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Every time a 999 call is made, our rescue services are ready to react, whatever the emergency. | 0:00:02 | 0:00:06 | |
They need skill and speed because every second counts, | 0:00:06 | 0:00:09 | |
whether they're rushing to a call or speeding someone to safety. | 0:00:09 | 0:00:13 | |
Tonight, we get closer than ever | 0:00:13 | 0:00:15 | |
to the drama of the emergency frontline. | 0:00:15 | 0:00:17 | |
This is Real Rescues. | 0:00:17 | 0:00:19 | |
Tonight, the Great North Air Ambulance is called to a race course | 0:00:36 | 0:00:39 | |
after a jockey suffers a serious fall. | 0:00:39 | 0:00:42 | |
More than her career could be in jeopardy. | 0:00:42 | 0:00:45 | |
It's all right, sweetie. | 0:00:45 | 0:00:47 | |
It's all right. It's all right, sweetie. | 0:00:47 | 0:00:49 | |
An exploding TV puts a young boy's life at risk and destroys his home. | 0:00:49 | 0:00:54 | |
It was scary. | 0:00:54 | 0:00:56 | |
Pitch black and scary. | 0:00:56 | 0:00:58 | |
And police finally catch up with a mobility scooter | 0:00:58 | 0:01:02 | |
after its driver survives a detour down three lanes of a busy carriageway. | 0:01:02 | 0:01:07 | |
You're lucky you're not dead, with the speed of the traffic here. | 0:01:07 | 0:01:10 | |
PHONE RINGS | 0:01:20 | 0:01:23 | |
Ambulance emergency. | 0:01:23 | 0:01:24 | |
At Durham Tees Valley Airport, the Great North Air Ambulance is being scrambled. | 0:01:27 | 0:01:31 | |
The trauma team are on an emergency call to Redcar, 40 miles south. | 0:01:33 | 0:01:38 | |
Pilot, Chris Atrall, gets the aircraft ready for take-off. | 0:01:40 | 0:01:43 | |
He's with aircrew paramedic, Colin Clarke. | 0:01:43 | 0:01:46 | |
The third member of the team is Dr Suzie Pritchard. | 0:01:48 | 0:01:51 | |
They've been called to the race course at Redcar to what sounds like a very serious accident. | 0:01:56 | 0:02:01 | |
The race course is an hour away by road but will only take minutes by aircraft. | 0:02:11 | 0:02:15 | |
The air ambulance touches down and the trauma team, Suzie and Colin, are on the scene. | 0:02:35 | 0:02:40 | |
Where is it hurting, Danielle? | 0:02:40 | 0:02:42 | |
Jockey, Danielle McCreary, is giving the on-site emergency crew a lot of concern. | 0:02:42 | 0:02:46 | |
The 25-year-old jockey was about to start a race when the accident happened. | 0:02:46 | 0:02:51 | |
She fell, then witnesses saw the horse trample on her. Suzie tries to calm Danielle as she assesses her. | 0:02:51 | 0:02:57 | |
It's all right, sweetie. It's all right. It's all right, sweetie. | 0:02:57 | 0:03:00 | |
Open your eyes for me. Good girl. Good girl. You're going to be fine. | 0:03:00 | 0:03:06 | |
OK. You're going to be fine. | 0:03:06 | 0:03:08 | |
Danielle is a promising young jockey about to turn professional. | 0:03:08 | 0:03:12 | |
Race course doctor, Jonathan Balman, was first on the scene. | 0:03:12 | 0:03:15 | |
He tells Suzie that she was unconscious for two minutes. | 0:03:15 | 0:03:19 | |
So how long ago did this happen? | 0:03:19 | 0:03:21 | |
They came down about five past six, so about 20 minutes ago now. | 0:03:21 | 0:03:24 | |
-20 minutes and a steady improvement since then? -Yeah. Yeah. | 0:03:24 | 0:03:27 | |
Danielle, squeeze my fingers on this side. | 0:03:27 | 0:03:30 | |
Head and brain injuries are the main worry, so Suzie is checking her neurological reflexes. | 0:03:30 | 0:03:36 | |
Danielle is not fully conscious and that's worrying so long after the fall. | 0:03:36 | 0:03:40 | |
She's got a bit of a droop there and I don't know if that's just... | 0:03:40 | 0:03:43 | |
Yeah. That's been persistent since she came to. | 0:03:43 | 0:03:47 | |
The medic on scene was concerned because he hadn't seen Danielle moving her right-hand side. | 0:03:47 | 0:03:51 | |
and so given the history of her bang on the head | 0:03:51 | 0:03:54 | |
and having been knocked out, | 0:03:54 | 0:03:55 | |
that can indicate a more serious head injury | 0:03:55 | 0:03:57 | |
and that's why I think he called us, because he was concerned about that. | 0:03:57 | 0:04:01 | |
Is that sore in there? | 0:04:01 | 0:04:02 | |
'She's certainly concussed, because she's quite agitated' | 0:04:02 | 0:04:06 | |
'and so the only way of knowing for certain is to do a CT scan.' | 0:04:06 | 0:04:09 | |
There's no time to waste. Danielle needs to get to hospital where they can find out where she was kicked | 0:04:09 | 0:04:14 | |
and what sort of damage has been done to her head and possibly her brain. | 0:04:14 | 0:04:19 | |
Just going to get her straight in. Just sedate her, slightly. | 0:04:19 | 0:04:22 | |
Give her an anti-emetic, stop her being sick and get her in as soon as possible. | 0:04:22 | 0:04:26 | |
Once she's had the sedative, Danielle's carried to the air ambulance. | 0:04:27 | 0:04:31 | |
No obvious external injuries but head injury. Decreased GCS. | 0:04:33 | 0:04:37 | |
Danielle, can you squeeze my fingers? | 0:04:37 | 0:04:40 | |
Squeeze my fingers. Yeah. She's obeying commands. | 0:04:40 | 0:04:43 | |
Danielle. Danielle. | 0:04:45 | 0:04:46 | |
Danielle. Danielle. | 0:04:46 | 0:04:48 | |
You'll be fine, Danielle. | 0:04:48 | 0:04:49 | |
-Do you want me to move that? -Go ahead. -Yeah. | 0:04:49 | 0:04:52 | |
The air ambulance is on its way to Middlesbrough's James Cook Hospital. | 0:05:09 | 0:05:14 | |
She's brightened up. Quite stable. The drugs have worked. You should have her in four or five minutes. | 0:05:14 | 0:05:20 | |
The hospital's emergency department have been put on alert and they're ready and waiting. | 0:05:31 | 0:05:36 | |
The jockey is taken straight into resus, the area where they treat the most seriously injured patients. | 0:05:36 | 0:05:42 | |
She was thrown from her horse and then she's been kicked. She's pretty much as she was on the scene, though. | 0:05:42 | 0:05:47 | |
-Is she? -Yeah. | 0:05:47 | 0:05:50 | |
Danielle is still very agitated. | 0:05:50 | 0:05:52 | |
-Danielle, OK, nice and still for us. OK. -All right, Danielle. That's it. | 0:05:52 | 0:05:56 | |
Before the hospital staff can carry out any treatment, | 0:05:56 | 0:05:59 | |
they need to find out what's going on in her head but it's proving very difficult to keep her still. | 0:05:59 | 0:06:06 | |
As they prepare for the scan, the air ambulance trauma team have to leave for the next call-out. | 0:06:06 | 0:06:11 | |
Main concern is that she's got a brain injury, possibly a small bleed in the head. | 0:06:12 | 0:06:16 | |
So what needs to happen next is she needs a CT scan, but because she's quite agitated, | 0:06:16 | 0:06:20 | |
she's obviously not going to stay still for that, | 0:06:20 | 0:06:22 | |
so the consultants are debating on the best way to keep her still, | 0:06:22 | 0:06:26 | |
either to sedate her or to anaesthetise her completely for the scan. | 0:06:26 | 0:06:29 | |
The scan will reveal what sort of head injury Danielle's suffered. | 0:06:29 | 0:06:35 | |
We'll be following her progress. | 0:06:35 | 0:06:37 | |
ALARM RINGS | 0:06:47 | 0:06:48 | |
It's 6pm and a 999 call comes in for Southampton's Green Watch. | 0:06:48 | 0:06:54 | |
A house is on fire. | 0:06:56 | 0:06:58 | |
One crew is already at the scene but the fire is serious and they need backup. | 0:06:58 | 0:07:02 | |
The first station is already in attendance and they've put back an early informative | 0:07:04 | 0:07:07 | |
that the building is well alight. | 0:07:07 | 0:07:10 | |
Don't disappear. I'll see what they urgently need. | 0:07:13 | 0:07:16 | |
Green Watch arrives to see smoke billowing out of the downstairs windows. | 0:07:18 | 0:07:22 | |
They've been blown out by the intensity of the fire. | 0:07:22 | 0:07:25 | |
We've got a front room fire. Gas is off, electric is off. | 0:07:25 | 0:07:31 | |
Crew manager, Steve Evans, is immediately briefed by the Redbridge commander, | 0:07:31 | 0:07:35 | |
who's in charge on site. | 0:07:35 | 0:07:37 | |
A father and son are out and safe. | 0:07:37 | 0:07:40 | |
Tim, can you start up? What he wants is you go upstairs, start the ventilation on that. | 0:07:40 | 0:07:45 | |
-They're going to set the PPV up and blow that through as well, so if you can set up ready for that. -Yeah. -OK. | 0:07:45 | 0:07:49 | |
By opening up the windows of the first floor and setting up a powerful fan at ground level, | 0:07:52 | 0:07:57 | |
the firemen can ventilate the building and clear the smoke quickly. | 0:07:57 | 0:08:01 | |
Once they open the window, thick black smoke pours out. | 0:08:04 | 0:08:08 | |
Downstairs, the flames are now out. | 0:08:14 | 0:08:16 | |
It's become clear that it started in a television left switched on. | 0:08:16 | 0:08:21 | |
With the fire out, the Redbridge crew can have a breather. | 0:08:41 | 0:08:44 | |
It's amazing the damage one television will do, isn't it? | 0:08:46 | 0:08:49 | |
Television fires are not uncommon and this serves as a constant reminder | 0:08:49 | 0:08:53 | |
just how much damage can be caused by items we all have in our homes. | 0:08:53 | 0:08:58 | |
TVs tend to burn with high intensity. | 0:08:58 | 0:09:00 | |
It's not unusual for a lounge, with a medium to average fire loading | 0:09:00 | 0:09:05 | |
to be well alight in sort of three to four minutes. | 0:09:05 | 0:09:08 | |
It had blown the front windows out and once the fire vents, | 0:09:08 | 0:09:11 | |
that allows enough oxygen to allow it to progress even quicker, | 0:09:11 | 0:09:14 | |
but it makes it easier for us to firefight because its fire gases aren't contained within the room, | 0:09:14 | 0:09:19 | |
so it makes it easy for us to make our attack. | 0:09:19 | 0:09:22 | |
The crew has also learned that while the television burned downstairs, | 0:09:25 | 0:09:29 | |
ten-year-old Jake Cooper was playing in his bedroom, oblivious to what was going on in the front room. | 0:09:29 | 0:09:34 | |
We'll be finding out in a few minutes just how close a call it was for the boy. | 0:09:34 | 0:09:40 | |
It was like just scary. I could not see a thing. | 0:09:40 | 0:09:44 | |
It's a mid-week morning and the 999 lines of the police control room are suddenly deluged with calls. | 0:09:49 | 0:09:55 | |
You're through to Hampshire Police. What's the nature of your emergency? | 0:09:55 | 0:09:59 | |
Motorists are reporting seeing a man driving a mobility scooter on one of the country's busiest trunk roads. | 0:09:59 | 0:10:05 | |
The coastal A27 highway, a six-lane dual carriageway with a 70 mph limit. | 0:10:05 | 0:10:11 | |
'I need to report an old gentleman that's driving onto the motorway on an electric scooter.' | 0:10:11 | 0:10:17 | |
The scooter was spotted east of Portsmouth and PC Steve Wootton is on his way to investigate. | 0:10:20 | 0:10:25 | |
He's now going eastbound. | 0:10:25 | 0:10:29 | |
He is, of course, causing traffic chaos | 0:10:29 | 0:10:31 | |
so hopefully try and get him before he gets himself hurt. | 0:10:31 | 0:10:33 | |
Hoping he's just round the corner here. | 0:10:33 | 0:10:38 | |
Steve's now approaching a dangerous junction, | 0:10:38 | 0:10:41 | |
where the road widens to eight lanes as traffic joins from the city. | 0:10:41 | 0:10:44 | |
Is that him? Yeah. I think we've got him now. | 0:10:44 | 0:10:47 | |
There he is. | 0:10:47 | 0:10:50 | |
The scooter's on the hard shoulder, hemmed in by concerned drivers. | 0:10:50 | 0:10:53 | |
This is a very busy road and accidents are frequent. | 0:10:53 | 0:10:57 | |
But, despite the immense danger to himself and other road users, | 0:10:58 | 0:11:02 | |
the scooter's 81-year-old owner seems completely unconcerned. | 0:11:02 | 0:11:06 | |
Hello there. Thanks for stopping. | 0:11:06 | 0:11:08 | |
So it's the second time... You were seen going that way earlier on. | 0:11:11 | 0:11:15 | |
You're lucky you're not dead, with the speed of the traffic here. | 0:11:15 | 0:11:18 | |
I think your daughter's reported you missing. | 0:11:18 | 0:11:22 | |
OK. I'm going to try and get you back home. | 0:11:22 | 0:11:25 | |
The passers-by weren't just helpful, | 0:11:25 | 0:11:27 | |
they were pretty brave to shepherd the scooter off the busy road and on to the hard shoulder. | 0:11:27 | 0:11:32 | |
Steve's keen to get scooter and driver off the busy road so he's called control to get a van. | 0:11:35 | 0:11:41 | |
If they could liaise with us over here and they could, obviously, | 0:11:41 | 0:11:44 | |
take him home and repatriate him to his home address. | 0:11:44 | 0:11:47 | |
While they wait, Steve explains why the scooter's incredible journey could have ended in tragedy. | 0:11:47 | 0:11:52 | |
This isn't the place to be going along on this bit of machinery. | 0:11:52 | 0:11:56 | |
There's lots of lorries and things along here, you never know. | 0:11:56 | 0:11:59 | |
All they've got to do is veer off slightly and you'd be flattened. | 0:11:59 | 0:12:03 | |
Steve's now found out a bit more about why he's on this busy dual carriageway. | 0:12:03 | 0:12:10 | |
He's, basically, come along the M27 here. He was off to Farlington. He's gone to an electronic shop. | 0:12:10 | 0:12:16 | |
He's now on his way back home. | 0:12:16 | 0:12:18 | |
It's probably looking about eight to ten miles, I suppose. | 0:12:18 | 0:12:23 | |
He said his machine, does like 25, 50 miles so it's quite capable. | 0:12:23 | 0:12:27 | |
Did eight mph, maximum though, so obviously eight mph here with lorries and things thundering past | 0:12:27 | 0:12:34 | |
and cars at 70 mph, very dangerous place. | 0:12:34 | 0:12:37 | |
The amazing thing is the scooter's driver hasn't broken any law. | 0:12:37 | 0:12:41 | |
He was allowed to use that section of road, unbelievably. | 0:12:41 | 0:12:44 | |
It was not actually covered by motorway restrictions. | 0:12:44 | 0:12:47 | |
There's a cycle path which runs parallel to it which he could have used | 0:12:47 | 0:12:51 | |
but he had his mind set that he was going to the shop and however he was going to get there, | 0:12:51 | 0:12:55 | |
that was the way he was going to do it. | 0:12:55 | 0:12:57 | |
Are you warm enough there? Are you OK? OK. I could get you something... OK. Fair enough. | 0:13:00 | 0:13:07 | |
We've got a van coming. At least we'll get you home safely. That's the important thing. | 0:13:08 | 0:13:12 | |
And, minutes later, rescue's in sight and the van's arrived. | 0:13:12 | 0:13:16 | |
Steve helps the man on board. | 0:13:20 | 0:13:22 | |
Push. Are you OK? Ready. On three. | 0:13:22 | 0:13:24 | |
There we are. Slide across there. | 0:13:26 | 0:13:28 | |
The next job is dismantling the scooter to get it in the van. | 0:13:30 | 0:13:34 | |
Then they can head off in convoy to safety. | 0:13:34 | 0:13:36 | |
But, when they arrive, the rescue work is not over yet for Steve. | 0:13:38 | 0:13:42 | |
He gives an unscheduled opportunity to play the good Samaritan. | 0:13:42 | 0:13:46 | |
Have you fallen over? | 0:13:46 | 0:13:47 | |
We'll be back to see how it all unfolds. | 0:13:47 | 0:13:50 | |
Back in Southampton city centre, Green Watch are at a house fire | 0:13:55 | 0:13:58 | |
which started in a television and smoke-logged the whole building. | 0:13:58 | 0:14:03 | |
They ventilated the house and the fire's been put out. | 0:14:03 | 0:14:06 | |
If it wasn't for a smoke alarm, this fire might have damaged more than the property. | 0:14:06 | 0:14:10 | |
Dad, Geoff, was in the garden but his young son was upstairs when the television caught alight. | 0:14:10 | 0:14:16 | |
The intensity of the fire was excessive | 0:14:16 | 0:14:19 | |
as it's blown all the plaster off the walls, | 0:14:19 | 0:14:22 | |
taken out the plasterboard off the ceilings and stripped everything inside. | 0:14:22 | 0:14:27 | |
This just shows it's a pretty rapid build-up and probably took between 20 and 30 seconds to engulf the room. | 0:14:27 | 0:14:32 | |
The suffocating black smoke reached every part of the downstairs and it was heading upstairs | 0:14:33 | 0:14:39 | |
and threatening to cut off Jake's oxygen and escape route as his father was outside. | 0:14:39 | 0:14:44 | |
I could hear an alarm going. | 0:14:44 | 0:14:46 | |
I wasn't sure whether it was mine or next door's. | 0:14:46 | 0:14:48 | |
And then I see some smoke coming up through the kitchen vent. | 0:14:48 | 0:14:52 | |
So, I run indoors. | 0:14:52 | 0:14:54 | |
I could hardly see anything cos there was just smoke everywhere, thick black smoke. | 0:14:54 | 0:14:59 | |
My main concern was getting Jake out. | 0:14:59 | 0:15:02 | |
Obviously, the fumes were getting so strong, it got hot so quick. | 0:15:02 | 0:15:06 | |
It's chilling to think what might have been. | 0:15:07 | 0:15:10 | |
The stairs were Jake's only way out. | 0:15:10 | 0:15:12 | |
As he ran down, more black smoke billowed up. | 0:15:12 | 0:15:15 | |
I was in my bedroom and I heard fire alarms going off | 0:15:15 | 0:15:18 | |
and there was black smoke coming through the top corner of my door. | 0:15:18 | 0:15:21 | |
So I quickly ran down the stairs and got out the house while possible. | 0:15:21 | 0:15:27 | |
It was like just scary. I could not see a thing. | 0:15:27 | 0:15:32 | |
It was lucky he got out quick. That was obviously cos the fire alarms were going, you know. | 0:15:32 | 0:15:37 | |
That makes a lot of difference, otherwise, I wouldn't even have known if I didn't have an alarm. | 0:15:37 | 0:15:42 | |
The soot covering the boy's room reveals just how time was running out for him. | 0:15:42 | 0:15:47 | |
The fire, maybe within five-seven minutes, would have started attacking the upstairs | 0:15:47 | 0:15:53 | |
and then would have stopped his escape route from the staircase, | 0:15:53 | 0:15:57 | |
so I'd say, maybe another three or four minutes and it would have been perhaps a different story. | 0:15:57 | 0:16:02 | |
Running out of his room into clouds of choking smoke took bravery and a very cool head. | 0:16:02 | 0:16:09 | |
-You OK? -Yeah. | 0:16:09 | 0:16:11 | |
Yeah. You didn't breathe much in? | 0:16:11 | 0:16:13 | |
No. I was holding my nose when I went down the stairs because that's the best thing. | 0:16:13 | 0:16:17 | |
OK. That's good. | 0:16:17 | 0:16:18 | |
The work goes on for the fire crews. | 0:16:18 | 0:16:21 | |
They have to dampen down and clear out all the debris. | 0:16:21 | 0:16:25 | |
Turning over all the stuff that's dropped in there, all the fire debris. | 0:16:25 | 0:16:29 | |
They're trying to get it out so we can see the true extent of the fire. | 0:16:29 | 0:16:32 | |
We'll have to go down to the timber floor | 0:16:32 | 0:16:34 | |
to make sure the fire hadn't gone through the boards and underneath. | 0:16:34 | 0:16:38 | |
The last thing we want to do is go away and still leave something burning which may re-ignite. | 0:16:38 | 0:16:43 | |
Steve starts the investigation where it all began, | 0:16:45 | 0:16:49 | |
but nothing remains of the television or for that fact, much else. | 0:16:49 | 0:16:53 | |
The main scene of the fire was in the corner and the stuff that was | 0:16:55 | 0:17:00 | |
burning's now been thrown out so it gives us a clearer area so we can see unaffected areas all round. | 0:17:00 | 0:17:05 | |
So we've got relatively clean timber on the floor | 0:17:05 | 0:17:08 | |
cos that was protected by the carpet and the actual unit of the television it was standing on. | 0:17:08 | 0:17:13 | |
The plaster's come off from the heat so it gives us a clean brick wall. | 0:17:13 | 0:17:17 | |
The only concern is whether it's gone into the window, | 0:17:17 | 0:17:19 | |
so we're going to get some people in there to make sure there's no spread inside. | 0:17:19 | 0:17:23 | |
In minutes, one small fire in a television has destroyed the ground floor of this house. | 0:17:23 | 0:17:29 | |
It's a frightening story with lessons for us all. | 0:17:29 | 0:17:33 | |
Unfortunately, a lot of people leave their tellies on and you go out the room, | 0:17:33 | 0:17:37 | |
you don't think that something like that would suddenly catch alight, | 0:17:37 | 0:17:41 | |
but it was so quick. It was just so quick, really. You couldn't nothing about it. | 0:17:41 | 0:17:45 | |
Geoff and Jake owe their lives to a smoke alarm. | 0:17:45 | 0:17:48 | |
Green Watch is staying at the scene until every last part of the house is checked. | 0:17:48 | 0:17:54 | |
In the meantime, Jake is getting on with the important things. | 0:17:54 | 0:17:57 | |
There's nothing like a good computer game to help settle you in with the neighbours. | 0:17:57 | 0:18:01 | |
This is not your average fire tender. | 0:18:06 | 0:18:09 | |
It's loaded with pods, packed with unusual equipment, used for extreme rescues. | 0:18:09 | 0:18:14 | |
This pod, for example, contains... | 0:18:14 | 0:18:16 | |
well, straps that they call strops... | 0:18:16 | 0:18:19 | |
a sling for lifting very large objects | 0:18:19 | 0:18:22 | |
and this lovely piece of equipment here which has got a point and air holes in it. | 0:18:22 | 0:18:26 | |
They can shove this deep into mud | 0:18:26 | 0:18:28 | |
and then either drive air or water into loosen it up before they try and lift something out. | 0:18:28 | 0:18:32 | |
It can help save the lives of some weighty and difficult individuals. | 0:18:32 | 0:18:36 | |
It's used by the animal rescue specialists at Hampshire Fire and Rescue | 0:18:36 | 0:18:40 | |
and the specialist equipment comes in handy when the casualty in question weighs a tonne. | 0:18:40 | 0:18:45 | |
Deep in the countryside, the animal rescue unit has been called to the aid of a prize bull in a pickle. | 0:18:49 | 0:18:56 | |
Chaplton Wizard, affectionately known as Wizzie, | 0:18:56 | 0:18:59 | |
is up to the shoulder in mud after straying off the path. | 0:18:59 | 0:19:03 | |
The farmer called the vet straightaway | 0:19:03 | 0:19:05 | |
but they soon decided it would take more than two of them to get him out. | 0:19:05 | 0:19:09 | |
That's where Colin Horwood comes in. | 0:19:09 | 0:19:11 | |
His long experience with animals means he knows just what to expect in the unexpected. | 0:19:11 | 0:19:17 | |
He's in fine shape. He's obviously a very healthy bull | 0:19:17 | 0:19:20 | |
but you need to be aware that you're pulling and tugging | 0:19:20 | 0:19:23 | |
and not doing any damage to him. | 0:19:23 | 0:19:25 | |
Normally, when you go to any animal rescue, we like to put some form of head restraint on the animal. | 0:19:25 | 0:19:32 | |
If you control of the head, you control of the animal. In talking to the farmer and the vet, | 0:19:32 | 0:19:36 | |
they both knew the animal, obviously, | 0:19:36 | 0:19:38 | |
and that to put a head collar on there would only have antagonised him. | 0:19:38 | 0:19:41 | |
So it was decided that the best thing would be let him have his head free, | 0:19:41 | 0:19:45 | |
according to the farmer who was a nice docile chap, nice friendly fellow | 0:19:45 | 0:19:49 | |
and that he'd just walk out the side of the river when we got him free. | 0:19:49 | 0:19:53 | |
The team set about releasing the trapped animal. | 0:19:55 | 0:19:58 | |
The key is to approach slowly with their specially-designed strops so he won't feel threatened. | 0:19:58 | 0:20:03 | |
It's no small task. | 0:20:03 | 0:20:05 | |
One. Two. Three. | 0:20:05 | 0:20:08 | |
Easier said than done. | 0:20:12 | 0:20:13 | |
Come on, Wizz. | 0:20:15 | 0:20:17 | |
Despite the efforts of about 30 people on the strops, he wasn't going to move. | 0:20:20 | 0:20:24 | |
I think if we'd had the Royal Championship Tug of War team there, | 0:20:24 | 0:20:27 | |
he was going to stay stuck where he was. | 0:20:27 | 0:20:29 | |
At this point, the vet needs to step in to make sure they're not doing their patient more harm than good. | 0:20:34 | 0:20:40 | |
The biggest risk to Wizzie is from stress so his heart and breathing are carefully monitored. | 0:20:40 | 0:20:46 | |
Just as well, because Wizzie's probably the farm's greatest asset. | 0:20:46 | 0:20:51 | |
It's time to get stuck in again. | 0:20:51 | 0:20:53 | |
This time they've managed to get their strops underneath Wizzie which gives them a much better purchase. | 0:20:53 | 0:20:59 | |
But, clearly, man power alone won't be enough. | 0:20:59 | 0:21:02 | |
What they need is something much more efficient. | 0:21:02 | 0:21:05 | |
We decided that we'd use the turfer winch. | 0:21:05 | 0:21:07 | |
'It's hand-operated so it's a very very controlled,' | 0:21:07 | 0:21:10 | |
'very steady but very strong method of winching bulls, calves,' | 0:21:10 | 0:21:16 | |
whatever you need to move, across the ground. | 0:21:16 | 0:21:19 | |
Fortunately, Wizzie seems to sense the team are trying to help and with the strops underneath, | 0:21:19 | 0:21:25 | |
the joint effort of the bull and the fire crew are beginning to take effect. | 0:21:25 | 0:21:29 | |
No-one could accuse Wizzie of not trying. | 0:21:33 | 0:21:35 | |
Then finally, lift-off. | 0:21:49 | 0:21:51 | |
It's a fantastic feeling when you release something as large as he is | 0:21:55 | 0:21:58 | |
and it walks up the bank almost on his own, it's a great relief. | 0:21:58 | 0:22:02 | |
Wizzie seems unaffected by his ordeal. | 0:22:03 | 0:22:06 | |
He's already tucking in to a nice sweet clump of grass. | 0:22:06 | 0:22:10 | |
But will the experience affect his ability to do what a bull's got to do. | 0:22:10 | 0:22:14 | |
We'll find out later. | 0:22:14 | 0:22:17 | |
Traffic cop, Steve Wootton, is returning an 81-year-old man and his mobility scooter home, | 0:22:28 | 0:22:33 | |
after rescuing him from the side of the A27 trunk road. | 0:22:33 | 0:22:35 | |
It had been an eventful day that day, having a mobility scooter on the A27. | 0:22:40 | 0:22:44 | |
At that point, I didn't really think it could get any stranger. | 0:22:44 | 0:22:48 | |
Hello, there. | 0:22:50 | 0:22:53 | |
All he has to do is hand over his charge to a worried but very relieved wife. | 0:22:53 | 0:22:57 | |
I'll go and get his buggy. Bring his motorized buggy in. OK? | 0:22:57 | 0:23:01 | |
With the driver delivered safely home, Steve can get back to his routine. Or can he? | 0:23:01 | 0:23:07 | |
Unheard at first, there's a faint call for help. | 0:23:07 | 0:23:10 | |
And then, if you look very closely, a hand appears over the garden wall, opposite. | 0:23:11 | 0:23:17 | |
Then another call, loud enough for Steve to hear this time. | 0:23:20 | 0:23:24 | |
-Hello, there. -Help. | 0:23:25 | 0:23:27 | |
Have you fallen over? | 0:23:31 | 0:23:32 | |
Ever the Sir Galahad, Steve vaults the garden wall. | 0:23:32 | 0:23:35 | |
Hello, there. How long have you been there? | 0:23:35 | 0:23:39 | |
Five minutes. Does it hurt anywhere at all? | 0:23:39 | 0:23:42 | |
-Right. How badly is it? Do we get you an ambulance? -No. No. No. No. -Are you sure? | 0:23:42 | 0:23:46 | |
I'll give you a hand up if you want. | 0:23:46 | 0:23:48 | |
OK. OK. | 0:23:50 | 0:23:53 | |
But it's not that easy. | 0:23:53 | 0:23:55 | |
Steve needs to get help. | 0:23:55 | 0:23:57 | |
I'll get my colleague to help give you a lift up, OK? | 0:23:57 | 0:24:01 | |
Can you give us a hand over here? This lady's fallen over. | 0:24:01 | 0:24:04 | |
The woman, Wendy Prior, explains how she fell. | 0:24:04 | 0:24:08 | |
I've got vertigo. | 0:24:08 | 0:24:10 | |
-Oh, right. -I just went. | 0:24:10 | 0:24:12 | |
No problem. Just give this lady a hand up. | 0:24:12 | 0:24:14 | |
Between the two of them, Steve and Chris make light work of the job. | 0:24:14 | 0:24:18 | |
One. Two. Three. | 0:24:18 | 0:24:19 | |
-OK. -Yeah. -Are you OK? | 0:24:19 | 0:24:24 | |
Just hurt my leg on that. | 0:24:24 | 0:24:26 | |
Despite her fall, Wendy's still not keen on calling an ambulance. | 0:24:26 | 0:24:32 | |
Waiting for my friend to come back. | 0:24:34 | 0:24:36 | |
-What number are you at? -It's here. -What number's here? -I don't know what number it is. | 0:24:36 | 0:24:40 | |
-You're at your friend's. -Yeah. | 0:24:40 | 0:24:42 | |
OK. Bear with me. | 0:24:42 | 0:24:43 | |
'It's fortunate that I'm at occasion we were taking the gentleman back to his house.' | 0:24:43 | 0:24:49 | |
If we hadn't been there, she could have been there for quite some time. | 0:24:49 | 0:24:53 | |
Steve's decided to call for an ambulance anyway. | 0:24:53 | 0:24:57 | |
What I'll do, I'll get an ambulance to come down to check you over, make sure you're OK. | 0:24:57 | 0:25:01 | |
Do you want to go and sit over there? Will that be easier for you? | 0:25:01 | 0:25:04 | |
So there's that bench if you can get to it. | 0:25:04 | 0:25:07 | |
Will that be OK? Don't want you falling over again, that's the thing. | 0:25:07 | 0:25:11 | |
I can't leave you for five minutes! | 0:25:11 | 0:25:15 | |
Wendy's friend, Pearl, can't believe the goings-on when she gets home. | 0:25:15 | 0:25:20 | |
It's lucky we were here, actually. | 0:25:20 | 0:25:24 | |
I was going "Hello, help." | 0:25:24 | 0:25:27 | |
I won't forget this road now. This is engrained in my mind. | 0:25:27 | 0:25:30 | |
While they wait for the ambulance, Wendy explains what happened. | 0:25:30 | 0:25:34 | |
I've got what they call labyrinthitis which is a virus in your inner ear. | 0:25:34 | 0:25:40 | |
I take tablets for it but sometimes you just go. | 0:25:40 | 0:25:46 | |
The ambulance has arrived and Steve can go back on patrol after his second rescue in under an hour. | 0:25:47 | 0:25:53 | |
-I'll leave Wendy in your hands. -Thank you very much. -Not a problem. OK. That's all right. No worries. | 0:25:53 | 0:25:58 | |
All in all, it's been an extraordinary day for PC Steve Wootton. | 0:25:58 | 0:26:02 | |
'In our job, basically, you get some very strange days.' | 0:26:02 | 0:26:06 | |
This day was one of the days that I'll probably never forget. | 0:26:06 | 0:26:08 | |
Fortunately, everybody was OK. | 0:26:08 | 0:26:10 | |
Got the gentleman back home. He was safe and well. | 0:26:10 | 0:26:13 | |
Wendy was obviously looked after and I'm glad everybody was OK at the end of the day. | 0:26:13 | 0:26:17 | |
Let's catch up with some of the other people who featured on tonight's programme. | 0:26:19 | 0:26:23 | |
Danielle McCreary, the jockey who fell and was trampled on by her horse at the start of a race, | 0:26:23 | 0:26:28 | |
suffered serious bruising to her brain. The recovery took two months. | 0:26:28 | 0:26:33 | |
Fortunately, she suffered no permanent damage. | 0:26:33 | 0:26:36 | |
She can only partially remember the accident. | 0:26:36 | 0:26:39 | |
I can remember going to the start, probably about halfway | 0:26:39 | 0:26:43 | |
and it was no-one's fault, nobody's fault, not even the horse's fault. | 0:26:43 | 0:26:46 | |
It was first-time blinkers. | 0:26:46 | 0:26:48 | |
It just didn't seem to suit it. Frightened itself, to be honest. | 0:26:48 | 0:26:52 | |
It didn't know what it was doing so I had to pull across to the other side of the track. | 0:26:52 | 0:26:57 | |
After that point, I can't remember anything | 0:26:57 | 0:27:00 | |
apart from waking up in hospital the next day, which is not a bad thing. | 0:27:00 | 0:27:04 | |
Danielle was just a year away from turning professional. | 0:27:04 | 0:27:08 | |
The accident has made her even more committed to her career. | 0:27:08 | 0:27:12 | |
It was difficult. I lost most of the feeling in the right-hand side of my body, so I always thought well, | 0:27:12 | 0:27:17 | |
I won't be able to do this again because I won't be able to gallop, | 0:27:17 | 0:27:21 | |
I won't be able to feel, I won't be able to balance right. You know, it's impossible. | 0:27:21 | 0:27:25 | |
And it's just step by step every week, | 0:27:25 | 0:27:27 | |
something changes, something happens to pick you back up again to want to do it. | 0:27:27 | 0:27:32 | |
I'll be shortly getting the all-clear and hopefully within the next two weeks, | 0:27:32 | 0:27:38 | |
I will be sat back on one of the racehorses that hopefully won't throw me off again. | 0:27:38 | 0:27:42 | |
Last time we saw Wizzie the bull, | 0:27:51 | 0:27:53 | |
he was recovering after spending many hours wallowing up to his neck in mud. But how did it affect him? | 0:27:53 | 0:27:59 | |
He's gone back with his heifers now | 0:28:00 | 0:28:03 | |
and I'm pleased to say that nine of those are actually in calf now | 0:28:03 | 0:28:06 | |
which means they're pregnant. | 0:28:06 | 0:28:08 | |
So they'll be having his youngsters in about six or seven months' time. | 0:28:08 | 0:28:12 | |
So that'll add to all the youngsters he's already fathered on the place. | 0:28:12 | 0:28:17 | |
They must be about between 70 and 80 by now. | 0:28:17 | 0:28:20 | |
So, yeah, he's been a really good bull for us and will now continue to be. | 0:28:20 | 0:28:25 | |
Every time you hear a siren, | 0:28:28 | 0:28:30 | |
it means our emergency services are on their way to help someone in distress. | 0:28:30 | 0:28:34 | |
Join me again next time for more Real Rescues. | 0:28:34 | 0:28:38 | |
Subtitles by Red Bee Media Ltd | 0:28:45 | 0:28:48 | |
E-mail [email protected] | 0:28:48 | 0:28:51 |