping by going through or over the fence.' | 0:25:05 | 0:25:08 | |
SIRENS WAIL | 0:25:15 | 0:25:17 | |
'It's midweek and it's a damp and dingy evening. | 0:25:23 | 0:25:26 | |
'Traffic cops Matt Waters and Sam Forsyth | 0:25:26 | 0:25:29 | |
'have been called to an unusual incident in a car park.' | 0:25:29 | 0:25:32 | |
We've had a report of a two-vehicle traffic collision | 0:25:32 | 0:25:36 | |
on Watling Street, just up the road here, | 0:25:36 | 0:25:38 | |
where one person's complaining of chest injuries. | 0:25:38 | 0:25:42 | |
It's quite possible he's had a heart attack. | 0:25:42 | 0:25:44 | |
'They're heading for Milton Keynes Irish Centre.' | 0:25:46 | 0:25:49 | |
Oh, I see. | 0:25:49 | 0:25:51 | |
'And arrive to find an ambulance and a fast responder already on the scene.' | 0:25:51 | 0:25:56 | |
That lamp post doesn't look too clever, does it? | 0:25:56 | 0:25:58 | |
'A lamp post is at a precarious angle.' | 0:25:58 | 0:26:01 | |
'Matt is briefed by technician Tom Timmins.' | 0:26:05 | 0:26:09 | |
So he's had a seizure, not a heart attack? | 0:26:09 | 0:26:11 | |
Not a heart attack, no. Believed to be a seizure. Right. OK. | 0:26:11 | 0:26:15 | |
'Matt goes to see the ill driver. | 0:26:15 | 0:26:17 | |
'A friend is also in the ambulance. | 0:26:17 | 0:26:20 | |
'He came over after hearing about the accident.' | 0:26:20 | 0:26:22 | |
'People have gathered at the centre for a weekly auction. | 0:26:27 | 0:26:30 | |
'The man has decided to leave early.' | 0:26:30 | 0:26:33 | |
As he's leaving the car park, he's had this seizure, | 0:26:33 | 0:26:35 | |
which has resulted in him having a collision with this vehicle here and it's collided with a lamp post. | 0:26:35 | 0:26:40 | |
I'm a bit concerned about the lamp post because, as you can see, it's at an angle | 0:26:40 | 0:26:44 | |
and I feel it may fall at any moment. | 0:26:44 | 0:26:46 | |
Sir, do you want to mind yourself, just in case the lamp post comes down? | 0:26:46 | 0:26:50 | |
'Matt starts his routine investigations, but the driver is still confused.' | 0:26:53 | 0:26:57 | |
Because you've been involved in a traffic collision, I require you to provide me with... | 0:26:57 | 0:27:02 | |
'The driver can't remember having the accident.' | 0:27:02 | 0:27:04 | |
You've hit a Freelander. | 0:27:04 | 0:27:07 | |
'He gets out to have a look. He's very apologetic.' | 0:27:08 | 0:27:11 | |
Do you want to pop yourself back in the ambulance, keep yourself dry? | 0:27:11 | 0:27:15 | |
Pop yourself back in the ambulance, cos you're obviously confused. | 0:27:15 | 0:27:19 | |
'Matt gets the man to do a breathalyser test.' | 0:27:19 | 0:27:21 | |
Deep breath and blow. | 0:27:21 | 0:27:24 | |
Keep going. Keep going. Keep going. Stop. That's perfect. Thank you. | 0:27:24 | 0:27:28 | |
'The test is clear.' I'm going to contact the driving licence agency | 0:27:28 | 0:27:31 | |
and let them know that you've had this sort of seizure, or whatever it is you've had. | 0:27:31 | 0:27:35 | |
Because if I don't inform them and you go down the road and have another one | 0:27:35 | 0:27:39 | |
and end up killing somebody or yourself, I haven't done my job properly. | 0:27:39 | 0:27:43 | |
'Matt and Sam turn their attention to sorting out the vehicles. | 0:27:43 | 0:27:46 | |
'But their job is complicated by the dodgy-looking lamp post.' | 0:27:46 | 0:27:49 | |
Hm. | 0:27:49 | 0:27:51 | |
My fear is if we move the vehicle away, | 0:27:53 | 0:27:56 | |
the lamp post is then going to give way because it's obviously at this angle. All right, excellent... | 0:27:56 | 0:28:01 | |
'The man's friend has got the keys to move the van.' | 0:28:01 | 0:28:04 | |
Yeah, it was in gear. | 0:28:04 | 0:28:06 | |
'Luckily the van still runs OK. | 0:28:11 | 0:28:14 | |
'Next they've got to work out if it's safe to move the other car or not.' | 0:28:14 | 0:28:17 | |
What do you think? | 0:28:17 | 0:28:20 | |
Do you think? It's not like it's leaning on the car, and if you move it, it'll go boom. | 0:28:20 | 0:28:24 | |
If I do it whilst you make sure nothing goes past me, | 0:28:26 | 0:28:29 | |
if it goes down then it goes down, doesn't it? It's done then. | 0:28:29 | 0:28:32 | |
'The keys have arrived and they're going to go for it.' | 0:28:32 | 0:28:35 | |
Sam is going to close the road for us. | 0:28:35 | 0:28:37 | |
I'm going to reverse the vehicle back. If the lamp post goes, it won't injure anybody. | 0:28:37 | 0:28:41 | |
So, here goes. 'It's the moment of truth.' | 0:28:41 | 0:28:45 | |
I can't have any doubt. | 0:28:52 | 0:28:54 | |
Ah, it's going to go nowhere. That's fine. Excellent. | 0:28:54 | 0:28:58 | |
We bravely reversed the vehicle away from the lamp post. | 0:28:58 | 0:29:01 | |
The lamp post has held its ground. So we're going to resume. | 0:29:01 | 0:29:05 | |
'Matt thinks it's job done, but later...' | 0:29:05 | 0:29:10 | |
What's happening? '..police help is needed inside the ambulance. | 0:29:10 | 0:29:13 | |
'The driver doesn't think he needs to go to hospital.' | 0:29:13 | 0:29:16 | |
You need to go to hospital. That's the option, you go to hospital. | 0:29:16 | 0:29:20 | |
Right, if you suddenly came downstairs and found a man in your kitchen | 0:29:24 | 0:29:29 | |
that you didn't know who wasn't saying anything, how would you feel? | 0:29:29 | 0:29:32 | |
Well, let's find out how somebody else felt in that exact situation. | 0:29:32 | 0:29:36 | |
Millie, tells about this call that you got. | 0:29:36 | 0:29:39 | |
OK, so, a lady phoned in | 0:29:39 | 0:29:41 | |
and she said, "There's a man in my kitchen." | 0:29:41 | 0:29:44 | |
So I automatically thought immediate response. | 0:29:44 | 0:29:48 | |
So got officers coming on blue lights. Then started asking her some more questions. | 0:29:48 | 0:29:53 | |
Did she sounded terrified? No, actually, she sounded very calm, which I was surprised about, | 0:29:53 | 0:29:57 | |
just having said, "There is a man in my kitchen" at 1:30 in the morning. | 0:29:57 | 0:30:00 | |
Who she didn't know. She didn't know his name, she tried to speak to him | 0:30:00 | 0:30:04 | |
and he had made no response to her at all. So she asked him what he was doing there. | 0:30:04 | 0:30:09 | |
Which is even weirder. He's standing there not saying anything. | 0:30:09 | 0:30:12 | |
She said, "He's standing by my washing machine." | 0:30:12 | 0:30:14 | |
So she said her son was upstairs, so her son came down to question him | 0:30:14 | 0:30:18 | |
and he'd made no response to her son, either. | 0:30:18 | 0:30:20 | |
So I took a description of him, just in case he had left before the police came | 0:30:20 | 0:30:26 | |
because, obviously, I didn't know what he was doing there. All right. How was he dressed? | 0:30:26 | 0:30:30 | |
I asked her, I said, "Start from the bottom, can you tell me what he's wearing on his feet?" | 0:30:30 | 0:30:33 | |
She said, "Beige boots." I said, "OK, beige boots." | 0:30:33 | 0:30:38 | |
She said, "Camouflage trousers, and a camouflage top," | 0:30:38 | 0:30:42 | |
which I thought sounded like army gear to me. | 0:30:42 | 0:30:45 | |
Even more worrying. Well, yeah. | 0:30:45 | 0:30:48 | |
And then the police arrived, | 0:30:48 | 0:30:51 | |
spoke to the male, and it turns out that he was on leave | 0:30:51 | 0:30:55 | |
and he had had a few too many drinks and walked into the wrong back door. | 0:30:55 | 0:30:58 | |
Oh, so he did live in the street? He lived in the street, yeah, | 0:30:58 | 0:31:01 | |
and he thought it was his back door | 0:31:01 | 0:31:03 | |
and just was too drunk to answer any of her questions, so had no idea she was talking to him. | 0:31:03 | 0:31:09 | |
How fantastic that she stayed so calm through it, though. | 0:31:09 | 0:31:12 | |
I know. Would you have been that calm? I don't think so. | 0:31:12 | 0:31:14 | |
Especially if I'd been on my own. Cos her son was there, it made her a little bit calmer. | 0:31:14 | 0:31:18 | |
I still definitely wouldn't have been as calm as she was. | 0:31:18 | 0:31:20 | |
How extraordinary. Poor bloke. Poor her. Poor everybody, really, under the circumstances. | 0:31:20 | 0:31:25 | |
Thank you very much, Millie. No problem. | 0:31:25 | 0:31:27 | |
'It's a sunny bank holiday afternoon | 0:31:33 | 0:31:35 | |
'and the Green Watch fire crew from Southampton is heading to a 999 call.' | 0:31:35 | 0:31:40 | |
'There's a fire at an allotment and it's spreading. | 0:31:44 | 0:31:48 | |
'Flames have engulfed a shed | 0:31:48 | 0:31:50 | |
'and now they're racing up a tree.' | 0:31:50 | 0:31:53 | |
'The fire is already being tackled by firefighters working from a smaller vehicle. | 0:31:58 | 0:32:03 | |
'But they can't get on top of it. They need more water.' | 0:32:03 | 0:32:06 | |
'This is all that remains of what was a large shed. | 0:32:10 | 0:32:14 | |
'And next to it, a charred fir tree. | 0:32:14 | 0:32:16 | |
'They need to use the jet hose to get to the flames at the top of the tree. | 0:32:22 | 0:32:25 | |
'It can project the water higher.' | 0:32:27 | 0:32:29 | |
It looks like they've got compost heaps and a shed, | 0:32:35 | 0:32:38 | |
a few bits of garden machinery, or garden bits and pieces, | 0:32:38 | 0:32:42 | |
and a conifer tree. It's gone up through the centre of the conifer where all the dry, dead stuff is. | 0:32:42 | 0:32:46 | |
'The back-up crew from Green Watch arrived in the nick of time. | 0:32:47 | 0:32:50 | |
'The flames were about to move along the line of trees, | 0:32:50 | 0:32:53 | |
'putting nearby properties in danger.' | 0:32:53 | 0:32:55 | |
We tried to make a start with the high pressure lance and knocked back a lot of it, | 0:32:55 | 0:33:01 | |
but obviously it needed the extra water capability of the main pumps and the jets. | 0:33:01 | 0:33:05 | |
'They don't know yet how the fire started. | 0:33:11 | 0:33:13 | |
'There's no-one working at the allotment and the occupants of the nearby gardens are out.' | 0:33:13 | 0:33:17 | |
As of yet, not a clue as to what started it. | 0:33:17 | 0:33:20 | |
I mean, I don't even know whether the person whose shed it is, he's not here at the moment, | 0:33:20 | 0:33:24 | |
whether he was here earlier on and has dumped something or left something. I don't know. | 0:33:24 | 0:33:29 | |
'Firefighter Alex Spreadbury takes the water lance over the fence to dampen down any hotspots. | 0:33:29 | 0:33:34 | |
'Sheds are well-known storage places for items that become hazardous when hot. | 0:33:39 | 0:33:43 | |
'The first crew to arrive had to make the area safe before getting too close.' | 0:33:43 | 0:33:48 | |
So that's the sort of dangers you find in sheds. | 0:33:48 | 0:33:50 | |
As soon as you cool it, it's not particularly dangerous. | 0:33:50 | 0:33:52 | |
But, erm, it's got compressed gas in it, even if it's empty, | 0:33:52 | 0:33:55 | |
so it goes with a bang. | 0:33:55 | 0:33:57 | |
Luckily, that one, we caught it just in time. | 0:33:57 | 0:34:00 | |
Otherwise it would've taken the tree. | 0:34:00 | 0:34:02 | |
'With the flames now extinguished, it's time to thoroughly damp down the smoking debris.' | 0:34:06 | 0:34:11 | |
The trouble is with timber, where it's a really good insulator, | 0:34:18 | 0:34:21 | |
it does tend to have what we call bullseyes and things like that, | 0:34:21 | 0:34:23 | |
little hotspots that penetrate deep into it. | 0:34:23 | 0:34:26 | |
So you sort of need to cut them out and really get in. | 0:34:26 | 0:34:29 | |
And they can steam off and do that for hours, unfortunately. | 0:34:29 | 0:34:34 | |
'Suddenly, just when they thought the job was done, | 0:34:35 | 0:34:38 | |
'flames are spotted on the other side of the allotment. | 0:34:38 | 0:34:41 | |
'A hot ember must have floated along the fence line | 0:34:41 | 0:34:43 | |
'and set alight to the dry undergrowth.' | 0:34:43 | 0:34:46 | |
'Firefighter Adam Bundle gives it a good drenching. | 0:34:49 | 0:34:53 | |
'After a thorough check of the area, they empty the rest of their water onto the charred remains. | 0:34:53 | 0:34:59 | |
'The unfortunate owner of the shed will have to rebuild from scratch. | 0:35:01 | 0:35:04 | |
'But all is not lost. Wood ash is a good source of potassium. | 0:35:08 | 0:35:12 | |
'There might be a bumper crop this season. | 0:35:12 | 0:35:15 | |
'At the Irish Centre in Milton Keynes, | 0:35:22 | 0:35:24 | |
'traffic cops Matt Waters and Sam Forsyth are needed by paramedics. | 0:35:24 | 0:35:28 | |
'A driver has somehow blacked out at the wheel of his van | 0:35:30 | 0:35:32 | |
'and ended up pushing a parked car into a lamp post. | 0:35:32 | 0:35:35 | |
'But now there's a problem in the ambulance.' Right, what's happening? | 0:35:37 | 0:35:41 | |
OK. Why's that? 'The driver says he wants to go straight home.' | 0:35:43 | 0:35:47 | |
Yeah, but what happens if you go home and you're poorly and you collapse and something else happens? | 0:35:47 | 0:35:51 | |
Yeah, I totally agree. 'Because the driver is still showing signs of confusion and illness, | 0:35:56 | 0:36:01 | |
'it's possible he could have another bad episode. | 0:36:01 | 0:36:03 | |
'For his own safety, the emergency crews need him to be given | 0:36:04 | 0:36:07 | |
'a proper check-up at the hospital.' | 0:36:07 | 0:36:09 | |
Quite possibly, yeah. | 0:36:11 | 0:36:13 | |
They're going to force him to go to hospital, which we have the powers to do. | 0:36:13 | 0:36:17 | |
So my colleague is going to sit in the ambulance to make sure there's no issues and we'll follow him down. | 0:36:17 | 0:36:21 | |
'Matt tells it to him straight.' | 0:36:21 | 0:36:24 | |
You've had an accident and the chances are you're going to do it again. | 0:36:24 | 0:36:27 | |
And you need to go to hospital and that's what's going to happen. | 0:36:27 | 0:36:29 | |
OK? That is the option, you're going to hospital. | 0:36:29 | 0:36:32 | |
The reason I'm leaving here, the option is you're going to hospital | 0:36:32 | 0:36:35 | |
because I'm concerned for you | 0:36:35 | 0:36:37 | |
and these chaps are concerned for you. Yeah? | 0:36:37 | 0:36:40 | |
'The driver finally agrees and they set off.' | 0:36:41 | 0:36:43 | |
It's been ages since I've been in an ambulance. | 0:36:43 | 0:36:46 | |
'On the journey, he complains of being in a lot of pain.' | 0:36:46 | 0:36:49 | |
Is that how you feel now? That's why these guys have wired you up now, to see... | 0:36:49 | 0:36:54 | |
What's the monitors? | 0:36:54 | 0:36:56 | |
Yeah, and what's... | 0:36:57 | 0:36:59 | |
Is it? | 0:36:59 | 0:37:01 | |
And have you complained of heart problems before? Right. | 0:37:01 | 0:37:04 | |
'It's proved to be the right decision.' | 0:37:04 | 0:37:06 | |
A police escort into there. | 0:37:09 | 0:37:11 | |
'Doctors will be able to monitor his heart and hopefully find out what caused the seizure.' | 0:37:13 | 0:37:18 | |
The journey, uneventful. | 0:37:19 | 0:37:21 | |
He was asking us, or he was repeating questions over and over again about what's happened. | 0:37:21 | 0:37:26 | |
But he wasn't anti towards us, | 0:37:26 | 0:37:30 | |
so he's been brought here and placed under observations. | 0:37:30 | 0:37:33 | |
'It turned out the driver's chest pains | 0:37:34 | 0:37:36 | |
'were caused by bruising from the seatbelt. | 0:37:36 | 0:37:39 | |
'The cause of his seizure is still being investigated. | 0:37:39 | 0:37:43 | |
'Southampton's Green Watch are on their way to a fire in an unlikely location.' | 0:37:49 | 0:37:53 | |
'In a shower.' | 0:37:57 | 0:37:59 | |
J-H-5-4-papa-4 in attendance. 5-4-papa-4. Over. | 0:37:59 | 0:38:04 | |
'The first hurdle is getting past their colleagues.' | 0:38:04 | 0:38:08 | |
Nearly had him. Watch his mirrors, though. | 0:38:08 | 0:38:11 | |
'Crew manager Steve Evans goes to investigate. There's a problem isolating the electrics.' | 0:38:11 | 0:38:16 | |
Are you all right, Darryl? Is there a bit of an issue? | 0:38:16 | 0:38:18 | |
There's a fire in the bathroom. We think it's been started in the electrical shower unit. | 0:38:20 | 0:38:25 | |
So we're in the process of trying to isolate... | 0:38:25 | 0:38:28 | |
That's firing off again in there. | 0:38:29 | 0:38:31 | |
'Suddenly, the fire escalates.' | 0:38:31 | 0:38:34 | |
That's getting worse in there, we're in position now. | 0:38:34 | 0:38:36 | |
This smoke's getting a lot worse. You want to start to get in there. | 0:38:36 | 0:38:40 | |
Can we have the two BA men to start up? | 0:38:42 | 0:38:45 | |
And make sure the water's on. Have you checked the water on the branch? Cos it's starting to go in there. | 0:38:45 | 0:38:49 | |
'With breathing apparatus, | 0:38:49 | 0:38:52 | |
'the firefighters can go inside the bathroom and start to tackle the fire.' | 0:38:52 | 0:38:56 | |
Pump operator, can you make sure you've got adequate pressure on the branch? | 0:38:56 | 0:38:59 | |
The two BA are going to be committed... It seems to be going a bit better now. | 0:38:59 | 0:39:02 | |
'Then, just as suddenly, the smoke seems to be reducing.' | 0:39:03 | 0:39:06 | |
It's calmed down again. It's calmed down because the shower's come on. | 0:39:06 | 0:39:10 | |
It sounds like the shower's on now. You can hear the water running. | 0:39:12 | 0:39:16 | |
It's probably melted the plastic pipe work inside, | 0:39:16 | 0:39:18 | |
so the water that's in there has come through. | 0:39:18 | 0:39:20 | |
Is there an isolator? Is there a stopcock? | 0:39:20 | 0:39:23 | |
Have you got a stopcock for the shower? I have no idea. | 0:39:23 | 0:39:26 | |
What about for the water into the building? | 0:39:26 | 0:39:28 | |
'The tenant living in the house is Martha.' | 0:39:28 | 0:39:30 | |
What exactly happened? My husband was just putting his phone on charger, and it wasn't charging. | 0:39:30 | 0:39:35 | |
So we noticed that something was wrong. | 0:39:35 | 0:39:37 | |
'Faulty electrics may have been the cause, | 0:39:37 | 0:39:40 | |
'but the priority now is extinguishing the fire.' | 0:39:40 | 0:39:43 | |
When you open that door, it's going to be thick in there. | 0:39:43 | 0:39:46 | |
We've got the fan, Kev, so when you're ready, if you want it, | 0:39:49 | 0:39:52 | |
we've got a fan here to blow it through. | 0:39:52 | 0:39:55 | |
'As the door opens, a cloud of potentially toxic smoke emerges.' | 0:39:59 | 0:40:03 | |
Is there any way you can isolate the water in there? | 0:40:15 | 0:40:18 | |
I can hear it all running. Is it going into the bath or anything? No. Is it all over the show? | 0:40:18 | 0:40:23 | |
Blow everything out then we'll be able to see what's going on. OK. | 0:40:23 | 0:40:26 | |
'Until the fan is in operation, the smoke is too thick to see anything.' | 0:40:26 | 0:40:30 | |
Take this round the front, yeah? | 0:40:31 | 0:40:33 | |
'They need to choose the position of the pump carefully.' | 0:40:33 | 0:40:36 | |
You go to the front, open the front up, we'll blow it through from the... | 0:40:36 | 0:40:39 | |
Take this round to the front and we'll blow from the front. | 0:40:39 | 0:40:43 | |
We'll blow from the front out through the back | 0:40:43 | 0:40:45 | |
then we won't disturb so much of the building. | 0:40:45 | 0:40:48 | |
Yeah, if we blow it from here, we blow it through the kitchen. | 0:40:50 | 0:40:53 | |
Did you manage to isolate the water? Brilliant. Well done. | 0:40:58 | 0:41:01 | |
'It seems the shower has finally shown some self protection.' | 0:41:01 | 0:41:05 | |
It's burnt itself out, has it? OK. | 0:41:05 | 0:41:07 | |
Told you! All right. | 0:41:12 | 0:41:14 | |
'Now it's safe to re-enter, Steve gets the thermal imaging camera to look for hotspots.' | 0:41:14 | 0:41:19 | |
Everyone's all right, I take it? Yeah, yeah. | 0:41:19 | 0:41:21 | |
No-one's got any smoke inhalation or anything? No, they're fine. | 0:41:21 | 0:41:24 | |
'Incident commander Howard Watts needs to inform the fire investigation team | 0:41:24 | 0:41:28 | |
'about the faulty shower.' Leave it where it is till I've spoken to FI. | 0:41:28 | 0:41:32 | |
If they don't want to take photos, I suggest we tear it off the wall, put it in the garden. | 0:41:32 | 0:41:36 | |
If for nothing else, just to stop the acrid sort of smell coming off. | 0:41:36 | 0:41:39 | |
'Although it's now safe, the fire has caused a lot of damage. | 0:41:41 | 0:41:44 | |
'It's been a traumatic morning for Martha.' | 0:41:44 | 0:41:47 | |
We just heard an explosion in the bathroom. | 0:41:47 | 0:41:50 | |
I went to check and the shower was actually melting. | 0:41:50 | 0:41:53 | |
And that's when we phoned the fire brigade to see what happens. | 0:41:53 | 0:41:57 | |
Not a great start to the day. No. Not the best. | 0:41:57 | 0:42:01 | |
'It may have been one simple act that saved them from a lot worse - shutting the bathroom door.' | 0:42:01 | 0:42:07 | |
The door is there to be a block in a hole. | 0:42:07 | 0:42:11 | |
So it does vastly reduce the amount of smoke that travels through a flat, | 0:42:11 | 0:42:16 | |
which is why whenever we go out and do our visits, we advise people | 0:42:16 | 0:42:19 | |
before they go to bed at night to close all doors, | 0:42:19 | 0:42:22 | |
cos it does give you a lot longer time | 0:42:22 | 0:42:24 | |
to escape from a situation which may occur in your home. | 0:42:24 | 0:42:28 | |
Before we go, we have some happy news for you. | 0:42:37 | 0:42:39 | |
Remember pregnant Amy, who was taken to hospital after feeling faint? | 0:42:39 | 0:42:42 | |
Well, we're glad to tell you, she made a quick recovery, | 0:42:42 | 0:42:44 | |
and gave birth to a baby boy called Joshua. | 0:42:44 | 0:42:47 | |
Once again, we've seen today that the emergency services | 0:42:48 | 0:42:51 | |
are there ready and waiting in our moments of greatest need. | 0:42:51 | 0:42:55 | |
That's it for today's Real Rescues. See you next time. | 0:42:55 | 0:42:58 | |
Subtitles by Red Bee Media Ltd | 0:42:58 | 0:43:02 | |
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