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Now it is time to remind ourselves of some of those who died in 2012. | :00:03. | :00:13. | |
:00:13. | :00:26. | ||
We start with deep regret. -- we start when Dave Brubeck. | :00:26. | :00:34. | |
Read them is an international language. Not melody, rhythm. | :00:34. | :00:40. | |
said why don't you put up all -- why don't you pit and melody over | :00:40. | :00:50. | |
:00:50. | :00:51. | ||
what Joe was doing. And so Paul's assignment was to pit a melody over | :00:51. | :01:01. | |
:01:01. | :01:01. | ||
Apology for the loss of subtitles for 80 seconds | :01:01. | :02:22. | |
a low read them. -- below were read I was tired of the sex image. It | :02:22. | :02:32. | |
:02:32. | :02:32. | ||
Apology for the loss of subtitles for 80 seconds | :02:32. | :03:14. | |
was a role, but not who I was as a I thought everyone knew the story | :03:14. | :03:21. | |
behind the song. But people still ask me. Is it that a mountain but | :03:21. | :03:25. | |
it is the butter mountain burnt down? What I love about the song is | :03:25. | :03:35. | |
:03:35. | :03:35. | ||
Apology for the loss of subtitles for 80 seconds | :03:35. | :04:17. | |
that if you want to know the story, That very night a forest route. And | :04:17. | :04:27. | |
when you came to the police for the Wild Things Are up the roared their | :04:27. | :04:35. | |
terrible roars. We are talking of the large moment in childhood which | :04:35. | :04:45. | |
:04:45. | :04:55. | ||
is getting through child it. -- So the out of my affairs. Use line, | :04:55. | :05:02. | |
you make me sick set - but you make me sec. Which slot are you staying | :05:03. | :05:09. | |
with tonight? Any one better than the one I'm looking at right now. | :05:09. | :05:19. | |
:05:19. | :05:25. | ||
We just clicked. I honestly think She once asked me if I wanted to do | :05:25. | :05:32. | |
with her. I said no. As that I wanted to be a cowboy. Then I found | :05:32. | :05:38. | |
out what real work was. That decided me. | :05:38. | :05:44. | |
Two acres of sand for ritual! have done at this time. You sure | :05:44. | :05:53. | |
how up. The secret of food and it is contained on videotape. -- of | :05:53. | :06:02. | |
the whodunnit. It will not be given to the BBC until tomorrow morning. | :06:02. | :06:12. | |
:06:12. | :06:48. | ||
It was you! New shot deer. -- The press labelled as a | :06:48. | :06:52. | |
manufactured band but like anything you make arrangements whether | :06:52. | :07:02. | |
:07:02. | :07:02. | ||
Apology for the loss of subtitles for 80 seconds | :07:02. | :07:57. | |
you're a TV presenter already treat. That was all ought to let it all | :07:57. | :08:05. | |
look, right across the board. -- the numbers ought to be living. | :08:05. | :08:15. | |
:08:15. | :08:15. | ||
Apology for the loss of subtitles for 80 seconds | :08:15. | :09:12. | |
To the back, it's a try! Melvyn The evening, ladies and gentlemen. | :09:12. | :09:22. | |
:09:22. | :09:24. | ||
I and Queen but what I'm going to play a song that is 1,000 years old. | :09:24. | :09:28. | |
I do not know what it is about the guitar but it is the loveliest | :09:28. | :09:34. | |
instrument of all, to my mind. The violin, harp and cello are great, I | :09:34. | :09:44. | |
:09:44. | :09:44. | ||
Apology for the loss of subtitles for 80 seconds | :09:44. | :10:42. | |
love those instruments, but the How was that's the line of years? | :10:42. | :10:47. | |
have been taking up to the mind never. But I decided to take her on | :10:47. | :10:51. | |
to the coast because she needs sold. I introduced it to the sea. It was | :10:51. | :11:01. | |
a beautiful sunny day when I to go Gemini was more interested in the | :11:01. | :11:06. | |
rough texture of the rocks when we started. Something else he was | :11:06. | :11:16. | |
:11:16. | :11:16. | ||
Bristol wanted to create a place for everyone to learn about the | :11:16. | :11:26. | |
:11:26. | :12:04. | ||
"Maybe It's Because I'm A As I didn't charge starting very | :12:04. | :12:09. | |
young. About 13 or 14 I decided I wanted to sing professionally. Me | :12:09. | :12:19. | |
:12:19. | :12:34. | ||
my mother went to the studio. "I Is that alcohol? Is it cocaine? Is | :12:34. | :12:41. | |
it marijuana? It has been at times question -- it has been at times. | :12:41. | :12:51. | |
:12:51. | :12:51. | ||
Apology for the loss of subtitles for 80 seconds | :12:51. | :13:47. | |
Come on, wake up. What has happened to you? Lots of people where these. | :13:47. | :13:52. | |
In bed? It says for the swimmer to become acclimatised he must wear | :13:52. | :13:57. | |
this for 20 minutes a day. Have your tea before it gets cold. | :13:57. | :14:07. | |
:14:07. | :14:10. | ||
is a tricky operation. Flippers, too? 25 years I was on the stage | :14:10. | :14:14. | |
and I was deaf as opposed and they did not hear laughter for 25 years. | :14:14. | :14:24. | |
:14:24. | :14:29. | ||
Then I got those. I realised I had We are very honest. And very hard- | :14:29. | :14:34. | |
working. I am Vidal Sassoon and if you don't look good, we don't look | :14:34. | :14:43. | |
good. Are you going to cut my hair? When you came in, Linda, I noticed | :14:43. | :14:47. | |
that your hair was killed back this way. It is more flattering. I | :14:47. | :14:51. | |
wanted to go back from there. me one good reason. All you are | :14:51. | :14:58. | |
worrying about his height? Not the fact that it goes back or forward? | :14:58. | :15:03. | |
I have always had it like that. never do what you have always had. | :15:03. | :15:08. | |
I wanted to go back to the basic angles of cut and showed. The Times | :15:08. | :15:13. | |
newspaper brought out an article with nine pictures of how Mary | :15:13. | :15:21. | |
Quant changed the 60s. I was fortunate enough to be there to | :15:21. | :15:26. | |
help you, shall we say? Vidal Sassoon changed hair forever. | :15:26. | :15:33. | |
will shame us all. Think how he was raised. God-fearing and pure. | :15:33. | :15:37. | |
fearing? Have you forgotten 15 years that you were drunk and | :15:37. | :15:42. | |
beating me with anything you could lay your drunken hands on? And now | :15:42. | :15:51. | |
you are waving that bible. God- fearing and purity? I wish you to | :15:51. | :15:57. | |
hell. # Guest there is no use in hanging | :15:57. | :16:04. | |
round. # I will find some crowded Avenue, | :16:04. | :16:12. | |
though it will be empty without you. # Can't get used to losing you no | :16:12. | :16:17. | |
matter what I am fighting. # Got to live my whole life through | :16:17. | :16:22. | |
loving you. I would much rather have played | :16:23. | :16:29. | |
baseball than to be rehearsing after-school and singing on a radio | :16:29. | :16:35. | |
show at 8 o'clock at night or 8 o'clock in the morning. I did not | :16:35. | :16:45. | |
:16:45. | :16:46. | ||
really enjoy singing until I started singing alone. | :16:46. | :16:56. | |
:16:56. | :16:56. | ||
Apology for the loss of subtitles for 80 seconds | :16:56. | :17:58. | |
Houston, the Eagle Has landed. We are breathing again. Thanks very | :17:58. | :18:08. | |
:18:08. | :18:23. | ||
It is one small step for man. One The important achievement of Apollo | :18:23. | :18:28. | |
was a demonstration that humanity is not forever changed to this | :18:28. | :18:32. | |
planet and our visions go rather further than that and our | :18:32. | :18:36. | |
opportunities are limited. Good evening. Burnham's Comet turned out | :18:36. | :18:46. | |
:18:46. | :18:59. | ||
That is the diamond ring, an incredible sight. That is the end | :18:59. | :19:09. | |
:19:09. | :19:17. | ||
of the eclipse of the century and This was simply a grassy bank. And | :19:17. | :19:23. | |
now, look at it. They said it simply could not be built. Well, it | :19:23. | :19:31. | |
was built, and here it is now. signals making the holes in the | :19:31. | :19:41. | |
:19:41. | :19:44. | ||
state have been processed by a computer. -- punched tape. There | :19:44. | :19:48. | |
was no instrument in the country that could detect the rockets but | :19:48. | :19:54. | |
Nick. So we connected one of our meteor transmitters to the | :19:54. | :19:59. | |
telescope and within a few days we had the thrill of seeing what no | :19:59. | :20:09. | |
man had yet seen. The radar echo from an enormous ballistic missile. | :20:09. | :20:14. | |
This telescope, although it is working marvellously at the moment, | :20:14. | :20:20. | |
obviously has a limited life. I think it's life will not be limited | :20:20. | :20:26. | |
by the structure, but by its ability to cope with the new | :20:26. | :20:32. | |
demands in astronomy. I thought 20 years ago that, for example, we | :20:32. | :20:35. | |
knew all that we wanted to know about the structure and evolution | :20:35. | :20:42. | |
of the universe. And now we know almost nothing. | :20:42. | :20:50. | |
Don't panic! Don't panic! They don't like it up them, you see, | :20:50. | :20:56. | |
Sir. It puts fear into the heart of the Bosch. They don't like it, Sir, | :20:56. | :21:02. | |
especially up them. I thought the audience might find it a bit | :21:02. | :21:07. | |
offensive to say they don't like it up them. But they loved it. Of | :21:07. | :21:12. | |
course they love everything that is a bit rude, don't they! | :21:12. | :21:19. | |
# Grandad, lovely. That is what we all think of you. | :21:19. | :21:27. | |
Don't panic, don't panic. Don't panic! | :21:27. | :21:32. | |
Whistle While You Work, Hitler is a twerp. He is half barmaid, so is | :21:32. | :21:42. | |
:21:42. | :21:46. | ||
his army. Your name will also go on the list. Don't tell him! | :21:46. | :21:51. | |
You can't guarantee that you'll hit a vital spot. We have been here | :21:51. | :21:56. | |
mums and it is but first time that we have ever set eyes on this | :21:56. | :22:02. | |
creature. They cannot understand why it did not see us. Why is it so | :22:02. | :22:07. | |
hot? It is a reptilian and presumably they have created an | :22:07. | :22:11. | |
environment that suits them. wonder how many of them are thereof. | :22:11. | :22:19. | |
On I wish I knew. I suppose you just happen to have one of them in | :22:19. | :22:29. | |
:22:29. | :22:42. | ||
your pocket? As a matter of fact I How did you know? He probably | :22:42. | :22:45. | |
looked more convincing from the front. To convincing but there is | :22:45. | :22:50. | |
no need to be smug about it. not smug. I know that expression | :22:50. | :23:00. | |
:23:00. | :23:38. | ||
We had a telephone call for Robert saying that Paramount was making a | :23:38. | :23:48. | |
:23:48. | :24:12. | ||
We are talking about two careers here, composer and artist. They go | :24:12. | :24:18. | |
together, but they are separate as well. They are both very meaningful | :24:18. | :24:23. |