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Today, the house that's had a car accident. | 0:00:02 | 0:00:04 | |
I've got some bad news. Your house has been hit as the result of an RTR. | 0:00:04 | 0:00:10 | |
'The emergency teams have to find a way to extract it without bringing more house down.' | 0:00:10 | 0:00:15 | |
The structural engineers are going to put rams in to make it safe to remove the car. | 0:00:15 | 0:00:21 | |
Julie's lost, frightened and drenched from falling in the river, | 0:00:21 | 0:00:24 | |
there's thunder and lightning and it's about to get worse. | 0:00:24 | 0:00:28 | |
Hello and welcome to Real Rescues and an inside look at the vital work | 0:00:57 | 0:01:01 | |
-carried out by Britain's emergency services. -This is South Central Ambulance Control near Winchester. | 0:01:01 | 0:01:06 | |
The team here are getting help to people who've dialled 999. | 0:01:06 | 0:01:11 | |
No matter what the emergency, the people here are trained to respond appropriately. | 0:01:11 | 0:01:16 | |
If Kelly's not on a call, and she's not, we can come over and have a word | 0:01:16 | 0:01:21 | |
and see what's going on and happening in the region at the moment. You've got a couple. | 0:01:21 | 0:01:26 | |
-Yeah. -Somebody who's been hurt on a ramp. | 0:01:26 | 0:01:28 | |
-Yep. -What's that about? -Local tyre garage | 0:01:28 | 0:01:33 | |
and they've driven a vehicle up the ramp | 0:01:33 | 0:01:35 | |
and one of their members of staff have got in the way somehow | 0:01:35 | 0:01:40 | |
-and he's been hit by the car going up the ramp. -What sort of injuries? | 0:01:40 | 0:01:43 | |
Torso-ish. They've not confirmed exactly where at the moment. | 0:01:43 | 0:01:47 | |
We'll find out more later. Also a teenager that's fallen from a rope swing? | 0:01:47 | 0:01:51 | |
Yeah, rope swing, he's fallen into the local river. | 0:01:51 | 0:01:54 | |
-OK. Recovered from the river, we should say. -Recovered from the river. | 0:01:54 | 0:01:57 | |
-But not sure what the cause of that accident was at the moment. -No. All we know is he's got a hand injury. | 0:01:57 | 0:02:03 | |
We'll come back to that a little bit later and keep you updated. Louise. | 0:02:03 | 0:02:07 | |
Now, the house which has had a car accident. | 0:02:07 | 0:02:09 | |
There's nothing unusual about a car careering off the road after a crash, | 0:02:09 | 0:02:13 | |
but this time it ended up in someone's front room. | 0:02:13 | 0:02:16 | |
It's a miracle no-one was killed. Here's what the rescue team were up against. | 0:02:16 | 0:02:20 | |
'An emergency call has come in to traffic cop Mark Fruin.' | 0:02:23 | 0:02:28 | |
All I know is that it's a collision with a car into a house. | 0:02:28 | 0:02:32 | |
There's no injuries | 0:02:32 | 0:02:35 | |
and no update on road blockages or anything like that. | 0:02:35 | 0:02:38 | |
'He wastes no time heading to the scene and arrives to find the road already closed. | 0:02:40 | 0:02:46 | |
'On closer inspection, it's an extraordinary sight. | 0:02:47 | 0:02:52 | |
'A car is completely embedded in the front room of a house | 0:02:52 | 0:02:55 | |
'and it's taken most of the wall out.' | 0:02:55 | 0:02:58 | |
I was just shocked to see the position of the vehicle. | 0:02:58 | 0:03:01 | |
There was a silver BMW | 0:03:01 | 0:03:04 | |
that was hidden behind the bushes of a garden and, on closer inspection, | 0:03:04 | 0:03:08 | |
you could see that it had actually left the ground, several feet in the air, and was embedded in the address | 0:03:08 | 0:03:14 | |
sitting in the lounge of the house. | 0:03:14 | 0:03:17 | |
'The driver of the silver car had been on her way to make a house call in the village, but not like this. | 0:03:20 | 0:03:26 | |
'She's now being checked over by the ambulance crew. | 0:03:28 | 0:03:32 | |
'She was helped out of the wreckage by Julie, who lives next door. | 0:03:33 | 0:03:36 | |
'She was in her kitchen when she heard an almighty bang.' | 0:03:36 | 0:03:40 | |
We just came out and saw the car in the house | 0:03:40 | 0:03:43 | |
and just went alongside the lady. I moved her away from the house, | 0:03:43 | 0:03:46 | |
cos we were worried that the house was going to come down. | 0:03:46 | 0:03:50 | |
'Simon, the driver of the car still on the road, has suffered quite an impact. | 0:03:50 | 0:03:56 | |
'His neck is giving him a lot of pain. | 0:03:56 | 0:03:58 | |
'The ambulance crew have to put him on a board in preparation for his journey to hospital. | 0:04:00 | 0:04:05 | |
'It's a precaution in case he's suffered serious spinal injury. | 0:04:05 | 0:04:08 | |
'Mark and his colleagues have now spoken to both drivers | 0:04:11 | 0:04:14 | |
'and witnesses.' | 0:04:14 | 0:04:16 | |
We believe the female driver has failed to see the give way junction at the end of the road. | 0:04:16 | 0:04:21 | |
The black Renault Laguna's been coming along the main road. The BMW's pulled out in front of the Renault | 0:04:21 | 0:04:27 | |
and straight into its path. The Renault's been unable to do anything | 0:04:27 | 0:04:30 | |
and gone into the BMW, pushing it where you can see it now. | 0:04:30 | 0:04:33 | |
'The accident is attracting a lot of attention. | 0:04:35 | 0:04:39 | |
'The only people who are blissfully unaware of what's happened are the owners of the house. | 0:04:39 | 0:04:43 | |
'PC David Blake has the unenviable job of tracking them down and breaking the news.' | 0:04:43 | 0:04:49 | |
I've made a number of phone calls to try and find the owners | 0:04:49 | 0:04:52 | |
to say, "You've got a bigger front door than you left with." | 0:04:52 | 0:04:55 | |
'The damage to the house is extensive. The corner is at risk of collapsing altogether. | 0:04:58 | 0:05:03 | |
'The firefighters have cordoned off the entire area to keep everyone safe. | 0:05:06 | 0:05:10 | |
'Any disturbance to the wedged car could bring down more masonry.' | 0:05:10 | 0:05:15 | |
And we'll be seeing how they remove the car without more of the house collapsing later. | 0:05:16 | 0:05:21 | |
Extraordinary. OK, when Julie Adams set out for a walk one evening with her partner and their two dogs, | 0:05:21 | 0:05:27 | |
there was nothing to suggest it wouldn't be like any other stroll. | 0:05:27 | 0:05:30 | |
But one wrong turn in the Sussex woodland changed all that. Here's her call for help. | 0:05:30 | 0:05:35 | |
PHONE RINGS | 0:05:35 | 0:05:37 | |
So, police control have established where Julie is and which direction she needs to take. | 0:07:27 | 0:07:32 | |
Trouble is, in the countryside, you never know what's around the corner. | 0:07:32 | 0:07:37 | |
And here is Julie. Julie, as bad days go, that was a bad day. | 0:09:03 | 0:09:07 | |
It was quite a bad day. Everything that could go wrong, did go wrong. | 0:09:07 | 0:09:11 | |
You started off quite jolly, despite the fact you were soaking wet and lost and not very happy, | 0:09:11 | 0:09:16 | |
you were still quite jolly, but we can hear there, you're starting to get frightened. | 0:09:16 | 0:09:20 | |
Yeah. I think, originally, we were just lost and we could see the amusing side, | 0:09:20 | 0:09:25 | |
but once we got the lightning and the cows and everything, we realised we were in trouble. | 0:09:25 | 0:09:30 | |
You're also a bit of a townie, aren't you? Struggling to know what's a cow and a bull. | 0:09:30 | 0:09:34 | |
It was quite dark but, yes, my preference is certainly for the city. Certainly now. | 0:09:34 | 0:09:38 | |
I'm not at all surprised. OK, so, there they are, soaking wet, it's raining, windy and there's lightning, | 0:09:38 | 0:09:43 | |
and they're cornered by curious cows, possibly bulls. Let's hear what happened next. | 0:09:43 | 0:09:48 | |
-You made it back to civilisation. -Eventually. -How did they find you? | 0:10:29 | 0:10:33 | |
They put the sirens on the car and asked us to tell them the direction we could hear them coming from. | 0:10:33 | 0:10:40 | |
Then when they got closer, they put the lights on and did the same thing | 0:10:40 | 0:10:44 | |
-and eventually guided us in by lights and sirens. -Were you pleased to see them? | 0:10:44 | 0:10:48 | |
We had a chat with the policeman who rescued you and he said you were very pleased. | 0:10:48 | 0:10:52 | |
-I was. I gave him a very big hug when we came out of the woods. -That's nice. How did he take that? | 0:10:52 | 0:10:57 | |
Well, he was quite shocked, so he stepped backwards and managed to step on my dog. | 0:10:57 | 0:11:03 | |
HE LAUGHS Just one disaster after another. | 0:11:03 | 0:11:07 | |
-Are you a bit disaster-prone? -Not normally. | 0:11:07 | 0:11:09 | |
-It just all happened on one day? -It all happened on one day. | 0:11:09 | 0:11:12 | |
-You said you were very frightened of the lightning. -Yep. -And knowing what to do. | 0:11:12 | 0:11:16 | |
In those situations, you think, "Was it under a tree or not under a tree that you were supposed to do?" | 0:11:16 | 0:11:22 | |
It's a good point. We'll tell you a bit more about that a little bit later on. | 0:11:22 | 0:11:27 | |
Did you know that you were near a very famous and very dangerous bog? | 0:11:27 | 0:11:31 | |
We didn't at the time, but the farmer who took us for a cup of coffee afterwards, | 0:11:31 | 0:11:36 | |
he said he'd lost a Land Rover in that field. He's parked it and it'd sunk into the bog and disappeared. | 0:11:36 | 0:11:42 | |
-Totally disappeared? -And never been recovered. | 0:11:42 | 0:11:44 | |
-So you were in quite a lot of danger. -Literally, everything was against us. | 0:11:44 | 0:11:49 | |
And now do you go walking in the woods very much? | 0:11:49 | 0:11:52 | |
Not very much, no, and I now carry a torch and stick to the paths. | 0:11:52 | 0:11:56 | |
The old bit of help - stick to the paths! | 0:11:56 | 0:12:00 | |
Absolutely, quite right. I'm sorry you had such a terrible day, but pleased you came out the other side. | 0:12:00 | 0:12:06 | |
-They sounded great on the phone. -They were absolutely fabulous | 0:12:06 | 0:12:09 | |
-and, without them, it could've ended very differently. -Thank you very much. | 0:12:09 | 0:12:13 | |
I want to talk to James about a call he took here. | 0:12:13 | 0:12:16 | |
You had a call from a man who'd had a fall in his bedroom, which doesn't sound terribly serious at first, | 0:12:16 | 0:12:21 | |
but it was serious. What was going on? | 0:12:21 | 0:12:23 | |
I took a call from a man who'd fallen in his bedroom. | 0:12:23 | 0:12:25 | |
It turns out, he couldn't feel his legs. | 0:12:25 | 0:12:28 | |
Once the crew arrived, we couldn't actually get him downstairs on a stretcher, | 0:12:28 | 0:12:35 | |
so we had to call the fire brigade to take the window out. | 0:12:35 | 0:12:38 | |
Because of the layout of the house? | 0:12:38 | 0:12:41 | |
Yeah, the stairs were too narrow to get him downstairs, | 0:12:41 | 0:12:46 | |
so we had to take the window out, with the assistance of the fire service. | 0:12:46 | 0:12:50 | |
What had happened? He'd had a fall in his bedroom but he'd really hurt himself. | 0:12:50 | 0:12:54 | |
-There was a history to it, wasn't there? -Yeah, he had a pre-existing problem with his spine | 0:12:54 | 0:12:59 | |
which aggravated it, causing the loss of feeling in his legs. | 0:12:59 | 0:13:04 | |
And he was eventually flown straight to a specialist unit at Southampton Hospital. | 0:13:04 | 0:13:09 | |
-And given treatment for it. -Yes. -OK, James, thank you. | 0:13:09 | 0:13:12 | |
A young boy has been out with his friends and fallen off his bike not once but twice. | 0:13:14 | 0:13:19 | |
He's feeling dizzy and he's been sick. His mum is really worried | 0:13:19 | 0:13:22 | |
and when ambulance crew arrive, he's showing all the signs of concussion. | 0:13:22 | 0:13:27 | |
SIREN WAILS | 0:13:27 | 0:13:30 | |
'Paramedic Stuart Verity and technician Stacey Smith | 0:13:32 | 0:13:36 | |
'and on their way to a nine-year-old boy who's fallen off his bike.' | 0:13:36 | 0:13:40 | |
He's apparently hit his head. The limited information we've been given is that he's not cut his head | 0:13:40 | 0:13:46 | |
but we don't know whether he was wearing a helmet, | 0:13:46 | 0:13:48 | |
we don't know how hard he's hit his head, what he's hit it on, whether he was unconscious, | 0:13:48 | 0:13:54 | |
so we need to go and see how alert he is now and we'll take it from there. | 0:13:54 | 0:13:59 | |
'At the house, they find an unhappy George.' | 0:14:02 | 0:14:05 | |
-What's happened? -Well, I fell off my bike, I went over the handlebars | 0:14:05 | 0:14:12 | |
and I wasn't really happy about it. | 0:14:12 | 0:14:15 | |
-When I got up, I was really dizzy. -Do you feel dizzy now? | 0:14:15 | 0:14:20 | |
-Only when I stand up. -Are you hurting anywhere? | 0:14:20 | 0:14:24 | |
Well, a bit... I've had... | 0:14:24 | 0:14:29 | |
Well, my head's still hurting a little bit. | 0:14:29 | 0:14:32 | |
-Where abouts does your head hurt? -There. | 0:14:32 | 0:14:35 | |
Did you bang that on the floor or did you bang it on your bike? | 0:14:35 | 0:14:38 | |
Banged it on the concrete. | 0:14:38 | 0:14:40 | |
-Did you have a helmet on? -No. -OK. | 0:14:40 | 0:14:43 | |
'Undeterred by his nasty fall, George got straight back in the saddle.' | 0:14:44 | 0:14:49 | |
I wanted to play with my friends again. | 0:14:49 | 0:14:52 | |
-Then when I went round the block again, I fell off again. -Oh, no. | 0:14:52 | 0:14:56 | |
Can I have a feel of your head? | 0:14:56 | 0:14:58 | |
Tell me if I hurt you. | 0:15:00 | 0:15:02 | |
-Yeah, it hurts there. -Round this side? | 0:15:05 | 0:15:08 | |
-No, that side. -That side? | 0:15:08 | 0:15:11 | |
-And there. -OK. Where does it hurt here? | 0:15:11 | 0:15:14 | |
There. | 0:15:14 | 0:15:16 | |
-How's this side? -That side's fine. It's just that side. | 0:15:16 | 0:15:21 | |
'As the day has gone on, George has started to feel poorly.' | 0:15:21 | 0:15:24 | |
What about your tummy? | 0:15:24 | 0:15:26 | |
Well, I've got really bad stomach cramps. | 0:15:26 | 0:15:29 | |
-Did you have that before? -No, that happened, like, half an hour afterwards. | 0:15:29 | 0:15:36 | |
-Has he been sick? -Yeah. -How many times? -Twice. | 0:15:36 | 0:15:40 | |
-Is it just fluid? -Yeah, it's phlegm. Phlegm and fluid. | 0:15:40 | 0:15:44 | |
-How's that? Is he normally fit and well? -Yeah. | 0:15:44 | 0:15:47 | |
'Stuart gives George a full check over.' | 0:15:49 | 0:15:52 | |
Straighten them out. Wiggle your toes. | 0:15:52 | 0:15:56 | |
What about your fingers and your hands? | 0:15:57 | 0:15:59 | |
On this one, I can wiggle it fine, | 0:15:59 | 0:16:02 | |
but I can only wiggly this one slightly, it's weak. | 0:16:02 | 0:16:06 | |
'By testing his reflexes and responses, | 0:16:08 | 0:16:11 | |
'he can gauge whether George has any signs of a head injury.' | 0:16:11 | 0:16:14 | |
That's good. I think, cos he's banged his head, | 0:16:15 | 0:16:18 | |
and he didn't have a helmet on and he's been sick a couple of times, | 0:16:18 | 0:16:22 | |
-we'll go and get you checked out. -OK. | 0:16:22 | 0:16:25 | |
Just to make sure everything's all right. | 0:16:25 | 0:16:27 | |
Let the doctor have a look at you. You think? | 0:16:27 | 0:16:31 | |
You might need some shoes and socks on. | 0:16:33 | 0:16:35 | |
-Mum, do you want to go and get some socks? -I'll get your socks. | 0:16:35 | 0:16:40 | |
'George appears lucid, but Stuart's concerned by the dizziness | 0:16:40 | 0:16:43 | |
'and other symptoms he's suffered since the accident. | 0:16:43 | 0:16:46 | |
'A child's condition can deteriorate rapidly if something goes undetected.' | 0:16:46 | 0:16:51 | |
Ready? One, two, three. | 0:16:52 | 0:16:54 | |
'He may be about to go to hospital, but George is already thinking about his future safety.' | 0:16:56 | 0:17:01 | |
-There you go. -On Saturday, I'm buying a new helmet for what's just happened now. | 0:17:01 | 0:17:06 | |
That's a good idea. | 0:17:06 | 0:17:08 | |
That's nice and warm. | 0:17:09 | 0:17:11 | |
'Although he's dressing like a little superhero, | 0:17:11 | 0:17:14 | |
'George is still feeling a little less than super.' | 0:17:14 | 0:17:18 | |
Are you ready? | 0:17:18 | 0:17:19 | |
Come round this side. | 0:17:19 | 0:17:22 | |
-How do you feel? -I'm feeling OK. | 0:17:23 | 0:17:26 | |
-You don't feel sick anymore? -I'm feeling kind of all right. | 0:17:26 | 0:17:30 | |
You tell me if you're feeling sick, won't you? | 0:17:33 | 0:17:36 | |
'On the journey to hospital, George's answers are getting more confused and his memory clouded. | 0:17:36 | 0:17:42 | |
'And he appears more sluggish.' | 0:17:42 | 0:17:45 | |
Did you go over the handlebars both times? | 0:17:45 | 0:17:48 | |
-No, only once. The second time. -The second time? | 0:17:48 | 0:17:52 | |
Er... After the second time, I banged my head. I went over the handlebars the second time. | 0:17:52 | 0:17:58 | |
'Arriving at Southampton General, George does his best to reassure Mum.' | 0:18:00 | 0:18:05 | |
I'll probably be fine tomorrow, Mum. | 0:18:05 | 0:18:08 | |
'He may have given himself a clean bill of health, | 0:18:08 | 0:18:10 | |
'but Stuart wants to find out from Mum if George is acting normally. | 0:18:10 | 0:18:14 | |
Sit yourself on here. | 0:18:14 | 0:18:17 | |
'George is wheeled straight through to the paediatric A&E department.' | 0:18:28 | 0:18:34 | |
Ambulance sticker! | 0:18:34 | 0:18:36 | |
-There you go! -Thank you. | 0:18:37 | 0:18:40 | |
'He's now in the best place to find out the extent of any possible head injury.' | 0:18:40 | 0:18:45 | |
George's conditions deteriorated in hospital. | 0:18:47 | 0:18:49 | |
He had scans and tests and it turned out to be serious concussion. | 0:18:49 | 0:18:53 | |
Thankfully, he has made a fully recovery | 0:18:53 | 0:18:55 | |
and is back out on his bike with his new helmet. | 0:18:55 | 0:18:58 | |
Still to come on Real Rescues, there's smoke but no flames. | 0:19:01 | 0:19:04 | |
Firefighters struggle to find a fire which started in, of all places, a bathroom. | 0:19:04 | 0:19:10 | |
Right, listen up, you two. | 0:19:10 | 0:19:12 | |
Smoke issuing out the back, OK? Remember your door procedures. | 0:19:12 | 0:19:16 | |
You've got breaking in equipment. Let's get going. | 0:19:16 | 0:19:19 | |
And the moment a stunt to raise money for charity went disastrously wrong. | 0:19:19 | 0:19:24 | |
Holly's broken her arm and dislocated her shoulder and elbow, | 0:19:30 | 0:19:34 | |
so how will rescuers get her safely into the lifeboat? | 0:19:34 | 0:19:38 | |
Let's take you back to that car which has crashed into the side of a house. | 0:19:42 | 0:19:45 | |
No-one has been seriously hurt, but the house is in need of emergency treatment. | 0:19:45 | 0:19:51 | |
'Council surveyor Jerry Pride has arrived | 0:19:52 | 0:19:55 | |
'to start emergency work on propping up the corner of the house.' | 0:19:55 | 0:19:58 | |
'The fire service has already checked for gas leaks and given the all-clear for work to start. | 0:19:58 | 0:20:04 | |
'But it's going to be a very difficult task removing the car without causing further disruption.' | 0:20:04 | 0:20:10 | |
All that's holding up the flag wall is the first floor joists, | 0:20:10 | 0:20:13 | |
and they're unsupported. | 0:20:13 | 0:20:15 | |
If we remove the vehicle at this stage, it's likely to disturb more masonry, | 0:20:15 | 0:20:19 | |
which could weaken the structure further and cause considerable problems, so we'll arrange to get | 0:20:19 | 0:20:25 | |
the section of masonry that's been removed replaced by props before the vehicle is removed | 0:20:25 | 0:20:30 | |
and that will stabilise that side of the house and make sure it's kept safe and no further damage is done. | 0:20:30 | 0:20:35 | |
'The owners are away and it's up to PC David Blake to break the news over the telephone.' | 0:20:35 | 0:20:40 | |
I've got some bad news. Your house has been hit as a result of an RTR. | 0:20:40 | 0:20:45 | |
It's basically to see whether you'd be able to come home. | 0:20:45 | 0:20:49 | |
'PC David Blake explains who's on the scene and the extent of the repair work being carried out.' | 0:20:49 | 0:20:55 | |
It's the emergency structural engineers. | 0:20:55 | 0:21:00 | |
They're going to put supporting joists and rams in | 0:21:00 | 0:21:05 | |
to make it safe to remove the car. | 0:21:05 | 0:21:08 | |
No-one will be able to go back into the property, cos it is substantially damaged. | 0:21:08 | 0:21:13 | |
'The car has now taken the place of the masonry and is effectively supporting the first floor.' | 0:21:14 | 0:21:19 | |
We've stabilised the corner of the building, cos the impact had removed quite a lot of supporting masonry, | 0:21:19 | 0:21:26 | |
and now we're just waiting to remove the vehicle. When it's removed, | 0:21:26 | 0:21:29 | |
we'll assess whether any additional damage is caused by that removal. | 0:21:29 | 0:21:33 | |
'The recovery truck has arrived, but it's going to be a tricky job.' | 0:21:33 | 0:21:38 | |
My concern is, if we drag it, it's going to drag more of this masonry. | 0:21:38 | 0:21:42 | |
We've got this big panel that's loose. | 0:21:42 | 0:21:44 | |
-So if we take some weight of it and then just lift it out? -That'd be much better. | 0:21:44 | 0:21:48 | |
'Before they can lift the car out, they'll have to shift the remains of the house still on top of it. | 0:21:48 | 0:21:53 | |
-'With the rubble cleared, it's a delicate operation to ease out the vehicle.' -That'll do! | 0:21:59 | 0:22:06 | |
'The only way out for this unwanted guest is over the top of the garden hedge. | 0:22:06 | 0:22:10 | |
'The props are in place and will provide a temporary support. | 0:22:12 | 0:22:15 | |
'The owners are still unaware of the damage, | 0:22:15 | 0:22:18 | |
'but it looks likely that one entire corner of the house will have to be rebuilt.' | 0:22:18 | 0:22:24 | |
The driver of the car that ended up in the house was convicted and fined. | 0:22:25 | 0:22:29 | |
That's the second time that house has been hit by a vehicle. | 0:22:29 | 0:22:32 | |
In fact, vehicles in buildings have been a regular call-out for Hampshire Fire and Rescue. | 0:22:32 | 0:22:37 | |
Yes, it was a double blow for the driver of this car | 0:22:37 | 0:22:39 | |
when he smashed into his own property. | 0:22:39 | 0:22:42 | |
Then the driver who ended up with a prison sentence and a driving ban after this. | 0:22:42 | 0:22:47 | |
He drove his Rolls Royce into a shop window, all because he'd been refused alcohol in a supermarket. | 0:22:47 | 0:22:53 | |
-Six people were injured. -Extraordinary. And the Moscow State Circus left town in style | 0:22:53 | 0:22:58 | |
after a bank holiday extravaganza when its ticket office trailer ended up in a block of flats. | 0:22:58 | 0:23:04 | |
Taking door-to-door selling a little bit far, isn't it? | 0:23:04 | 0:23:07 | |
-You'd think you'd give it to them for free, wouldn't you? -Yeah. Shall we move on? -Yes, let's. | 0:23:07 | 0:23:12 | |
20-year-old student Michael has been learning to live with epilepsy for the last three years. | 0:23:12 | 0:23:17 | |
Fits can come out of the blue, as we're about to see. | 0:23:17 | 0:23:20 | |
'Ambulance crew Paul and Caroline are on an emergency call to a young man | 0:23:23 | 0:23:28 | |
'who's been found collapsed on the street.' | 0:23:28 | 0:23:31 | |
We've just been told a male fitted on the side of the road | 0:23:31 | 0:23:34 | |
'They arrive to find some passers-by, as well as a local community responder, already giving first aid.' | 0:23:35 | 0:23:42 | |
I was just driving by. These chaps had stopped. | 0:23:42 | 0:23:45 | |
Apparently, he just passed out. | 0:23:45 | 0:23:49 | |
He's breathing and he is responsive. If you shout at him, he opens his eyes, but he's not with it. | 0:23:54 | 0:23:59 | |
Right, I think we just get him on a... | 0:23:59 | 0:24:03 | |
These gentlemen... You witnessed him just go rigid | 0:24:03 | 0:24:06 | |
and then just fall to the floor and shake, full tonic-clonic seizure. | 0:24:06 | 0:24:09 | |
'A tonic-clonic seizure is the medical term for a type of epileptic fit | 0:24:09 | 0:24:14 | |
'where the sufferer has violent body convulsions.' | 0:24:14 | 0:24:17 | |
Hello, fella. Hello, mate. It's Paul from the ambulance service. | 0:24:17 | 0:24:21 | |
Hello there. What's your name, chap? | 0:24:21 | 0:24:24 | |
Michael? Hello, Michael. | 0:24:26 | 0:24:29 | |
I think you've had a little bit of a fit, my friend. | 0:24:29 | 0:24:32 | |
OK? Are you epileptic? Yeah? All right. | 0:24:32 | 0:24:36 | |
'Michael is responding to Paul when he talks loudly. It's a good sign. | 0:24:36 | 0:24:40 | |
'He could be through the worst of it and starting to come round.' | 0:24:40 | 0:24:44 | |
There's just some marks on his chin. Looks like possible facial. | 0:24:44 | 0:24:49 | |
'Michael was walking to college. | 0:24:49 | 0:24:52 | |
'It's possible he fell and hit the pavement hard when the seizure gripped him. | 0:24:52 | 0:24:57 | |
'Paul checks for any injuries before he can be moved.' | 0:24:57 | 0:25:01 | |
Have you got any pains in your head at all? | 0:25:01 | 0:25:03 | |
No? Any pains down in your neck? No? | 0:25:03 | 0:25:07 | |
Can you move your legs for me? | 0:25:07 | 0:25:10 | |
Good man, well done. That's it. Shall we get you up off this floor? | 0:25:10 | 0:25:14 | |
'Michael is still a bit confused and looks exhausted from the convulsions.' | 0:25:14 | 0:25:19 | |
So you know where you are, my friend? Sorry? | 0:25:22 | 0:25:26 | |
You think you collapsed? Well done. | 0:25:29 | 0:25:31 | |
'Michael fights hard to stay awake long enough | 0:25:31 | 0:25:34 | |
'to answer Caroline and Paul's questions. | 0:25:34 | 0:25:36 | |
'It takes a huge effort.' | 0:25:36 | 0:25:39 | |
Other than your chin and where you're grazed on your hands, | 0:25:39 | 0:25:42 | |
does anything else hurt? No. | 0:25:42 | 0:25:45 | |
How often do you fit? Do you know? | 0:25:45 | 0:25:48 | |
Is it a regular thing or is it once in a blue moon? | 0:25:50 | 0:25:54 | |
'The team have put sensors on Michael to get a heart trace. | 0:25:56 | 0:26:00 | |
'If he's recovered enough, then he may be able to avoid a trip to hospital.' | 0:26:00 | 0:26:04 | |
He's doing some twitching. | 0:26:05 | 0:26:09 | |
This arm's been twitching. | 0:26:09 | 0:26:11 | |
Michael? Hello. You all right? | 0:26:13 | 0:26:17 | |
How are you feeling? | 0:26:17 | 0:26:19 | |
-Let's give your face a bit of a... -Are you on any medication at all? | 0:26:24 | 0:26:28 | |
Do you know what that is? | 0:26:28 | 0:26:29 | |
When you've had a fit in the past, have you ever had a second fit? | 0:26:31 | 0:26:35 | |
Or do you tend just to have one? | 0:26:35 | 0:26:37 | |
He's done it again. This arm went this time. | 0:26:39 | 0:26:43 | |
Yeah. And his heart rate, as well. | 0:26:45 | 0:26:48 | |
'But there are signs it's not over yet. | 0:26:52 | 0:26:55 | |
'His body is still twitching slightly and his heart racing.' | 0:26:55 | 0:26:58 | |
How about we pop you down to the hospital, just get you an MOT? | 0:26:58 | 0:27:03 | |
Cos your heart rate's going ten to the dozen. | 0:27:03 | 0:27:06 | |
And you're still doing the odd twitching now and then. | 0:27:08 | 0:27:11 | |
So I think just to be safe, yeah? | 0:27:12 | 0:27:15 | |
OK. | 0:27:16 | 0:27:17 | |
'Caroline has told Michael's mum, who'll meet them at the hospital. | 0:27:18 | 0:27:23 | |
Shall I put that back down now? | 0:27:23 | 0:27:26 | |
'Michael will remain in hospital until his seizure has completely subsided. | 0:27:27 | 0:27:31 | |
'His other injuries will also be thoroughly checked over.' | 0:27:31 | 0:27:34 | |
Michael, you're here with me today. How are you feeling? You all right? | 0:27:36 | 0:27:39 | |
-I'm feeling much better than I was then. -Do you remember any of that? | 0:27:39 | 0:27:44 | |
I remember vague snippets of it, but most of it, no. | 0:27:44 | 0:27:49 | |
And when you've had a fit like that, how do you feel afterwards? | 0:27:49 | 0:27:52 | |
Usually it's confusion. Normally I can only remember fragments of it | 0:27:52 | 0:27:58 | |
and I just feel ridiculously drained and tired. | 0:27:58 | 0:28:00 | |
Really? Julian, you're a paramedic, you deal with people who've had fits. | 0:28:00 | 0:28:04 | |
Is that a common feeling afterwards? Cos he was clearly exhausted. | 0:28:04 | 0:28:08 | |
Yeah, his muscles are all contracting | 0:28:08 | 0:28:12 | |
and really it's like running a marathon. | 0:28:12 | 0:28:16 | |
So by the time he's finished fitting, absolutely exhausted. | 0:28:16 | 0:28:19 | |
Most people, all they want to do is go to sleep. | 0:28:19 | 0:28:22 | |
And that's because of what's been going on in their bodies. | 0:28:22 | 0:28:25 | |
That's right. The electrical activity in the brain has been going crazy, | 0:28:25 | 0:28:29 | |
it's causing a lot of the muscles to contract, it's making him absolutely exhausted, | 0:28:29 | 0:28:33 | |
and also there's a lack of oxygen sometimes to the brain during a fit, | 0:28:33 | 0:28:38 | |
so coming round and not really having much recollection of it is quite normal after a seizure. | 0:28:38 | 0:28:44 | |
I know you were on your way to college that day. | 0:28:44 | 0:28:46 | |
-Did you get any warning signs that that was going to happen? -Yeah, I did feel it coming on. | 0:28:46 | 0:28:51 | |
I did try and slow down and focus on breathing slowly a few times | 0:28:51 | 0:28:55 | |
to see if I could snap out if it, but obviously it didn't work. | 0:28:55 | 0:28:59 | |
-You've made it stop before, have you? -A couple of times it's worked. | 0:28:59 | 0:29:04 | |
-How? -I've just managed to kind of slow down, really focus on breathing slowly, | 0:29:04 | 0:29:09 | |
playing slow-tempo music helps, | 0:29:09 | 0:29:12 | |
and just really relaxing, and I've managed to come round. | 0:29:12 | 0:29:16 | |
Have you met people who know when they're going to have a fit, they get warning signs? | 0:29:16 | 0:29:21 | |
I have. Some people will say they feel a bit light-headed, a bit dizzy, | 0:29:21 | 0:29:25 | |
some people will complain of a tight chest or a strange taste. | 0:29:25 | 0:29:28 | |
I even met one lady once who had a dog that was trained | 0:29:28 | 0:29:32 | |
and it was able to know when she was going to have a fit | 0:29:32 | 0:29:36 | |
-and it would give her a ten-second warning so she could put herself on the ground and be safe. -Amazing. | 0:29:36 | 0:29:41 | |
-You're feeling OK today and you're on your way to university, so good luck. -Thank you. | 0:29:41 | 0:29:46 | |
Remember we were chatting earlier to Julie? She got lost in the forest | 0:29:49 | 0:29:53 | |
and suddenly there was a lightning storm and she was frightened. | 0:29:53 | 0:29:56 | |
A lot of people are frightened of lightning. I like it. It's impressive. | 0:29:56 | 0:30:00 | |
But a lot of people get very frightened of it. How dangerous is it? | 0:30:00 | 0:30:03 | |
We're here in the ambulance room, let's talk to Claire about lightning. | 0:30:03 | 0:30:09 | |
Do you get a lot of calls for people being struck by lightning? | 0:30:09 | 0:30:13 | |
It's a really rare thing, actually. | 0:30:13 | 0:30:15 | |
I've been here for two years and I haven't had one lightning call and I don't know of anyone that has. | 0:30:15 | 0:30:21 | |
-So it's really rare. -It's a fairly rare thing. -It is, yeah. | 0:30:21 | 0:30:24 | |
Do you have set rules about how you tell people to deal with lightning strikes? | 0:30:24 | 0:30:30 | |
If someone had phoned up saying that they'd witnessed it, | 0:30:30 | 0:30:34 | |
basically, we have to go for worst case scenario | 0:30:34 | 0:30:37 | |
-and always think that they are in cardiac arrest. -Is that right? | 0:30:37 | 0:30:41 | |
Yeah, until somebody comes along that can verify they're breathing or conscious. | 0:30:41 | 0:30:46 | |
-So you almost treat it like a normal electric shock. -Yeah, that's right. | 0:30:46 | 0:30:51 | |
-You assume that it's stopped the heart. -Exactly, yeah. | 0:30:51 | 0:30:54 | |
It's very similar, really. | 0:30:54 | 0:30:56 | |
Also, she was saying earlier that she didn't know whether she should be standing under a tree or not. | 0:30:56 | 0:31:01 | |
Injuries for lightning strikes are more likely under a tree, is that right? | 0:31:01 | 0:31:05 | |
Yeah, under a tree is not safe at all. | 0:31:05 | 0:31:08 | |
A really safe place to be in a storm is to be in a car, | 0:31:08 | 0:31:12 | |
because the tyres are made of rubber, so it protects you. | 0:31:12 | 0:31:15 | |
Being under a tree is not a good idea at all. | 0:31:15 | 0:31:20 | |
Thank you. And the reason that being under a tree is not a good idea | 0:31:20 | 0:31:24 | |
is because, if the tree gets struck, a bit of the tree comes off and you're underneath. | 0:31:24 | 0:31:28 | |
And it will attract the lightning because of the height. | 0:31:28 | 0:31:31 | |
ROSPA, the Royal Society for the Prevention of Accidents, | 0:31:31 | 0:31:34 | |
have some advice for you on what it's best to do. Seek shelter if you can. | 0:31:34 | 0:31:38 | |
If you can get inside a building, that's safe, or in a car. | 0:31:38 | 0:31:42 | |
Make yourself small. If you are caught in the open, don't stand upright, get into a small ball. | 0:31:42 | 0:31:47 | |
If you can make cover, that'd be a much better idea. | 0:31:47 | 0:31:50 | |
Avoid trees, because they attract lightning and also you'll get hit if a piece breaks off. | 0:31:50 | 0:31:56 | |
And finally, get away from water or anything metal, because those are both conductors. | 0:31:56 | 0:32:00 | |
The last time they had someone struck by lightning here was four years ago | 0:32:00 | 0:32:04 | |
where two people, separately, were struck by lightning on the same day | 0:32:04 | 0:32:08 | |
-and Charlie here remembers that day only too well, don't you? -Yes. | 0:32:08 | 0:32:12 | |
-Because? -Because my prom venue got struck by lightning and burnt down. | 0:32:12 | 0:32:17 | |
Aww! So she never had her prom because her prom venue was burnt down. | 0:32:17 | 0:32:21 | |
-So you never had the prom? -No, we went to a different one, but it wasn't as good. | 0:32:21 | 0:32:26 | |
-We lost all our decorations. -Aww! Still not over it, as you can see. | 0:32:26 | 0:32:30 | |
Anyway, don't be frightened of lightning, it's very rare that anyone gets struck. | 0:32:30 | 0:32:35 | |
Follow those important little tips. Louise. | 0:32:35 | 0:32:38 | |
What a shame for her. When fire crews arrive at the next emergency, | 0:32:38 | 0:32:41 | |
they could be forgiven for thinking it's a false alarm. There's no sign of flames from the front, | 0:32:41 | 0:32:46 | |
but the building's on fire. So first, they have to find it. | 0:32:46 | 0:32:49 | |
SIREN WAILS | 0:32:49 | 0:32:52 | |
'The firefighters of white watch are on a call to a fire in Southampton city centre. | 0:32:53 | 0:32:59 | |
'The fire has set off the alarm in one of the flats in this converted house. | 0:33:03 | 0:33:08 | |
'The first task is to get all the residents out of the building.' | 0:33:08 | 0:33:12 | |
If you could come out, sir. Yeah, check round the back. All right? | 0:33:13 | 0:33:18 | |
There's nobody in there, is there? | 0:33:18 | 0:33:21 | |
You don't think so. OK. | 0:33:21 | 0:33:24 | |
'There's not much sign of fire or smoke out the front, | 0:33:24 | 0:33:28 | |
'but inside, the hallway is quickly filling up with fumes. | 0:33:28 | 0:33:31 | |
'Shaun has to find the seat of the fire as quickly as possible.' | 0:33:31 | 0:33:35 | |
Get an informative back, smoke issuing. Right, get started up! | 0:33:35 | 0:33:40 | |
-'One of the crew is round the back and has spotted where the smoke is coming from.' -Got anything? | 0:33:40 | 0:33:45 | |
"Yeah, there's smoke coming out of the back, there's a small vent in the wall | 0:33:45 | 0:33:50 | |
-"and there's smoke coming out of it." -Received. | 0:33:50 | 0:33:53 | |
Listen up. | 0:33:53 | 0:33:55 | |
The door at the top of the stairs right in front of you, smoke issuing out the back, OK? | 0:33:55 | 0:33:59 | |
Remember your door procedures, all right? You've got breaking in equipment. Let's get going. | 0:33:59 | 0:34:05 | |
'The crew need to break into a locked flat on the first floor. | 0:34:05 | 0:34:08 | |
'No-one knows what they will find inside.' | 0:34:08 | 0:34:11 | |
Check for persons! | 0:34:11 | 0:34:13 | |
Check for persons! | 0:34:13 | 0:34:15 | |
We're not sure if there's anyone in there yet. | 0:34:15 | 0:34:18 | |
'Shaun tries to get more information from the ground-floor residents.' | 0:34:18 | 0:34:23 | |
Who lives there, do you know? | 0:34:23 | 0:34:25 | |
-We all live there. -No, who lives in that room? | 0:34:25 | 0:34:27 | |
-Er, they call him Mike. -Mike? -Yeah. | 0:34:27 | 0:34:31 | |
You don't know if he's in or not? | 0:34:31 | 0:34:33 | |
'An update comes through from the crew who've gone inside. | 0:34:33 | 0:34:36 | |
'Luckily, it seems that no-one was in the room.' | 0:34:36 | 0:34:39 | |
"It looks like it was in the shower. It looks like it's gone round the back of the wall | 0:34:39 | 0:34:44 | |
"and maybe into the roof space, so suggest maybe a crew to the loft space, over." | 0:34:44 | 0:34:50 | |
'The fire crew's work is not over. There's a chance that the fire may have already spread into the roof. | 0:34:50 | 0:34:56 | |
'More firefighters need to go in to investigate.' | 0:34:56 | 0:35:00 | |
It looks like the fire's out. It may be in the shower unit. | 0:35:00 | 0:35:02 | |
I want you to check the loft space. | 0:35:02 | 0:35:05 | |
There's a short extension in there and there's a hose reel in there you can use. | 0:35:05 | 0:35:09 | |
So just get your head up in there and have a look. | 0:35:09 | 0:35:12 | |
'Sue Perry and Matt Broomby put on their breathing apparatus. They will be heading into the loft space. | 0:35:12 | 0:35:18 | |
'If the fire has spread there, the entire building could be at risk.' | 0:35:18 | 0:35:21 | |
We've got smoke travel so we're investigating the roof space. | 0:35:21 | 0:35:25 | |
I'm sending two more breathing apparatus into the roof space | 0:35:25 | 0:35:28 | |
to check for fire travel. Because we don't want fire travel catching the roof alight. | 0:35:28 | 0:35:32 | |
'The fire in the shower has been put out. The next job is clearing all the smoke.' | 0:35:33 | 0:35:38 | |
All right, we're just putting the fan on now. | 0:35:38 | 0:35:41 | |
We're using the positive pressure fan | 0:35:41 | 0:35:44 | |
to get rid of the smoke in there so we can go and have a look. | 0:35:44 | 0:35:47 | |
'The smoke isn't the only problem. | 0:35:49 | 0:35:51 | |
'A pipe has melted and water is leaking all over the flat. | 0:35:51 | 0:35:54 | |
'It's threatening to flood the ones below.' | 0:35:54 | 0:35:57 | |
We need the stopcock. I don't know where the stop valve is inside, | 0:35:59 | 0:36:03 | |
-so we need to turn it off. -All right, grab that key, then. | 0:36:03 | 0:36:06 | |
'Colin finds the outside mains. He needs to shut off the water supply. | 0:36:06 | 0:36:10 | |
'But there's a lot of mud and it's proving difficult to get to the stopcock.' | 0:36:10 | 0:36:15 | |
We've tried turning the water off from outside, but it's not working. | 0:36:15 | 0:36:19 | |
So we're doing a salvage operation at the moment. | 0:36:19 | 0:36:21 | |
They're using salvage equipment to try and divert the water. | 0:36:21 | 0:36:25 | |
'Sue and Matt emerge with some good news.' | 0:36:26 | 0:36:29 | |
It's quite smoky but it doesn't seem to have affected the roof space. | 0:36:30 | 0:36:34 | |
We went into the attic area. I think the only smoke that got up there | 0:36:34 | 0:36:37 | |
was there because I've been in the attic space. So no problems. | 0:36:37 | 0:36:41 | |
'It's safe now for Shaun to venture inside the house without breathing gear. | 0:36:42 | 0:36:47 | |
'The smoke and fire damage is quite extensive.' | 0:36:48 | 0:36:51 | |
If you look at the walls, you can see where the smoke level was coming down to. | 0:36:52 | 0:36:58 | |
'Anyone trapped in here would've been lucky to survive. | 0:36:58 | 0:37:02 | |
'There is a fire alarm system which did work, but against all the odds.' | 0:37:02 | 0:37:07 | |
To me, that's been sealed up. | 0:37:07 | 0:37:09 | |
Someone's put a plastic bag over that so they can have a smoke. | 0:37:09 | 0:37:12 | |
'Thankfully, the plastic bag that had been intended to disable the fire alarm didn't work.' | 0:37:14 | 0:37:20 | |
If a fire situation doesn't set the alarm off, you get a much bigger fire. | 0:37:20 | 0:37:23 | |
We'd have lost at least the back of the building with that, | 0:37:23 | 0:37:27 | |
because it was developing quite readily. | 0:37:27 | 0:37:30 | |
'The landlord, Arshak, has arrived to find his property full of fire crews, smoke and water. | 0:37:30 | 0:37:36 | |
'But at least it's still standing and nobody has been hurt.' | 0:37:36 | 0:37:40 | |
The shower unit's completely burnt out. And that's where the fire was. | 0:37:41 | 0:37:45 | |
I'd say it's a fault with the shower. | 0:37:45 | 0:37:47 | |
'There's a lot of damage that will have to be put right before the tenant can move back into his flat. | 0:37:47 | 0:37:53 | |
'Shaun explains the situation to the other residents.' | 0:37:53 | 0:37:56 | |
Quite a substantial fire in there. | 0:37:56 | 0:37:59 | |
And it started in the shower unit. | 0:37:59 | 0:38:01 | |
Yeah, he's got an electric shower in there, and that caught fire. | 0:38:01 | 0:38:05 | |
So it's caused quite a bit of damage and a bit of water damage. Do you know who's in the flat underneath? | 0:38:05 | 0:38:10 | |
-Me. -That's you? -Yeah. -We'll need to look and make sure there's not too much water coming through. | 0:38:10 | 0:38:15 | |
'Arshak has a lot of work to do to make the house habitable, | 0:38:15 | 0:38:19 | |
'but he knows things could've been far worse | 0:38:19 | 0:38:21 | |
'and he's taking it all in his stride.' | 0:38:21 | 0:38:24 | |
A fire is always dangerous, yeah. | 0:38:24 | 0:38:26 | |
That's life. Things happen, you know? | 0:38:26 | 0:38:29 | |
Extraordinary, all that damage from a shower fire. | 0:38:37 | 0:38:40 | |
OK, now, some people will do all kinds of bizarre and dangerous stunts for charity. | 0:38:40 | 0:38:44 | |
I've been known to do a few daft things myself. You presume you're going to be safe. | 0:38:44 | 0:38:49 | |
Emergency services are on hand to pick up the pieces when there's a mishap. | 0:38:49 | 0:38:53 | |
Thankfully, this was the case at the International Worthing Birdman Contest. | 0:38:53 | 0:38:57 | |
Welcome, ladies and gentlemen, | 0:38:57 | 0:39:01 | |
to Worthing International Birdman! | 0:39:01 | 0:39:05 | |
'Bizarre as it seems, this is a contest of style and bravery. | 0:39:08 | 0:39:14 | |
'Entrants dress in elaborate costumes, put their trust into wacky flying machines | 0:39:14 | 0:39:18 | |
'and then throw themselves from a height of 50 feet off Worthing Pier.' | 0:39:18 | 0:39:23 | |
'Comedienne Holly Walsh is a first-timer. | 0:39:27 | 0:39:30 | |
'Her flying partner, playing the part of Rambo, | 0:39:30 | 0:39:33 | |
'is a world gravy wrestling champion. | 0:39:33 | 0:39:36 | |
'Yes, you did hear that right. | 0:39:36 | 0:39:38 | |
'Their mock green helicopter launches... | 0:39:38 | 0:39:41 | |
'..and then crash-lands. | 0:39:42 | 0:39:45 | |
'But Holly and Mr Gravy don't come up laughing. | 0:39:46 | 0:39:49 | |
'In fact, it's clear to emergency services almost immediately | 0:39:49 | 0:39:53 | |
'that something is seriously wrong.' | 0:39:53 | 0:39:55 | |
And here are Nick and Karl, who actually attended Holly in that incident. | 0:39:57 | 0:40:01 | |
Now, let's start with Nick, cos you were first to get to her. | 0:40:01 | 0:40:06 | |
-Yeah. -What sort of state was she in? | 0:40:06 | 0:40:09 | |
Well, initially, when she jumped, | 0:40:09 | 0:40:11 | |
we saw that she hadn't come up as quick as we expected. | 0:40:11 | 0:40:14 | |
And then we gave her about five or six seconds before we intervened. | 0:40:14 | 0:40:20 | |
We saw that she hadn't come up and then the rescue craft came in, | 0:40:20 | 0:40:26 | |
-as you see there, and... -Plainly in a lot of discomfort. | 0:40:26 | 0:40:31 | |
Was it obvious to you that she had a serious injury? | 0:40:31 | 0:40:33 | |
Very quickly, it was obvious that she'd done something to her elbow. | 0:40:33 | 0:40:37 | |
-And then you turned up with the lifeboat. -Yep. | 0:40:37 | 0:40:40 | |
And it's a matter now of retrieving. We've seen people rescued from cars and buildings. | 0:40:40 | 0:40:44 | |
What are the differences with rescuing someone from water? | 0:40:44 | 0:40:47 | |
It depends on the situation. Life over limb, really. | 0:40:47 | 0:40:50 | |
If they're in the water, if you don't get them out of the water, | 0:40:50 | 0:40:53 | |
the end result can be a lot worse, drownings, et cetera. | 0:40:53 | 0:40:56 | |
So the idea is, really, get them out comfortably and safely as quickly as you can. | 0:40:56 | 0:41:01 | |
OK, Nick, how did you get her out of the water? Here she's out of the water in a basket stretcher. | 0:41:01 | 0:41:07 | |
-But how did you get her out? -The divers had brought her to the surface | 0:41:07 | 0:41:12 | |
and laid her flat onto the top of the water | 0:41:12 | 0:41:14 | |
and then we manoeuvred the boat in and we just picked her up | 0:41:14 | 0:41:19 | |
very much underneath her in a flat line | 0:41:19 | 0:41:24 | |
with the divers underneath pushing up and we put her onto the side to do treatment. | 0:41:24 | 0:41:29 | |
And you can give her some painkillers, which is the thing at that stage, | 0:41:29 | 0:41:33 | |
cos she had damage to her elbow, dislocated her shoulder, | 0:41:33 | 0:41:36 | |
several fractures. I mean, that's painful. | 0:41:36 | 0:41:38 | |
Initially, she wasn't in a lot of pain, but I think that was the adrenaline that was kicking in. | 0:41:38 | 0:41:44 | |
But certainly, as time went on, | 0:41:44 | 0:41:46 | |
we took a bit of time to get her out of the water and onto the side of the boat. | 0:41:46 | 0:41:50 | |
It's important that you use a soft-bottomed rib here | 0:41:50 | 0:41:54 | |
and we can see why as it comes up onto the beach. | 0:41:54 | 0:41:57 | |
Yeah. The ribs that are already out there are rigid inflatables, they have a hard bottom. | 0:41:57 | 0:42:03 | |
If they hit the beach, they're just not designed to be driven up the beach. | 0:42:03 | 0:42:07 | |
The inshore boats that we have within the RNLI | 0:42:07 | 0:42:10 | |
are specifically designed to provide a sturdy platform and to be driven up the beach | 0:42:10 | 0:42:15 | |
so we can get the casualty up safely and quickly. | 0:42:15 | 0:42:17 | |
You've done an amazing job and Holly sends her thanks. | 0:42:17 | 0:42:20 | |
She's recovering a lot better now thanks to you guys. | 0:42:20 | 0:42:23 | |
-Nice to meet you guys. Thank you very much. -Cheers. | 0:42:23 | 0:42:26 | |
Just a couple of updates before we go today. | 0:42:26 | 0:42:29 | |
Remember that man who was injured while working on a car? | 0:42:29 | 0:42:32 | |
Two crews had to look after him. He's on his way to hospital with them. | 0:42:32 | 0:42:35 | |
And a teenager fallen off a rope swing into water has hurt her hand. | 0:42:35 | 0:42:39 | |
-She's on her way, too. -Happy endings for them. We'll see you for more real rescues soon. -Bye-bye. | 0:42:39 | 0:42:44 | |
Subtitles by Red Bee Media Ltd | 0:42:50 | 0:42:54 | |
E-mail [email protected] | 0:42:54 | 0:42:58 | |
. | 0:42:58 | 0:42:58 |