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just a few of those who left us this
year, and whose lives are celebrated | 0:00:00 | 0:00:03 | |
in Review 2017: We Remember. | 0:00:03 | 0:00:11 | |
# Deep down in Louisiana
cross to New Orleans | 0:00:11 | 0:00:16 | |
# Where back up in the woods
among the evergreens | 0:00:16 | 0:00:20 | |
# There stood a log cabin
made of earth and wood | 0:00:20 | 0:00:30 | |
# Where lived a country boy
named Johnny B Goode# | 0:00:38 | 0:00:41 | |
# Oh Maybelline...# Half
of the young people go | 0:00:41 | 0:00:44 | |
to school so that's why
I | 0:00:44 | 0:00:46 | |
wrote about school, I wrote about
cars and most of all the people, | 0:00:46 | 0:00:49 | |
they'll soon be in love. | 0:00:49 | 0:00:50 | |
# It's a jumping little record
I want my jockey to play | 0:00:50 | 0:00:53 | |
# Roll over Beethoven I got
to hear it again today #. | 0:00:53 | 0:01:00 | |
And you Monsieur are
the famous Simon Templar. | 0:01:00 | 0:01:02 | |
But what about brother Vincent,
supposing notices something | 0:01:02 | 0:01:04 | |
he thinks Clinton should know about. | 0:01:04 | 0:01:05 | |
Mr... | 0:01:05 | 0:01:06 | |
Bond. | 0:01:06 | 0:01:07 | |
James Bond. | 0:01:07 | 0:01:14 | |
Is there time before
we leave for lesson number | 0:01:14 | 0:01:16 | |
three? | 0:01:16 | 0:01:19 | |
Absolutely. | 0:01:19 | 0:01:20 | |
There's no sense in
going off half cocked. | 0:01:20 | 0:01:26 | |
Stir in some crushed
nuts, shake, strain and | 0:01:26 | 0:01:36 | |
Two. | 0:01:39 | 0:01:40 | |
I said two. | 0:01:40 | 0:01:48 | |
You were perfect up
until the olives. | 0:01:48 | 0:01:50 | |
Two olives. | 0:01:50 | 0:01:51 | |
That way you see they can gently
bounce up against each other. | 0:01:51 | 0:01:54 | |
I'm afraid the spectacle of two
olives gently bouncing up against | 0:01:54 | 0:01:56 | |
each other is a pleasure
I shall forego. | 0:01:56 | 0:01:58 | |
Oh, you don't want to bust up a
pair. We played it ten in cheek. I | 0:01:58 | 0:02:04 | |
really don't see myself as a hero so
I'd play it as if it is all a joke. | 0:02:04 | 0:02:10 | |
House with a door. One, two, three,
four. Great big curtain rings, they | 0:02:10 | 0:02:18 | |
must have come out of a giant's
house. I know, I will be an owl. He | 0:02:18 | 0:02:25 | |
whole committee hall. Our aimer, we
were told, was to play one to one | 0:02:25 | 0:02:32 | |
through the camera. Up and down with
you. And it works, that is why | 0:02:32 | 0:02:40 | |
people remember it because it was as
if we were talking only to them. | 0:02:40 | 0:02:45 | |
It's Windy Miller. Hello, Windy.
Peel, Pugh, Bonnie McGrew, Cuthbert, | 0:02:45 | 0:02:53 | |
Dibble, grub. Mr John Noakes! I'm
sure this does me good. Oh, get off | 0:02:53 | 0:03:06 | |
my foot. While our animals are not
going to be happy, they will be | 0:03:06 | 0:03:15 | |
going away on holiday, they're going
to spend it in the country that Lulu | 0:03:15 | 0:03:19 | |
won't be there. At this level of the
plinth on which Nelson stands | 0:03:19 | 0:03:25 | |
overhangs the column. I was
literally hanging from the ladder | 0:03:25 | 0:03:29 | |
with nothing beneath me. Once I had
reached the top of the column the | 0:03:29 | 0:03:32 | |
worst part began, I had to go down
again, in a bosun's chair. Yes, I'm | 0:03:32 | 0:03:43 | |
coming down. Do you feel all right.
Yes, I feel good. No Shep, don't buy | 0:03:43 | 0:03:53 | |
it. Get down Shep, behave of, come
here. Oral cavity around the girl. | 0:03:53 | 0:04:02 | |
John could never be alone, no matter
where he went, because Shep would | 0:04:02 | 0:04:07 | |
have a sniff around and soon pick up
the scent. By Joe five just jumped | 0:04:07 | 0:04:13 | |
out of this aeroplane and 50,000
feet and get down Shep! | 0:04:13 | 0:04:26 | |
Hello, welcome to a special bank
holiday edition of Cheggers plays | 0:04:28 | 0:04:33 | |
pop. It take you to record the
album. Between two and three years. | 0:04:33 | 0:04:43 | |
Do you have any ideas of what you
would like to swap it for? I'm back | 0:04:43 | 0:04:47 | |
again. 14 years at the BBC. Swap
shop, Cheggers Plays Pop, all sorts. | 0:04:47 | 0:04:57 | |
I happened to miss a bus one
Christmas evening and went into a | 0:04:57 | 0:05:01 | |
London store and saw this toy bear
on the counter, nobody had bought | 0:05:01 | 0:05:04 | |
it, it was the only one left, I took
it on to my wife, we lived near | 0:05:04 | 0:05:09 | |
Paddington is a recorded Paddington.
One day I was sitting with a blank | 0:05:09 | 0:05:13 | |
sheet of paper and a typewriter and
started to write a story about it | 0:05:13 | 0:05:16 | |
and I became a book. Mr and Mrs
Brown first met Paddington on a | 0:05:16 | 0:05:24 | |
railway station which is how he came
to have such an unusual book for a | 0:05:24 | 0:05:27 | |
bear. Based on my father, very
polite man, always wore a hat and | 0:05:27 | 0:05:33 | |
Paddington has a lot of him in him.
That afternoon, he said, can I help | 0:05:33 | 0:05:38 | |
you. There's Parsley. Sometimes
missed only the let's bell. London, | 0:05:38 | 0:05:49 | |
a lovely city. You can go to France
or America, India, Asia, Australia, | 0:05:49 | 0:05:58 | |
is going to come back to London
city. | 0:05:58 | 0:06:02 | |
London is the place for me. London
is the place for me. London is the | 0:06:07 | 0:06:21 | |
place for me. | 0:06:21 | 0:06:29 | |
I think there was a sort of
reticence and nervousness that the | 0:06:30 | 0:06:34 | |
women might take over all together.
We might not present an acceptable | 0:06:34 | 0:06:39 | |
face of cricket and I actually cried
as I walked out onto the pitch. It | 0:06:39 | 0:06:43 | |
was the most incredible feeling.
Rachel Flynt, what a good piece of | 0:06:43 | 0:06:50 | |
fielding but not good running
between the wickets, though. | 0:06:50 | 0:07:00 | |
Advantage missed Graf. Overcome with
the emotion of it all. She just told | 0:07:00 | 0:07:08 | |
me Jana | 0:07:08 | 0:07:09 | |
the emotion of it all. She just told
me Jana, you will do it, I believe | 0:07:09 | 0:07:11 | |
one day you will do it. She's done
at! | 0:07:11 | 0:07:23 | |
50-1, Blackburn Rovers seven,
Nottingham Forest nil. After our | 0:07:26 | 0:07:31 | |
last problem the editor of Final
Score came with a box and when he | 0:07:31 | 0:07:36 | |
opened it and product this trophy, I
thought that's absolutely made my | 0:07:36 | 0:07:41 | |
day because that is something that I
have always thought, having watched | 0:07:41 | 0:07:45 | |
the sports personality of the year,
I would love to have something like | 0:07:45 | 0:07:49 | |
that as a souvenir of my career. | 0:07:49 | 0:07:51 | |
GRANDSTAND THEME PLAYS | 0:08:09 | 0:08:19 | |
BATMAN THEME | 0:08:53 | 0:09:00 | |
It was a two piece but it was itchy
and someone had tattoos about the | 0:09:00 | 0:09:04 | |
back, I had to fumble to get out of
the suit. Somebody had to be there. | 0:09:04 | 0:09:19 | |
What now! Our parents were
slaughtered with the others. That is | 0:09:23 | 0:09:35 | |
why, that is why we tried to kill.
That is why, that his wife. We need | 0:09:35 | 0:09:44 | |
a team. Victor, scientific, and,
Sandra, cable communication system | 0:09:44 | 0:09:51 | |
wide open. You take over. | 0:09:51 | 0:09:55 | |
English girls abroad with appealing
shoulders and flowery dresses. Mike | 0:10:21 | 0:10:24 | |
Ward paper on the march. That's
right to, not bad. Not bad, nice | 0:10:24 | 0:10:33 | |
face, nice figure. Good teeth too.
What's the matter with you. You two, | 0:10:33 | 0:10:40 | |
where are you taking them to night,
Smithfield market? Are you happy, I | 0:10:40 | 0:10:46 | |
mean really really happy happy.
Fantastically happy. I am. I know | 0:10:46 | 0:10:52 | |
it's silly but sometimes it worries
me, I'm so happy. Keep expecting | 0:10:52 | 0:10:56 | |
something to come along and spoil
it. Daft thing, what could possibly | 0:10:56 | 0:11:00 | |
do that. It happens sometimes in an
actor's life, if you are very very | 0:11:00 | 0:11:14 | |
lucky that something special turns
up. Ready steady go. And one I read | 0:11:14 | 0:11:23 | |
Last Of The Summer Wine I thought,
this is it. Yes, this is it, this is | 0:11:23 | 0:11:31 | |
it, you can see Tollgate church. I'm
sorry, Gromit, the fact is I am just | 0:11:31 | 0:11:41 | |
crackers about Jesus. -- | 0:11:41 | 0:11:49 | |
-cheese. | 0:11:49 | 0:11:55 | |
# Although I cry
# Ain't that a shame? | 0:11:55 | 0:11:59 | |
# I found my thrill
# On Blueberry Hill | 0:11:59 | 0:12:07 | |
# On Blueberry Hill
# When I found you #. | 0:12:07 | 0:12:28 | |
New Guinea, New Jersey, New York,
New Zealand, where do you want to go | 0:12:35 | 0:12:40 | |
Chuck. New Brighton. I therefore
proclaim that they are husband and | 0:12:40 | 0:12:46 | |
wife. Will go on, Kiss me. Look what
I've got! Hey, I've got a much for | 0:12:46 | 0:13:02 | |
my dog, we saw it in this antiques
shop window on nightingale Street. | 0:13:02 | 0:13:06 | |
Where are you going, Jack. To see a
man about a thing. I wouldn't have | 0:13:06 | 0:13:11 | |
done that it was an emergency. I
bought my own flaming dog. Calmed | 0:13:11 | 0:13:21 | |
down and feel love. 48 quid. That
miserable so-and-so and it gave me | 0:13:21 | 0:13:26 | |
25. Have never loved anybody else.
Come on, say you've never loved | 0:13:26 | 0:13:31 | |
anybody else. I've never loved
anybody else, shall I go and get | 0:13:31 | 0:13:35 | |
your slippers? Please. | 0:13:35 | 0:13:40 | |
I wish that at that time I had been
older, so that I would have been | 0:14:15 | 0:14:20 | |
able to have answered all spoke up
for myself. You move like a | 0:14:20 | 0:14:26 | |
racehorse. You must let me help you.
Introduce you to some friends of | 0:14:26 | 0:14:35 | |
mine, some photographers, film
people, television people. I could | 0:14:35 | 0:14:39 | |
do wonders with you, little baby. I
am, sexual, irretrievably. Why did | 0:14:39 | 0:14:47 | |
you come here looking as you do.
Well many people said don't do that, | 0:14:47 | 0:14:52 | |
you'll never work again and I said
it is not about, sexuality, it is | 0:14:52 | 0:14:57 | |
about the tenderness of the
individual as opposed to the cruelty | 0:14:57 | 0:15:00 | |
of the crowd. We did so well, but...
A beautiful woman. You are my future | 0:15:00 | 0:15:15 | |
selves? Yes. Am I having a midlife
crisis? Why are you pointing | 0:15:15 | 0:15:21 | |
screwdrivers like that, they are
scientific instruments, not water | 0:15:21 | 0:15:24 | |
pistols. Welcome aboard, delighted
you could join us, Captain Strike at | 0:15:24 | 0:15:33 | |
your service. How do you do, I'm the
doctor, and this is Tegan. | 0:15:33 | 0:15:52 | |
DOCTOR WHO THEME PLAYS | 0:15:55 | 0:16:03 | |
# That where do you go to my lovely
# When you're alone in your bed | 0:16:03 | 0:16:09 | |
# Won't you tell me the thoughts
that surround you | 0:16:09 | 0:16:14 | |
# I want to look inside your head,
yes I do | 0:16:14 | 0:16:17 | |
# Your name it is heard in high
places | 0:16:17 | 0:16:20 | |
# You know the Aga Khan
# And he sent you a racehorse for | 0:16:20 | 0:16:26 | |
Christmas
# And you keep it just for fun | 0:16:26 | 0:16:31 | |
# For a laugh
# Hah, hah, hah | 0:16:31 | 0:16:35 | |
# And they say that if you get
married | 0:16:35 | 0:16:38 | |
# It'll be to a millionaire
# But they don't realise where you | 0:16:38 | 0:16:44 | |
came from
# And I wonder if they really | 0:16:44 | 0:16:49 | |
cared... #.
# You're a lady | 0:16:49 | 0:16:55 | |
# I'm a man
# You're supposed to understand | 0:16:55 | 0:16:59 | |
# We are family
# I've got all my sisters with me | 0:16:59 | 0:17:06 | |
# We are family
# Get up everybody and think #. | 0:17:06 | 0:17:16 | |
# My blood runs cold
# My memory has just been sold | 0:17:16 | 0:17:19 | |
# My angel is a centrefold
# Angel is a centrefold #. | 0:17:19 | 0:17:32 | |
# You don't come around here no more
# Whatever you're looking for | 0:17:32 | 0:17:43 | |
# I'm free I'm free falling
# You can sit around and wait for | 0:17:43 | 0:17:52 | |
the phone to ring
# Waiting for someone to tell you | 0:17:52 | 0:17:58 | |
everything
# At the end of the line #. | 0:17:58 | 0:18:04 | |
I hold you responsible for what
Biggins James, it is this ragbag of | 0:18:04 | 0:18:15 | |
fugitives from the debtors prison
that should concern us. I remember a | 0:18:15 | 0:18:19 | |
day when we did alarming sequence
through the night in the ice cold of | 0:18:19 | 0:18:24 | |
winter, deep snow, endless frost. We
few we happy few. We band of | 0:18:24 | 0:18:30 | |
brothers. But the removal of those
grievances ought to proceed the | 0:18:30 | 0:18:40 | |
disarmament of the victims. | 0:18:40 | 0:18:51 | |
MUSIC Reelin' In The
Years by Steely Dan | 0:19:04 | 0:19:14 | |
For such backbenchers it is the
curse of coalition politics but the | 0:19:14 | 0:19:20 | |
government is putting it down to the
reality of an ageing and needful | 0:19:20 | 0:19:23 | |
population. We have been shown that
register and it suggests that far | 0:19:23 | 0:19:29 | |
from lessening the threat is greater
now than at any time for the last | 0:19:29 | 0:19:33 | |
ten years. The flood of allegations
about Jimmy Savile's behaviour is | 0:19:33 | 0:19:38 | |
now engulfing many of the
institutions he was involved with. I | 0:19:38 | 0:19:41 | |
think the decision to drop our story
was a breach of our story to the | 0:19:41 | 0:19:48 | |
women who trusted us to reveal that
Jimmy Savile was a paedophile. | 0:19:48 | 0:19:53 | |
# Some walk by night
# Some fly by day | 0:19:53 | 0:19:59 | |
# Nothing could change you
# Said I'm sure of the way #. | 0:19:59 | 0:20:12 | |
# There is the sun and moon
# Facing their own sweet tune | 0:20:12 | 0:20:22 | |
# Watch them when Dawn is due
# Sharing one space | 0:20:22 | 0:20:29 | |
# We'll walk by night
# We'll fly by day | 0:20:29 | 0:20:38 | |
# Moonlighting strangers
# Who just met on the way #. | 0:20:38 | 0:20:49 | |
Now in the movie industry hype is
good news if the film lives up to | 0:20:49 | 0:20:52 | |
it, very bad news of it doesn't.
Morally uplifting parable about | 0:20:52 | 0:20:57 | |
faith and redemption and how
innocence can be mistaken for wisdom | 0:20:57 | 0:21:01 | |
begins to unfold. Now it's OK, now
you can let the tears flow, are | 0:21:01 | 0:21:05 | |
probably shed a couple myself as per
the very last time I bow myself out | 0:21:05 | 0:21:10 | |
to the accompaniment of Billy tailor
and the best theme on television. | 0:21:10 | 0:21:22 | |
FILM PROGRAMME THEME PLAYS | 0:21:22 | 0:21:26 | |
And more next week good night. | 0:21:26 | 0:21:37 | |
MUSIC Jessica by the Allman Brothers | 0:21:40 | 0:21:50 | |
Hot favourites after wins in 1958
and 1959 John Surtees, number | 0:21:50 | 0:21:56 | |
three,. On his way to win his sixth
TT and his third successive senior | 0:21:56 | 0:22:07 | |
TT. Add-on set up with definite
ambitions, I just try and do my best | 0:22:07 | 0:22:12 | |
whatever I do. In his Ferrari, John
cities, number seven, going like a | 0:22:12 | 0:22:18 | |
bomb, leaving the car is still in
the race. | 0:22:18 | 0:22:24 | |
# I think I love you
# So what am I so afraid of... #. | 0:22:24 | 0:22:32 | |
When 20, 30, 40, 50,000 people
screaming at the top of their lungs, | 0:22:32 | 0:22:36 | |
I love you, it is so overwhelming.
# I'm just a daydreamer | 0:22:36 | 0:22:43 | |
# Walking in the rain #.
Just didn't expect to meet him | 0:22:43 | 0:22:50 | |
personally. Hi there.
SCREAMING | 0:22:50 | 0:22:57 | |
I've been touring for about three,
three and a half years, and I am | 0:22:57 | 0:23:01 | |
really tired.
# Feel like I've never known a time | 0:23:01 | 0:23:12 | |
before...
# Just knowing that your door is | 0:23:12 | 0:23:17 | |
always open and your path is free to
walk. #. | 0:23:17 | 0:23:21 | |
Good evening ladies and gentlemen, I
am Glenn Campbell. I don't remember | 0:23:21 | 0:23:25 | |
not having a guitar or a musical
instrument in my hand, my dad bought | 0:23:25 | 0:23:30 | |
a guitar for 595, you know. I found
out real quick that it was lighter | 0:23:30 | 0:23:35 | |
than pulling a cotton sack or
ploughing. | 0:23:35 | 0:23:38 | |
# I'm going to be where the lights
shining on me | 0:23:38 | 0:23:43 | |
# Like a rhinestone Cowboy
# Riding out on a horse in a | 0:23:43 | 0:23:50 | |
star-spangled Rodeo #.
# I am a lineman for the county | 0:23:50 | 0:24:02 | |
# And I drive the main road
# I am a lineman for the county and | 0:24:02 | 0:24:08 | |
what... Drive the main roads. Yeah,
looking in the sun for another | 0:24:08 | 0:24:15 | |
overload. I hear you wire, IQ you
ringing through the wire, oh boy. | 0:24:15 | 0:24:23 | |
That is gestate, what a great song.
And the Wichita lineman is still on | 0:24:23 | 0:24:33 | |
the line. | 0:24:33 | 0:24:43 | |
MUSIC Wichita Lineman
by Glen Campbell | 0:24:52 | 0:25:00 | |
# When I look at you
# My heart goes Scooby Doo. | 0:25:00 | 0:25:06 | |
# Lizzie, nosy, I get whizzy, what
am I going to do? #. | 0:25:06 | 0:25:11 | |
You have 55 seconds to beat the
clock starting from now. | 0:25:11 | 0:25:14 | |
# Life is the name of the game
# And I want to play the game with | 0:25:14 | 0:25:20 | |
you #.
Nice to see you, to see you nice. | 0:25:20 | 0:25:24 | |
Have it well, darling. A gallon of
Scotch. A cuddly toy. Large didn't | 0:25:24 | 0:25:35 | |
he do well, didn't he do well. Tony
Blair insists weapons of mass | 0:25:35 | 0:25:40 | |
destruction will eventually be found
in Iraq. Well it would be nice to | 0:25:40 | 0:25:44 | |
see them, to see them... Nice! Live
from London this is to become | 0:25:44 | 0:25:50 | |
dancing. Please welcome your hosts,
Bruce Forsyth. | 0:25:50 | 0:26:05 | |
# In other words, please be true
# In other words, | 0:26:08 | 0:26:15 | |
# In other words
# In other words, I love you. | 0:26:15 | 0:26:25 | |
# Fly me to the Moon. | 0:26:25 | 0:26:29 |