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Today on Real Rescues, an air crash. | 0:00:02 | 0:00:04 | |
A plane has bounced off the roof of a house, crashed through a greenhouse | 0:00:04 | 0:00:07 | |
and come to rest in a back garden. | 0:00:07 | 0:00:09 | |
The pilot is seriously injured. | 0:00:09 | 0:00:11 | |
MOANING | 0:00:11 | 0:00:16 | |
It's the hydraulic hose. | 0:00:16 | 0:00:18 | |
And from major to minor, the cat on the hot tile roof. | 0:00:18 | 0:00:22 | |
Why it's in everyone's interest firefighters turn out | 0:00:22 | 0:00:25 | |
to rescue cats like Gill. | 0:00:25 | 0:00:27 | |
Puss, puss. | 0:00:27 | 0:00:30 | |
Come on. | 0:00:30 | 0:00:32 | |
Welcome to Real Rescues. This is one of the south-west's control rooms | 0:00:56 | 0:01:00 | |
where 999 calls come in all the time. | 0:01:00 | 0:01:03 | |
To my right is the dispatch team, sending out emergency crews. | 0:01:03 | 0:01:07 | |
To my left are specialists giving out medical advice and sending out doctors. | 0:01:07 | 0:01:12 | |
It's a busy place, but it's not the only control room here. | 0:01:12 | 0:01:15 | |
Outside they have a mobile version that goes to major incidents. | 0:01:15 | 0:01:19 | |
We'll take a look later in the programme. | 0:01:19 | 0:01:22 | |
Now a story Louise and I found ourselves witnessing first-hand. | 0:01:22 | 0:01:27 | |
We were in the control room in Hampshire when a call came through | 0:01:27 | 0:01:30 | |
alerting them to a plane crash, and watching them jump into action was impressive. | 0:01:30 | 0:01:35 | |
At the other end of the phone, it was a frightening scene. | 0:01:35 | 0:01:38 | |
A quiet country garden is suddenly the site of a major emergency. | 0:01:41 | 0:01:46 | |
A small plane has crash-landed, two people are on board | 0:01:46 | 0:01:50 | |
and doctors are fighting to save the life of the pilot. | 0:01:50 | 0:01:54 | |
It all started half an hour earlier. | 0:01:58 | 0:02:00 | |
It was a sunny day like this when pilot Brian Davis offered to fly an old friend out to lunch. | 0:02:00 | 0:02:07 | |
But on the way home, something went horribly wrong. | 0:02:07 | 0:02:11 | |
Pam, Pam. Golf, Alpha, Romeo, Hotel, November. | 0:02:11 | 0:02:15 | |
The engines are running very slowly. I'm looking for somewhere to go down. | 0:02:15 | 0:02:21 | |
Acknowledged. Are you able to come directly into the field? | 0:02:21 | 0:02:25 | |
You're currently ten miles east-northeast of the field. | 0:02:25 | 0:02:28 | |
Unable to maintain altitude, madam. | 0:02:28 | 0:02:31 | |
Crash-landing became the only option. | 0:02:31 | 0:02:35 | |
This is potentially a catastrophic accident. | 0:03:30 | 0:03:35 | |
It's an all-services emergency call-out. | 0:03:35 | 0:03:37 | |
They're all heading for the house on the edge of the New Forest. | 0:03:37 | 0:03:41 | |
First to raise the alarm was neighbour Sarion Harris. | 0:03:41 | 0:03:45 | |
She'd been at her kitchen window when the plane hit. | 0:03:45 | 0:03:49 | |
I saw a plane | 0:03:49 | 0:03:50 | |
crash into the bush and Pam's greenhouse | 0:03:50 | 0:03:54 | |
and take it out completely and the noise was unbelievable. | 0:03:54 | 0:03:57 | |
An almighty bang. | 0:03:59 | 0:04:01 | |
I couldn't imagine what it was. It was too loud. | 0:04:01 | 0:04:05 | |
The plane has ploughed through a greenhouse and smashed into the ground. | 0:04:05 | 0:04:09 | |
The house owner tentatively went to look. | 0:04:09 | 0:04:13 | |
I couldn't believe that anyone had survived. | 0:04:13 | 0:04:16 | |
When I looked at the debris, there was turf all over the place. | 0:04:16 | 0:04:23 | |
It uprooted a tree. It was just general mayhem. | 0:04:23 | 0:04:27 | |
I ran up to the side and stupidly said, "Are you all right?" | 0:04:27 | 0:04:32 | |
I heard a groan and then I ran back to the house to get to the phone. | 0:04:32 | 0:04:37 | |
Neighbour Sarion feared Pam had been in the greenhouse. | 0:04:37 | 0:04:40 | |
Relieved to see her in one piece, her attention turned to the cockpit. | 0:04:40 | 0:04:45 | |
I went to the pilot's side. He wasn't in a very good state. | 0:04:45 | 0:04:50 | |
He had a head injury and quite a lot of blood. | 0:04:50 | 0:04:54 | |
So I decided to concentrate on the phone call | 0:04:54 | 0:04:59 | |
and the information the emergency services needed. | 0:04:59 | 0:05:02 | |
A Critical Care doctor has crawled inside the cockpit. | 0:05:02 | 0:05:07 | |
He's working in tandem with ambulance technician Emma, | 0:05:07 | 0:05:12 | |
the first to arrive. | 0:05:12 | 0:05:13 | |
They're concentrating on the pilot who has been thrown into the plane's windscreen and flying instruments. | 0:05:13 | 0:05:19 | |
The most obvious injury | 0:05:19 | 0:05:20 | |
was an eye injury which looked like it was protruding from the socket. | 0:05:20 | 0:05:27 | |
With a saline dressing, we kept his eyeball where it needed to be | 0:05:27 | 0:05:32 | |
and we were hoping he wouldn't lose the sight in his eye. | 0:05:32 | 0:05:36 | |
He had quite a large cut to his lower jaw which was right down to the bone. | 0:05:36 | 0:05:41 | |
You could see his jaw through it and that was quite a nasty injury. | 0:05:41 | 0:05:45 | |
There was a smell of fuel leaking and you don't know if there's anything sparking, | 0:05:45 | 0:05:51 | |
so you're aware you need to deal with it very quickly. | 0:05:51 | 0:05:55 | |
Somehow, the pilot managed to turn off the electrics. | 0:05:55 | 0:05:59 | |
The fire crews have already removed the debris of the greenhouse | 0:05:59 | 0:06:04 | |
but fuel is leaking out of one tank. | 0:06:04 | 0:06:08 | |
We used cutters, but in the meantime to take control measures | 0:06:08 | 0:06:10 | |
we've laid down foam | 0:06:10 | 0:06:13 | |
and we've got somebody stood by in case of any leakage. | 0:06:13 | 0:06:19 | |
The passenger is already out and on his way to hospital. | 0:06:19 | 0:06:22 | |
Dr Rob Dawes is working in very cramped conditions | 0:06:22 | 0:06:25 | |
stabilising the pilot, Brian, who's 74. | 0:06:25 | 0:06:29 | |
You can imagine a light aircraft coming down into a back garden | 0:06:29 | 0:06:32 | |
is going to be a huge transfer of energy, | 0:06:32 | 0:06:36 | |
and their age means the capacity to have serious injuries is more. | 0:06:36 | 0:06:39 | |
So it's important to go through a prognosis properly. | 0:06:39 | 0:06:44 | |
The pilot was the most severely injured from his ankle | 0:06:44 | 0:06:47 | |
and from his right wrist and from his face. | 0:06:47 | 0:06:52 | |
But it was important to maintain his airway, | 0:06:52 | 0:06:55 | |
so I had already given him some quite strong painkillers | 0:06:55 | 0:06:59 | |
to keep him breathing and give him good pain relief. | 0:06:59 | 0:07:01 | |
But we need to assess him better. | 0:07:01 | 0:07:07 | |
Could you get some protectors for... Please. | 0:07:07 | 0:07:10 | |
Rob is crammed in behind Brian. | 0:07:10 | 0:07:13 | |
Emma works closely with him, passing him anything he needs. | 0:07:13 | 0:07:16 | |
Because of the job we do, we get to know the paramedics and the technicians very well. | 0:07:16 | 0:07:21 | |
I've worked with Emma on quite a number of difficult jobs. | 0:07:21 | 0:07:26 | |
Emma will know exactly what I need, she knows the kit that I use. | 0:07:26 | 0:07:29 | |
And the injuries I can feed them back to her and she can relay them back. | 0:07:29 | 0:07:33 | |
So it's a team effort, really. | 0:07:33 | 0:07:35 | |
Rob and Emma continue to try to stabilise Brian. | 0:07:35 | 0:07:38 | |
They've many colleagues on hand to help, | 0:07:38 | 0:07:41 | |
expert trauma specialists all trained to the highest level of care. | 0:07:41 | 0:07:46 | |
They're giving Brian the best chance of surviving the air crash. | 0:07:46 | 0:07:51 | |
They won't know the state of his injuries until they get him out and we'll see that later. | 0:07:53 | 0:07:58 | |
I want to have a chat with paramedic Andy Perris about the calls they get. | 0:07:58 | 0:08:02 | |
We were talking about calls which you get that are inappropriate. | 0:08:02 | 0:08:07 | |
I know there's a difference to malicious calls, but what sort of inappropriate calls do you get? | 0:08:07 | 0:08:14 | |
We get calls that are inappropriate for us to respond to. | 0:08:14 | 0:08:18 | |
Give us an example. | 0:08:18 | 0:08:19 | |
We've had a lot of calls from patients who aren't ill. | 0:08:19 | 0:08:24 | |
Even for their dogs, for non-medical-related emergencies, | 0:08:24 | 0:08:30 | |
turning off alarm clocks, the toilet's broken, you name it, | 0:08:30 | 0:08:34 | |
we've had calls for that sort of thing. | 0:08:34 | 0:08:36 | |
Why would people think that was appropriate to ring you for that? | 0:08:36 | 0:08:41 | |
At the time they make the call, they think in their own mind it is the correct thing to do. | 0:08:41 | 0:08:46 | |
However, in hindsight they probably realise it is not. | 0:08:46 | 0:08:49 | |
That's very generous of you. Are you saying people under the influence | 0:08:49 | 0:08:53 | |
of drink, for example, would reason better at another time? | 0:08:53 | 0:08:57 | |
If you have a group of people out who have been drinking, their judgment is definitely clouded. | 0:08:57 | 0:09:03 | |
An injury that during the day they would resolve themselves, | 0:09:03 | 0:09:07 | |
they think is far more serious and they will often call 999. | 0:09:07 | 0:09:11 | |
So the job of these people here is really important | 0:09:11 | 0:09:14 | |
because they've got to filter that to make sure that you don't | 0:09:14 | 0:09:17 | |
end up being sent as a resource to something inappropriate? | 0:09:17 | 0:09:20 | |
They're triage-ing - French word for sorting - to find who we need to get to within eight minutes | 0:09:20 | 0:09:25 | |
because they might die, who can wait a little bit longer | 0:09:25 | 0:09:28 | |
and who needs to go to another area of the health service. | 0:09:28 | 0:09:31 | |
Just to touch briefly on the malicious calls, | 0:09:31 | 0:09:33 | |
they can do real damage to your potential to respond. | 0:09:33 | 0:09:38 | |
Massively. We place our vehicles based on where we know there will be emergency calls. | 0:09:38 | 0:09:43 | |
If we get a hoax or a malicious call, | 0:09:43 | 0:09:45 | |
we'll move that vehicle to respond because these people often say | 0:09:45 | 0:09:49 | |
someone has been stabbed, something we would respond to. | 0:09:49 | 0:09:52 | |
Therefore, a further call comes in in that area and a patient may die. | 0:09:52 | 0:09:56 | |
We treat hoax calls and malicious calls extremely seriously | 0:09:56 | 0:09:59 | |
in conjunction with the police and the fire brigade. | 0:09:59 | 0:10:02 | |
We'll switch off mobile phones and we'll prosecute | 0:10:02 | 0:10:05 | |
if we're able to do so. | 0:10:05 | 0:10:06 | |
Be warned if you're ever considering doing that kind of thing. | 0:10:06 | 0:10:09 | |
It's interesting what people think emergencies are. Thanks. | 0:10:09 | 0:10:13 | |
999 calls about sports injuries are bread and butter for an ambulance control room like this one, | 0:10:13 | 0:10:19 | |
but in this case, the player writhing in agony on the floor | 0:10:19 | 0:10:22 | |
isn't any old rugby player, he's a talented international. | 0:10:22 | 0:10:26 | |
'9pm, and a call's come in to help an England international rugby player | 0:10:29 | 0:10:33 | |
'who's been stretchered off the pitch. | 0:10:33 | 0:10:35 | |
'On their way, ambulance technician Nicky | 0:10:35 | 0:10:38 | |
'and, not for the first time, paramedic Sarah MacDonald.' | 0:10:38 | 0:10:42 | |
Just my luck. Whenever there's a big match in Newbury between a national team, | 0:10:42 | 0:10:47 | |
'I usually end up going to one of the poor players who's been injured in the line of duty.' | 0:10:47 | 0:10:51 | |
So here we go again, I think! | 0:10:51 | 0:10:53 | |
'The match, England versus Scotland Under 20s, is still playing, | 0:10:54 | 0:10:58 | |
'but it's certainly over for Kieran Low, | 0:10:58 | 0:11:01 | |
'who's lying in the treatment room with a broken ankle.' | 0:11:01 | 0:11:04 | |
Oi, can someone drive my car? | 0:11:04 | 0:11:06 | |
-Eh? -Can someone drive my car? | 0:11:06 | 0:11:08 | |
'The team doctor has already stabilised the break with an inflatable splint, | 0:11:08 | 0:11:12 | |
'and eased Kieran's pain by giving him some morphine and Entonox laughing gas. | 0:11:12 | 0:11:16 | |
'This has also noticeably lightened his mood.' | 0:11:16 | 0:11:20 | |
HE LAUGHS | 0:11:20 | 0:11:22 | |
'It's all come as a bit of a surprise for his dad, | 0:11:22 | 0:11:24 | |
'who was in the stands, and blissfully unaware of what had happened to his son | 0:11:24 | 0:11:28 | |
'until he was told to come to the changing room.' | 0:11:28 | 0:11:30 | |
I came down off a line-out, and I saw my ankle, like... | 0:11:33 | 0:11:37 | |
-I saw you collapse. -I saw it literally do that. | 0:11:37 | 0:11:40 | |
-I missed it! -He still thought I was playing! | 0:11:40 | 0:11:44 | |
We thought it was someone else. | 0:11:44 | 0:11:47 | |
'Until the break can be fully assessed, | 0:11:47 | 0:11:50 | |
'the aim is to move Kieran around as gently as possible.' | 0:11:50 | 0:11:53 | |
'But his chance of playing in the next and final Six Nations Championship game has gone.' | 0:11:56 | 0:12:01 | |
Little bit of a bump. | 0:12:01 | 0:12:04 | |
Well done, lad. | 0:12:05 | 0:12:08 | |
You'll get a better bath there! | 0:12:08 | 0:12:10 | |
'They're taking Kieran to Basingstoke hospital for a set of X-rays.' | 0:12:14 | 0:12:17 | |
All your little fans. | 0:12:20 | 0:12:21 | |
'Newbury is not proving to be a lucky location for Kieran.' | 0:12:22 | 0:12:26 | |
-Cursed, this pitch, Dad. Remember the last time I played here? -Yes. | 0:12:26 | 0:12:30 | |
I did my ankle as well. | 0:12:30 | 0:12:32 | |
-Oh, you did! -You came back for more! | 0:12:32 | 0:12:35 | |
Yeah, he came off last time! | 0:12:35 | 0:12:37 | |
-That's the last time I was injured. -You don't want to come here again. | 0:12:37 | 0:12:40 | |
'Kieran's been on his phone since leaving the ground, | 0:12:40 | 0:12:43 | |
'and the news that England have thrashed the Scots | 0:12:43 | 0:12:46 | |
'by 56 points to eight prompts even more furious texting. | 0:12:46 | 0:12:50 | |
'It was early in the second half when Kieran had leapt up high | 0:12:50 | 0:12:54 | |
'to try and catch the ball, before landing awkwardly on his ankle.' | 0:12:54 | 0:12:58 | |
You heard it crack, did you? | 0:13:02 | 0:13:04 | |
Did you feel it crack as well? | 0:13:07 | 0:13:09 | |
No worries. Can you still wiggle your toes? | 0:13:11 | 0:13:13 | |
-Yeah, yeah. -Does that cause you much grief? | 0:13:13 | 0:13:16 | |
Have you got smelly feet? I hope not. | 0:13:16 | 0:13:19 | |
You're a 20-year-old. What do I expect, really?! | 0:13:21 | 0:13:24 | |
Nicky checks Kieran's feet to see if the pedal pulse is strong, | 0:13:24 | 0:13:28 | |
a sign that blood flow isn't restricted. | 0:13:28 | 0:13:31 | |
Satisfied, she then has a request for him. | 0:13:31 | 0:13:33 | |
So, do you get new rugby shirts after every match? | 0:13:33 | 0:13:36 | |
Cos surely they can't get that clean? | 0:13:36 | 0:13:39 | |
-We could raffle it. -You can have it if you want it. -Marvellous! | 0:13:39 | 0:13:42 | |
She'd want a Welsh one, anyway. | 0:13:42 | 0:13:44 | |
-She can have my...! -She can have the socks! | 0:13:46 | 0:13:50 | |
Though, to get that shirt off him, | 0:13:52 | 0:13:54 | |
they'll first have to get Kieran off the phone. | 0:13:54 | 0:13:56 | |
He's got two of them now. | 0:13:56 | 0:13:59 | |
He can text me back quicker than I can text him. | 0:13:59 | 0:14:02 | |
He might play rugby for England, but I bet his fingers do the talking. | 0:14:02 | 0:14:06 | |
You should have been a pianist, Kieran. | 0:14:06 | 0:14:09 | |
I've got a lot of people asking me how I am, all right? | 0:14:09 | 0:14:11 | |
THEY LAUGH | 0:14:11 | 0:14:13 | |
Whether Kieran needs an operation will be decided in the A&E department. | 0:14:15 | 0:14:19 | |
As well as being an international, he plays for club side London Irish | 0:14:19 | 0:14:23 | |
and will want to get back into action as soon as possible. | 0:14:23 | 0:14:27 | |
Though it's just as well for Kieran that paramedic Sarah was driving | 0:14:27 | 0:14:30 | |
and not with him in the back of the ambulance. | 0:14:30 | 0:14:32 | |
-I wished Scotland won. -No! | 0:14:32 | 0:14:36 | |
Absolutely no! | 0:14:36 | 0:14:37 | |
I'm a Celt, I'm a fellow Celt. If that had been a Welsh shirt... | 0:14:37 | 0:14:40 | |
I said you could have the socks. | 0:14:40 | 0:14:43 | |
I'm getting the shirt. He was going to give me his shirt. | 0:14:43 | 0:14:46 | |
He said, "Do you want my shirt?" and I said, "Not with your doctor in there." | 0:14:46 | 0:14:50 | |
-I said, "Newbury ambulance station". -You got him fairly high on Entonox | 0:14:50 | 0:14:53 | |
-so she could steal the shirt off his back, literally. -I would've done! | 0:14:53 | 0:14:57 | |
-He was very sweet. -He was very sweet. -He was very sweet. | 0:14:57 | 0:15:00 | |
Don't tell my hubby! | 0:15:00 | 0:15:03 | |
I think the Entonox is still leaking! | 0:15:03 | 0:15:05 | |
THEY LAUGH | 0:15:05 | 0:15:06 | |
And the good news is Nicky got that shirt in the end as a thank you from Kieran | 0:15:08 | 0:15:12 | |
and Sarah, not so lucky, has the socks. | 0:15:12 | 0:15:14 | |
Kieran himself is making a good recovery. | 0:15:14 | 0:15:16 | |
He's still in a cast, but he does hope to be back on the rugby field next season. Nick. | 0:15:16 | 0:15:21 | |
Thank you, Louise. I want to have a chat to Paul Walker - | 0:15:21 | 0:15:25 | |
I'm going to grab this chair, cos there's nowhere to sit. | 0:15:25 | 0:15:28 | |
He's a clinical supervisor, used to be out on the road as a paramedic. | 0:15:28 | 0:15:32 | |
If an accident happened on the dual carriageway outside, | 0:15:32 | 0:15:35 | |
would you be out the door to help out? | 0:15:35 | 0:15:37 | |
No, on the basis that my job is about filtering other calls. | 0:15:37 | 0:15:41 | |
If I can save two jobs in the time whilst I'm in here, | 0:15:41 | 0:15:44 | |
then it releases those crew to be able to deal with the jobs outside. | 0:15:44 | 0:15:48 | |
-And... -Do you miss it? | 0:15:48 | 0:15:49 | |
Yeah, ever so much! | 0:15:49 | 0:15:51 | |
I'm going to take you back to one of the incidents | 0:15:51 | 0:15:54 | |
that you attended before on a building site, which is close to my heart. | 0:15:54 | 0:15:57 | |
You went out to a fairly serious incident on a building site. | 0:15:57 | 0:16:01 | |
Yes, this was a construction site about 10 miles from here, | 0:16:01 | 0:16:04 | |
out in the woods. | 0:16:04 | 0:16:05 | |
They were putting in a concrete reservoir, which was square. | 0:16:05 | 0:16:08 | |
They were putting it into a round hole that they'd already excavated. | 0:16:08 | 0:16:12 | |
The construction chap that was on the top had lost his balance | 0:16:12 | 0:16:15 | |
but he hadn't fallen into the square hole, | 0:16:15 | 0:16:18 | |
he'd fallen down the side between the square hole and the round side. | 0:16:18 | 0:16:22 | |
If we take a look at a photograph, we haven't got film, | 0:16:22 | 0:16:25 | |
but we've got a photograph of him at the bottom of the hole - | 0:16:25 | 0:16:28 | |
a difficult space for you to get to. | 0:16:28 | 0:16:29 | |
I was the first person on the scene. | 0:16:29 | 0:16:31 | |
I looked over the edge - I'm not keen on heights myself, | 0:16:31 | 0:16:34 | |
and I was told it was a deep hole. | 0:16:34 | 0:16:36 | |
When I looked over the side, I realised it was a VERY deep hole. | 0:16:36 | 0:16:39 | |
How far down are we talking? | 0:16:39 | 0:16:40 | |
I think it was about four metres. | 0:16:40 | 0:16:42 | |
A fair way down. I was told by the other construction workers | 0:16:42 | 0:16:46 | |
he'd fallen down head-first and landed on his head. | 0:16:46 | 0:16:49 | |
At the time, when I looked down, he wasn't moving. | 0:16:49 | 0:16:52 | |
You weren't holding out much hope? | 0:16:52 | 0:16:53 | |
-I feared for the worst. -We've got another picture, | 0:16:53 | 0:16:57 | |
because you used local machinery to help get him out, | 0:16:57 | 0:17:00 | |
and we've got a picture - a crane that was on site. | 0:17:00 | 0:17:03 | |
Yes, we were trying to figure out how to get him out, | 0:17:03 | 0:17:05 | |
thinking about roping stretchers, utilise whoever we could. | 0:17:05 | 0:17:09 | |
Then one of the construction workers asked | 0:17:09 | 0:17:11 | |
if we wanted to use the crane that was on site. | 0:17:11 | 0:17:13 | |
We discussed it with those that were there, including the fire brigade, | 0:17:13 | 0:17:17 | |
and eventually used the crane to rope him up. | 0:17:17 | 0:17:20 | |
Who tied the knots, you or the fire brigade? | 0:17:20 | 0:17:22 | |
I'm pretty good on knots, | 0:17:22 | 0:17:23 | |
but I didn't want to risk not getting the chap up, | 0:17:23 | 0:17:26 | |
so I left it to the fire brigade ropes team. | 0:17:26 | 0:17:28 | |
We've got one last picture, which is of him on the ground | 0:17:28 | 0:17:31 | |
actually being looked after - so that was it, | 0:17:31 | 0:17:33 | |
you tied him up and got him off to hospital. Do we know how he did? | 0:17:33 | 0:17:37 | |
Yes, I do. | 0:17:37 | 0:17:38 | |
He turned out to be a relative of one of the staff | 0:17:38 | 0:17:41 | |
that worked in the control room, and she was able to update me | 0:17:41 | 0:17:44 | |
and told me that there was no neurological defect afterwards. | 0:17:44 | 0:17:47 | |
-He survived the accident? -He survived. | 0:17:47 | 0:17:50 | |
Thanks to you guys digging him out of that tiny space. | 0:17:50 | 0:17:53 | |
I can understand why you miss it. Nice to chat to you. | 0:17:53 | 0:17:56 | |
-Thank you very much for that. -Thank you. -Louise. | 0:17:56 | 0:17:59 | |
Let's go back to that dramatic plane crash. | 0:17:59 | 0:18:01 | |
The pilot inside has serious injuries and urgently needs | 0:18:01 | 0:18:05 | |
to get to hospital, but first, they have to get him out of the wreckage. | 0:18:05 | 0:18:09 | |
In the cockpit of the crashed plane, | 0:18:09 | 0:18:12 | |
Dr Rob Daws is preparing Brian, the injured pilot, | 0:18:12 | 0:18:15 | |
so he can be safely moved from the wreckage. | 0:18:15 | 0:18:18 | |
It's a very confined space. | 0:18:18 | 0:18:20 | |
Brian's facial injuries are severe. | 0:18:20 | 0:18:22 | |
Ambulance technician Emma Hedges is working alongside Rob | 0:18:22 | 0:18:26 | |
through a smashed window. | 0:18:26 | 0:18:27 | |
I was assisting him, drawing up fluid and drugs for him, | 0:18:27 | 0:18:30 | |
making sure his obs were taken and writing them down. | 0:18:30 | 0:18:33 | |
It's an hour since the crash, | 0:18:33 | 0:18:35 | |
and only now is Brian's condition stable enough | 0:18:35 | 0:18:38 | |
for him to be eased out on a long board. | 0:18:38 | 0:18:41 | |
Rob has to be extra vigilant, as moving him can cause complications. | 0:18:41 | 0:18:46 | |
The most worrying injuries for me were the maxillofacial injuries. | 0:18:46 | 0:18:50 | |
These were bleeding quite a lot. | 0:18:50 | 0:18:52 | |
When he's sitting, we can drain the blood quite easily. | 0:18:52 | 0:18:55 | |
What was more worrying to me | 0:18:55 | 0:18:56 | |
is that when you're lying down it drips into the mouth | 0:18:56 | 0:19:00 | |
and into the airway, which can obstruct the airway. | 0:19:00 | 0:19:03 | |
The medics and firefighters carefully move Brian from the wreckage. | 0:19:03 | 0:19:07 | |
It was quite difficult to get him out | 0:19:07 | 0:19:09 | |
because he'd been in a sitting position. | 0:19:09 | 0:19:11 | |
It has to be done slowly so you don't aggravate any injuries | 0:19:11 | 0:19:14 | |
or any internal bleeding - at that time, you don't know if there is any. | 0:19:14 | 0:19:17 | |
-Are we able to move him across, out of the hazmat scene? -Yes. | 0:19:17 | 0:19:21 | |
Please, if we could, thank you. | 0:19:21 | 0:19:23 | |
Brian's in extreme pain from his many injuries. | 0:19:23 | 0:19:27 | |
As we got him out of the plane, he became more obviously in pain, | 0:19:27 | 0:19:31 | |
groaning and moaning more. | 0:19:31 | 0:19:33 | |
More injuries were coming to light as we took him out of the plane. | 0:19:33 | 0:19:36 | |
MOANING | 0:19:36 | 0:19:39 | |
They move him to a safer place to start a thorough examination. | 0:19:39 | 0:19:45 | |
Before you strap him, can you get his clothes off, please? | 0:19:45 | 0:19:49 | |
-Legs as well, Alex? -Trousers, everything off, please. | 0:19:49 | 0:19:53 | |
Chris, IV access kit, please. | 0:19:53 | 0:19:56 | |
There are three critical care doctors, as well as paramedics, | 0:19:56 | 0:19:59 | |
and other experts from the ambulance service. | 0:19:59 | 0:20:02 | |
The doctors there were reassessing his injuries, | 0:20:02 | 0:20:05 | |
like in his pelvis or his legs. | 0:20:05 | 0:20:07 | |
Also, at hospital, if they needed to go direct to theatre, he'd be ready. | 0:20:07 | 0:20:11 | |
With so many working at once it's important to know | 0:20:11 | 0:20:14 | |
what the others are doing. | 0:20:14 | 0:20:16 | |
Consultant nurse Bruce Armstrong takes the lead. | 0:20:16 | 0:20:19 | |
Priorities now. | 0:20:19 | 0:20:21 | |
Rob, his airway is fine. | 0:20:21 | 0:20:23 | |
His breathing is fine - Charles has listened to it. | 0:20:23 | 0:20:25 | |
OK, his chest is fine. Belly's soft. | 0:20:25 | 0:20:29 | |
Pelvis? | 0:20:29 | 0:20:31 | |
To add to Brian's trauma, he can't see anything. | 0:20:31 | 0:20:34 | |
His injured eyes have been bandaged. | 0:20:34 | 0:20:37 | |
In a bid to keep him calm, Emma keeps up a commentary | 0:20:37 | 0:20:40 | |
on all that's happening. | 0:20:40 | 0:20:41 | |
OK, there's someone pressing on your ankle now. Does that hurt? | 0:20:41 | 0:20:45 | |
Yes, that hurts. You're doing really, really well, Brian, OK? | 0:20:45 | 0:20:49 | |
You need to keep talking and reassuring him | 0:20:49 | 0:20:52 | |
that you are going to help him. | 0:20:52 | 0:20:54 | |
You want to get on top of his pain relief | 0:20:54 | 0:20:56 | |
because he's obviously in distress. | 0:20:56 | 0:20:58 | |
What we're doing now with the casualty is moving him | 0:20:58 | 0:21:01 | |
onto a scoop stretcher, to move him to the ambulance. | 0:21:01 | 0:21:05 | |
And they wrap him in a special blanket designed for the army | 0:21:07 | 0:21:11 | |
to keep the injured warm. | 0:21:11 | 0:21:13 | |
So far, Brian is responding well, | 0:21:15 | 0:21:17 | |
but he's sustained so much trauma that he could start deteriorating at any time. | 0:21:17 | 0:21:21 | |
He's got the journey to the hospital to get through, | 0:21:21 | 0:21:24 | |
so the doctors consider | 0:21:24 | 0:21:26 | |
whether they should anaesthetise him here and now. | 0:21:26 | 0:21:29 | |
I'll give them a ring | 0:21:29 | 0:21:32 | |
and have someone ready to do an RSI when you get there. | 0:21:32 | 0:21:35 | |
They've decided to take him as he is for now. If his condition get worse en route, they'll reconsider. | 0:21:35 | 0:21:41 | |
Rob and Emma will travel with him in the ambulance, monitoring his condition all the way to hospital. | 0:21:44 | 0:21:49 | |
It's now three hours since the crash. | 0:21:51 | 0:21:53 | |
Brian might be out of the plane, but he's still in a critical condition. | 0:21:53 | 0:21:57 | |
As we'll see later, it's not over yet. | 0:21:57 | 0:21:59 | |
Still to come on Real Rescues, the mobile ambulance control unit | 0:21:59 | 0:22:03 | |
that's sent out to plane crashes and major incidents. | 0:22:03 | 0:22:06 | |
These are pictures from its roof-mounted camera showing an emergency at Exeter airport. | 0:22:06 | 0:22:10 | |
A 50-seater plane is coming in to land with severe mechanical problems. | 0:22:10 | 0:22:15 | |
Here's a helmet-mounted camera showing the rescue of Gilly, the cat. | 0:22:15 | 0:22:19 | |
Hello, puss puss. | 0:22:19 | 0:22:20 | |
Good girl. Gilly... | 0:22:20 | 0:22:24 | |
It won't be too long before we all recognise 13-year-old Eddie Manning - hello, Eddie. | 0:22:26 | 0:22:32 | |
He's a rising star of the theatre, but on the eve | 0:22:32 | 0:22:35 | |
of his first major performance, he fell and injured himself. We witnessed his big break. | 0:22:35 | 0:22:40 | |
Sit forward, mate. | 0:22:40 | 0:22:43 | |
-Well done. -That's it. | 0:22:43 | 0:22:45 | |
You've got it. Good lad. Yeah? Gas and air works all right, doesn't it? | 0:22:45 | 0:22:50 | |
All right, mate. Nice and easy. | 0:22:50 | 0:22:53 | |
Just have a little look. | 0:22:53 | 0:22:54 | |
It's nice and still, isn't it? It's not moving. | 0:22:56 | 0:22:59 | |
-You fell asleep on us for a while. -Did I? | 0:22:59 | 0:23:01 | |
Yeah. No-one laughed, don't worry. | 0:23:01 | 0:23:04 | |
That's all right, isn't it? | 0:23:06 | 0:23:08 | |
Well, it was a serious break and Eddie was in plaster for six weeks. | 0:23:08 | 0:23:12 | |
That caused another problem - he'd been offered a part | 0:23:12 | 0:23:15 | |
in a major open-air production of Into The Woods, | 0:23:15 | 0:23:18 | |
but only if his cast was off in time. | 0:23:18 | 0:23:20 | |
Miraculously, he made it - just - and was able to take to the stage. | 0:23:20 | 0:23:25 | |
# All the curses have been ended The reverses wiped away | 0:23:25 | 0:23:29 | |
# All this tenderness and laughter Forever after... # | 0:23:29 | 0:23:33 | |
That was Eddie singing, and the news gets even better than that - the show recently won an Olivier Award. | 0:23:33 | 0:23:38 | |
Eddie, congratulations. You didn't get to go on stage, but what was it like when you won that award? | 0:23:38 | 0:23:45 | |
The cast were all at the back and we just went mental. | 0:23:45 | 0:23:51 | |
-Did you? Doing what? -We jumped out of our seats and was just... | 0:23:51 | 0:23:56 | |
Absolutely brilliant for you. | 0:23:56 | 0:23:58 | |
Tell us about the cast, because it was quite close. | 0:23:58 | 0:24:01 | |
You only just made it into Into The Woods, didn't you? | 0:24:01 | 0:24:03 | |
Yeah, I had two weeks | 0:24:03 | 0:24:06 | |
before we were actually going on the set. | 0:24:06 | 0:24:11 | |
-So you practised in the cast, did you? -Yes. | 0:24:11 | 0:24:14 | |
Did that make it more difficult? It must have done. | 0:24:14 | 0:24:17 | |
Yes, because on some bits we had to use both hands, | 0:24:17 | 0:24:23 | |
so I couldn't really move my arm properly. | 0:24:23 | 0:24:27 | |
I just wondered, can I get an autograph, please? | 0:24:27 | 0:24:30 | |
I've never met a West End star before, so can I have an autograph? | 0:24:30 | 0:24:34 | |
Just write on it "To Nick". | 0:24:34 | 0:24:35 | |
I'm going to interrupt you, if that's OK, Nick. | 0:24:35 | 0:24:38 | |
As long as he can do both at the same time. | 0:24:38 | 0:24:41 | |
It wasn't just in the West End, because it got broadcast in cinemas as well, didn't it? | 0:24:41 | 0:24:46 | |
He can't do both. Do you know what, Eddie? | 0:24:46 | 0:24:49 | |
You'll have to practise talking and writing! | 0:24:49 | 0:24:52 | |
-Thanks, sorry to interrupt. -My goodness me! | 0:24:52 | 0:24:55 | |
Tell us about the party as well, because you went to a party | 0:24:55 | 0:24:59 | |
-after you got that award. Lots of big stars there. -Mm-hmm. | 0:24:59 | 0:25:02 | |
Who did you recognise? | 0:25:02 | 0:25:05 | |
Patrick Stewart was there from Star Trek. | 0:25:05 | 0:25:07 | |
OK, did he recognise you? | 0:25:07 | 0:25:10 | |
He walked past us and then he walked back and said well done to me. | 0:25:10 | 0:25:16 | |
-How did that feel? -Oh, it was brilliant. | 0:25:16 | 0:25:19 | |
-Your mum nearly cried, didn't she? Does she always cry? -Yeah. | 0:25:19 | 0:25:23 | |
-Eddie, thank you. Lovely to meet you and good luck. -Thank you. | 0:25:23 | 0:25:26 | |
"To Nick, from Eddie" - isn't that perfect? | 0:25:26 | 0:25:31 | |
He swapped one cast for another. Geddit?! | 0:25:31 | 0:25:34 | |
See what I did? Cast! All right, I'll move on. | 0:25:34 | 0:25:36 | |
Back to the pilot of the crashed Piper light aircraft. | 0:25:38 | 0:25:41 | |
He's seriously injured and paramedics had spent hours | 0:25:41 | 0:25:43 | |
stabilising him before delicately removing him from the wreckage. | 0:25:43 | 0:25:47 | |
Now the race is on to get him to hospital. | 0:25:47 | 0:25:49 | |
It's three hours since the crash and Brian is on his way to hospital. | 0:25:49 | 0:25:53 | |
He's been prepared so he can be taken straight into surgery. | 0:25:53 | 0:25:57 | |
-Have you got everything you need? -Yeah. | 0:25:57 | 0:25:59 | |
-Let's get going. -OK, Brian, we're making a move now. | 0:25:59 | 0:26:02 | |
It's important to reassure Brian. He can't see and he's in a lot of pain, so Emma and Rob keep talking to him. | 0:26:02 | 0:26:10 | |
-What happened? Did the engine just cut out? -Mm. -Oh dear, OK. | 0:26:10 | 0:26:13 | |
-Have you been flying for a long time? -(Years.) -Years? | 0:26:13 | 0:26:17 | |
-Is this your first crash? -Yeah. | 0:26:17 | 0:26:19 | |
-You did it in spectacular fashion, my darling. -And you survived. | 0:26:19 | 0:26:23 | |
You survived, which is the big thing. | 0:26:23 | 0:26:26 | |
When you've been involved in a big catastrophic injury or incident, | 0:26:26 | 0:26:30 | |
obviously you're very emotional and want to know that you're OK, | 0:26:30 | 0:26:34 | |
that you haven't lost any limbs and so forth. | 0:26:34 | 0:26:37 | |
It's important to keep reassuring the guys, so that's just something I've done over the years, really. | 0:26:37 | 0:26:42 | |
From talking to the casualties later, they really hang on to that emotional support, that reassurance. | 0:26:42 | 0:26:49 | |
Another 20 milligrams of ketamine. | 0:26:49 | 0:26:52 | |
Rob administers powerful painkillers at regular intervals. | 0:26:52 | 0:26:56 | |
He coped really well. He wasn't panicking or making too much fuss, he was moaning | 0:26:56 | 0:27:00 | |
only because he was in pain and he coped really well with it. | 0:27:00 | 0:27:03 | |
-Are you warm enough, Brian? -Mm. -Good. | 0:27:03 | 0:27:06 | |
They've made it to the hospital. | 0:27:11 | 0:27:13 | |
-Brian, we're here now, mate. You're going to be fine. -Rob hands over to the trauma unit. | 0:27:13 | 0:27:18 | |
He's a 74-year-old guy and main cause of his injuries is... | 0:27:18 | 0:27:22 | |
He was a pilot of a light aircraft, his engine has stalled | 0:27:22 | 0:27:25 | |
and he's gone into the back garden of a house in Tottenham. | 0:27:25 | 0:27:28 | |
He was trapped for about an hour and 30 minutes. | 0:27:28 | 0:27:31 | |
His main injuries are he's got an eyeball injury to his right, | 0:27:31 | 0:27:36 | |
with exophthalmos of his right, he's got a laceration to his lower jaw, | 0:27:36 | 0:27:41 | |
just on his chin which is bleeding quite profusely. | 0:27:41 | 0:27:45 | |
He has a fractured right wrist, a probable fractured right ankle, | 0:27:45 | 0:27:48 | |
and a probable fractured pelvis. He's maintained his airway throughout. | 0:27:48 | 0:27:52 | |
No external haemorrhage, no catastrophic haemorrhage. | 0:27:52 | 0:27:55 | |
D has been GCS 15 throughout. | 0:27:55 | 0:27:58 | |
It won't be long before Brian is in surgery. | 0:27:58 | 0:28:01 | |
He'll now get all the attention he needs to help him recover | 0:28:01 | 0:28:03 | |
from his terrible injuries. | 0:28:03 | 0:28:05 | |
Both he and the passengers survived the air crash. | 0:28:05 | 0:28:09 | |
For the emergency teams, | 0:28:09 | 0:28:12 | |
it's been a challenging call-out and one of the most unusual. | 0:28:12 | 0:28:16 | |
Nice that they both survived, yeah. | 0:28:16 | 0:28:19 | |
It's probably the trickiest job I've done, one of the most surreal jobs I've done. | 0:28:19 | 0:28:23 | |
Just because you have to think on your feet. | 0:28:23 | 0:28:26 | |
It's not something you've done before and you're trying to remember your basic training | 0:28:26 | 0:28:30 | |
and get everything done in the right order, and do your best for the patient. | 0:28:30 | 0:28:35 | |
So how did Brian survive all of that? Well, he's here and he can tell us for himself. | 0:28:35 | 0:28:40 | |
How lovely to see you stood here, given the list of - I mean, | 0:28:40 | 0:28:44 | |
when they were going through what was wrong with you when they took you in... | 0:28:44 | 0:28:49 | |
-Yes, hmm. -When did you realise how serious it was? | 0:28:49 | 0:28:51 | |
You must have known it was life-threatening. | 0:28:51 | 0:28:53 | |
Not really. It was a bit of a dream. | 0:28:53 | 0:28:56 | |
I knew I was hurt because I knew I couldn't see, | 0:28:56 | 0:29:01 | |
but it didn't actually hurt very much. | 0:29:01 | 0:29:04 | |
I think shock had taken over or whatever. | 0:29:04 | 0:29:06 | |
There was no real pain going on. | 0:29:06 | 0:29:09 | |
We've got a small list of what was wrong - give me your facial injuries to begin with. | 0:29:09 | 0:29:13 | |
Facial injuries - both eyes got pushed back into the brain or into that space. | 0:29:13 | 0:29:18 | |
The right eye burst completely - it split and stuff came out. | 0:29:18 | 0:29:22 | |
The jaw was in five pieces so they had to take all the bottom teeth out | 0:29:22 | 0:29:28 | |
to plate it up and put it back together. Broken wrist... | 0:29:28 | 0:29:32 | |
-Eye sockets were broken as well. -Yes, they had to rebuild those on both sides. | 0:29:32 | 0:29:38 | |
For this, they did actually cut the top of my head off, lift the brain out and put the eyes... | 0:29:38 | 0:29:42 | |
-They did not! -Seriously, yes. -Really? -Yes. | 0:29:42 | 0:29:46 | |
They explained all this, what they were going to do at the time, to me, | 0:29:46 | 0:29:50 | |
for my permission. I said, as far as I'm concerned, you can do what you like. You're the experts! | 0:29:50 | 0:29:57 | |
It's astounding that you're stood here talking to me so soon afterwards. | 0:29:57 | 0:30:01 | |
It's not, it's seven months coming up so it's a long time. | 0:30:01 | 0:30:05 | |
I'm sure a very long time for you. The extraordinary thing, | 0:30:05 | 0:30:08 | |
was whilst we were recording the last series was when the accident happened so we were aware. | 0:30:08 | 0:30:13 | |
Watching all the emergency crews in the ambulance rooms going to work was astounding for us. | 0:30:13 | 0:30:18 | |
For you to have those people working around you in such a tight space must have been incredible. | 0:30:18 | 0:30:23 | |
I didn't realise at the time how many people were there. | 0:30:23 | 0:30:27 | |
I can remember talking to people, when they came along and said, "Are the electrics switched off?" | 0:30:27 | 0:30:33 | |
"No, but I'll do it." So I switched off the electrics. | 0:30:33 | 0:30:37 | |
How did you do that? You were blind at that stage. | 0:30:37 | 0:30:39 | |
When you fly, you tend to get to know where everything is simply by feel. | 0:30:39 | 0:30:44 | |
I know the switch is down here for the electrics, I know the magneto switch is over there. | 0:30:44 | 0:30:50 | |
-So you managed to do that even though you couldn't see out of either eye at that stage? -Mm. | 0:30:50 | 0:30:55 | |
-The person in the other seat. -Yeah, my passenger. -He was an old friend of yours. | 0:30:55 | 0:31:00 | |
Yes, he was. I've known him for 60-some years. | 0:31:00 | 0:31:03 | |
You'd been talking him into going for a flight for how long? | 0:31:03 | 0:31:06 | |
-17 years. -And how many flights had he been on before that? | 0:31:06 | 0:31:09 | |
-He'd never been for a flight with me. -And he didn't want to go because... | 0:31:09 | 0:31:14 | |
No, he lives in Scotland. This is the problem. He lived in Scotland. | 0:31:14 | 0:31:18 | |
We were never together where aeroplanes are for a long time. | 0:31:18 | 0:31:22 | |
Right. So you went up there and he was badly injured as well. | 0:31:22 | 0:31:28 | |
He was injured, yes. | 0:31:28 | 0:31:30 | |
He had a broken nose, broken ribs, cracked vertebrae, yeah. | 0:31:30 | 0:31:35 | |
-Is he still talking to you? -Oh, yes, we're still very friendly. I spoke to him at the weekend. | 0:31:35 | 0:31:41 | |
The other thing is the damage to the house. We can show you some pictures here. | 0:31:41 | 0:31:44 | |
-This is the lady's house who you bumped into. -Yes. | 0:31:44 | 0:31:48 | |
-And left something of a hole in her roof. -Yes. -Did you manage to have a word with her? | 0:31:48 | 0:31:52 | |
Yes. In fact, I met her for the first time today. | 0:31:52 | 0:31:55 | |
-But you rang her. -I rang her while I was still in hospital. -To say? -To say sorry. | 0:31:55 | 0:32:02 | |
Effectively, yeah. | 0:32:02 | 0:32:03 | |
Oh, yes. | 0:32:03 | 0:32:05 | |
I don't suppose you'll be wanting to go flying again, will you? | 0:32:05 | 0:32:08 | |
-I'd love to fly. I'd be up there today if I could. -Really? | 0:32:08 | 0:32:11 | |
Really. Oh, yeah. Look, it's the freedom. | 0:32:11 | 0:32:14 | |
It's just a great way to enjoy yourself. | 0:32:14 | 0:32:18 | |
-What caused the crash? -The engine stopped. | 0:32:18 | 0:32:20 | |
We never know... Nobody knows, to this day, why the engine stopped. | 0:32:20 | 0:32:26 | |
-And you still want to try it again? -Absolutely. | 0:32:26 | 0:32:28 | |
I think you're a marvel, medically, though I think you're mad to want to do it again. | 0:32:28 | 0:32:33 | |
That's been said before, yeah! | 0:32:33 | 0:32:35 | |
-Fantastic to meet you and thank you very much for coming in. -Thank you. | 0:32:35 | 0:32:38 | |
Lovely to see you looking so well. | 0:32:38 | 0:32:40 | |
I cant believe he wants to go back. Let's talk to Erica. | 0:32:40 | 0:32:43 | |
-Are you OK? You're not on a call, are you? -No, it's OK. | 0:32:43 | 0:32:46 | |
About an elderly lady who was on holiday here and she'd had a fall. Where had she had it, though? | 0:32:46 | 0:32:50 | |
She had a fall in the forest at Matchams. | 0:32:50 | 0:32:53 | |
She was down here on her own and she'd taken her two dogs | 0:32:53 | 0:32:56 | |
for a walk in the forest. | 0:32:56 | 0:32:57 | |
It was just starting to get dark and she fell over and broke her leg. | 0:32:57 | 0:33:02 | |
And she didn't know where she was, | 0:33:02 | 0:33:04 | |
but luckily we found her by tracing her through pylons | 0:33:04 | 0:33:07 | |
and what part of the forest and lay-bys. | 0:33:07 | 0:33:09 | |
Right. | 0:33:09 | 0:33:11 | |
So we were trying to deal with her and she said she had two dogs with her | 0:33:11 | 0:33:15 | |
and she didn't want to leave them. | 0:33:15 | 0:33:17 | |
-So, I'm a bit of an animal lover. -You are a dog lover, are you? -Yeah, definitely. | 0:33:17 | 0:33:21 | |
-So you were immediately concerned about them as well as her? -Yeah, definitely. | 0:33:21 | 0:33:25 | |
I tried to trace dogs' homes and other people | 0:33:25 | 0:33:28 | |
to see if they could take the dogs on and look after them, but nobody would. | 0:33:28 | 0:33:33 | |
So we were told to leave the dogs in the car for the night | 0:33:33 | 0:33:36 | |
in the lay-by and she could collect them the next morning if she was well. | 0:33:36 | 0:33:39 | |
-So I had other plans. -Did you? What did you do? | 0:33:39 | 0:33:42 | |
My parents lived up the road, | 0:33:42 | 0:33:44 | |
so I asked my mum to come down and get the dogs. | 0:33:44 | 0:33:47 | |
She did, and while she was there the lady said, | 0:33:47 | 0:33:50 | |
"I really don't want to leave my car here either, can you take that?" | 0:33:50 | 0:33:55 | |
Dad came down, picked up the car, took the dogs and the car back to their house. | 0:33:55 | 0:34:00 | |
This is what I would say is beyond the call of duty, isn't it? | 0:34:00 | 0:34:03 | |
It's not what we usually do. | 0:34:03 | 0:34:05 | |
It was a few years ago, so it was a bit quieter then. | 0:34:05 | 0:34:08 | |
But at the time, I thought, "I can't do this, I cant leave the dogs in the car overnight." | 0:34:08 | 0:34:14 | |
And do you often call your mum and dad and ask them to do favours like that? | 0:34:14 | 0:34:18 | |
-No. It was a one-off. -And how long did they look after the dogs for? | 0:34:18 | 0:34:21 | |
It was only for 24 hours, then a family member came and picked everything up. | 0:34:21 | 0:34:27 | |
But it meant that she could relax a bit while she was going to hospital. | 0:34:27 | 0:34:30 | |
The other thing is, if you're injured, you still worry | 0:34:30 | 0:34:33 | |
-about your loved ones, your dogs, don't you? -Exactly, yeah. | 0:34:33 | 0:34:36 | |
She was happy, I was happy. | 0:34:36 | 0:34:38 | |
But it's not something we usually do, I must say. | 0:34:38 | 0:34:41 | |
People shouldn't expect to be able to call up, should they? | 0:34:41 | 0:34:43 | |
-No, definitely not. -Erica, thank you very much. -That's OK. | 0:34:43 | 0:34:46 | |
Nick, where are you? | 0:34:46 | 0:34:48 | |
I'm in another emergency control room, | 0:34:48 | 0:34:50 | |
only this one's mobile and can be sent to the scene of major incidents. | 0:34:50 | 0:34:57 | |
It still co-ordinates the emergency operation but can do so on the ground. | 0:34:57 | 0:35:00 | |
And this camera looking down on me is just one of the gadgets on board. | 0:35:00 | 0:35:04 | |
Come and have a chat to Tony Savill, who can tell us more about it. | 0:35:04 | 0:35:09 | |
Tony, why do you need a mobile truck like this to go to an incident? | 0:35:09 | 0:35:13 | |
It allows us to have eyes on the ground so we are able to be there, | 0:35:13 | 0:35:17 | |
co-ordinate what's going on at the scene and see | 0:35:17 | 0:35:20 | |
exactly what's going on. | 0:35:20 | 0:35:21 | |
There's more than one camera. This is the one you put on the incident commander, is that right? | 0:35:21 | 0:35:26 | |
-Absolutely. -So you get his view. | 0:35:26 | 0:35:28 | |
If you look at the screen, his view is the one on the right. | 0:35:28 | 0:35:31 | |
And the one on the top of the truck is the one on the left. | 0:35:31 | 0:35:34 | |
There are so many different emergency services there, | 0:35:34 | 0:35:37 | |
-so having a control room like this actually does the job for you. -Absolutely. | 0:35:37 | 0:35:40 | |
-Take us through this incident. This is one that you attended at Exeter airport. -In Exeter airport, yes. | 0:35:40 | 0:35:46 | |
We had reports coming in of a plane coming in with undercarriage problems, | 0:35:46 | 0:35:49 | |
but it was quite a large plane and we had some notice, | 0:35:49 | 0:35:52 | |
so we made the decision to deploy the vehicle in advance. | 0:35:52 | 0:35:55 | |
Let us have a look and see how it progresses. | 0:35:55 | 0:35:57 | |
We gave our incident commander the headset, got everything ready | 0:36:00 | 0:36:03 | |
and got in. | 0:36:03 | 0:36:05 | |
We were there while he was circling to get rid of fuel | 0:36:05 | 0:36:08 | |
to make it safe to land, and eventually he comes in. | 0:36:08 | 0:36:12 | |
We're looking on the right because that's the incident commander on the bus. | 0:36:12 | 0:36:16 | |
What's the bus for? | 0:36:16 | 0:36:17 | |
It was there to take the other emergency services | 0:36:17 | 0:36:20 | |
and airport staff to the scene of the incident. | 0:36:20 | 0:36:24 | |
As you can see, the plane's just coming in here now. | 0:36:24 | 0:36:28 | |
-And there how many people on board? -50 people on board that plane. | 0:36:28 | 0:36:32 | |
-You can see one of the tyres has gone on the left-hand side. -Yeah. | 0:36:32 | 0:36:35 | |
-So the pilot did an amazing job of getting that down. -Completely. | 0:36:35 | 0:36:39 | |
It was a difficult landing, I would imagine. | 0:36:39 | 0:36:42 | |
However, if that had crashed, and that was the worry, | 0:36:42 | 0:36:44 | |
you've got a plane with 50 people on board skewing across the runway, | 0:36:44 | 0:36:49 | |
which is why you had so many people there. | 0:36:49 | 0:36:51 | |
Absolutely. We were there in advance, ready for it to happen. | 0:36:51 | 0:36:54 | |
Everybody was pre-deployed, so if the worst had occurred | 0:36:54 | 0:36:57 | |
we'd be in a position to deal with it. | 0:36:57 | 0:36:59 | |
Why is this of use? I can see you're filming here, great for training purposes, | 0:36:59 | 0:37:03 | |
but in terms of a live feed back to the command centre, how does that help you? | 0:37:03 | 0:37:06 | |
It allows commanders who are looking after the incident, | 0:37:06 | 0:37:09 | |
as well as the other counties that we deal with, | 0:37:09 | 0:37:12 | |
to have a view of what's going on. If you can see it, | 0:37:12 | 0:37:15 | |
it's much easier than reading it on the screen. | 0:37:15 | 0:37:17 | |
-How important is this kit for you? -Very important indeed. | 0:37:17 | 0:37:20 | |
Smashing. Thanks very much, Tony. | 0:37:20 | 0:37:22 | |
It's an old stereotype that firefighters spend their time | 0:37:25 | 0:37:28 | |
rescuing cats up trees and on high roofs, | 0:37:28 | 0:37:31 | |
but is it really a good use of their time? | 0:37:31 | 0:37:33 | |
The problem is owners will go to any lengths to save | 0:37:33 | 0:37:36 | |
their much-loved pets, whatever the risk. | 0:37:36 | 0:37:38 | |
A professional rescue ensures everyone stays safe. | 0:37:38 | 0:37:43 | |
This black cat is going nowhere. She's climbed as far as she can. | 0:37:43 | 0:37:47 | |
It's at least 30 feet down and this animal's clearly in no mood | 0:37:47 | 0:37:52 | |
to attempt a descent. | 0:37:52 | 0:37:54 | |
It's a job for the fire service. | 0:37:54 | 0:37:56 | |
How are you doing, fella? | 0:37:56 | 0:37:58 | |
-In charge is animal-rescue specialist, Buster Brown. -Come and have a look. | 0:37:58 | 0:38:02 | |
Judging by its neck attire, this cat is not any old stray. | 0:38:03 | 0:38:07 | |
In fact, she's a much-loved pet | 0:38:07 | 0:38:09 | |
and has been the subject of a missing-moggy campaign. | 0:38:09 | 0:38:13 | |
Her owner, Andrea, was delighted to find it had worked. | 0:38:13 | 0:38:16 | |
I got a phone call from a neighbour down the road - | 0:38:16 | 0:38:19 | |
she's about 20 houses down - saying that they | 0:38:19 | 0:38:22 | |
could see a cat from their bedroom window. | 0:38:22 | 0:38:25 | |
They got their binoculars out and they thought, "Oh, it's a cat." | 0:38:25 | 0:38:29 | |
I didn't know what to do. I automatically thought, "I can't get up there." | 0:38:29 | 0:38:33 | |
Luckily, it's being left to the professionals. | 0:38:33 | 0:38:36 | |
If it's been up there that length of time, it's really not going to make its way down | 0:38:36 | 0:38:40 | |
without some assistance. | 0:38:40 | 0:38:42 | |
The reason we are going up there | 0:38:42 | 0:38:43 | |
is because members of the public will put themselves at risk, | 0:38:43 | 0:38:47 | |
climbing the roof themselves. | 0:38:47 | 0:38:49 | |
On this particular pitch here, it would be quite easy for someone to climb up onto the wall | 0:38:49 | 0:38:53 | |
then onto the garage roof and try to stretch up and climb up the tiles unaided. | 0:38:53 | 0:38:58 | |
By us removing the cat, it takes away the risk that they might endanger themselves. | 0:38:58 | 0:39:02 | |
I was amazed. | 0:39:02 | 0:39:03 | |
I was laughing at one stage for the sake of, | 0:39:03 | 0:39:06 | |
"I can't believe it's my cat." | 0:39:06 | 0:39:07 | |
For the sake of sheer shock that, "That's my cat on that roof." | 0:39:07 | 0:39:11 | |
This is potentially very dangerous work. | 0:39:12 | 0:39:15 | |
I'm going to climb up the ladder | 0:39:15 | 0:39:18 | |
wearing this harness, | 0:39:18 | 0:39:20 | |
and I'll clip this onto the ladder that I'm on | 0:39:20 | 0:39:22 | |
and I'll stay on the ladder or on the ridge of the roof so that basically I've actually got | 0:39:22 | 0:39:26 | |
some method of securing me to something tangible. | 0:39:26 | 0:39:30 | |
Should I slip, I'm not going to fall off the roof. | 0:39:30 | 0:39:32 | |
A bit more, fella. | 0:39:32 | 0:39:35 | |
First, they have to clear the drive to get the ladders in place. | 0:39:35 | 0:39:38 | |
That's great. Well done, mate. | 0:39:38 | 0:39:40 | |
Gill the cat has remained pretty much rooted to the spot. | 0:39:45 | 0:39:48 | |
She barely turns a hair when the ladders are put up. | 0:39:48 | 0:39:51 | |
I think it will come to me quite easily. | 0:40:00 | 0:40:03 | |
Hello. | 0:40:08 | 0:40:09 | |
Buster needs a good head for heights. | 0:40:09 | 0:40:12 | |
30 feet may not sound very far but this is what it looks like. | 0:40:12 | 0:40:15 | |
Puss, puss. | 0:40:15 | 0:40:18 | |
Come on. Come on. | 0:40:18 | 0:40:23 | |
Good girl. | 0:40:23 | 0:40:26 | |
Gill senses that this is the only route to safety, | 0:40:26 | 0:40:29 | |
making Buster's work a little easier. | 0:40:29 | 0:40:31 | |
Yeah, hello. Oh, mate. | 0:40:31 | 0:40:33 | |
You're beautiful. | 0:40:33 | 0:40:36 | |
However, putting a cat in a basket 30 feet up is potentially stomach-churning. | 0:40:39 | 0:40:43 | |
Tried and practised, tried and practised. | 0:40:43 | 0:40:46 | |
He's done it. | 0:40:46 | 0:40:48 | |
Gill is in the basket and on her way down to earth, | 0:40:48 | 0:40:51 | |
straight back to an RSPCA inspector who hands her over to Andrea | 0:40:51 | 0:40:56 | |
and her family. | 0:40:56 | 0:40:58 | |
I was so pleased to have her back down. It was amazing. | 0:40:58 | 0:41:02 | |
She's a lovely cat and I couldn't live without her. | 0:41:02 | 0:41:05 | |
Everyone comes round to see Gill more than to see me. | 0:41:05 | 0:41:08 | |
It's lovely to have her home. | 0:41:08 | 0:41:10 | |
And Gill, it seems, is happy to leave the high life behind. | 0:41:12 | 0:41:17 | |
She's quite homely now. | 0:41:17 | 0:41:18 | |
Whether it's down to the weather or whether it is down to | 0:41:18 | 0:41:21 | |
her incident, she's a cat that wants to stay home. | 0:41:21 | 0:41:24 | |
Honestly, that answers a question that I've often had, | 0:41:27 | 0:41:30 | |
which is, when you look at these units - I love animals and don't want to see them come to any harm - | 0:41:30 | 0:41:35 | |
but is it worth all that money to send people out do this? | 0:41:35 | 0:41:38 | |
It is if somebody's going to follow them and fall out of the tree. | 0:41:38 | 0:41:41 | |
Would you follow your cat up onto the roof to try and rescue it? | 0:41:41 | 0:41:44 | |
-Oh, I... I don't... Maybe. -Yes, you probably would. | 0:41:44 | 0:41:47 | |
There would be an ambulance at the bottom to get you back. | 0:41:47 | 0:41:50 | |
-Maybe I wouldn't now. -Have you learned anything today? -I didn't know that triage... | 0:41:50 | 0:41:54 | |
what it meant... I didn't know it meant sorting. | 0:41:54 | 0:41:57 | |
Yes, it's a posh word. If you're told, "I'm going to sort you," you're not happy. | 0:41:57 | 0:42:00 | |
But "You're going to see the triage." "I'm happy, thanks." | 0:42:00 | 0:42:03 | |
-That's all for today. Join us next time for more Real Rescues. See you then. -See you. | 0:42:03 | 0:42:08 | |
Subtitles by Red Bee Media Ltd | 0:42:28 | 0:42:31 | |
E-mail [email protected] | 0:42:31 | 0:42:34 |