Browse content similar to We Remember Part One. Check below for episodes and series from the same categories and more!
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MUSIC: "Little Red Corvette" by Prince. | :00:20. | :00:30. | |
# So tonight I'm going to party like it's 1999 # | :00:31. | :00:44. | |
# You don't have to be beautiful to turn me on...# | :00:45. | :00:59. | |
So how did The Artist Formerly Known As come about? | :01:00. | :01:05. | |
That came up through people's problems with, mainly the media's | :01:06. | :01:11. | |
problem with not having a pronunciation for the symbol. | :01:12. | :01:14. | |
So they had to come up with something, I guess. | :01:15. | :01:18. | |
I really truly madly deeply love you. | :01:19. | :02:03. | |
I really truly madly deeply passionately love you. | :02:04. | :02:05. | |
I really truly madly deeply passionately remarkably love you. | :02:06. | :02:07. | |
I really truly madly deeply passionately remarkably... | :02:08. | :02:13. | |
I really truly madly passionately remarkably | :02:14. | :02:19. | |
It was your word, which means you couldn't have meant it! | :02:20. | :02:30. | |
Cancel the kitchen scraps for lepers and orphans. | :02:31. | :02:33. | |
That is a very serious accusation, Potter. | :02:34. | :02:46. | |
Of course she doesn't, that's how Leonardo painted her. | :02:47. | :03:18. | |
We thought we were in a dream, you know? | :03:19. | :03:20. | |
Because we had done nothing in particular, and we both said, | :03:21. | :03:23. | |
well, he said you're women, right about two women | :03:24. | :03:26. | |
And we said, OK, we could do flat sharing. | :03:27. | :03:34. | |
You think I'll tell you how Robert and me went to the art galleries | :03:35. | :03:37. | |
And then having got that out of me, you think I'll tell you how | :03:38. | :03:42. | |
he's asked me to spend the night with him. | :03:43. | :03:44. | |
I knew you'd drag it out of me somehow! | :03:45. | :03:48. | |
I believed that most women felt trapped the way I did. | :03:49. | :04:04. | |
The first sentence I wrote, I knew, they must never go to bed. | :04:05. | :04:08. | |
You've got to transport that huge lump into the world, hasn't she? | :04:09. | :04:17. | |
A man couldn't give birth to a jelly baby! | :04:18. | :04:21. | |
The character was originally written as a rather stereotyped | :04:22. | :05:15. | |
The big fat man and lazy husband, and little nagging wife. | :05:16. | :05:23. | |
I bet Barbara Cartland never has all this trouble. | :05:24. | :05:25. | |
Well after a few weeks we thought this was going to get a bit boring. | :05:26. | :05:29. | |
So we started playing against the script. | :05:30. | :05:30. | |
Same words, but trying to give them a bit more character. | :05:31. | :05:33. | |
Fish knives, they are common as muck! | :05:34. | :05:38. | |
You know, the way them singing sirens used to draw unsuspecting | :05:39. | :05:56. | |
Quincy always talks about thinking that I must have been black. | :05:57. | :06:21. | |
I must have been, you know, before he met me, because of | :06:22. | :06:24. | |
MUSIC: "Rock With You" by Michael Jackson. | :06:25. | :06:38. | |
The whole thing took two weekends and it was amazing. | :06:39. | :06:43. | |
By the time it was over, Quincy and I had become such close buddies, | :06:44. | :06:47. | |
that he said I want you to work on everything I'm doing. | :06:48. | :06:52. | |
MUSIC: "Thriller" by Michael Jackson. | :06:53. | :07:45. | |
Here is the clock, the Trumpton clock. | :07:46. | :07:51. | |
Here is Chippy Minton, and his son Nibs. | :07:52. | :07:54. | |
We're going to do a job for Mr Platt, the clockmaker. | :07:55. | :08:06. | |
A grandfather clock, needs its case mended. | :08:07. | :08:10. | |
Good morning! Pat called. | :08:11. | :08:12. | |
Looks like a busy day for you, lots of letters and parcels. | :08:13. | :08:20. | |
Well, at least it's a nice day for it! | :08:21. | :08:31. | |
He sent me to get these throat lozenges. | :08:32. | :08:34. | |
There's a lot of them about, ain't there? | :08:35. | :08:46. | |
We used plasticine because it was fun and it's quite easy, | :08:47. | :08:50. | |
If the temperature is too cold, it can crack. | :08:51. | :08:54. | |
If it's too hot, it can melt and get a bit soggy, | :08:55. | :08:57. | |
I've been a man in the world, and I want everybody out | :08:58. | :09:45. | |
I don't think he'll ever get through this round. | :09:46. | :09:50. | |
Why do you insist on being called Muhammad Ali now? | :09:51. | :09:54. | |
That's the name given to me by my leading teacher. | :09:55. | :09:57. | |
That's my original name, that's a slave name, | :09:58. | :09:59. | |
A man who can pay in two fights for three planes, | :10:00. | :10:03. | |
why would you take and seek out and be anxious to call me, out of 30 | :10:04. | :10:06. | |
He talks too much, he's ugly, he's pretending. | :10:07. | :10:20. | |
I'm the true champion and they make me the underdog. | :10:21. | :10:22. | |
I'm going to show them all, because I'm the champion, | :10:23. | :10:25. | |
There will never be one like me, and all you people in Britain | :10:26. | :10:31. | |
who rate me as the greatest, I'm going to prove I'm the greatest. | :10:32. | :10:34. | |
We're going to prove to the world I'm the greatest. | :10:35. | :10:36. | |
This is my last fight, I don't want none of you to miss it. | :10:37. | :10:40. | |
So please come to theatres, I'm going to eat some raw meat. | :10:41. | :10:43. | |
I'm going to get ready and chop some more trees! | :10:44. | :10:45. | |
COMMENTATOR: Oh my God, he's won the title back at 32! | :10:46. | :10:59. | |
I said, man, this is the wrong place to get tired! | :11:00. | :11:10. | |
The forwards have just stepped up to the mark and smashed Wales. | :11:11. | :11:23. | |
I've won a few tournaments, I've won some majors. | :11:24. | :11:42. | |
I suppose the most important thing... | :11:43. | :11:52. | |
Is the fact that it has been as good as it has been to me. | :11:53. | :11:59. | |
Arnold Palmer, golfer, aviator, man of many powers. | :12:00. | :12:06. | |
# Come with me and you'll be in a world of pure imagination...# | :12:07. | :12:37. | |
When I do make jokes, they're usually not that funny, | :12:38. | :12:39. | |
But if I go in public somewhere, the first thing people say, come on, | :12:40. | :12:45. | |
28 seconds, you're running out of time. | :12:46. | :13:02. | |
To be honest, I cannot function in these conditions! | :13:03. | :13:04. | |
My blanket, my blue blanket, give me my blue blanket! | :13:05. | :13:17. | |
He had the fastest hands in the West. | :13:18. | :13:24. | |
A lot of people have criticised me for writing music | :13:25. | :14:10. | |
I take for granted that what I write has got a meaning. | :14:11. | :14:19. | |
I think a composer should be able to take that for granted, | :14:20. | :14:23. | |
otherwise he should not be in the business at all. | :14:24. | :14:28. | |
To do something which is civilised in intent, and I hope in result, | :14:29. | :14:42. | |
at the top end of what is possible in a civilisation, what a privilege. | :14:43. | :14:46. | |
Everything you read in the paper about how hard | :14:47. | :15:20. | |
the Prime Minister has to work is bit of a myth, really. | :15:21. | :15:23. | |
This is put up by the press office as a matter of course. | :15:24. | :15:26. | |
But if you think about it, what do you have to do? | :15:27. | :15:29. | |
Audience with the Queen on Tuesday evenings. | :15:30. | :15:45. | |
Seven and a half hours a week so far. | :15:46. | :15:49. | |
When I was 15 or 16, I was with an old soldier. | :15:50. | :15:59. | |
I can't get over a girl like you, so turn out the lights | :16:00. | :16:20. | |
I hope Sergeant Major is in good mood. | :16:21. | :16:31. | |
Our cordon bleu cook is in an Italian mood. | :16:32. | :16:41. | |
And he has conjured up for you spaghetti | :16:42. | :16:43. | |
Maybe that was the only way to punish me properly. | :16:44. | :16:54. | |
Maybe it wouldn't have been enough to tell me in private | :16:55. | :16:57. | |
The most quick way was to bundle you back through | :16:58. | :17:06. | |
your own doorway and into the safety of this hallway, but I'm afraid | :17:07. | :17:12. | |
that in my anxiety to defend you, I was over vigorous. | :17:13. | :17:14. | |
Speed was the essence of the matter, but it has | :17:15. | :17:17. | |
caused you some shock and I am very sorry. | :17:18. | :17:19. | |
It was a yea my lord, but I don't believe a word of it. | :17:20. | :17:35. | |
It is almost a drama or a tragedy with laughs, because they | :17:36. | :18:01. | |
are real people in trouble, and we always love seeing people | :18:02. | :18:03. | |
There is too much butter on those trays, OK? | :18:04. | :18:12. | |
There is too much butter and those trays. | :18:13. | :18:15. | |
Viewers often see me and my co-announcers sitting like this. | :18:16. | :18:29. | |
And they may think we are in a quiet, | :18:30. | :18:31. | |
But in fact, as you can see, our studios are pretty | :18:32. | :18:37. | |
busy, and they are like this every day of the year. | :18:38. | :18:41. | |
There were lots of breakdowns, particularly at the | :18:42. | :18:43. | |
beginning, because, I mean, the cameras were unreliable. | :18:44. | :18:48. | |
We frequently lost all vision on a show | :18:49. | :18:50. | |
or something, so the announcer would have to go in and apologise and tell | :18:51. | :18:53. | |
From now until after five o'clock this afternoon, television cameras | :18:54. | :19:01. | |
take you into the heart of London to watch and share. | :19:02. | :19:05. | |
That was me, helping in a small way to make | :19:06. | :19:08. | |
Frost will be widespread over the weekend, | :19:09. | :19:14. | |
severe in places to minus seven Celsius, just 19 Fahrenheit. | :19:15. | :19:16. | |
So far this month, as you know, it has been | :19:17. | :19:20. | |
particularly cold, especially over England. | :19:21. | :19:22. | |
She did something that in our society is unspeakable. | :19:23. | :19:35. | |
But remember, it was a sin to kill a mockingbird. | :19:36. | :19:55. | |
Fine, Pavel Andreievich, Chekhov begin shipwide mission broadcast. | :19:56. | :19:59. | |
Authorisation code 95 wictor wictor two. | :20:00. | :20:04. | |
Authorisation code 95 Victor Victor two. | :20:05. | :20:12. | |
Trades dispute act, 1911, the right to peaceful | :20:13. | :20:22. | |
picketing is according to the striker by act of Parliament | :20:23. | :20:25. | |
the right to strike and the right to peaceful picketing. | :20:26. | :20:35. | |
Liberator is stationary and is stabilised in | :20:36. | :20:56. | |
Together, we can find a ship manually. | :20:57. | :21:05. | |
It's Friday, it's five o'clock, and it's Crackerjack! | :21:06. | :21:13. | |
Are you ready to rock on Crackerjack? | :21:14. | :21:18. | |
Those are the nice prizes for you, which are of | :21:19. | :21:20. | |
# Right, said, Fred, give a shout for Charlie | :21:21. | :21:30. | |
# Up comes Charlie from the floor below | :21:31. | :21:32. | |
A track every morning with Ken Bruce and myself every afternoon. | :21:33. | :21:44. | |
There will be another one same time tomorrow. | :21:45. | :21:46. | |
We are working in a very recording studio, which is recording | :21:47. | :21:49. | |
16 separate tracks through a board like this. | :21:50. | :21:51. | |
When I started producing records a few years ago... | :21:52. | :21:53. | |
# Right, said Fred, both of us together, one | :21:54. | :21:58. | |
We still mixed our sounds on a board like this, | :21:59. | :22:06. | |
But it all came down to just one track because it was on a record | :22:07. | :22:11. | |
# There's nothing you can do that can't be done... | :22:12. | :22:25. | |
# Nothing you can sing that can't be sung. | :22:26. | :22:28. | |
We celebrate with it, and we mourn with it. | :22:29. | :22:46. | |
I need music, and I don't mean just professionally. | :22:47. | :22:57. | |
I think you will find to some extent, pretty well | :22:58. | :22:59. | |
Bill Haley had arrived, and of course that was | :23:00. | :23:08. | |
But fortunately in the meantime, I had done two weeks in | :23:09. | :23:20. | |
I wasn't everybody's choice to be on Radio 1, because | :23:21. | :23:39. | |
there was the question of whether I would fit into all this. | :23:40. | :23:42. | |
So I had a three month contract, simple as that. | :23:43. | :23:44. | |
On the Jimmy Young programme today... | :23:45. | :23:52. | |
Hello and welcome to the beginning of what I hope will be a long and | :23:53. | :24:01. | |
How anyone can get such applause and still stay as | :24:02. | :24:05. | |
I mean, I didn't mind if being famous was | :24:06. | :24:14. | |
Have a pencil and paper handy, and your brain in gear. | :24:15. | :24:44. | |
CHEERING . | :24:45. | :24:48. | |
Welcome to the millions of you watching, to the performers | :24:49. | :24:51. | |
from 25 countries waiting nervously backstage. | :24:52. | :24:54. | |
We have a running total going on now. | :24:55. | :25:02. | |
We have been open for one hour and it's a | :25:03. | :25:05. | |
APPLAUSE . | :25:06. | :25:12. | |
One hour, and we have about 1.5 million to raise to do better than | :25:13. | :25:21. | |
# Fiddle, cello, big bass drum, bassoon, flute | :25:22. | :25:34. | |
# Each one making the most of his chance | :25:35. | :26:10. | |
I'm sure you'll be impacted by the weather over the next few days. | :26:11. | :26:12. |