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Just what do you have to do when a queen decides | 0:00:01 | 0:00:04 | |
she is going to pop in to see you? | 0:00:04 | 0:00:06 | |
And not just any old queen - Victoria. | 0:00:06 | 0:00:10 | |
Like a pair of obsessed Victoria groupies | 0:00:10 | 0:00:12 | |
we are pursuing her around the country to the posh pads she visited. | 0:00:12 | 0:00:17 | |
We will be delving into her personal diaries | 0:00:17 | 0:00:20 | |
to reveal what happened behind closed doors. | 0:00:20 | 0:00:22 | |
Today, Brighton Pavilion. | 0:00:22 | 0:00:24 | |
It certainly is the most remarkable looking building. | 0:00:24 | 0:00:28 | |
Like nothing else we have ever seen before on our journey. | 0:00:28 | 0:00:31 | |
As someone who spent a lifetime getting excited by antiques, | 0:00:31 | 0:00:35 | |
I will be upstairs | 0:00:35 | 0:00:36 | |
exploring just what would have excited Victoria on her visit here. | 0:00:36 | 0:00:41 | |
Wow! Splendid. | 0:00:41 | 0:00:44 | |
And as a chef, who is passionate about all sorts of food, | 0:00:44 | 0:00:47 | |
I will be going downstairs to the kitchen | 0:00:47 | 0:00:51 | |
where I will be rediscovering a super 19th century recipe | 0:00:51 | 0:00:54 | |
that was served to Victoria. | 0:00:54 | 0:00:56 | |
-Just have a little play with it. -This is ridiculous! | 0:00:56 | 0:01:00 | |
And see what Tim makes of my wobbly creations. | 0:01:00 | 0:01:03 | |
-Look at her face! -Mmm! | 0:01:03 | 0:01:05 | |
The 19-year-old Queen Victoria | 0:01:16 | 0:01:18 | |
travelled from Windsor Castle to the Royal Pavilion | 0:01:18 | 0:01:22 | |
on the 18th December 1838. | 0:01:22 | 0:01:24 | |
The year of her coronation. | 0:01:24 | 0:01:26 | |
She was here for the festive holidays | 0:01:26 | 0:01:29 | |
and stayed until the New Year. | 0:01:29 | 0:01:31 | |
In her diary, she tells us her 76 mile journey took six hours | 0:01:31 | 0:01:35 | |
and they changed horses five times. | 0:01:35 | 0:01:38 | |
The same journey today would take about an hour and a half. | 0:01:38 | 0:01:42 | |
So here we are, Rosemary, the Royal Pavilion. | 0:01:42 | 0:01:45 | |
It was actually created by Victoria's uncle, King George IV. | 0:01:45 | 0:01:50 | |
And it was completed some 18 years | 0:01:50 | 0:01:53 | |
before her first visit. | 0:01:53 | 0:01:56 | |
And he had some very queer ideas about architecture. | 0:01:56 | 0:02:00 | |
Oh yes, George, Victoria's spend thrift uncle, | 0:02:02 | 0:02:08 | |
had the Royal architect, John Nash, | 0:02:08 | 0:02:11 | |
create this Indochinese wedding cake of a building | 0:02:11 | 0:02:15 | |
in the heart of town. | 0:02:15 | 0:02:17 | |
Well, you know it was Christmas when Victoria visited Brighton in 1838. | 0:02:19 | 0:02:25 | |
You're right. Of course, she'd been the year before, | 0:02:25 | 0:02:28 | |
but she had never been here in the holiday period | 0:02:28 | 0:02:30 | |
and that's really strange, Rosemary. | 0:02:30 | 0:02:32 | |
Because she's only been to the Royal Family seaside holiday residence | 0:02:32 | 0:02:37 | |
the once, and I reckon it is to do with her uncle George IV. | 0:02:37 | 0:02:42 | |
He was a profligate and wasteful man | 0:02:42 | 0:02:46 | |
and I think was desperately unpopular | 0:02:46 | 0:02:48 | |
and she didn't want to be tarnished by that brush. | 0:02:48 | 0:02:51 | |
But now with George long gone, and with the crown firmly on her head, | 0:02:51 | 0:02:56 | |
perhaps it was time for a bit of a reappraisal. | 0:02:56 | 0:02:59 | |
The unmarried teen queen decamped to Brighton with a small entourage | 0:02:59 | 0:03:04 | |
of ladies in waiting and equerries. | 0:03:04 | 0:03:07 | |
Her arrival created a right royal fuss and flim-flam. | 0:03:07 | 0:03:12 | |
All the towns people got into their Sunday best | 0:03:12 | 0:03:15 | |
so they could pay homage to their queen. | 0:03:15 | 0:03:18 | |
Well, I'll tell you, the servants quarters must have been buzzing. | 0:03:18 | 0:03:22 | |
They would have been a hive of activity, | 0:03:22 | 0:03:24 | |
and that's exactly where I'm off to now. | 0:03:24 | 0:03:26 | |
So I will see you later. | 0:03:26 | 0:03:27 | |
Very good luck, Rosemary. | 0:03:27 | 0:03:29 | |
For the 19 year old Victoria, | 0:03:29 | 0:03:31 | |
taking on the duties of a monarch at such a young age | 0:03:31 | 0:03:34 | |
must have been overwhelming, to say the least. | 0:03:34 | 0:03:37 | |
She distanced herself from her overbearing mother | 0:03:37 | 0:03:41 | |
and had flown the nest, | 0:03:41 | 0:03:42 | |
but she wasn't sampling the delights of student life. | 0:03:42 | 0:03:45 | |
She was the Queen! And just like Princess Diana in the 1980s | 0:03:45 | 0:03:49 | |
she certainly found herself thrust into the limelight | 0:03:49 | 0:03:52 | |
with millions of adoring fans. | 0:03:52 | 0:03:54 | |
OK, here we go. | 0:03:57 | 0:03:58 | |
Is that you from the TV? It is, isn't it? | 0:03:58 | 0:04:01 | |
I watch the programme every day. | 0:04:01 | 0:04:03 | |
Every day it's on. I watch it all the time. | 0:04:03 | 0:04:06 | |
-You keep at it, darling. -Yes, I will. | 0:04:06 | 0:04:08 | |
Can I have your autograph, please? | 0:04:08 | 0:04:10 | |
My husband is a great fan of yours. Thank you. | 0:04:10 | 0:04:12 | |
-What's your husband called? -Malcolm. -Malcolm. | 0:04:12 | 0:04:15 | |
-What's your name, darling? -Georgia. -Georgia. | 0:04:15 | 0:04:18 | |
Some take to the life of superstardom with ease, ha-ha(!) | 0:04:18 | 0:04:22 | |
But for Victoria it was less welcome | 0:04:22 | 0:04:25 | |
and despite being surrounded by people she was in fact quite alone. | 0:04:25 | 0:04:30 | |
Her diary entries paint a picture of a very young woman | 0:04:30 | 0:04:34 | |
with no-one to confide in. | 0:04:34 | 0:04:36 | |
We believe her mother might have come with her to the pavilion, | 0:04:36 | 0:04:40 | |
but she was the last person Victoria wanted to talk to. | 0:04:40 | 0:04:44 | |
The new queen had formed one close attachment, to the Prime Minister, | 0:04:44 | 0:04:49 | |
Lord Melbourne, who was three times her age. | 0:04:49 | 0:04:52 | |
She describes having to leave her dear friend behind at Windsor | 0:04:52 | 0:04:57 | |
as "very sad", and implored him to visit, | 0:04:57 | 0:05:00 | |
but at least the whacky pavilion building | 0:05:00 | 0:05:03 | |
with its minarets and domes lifted Victoria's mood. | 0:05:03 | 0:05:07 | |
Victoria wrote in her journal, | 0:05:07 | 0:05:08 | |
"The Pavilion, lighted up, looked cheerful." | 0:05:08 | 0:05:11 | |
Which is always nice, particularly at Christmas time. | 0:05:11 | 0:05:16 | |
On arrival Victoria would have been ushered into this space, | 0:05:16 | 0:05:21 | |
the long gallery. | 0:05:21 | 0:05:23 | |
When she saw it first, she wrote, | 0:05:23 | 0:05:26 | |
"This is a very strange, odd, Chinese looking place." | 0:05:26 | 0:05:31 | |
And she is absolutely right, | 0:05:31 | 0:05:34 | |
decorated in the chinoiserie style from sources that were various. | 0:05:34 | 0:05:40 | |
She would be certain to have admired these exotic wall coverings, | 0:05:40 | 0:05:45 | |
not wallpaper, but hand-painted wall surfaces | 0:05:45 | 0:05:50 | |
from the London firm of decorators Crace and Co, | 0:05:50 | 0:05:54 | |
most particularly, Frederick Crace. | 0:05:54 | 0:05:58 | |
He actually had been no further east than Dover. | 0:05:58 | 0:06:02 | |
All the cunning fellow did was to copy designs | 0:06:02 | 0:06:05 | |
from those classic blue and white vases. | 0:06:05 | 0:06:08 | |
I wonder if Her Majesty noticed? | 0:06:08 | 0:06:10 | |
For certain she would have been amused by these fellows. | 0:06:10 | 0:06:14 | |
It's an attendant with a counterweight | 0:06:14 | 0:06:17 | |
within this articulated neck that enables his head to nod, | 0:06:17 | 0:06:22 | |
but it doesn't come from the orient, | 0:06:22 | 0:06:25 | |
it comes from that other very well known China region, Stoke on Trent. | 0:06:25 | 0:06:31 | |
Now, just because this is a holiday home, | 0:06:36 | 0:06:38 | |
doesn't mean the servants had an easy time. | 0:06:38 | 0:06:41 | |
They mothballed the Pavilion between each royal visit | 0:06:41 | 0:06:46 | |
so preparing for Victoria was no small task. | 0:06:46 | 0:06:49 | |
The Pavilion staff increased from around 25 to over 200 | 0:06:49 | 0:06:56 | |
during the run up to her visit. | 0:06:56 | 0:06:57 | |
I can imagine maids and footmen hurrying along these long corridors | 0:06:57 | 0:07:02 | |
which kept the servants out of sight. | 0:07:02 | 0:07:05 | |
Heaven help a housemaid who went through the wrong door | 0:07:05 | 0:07:08 | |
or burst into the wrong room. | 0:07:08 | 0:07:10 | |
Our food historian, Ivan Day, | 0:07:10 | 0:07:12 | |
has already found his way to these extraordinary kitchens | 0:07:12 | 0:07:15 | |
and he couldn't be happier. | 0:07:15 | 0:07:17 | |
To my mind this is the most wonderful kitchen in Europe, | 0:07:17 | 0:07:22 | |
full stop. | 0:07:22 | 0:07:23 | |
It was designed by Nash | 0:07:23 | 0:07:25 | |
and he was an architect who really knew what a kitchen had to do. | 0:07:25 | 0:07:29 | |
First of all, you need lots of light so it has got this wonderful lantern | 0:07:29 | 0:07:34 | |
which just floods the whole room | 0:07:34 | 0:07:36 | |
with superb clear light so you can see what you're doing. | 0:07:36 | 0:07:39 | |
Every part of the kitchen is dedicated to a particular task. | 0:07:39 | 0:07:43 | |
So over there, you see the roasting range, behind us, | 0:07:43 | 0:07:47 | |
we've got the stewing stoves | 0:07:47 | 0:07:49 | |
where the finer cookery was done, the sauces, | 0:07:49 | 0:07:51 | |
the stockpots and the consume pots for making soups | 0:07:51 | 0:07:55 | |
and on the dressers you've got this extraordinary battery de cuisine | 0:07:55 | 0:08:00 | |
of the most wonderful stew pans and sauce pans and fish kettles. | 0:08:00 | 0:08:05 | |
A lot of this equipment would probably survive | 0:08:05 | 0:08:08 | |
a direct nuclear attack | 0:08:08 | 0:08:10 | |
it is so typical 19th century | 0:08:10 | 0:08:12 | |
and then over there is my favourite part of the kitchen, | 0:08:12 | 0:08:16 | |
you've got these wonderful culinary moulds, | 0:08:16 | 0:08:19 | |
some for making for cakes, | 0:08:19 | 0:08:21 | |
some for making that iconic food of the 19th century, which is jelly. | 0:08:21 | 0:08:28 | |
And that's what we're going to make today, a wonderful champagne jelly | 0:08:28 | 0:08:33 | |
that would have graced every posh table in Queen Victoria's time | 0:08:33 | 0:08:37 | |
and we'll also be taking a look at the commemorative side | 0:08:37 | 0:08:41 | |
of these comical puddings. | 0:08:41 | 0:08:43 | |
During the Queen's three week visit, | 0:08:45 | 0:08:47 | |
extra dosh was forked out to boost staff numbers downstairs, | 0:08:47 | 0:08:52 | |
but before she arrived even more cash had been splashed out | 0:08:52 | 0:08:56 | |
preparing the Pavilion for Victoria. | 0:08:56 | 0:08:59 | |
With all this bling it is more like a rapper's delight | 0:08:59 | 0:09:03 | |
than a Royal palace. | 0:09:03 | 0:09:04 | |
£4,000 was blown on tarting the place up, | 0:09:04 | 0:09:07 | |
that's over £150,000 in today's money. | 0:09:07 | 0:09:09 | |
Quite a sum for just a bit of a spruce up | 0:09:09 | 0:09:12 | |
for what was, after all, a holiday home. | 0:09:12 | 0:09:16 | |
Even one as architecturally sophisticated as this. | 0:09:16 | 0:09:20 | |
The extreme length of the long gallery, some 160 feet, | 0:09:25 | 0:09:29 | |
coupled with the relatively low ceilings, | 0:09:29 | 0:09:33 | |
serve as an architectural conceit, | 0:09:33 | 0:09:35 | |
you don't realise it, but you're being drawn into this funnel, | 0:09:35 | 0:09:39 | |
a modest doorway at the end of the gallery | 0:09:39 | 0:09:43 | |
that prepares your eye for the next treat. | 0:09:43 | 0:09:47 | |
Wow! | 0:09:49 | 0:09:51 | |
Bizarre or what? | 0:09:59 | 0:10:01 | |
The dominant feature for me has to be the dome. | 0:10:01 | 0:10:06 | |
That's been painted with plantain, or banana leaves, | 0:10:06 | 0:10:09 | |
as if nodding towards the empire in the east. | 0:10:09 | 0:10:13 | |
Underneath the leaves we've got a ventilation system | 0:10:13 | 0:10:17 | |
acting like a chimney that takes away the heat and the smells. | 0:10:17 | 0:10:22 | |
Victoria didn't think much of it | 0:10:22 | 0:10:25 | |
because she complained the Pavilion was always too hot or too cold. | 0:10:25 | 0:10:30 | |
I wonder if this crazy dragon's den of a dining room | 0:10:30 | 0:10:34 | |
affected her appetite at all | 0:10:34 | 0:10:36 | |
and not in a good way. | 0:10:36 | 0:10:37 | |
You have to hope I'm wrong. | 0:10:37 | 0:10:39 | |
After all, she must have eaten around 20 huge meals here | 0:10:39 | 0:10:43 | |
in the run up to Christmas. | 0:10:43 | 0:10:45 | |
And as for Christmas dinner itself, | 0:10:45 | 0:10:47 | |
the young Queen Victoria would not have been sitting down | 0:10:47 | 0:10:50 | |
to turkey and Brussels sprouts. | 0:10:50 | 0:10:52 | |
Oh, no, she would have been served up to seven courses | 0:10:52 | 0:10:55 | |
of over 30 dishes, and never mind the wines. | 0:10:55 | 0:10:59 | |
And the cuisine wasn't English, | 0:10:59 | 0:11:02 | |
but French as was the fashion at the grandest of tables. | 0:11:02 | 0:11:06 | |
As Victoria sat here, | 0:11:06 | 0:11:08 | |
wading her way through many exotic and over decorated courses | 0:11:08 | 0:11:15 | |
that went to make up her Christmas meals, | 0:11:15 | 0:11:17 | |
you can almost imagine her | 0:11:17 | 0:11:19 | |
looking down her refined little nose rather contemptuously | 0:11:19 | 0:11:24 | |
at this opulent scene. | 0:11:24 | 0:11:26 | |
It is quite a contrast to the simple functional kitchen | 0:11:30 | 0:11:33 | |
where all the elaborate food would have been prepared | 0:11:33 | 0:11:36 | |
including the dish we're making today, a champagne jelly. | 0:11:36 | 0:11:40 | |
Jellies had taken a feverish hold in the 19th century | 0:11:40 | 0:11:44 | |
after being used as the crowning glory for the Victorian table. | 0:11:44 | 0:11:48 | |
The reason for this growth in popularity was partially due | 0:11:48 | 0:11:52 | |
to the advances in moulds | 0:11:52 | 0:11:54 | |
and our jelly uses a particularly clever mould. | 0:11:54 | 0:11:58 | |
This is known as a Belgrave Mould. | 0:11:58 | 0:12:01 | |
I have got two here, an oval one and a round one, | 0:12:01 | 0:12:04 | |
which is on the ice. | 0:12:04 | 0:12:05 | |
Now what makes them special is that these they have | 0:12:05 | 0:12:11 | |
these extraordinary liners with these spiral tubes. | 0:12:11 | 0:12:15 | |
These moulds first came to use in the 19th century | 0:12:15 | 0:12:18 | |
and the idea is this, we put them into the mould. | 0:12:18 | 0:12:21 | |
Yes. | 0:12:21 | 0:12:24 | |
And we fill it up with jelly and we let the jelly set and then | 0:12:24 | 0:12:29 | |
what we then do is to fill these up with warm water and screw them out. | 0:12:29 | 0:12:34 | |
But this is what I mean by engineering because if you look, | 0:12:34 | 0:12:37 | |
there is a tiny hole at the bottom | 0:12:37 | 0:12:39 | |
and from that hole runs a tube, can you see the tube? | 0:12:39 | 0:12:42 | |
Yes, yes. | 0:12:42 | 0:12:44 | |
Now when we screw it out, | 0:12:44 | 0:12:46 | |
if it didn't have that air release, it wouldn't come out. | 0:12:46 | 0:12:49 | |
-You couldn't get it out. -So as you screw it out, | 0:12:49 | 0:12:52 | |
the air goes down the hole into the cavity | 0:12:52 | 0:12:55 | |
-so this is really going to be a heavily engineered jelly. -Yes. | 0:12:55 | 0:13:00 | |
It originated in Victoria's uncle George's kitchen | 0:13:00 | 0:13:05 | |
when he was Prince Regent. | 0:13:05 | 0:13:07 | |
So is this something Victoria would have eaten herself? | 0:13:07 | 0:13:09 | |
This was one of the most popular jellies of the 19th century | 0:13:09 | 0:13:15 | |
and she would have, I am sure, had it a number of times. | 0:13:15 | 0:13:17 | |
It was so famous and so popular. | 0:13:17 | 0:13:20 | |
It contains pink champagne, a drop of orange flower water, | 0:13:20 | 0:13:25 | |
some sugar syrup and a gelling agent. | 0:13:25 | 0:13:28 | |
I have got a pint and a half, it is a quart mould. | 0:13:28 | 0:13:30 | |
If I put a pint and a half of the mixture in... | 0:13:30 | 0:13:33 | |
-So it will obviously come up. Can I put it in? -Yes. | 0:13:33 | 0:13:37 | |
This is very exciting. | 0:13:37 | 0:13:39 | |
-We can pop it down very carefully. -Perfect. | 0:13:39 | 0:13:41 | |
It's got a hinge either side. | 0:13:41 | 0:13:42 | |
-That locks it exactly into position. -Yes. | 0:13:42 | 0:13:45 | |
So the tubes are directly above the little features at the bottom. | 0:13:45 | 0:13:48 | |
Now that's it. | 0:13:48 | 0:13:50 | |
All we do now is we just leave it for an hour or so on the ice | 0:13:50 | 0:13:54 | |
and then we go on to the next stage. | 0:13:54 | 0:13:56 | |
I will be finishing the jelly later, I can't wait. | 0:13:56 | 0:14:00 | |
While below stairs is all of a quiver, | 0:14:01 | 0:14:03 | |
upstairs is all of a sparkle. | 0:14:03 | 0:14:07 | |
One of the most delightful and ingenious aspects | 0:14:07 | 0:14:12 | |
of the pavilion | 0:14:12 | 0:14:13 | |
is the clever interplay of light on interior decoration. | 0:14:13 | 0:14:18 | |
Queen Victoria was particularly taken by this | 0:14:18 | 0:14:20 | |
and she writes in her journal, "The whole pavilion | 0:14:20 | 0:14:23 | |
"has been done up and regilt and looks very fresh and pretty." | 0:14:23 | 0:14:29 | |
An affect that I can assure you | 0:14:29 | 0:14:31 | |
would have taken many thousands of man hours. | 0:14:31 | 0:14:35 | |
This wildly, over the top gilding | 0:14:35 | 0:14:37 | |
which is such a huge feature of the pavilion, seems rather odd | 0:14:37 | 0:14:42 | |
for a holiday home by the sea, | 0:14:42 | 0:14:44 | |
but then there is no accounting for royal taste | 0:14:44 | 0:14:48 | |
or lack of it. | 0:14:48 | 0:14:50 | |
The gilding was particularly effective when hit | 0:14:52 | 0:14:57 | |
by hard shafts of light, | 0:14:57 | 0:15:00 | |
striking these cunning horizontal slitty windows | 0:15:00 | 0:15:04 | |
which are set about all the domes | 0:15:04 | 0:15:06 | |
above the principle reception rooms. I.e. the banqueting hall, | 0:15:06 | 0:15:11 | |
the music room and the saloon. | 0:15:11 | 0:15:14 | |
The magical lighting effects inside continued even after dark. | 0:15:14 | 0:15:18 | |
Because servants would come out, rain or shine, winter or summer | 0:15:18 | 0:15:24 | |
after dark, and light great gas lamps outside these windows | 0:15:24 | 0:15:28 | |
creating effectively more daylight to come through the glass | 0:15:28 | 0:15:33 | |
and transform and enhance the experience within. | 0:15:33 | 0:15:38 | |
Now, I'm escaping the gilt and the gaudiness for an exciting exploration | 0:16:04 | 0:16:08 | |
of the pavilion's downstairs world. | 0:16:08 | 0:16:10 | |
Or should that be upstairs? | 0:16:10 | 0:16:12 | |
Curator, David Beavis is taking me to see one of the most extraordinary | 0:16:12 | 0:16:18 | |
rooms in the house, usually off limits to the public. | 0:16:18 | 0:16:21 | |
This had better be worth it! | 0:16:21 | 0:16:24 | |
56, 57, 58. | 0:16:24 | 0:16:28 | |
David that's a long way up. | 0:16:28 | 0:16:30 | |
-It is, isn't it? Yes. -Where are we now? Where have you brought me up to? | 0:16:30 | 0:16:33 | |
It is an area of the pavilion that the public don't come to called the bottle room | 0:16:33 | 0:16:38 | |
and it is a wonderful evocative area and in the past, as you can see, | 0:16:38 | 0:16:41 | |
people have come up here rather unauthorised, and here is somebody | 0:16:41 | 0:16:45 | |
called Priscilla Davidson who was here in August 1879. | 0:16:45 | 0:16:48 | |
1879. That's fantastic. | 0:16:48 | 0:16:50 | |
So tell me, what was this used for? | 0:16:56 | 0:16:58 | |
It was originally intended for a billiard room, | 0:16:58 | 0:17:00 | |
but hauling a billiard table up here was rather ridiculous | 0:17:00 | 0:17:04 | |
-and very soon it became servant's quarters. -Really? | 0:17:04 | 0:17:07 | |
Yes. These were valet's quarters. | 0:17:07 | 0:17:10 | |
It wasn't just the servants who were able to enjoy this room with a view, | 0:17:10 | 0:17:13 | |
Victoria herself came up here on the night she arrived. | 0:17:13 | 0:17:17 | |
Because Victoria does say that she watched fireworks. | 0:17:17 | 0:17:21 | |
It is a lovely thought, isn't it? Victorian standing | 0:17:21 | 0:17:24 | |
about where you are | 0:17:24 | 0:17:26 | |
looking out of the window and seeing fireworks in her honour. | 0:17:26 | 0:17:30 | |
She must have loved it actually. | 0:17:30 | 0:17:32 | |
She must have had quite a sort of jolly time. | 0:17:32 | 0:17:36 | |
I am sure she did, yes. | 0:17:36 | 0:17:38 | |
It is so unique and it is so odd. | 0:17:38 | 0:17:41 | |
It is. It has not been touched. | 0:17:41 | 0:17:43 | |
It has got the wallpaper | 0:17:43 | 0:17:44 | |
and graining on the doors, that's all original. | 0:17:44 | 0:17:47 | |
It is an untouched part of the pavilion and it is very evocative. | 0:17:47 | 0:17:51 | |
But when Victoria wasn't in the mood for jolly times | 0:17:56 | 0:17:59 | |
or the garish interiors had got the better of her, | 0:17:59 | 0:18:01 | |
she would retire here to her own private apartments. | 0:18:01 | 0:18:05 | |
Interestingly, the decor is much plainer than the rest of the house, | 0:18:05 | 0:18:10 | |
we think at her request. | 0:18:10 | 0:18:12 | |
Perhaps it is an early sign of the serious side of the young queen. | 0:18:12 | 0:18:16 | |
This is borne out by her diary | 0:18:16 | 0:18:18 | |
in which she tells us she was reading Oliver Twist | 0:18:18 | 0:18:22 | |
and is clearly intrigued | 0:18:22 | 0:18:24 | |
by the descriptions of squalid vice, starvation and work houses. | 0:18:24 | 0:18:29 | |
Victoria asked her trusted Prime Minister, | 0:18:29 | 0:18:31 | |
Lord Melbourne, who arrived on Boxing Day, | 0:18:31 | 0:18:34 | |
if such things were true. | 0:18:34 | 0:18:36 | |
He replied that that in many schools | 0:18:36 | 0:18:38 | |
they give children the worst things to eat and bad beer to save expense. | 0:18:38 | 0:18:44 | |
There you are, no Jamie Oliver. | 0:18:44 | 0:18:46 | |
Of course, for the 19 year old Queen, | 0:18:46 | 0:18:48 | |
the contrast with her own life was huge. She only had to sneeze | 0:18:48 | 0:18:53 | |
and a maid would come running. | 0:18:53 | 0:18:55 | |
Indeed, here next to Her Majesty's bedroom is the wardrobe maid's room, | 0:18:55 | 0:19:00 | |
she was one of the upper servants who had direct contact with the queen. | 0:19:00 | 0:19:04 | |
Four other dressers lived in tiny rooms above the main bedroom | 0:19:05 | 0:19:09 | |
and they were also expected to be at her beck and call 24/7. | 0:19:09 | 0:19:16 | |
Talking of staff, how is my man servant doing downstairs? | 0:19:16 | 0:19:21 | |
What I'm going to do, I'm going to start with the big one in the middle | 0:19:21 | 0:19:24 | |
and fill it with warm water | 0:19:24 | 0:19:26 | |
and that will melt the jelly around it and enable me to release it | 0:19:26 | 0:19:30 | |
so I can immediately start screwing it out of the jelly. | 0:19:30 | 0:19:33 | |
Remember it is a spiral and it just comes out of the jelly like a screw. | 0:19:33 | 0:19:39 | |
-How clever is that? -Like that. | 0:19:39 | 0:19:42 | |
Leaving the cavity. We've now got to very carefully fill | 0:19:42 | 0:19:45 | |
the smaller ones with warm water | 0:19:45 | 0:19:47 | |
and very carefully twist those out | 0:19:47 | 0:19:49 | |
and we can tear the wall. | 0:19:49 | 0:19:52 | |
There is a very small gap between the big one and the small one. | 0:19:53 | 0:19:57 | |
What I'm worried about is this collapsing. | 0:19:57 | 0:20:00 | |
It makes my hair stand on end actually, | 0:20:00 | 0:20:03 | |
when I do this in this kitchen, cos I get the feeling | 0:20:03 | 0:20:06 | |
this was such a popular mould in its day | 0:20:06 | 0:20:09 | |
I am sure this has been done in this space before. | 0:20:09 | 0:20:13 | |
It sends a shiver up my spine to do it. It really does. | 0:20:13 | 0:20:15 | |
It is an extraordinary thing | 0:20:15 | 0:20:17 | |
of bringing history to life through food. | 0:20:17 | 0:20:19 | |
This is one of those things that we forget, | 0:20:19 | 0:20:21 | |
these people had incredible skill. | 0:20:21 | 0:20:23 | |
And they were working in kitchens without electricity, | 0:20:23 | 0:20:27 | |
without refrigeration | 0:20:27 | 0:20:29 | |
and they could do things that modern restaurant chefs cannot do | 0:20:29 | 0:20:33 | |
with very limited technology. | 0:20:33 | 0:20:36 | |
So finally, there we are, they are all done, all we need to do now, | 0:20:36 | 0:20:39 | |
is for you to fill them with the orange flower flavoured... | 0:20:39 | 0:20:44 | |
-Shall I start in the middle first? -Start with the big one. | 0:20:44 | 0:20:46 | |
That makes sense. I have got to be very steady. | 0:20:46 | 0:20:49 | |
The blancmange is poured into the cavities in the jelly | 0:20:49 | 0:20:52 | |
and making a fab two toned effect | 0:20:52 | 0:20:54 | |
when the diner cuts through, if I can keep a steady hand. | 0:20:54 | 0:20:58 | |
Despite the kitchen being cutting edge for its time, | 0:20:58 | 0:21:02 | |
there were no fancy fridges for the chefs at pavilion, | 0:21:02 | 0:21:06 | |
but there were other ways of keeping things cool. | 0:21:06 | 0:21:10 | |
Oh, that's all done. I put it on the ice. | 0:21:10 | 0:21:12 | |
You go and put it in the larder and that's finished. | 0:21:12 | 0:21:15 | |
While she was staying at the Pavilion for Christmas, | 0:21:16 | 0:21:19 | |
the young queen occupied herself in a variety of ways. | 0:21:19 | 0:21:22 | |
Once she had been dressed and her hair had been done, | 0:21:22 | 0:21:27 | |
she would play music, | 0:21:27 | 0:21:28 | |
try her hand at lace making, receive dispatches and letters. | 0:21:28 | 0:21:32 | |
As she tells us in her journal, | 0:21:32 | 0:21:34 | |
"After dawdling about for quite some time | 0:21:34 | 0:21:37 | |
"I received a long letter from the Queen Dowager from Malta | 0:21:37 | 0:21:40 | |
"and one from Lady Normanby." | 0:21:40 | 0:21:42 | |
She also loved to read, | 0:21:42 | 0:21:44 | |
but more than any of the above it seems she loved to ride. | 0:21:44 | 0:21:50 | |
Throughout her visit, Victoria tells us | 0:21:50 | 0:21:54 | |
that she adored riding out along the South Coast. | 0:21:54 | 0:21:58 | |
The stables are situated across the garden at the back of the pavilion | 0:21:58 | 0:22:04 | |
underneath that magnificent dome. | 0:22:04 | 0:22:07 | |
She writes in her diary of days spent riding along the cliffs. | 0:22:07 | 0:22:11 | |
"I got on Midnight, who I like very much. | 0:22:11 | 0:22:14 | |
"His trot is charming and I like his gallop very much too." | 0:22:14 | 0:22:19 | |
Brighton must have been enthralled by such a spectacle. | 0:22:19 | 0:22:22 | |
It was quite something seeing the tiny queen | 0:22:22 | 0:22:25 | |
hoofing it towards you on a majestic steed. | 0:22:25 | 0:22:28 | |
Giddy up! | 0:22:28 | 0:22:29 | |
While we're waiting for our special champagne jelly to set, | 0:22:33 | 0:22:37 | |
Ivan is giving me the low down on other jellies, | 0:22:37 | 0:22:40 | |
starting with those made popular by Victoria's uncle George | 0:22:40 | 0:22:43 | |
and still around during her reign. | 0:22:43 | 0:22:45 | |
First, how to get the blighters out of their moulds. | 0:22:45 | 0:22:51 | |
Now to get this one out, you have to give it a really good shake. | 0:22:51 | 0:22:54 | |
-Yes. -And get the air right up and get it right in the middle. | 0:22:54 | 0:22:58 | |
-It's like a cone to me. -Let's see if it comes out. | 0:22:58 | 0:23:01 | |
It has come out perfectly. | 0:23:02 | 0:23:04 | |
But this particular jelly will misbehave in a way. | 0:23:06 | 0:23:12 | |
Just put it down! | 0:23:12 | 0:23:14 | |
It's quite remarkable, isn't it? | 0:23:14 | 0:23:16 | |
-That is ridiculous! -Just have a little play with it. | 0:23:16 | 0:23:20 | |
Go on. | 0:23:20 | 0:23:21 | |
Get it moving. Not too fierce. | 0:23:21 | 0:23:23 | |
You will see it auto-destruct if you move it around too much. | 0:23:23 | 0:23:26 | |
Now for me this is everything about the Prince Regent, | 0:23:26 | 0:23:31 | |
this is his style of jelly. | 0:23:31 | 0:23:33 | |
He was a naughty boy. | 0:23:33 | 0:23:36 | |
Well, they just must have. | 0:23:36 | 0:23:39 | |
Do you think Victoria would have loved that too? Would she have seen the humour? | 0:23:39 | 0:23:42 | |
I think this is something she would have disapproved of. | 0:23:42 | 0:23:45 | |
These are really, | 0:23:45 | 0:23:47 | |
the age of Victoria's childhood and she disapproved of her uncle George. | 0:23:47 | 0:23:50 | |
-He was a naughty boy, wasn't he? -They all were, yes. | 0:23:50 | 0:23:54 | |
Imagine the tension in the kitchen if HRH was upstairs, | 0:23:54 | 0:23:59 | |
especially when things don't always go according to plan. | 0:23:59 | 0:24:03 | |
It is going. Now these sometimes take a little bit of time. | 0:24:03 | 0:24:05 | |
There we go. | 0:24:05 | 0:24:08 | |
-Oh, no. -Oh, no. -No, that one is a miserable failure. | 0:24:11 | 0:24:14 | |
And when serving Royalty, there is no room for error. | 0:24:14 | 0:24:18 | |
OK. So basically I have got to find where it goes and put it on. | 0:24:18 | 0:24:24 | |
They weren't just there for their comic value. | 0:24:24 | 0:24:28 | |
During Queen Victoria's reign, jellies were often commemorative. | 0:24:28 | 0:24:31 | |
This one made later in Victoria's reign features the Brunswick Star | 0:24:31 | 0:24:36 | |
that her son, Edward, Prince of Wales, wore. | 0:24:36 | 0:24:39 | |
And this Danish flag in a jelly | 0:24:41 | 0:24:43 | |
represented his Danish wife Princess Alexandra. | 0:24:43 | 0:24:46 | |
It is a his and hers pudding. | 0:24:46 | 0:24:49 | |
Today we would use a few cubes of jelly set in a mixing bowl, | 0:24:49 | 0:24:53 | |
but these creations were far more elaborate. | 0:24:53 | 0:24:56 | |
Even this milk jelly was carefully flavoured with almond and rose water | 0:24:56 | 0:25:01 | |
and coloured with strawberry and blackcurrant juice. | 0:25:01 | 0:25:04 | |
They got totally carried away with these wobbly wonders. | 0:25:04 | 0:25:08 | |
I can see the attraction. | 0:25:08 | 0:25:10 | |
All we have to do now is get our champagne jelly out in one piece. | 0:25:15 | 0:25:18 | |
No pressure then. My heart is my mouth. | 0:25:18 | 0:25:23 | |
So, OK. Now sometimes you get a wonderful gurgling noise. | 0:25:23 | 0:25:28 | |
Let's be quiet and listen to the sound of Victorian jelly | 0:25:28 | 0:25:32 | |
coming out of a mould. | 0:25:32 | 0:25:34 | |
Oh, it is just a treat to behold, it really is. | 0:25:36 | 0:25:39 | |
-This, I think, is a little gem. -It's wonderful, isn't it? | 0:25:39 | 0:25:44 | |
It's a real gem. I can't wait to see what it tastes like. | 0:25:44 | 0:25:50 | |
Remind you of anything? | 0:25:50 | 0:25:52 | |
Maybe the jellies had brought a smile to Victoria's face | 0:25:52 | 0:25:56 | |
as it seems from her diary she was rather enjoying her visit. | 0:25:56 | 0:25:59 | |
She describes staying up very late, | 0:25:59 | 0:26:01 | |
having amusing evenings until Christmas Day arrived | 0:26:01 | 0:26:05 | |
when she moans in her diary she went to chapel and was unimpressed | 0:26:05 | 0:26:10 | |
with the sermon, delivered by the Bishop of Chichester. | 0:26:10 | 0:26:14 | |
She states it was rather slow, | 0:26:14 | 0:26:16 | |
but it seems things improved as the day went on. | 0:26:16 | 0:26:20 | |
She says dinner was a lively affair with 20 assembled nobles | 0:26:20 | 0:26:23 | |
and dignitaries who were agreeable, amusing and animated. | 0:26:23 | 0:26:27 | |
All in all, from her diary entries, Victoria enjoyed her visit | 0:26:27 | 0:26:32 | |
to Brighton and it seems she's not the only one. | 0:26:32 | 0:26:35 | |
Well Rosemary, it looks to me | 0:26:37 | 0:26:39 | |
as if you have had a quiveringly good day. | 0:26:39 | 0:26:41 | |
Tim, it is an engineering feat. | 0:26:41 | 0:26:43 | |
It is so exciting, I cannot tell you. | 0:26:43 | 0:26:46 | |
And it is made with pink champagne and orange flower. | 0:26:46 | 0:26:51 | |
Yum yum. Can I have it now? | 0:26:51 | 0:26:52 | |
Yes. But you are going to have to help yourself. | 0:26:52 | 0:26:55 | |
So what I think we should do is, | 0:26:55 | 0:26:56 | |
we should go around the outside and just take a little bit. | 0:26:56 | 0:27:00 | |
This is difficult to control, Rosemary. | 0:27:00 | 0:27:01 | |
-Oh my gosh, I have had a complete collapse here. -It won't stand up. | 0:27:01 | 0:27:06 | |
I am going to get my napkin out before I start dribbling. | 0:27:06 | 0:27:10 | |
Look at her face! | 0:27:10 | 0:27:11 | |
It's just, "Oh!" Look at that. | 0:27:11 | 0:27:14 | |
That is delicious. | 0:27:14 | 0:27:16 | |
To me, this is just an extravaganza on the table. | 0:27:16 | 0:27:21 | |
It is wonderful. | 0:27:21 | 0:27:22 | |
And this goes with the Pavilion because this is so over the top. | 0:27:22 | 0:27:27 | |
Everything is over the top. It is extraordinary. | 0:27:27 | 0:27:30 | |
Well, that's quite something, | 0:27:30 | 0:27:32 | |
I have to say. More jelly, vicar? | 0:27:32 | 0:27:34 | |
Absolutely! | 0:27:34 | 0:27:37 | |
Despite her overblown surroundings and light hearted puddings, | 0:27:37 | 0:27:41 | |
Victoria's New Year resolution | 0:27:41 | 0:27:43 | |
written in her diary reveals a young queen who was far from frivolous. | 0:27:43 | 0:27:49 | |
A teenager who clearly took the job seriously. | 0:27:49 | 0:27:51 | |
She says, "Almighty god, preserve me safely through this year | 0:27:51 | 0:27:57 | |
"and make me daily more fit for my station." | 0:27:57 | 0:28:01 | |
Victoria's and our time at Brighton maybe at an end, but join us | 0:28:01 | 0:28:06 | |
next time when our journey continues | 0:28:06 | 0:28:08 | |
to Scone on the East Coast of Scotland. | 0:28:08 | 0:28:11 | |
Which has a very different flavour. | 0:28:11 | 0:28:14 | |
Och, you're right there, pet. | 0:28:14 | 0:28:17 | |
Subtitles by Red Bee Media Ltd | 0:28:23 | 0:28:26 | |
E-mail [email protected] | 0:28:26 | 0:28:29 |