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Today on Real Rescues, a three-day marathon rescue at sea. | 0:00:02 | 0:00:04 | |
A square-rigged sailing ship is wrecked 150 miles from land when a sudden storm snaps off its masts. | 0:00:04 | 0:00:12 | |
Nearly 50 people, including schoolchildren, are in danger. | 0:00:12 | 0:00:15 | |
And a random act of violence. But it's not just a car that goes up in flames, | 0:00:24 | 0:00:29 | |
a man's independence goes up with it. | 0:00:29 | 0:00:32 | |
It's my husband's way of having some freedom, so I am very coldly angry. | 0:00:32 | 0:00:38 | |
Hello, and welcome to Real Rescues | 0:01:02 | 0:01:04 | |
from this very impressive control room | 0:01:04 | 0:01:06 | |
for the South Western Ambulance service. | 0:01:06 | 0:01:10 | |
Yes, the team here take calls | 0:01:10 | 0:01:12 | |
from a major slice of the South West of England, | 0:01:12 | 0:01:14 | |
and they are busy taking 10,000 calls a month, | 0:01:14 | 0:01:16 | |
not just from people who live here, | 0:01:16 | 0:01:18 | |
but also from the 17.5 million people who visit this area every year. | 0:01:18 | 0:01:23 | |
Over here on my left are lots of the call takers | 0:01:23 | 0:01:26 | |
and with me here behind me is Sam. | 0:01:26 | 0:01:28 | |
She's control officer, she's in charge today. | 0:01:28 | 0:01:31 | |
Hello to the dispatchers and schedulers! Morning, everyone. | 0:01:31 | 0:01:35 | |
Morning. | 0:01:35 | 0:01:36 | |
Those that can speak are speaking, those that can't, obviously getting on with their calls. | 0:01:36 | 0:01:40 | |
This is the team that gets ambulances to the right places in the shortest possible time. | 0:01:40 | 0:01:45 | |
And of course when they're busy on a call, we won't be disturbing them. | 0:01:45 | 0:01:50 | |
Now, Real Rescues features all of the UK's emergency services, | 0:01:50 | 0:01:54 | |
in the air, on land and, for this next rescue, at sea. | 0:01:54 | 0:01:58 | |
The tall ship Fryderyk Chopin is dead in the water | 0:01:58 | 0:02:01 | |
after a freak storm has snapped two of her masts. | 0:02:01 | 0:02:03 | |
Her rigging is dragging in the sea and she needs help fast. | 0:02:03 | 0:02:07 | |
Nearly 50 lives are at stake, many of them Polish schoolchildren. | 0:02:07 | 0:02:10 | |
It's going to take real determination and skill | 0:02:10 | 0:02:13 | |
from the tiniest ship in the area to bring her to safety. | 0:02:13 | 0:02:17 | |
A battered and broken square-rigger is drifting helplessly in the Atlantic. | 0:02:20 | 0:02:25 | |
It looks like a scene out of the history books... | 0:02:26 | 0:02:28 | |
..but this is a modern-day emergency and it's happening 100 miles off the Isles of Scilly. | 0:02:29 | 0:02:35 | |
Onboard the tall ship the Fryderyk Chopin are 47 people, | 0:02:36 | 0:02:40 | |
most of them young Polish teenaged sea cadets. | 0:02:40 | 0:02:44 | |
In charge is Captain Baranski. | 0:02:44 | 0:02:47 | |
His ship's foremast is smashed after a freak gust. | 0:02:47 | 0:02:51 | |
The main mast is broken too. He's run out of options. | 0:02:51 | 0:02:55 | |
He maydays Falmouth Coastguard. | 0:02:55 | 0:02:57 | |
Teacher Martin Tyfa felt something ominous and dashed up on deck. | 0:03:29 | 0:03:34 | |
Well, I just felt | 0:03:34 | 0:03:35 | |
a very unusual vibration of the whole hull. | 0:03:35 | 0:03:39 | |
And then the first mate appeared and said that the foremast is down. | 0:03:39 | 0:03:43 | |
So, within seconds, we were on the deck, | 0:03:43 | 0:03:46 | |
and the scene was, you know, unbelievable. | 0:03:46 | 0:03:49 | |
It was a nightmare, you know. | 0:03:49 | 0:03:51 | |
There's danger from above and below. | 0:03:53 | 0:03:56 | |
One broken mast is dangling loose over the deck. | 0:03:56 | 0:03:59 | |
The other is in the water, dragging against the hull. | 0:03:59 | 0:04:03 | |
There was some danger that the hull can be damaged, | 0:04:03 | 0:04:09 | |
and also then it would be a disaster because the ship could sink. | 0:04:09 | 0:04:13 | |
The Coast Guard knows this ship is dead in the water. | 0:04:15 | 0:04:18 | |
47 people are onboard and a long way from land, | 0:04:18 | 0:04:22 | |
too far away and too many people to attempt an air-sea rescue. | 0:04:22 | 0:04:27 | |
The Fryderyk Chopin is here, 100 miles away from the Isles of Scilly. | 0:04:27 | 0:04:31 | |
It's on the extreme of our search-and-rescue facilities range. | 0:04:31 | 0:04:34 | |
We've got a helicopter base here at Culdrose. | 0:04:34 | 0:04:37 | |
They came to forward readiness | 0:04:37 | 0:04:38 | |
and refuelled on the Isles of Scilly in the event of the situation deteriorating. | 0:04:38 | 0:04:43 | |
But apart from that we're relying on merchant shipping, | 0:04:43 | 0:04:46 | |
any other ship that's able to help us in the area. | 0:04:46 | 0:04:49 | |
The rescue will have to be by sea. | 0:04:50 | 0:04:52 | |
The St Mary's lifeboat from the Isles of Scilly is launched | 0:04:52 | 0:04:55 | |
as the Coast Guards use their satellite technology | 0:04:55 | 0:04:58 | |
to identify and contact nearby shipping. | 0:04:58 | 0:05:01 | |
Back onboard the Fryderyk Chopin, all thoughts are for the safety of the children. | 0:05:02 | 0:05:07 | |
If something happened to them, it would be a disaster. | 0:05:07 | 0:05:10 | |
So they were ordered to go down and they obeyed this rule, | 0:05:10 | 0:05:14 | |
the first time without any argument. | 0:05:14 | 0:05:18 | |
All Captain Baranski can do is make his broken ship as safe as possible. | 0:05:18 | 0:05:22 | |
One of the crew is sent up to secure the remains of the mast. | 0:05:22 | 0:05:26 | |
Of course there was some danger, | 0:05:26 | 0:05:28 | |
but, you know, but it was a risk which should be taken. | 0:05:28 | 0:05:33 | |
Back at Falmouth, merchant ships and fishermen are replying to the mayday. | 0:05:35 | 0:05:41 | |
We rapidly got information back from ships who were obeying the sort of unwritten rule of the sea... | 0:05:41 | 0:05:45 | |
if they're in a position to be able to assist, they will divert from their own crossing, their own passage | 0:05:45 | 0:05:51 | |
to be able to go and help. | 0:05:51 | 0:05:53 | |
The Chopin is not alone. Four vessels are in the area, | 0:05:53 | 0:05:57 | |
two large tankers, a French fishing trawler and, from Cornwall, the smallest of them all, | 0:05:57 | 0:06:02 | |
the trawler the Nova Spero. | 0:06:02 | 0:06:04 | |
Mayday is "Come and help me. We're in big trouble." So that's what we did. | 0:06:06 | 0:06:10 | |
The Nova Spero is just 40 miles away, | 0:06:11 | 0:06:13 | |
but she's sailing into gale-force winds. It could take her six hours to get there. | 0:06:13 | 0:06:18 | |
Back onboard the crippled Chopin, the captain's decided to keep all his passengers on the ship. | 0:06:18 | 0:06:25 | |
To take somebody from the ship by helicopter, for example, | 0:06:25 | 0:06:30 | |
with waves of 6 or 7 metres, certainly some accident would happen. | 0:06:30 | 0:06:36 | |
So my decision was that they should stay onboard, | 0:06:36 | 0:06:39 | |
and that they should be taken to the nearest harbour. | 0:06:39 | 0:06:44 | |
The crew know the only way they can get to shore is under tow, | 0:06:44 | 0:06:48 | |
but Falmouth is 150 miles away. | 0:06:48 | 0:06:51 | |
Help is now visible on the horizon. | 0:06:51 | 0:06:53 | |
The container ship, the MSC Nerissa has arrived, | 0:06:53 | 0:06:57 | |
but connecting the two ships by a tow rope is to prove unsuccessful. | 0:06:57 | 0:07:02 | |
We were facing the situation | 0:07:02 | 0:07:04 | |
where the two merchant ships that had arrived on scene | 0:07:04 | 0:07:07 | |
had said that they were too big to be able to effectively make the tow, | 0:07:07 | 0:07:11 | |
to be able to pass the rope across and to be able to conduct it. | 0:07:11 | 0:07:14 | |
A French fishing vessel arrived on scene as well | 0:07:14 | 0:07:16 | |
and he attempted to establish a tow as well and he couldn't do it. | 0:07:16 | 0:07:20 | |
It's now up to the little Cornish fishing vessel the Nova Spero | 0:07:20 | 0:07:24 | |
to pull off this mighty and lengthy rescue, | 0:07:24 | 0:07:27 | |
but she's already been battling through strong winds for more than five hours, | 0:07:27 | 0:07:31 | |
and still isn't on the scene. | 0:07:31 | 0:07:33 | |
And we'll see later how the crew of the tiny Nova Spero | 0:07:34 | 0:07:37 | |
put themselves at great risk in an attempt to attach a tow line. | 0:07:37 | 0:07:40 | |
-I want to speak to Caroline here who's a paramedic, also clinical supervisor. You OK to talk? -Yeah. | 0:07:40 | 0:07:46 | |
You were called to a man who'd been crushed by a huge church bell. What had happened? | 0:07:46 | 0:07:51 | |
He was just doing maintenance work on an upturned bell, | 0:07:51 | 0:07:54 | |
and, one way or another, it managed to fall on him, | 0:07:54 | 0:07:57 | |
-and crush his pelvis. -And he was pretty badly injured, was he? -Yeah. | 0:07:57 | 0:08:01 | |
He was severely injured. He had a fractured pelvis and he was bleeding internally. | 0:08:01 | 0:08:05 | |
What do you do in that sort of situation? What's your priority? | 0:08:05 | 0:08:08 | |
The priority was to get him out, | 0:08:08 | 0:08:09 | |
but, obviously, because he was in the bell tower, we had to get him down a spiral staircase, | 0:08:09 | 0:08:13 | |
so we had to get specialist fire crews in to help us with that. | 0:08:13 | 0:08:16 | |
-Which was a pretty tricky operation, was it? -Yeah, it was. | 0:08:16 | 0:08:19 | |
And then at the bottom of the staircase we then had to lower him into the main church | 0:08:19 | 0:08:23 | |
-and get him out that way. -And how on earth did they do that, then? | 0:08:23 | 0:08:26 | |
They just sort of abseiled him off of the side into the main church building. | 0:08:26 | 0:08:30 | |
What an extraordinary story. And tell me, is he OK, the man? Because he was really badly injured. | 0:08:30 | 0:08:34 | |
Yeah, he's made a full recovery, but it was a very long process, so... | 0:08:34 | 0:08:38 | |
-Caroline, thank you very much. -All right. Thank you. -Nick? | 0:08:38 | 0:08:42 | |
There are places not to have accidents, and up a bell tower is obviously one of them! | 0:08:42 | 0:08:45 | |
Now, when police officer Jo Funnell collapses with chest pains, it's a fire-fighter who comes to her aid. | 0:08:45 | 0:08:50 | |
And he happens to be her husband, Martin. | 0:08:50 | 0:08:52 | |
It's thanks to his professionalism that he stays so calm. | 0:08:52 | 0:08:55 | |
This is the emergency call he made. | 0:08:55 | 0:08:57 | |
Now, this is Martin who you could actually hear in that call. | 0:10:13 | 0:10:17 | |
I have to say you were incredibly calm. Most people who have a partner that ill, | 0:10:17 | 0:10:21 | |
are going berserk on the phone. | 0:10:21 | 0:10:23 | |
I think I just went into automatic mode. | 0:10:23 | 0:10:26 | |
I was so shocked and surprised first of all | 0:10:26 | 0:10:28 | |
-that Jo had actually become so ill so quickly. -No sign of it, then? | 0:10:28 | 0:10:31 | |
-No lead up to it? -Nothing, totally unexpected, | 0:10:31 | 0:10:34 | |
and I think all the training... everything I'd done in the years of being in the fire service | 0:10:34 | 0:10:39 | |
just suddenly kicked in and it didn't really matter that it was Jo, | 0:10:39 | 0:10:43 | |
it was just a case of making sure everything was done to ensure she was...do the best I could for her. | 0:10:43 | 0:10:48 | |
And so were you performing CPR or something at that stage | 0:10:48 | 0:10:51 | |
or were you literally just looking for advice? | 0:10:51 | 0:10:54 | |
I was listening to the advice given by the call operator, | 0:10:54 | 0:10:58 | |
I was preparing myself to do CPR, | 0:10:58 | 0:11:01 | |
and to be honest that was when it first kicked in that it was Jo that was lying on the floor. | 0:11:01 | 0:11:05 | |
Extraordinary! Martin was determined to keep calm | 0:11:05 | 0:11:08 | |
as his 12-year-old son Josh was beginning to get very upset. | 0:11:08 | 0:11:11 | |
It was the best strategy as Jo was in pain and her condition was about to become critical. | 0:11:11 | 0:11:14 | |
Let's go back to the call. | 0:11:14 | 0:11:16 | |
Tony Gilbert was in the ambulance that arrived there. | 0:12:50 | 0:12:54 | |
How obvious was it that it was a heart-attack situation? | 0:12:54 | 0:12:57 | |
It was very obvious. My colleague Richard | 0:12:57 | 0:12:59 | |
who had arrived on scene first of all handed over to us | 0:12:59 | 0:13:01 | |
that Jo was presenting | 0:13:01 | 0:13:03 | |
-with obvious signs of having a heart attack. -How do you know what those signs are, briefly? | 0:13:03 | 0:13:08 | |
It varies from person to person, | 0:13:08 | 0:13:10 | |
but people will get some central chest pain which may radiate into their arm or into their neck, | 0:13:10 | 0:13:14 | |
-and they'll feel very, very unwell quite quickly. -Yeah. | 0:13:14 | 0:13:18 | |
But if they want to know more about the signs and symptoms, best to go to the British Heart Foundation website | 0:13:18 | 0:13:22 | |
and have a look. They've got some excellent information. | 0:13:22 | 0:13:24 | |
-Once you got her into the ambulance, it actually became even more serious, didn't it? -That's right. | 0:13:24 | 0:13:28 | |
We wanted to get Jo into the ambulance to give her some pain relief, | 0:13:28 | 0:13:31 | |
cos she was in a lot of distress, and, unfortunately, within a few minutes of being on the ambulance, | 0:13:31 | 0:13:35 | |
she suffered the first of two cardiac arrests that she had whilst she was with us. | 0:13:35 | 0:13:39 | |
Two in the ambulance? And what was it that caused it? | 0:13:39 | 0:13:41 | |
The heart attack itself would have caused the cardiac arrest. | 0:13:41 | 0:13:45 | |
-And it was a blood clot that caused the heart attack? -That's right. | 0:13:45 | 0:13:47 | |
A blood clot in the heart will lead to electrical activity not doing what it's supposed to do in the heart, | 0:13:47 | 0:13:53 | |
-and that will lead to a cardiac arrest. -All right. Thank you very much. | 0:13:53 | 0:13:56 | |
You might like to know that Jo did very well, well enough in fact that she can join us here. | 0:13:56 | 0:14:01 | |
-You're looking very well, Jo! -Thank you very much. -And this is Josh who you heard about as well. | 0:14:01 | 0:14:05 | |
-Because Josh was obviously... Very frightening for you, I should imagine, Josh. -It was. | 0:14:05 | 0:14:10 | |
But I knew what was happening, | 0:14:10 | 0:14:12 | |
and I knew that the professionals were on their way to help, | 0:14:12 | 0:14:16 | |
-and they did well to keep my mum alive. -Jo, listening to that, are you a bit miffed that he was so calm? | 0:14:16 | 0:14:20 | |
Sounds like he'd gone off to make a cup of coffee! | 0:14:21 | 0:14:23 | |
He's incredibly calm! | 0:14:23 | 0:14:25 | |
Having been a former police officer yourself, | 0:14:25 | 0:14:27 | |
you know that calm is really important in those situations. | 0:14:27 | 0:14:30 | |
That's right, yeah. | 0:14:30 | 0:14:32 | |
We both had to remain calm, really, just to get through it, I think. | 0:14:32 | 0:14:36 | |
-Very terrifying. -Very, very terrifying. -How are you feeling at the moment? -Fine. -Really? -Yes. | 0:14:36 | 0:14:41 | |
Were you impressed with the doctors and everybody that was involved? | 0:14:41 | 0:14:44 | |
Yeah...it's, like... | 0:14:44 | 0:14:45 | |
the NHS certainly is sort of one of the best services that you can get in this country, I'd say. | 0:14:45 | 0:14:53 | |
-Fancy being a doctor? -Definitely. -Really? Really you do? -Yeah. | 0:14:53 | 0:14:56 | |
I'd love to be a cardiologist when I'm older, so... | 0:14:56 | 0:14:59 | |
Well, that's fantastic, isn't it? | 0:14:59 | 0:15:01 | |
So...listen... presumably you were amazed yourself, | 0:15:01 | 0:15:05 | |
having been so often at an accident or a situation as a professional, | 0:15:05 | 0:15:09 | |
to be in that situation and watch people move around you? | 0:15:09 | 0:15:11 | |
It's...I work with the ambulance service and the other emergency services almost on a daily basis, | 0:15:11 | 0:15:18 | |
but to actually have them in your own front room, doing what they do best, and showing... | 0:15:18 | 0:15:24 | |
We hear a lot of complaints about the NHS and what's good and what's bad about it, | 0:15:24 | 0:15:29 | |
but I can't thank the lads enough and the whole of the NHS for the way that they performed | 0:15:29 | 0:15:35 | |
and brought Jo back to where she is now. | 0:15:35 | 0:15:38 | |
Lovely! It's great to see you, great to see you looking so well. | 0:15:38 | 0:15:41 | |
-Hell of a job you've got, isn't it? -It certainly is! -Thank you very much for doing it. | 0:15:41 | 0:15:44 | |
-Thank you, everybody. -Thank you. | 0:15:44 | 0:15:46 | |
Still to come on Real Rescues... | 0:15:48 | 0:15:50 | |
we'd all be upset if our car went up in flames, | 0:15:50 | 0:15:53 | |
but what if it's ruined your car and wrecked your husband's life as well? | 0:15:53 | 0:15:57 | |
I've now got a husband who's housebound thanks to whoever this person was. | 0:15:57 | 0:16:01 | |
There's nothing dumb about this dummy. | 0:16:01 | 0:16:03 | |
Meet Simulation or Sim Man - the medical training device which talks! | 0:16:03 | 0:16:09 | |
Hello. | 0:16:09 | 0:16:10 | |
Is anybody there? | 0:16:10 | 0:16:12 | |
Come and help me! I'm not feeling very well. | 0:16:12 | 0:16:16 | |
Today we are following one of the longest rescues we've seen at sea. | 0:16:18 | 0:16:22 | |
The Fryderyk Chopin is a sail-training ship with 36 Polish students aboard, | 0:16:22 | 0:16:27 | |
but today one of the world's most exciting classrooms is stricken in gale-force winds. | 0:16:27 | 0:16:33 | |
She's too far from land for an air-sea rescue | 0:16:33 | 0:16:36 | |
and it's up to a small fishing boat to save her. | 0:16:36 | 0:16:39 | |
It's getting late on a Friday afternoon. | 0:16:40 | 0:16:43 | |
The tall ship the Fryderyk Chopin has been drifting helplessly since 8am. | 0:16:43 | 0:16:48 | |
47 people are onboard and their only hope of getting safely to shore is under tow. | 0:16:48 | 0:16:54 | |
Three ships have failed to get a tow line onboard. | 0:16:54 | 0:16:58 | |
All hope rests with the Cornish trawler the Nova Spero. | 0:16:58 | 0:17:02 | |
The wind is coming up from this direction | 0:17:02 | 0:17:04 | |
and the Nova Spero is beating into the very, very heavy weather, | 0:17:04 | 0:17:07 | |
and it takes it 6 hours to do that 40 miles to get itself on scene. | 0:17:07 | 0:17:11 | |
As a father himself, the skipper's thoughts are for the children onboard. | 0:17:12 | 0:17:16 | |
I knew there was 47 people onboard. | 0:17:16 | 0:17:20 | |
I knew that there was 36 students. | 0:17:20 | 0:17:23 | |
I thought, "Well, my daughter's only 18 months younger than a lot of them onboard, you know." | 0:17:23 | 0:17:28 | |
It must be quite frightening at times, I would have thought. | 0:17:28 | 0:17:32 | |
The number-one objective was to get them to Falmouth safe and sound. | 0:17:32 | 0:17:34 | |
At last, after six hours of heavy sailing, they've made it. | 0:17:35 | 0:17:39 | |
The square-rigger is finally in their sights. | 0:17:39 | 0:17:42 | |
She was a mess, you know, a beautiful twin-masted sail-training vessel, | 0:17:42 | 0:17:47 | |
but she looked a mess. | 0:17:47 | 0:17:49 | |
I assessed the situation. Out of the four vessels there, I knew we was the best option she had, | 0:17:49 | 0:17:55 | |
provided we could get a rope on to her before dark. | 0:17:55 | 0:17:58 | |
With only an hour of daylight left, Shaun and his crew have to work fast. | 0:18:00 | 0:18:06 | |
They can't do it alone. | 0:18:06 | 0:18:09 | |
There was fantastic cooperation on scene between all the vessels. | 0:18:09 | 0:18:12 | |
The French fishing vessel helped the Nova Spero, | 0:18:12 | 0:18:14 | |
the Overseas Andromar gave its tow line... | 0:18:14 | 0:18:17 | |
The Fryderyk Chopin is being sheltered from the worst of the weather | 0:18:17 | 0:18:20 | |
by one of the container ships. | 0:18:20 | 0:18:22 | |
The conditions are hazardous. | 0:18:22 | 0:18:24 | |
One gust could slam the trawler against the tall ship with devastating consequences. | 0:18:24 | 0:18:30 | |
Us being a timber boat, if we got picked up and thrown on to her, | 0:18:30 | 0:18:34 | |
we would have smashed...you know, we'd have had pretty severe damage to our own vessel. | 0:18:34 | 0:18:38 | |
It takes great seamanship and commitment. | 0:18:38 | 0:18:41 | |
Neither is in question as they attempt to attach the tow line. | 0:18:41 | 0:18:45 | |
We came downwind... | 0:18:45 | 0:18:47 | |
close... | 0:18:47 | 0:18:49 | |
sometimes too close, | 0:18:49 | 0:18:51 | |
but the lads did a fantastic job, you know, it went well... | 0:18:51 | 0:18:55 | |
It went as well as it could have gone. | 0:18:55 | 0:18:57 | |
The lifeline can now be clearly seen running between the Fryderyk Chopin and its tiny saviour. | 0:18:57 | 0:19:03 | |
We've got four people onboard the fishing boat who have sort of taken the time, the effort and commitment | 0:19:03 | 0:19:10 | |
to try and tow this vessel 100, 150 miles back to the mainland. | 0:19:10 | 0:19:15 | |
It's a very difficult operation, and for the captain onboard | 0:19:15 | 0:19:17 | |
who's then having to deal with the situation | 0:19:17 | 0:19:20 | |
where he's taken sort of tacit responsibility | 0:19:20 | 0:19:22 | |
for the lives of everybody who he's now got on the end of the tow rope behind him. | 0:19:22 | 0:19:26 | |
She was a big, big ship to tow. | 0:19:28 | 0:19:30 | |
Yes, I looked at the lads... | 0:19:30 | 0:19:33 | |
you know, she's a big lump of boat. | 0:19:33 | 0:19:35 | |
It's taken a day to get a rescue ship and a tow line attached. | 0:19:35 | 0:19:38 | |
The Nova Spero is now hauling its mighty load through the large swell, | 0:19:38 | 0:19:43 | |
but everyone knows just how difficult a task this is and how far they still have to go. | 0:19:43 | 0:19:49 | |
The danger isn't cleared at any point. Yes, they're on a tow line, | 0:19:49 | 0:19:52 | |
but they've still got masts, rigging, wires, bits of metal poking out on the ship, | 0:19:52 | 0:19:57 | |
they're towing this ship through the night and with a forecast of increasingly poor conditions as well. | 0:19:57 | 0:20:03 | |
As day becomes night, the rescue mission continues. | 0:20:03 | 0:20:07 | |
Below decks, the children are preparing for a rough night in worsening weather. | 0:20:07 | 0:20:12 | |
Dry land may be more than a day away. | 0:20:12 | 0:20:15 | |
I couldn't sleep, and everyone wasn't able to sleep, | 0:20:15 | 0:20:20 | |
because how can you sleep? You have to be on standby every minute. | 0:20:20 | 0:20:24 | |
We have our jackets on, so we didn't even go to our beds, | 0:20:24 | 0:20:29 | |
we were just lying in the gangway, in the corridor. | 0:20:29 | 0:20:32 | |
The convoy creeps on through the dark night and choppy seas. | 0:20:33 | 0:20:37 | |
If the ship needs evacuating, it will be up to the RNLI volunteer lifeboat crew to come to the rescue. | 0:20:37 | 0:20:44 | |
Land is 90 miles away. | 0:20:44 | 0:20:47 | |
The little trawler can only manage speeds of a few knots. | 0:20:47 | 0:20:51 | |
It's going to be one of the longest rescues from these waters. | 0:20:51 | 0:20:55 | |
Well, skipper Shaun knew nothing of what was going on behind the scenes during the rescue. | 0:20:56 | 0:21:01 | |
The British and Polish Prime Ministers have spoken on the phone. | 0:21:01 | 0:21:04 | |
And over in Poland the whole nation is watching each move Shaun makes. | 0:21:04 | 0:21:09 | |
We've already heard on the programme how an ambulance crew saved a woman | 0:21:12 | 0:21:15 | |
after she had not one but two heart attacks. | 0:21:15 | 0:21:18 | |
Obviously, the teams here can't train for that on real people, so they have Mr Simulation Man. | 0:21:18 | 0:21:23 | |
-Hello, Sim Man, how are you? -Good morning. Not too good. | 0:21:23 | 0:21:26 | |
-Rob, I think he's going to need some help from you. -Good morning. | 0:21:26 | 0:21:29 | |
-I think I recognise you. -Me? -Aren't you the lady off the TV? | 0:21:29 | 0:21:33 | |
Yes, but I'm a bit more concerned about you. What's your name? | 0:21:33 | 0:21:36 | |
I feel a lot better now. | 0:21:36 | 0:21:37 | |
My name's Phil. | 0:21:37 | 0:21:39 | |
He's incredibly realistic, Rob. This is how you train people, isn't it? | 0:21:39 | 0:21:43 | |
-It is, and we've got to make it as real as we can for our staff and students. -Yeah. | 0:21:43 | 0:21:46 | |
Obviously, as you say, you can't practise on a real person. | 0:21:46 | 0:21:49 | |
-Yeah. -So we use a plastic person that they can stick needles in | 0:21:49 | 0:21:53 | |
-and he always dies! -He frightened me when I touched him. He seemed to groan. | 0:21:53 | 0:21:57 | |
So you can see his chest... He's also got a pulse as well, hasn't he? | 0:21:57 | 0:22:00 | |
Yes, pulse is from the wrist. | 0:22:00 | 0:22:02 | |
-We can do the brachial pulses, we can do BPs... -Yeah. | 0:22:02 | 0:22:06 | |
Er...carotid pulses, we can listen to the chest, listen to the heart, listen to the abdomen... | 0:22:06 | 0:22:11 | |
-so as real as we can. -A really clever piece of kit. | 0:22:11 | 0:22:14 | |
He can also have various things happen to him like anaphylactic shock, for example, can't he? | 0:22:14 | 0:22:18 | |
Yeah, just one of the conditions we can set, | 0:22:18 | 0:22:21 | |
and, you know, his tongue can swell. | 0:22:21 | 0:22:24 | |
OK. Phil, how are you feeling now? | 0:22:24 | 0:22:27 | |
-I'm not too good. My tongue and throat are really hurting, they're swelling. -OK. | 0:22:27 | 0:22:33 | |
We can get the tutor who's running Phil to actually give information over the other speakers. | 0:22:33 | 0:22:39 | |
OK, so what's going on here? If he was in anaphylactic shock... | 0:22:39 | 0:22:42 | |
Oh, I can see. His tongue is actually swelling, isn't it? | 0:22:42 | 0:22:44 | |
So that would make it difficult. | 0:22:44 | 0:22:46 | |
-Other things as well, for example, cardiac arrest. -Yeah, we can make the cardiac arrest happen. -Mm-hm. | 0:22:46 | 0:22:51 | |
And most students that come in think he's going to have a cardiac arrest anyway, | 0:22:51 | 0:22:54 | |
-cos that's what Sim Man's designed for. -I can see his chest isn't moving now, | 0:22:54 | 0:22:59 | |
-so does that mean he's in trouble? -It's probably not good and he's gone quiet. | 0:22:59 | 0:23:02 | |
-OK, shall I leave you to sort that out? -Thank you very much. | 0:23:02 | 0:23:04 | |
-Thank you. -Phil, Phil, can you hear me? -So I'll leave Rob... This is clearly a training situation. | 0:23:04 | 0:23:09 | |
The person who's training him is Phil who's in here, and Phil's got the controls of everything. | 0:23:09 | 0:23:13 | |
-No breathing, no pulse. -OK, so that's what we know is wrong with him. | 0:23:13 | 0:23:18 | |
And, Phil, you can monitor it literally here on the screen, can't you, what Rob is doing. | 0:23:18 | 0:23:22 | |
You can actually record the actual interventions. | 0:23:22 | 0:23:25 | |
And you can see he's starting chest compressions and there it is on your screen. | 0:23:25 | 0:23:28 | |
And we can actually sort of critique afterwards by sort of reviewing the videos | 0:23:28 | 0:23:33 | |
-as to how well Rob has performed. -How's he doing? | 0:23:33 | 0:23:37 | |
-He's doing OK at the moment. Fingers crossed for the patient. -OK. | 0:23:37 | 0:23:41 | |
And you can also see the air going into the lungs. Shall we have a look there? | 0:23:41 | 0:23:44 | |
Yeah, as Rob inflates the lungs with the bag valve mask, | 0:23:44 | 0:23:47 | |
it should pick up the inflations in the lungs, | 0:23:47 | 0:23:50 | |
and when he starts chest compressions, again the indication comes on to the monitor. | 0:23:50 | 0:23:57 | |
-The indication being that little red spot? -The little red spot in the chest. | 0:23:57 | 0:24:00 | |
That actually records start time and stop time as well as the compressions, | 0:24:00 | 0:24:05 | |
and you can actually sort of... | 0:24:05 | 0:24:06 | |
as the paramedic or student | 0:24:06 | 0:24:08 | |
or staff actually sort of performs an intervention, | 0:24:08 | 0:24:12 | |
you can actually record that | 0:24:12 | 0:24:13 | |
-on the system. -And look back at it afterwards. How useful is this? | 0:24:13 | 0:24:17 | |
It's a good tool, because it's good that you can actually sort of... real-time situations... | 0:24:17 | 0:24:22 | |
-But not a real person. -Not a real person, yeah. -Thank you very much. | 0:24:22 | 0:24:25 | |
I'm going to leave Sim Man. He clearly needs a lot of work done on him. He's having a bad day. | 0:24:25 | 0:24:31 | |
Every week in this country 1,400 cars are damaged or destroyed by arson. | 0:24:33 | 0:24:37 | |
It's an amazing figure. We were shocked ourselves. | 0:24:37 | 0:24:39 | |
In this rescue, fire-fighters are racing, not just to save one car, but a whole street. | 0:24:39 | 0:24:45 | |
It's early evening, Green Watch are tearing through the streets of Southampton. | 0:24:49 | 0:24:52 | |
A car's alight and reports are the fire's spreading along the road. | 0:24:54 | 0:24:58 | |
Straight on, mate. Hairpin to the left. | 0:24:58 | 0:25:02 | |
Watch manager Sean Foster catches first sight of the flames as they turn the last corner. | 0:25:02 | 0:25:07 | |
Yeah, it's going quite well. | 0:25:07 | 0:25:09 | |
GH 54 Whisky Lima, over. | 0:25:10 | 0:25:13 | |
GH 54 Whisky Lima, in attendance. Car well alight. Over. | 0:25:13 | 0:25:17 | |
The car is burning fiercely. | 0:25:20 | 0:25:22 | |
To make matters worse, a line of burning fuel is running down the road. | 0:25:22 | 0:25:26 | |
It's already reached the car parked behind. | 0:25:27 | 0:25:30 | |
Flames are licking at its tyres. | 0:25:30 | 0:25:32 | |
-We've got petrol dripping down there. -I'll have a look. | 0:25:32 | 0:25:35 | |
An entire street of vehicles is at risk. | 0:25:35 | 0:25:38 | |
Close on Sean's heels is Paul Beckett. He's got the hose ready to use. | 0:25:40 | 0:25:45 | |
Do you want me to take it? | 0:25:45 | 0:25:46 | |
Yeah, let's... Let me have it, Paul. | 0:25:46 | 0:25:49 | |
-Have I got water on? -Yeah. | 0:25:49 | 0:25:51 | |
It's rare for an incident commander to tackle flames himself, | 0:25:55 | 0:25:59 | |
but the car was seconds from flaring up. | 0:25:59 | 0:26:02 | |
Now he's kitted up in breathing apparatus, Paul Shepherd can take over. | 0:26:07 | 0:26:11 | |
It's a running-fuel fire. Put it out, mate. | 0:26:11 | 0:26:13 | |
He and Richie Green get in closer to tackle the main fire. | 0:26:16 | 0:26:19 | |
Within seconds, they've started to knock it back. | 0:26:28 | 0:26:31 | |
The owners are still unaware of what's been going on. | 0:26:37 | 0:26:40 | |
The local police officer is here and has briefed Sean. | 0:26:40 | 0:26:44 | |
It looks unlikely that this was an accident. | 0:26:44 | 0:26:47 | |
ROAR OF HELICOPTER | 0:26:47 | 0:26:48 | |
You can probably hear the noise. | 0:26:48 | 0:26:50 | |
The noise is from the police helicopter that's out searching for suspects. | 0:26:50 | 0:26:54 | |
The police seem to think that they deliberately set light to this car. | 0:26:54 | 0:26:57 | |
The police suspect arson. The Neighbourhood Watch have been on alert | 0:26:57 | 0:27:00 | |
after a spare of burglaries in the area. | 0:27:00 | 0:27:04 | |
A member of the public phoned up and said she saw two males | 0:27:04 | 0:27:06 | |
that weren't really in keeping with the area. | 0:27:06 | 0:27:09 | |
She challenged them and then they made off. | 0:27:09 | 0:27:12 | |
Then shortly afterwards this vehicle fire came in, | 0:27:12 | 0:27:15 | |
so, possibly, two and two maybe making five, but we're looking for two males. | 0:27:15 | 0:27:20 | |
Obviously, they've got an overall view of the area with their night vision, | 0:27:20 | 0:27:24 | |
so fingers crossed. | 0:27:24 | 0:27:26 | |
The worst of the fire is out, but there are still flames underneath the bonnet. | 0:27:29 | 0:27:34 | |
Richie Green rips it open with a wrecking tool. | 0:27:34 | 0:27:37 | |
As they douse the last of the hot spots, the owner of the car parked behind | 0:27:43 | 0:27:46 | |
has arrived to check out any damage. | 0:27:46 | 0:27:49 | |
When I arrived, I could see flames licking up around here. Your front tyre's gone by the look... | 0:27:49 | 0:27:53 | |
-No, it hasn't! -No, it's all right. | 0:27:53 | 0:27:56 | |
-You've got a bit of bubbling. -That's not an issue. | 0:27:59 | 0:28:03 | |
A bit there. | 0:28:03 | 0:28:05 | |
You're lucky. I thought the tyre had gone as well. | 0:28:05 | 0:28:08 | |
-You hit it the second you got there. -Yeah. | 0:28:08 | 0:28:11 | |
This man was lucky. Sean's quick action has saved his vehicle, | 0:28:11 | 0:28:14 | |
but the driver of the car at the centre of the fire has yet to find out. | 0:28:14 | 0:28:18 | |
It's more than a car that's gone up in smoke here, it's a man's independence. | 0:28:18 | 0:28:23 | |
Sean's next job is to investigate how it all started and gather evidence. | 0:28:24 | 0:28:29 | |
Yes, there are further repercussions from this car fire | 0:28:29 | 0:28:32 | |
and the owners are understandably furious with good reason. | 0:28:32 | 0:28:36 | |
We'll meet them later. Louise. | 0:28:36 | 0:28:38 | |
Thank you very much. I've just been talking to Elaine. You're a nurse here. | 0:28:38 | 0:28:41 | |
-You give medical backup to the call-takers here. -That's right. | 0:28:41 | 0:28:44 | |
Sometimes you talk to patients as well. | 0:28:44 | 0:28:46 | |
-I know that when you're off-duty, you're not actually off-duty, are you? -No, I've had a few. | 0:28:46 | 0:28:51 | |
OK. Incidents on planes, particularly. Tell me about a little girl who had an earache. | 0:28:51 | 0:28:55 | |
We had a little girl on the plane who was very distressed, | 0:28:55 | 0:28:57 | |
crying a lot, her mum was at the end of her tether. | 0:28:57 | 0:29:01 | |
And she happened to be quite close to me, so I offered my support. | 0:29:01 | 0:29:04 | |
It was quite clear to me that she seemed to have pain in her ear, | 0:29:04 | 0:29:08 | |
cos she was holding the side of her head. | 0:29:08 | 0:29:11 | |
So I quickly guessed that it was probably something to do with the altitude, | 0:29:11 | 0:29:14 | |
so we just got her a drink, she drank it through a straw and swallowing helped to relieve the pressure. | 0:29:14 | 0:29:19 | |
And when you hear that call, "Is there a doctor, is there a nurse on the plane?" | 0:29:19 | 0:29:23 | |
your heart must stop, but you respond to those, don't you? | 0:29:23 | 0:29:26 | |
Of course, yeah, absolutely. | 0:29:26 | 0:29:27 | |
First of all you might get, "Is there a doctor?" and then you just wait, because... | 0:29:27 | 0:29:31 | |
-And you had one really important one, didn't you? -Absolutely, yeah, there was no doctor on the plane, | 0:29:31 | 0:29:36 | |
so I went down to see if I could assist on the call, | 0:29:36 | 0:29:40 | |
and I immediately saw a gentleman who was quite poorly. | 0:29:40 | 0:29:44 | |
He was quite grey, he was cold, sweaty, and not really responsive at all. | 0:29:44 | 0:29:50 | |
So I sat down next to him and just spoke to him and tried to reassure him. | 0:29:50 | 0:29:54 | |
He couldn't really speak and there was an obvious weakness on one side, | 0:29:54 | 0:29:58 | |
so I began to suspect that he might have been having a stroke, OK? | 0:29:58 | 0:30:02 | |
But I sat with him for a while and slowly he started to recover, | 0:30:02 | 0:30:06 | |
and as I started to feel more relaxed, | 0:30:06 | 0:30:08 | |
one of the stewards came up behind me and said, "Elaine, do you think we need to divert the plane?" | 0:30:08 | 0:30:13 | |
-And you said...no? -I said no. I said I was happy that we could make it to our destination. | 0:30:13 | 0:30:19 | |
-Right decision. And they gave you a bottle of champagne! -Absolutely! Got the bubbles at the end! | 0:30:19 | 0:30:23 | |
Let's take you back to that stricken sailing ship, the Fryderyk Chopin. | 0:30:23 | 0:30:27 | |
She's 90 miles from land and a fishing boat, a third of her size, is towing her to safety. | 0:30:27 | 0:30:32 | |
As the convoy heads into the night, the weather is getting worse. | 0:30:32 | 0:30:36 | |
It's Saturday morning, day 2 in the mission to rescue the square-rigged training vessel, | 0:30:38 | 0:30:43 | |
the Fryderyk Chopin. | 0:30:43 | 0:30:44 | |
The Cornish fishing boat is hauling a ship three times her size, | 0:30:44 | 0:30:49 | |
but her skipper knows she's up to the task. | 0:30:49 | 0:30:52 | |
My vessel was built for towing. | 0:30:52 | 0:30:55 | |
She's not a tug, she's a fishing boat, | 0:30:55 | 0:30:56 | |
but she was built for towing, you know, trawls and nets on the seabed. | 0:30:56 | 0:31:00 | |
The difference is you're not just thinking about yourself and your own crew, | 0:31:00 | 0:31:03 | |
you're thinking about the people on the ship you're trying to get to a safe haven. | 0:31:03 | 0:31:07 | |
There's still a long way to go and there's bad weather ahead. | 0:31:07 | 0:31:12 | |
The convoy is being escorted by three lifeboats. | 0:31:12 | 0:31:16 | |
If the fallen mast smashes the hull or the tow rope is snagged, | 0:31:16 | 0:31:20 | |
it will be the lifeboat volunteer crew who will come to the rescue. | 0:31:20 | 0:31:24 | |
They're ready to act at a moment's notice. | 0:31:24 | 0:31:27 | |
Fundamental was how were we going to get these people off in a hurry | 0:31:27 | 0:31:31 | |
if the situation had deteriorated, | 0:31:31 | 0:31:34 | |
and if it had deteriorated, it would have deteriorated quick. | 0:31:34 | 0:31:37 | |
If it was one or two people, | 0:31:37 | 0:31:39 | |
it probably would have been relatively straightforward, | 0:31:39 | 0:31:43 | |
but they've got 47. And with the best will in the world, you might have suffered injuries and damage. | 0:31:43 | 0:31:50 | |
And it wasn't the right thing to even consider at the stage we were at, | 0:31:50 | 0:31:55 | |
other than being prepared to do it if necessary. | 0:31:55 | 0:31:58 | |
The lifeboats are a very reassuring presence for all. | 0:31:58 | 0:32:02 | |
It was like having a mate alongside you, really. | 0:32:02 | 0:32:05 | |
As darkness falls on the second night, the conditions become extremely difficult. | 0:32:06 | 0:32:11 | |
The wind turned to the southeast, | 0:32:11 | 0:32:15 | |
and of course it was very strong, | 0:32:15 | 0:32:18 | |
so the fishing vessel which was towing us | 0:32:18 | 0:32:22 | |
has not so strong an engine, | 0:32:22 | 0:32:24 | |
so we were going very slowly, 2 knots or even during sometimes 1 knot, | 0:32:24 | 0:32:31 | |
almost standing. | 0:32:31 | 0:32:32 | |
That was an up-all-night job, that was, just trying to hold on to her, really. | 0:32:34 | 0:32:38 | |
I sort of emphasised, "Can you check your end of the tow rope?" every hour, | 0:32:38 | 0:32:42 | |
and then they would report back that his end of the tow rope was good and then he would report to Falmouth. | 0:32:42 | 0:32:46 | |
The lifeboat crew continually check the broken mast has not breached the hull below the water. | 0:32:46 | 0:32:52 | |
It takes the strongest sea legs to endure this constant rolling. | 0:32:52 | 0:32:57 | |
We took a turn around the Fryderyk Chopin and we noticed that the ship's bowsprit had broken off | 0:32:57 | 0:33:03 | |
and that was hanging down ahead of the bow, | 0:33:03 | 0:33:07 | |
and we were concerned that that was hitting the hull, | 0:33:07 | 0:33:10 | |
and we went in and illuminated that and had a good close look, | 0:33:10 | 0:33:13 | |
and the captain of the ship said that he was happy that it was clear of the hull. | 0:33:13 | 0:33:19 | |
We then ran up and had a yarn with the skipper of the Nova Spero, | 0:33:19 | 0:33:23 | |
and they had a really, really uncomfortable time. | 0:33:23 | 0:33:26 | |
In the fishing boat they were rolling | 0:33:26 | 0:33:29 | |
and they were towing so therefore held by the stern across the weather, | 0:33:29 | 0:33:34 | |
so they were just rolling, their rail's under, basically, and very, very slow progress. | 0:33:34 | 0:33:40 | |
But he was happy and gave us the thumbs-up and what have you, | 0:33:40 | 0:33:44 | |
so it went on through the night. | 0:33:44 | 0:33:46 | |
Dawn breaks after the longest and most difficult of nights. | 0:33:50 | 0:33:53 | |
The weather's eased and the final passage into Falmouth is calm. | 0:33:53 | 0:33:57 | |
The crew of the Nova Spero have been working at the extremes. | 0:33:57 | 0:34:02 | |
They're exhausted but, like the Coast Guard, relieved. | 0:34:02 | 0:34:05 | |
Very happy, very happy when they came in. | 0:34:05 | 0:34:09 | |
And probably unusually we made sure that we went down to the boathouse to see everybody come ashore. | 0:34:09 | 0:34:14 | |
Really interesting to see these children sort of not only coming off, | 0:34:14 | 0:34:18 | |
but not looking scared or frightened, but actually excited and invigorated by the whole thing, | 0:34:18 | 0:34:22 | |
so absolutely delighted that it turned out safely. | 0:34:22 | 0:34:25 | |
Captain Baranski's decision to keep all the children with him onboard the Fryderyk Chopin | 0:34:25 | 0:34:30 | |
has proved to be the right one. | 0:34:30 | 0:34:32 | |
Of course in such situations, the most important thing | 0:34:32 | 0:34:36 | |
is to act...you know, not in panic, | 0:34:36 | 0:34:40 | |
but to do what is necessary to do. | 0:34:40 | 0:34:44 | |
The Polish Ambassador has travelled from London to pass on a nation's thanks | 0:34:44 | 0:34:50 | |
to the crew of the Nova Spero. | 0:34:50 | 0:34:52 | |
We can't be thankful enough to the captain of the Nova Spero. | 0:34:52 | 0:34:54 | |
Shaun onboard who I saw when they came in, | 0:34:54 | 0:34:57 | |
he did look absolutely shattered. | 0:34:57 | 0:34:59 | |
When I spoke to him, he said, "Well, I couldn't have left those children there. | 0:34:59 | 0:35:02 | |
"Once I saw the ship, I couldn't leave it." He fought to get the line onboard. | 0:35:02 | 0:35:06 | |
And he was the one who constantly kept it going. | 0:35:06 | 0:35:09 | |
You know, the lifeboats were all absolutely shattered, | 0:35:09 | 0:35:12 | |
we were worried about them being out for 20 hours at a time, | 0:35:12 | 0:35:14 | |
and yet here Shaun was onboard the Nova Spero with his crew | 0:35:14 | 0:35:17 | |
that kept this going from the moment they arrived on scene | 0:35:17 | 0:35:20 | |
until the moment that all the children were disembarked in Falmouth. | 0:35:20 | 0:35:23 | |
What they did is a remarkable feat. | 0:35:23 | 0:35:25 | |
We heard Shaun Edwards say, "I couldn't have left those children there." | 0:35:27 | 0:35:31 | |
He and his crew worked in extreme conditions for over 48 hours. | 0:35:31 | 0:35:34 | |
Even though Shaun's livelihood depended on the fish he catches, he dropped everything. | 0:35:34 | 0:35:38 | |
We've seen on Real Rescues before how sailors go selflessly to the aid of fellow mariners. | 0:35:38 | 0:35:44 | |
We saw the huge Burmese tanker that changed course | 0:35:44 | 0:35:46 | |
to save the stricken British yacht Octagon and take the passengers on board. | 0:35:46 | 0:35:50 | |
And then there was the captain of the Mizpah who cut his fishing nets adrift | 0:36:08 | 0:36:12 | |
to race to save his friend on the burning ship Be Ready. | 0:36:12 | 0:36:14 | |
It was a heroic rescue in raging seas. | 0:36:14 | 0:36:18 | |
One of the country's most famous sailors and the first person to sail around the world single-handed | 0:36:19 | 0:36:24 | |
is Sir Robin Knox-Johnston who's been good enough to come in and have a chat with us about this. | 0:36:24 | 0:36:27 | |
Is it honour that you go help people out at sea or is it enshrined in law, which? | 0:36:27 | 0:36:34 | |
Well, nowadays it's enshrined in law. | 0:36:34 | 0:36:36 | |
You have to go to the assistance of a boat if it's in distress, | 0:36:36 | 0:36:40 | |
and what happens is most boats have an alarm system so it'll go off on your boat, | 0:36:40 | 0:36:44 | |
and you realise someone's in distress, you might even pick it up. | 0:36:44 | 0:36:47 | |
And you'll get on to the nearest control centre like the Coast Guard, | 0:36:47 | 0:36:51 | |
and you'll say, "I'm available, do you want me to assist?" | 0:36:51 | 0:36:53 | |
And the Coast Guard will choose the most suitable and the closest vessel. | 0:36:53 | 0:36:57 | |
And they are obliged to go to assist. | 0:36:57 | 0:37:00 | |
Is it right that that change came about because of the Titanic, by the way? | 0:37:00 | 0:37:05 | |
Yes. I mean, there was such a fuss about the loss of the Titanic... | 0:37:05 | 0:37:07 | |
she didn't have enough lifesaving equipment onboard to start with. | 0:37:07 | 0:37:10 | |
So they said, "We've really got to do something to stop this sort of thing happening again." | 0:37:10 | 0:37:14 | |
-Wow! -And there was confusion about which ship was closest... There were a lot of issues with the Titanic. | 0:37:14 | 0:37:19 | |
You run training vessels with youngsters onboard, | 0:37:19 | 0:37:22 | |
so you can see for this square-rigger that we've seen here, | 0:37:22 | 0:37:24 | |
it must have been very frightening for all the kids onboard and for the people looking after them. | 0:37:24 | 0:37:28 | |
Well, I looked at it and thought, "I wouldn't like to be in the captain's position!" | 0:37:28 | 0:37:33 | |
He can't use his engine, he's lost his sails, | 0:37:33 | 0:37:36 | |
and he's got all these youngsters onboard who naturally will be frightened. | 0:37:36 | 0:37:39 | |
I thought, "You're jolly lucky someone came along to tow you!" | 0:37:39 | 0:37:42 | |
Have you ever been rescued or had to go to the aid of someone at sea? | 0:37:42 | 0:37:45 | |
-You've had adventures all round the world. -I've been towed in a couple of times. | 0:37:45 | 0:37:49 | |
When I was an apprentice in the Merchant Navy, we picked up the SOS from the Pamir, | 0:37:49 | 0:37:53 | |
which was a German sail-training ship but we were too far away to offer assistance, | 0:37:53 | 0:37:58 | |
but I think about 70 people died in that, it was quite nasty. | 0:37:58 | 0:38:01 | |
But we offered to assist, | 0:38:01 | 0:38:03 | |
and the Coast Guard said, "No, you're too far away, we've got ships that are closer." | 0:38:03 | 0:38:07 | |
It's wonderful that everyone turns out for each other, even if it is enshrined in law. | 0:38:07 | 0:38:11 | |
-It's always been the sailors' way. -It has. You do it without thinking. | 0:38:11 | 0:38:14 | |
-It may be the law, but you just do it. -Lovely to chat to you. Thank you. -My pleasure. | 0:38:14 | 0:38:19 | |
A car has been completely destroyed by fire. | 0:38:19 | 0:38:22 | |
The first signs point to arson. | 0:38:22 | 0:38:24 | |
As fire-fighters and police look for clues, | 0:38:24 | 0:38:26 | |
they discover the consequences of this particular fire are devastating. | 0:38:26 | 0:38:31 | |
Fire-fighters Richie Green and Paul Shepherd are continuing to cool down the burnt-out remains of the car. | 0:38:33 | 0:38:39 | |
Overhead is the police helicopter, but their search has so far failed to find the suspects. | 0:38:43 | 0:38:48 | |
Watch manager Sean and PC Gary Morgan look for evidence in the wreckage. | 0:38:52 | 0:38:57 | |
-You were saying? -If you look at the seats here...totally gone. | 0:38:58 | 0:39:03 | |
-If you look in the front now I've put that window in... -Yeah? | 0:39:03 | 0:39:05 | |
You can see the fire's gone from the back to the front. | 0:39:05 | 0:39:08 | |
-If you look at the front of the seats, they are burnt, but look... -Yeah, got you, yeah. | 0:39:08 | 0:39:13 | |
So the fire started in that corner. | 0:39:13 | 0:39:15 | |
Anne, whose husband owns the car, has come to take a closer look at the damage. | 0:39:15 | 0:39:20 | |
Now, this dent, that wasn't here earlier today. That's new. | 0:39:20 | 0:39:26 | |
Lady says that dent wasn't there, that crease. | 0:39:26 | 0:39:30 | |
And the door... if you look at the door... | 0:39:30 | 0:39:33 | |
It looks like it may have been forced open. | 0:39:33 | 0:39:36 | |
-When we got here it was only this side that was going. -Yeah. | 0:39:36 | 0:39:39 | |
Running-fuel fires are not that common to be honest. | 0:39:39 | 0:39:41 | |
We get quite a lot of car fires, but not many running-fuel fires. | 0:39:41 | 0:39:44 | |
So I think someone's possibly had a go at the tank as well. | 0:39:44 | 0:39:48 | |
I couldn't be 100%, but I'm 95% sure that's what it is. | 0:39:48 | 0:39:53 | |
-I'll get it recovered. -All right, lovely. Thank you. | 0:39:53 | 0:39:56 | |
It would be upsetting for anyone to find their car wrecked in this way, | 0:39:57 | 0:40:01 | |
but for Anne and husband Richard it's much more than that. | 0:40:01 | 0:40:05 | |
Richard suffers from multiple sclerosis and the car has been specially adapted for his needs. | 0:40:05 | 0:40:10 | |
My husband's way of having some independence and freedom and going out on his own. | 0:40:10 | 0:40:16 | |
At the moment, I am very coldly angry. | 0:40:16 | 0:40:20 | |
Er..and a bit numb. But underneath that... | 0:40:21 | 0:40:25 | |
is just a despair as to why people can be stooping so low to destroy a vehicle, | 0:40:25 | 0:40:32 | |
anybody's vehicle, but especially somebody who's known around the street as being a good neighbour, | 0:40:32 | 0:40:37 | |
and is known in the area, and who is clearly disabled and has a disabled sticker. | 0:40:37 | 0:40:43 | |
And it gets worse. In the back of the car are the remains of Richard's wheelchair, | 0:40:43 | 0:40:47 | |
another vital means of mobility destroyed by the fire. | 0:40:47 | 0:40:51 | |
I'm just looking at the car behind me and it's just... | 0:40:51 | 0:40:55 | |
it's heartbreaking. | 0:40:55 | 0:40:57 | |
It's heartbreaking. I've now got a husband who's housebound thanks to whoever this person was. | 0:40:57 | 0:41:02 | |
Richard has arrived to salvage anything he can from the ashes. | 0:41:04 | 0:41:09 | |
It doesn't matter if you can't find them. | 0:41:09 | 0:41:11 | |
I've got keys, but they won't work, will they? | 0:41:13 | 0:41:16 | |
Probably not. It might open manually...I don't know. | 0:41:16 | 0:41:20 | |
Don't worry if you can't. | 0:41:21 | 0:41:23 | |
-Oh, you're a hero! -He is. | 0:41:23 | 0:41:24 | |
You come over for tea, mate! | 0:41:24 | 0:41:26 | |
They've found Richard's glasses and a favourite travelling companion. | 0:41:26 | 0:41:30 | |
- You got your polar bear, did you? - Polar bear's been rescued, yeah. | 0:41:31 | 0:41:34 | |
The great polar bear. It was white. It's now turned into a black bear. | 0:41:34 | 0:41:37 | |
I've been miles with my polar bear. | 0:41:37 | 0:41:39 | |
Despite their shock and distress, Richard and Anne still manage to share a joke. | 0:41:41 | 0:41:46 | |
You could do with some new tyres. | 0:41:47 | 0:41:49 | |
Your tyres are a bit bald. I'll give you a warning about your tyres. | 0:41:50 | 0:41:53 | |
Can you give me a warning about the wheelchair tyres as well? | 0:41:53 | 0:41:57 | |
I'll let you off on that! | 0:41:57 | 0:41:58 | |
It's annoying because it's actually going to cost the NHS as well. The wheelchair was designed for him. | 0:41:58 | 0:42:03 | |
It costs everyone, doesn't it? | 0:42:03 | 0:42:06 | |
The car is ruined, | 0:42:06 | 0:42:08 | |
but Anne's still full of gratitude. | 0:42:08 | 0:42:11 | |
That one needs a hug, that one. He's the housewives' favourite, this one. | 0:42:13 | 0:42:17 | |
You've been brilliant... | 0:42:19 | 0:42:21 | |
absolutely brilliant, all of you. | 0:42:21 | 0:42:24 | |
It's an extraordinary figure, isn't it? 1,400 cars affected by arson every week. | 0:42:24 | 0:42:29 | |
-A lot. -And what else did we learn today? | 0:42:29 | 0:42:31 | |
If you're going to have an accident, try not to have one in a church bell tower, | 0:42:31 | 0:42:35 | |
cos it's going to be difficult to get out. | 0:42:35 | 0:42:37 | |
Somewhere where they can get to you easily. Remember that if you can! | 0:42:37 | 0:42:40 | |
That's all from Real Rescues today. Join us next time. We'll see you then. Bye-bye. | 0:42:40 | 0:42:45 | |
Somebody help me, please! | 0:42:48 | 0:42:50 | |
Subtitles by Red Bee Media Ltd | 0:42:53 | 0:42:57 | |
E-mail [email protected] | 0:42:57 | 0:43:01 |