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# I believe in miracles, where you from? | :00:00. | :00:15. | |
MUSIC: "Every 1's a Winner" -Hot Chocolate. | :00:16. | :01:30. | |
I am seriously privileged to have called so many marvellous | :01:31. | :01:54. | |
Horses really were the principal, certainly the first | :01:55. | :02:03. | |
They have taken the lead, it is Jimmy Hill! | :02:04. | :02:10. | |
Good evening and welcome to Match of the Day | :02:11. | :02:12. | |
on the last Saturday of the | :02:13. | :02:13. | |
What a beauty, absolute bobby-dazzler. | :02:14. | :02:26. | |
day's play of the second Test match between England | :02:27. | :02:35. | |
Don't bother looking for that, let alone chasing it. | :02:36. | :02:42. | |
It has gone straight into the confectionery | :02:43. | :02:44. | |
Disturbance, a streaker on the field. | :02:45. | :02:48. | |
That is the first catch Rodney Marsh has made today. | :02:49. | :02:51. | |
I will give you a warning, don't try it without the skill. | :02:52. | :03:49. | |
I was here for an audition and they say, | :03:50. | :04:36. | |
While you are here, nip over to the Coronation Street office, they are | :04:37. | :04:41. | |
looking for someone to do three lines in the street. Please, you | :04:42. | :04:50. | |
would not go and see Jim, would you? Yes? Asking to lay off Peter, he | :04:51. | :04:52. | |
would listen to you. Angela likes Demis Roussos, Tony | :04:53. | :05:41. | |
likes Demis Roussos, I like Demis Roussos and Seward like to hear | :05:42. | :05:49. | |
Demis Roussos! The in each was that of a snowball that has been created | :05:50. | :05:53. | |
through record companies and management, the most important thing | :05:54. | :05:54. | |
in my head was the music. # You're my dream come | :05:55. | :06:28. | |
true, my consolation # I am Dracula and I welcome you to my | :06:29. | :06:40. | |
house. I was doing the same kind of film, | :06:41. | :06:56. | |
Moore on is the same kind of part, but very few variations on it. And I | :06:57. | :07:02. | |
was getting bored, so if I get bored the audience is certainly going to | :07:03. | :07:09. | |
get bored. Bountiful goddess, accents are sacrifice and make art | :07:10. | :07:18. | |
blossoms grow. Like if the great artist I want to create an | :07:19. | :07:21. | |
indisputable masterpiece once in my lifetime. The death of 77. So you | :07:22. | :07:28. | |
have come here for information. I have some for you. When I see | :07:29. | :07:42. | |
someone rich both my start to pitch. I had to pick a pocket or two. | :07:43. | :07:57. | |
You have got to pick a pocket or two. | :07:58. | :08:18. | |
Neo, far, wherever you are, I believe that the heart Will go on. | :08:19. | :08:40. | |
Once more, you open the door, and you are here my heart and my heart | :08:41. | :08:43. | |
Will go Miss Marple, is that correct? | :08:44. | :09:03. | |
Guesses but, quite correct. Use all this is last night? She said she had | :09:04. | :09:07. | |
some good news but I suppose whatever that news was it did not | :09:08. | :09:12. | |
enter the four, did it? Might I ask... Poor creature. Who was the | :09:13. | :09:20. | |
oldest man in the Bible? How old was he? What sort of tea is this? Stand | :09:21. | :09:26. | |
up and be counted, I mean, Empire blend. Just in time for the | :09:27. | :09:30. | |
missionary report. You will be queen wherever you are stop what does that | :09:31. | :09:38. | |
mean? I should not have said it. Why? I have no right to speak to you | :09:39. | :09:55. | |
so. Mr Griffith, if the right is mine to give, you have it. I am very | :09:56. | :10:07. | |
glad I ran into you. I'm glad to, where each day? Of course I am fully | :10:08. | :10:14. | |
trained, Inc, microphone clip, but I don't know about nuclear fission. If | :10:15. | :10:20. | |
anybody had told me six months ago that today I would be in a graveyard | :10:21. | :10:24. | |
in Innisfree with a girl like move that I'm just about a guess... The | :10:25. | :10:29. | |
case is a long way off yet, we just out of the courting and next month | :10:30. | :10:32. | |
we start walking out together and the month after that the parties. | :10:33. | :10:38. | |
No. But maybe we will not have to wait that long. Yes. Or for the | :10:39. | :10:47. | |
parties. No. All for the walking out together. No. | :10:48. | :11:20. | |
To get things started you had better not mess with Major Tom. My name is | :11:21. | :11:48. | |
Charles Kennedy and tonight I am in charge. People of Britain, get used | :11:49. | :11:59. | |
to it. The patron saints and each of the exit, St George for England | :12:00. | :12:04. | |
above the entrance to the House of Lords, why? Because the English are | :12:05. | :12:06. | |
obsessed with the class system and getting on. St Patrick's for Ireland | :12:07. | :12:12. | |
above the exit, it is obvious, the Irish just want to get out of the | :12:13. | :12:17. | |
whole setup. And David for Wales above the entrance to the House of | :12:18. | :12:21. | |
Commons, because the Welsh love the sound of their own voice when they | :12:22. | :12:25. | |
are speaking or singing. And guess what, Saint Andrew for Scotland, | :12:26. | :12:31. | |
above the entrance to the hospitality area. | :12:32. | :12:55. | |
I see at there, then MPs, in the Houses of Parliament, copying | :12:56. | :13:04. | |
?20,000 a year... You don't half talk a load of cobblers! Harold | :13:05. | :13:10. | |
Wilson doesn't even get that much and he is the Prime Minister. What | :13:11. | :13:17. | |
they tell you they get and what they find in their pockets, that's | :13:18. | :13:22. | |
different things. Perks, that's what I'm talking about. You don't think | :13:23. | :13:29. | |
they can afford to live up there on the way they do and what they are | :13:30. | :13:34. | |
supposed to learn, do you? Off to the Scilly Isles every five minutes? | :13:35. | :13:43. | |
They go across in the boat. Oh shut up, they haven't got anything of | :13:44. | :13:48. | |
their own, those Labour MPs, they haven't got private fortunes, not | :13:49. | :13:50. | |
like us Tories have! # The sun and wind play on a ring of | :13:51. | :14:12. | |
Bright water, that's where my heartland should be #. | :14:13. | :14:34. | |
Hello and welcome to Spotlight from the Cornwall County show in | :14:35. | :14:39. | |
Weybridge. Pick-up any book about the great Western or read a history | :14:40. | :14:44. | |
of the Puffing Billy and you will almost certainly find the name of | :14:45. | :14:49. | |
David and Charles on the flyleaf. This was a firm that was successful | :14:50. | :14:57. | |
by staying on the rails. What's that? The workers, with a bowl of | :14:58. | :15:04. | |
corn, that was their ration for the day. Right, here we go. Yes! If you | :15:05. | :15:20. | |
have been invited for dinner in the 1890s this was how you would have | :15:21. | :15:24. | |
found the dining room, the centrepiece was presented to the | :15:25. | :15:28. | |
family by Cornish miners in gratitude for a hospital that they | :15:29. | :15:32. | |
built for them in Redruth. We've been on the air for 70 years now and | :15:33. | :15:37. | |
we are beginning to produce our own memorabilia, some became in earlier | :15:38. | :15:40. | |
with this which commemorates an earlier visit to Cornwall back in | :15:41. | :15:45. | |
1981, there is the signature of Arthur Amigas and here is Arthur | :15:46. | :15:50. | |
with a young friend who looks completely inexperienced, to me! | :15:51. | :16:28. | |
Look at my legs, look at them, they are gross, look at them! Monuments | :16:29. | :16:39. | |
of Phil! They stink like a buyer. What colour is my hair, my beard? It | :16:40. | :16:51. | |
was red. And I old? Am I fat? No, sire. Madame, have you no stomach | :16:52. | :17:02. | |
for the truth? # They march the woodland singing | :17:03. | :17:06. | |
songs that tell how they have righted wrongs #. | :17:07. | :17:16. | |
Drifting onwards through space, atop the shell of the great Turtle, R | :17:17. | :17:23. | |
four giant elephants, upon whose broad shoulders rests the Discworld. | :17:24. | :17:35. | |
The big battles are over, the city 's have grown, the elves and trolls | :17:36. | :17:40. | |
are now citizens and politics has taken the place of warfare and | :17:41. | :17:46. | |
everyone is chasing a dollar. If you do help somebody who commit suicide, | :17:47. | :17:52. | |
you may be prosecuted. If your motive was love or compassion, this | :17:53. | :17:59. | |
will be taken into account. However, it remains illegal. Mr Steed, I | :18:00. | :18:10. | |
thought you would be asleep. Let's stroll outside. I wouldn't do that | :18:11. | :18:19. | |
if I were you, it is a chill night. Don't worry, I've got a warm nature. | :18:20. | :18:30. | |
You will be getting into bad habits. That was Boris. Impossible. I shot | :18:31. | :18:39. | |
Boris. Early in 1963. I shot through the heart. | :18:40. | :19:18. | |
What do you call those? I called them years. I fail to see what they | :19:19. | :19:29. | |
find so amusing. This is ideally located for use either side. Coveted | :19:30. | :19:38. | |
by humanoids, very peaceful, friendly people, living on a | :19:39. | :19:44. | |
primitive level, little of intrinsic value, approximately class D minus. | :19:45. | :19:56. | |
I am Spock. Every once in a while, in a given situation, I hear a voice | :19:57. | :20:00. | |
that says, you may think this is the approach you want to take to the | :20:01. | :20:05. | |
problem... And I think, maybe I should rethink this. That rational | :20:06. | :20:11. | |
voice is the voice of Spock. Since my customary farewell would appear | :20:12. | :20:16. | |
oddly self-serving, I shall simply say good luck. This is my well. I | :20:17. | :20:34. | |
have drunk from it. You are welcome. That young man who took you away? My | :20:35. | :20:43. | |
husband. He made the rest of us look feeble, I thought you posted. A good | :20:44. | :20:49. | |
man to shoot out. I would have anything never to have met him. My | :20:50. | :20:56. | |
object has been for the last few years to bring bridge to as many | :20:57. | :21:00. | |
people as possible. I love the game very much, everyone knows that, and | :21:01. | :21:04. | |
I would like as many people as possible to play it. I gave you | :21:05. | :21:09. | |
seven children and know you want to give them back! I found that when | :21:10. | :21:15. | |
people wanted me to sing a gospel song they would praise me but when | :21:16. | :21:18. | |
somebody asked me to play the blues they would give me a tip and | :21:19. | :21:22. | |
sometimes a beer. I don't have to tell you where the motivation came | :21:23. | :21:28. | |
from! # Baby, don't you want to know? | :21:29. | :21:37. | |
# Same old place, sweet home Chicago #. | :21:38. | :22:10. | |
# When a man loves a woman, can't keep his mind on nothing else, he'd | :22:11. | :22:18. | |
change the world for the good thing he found. #. | :22:19. | :22:29. | |
I decided to make a list, once we had the Home Office permit, to bring | :22:30. | :22:37. | |
the children in, under conditions, our only job then was to form a | :22:38. | :22:44. | |
committee and get going, and find families who would take children in. | :22:45. | :22:53. | |
Vera is with us tonight, hello, vera, you are sitting next to | :22:54. | :23:03. | |
Nicholas Winton. I wore this around my neck and this is the actual path | :23:04. | :23:08. | |
that we were given to come to England. I am another of the | :23:09. | :23:13. | |
children that you saved. APPLAUSE | :23:14. | :23:24. | |
# We'll meet again, don't know where, don't know when | :23:25. | :23:37. | |
# But I know we'll meet again, some sunny day #. | :23:38. | :23:45. | |
You aren't going to make a fortune on that, are you? What about our | :23:46. | :23:54. | |
dinner money, Harry? Do you mind telling me what you do? I trade, | :23:55. | :24:03. | |
nylons, anything. Make sure her indoors cops it. I hadn't even seen | :24:04. | :24:08. | |
a script, I just saw the format and it said that Arthur Daley was firmly | :24:09. | :24:12. | |
behind the Home Secretary when it came to crime and punishment and | :24:13. | :24:16. | |
dresses like a dodgy member of the citizens advice bureau. That was all | :24:17. | :24:22. | |
I needed! Pleased to meet you, Mr Morgan, Arthur Daley. He didn't | :24:23. | :24:27. | |
sound Welch, he seemed like a nice chap! | :24:28. | :24:34. | |
# What's it all about, when you sorted out, Alfie. #. | :24:35. | :24:50. | |
Every weekend I'd come home after singing in a club in Liverpool I'd | :24:51. | :24:54. | |
come home and say, man, I'm going to be famous, and never once, my man or | :24:55. | :25:00. | |
my dad, they never patronised me in anyway. They gave me the | :25:01. | :25:02. | |
encouragement. Miss Cilla Black! Thank you, thank you, hello, and | :25:03. | :25:30. | |
welcome to another Blind Date. I think you're having me on, what's a | :25:31. | :25:40. | |
vision technician? A window cleaner! # Anyone who had a hard would simply | :25:41. | :25:43. | |
take me in his heart... #. | :25:44. | :25:57. |