Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains some strong language | 0:00:02 | 0:00:09 | |
Thousands of shop assistants under one roof. | 0:00:09 | 0:00:12 | |
Du-du-du! | 0:00:12 | 0:00:13 | |
They're young... | 0:00:15 | 0:00:16 | |
-Just call us Jordan. -..they're Geordie... | 0:00:16 | 0:00:19 | |
Got to check myself out in the mirror. Sorted. | 0:00:19 | 0:00:21 | |
..and they work in retail. | 0:00:21 | 0:00:23 | |
Hot, man. I'm the employee of the month. | 0:00:23 | 0:00:26 | |
This is their story. | 0:00:26 | 0:00:28 | |
No, stop, please. | 0:00:28 | 0:00:29 | |
Starring... | 0:00:29 | 0:00:30 | |
I do a bit of the blue steel. | 0:00:30 | 0:00:32 | |
..a male model in menswear | 0:00:32 | 0:00:33 | |
and a designer-boutique fashionista. | 0:00:33 | 0:00:37 | |
I'm not a materialistic person but | 0:00:37 | 0:00:39 | |
I do like to have materialistic things. | 0:00:39 | 0:00:41 | |
A starry-eyed sushi waitress. | 0:00:41 | 0:00:43 | |
Ding-ding-ding-a-ling. | 0:00:43 | 0:00:44 | |
And a doughnut maker extraordinaire. | 0:00:44 | 0:00:47 | |
I think my maximum is about | 0:00:47 | 0:00:49 | |
26 original glazed in one day. | 0:00:49 | 0:00:51 | |
A skater-boy ladies' man. | 0:00:51 | 0:00:54 | |
HE GROANS | 0:00:54 | 0:00:55 | |
And a high-end chocolate aficionado. | 0:00:55 | 0:00:57 | |
Do you want a free chocolate from | 0:00:57 | 0:00:59 | |
Bold Bunny today? | 0:00:59 | 0:01:00 | |
BABY SCREAMS | 0:01:00 | 0:01:01 | |
Bringing them together, we follow their highs... | 0:01:01 | 0:01:04 | |
Drink o'clock! | 0:01:04 | 0:01:05 | |
-..and their lows. -I'm pissed off. | 0:01:05 | 0:01:08 | |
As they juggle the pressures of work life... | 0:01:08 | 0:01:10 | |
Trying my best to work my way. I don't feel I'm getting anywhere. | 0:01:10 | 0:01:13 | |
-At the moment it's so hard to make a sale. -..with their love lives. | 0:01:13 | 0:01:17 | |
I don't want a boyfriend, don't need a boyfriend. | 0:01:17 | 0:01:19 | |
Dicks, dicks everywhere! | 0:01:19 | 0:01:21 | |
This is what it's like being young... | 0:01:21 | 0:01:23 | |
I think the only thing I'm going to pull tonight is my muscles. | 0:01:23 | 0:01:26 | |
-..having fun... -Ohh! That is vile. | 0:01:26 | 0:01:29 | |
..and trying to get up for work next morning. | 0:01:29 | 0:01:32 | |
Joseph, open your eyes. | 0:01:32 | 0:01:35 | |
Yo. | 0:01:35 | 0:01:37 | |
Welcome to retail therapy like you've never seen it before. | 0:01:37 | 0:01:41 | |
Tonight, 18-year-old Abbie is desperate for a promotion. | 0:01:48 | 0:01:51 | |
I literally have no money left. | 0:01:51 | 0:01:53 | |
I normally get Estee Lauder make-up | 0:01:53 | 0:01:55 | |
and I've had to go to high street make-up. | 0:01:55 | 0:01:58 | |
Skateboard fanatic Joey's in big trouble - again. | 0:01:58 | 0:02:01 | |
We're not paying you to be in the back all week. You need to think for yourself. | 0:02:01 | 0:02:04 | |
Stop giving me the ammunition to give you a bollocking. | 0:02:04 | 0:02:08 | |
And sushi waitress Helen's chasing her dream to be a model. | 0:02:08 | 0:02:13 | |
Oh, lordy lord. Look at the lights, oh, Jesus Christ! | 0:02:13 | 0:02:16 | |
-I want to see my mam. -But do her mates from the mall approve? | 0:02:16 | 0:02:20 | |
Keep your tits in your bra cos glamour models are dogs. | 0:02:20 | 0:02:25 | |
They are dogs. | 0:02:25 | 0:02:27 | |
Monday morning at the Metrocentre - and the start of another busy day | 0:02:32 | 0:02:35 | |
as the mall opens its doors to 70,000 shoppers | 0:02:35 | 0:02:39 | |
on the hunt for bargains. | 0:02:39 | 0:02:40 | |
Though it's unlikely they'll find cheap deals in designer boutique | 0:02:42 | 0:02:45 | |
Van Mildert, where today is delivery day. | 0:02:45 | 0:02:48 | |
More bags. | 0:02:49 | 0:02:51 | |
For part-time sales assistant and fashionista Abbie, it's the day of the month to die for. | 0:02:51 | 0:02:57 | |
SHE GASPS | 0:02:57 | 0:02:58 | |
Oh, there might be some handbags! | 0:02:58 | 0:03:00 | |
When I got the job first I was like, "I work in Van Mildert!" | 0:03:00 | 0:03:03 | |
Do you know what I mean? | 0:03:03 | 0:03:05 | |
Obviously the stuff that we sell - it is brilliant. | 0:03:05 | 0:03:08 | |
My mum was like - "Whoa, you've got a job in Van Mildert?" | 0:03:10 | 0:03:13 | |
And so were all my friends. | 0:03:13 | 0:03:16 | |
Ooh! | 0:03:16 | 0:03:17 | |
Oh, actually, I quite like these purses. | 0:03:17 | 0:03:20 | |
-Ah, I really like them. -With accessories up to £300 a go, | 0:03:21 | 0:03:25 | |
on Abbie's minimum wage of £4.98 per hour this pocket-sized bag | 0:03:25 | 0:03:30 | |
will take some saving up for. | 0:03:30 | 0:03:32 | |
For me to buy one of these I would have to work like... | 0:03:32 | 0:03:34 | |
I wouldn't even be able to say it. | 0:03:34 | 0:03:36 | |
Cos I'm absolutely terrible at maths but I would have to work a lot. | 0:03:36 | 0:03:40 | |
Oh, my God, the bag goes with the Michael Kors watch you can get. | 0:03:41 | 0:03:45 | |
How lush are they? | 0:03:47 | 0:03:48 | |
I really want it! | 0:03:48 | 0:03:50 | |
Abbie does get 1% commission on all her sales | 0:03:51 | 0:03:54 | |
so she makes it her mission to sell as much as possible. | 0:03:54 | 0:03:58 | |
This one looks more... Like, you know? More roomy than the other one. | 0:03:58 | 0:04:04 | |
It's gorgeous. It's a gorgeous little theme they've got going on. | 0:04:04 | 0:04:08 | |
It'd be no good if you were to buy your Barbour off the Internet. | 0:04:08 | 0:04:12 | |
But, despite her best efforts, Abbie still takes home | 0:04:12 | 0:04:15 | |
just over £100 a week - | 0:04:15 | 0:04:17 | |
which barely covers her nail-bar costs. | 0:04:17 | 0:04:20 | |
Payday - I hate it, like. | 0:04:20 | 0:04:22 | |
You wait for it all month and then it's gone within a week | 0:04:22 | 0:04:25 | |
and it isn't even because I've got bills to pay. | 0:04:25 | 0:04:28 | |
It's sort of like... | 0:04:28 | 0:04:30 | |
I just...I cannot handle my spending, I'm terrible, | 0:04:30 | 0:04:33 | |
really, really bad. | 0:04:33 | 0:04:34 | |
# Hail, Mary, full of grace | 0:04:34 | 0:04:36 | |
# Smack the bitch in the face Take her Gucci bag. # | 0:04:36 | 0:04:39 | |
So, to pay for all the make-up, acrylics, extensions - | 0:04:39 | 0:04:42 | |
all the essentials - | 0:04:42 | 0:04:43 | |
Abbie desperately needs a pay rise which only comes with promotion. | 0:04:43 | 0:04:48 | |
Obviously, if the opportunity arises - say if a supervisor role arose - | 0:04:48 | 0:04:53 | |
I would be in there. I would try my hardest to get it. | 0:04:53 | 0:04:58 | |
And I know I would be good as a supervisor. | 0:04:58 | 0:05:01 | |
For now, Abbie will have to lead an It-girl lifestyle | 0:05:07 | 0:05:10 | |
on Saturday-girl wages. | 0:05:10 | 0:05:12 | |
I need to go on my dinner break - I'm going shopping. | 0:05:12 | 0:05:15 | |
With her shift over, Abbie meets best mate from the mall Evie | 0:05:15 | 0:05:18 | |
in their regular haunt - the Metrocentre's champagne bar. | 0:05:18 | 0:05:23 | |
The money that I'm getting, Eve... I'm not even getting full-time hours and I literally can't live off it. | 0:05:23 | 0:05:27 | |
I want to be starting to drive and stuff and like... | 0:05:27 | 0:05:30 | |
Off how much I get a month, it barely covers living costs, | 0:05:30 | 0:05:33 | |
barely covers going out every weekend. | 0:05:33 | 0:05:35 | |
And, like, my make-up and getting new extensions every month. | 0:05:35 | 0:05:39 | |
Like, going clothes shopping constantly. | 0:05:39 | 0:05:41 | |
You know I've always been like that. | 0:05:41 | 0:05:43 | |
-I'm not a materialistic person but I do like to have materialistic things. -Yeah. | 0:05:43 | 0:05:47 | |
And I've always been like that and at the moment | 0:05:47 | 0:05:50 | |
I literally cannot afford - I literally have no money left. | 0:05:50 | 0:05:53 | |
I normally get Estee Lauder make-up | 0:05:53 | 0:05:55 | |
but I've had to go to high-street make-up. | 0:05:55 | 0:05:58 | |
And I know that that sounds really, like, shallow and stuff... | 0:05:58 | 0:06:02 | |
-But it's what you want. -It's bloody upsetting. -Yeah. | 0:06:02 | 0:06:05 | |
Like, it feels like, "Is this really what your life's coming to, Abbie? Is this really what's happening?" | 0:06:05 | 0:06:11 | |
If the opportunity was there I would literally stick my acrylics in it | 0:06:11 | 0:06:14 | |
and grab it. | 0:06:14 | 0:06:15 | |
I would just say to them, "I need... | 0:06:15 | 0:06:17 | |
-"to survive, more than what you're offering." -I do. | 0:06:17 | 0:06:20 | |
It's no good sitting here and saying it, like. | 0:06:20 | 0:06:23 | |
-You need to go and do it. -I know. I'm going to. I'm going to. | 0:06:23 | 0:06:26 | |
Right, pinkie promise? | 0:06:26 | 0:06:28 | |
Materialistic or not, | 0:06:29 | 0:06:31 | |
Abbie's determined to upgrade her accessories budget. | 0:06:31 | 0:06:34 | |
But will she be able to get the promotion she needs? | 0:06:34 | 0:06:37 | |
It's two minutes to ten and racing to get to work on time | 0:06:47 | 0:06:50 | |
is 19-year-old skater dude Joey Barron. | 0:06:50 | 0:06:53 | |
Yo, Jamie. | 0:06:53 | 0:06:54 | |
Joey works at the mall's alternative mecca Skate Shack. | 0:06:54 | 0:06:58 | |
It's a job that comes with plenty of perks | 0:06:58 | 0:07:00 | |
and getting first refusal on all the latest gear is one. | 0:07:00 | 0:07:03 | |
Ah, here, mate, have you seen this? | 0:07:03 | 0:07:06 | |
I'm going to have to buy some of these! | 0:07:06 | 0:07:08 | |
Ah, them are wicked. | 0:07:08 | 0:07:09 | |
I think Joey's in here for the friends and... | 0:07:09 | 0:07:12 | |
-The friends and the clothes. -Yeah. For the staff discount. -Aye. | 0:07:12 | 0:07:16 | |
But the biggest benefit of all is when the store owner is | 0:07:16 | 0:07:19 | |
working from home and the skater boys get the run of the place. | 0:07:19 | 0:07:23 | |
You're going to do it now. | 0:07:23 | 0:07:25 | |
Working at the Skate Shack really does pass the time cos | 0:07:25 | 0:07:27 | |
you've got your mates there, all just cracking on, having a laugh. | 0:07:27 | 0:07:30 | |
Du-du-du! | 0:07:30 | 0:07:32 | |
Take the mick out of each other. | 0:07:32 | 0:07:33 | |
The general crack of the day is good so you enjoy coming in to work. | 0:07:35 | 0:07:39 | |
The time flies over that you're normally there. | 0:07:39 | 0:07:41 | |
But when the boss does arrive, the messing around stops. | 0:07:42 | 0:07:46 | |
Just check them off on that, do you reckon, or just write them out? | 0:07:46 | 0:07:49 | |
When Lee comes in everybody is just like...on their guard straight away. | 0:07:49 | 0:07:52 | |
I'm just saying - why do we have such crap lying around? | 0:07:52 | 0:07:56 | |
That's normally... | 0:07:56 | 0:07:57 | |
If he sees someone slacking a bit he'll come down on them | 0:07:57 | 0:08:00 | |
like a ton of bricks. | 0:08:00 | 0:08:01 | |
It's just boxes of rubbish everywhere. Get that up in there. | 0:08:01 | 0:08:05 | |
-Move that along, get these down here, Joe. -Yeah. | 0:08:05 | 0:08:08 | |
-Get them shoved down there and sort out there. -Not a problem. | 0:08:08 | 0:08:11 | |
And even when he's not there, Joey's boss has ways of keeping | 0:08:11 | 0:08:15 | |
the boys on their toes. | 0:08:15 | 0:08:17 | |
The owner of the Shack's got CCTV all over the shop. | 0:08:17 | 0:08:20 | |
It's all wired up to his house, apart from in this stockroom - | 0:08:20 | 0:08:23 | |
this is the blind spot. | 0:08:23 | 0:08:25 | |
It does really make you feel paranoid that if you stand | 0:08:25 | 0:08:29 | |
around not doing something he'll ring the shop and get on your case. | 0:08:29 | 0:08:32 | |
And it's even just paranoid...if you want to | 0:08:32 | 0:08:34 | |
pick your nose he's going to sit there and watch you pick your nose. | 0:08:34 | 0:08:38 | |
In Skate Shack, Big Brother is everywhere | 0:08:38 | 0:08:40 | |
so Joey needs to watch his step as he's already had a few run-ins. | 0:08:40 | 0:08:45 | |
There's been a few petty incidents, which isn't much. | 0:08:45 | 0:08:49 | |
Like coming in four minutes late. Like, I got a written warning for that. | 0:08:49 | 0:08:53 | |
HE MOUTHS | 0:08:53 | 0:08:55 | |
HE LAUGHS | 0:08:57 | 0:08:58 | |
DOG BARKS | 0:09:00 | 0:09:03 | |
When he's not dodging his boss or the CCTV, Joey lives at home with | 0:09:03 | 0:09:07 | |
his mam Justine and dog Storm. | 0:09:07 | 0:09:09 | |
But he dreams of getting his own place soon. | 0:09:09 | 0:09:12 | |
He knows I would never want him to leave home, I'd want him | 0:09:13 | 0:09:15 | |
to stay here for ever cos he's my bairn. | 0:09:15 | 0:09:18 | |
How old do you think it's appropriate for me to move out? | 0:09:18 | 0:09:20 | |
How old do you think I should be? | 0:09:20 | 0:09:23 | |
40. | 0:09:23 | 0:09:25 | |
LAUGHTER | 0:09:25 | 0:09:26 | |
Justine's unable to work due to illness. | 0:09:28 | 0:09:31 | |
So Joey's the only wage earner in the house. | 0:09:31 | 0:09:33 | |
Yeah, I had me own business as a hairdresser years ago. | 0:09:33 | 0:09:37 | |
Unfortunately, due to my health reasons, erm... | 0:09:37 | 0:09:41 | |
with this degeneration disease I can't do that trade any more. | 0:09:41 | 0:09:44 | |
With his sick mam relying on him | 0:09:47 | 0:09:49 | |
Joey needs to keep out of trouble at work or risk losing the family home. | 0:09:49 | 0:09:53 | |
I'm helping me mam with money by giving her £30 a week board. | 0:09:53 | 0:09:57 | |
It's not much but... | 0:09:57 | 0:09:58 | |
it helps. I would just love to tell me boss to stick it - who wouldn't? But it's... | 0:09:58 | 0:10:03 | |
..a fine line of needing it and wanting it, like. | 0:10:06 | 0:10:08 | |
I need it. | 0:10:08 | 0:10:10 | |
There's nothing I can do to change that unless I get lucky or... | 0:10:11 | 0:10:15 | |
..a miracle. | 0:10:17 | 0:10:18 | |
MUSIC: "Good Feeling" by Flo Rida | 0:10:22 | 0:10:25 | |
Stuck on minimum wage and high-street make-up, | 0:10:31 | 0:10:35 | |
Abbie's money woes are getting even worse. | 0:10:35 | 0:10:38 | |
At the moment this is the skintest I've been, like, ever. | 0:10:38 | 0:10:41 | |
Like, ever, ever, ever. | 0:10:41 | 0:10:43 | |
To convince her boss she's ready for promotion, | 0:10:43 | 0:10:45 | |
ambitious Abbie needs to boost her sales figures. | 0:10:45 | 0:10:48 | |
Ted Baker's got a couple of nice ones there. | 0:10:48 | 0:10:50 | |
Even if it means telling a pregnant woman what she wants to hear - | 0:10:50 | 0:10:54 | |
that her bump really will look good in a tight dress. | 0:10:54 | 0:10:57 | |
D'you know what it is? When you're pregnant, the best thing to do | 0:10:58 | 0:11:01 | |
is wear something more tight, believe it or not. | 0:11:01 | 0:11:03 | |
Because if you wear something puffy out you'll look like you're hiding it. | 0:11:03 | 0:11:08 | |
Exactly. | 0:11:08 | 0:11:09 | |
It looks like I've got two back boobs and two front ones, man! | 0:11:09 | 0:11:13 | |
Don't look as if you're big. You can tell you're pregnant. | 0:11:13 | 0:11:16 | |
-I like this one. -Do you like it? I'm glad I brought that one down, then. | 0:11:18 | 0:11:22 | |
-Abbie's compliments pay off as she closes the deal. -Bye. | 0:11:22 | 0:11:27 | |
Happy. Very good. Pat on the back for Abbs. | 0:11:27 | 0:11:30 | |
After a year in retail, Abbie's confident she's ready to be | 0:11:33 | 0:11:37 | |
a full-time supervisor. | 0:11:37 | 0:11:38 | |
And over dinner she discusses her next step with mam Jane. | 0:11:38 | 0:11:42 | |
-I am at a supervisor's level. -Hmm. | 0:11:42 | 0:11:46 | |
I've got initiative, I can think on my feet, I can work with people. | 0:11:47 | 0:11:51 | |
-Do you know what I mean? -You have got potential to be more. | 0:11:53 | 0:11:57 | |
-Mmm. Mmm! -You might. -I don't want to go to uni. | 0:11:57 | 0:12:01 | |
-You're going to uni. -No, I don't want to. Mam, honestly, who isn't going to uni? | 0:12:01 | 0:12:05 | |
When it comes to a couple of years down the line | 0:12:07 | 0:12:09 | |
when everyone finishes, who isn't going to have a degree? | 0:12:09 | 0:12:12 | |
-Hmm. -And they're all going to come out of uni and not get a job. | 0:12:12 | 0:12:15 | |
And, what would I have done at uni? | 0:12:15 | 0:12:18 | |
When I went into business management, would I be able to probably be in three years anyway? | 0:12:19 | 0:12:24 | |
Whilst making money and not getting myself into debt? | 0:12:24 | 0:12:28 | |
I think so. | 0:12:28 | 0:12:29 | |
I don't wake up thinking, "Oh, for...! Work, I hate it." | 0:12:30 | 0:12:34 | |
I don't. Obviously I wish it was more benefiting us, | 0:12:34 | 0:12:39 | |
as in, like, pay and stuff like that. | 0:12:39 | 0:12:41 | |
-If I went to college I probably would've been able to do better. -Hmm. | 0:12:41 | 0:12:44 | |
Down in the mall's Food Quarter, new Japanese restaurant Ikuze | 0:12:52 | 0:12:56 | |
has been convincing Geordies to eat sushi for the past six months. | 0:12:56 | 0:13:00 | |
And I've also got a prawn rice. | 0:13:00 | 0:13:02 | |
And although 22-year-old Helen can't stand the thought of raw fish herself, | 0:13:02 | 0:13:06 | |
when she heard Ikuze were hiring she jumped at the chance of joining the team. | 0:13:06 | 0:13:10 | |
Three Diet Cokes... | 0:13:11 | 0:13:12 | |
I think cos I was out of work for about a year | 0:13:12 | 0:13:14 | |
when I got told I'd got the job I nearly started crying. | 0:13:14 | 0:13:17 | |
The only thing I dislike is working ten-hour shifts. | 0:13:19 | 0:13:22 | |
That's the bit that kills you the most. | 0:13:22 | 0:13:24 | |
And even though she doesn't know her sushi from her sashimi... | 0:13:24 | 0:13:26 | |
-Ding-ding-ding-a-ling. -..Helen's proved a big hit with the regulars. | 0:13:26 | 0:13:29 | |
There you go. | 0:13:29 | 0:13:31 | |
All the customers go, "Where's that girl with the red hair? | 0:13:31 | 0:13:34 | |
"Oh, she's lush! | 0:13:34 | 0:13:35 | |
"Where's the girl with the red hair? Like mermaid. Where's mermaid gone?" | 0:13:35 | 0:13:39 | |
You're Not going out till tonight so it's all right. Plus, ice cream doesn't really fill you. | 0:13:39 | 0:13:43 | |
-I hope not. -Hope not. Just don't eat the leaves and you'll be all right! | 0:13:43 | 0:13:46 | |
-Enjoy. -But, like many waitresses, | 0:13:46 | 0:13:48 | |
Helen has ambitions of the limelight that go way beyond her day job. | 0:13:48 | 0:13:52 | |
I'd love to be a model. | 0:13:52 | 0:13:53 | |
I was a child model when I was younger. | 0:13:54 | 0:13:57 | |
I did a few bits for ASDA and Sunny Delight and things like that. | 0:13:57 | 0:14:00 | |
You get some people who hide away in the corner, don't want their | 0:14:00 | 0:14:03 | |
picture took whereas me even if I've got no make-up on it doesn't matter. | 0:14:03 | 0:14:08 | |
Me and me mam's looked into it a few times | 0:14:08 | 0:14:11 | |
but it's not knowing the route to go down. | 0:14:11 | 0:14:13 | |
You don't know who to speak to, what to do about it | 0:14:13 | 0:14:15 | |
but modelling definitely. | 0:14:15 | 0:14:17 | |
I'd love to be a model. | 0:14:17 | 0:14:19 | |
Today, Helen's heard about a casting call for the Metrocentre's | 0:14:19 | 0:14:22 | |
annual fashion show and as soon as the chance of stardom beckons, | 0:14:22 | 0:14:26 | |
she's straight on the phone to her mam. | 0:14:26 | 0:14:29 | |
-'Hiya.' -I've just seen this thing advertised at the Metrocentre. | 0:14:29 | 0:14:31 | |
-You know that fashion show I was going to do a few years ago? -'Ah, right, yes.' | 0:14:31 | 0:14:35 | |
I'm thinking about doing it but...I don't know if I should or not. | 0:14:35 | 0:14:38 | |
-'Definitely. Why not?' -I was really nervous. -'I've been nagging you for years!' | 0:14:38 | 0:14:42 | |
-Will you come with us? -'Yeah, course I will.' -Right, OK. | 0:14:42 | 0:14:46 | |
'Finally, you're doing something you've got potential to do.' | 0:14:46 | 0:14:51 | |
-Thank you. -'Bye.' -Bye. -'Woo!' | 0:14:51 | 0:14:54 | |
SHE LAUGHS | 0:14:54 | 0:14:56 | |
She went "Woo!" at the end. | 0:14:56 | 0:14:58 | |
Right, OK. | 0:14:58 | 0:14:59 | |
With the chance of swapping katsu curry for catwalk fame | 0:15:01 | 0:15:04 | |
on the horizon, Helen heads to the champagne bar to share | 0:15:04 | 0:15:07 | |
the news with her mates from the mall. | 0:15:07 | 0:15:09 | |
-Hi! -Hang on, she's left her pants. -I have, no, I cut them. | 0:15:09 | 0:15:13 | |
LAUGHTER | 0:15:13 | 0:15:14 | |
Jon, I've gone blind! | 0:15:14 | 0:15:15 | |
David, who works in one of the mall's clothes shops, | 0:15:15 | 0:15:18 | |
is also a part-time model so Helen makes a beeline to pick his brains. | 0:15:18 | 0:15:22 | |
Is that what you want to do professionally? | 0:15:22 | 0:15:24 | |
I used to do modelling when I was a kid and then I moved on to | 0:15:24 | 0:15:26 | |
kind of school and I didn't have time to do it | 0:15:26 | 0:15:28 | |
and that's why I quit and that's why I'm thinking about going back now. | 0:15:28 | 0:15:31 | |
-Give it a go. -I've looked at them all... | 0:15:31 | 0:15:34 | |
The photographic ones, I've looked at the catwalk, I've looked at the glamour. | 0:15:34 | 0:15:38 | |
I think I fit more with the promotional and photographic than I do with catwalk. | 0:15:38 | 0:15:42 | |
-Catwalk - I think you've got to get used to the walk. -Yeah. | 0:15:42 | 0:15:45 | |
If you do the walk over and over then you'll be able to do it. | 0:15:45 | 0:15:47 | |
Like you said, at least you're trying. | 0:15:47 | 0:15:49 | |
You never know what they're looking for. | 0:15:49 | 0:15:51 | |
There might be professionals there but you might have the thing | 0:15:51 | 0:15:54 | |
they're looking for on the day, you know what I mean? | 0:15:54 | 0:15:57 | |
-189.99 there, please. -In the Skate Shack, the boss is out | 0:16:10 | 0:16:15 | |
but it's brisk business for Joey and the boys. | 0:16:15 | 0:16:18 | |
And being single, Joey's keeping his eye out for a particular type of customer. | 0:16:18 | 0:16:22 | |
-Oh, look at that there! -There you go. | 0:16:25 | 0:16:27 | |
Some of the girls that come into the shop, some are really nice. | 0:16:29 | 0:16:35 | |
I suppose you'll stretch and do a scooter job you're not supposed to do or something, | 0:16:35 | 0:16:39 | |
just so you can like, | 0:16:39 | 0:16:40 | |
"Aye, come back here and I'll look after you." That kind of thing. | 0:16:40 | 0:16:44 | |
Yeah! Not a problem. | 0:16:44 | 0:16:46 | |
And you can always tell if they're into you cos... | 0:16:46 | 0:16:49 | |
they'll walk around the shop and then they'll look at you | 0:16:49 | 0:16:52 | |
and you'll make eye contact | 0:16:52 | 0:16:54 | |
and when they're leaving the shop they'll always turn round | 0:16:54 | 0:16:57 | |
and make eye contact again and that's how you know you're in. | 0:16:57 | 0:17:01 | |
Back at home and still with girls on his mind, | 0:17:04 | 0:17:07 | |
lady-lover Joey is grooming himself for a night on the pull. | 0:17:07 | 0:17:11 | |
I only started doing this since I got a tattoo on my chest. | 0:17:11 | 0:17:15 | |
I wouldn't dream of doing it otherwise | 0:17:15 | 0:17:17 | |
but what's the point in getting one | 0:17:17 | 0:17:20 | |
if you're not going to be able to see it sitting under loads of hair. | 0:17:20 | 0:17:25 | |
Oh, no! | 0:17:25 | 0:17:26 | |
Hey, lads, are we going to pull some fucking birds or what? | 0:17:26 | 0:17:30 | |
-Some blokes, aye. -Some blokes for ye! Some blokes for ye! | 0:17:30 | 0:17:34 | |
The only thing you're going to pull is a magpie with that fucking nest! | 0:17:34 | 0:17:37 | |
And even on a Monday night, in Newcastle there's always | 0:17:41 | 0:17:44 | |
somewhere to hit the booze and the girls. | 0:17:44 | 0:17:47 | |
Women are looking great, looking fine. | 0:17:52 | 0:17:54 | |
Drinks are flowing, the guys are having a good laugh. | 0:17:54 | 0:17:56 | |
Erm, everybody's up for it tonight. | 0:17:56 | 0:17:58 | |
Getting a lot of nice looks tonight. | 0:18:00 | 0:18:02 | |
Might be in with a chance, might not be but, yeah, man, it's all going great. | 0:18:02 | 0:18:06 | |
Next morning and it seems Joey had an unexpected detour on his way home. | 0:18:11 | 0:18:16 | |
Really in pain today, like. | 0:18:16 | 0:18:19 | |
Fragile, fragile man. | 0:18:19 | 0:18:21 | |
Ended up pulling some girl. Erm... | 0:18:22 | 0:18:26 | |
Sort of didn't go home empty-handed in the end! | 0:18:26 | 0:18:30 | |
And Joey's got some battle scars from his romantic encounter. | 0:18:30 | 0:18:34 | |
My shoulder's, like, really bad. | 0:18:34 | 0:18:36 | |
HE LAUGHS | 0:18:36 | 0:18:37 | |
I didn't think a woman could do that to anybody, not possible. | 0:18:38 | 0:18:42 | |
She must have been a reet dog. | 0:18:42 | 0:18:45 | |
Eww, she must have been like an animal. Eurgh! | 0:18:45 | 0:18:48 | |
Dirty, dirty dog. | 0:18:48 | 0:18:50 | |
I did, honestly - I thought he had been chinned. | 0:18:51 | 0:18:54 | |
-Hello, son. Did you have a good neet last neet? -Aye. Why, aye. | 0:18:55 | 0:18:59 | |
-Look a bit worse for wear. -Oh, here... | 0:18:59 | 0:19:02 | |
"Oh, here! Oh, here! Oh, here!" | 0:19:02 | 0:19:06 | |
As long as you were safe and you were happy and a you had a good night, that's all that matters. | 0:19:11 | 0:19:16 | |
I just hope she was worth it! | 0:19:16 | 0:19:18 | |
SHE LAUGHS | 0:19:18 | 0:19:19 | |
Dirty dog. | 0:19:20 | 0:19:21 | |
6am and arriving for his shift at the mall is Mr Sweet Tooth | 0:19:32 | 0:19:36 | |
and doughnut processor Jon. | 0:19:36 | 0:19:38 | |
Morning. | 0:19:38 | 0:19:40 | |
Morning. | 0:19:40 | 0:19:42 | |
Jon's not complaining about the early start | 0:19:42 | 0:19:44 | |
as hour after hour of making Krispy Kreme doughnuts more than | 0:19:44 | 0:19:48 | |
makes up for it. | 0:19:48 | 0:19:49 | |
Working here is a marriage made in heaven. | 0:19:49 | 0:19:52 | |
Let's put it this way - my waistline has certainly expanded | 0:19:52 | 0:19:54 | |
since working here. | 0:19:54 | 0:19:56 | |
And what would you like there? Millionaire's shortbread? | 0:19:56 | 0:19:59 | |
A praline fudge cake? | 0:19:59 | 0:20:00 | |
'This job definitely is a dream come true for me.' | 0:20:00 | 0:20:03 | |
I remember going down to London | 0:20:03 | 0:20:05 | |
when Krispy Kreme first opened and it being the most amazing thing ever. | 0:20:05 | 0:20:10 | |
A cookie crunch? The strawberry gloss, yeah? | 0:20:10 | 0:20:13 | |
So, as soon as I found out about this place opening up I was like, "I have to have a job here." | 0:20:13 | 0:20:17 | |
It's a bit like being a kid in a candy store. | 0:20:17 | 0:20:20 | |
MUSIC: "Oh Yeah" by Yello | 0:20:22 | 0:20:24 | |
Usually I tend to have a doughnut for my breakfast. I know it's naughty but | 0:20:25 | 0:20:30 | |
erm, they are just there, to be fair. | 0:20:30 | 0:20:34 | |
This is my selection of probably my top seven. | 0:20:37 | 0:20:41 | |
Oh... | 0:20:43 | 0:20:45 | |
I don't know which one to go for. | 0:20:45 | 0:20:48 | |
I'll go for the Millionaire's. | 0:20:48 | 0:20:50 | |
Mmm, that's so good. | 0:20:55 | 0:20:57 | |
Mmm, especially when you've been staring at them for so long. | 0:20:58 | 0:21:01 | |
Right, which one's next? | 0:21:03 | 0:21:05 | |
This is my favourite bit of it - you get the lemon meringue moustache. | 0:21:07 | 0:21:11 | |
I might be good. I might stop there. | 0:21:15 | 0:21:18 | |
I'll just have a bit of the orange gloss, | 0:21:18 | 0:21:20 | |
then I think I'll leave it at that. | 0:21:20 | 0:21:22 | |
I'm going to be a total pig. | 0:21:31 | 0:21:33 | |
I think a maximum within a day... | 0:21:37 | 0:21:39 | |
I think it was about 26 original glazed in one day... | 0:21:39 | 0:21:44 | |
And that's not trying to do a challenge - | 0:21:44 | 0:21:46 | |
that's just because they were there. | 0:21:46 | 0:21:49 | |
Hmm. | 0:21:49 | 0:21:50 | |
But, despite having doughnuts on tap, | 0:21:50 | 0:21:52 | |
the job's not all sweetness and light. | 0:21:52 | 0:21:55 | |
5p change and your receipt there. | 0:21:55 | 0:21:57 | |
'My hours aren't quite steady, that's the only downfall.' | 0:21:57 | 0:22:00 | |
John's on a zero-hour contract, which means there's no | 0:22:00 | 0:22:03 | |
guarantee of how many hours of doughnut making he'll get each week. | 0:22:03 | 0:22:07 | |
Six and... | 0:22:07 | 0:22:08 | |
seven, so about 13 hours next week. | 0:22:08 | 0:22:13 | |
Erm... | 0:22:13 | 0:22:14 | |
Not exactly happy about the hours, obviously. | 0:22:14 | 0:22:19 | |
'Obviously, I've got bills to pay for and, with the lack of hours, | 0:22:19 | 0:22:23 | |
'it does mean that there's then money worries at home.' | 0:22:23 | 0:22:27 | |
And on a zero-hour contract, even when you're on a shift, | 0:22:27 | 0:22:31 | |
your time in doughnut heaven can get cut short at a moment's notice. | 0:22:31 | 0:22:34 | |
-Hey, baby. -What? -Do you fancy having the rest of the day off? | 0:22:35 | 0:22:39 | |
-The rest of the day off? -Yeah. | 0:22:39 | 0:22:40 | |
It's proper quiet downstairs and I need to try and save some pennies. | 0:22:40 | 0:22:44 | |
-Cos the thing is... -I was going to say... | 0:22:45 | 0:22:47 | |
I was going to ask Lori. You've got five shifts - she's only got four. | 0:22:47 | 0:22:51 | |
Yeah. | 0:22:51 | 0:22:52 | |
So, the extra few hours I had got I have now lost... | 0:22:53 | 0:22:56 | |
But that's just what it's like here, unfortunately. | 0:22:56 | 0:22:59 | |
There's less than four weeks till the mall's annual fashion show | 0:23:04 | 0:23:08 | |
and, for sushi waitress Helen, | 0:23:08 | 0:23:10 | |
it could be her big chance to relaunch her career as a model. | 0:23:10 | 0:23:13 | |
She's got to impress the modelling scouts | 0:23:14 | 0:23:16 | |
at today's catwalk auditions... | 0:23:16 | 0:23:18 | |
OK. That will do for now. | 0:23:18 | 0:23:20 | |
..and her mam's come along to support her. | 0:23:20 | 0:23:22 | |
Just ignore. Just ignore. Just ignore, please. | 0:23:24 | 0:23:27 | |
Got to check myself out in the mirror. | 0:23:27 | 0:23:30 | |
Yeah, sorted. | 0:23:30 | 0:23:31 | |
Ha-ha! Sorted. | 0:23:31 | 0:23:33 | |
Sorted! It's better than looking like a tramp in Uggs, | 0:23:33 | 0:23:36 | |
like I usually do. | 0:23:36 | 0:23:37 | |
But not quite everything is "sorted". | 0:23:37 | 0:23:40 | |
Helen's bought new high heels for the occasion and they don't fit. | 0:23:40 | 0:23:43 | |
These shoes just... | 0:23:43 | 0:23:45 | |
I'm going to ask them for advice | 0:23:45 | 0:23:46 | |
when I get there cos they're too big. | 0:23:46 | 0:23:48 | |
-If you look at the back of them. -Heel grips. | 0:23:48 | 0:23:50 | |
Look at the back of them. | 0:23:50 | 0:23:51 | |
-Yeah, they're falling off your feet. -I know. I can't walk. | 0:23:51 | 0:23:54 | |
I'm just going to tell them | 0:23:54 | 0:23:55 | |
I've got a slight problem that I can't walk in these shoes. | 0:23:55 | 0:23:59 | |
Helen has never done catwalk modelling before and it | 0:23:59 | 0:24:02 | |
quickly dawns on her that she'll need to do more than just pose. | 0:24:02 | 0:24:06 | |
What's going on? | 0:24:06 | 0:24:07 | |
Have I got to do it in front of everyone? | 0:24:07 | 0:24:09 | |
-I'm assuming you'll have to walk. -Oh, my God, I don't want to do this. | 0:24:09 | 0:24:12 | |
The judges are going to sit at that table, I think. | 0:24:12 | 0:24:15 | |
I can't walk in these shoes, though. | 0:24:15 | 0:24:17 | |
To make matters worse, | 0:24:25 | 0:24:27 | |
Helen's up against catwalk models with years of experience. | 0:24:27 | 0:24:30 | |
Oh, I don't want to do this. | 0:24:30 | 0:24:32 | |
I don't want to do this. | 0:24:34 | 0:24:35 | |
SHE WHISPERS | 0:24:35 | 0:24:37 | |
Way out of her comfort zone, Helen seeks an escape route. | 0:24:37 | 0:24:40 | |
Just go and tell them.... | 0:24:40 | 0:24:41 | |
Go and tell them I can't walk in my shoes, and I don't want to do it. | 0:24:41 | 0:24:44 | |
I don't want to do it. Go on. Just go on. | 0:24:44 | 0:24:47 | |
The shoes she's got on are too big. | 0:24:49 | 0:24:51 | |
They've stretched and they've got massive gaps in between. | 0:24:51 | 0:24:54 | |
-I can't walk in them. -What size are you? -Six. | 0:24:54 | 0:24:56 | |
Why don't you nip upstairs to one of the shoe shops and see | 0:24:56 | 0:24:58 | |
if we can borrow...? Get a couple of black ones in size six... | 0:24:58 | 0:25:02 | |
-Not too high, yeah. -There's no getting out of it. | 0:25:02 | 0:25:05 | |
I was like, "I don't want to do it." | 0:25:05 | 0:25:08 | |
But in Britain's largest shopping mall, | 0:25:08 | 0:25:10 | |
it doesn't take long to find a pair of shoes that fit. | 0:25:10 | 0:25:13 | |
-I need to just try them. -OK. | 0:25:13 | 0:25:15 | |
They're vile. | 0:25:19 | 0:25:21 | |
They're vile shoes but... | 0:25:21 | 0:25:23 | |
BOTH MUMBLE | 0:25:23 | 0:25:24 | |
Better. | 0:25:28 | 0:25:29 | |
So, it's time for Helen to show what she's got. | 0:25:29 | 0:25:33 | |
Stand on your right foot and turn right. | 0:25:33 | 0:25:36 | |
# If you want it I'm going to be ba ba boom boom | 0:25:36 | 0:25:40 | |
# If you got it you got it You got that boom boom... # | 0:25:40 | 0:25:43 | |
-It's not the firing squad. -We're not going to shoot you, OK? | 0:25:43 | 0:25:46 | |
So, just look at us and smile...please. | 0:25:48 | 0:25:50 | |
Would you like to walk in? Thank you. | 0:25:50 | 0:25:52 | |
That was very nerve-wracking. | 0:25:56 | 0:25:58 | |
I nearly passed out at the beginning. | 0:25:58 | 0:26:00 | |
I'm more photogenic than I am walk-agenic, | 0:26:00 | 0:26:02 | |
if that makes any sense. | 0:26:02 | 0:26:04 | |
Thanks very much for getting us these, by the way. | 0:26:05 | 0:26:07 | |
Helen wasn't "walk-agenic" enough to be selected for the main | 0:26:07 | 0:26:10 | |
part of the catwalk show, but they do have a less demanding role | 0:26:10 | 0:26:14 | |
available in a competition for trainee stylists. | 0:26:14 | 0:26:16 | |
We've actually got a fashionista competition | 0:26:16 | 0:26:19 | |
and we're looking for two models that they can actually dress. | 0:26:19 | 0:26:23 | |
-Oh, yeah. -So, it wouldn't be too much walking. | 0:26:23 | 0:26:26 | |
You still have to walk on the catwalk. | 0:26:26 | 0:26:29 | |
Oh, yeah, I would do that. Sounds good, that. | 0:26:29 | 0:26:31 | |
Sounds different, doesn't it? Thank you very much. See you, bye. | 0:26:31 | 0:26:34 | |
With the ordeal over, | 0:26:42 | 0:26:44 | |
Helen hits the champagne bar for a much needed drink with Emma, | 0:26:44 | 0:26:47 | |
a hair stylist from the mall. | 0:26:47 | 0:26:49 | |
-It was horrible. I nearly freaked out and walked out. -Why? | 0:26:49 | 0:26:52 | |
Cos I walked in, you could see every single one of them | 0:26:52 | 0:26:54 | |
were professional models. The way they walked, | 0:26:54 | 0:26:56 | |
the way they dressed, everything. | 0:26:56 | 0:26:58 | |
-So, they had all done it before? -Yeah. | 0:26:58 | 0:26:59 | |
And here's me with my charva strut, walking like a complete bloke. | 0:26:59 | 0:27:03 | |
I was like, "Yeah, don't fit in here at all." | 0:27:03 | 0:27:05 | |
But... But she said at the end, | 0:27:05 | 0:27:06 | |
"We are looking for two people so our models can dress them up, | 0:27:06 | 0:27:09 | |
"so, like, try the clothes on from different shops | 0:27:09 | 0:27:12 | |
"and things like that." | 0:27:12 | 0:27:13 | |
What about, erm, glamour modelling? | 0:27:13 | 0:27:16 | |
My boyfriend wouldn't let us do that. | 0:27:16 | 0:27:17 | |
What? And you'd let your boyfriend tell you "no"? | 0:27:17 | 0:27:20 | |
No, but, he wouldn't. | 0:27:20 | 0:27:21 | |
If you weren't with him, would you be interested in doing that yourself? | 0:27:21 | 0:27:24 | |
I don't know. There's good things about it cos of the money but, | 0:27:24 | 0:27:27 | |
then again, you're getting your kit off for the whole world. | 0:27:27 | 0:27:29 | |
Would your boyfriend let you do it? | 0:27:29 | 0:27:32 | |
Well, you've gotta have boobs first to do glamour modelling, | 0:27:32 | 0:27:36 | |
so I'd have to ask him for a boob job first. | 0:27:36 | 0:27:38 | |
What about if you were offered the right amount of money - | 0:27:38 | 0:27:41 | |
-would you go for it? -I think I would. | 0:27:41 | 0:27:44 | |
I think, no matter what, I would go as far as underwear. | 0:27:44 | 0:27:47 | |
That's nowt, is it? That's like a bikini, you know what I mean? | 0:27:47 | 0:27:50 | |
-That's absolutely nothing. -So, you wouldn't go topless? | 0:27:50 | 0:27:52 | |
I would... | 0:27:52 | 0:27:54 | |
but I dunno. | 0:27:54 | 0:27:55 | |
Just have to talk things through with the boyfriend. | 0:27:55 | 0:27:58 | |
I think if I said to him, | 0:27:58 | 0:27:59 | |
"Here's this amount of money that I'm going to get", | 0:27:59 | 0:28:02 | |
he'd be like, "OK." | 0:28:02 | 0:28:03 | |
Not only have fashion-hungry Abbie's spending plans hit a road block, | 0:28:13 | 0:28:17 | |
her plans to dazzle her boss with high sales have come to | 0:28:17 | 0:28:20 | |
a sorry standstill as well. | 0:28:20 | 0:28:21 | |
At the moment, it's like, literally, dribs and drabs, | 0:28:21 | 0:28:24 | |
and it's so hard to make a sale. | 0:28:24 | 0:28:26 | |
It so hard to get, like... D'you know what I mean? | 0:28:26 | 0:28:28 | |
Just talk to someone. | 0:28:28 | 0:28:30 | |
No problem. See you later. | 0:28:30 | 0:28:31 | |
Business is slow and today, | 0:28:31 | 0:28:33 | |
nobody's buying Abbie's persuasive sales patter. | 0:28:33 | 0:28:36 | |
Hi. | 0:28:36 | 0:28:37 | |
I've just had a bad week and it's really upsetting us, cos I hate it. | 0:28:43 | 0:28:47 | |
You getting on all right there for sizes and everything? | 0:28:47 | 0:28:50 | |
No problem. Are you getting on all right there? | 0:28:50 | 0:28:52 | |
Are you all right for sizes, yeah? | 0:28:52 | 0:28:54 | |
I feel like a proper letdown when I don't meet my targets. | 0:28:54 | 0:28:58 | |
Do you know, you just know if someone's going to buy or not. | 0:29:05 | 0:29:09 | |
But it's just one of them days. | 0:29:09 | 0:29:11 | |
I'm just having a really bad day for sales today. | 0:29:11 | 0:29:14 | |
Maybe Abbie's luck is about to change, | 0:29:14 | 0:29:17 | |
as her best mate Evie pops in looking for a birthday dress. | 0:29:17 | 0:29:21 | |
-How are you doing? -I'm good. -I like your shirt. -It's good. | 0:29:21 | 0:29:25 | |
So, anything for me? | 0:29:25 | 0:29:26 | |
I don't want something short. | 0:29:26 | 0:29:28 | |
No. | 0:29:28 | 0:29:29 | |
-It's a bit colourful for me. -Yeah. | 0:29:29 | 0:29:32 | |
-You're more... -Again, too colourful. | 0:29:32 | 0:29:36 | |
Too colourful, black and white, hmm-hmm(!) | 0:29:36 | 0:29:38 | |
Look at that. Look at that detail. | 0:29:38 | 0:29:40 | |
We had the shorter one in last year and it was like a ra-ra... | 0:29:40 | 0:29:43 | |
It is that a unique one? | 0:29:43 | 0:29:45 | |
Yeah. Got a lovely double-breasted... | 0:29:45 | 0:29:47 | |
I love a good mack. | 0:29:47 | 0:29:49 | |
-Love a good mack. -Love a good mack. | 0:29:49 | 0:29:52 | |
-That would look wicked with your hair. -Wouldn't it? | 0:29:52 | 0:29:56 | |
Argh! 135. Like, wow. | 0:29:56 | 0:30:00 | |
It is really expensive in here, like. | 0:30:00 | 0:30:02 | |
That's lush, that one. | 0:30:02 | 0:30:04 | |
Ah, Vivienne. | 0:30:04 | 0:30:06 | |
Oh, Vivienne, how you do tease me! | 0:30:06 | 0:30:09 | |
I'd just love to have unlimited amounts of money. | 0:30:09 | 0:30:11 | |
-I know, imagine it. -I'm a skint student, unfortunately, so... | 0:30:11 | 0:30:15 | |
I'm just a skint human being. | 0:30:15 | 0:30:16 | |
Well, I'm going to go and do some uni work cos I'm poor | 0:30:16 | 0:30:19 | |
and can't afford anything. | 0:30:19 | 0:30:21 | |
I can maybe stretch to some Vivienne jellies but I don't need them. | 0:30:22 | 0:30:26 | |
So, if Abbie can't even sell to her best mate, | 0:30:26 | 0:30:28 | |
how's she ever going to persuade her boss she's ready for promotion? | 0:30:28 | 0:30:32 | |
Skint or not, in Newcastle, when the working week is done, | 0:30:36 | 0:30:40 | |
it's time to make a beeline for the nearest bar. | 0:30:40 | 0:30:43 | |
Oh, hello, ladies. | 0:30:45 | 0:30:46 | |
-It's all right, I don't want a hug. -You all right? | 0:30:46 | 0:30:49 | |
Hiya! | 0:30:49 | 0:30:51 | |
Alreet? | 0:30:52 | 0:30:53 | |
-Have you just finished work? -Hence why I'm dressed in Converse. | 0:30:53 | 0:30:56 | |
The only time I dress up, nobody else does, | 0:30:56 | 0:30:58 | |
-and the only time I don't dress up, everyone else does. -Aw... | 0:30:58 | 0:31:01 | |
-Never mind. -Napkins for you guys. | 0:31:01 | 0:31:03 | |
When I say "go", start drinking. | 0:31:03 | 0:31:07 | |
One, two, three, start drinking. Go, go, go! | 0:31:07 | 0:31:10 | |
Oh, that is vile! That is actually... | 0:31:10 | 0:31:14 | |
Urgh! | 0:31:14 | 0:31:15 | |
That's quite nice, actually. | 0:31:15 | 0:31:17 | |
A few drinks down and Helen wants to know what people | 0:31:17 | 0:31:20 | |
think of Emma's recent career advice. | 0:31:20 | 0:31:22 | |
What do yous think of glamour modelling? | 0:31:22 | 0:31:25 | |
I... Not for me. | 0:31:25 | 0:31:26 | |
What's the difference, like? | 0:31:26 | 0:31:28 | |
Glamour modelling, it's not just getting your boobs out, | 0:31:28 | 0:31:31 | |
or getting your body out. It's underwear. | 0:31:31 | 0:31:33 | |
I think if it's done in a classy manner and everything... | 0:31:33 | 0:31:36 | |
If it's a classy manner... | 0:31:36 | 0:31:38 | |
But not like, "Where's your dignity? What the hell would your mother say?" | 0:31:38 | 0:31:42 | |
Do you know what I mean? | 0:31:42 | 0:31:43 | |
You can do it. If you have the courage to do that, do it. | 0:31:43 | 0:31:47 | |
Because, I'm sorry, but at the end of the day, | 0:31:47 | 0:31:49 | |
men are always going to want to see naked women in some form. | 0:31:49 | 0:31:52 | |
-That just creeps me out. -Exactly. | 0:31:52 | 0:31:54 | |
ALL TALK AT ONCE | 0:31:54 | 0:31:57 | |
I know for a fact his opinion... | 0:31:57 | 0:31:59 | |
Because he's like, "Which way do you want it? This, like?" | 0:31:59 | 0:32:01 | |
But that's a bloke's opinion. | 0:32:01 | 0:32:03 | |
I've got boobs, right? | 0:32:03 | 0:32:05 | |
If I wanted to, I probably could go into glamour modelling | 0:32:05 | 0:32:08 | |
-or something like that, right? -If they would let her. | 0:32:08 | 0:32:11 | |
I could not do it, because of my pride and because of my dignity, | 0:32:11 | 0:32:18 | |
and realistically, yeah, you only live once, but I just think it's.... | 0:32:18 | 0:32:22 | |
-It's just... -Underwear, do you know what it is? | 0:32:22 | 0:32:25 | |
The thing is, as he said, it's all right for bikini, but not underwear. | 0:32:25 | 0:32:29 | |
-What's the difference? -I think... -What the fuck? | 0:32:29 | 0:32:31 | |
What the fuck is the difference between underwear and a bikini? | 0:32:31 | 0:32:34 | |
I understand, like, sexy underwear, suspenders and stuff like that, | 0:32:34 | 0:32:37 | |
I understand that. I understand that. | 0:32:37 | 0:32:39 | |
But general bra and knickers, what's the difference with a bikini? | 0:32:39 | 0:32:42 | |
Underwear's something you have in the bedroom. | 0:32:42 | 0:32:44 | |
Something in the bedroom, it's something sexy, | 0:32:44 | 0:32:47 | |
and it's something that should just be for your boyfriend. | 0:32:47 | 0:32:49 | |
That's how he'll see it. That's what he'll instantly think of. | 0:32:49 | 0:32:52 | |
And then he's like... | 0:32:52 | 0:32:54 | |
That means the guys are going to be getting off on it. | 0:32:54 | 0:32:57 | |
-If you go down the modelling route, right... -Don't do glamour first. | 0:32:57 | 0:33:00 | |
-You can't go back the way. -Keep your tits in your bra. | 0:33:00 | 0:33:04 | |
-You know what I mean? -Yeah. | 0:33:04 | 0:33:06 | |
To be honest, you are far too pretty, because glamour models are dogs. | 0:33:06 | 0:33:10 | |
-It's make-up. -They are dogs. | 0:33:10 | 0:33:13 | |
I mean, you can look like a dog's back end | 0:33:13 | 0:33:15 | |
and you can go into glamour modelling as far as I'm concerned. | 0:33:15 | 0:33:19 | |
So many more routes to success | 0:33:19 | 0:33:20 | |
than getting your tits out, do you know what I mean? Fuck's sake. | 0:33:20 | 0:33:23 | |
But completely up to everyone, their life choices, | 0:33:23 | 0:33:26 | |
as long as it's not me. | 0:33:26 | 0:33:27 | |
With the serious talking over, the serious partying begins. | 0:33:30 | 0:33:35 | |
THEY ALL CHEER | 0:33:41 | 0:33:43 | |
SHE SHOUTS OUT | 0:33:45 | 0:33:46 | |
Come on! | 0:33:46 | 0:33:48 | |
Go on! Whoo! | 0:33:48 | 0:33:52 | |
Joe? | 0:33:58 | 0:33:59 | |
Joe. | 0:34:01 | 0:34:02 | |
Joseph. | 0:34:03 | 0:34:05 | |
It's 9am, and Joey's in no hurry to get up for work. | 0:34:06 | 0:34:11 | |
Joe, open your eyes. | 0:34:11 | 0:34:13 | |
Yo. | 0:34:17 | 0:34:18 | |
But when he does get in, the boss wants a quiet word | 0:34:19 | 0:34:23 | |
after spotting him larking about on the shop's CCTV. | 0:34:23 | 0:34:25 | |
Just keep an eye on the shop for us while I talk to Joe | 0:34:25 | 0:34:27 | |
in the back, yeah? Thank you very much, Rachel. | 0:34:27 | 0:34:31 | |
I just wanted to talk to you today, Joe. | 0:34:31 | 0:34:33 | |
What happened last Friday was very bad. I watched you. | 0:34:33 | 0:34:36 | |
You done nothing all day. It's not school any more. | 0:34:36 | 0:34:39 | |
We think, after discussing it with Chris and Paula, that you have | 0:34:39 | 0:34:42 | |
a schoolboy attitude sometimes towards the business. | 0:34:42 | 0:34:45 | |
Your continuous lateness is extremely bad. | 0:34:45 | 0:34:47 | |
The reason you got the first warning was consistent late. | 0:34:47 | 0:34:49 | |
I don't want to be in the position in another month's time | 0:34:49 | 0:34:52 | |
where I'm saying goodbye to you and giving you your P45. | 0:34:52 | 0:34:55 | |
Have you got anything you want to tell me, Joe? | 0:34:55 | 0:34:57 | |
-I've got problems, but really... -Personal stuff, you mean, yeah? | 0:34:57 | 0:35:01 | |
If I lose my job in here, | 0:35:01 | 0:35:03 | |
me and my mum would be put in a one-bedroom flat. | 0:35:03 | 0:35:07 | |
Everybody has problems, Joe. | 0:35:07 | 0:35:08 | |
It's how you deal with your problems that's important. | 0:35:08 | 0:35:11 | |
There's 10,000 other kids all going for the same job - there's not that | 0:35:11 | 0:35:14 | |
many jobs at the moment, we're in a recession and all the rest of it. | 0:35:14 | 0:35:17 | |
What I'm saying to you, Joe, it's a great opportunity. | 0:35:17 | 0:35:20 | |
You've got security, you get paid every week. Don't lose it. | 0:35:20 | 0:35:23 | |
Don't mess it up. | 0:35:23 | 0:35:24 | |
I'm willing and ready to hopefully not be in that position again. | 0:35:24 | 0:35:28 | |
Don't take the mick, Joe. | 0:35:28 | 0:35:31 | |
If you do, it'll be a bad ending. | 0:35:31 | 0:35:33 | |
I don't want to go there. I really do not want to go there, Joe. | 0:35:33 | 0:35:37 | |
With Joey now on a second written warning, | 0:35:37 | 0:35:41 | |
he knows he's in last-chance saloon. | 0:35:41 | 0:35:43 | |
-Hi, Ma. -Hiya, son. | 0:35:47 | 0:35:50 | |
Have you had a good day at work? | 0:35:50 | 0:35:53 | |
-I kind of got a written warning, like. -You got a written warning? | 0:35:53 | 0:35:58 | |
Give us a look. | 0:35:58 | 0:36:00 | |
What's that? | 0:36:00 | 0:36:02 | |
It's a written warning. | 0:36:02 | 0:36:04 | |
Gross insubordination? And...? What does that mean? | 0:36:04 | 0:36:10 | |
It's just failure to listen to the management. Fucking... | 0:36:10 | 0:36:13 | |
When he went home at half two, | 0:36:14 | 0:36:17 | |
I was tidying the stockroom and things like that. | 0:36:17 | 0:36:21 | |
And I'd separated some shoes what had come in on a delivery. | 0:36:21 | 0:36:25 | |
It wasn't enough. So he's picked up an excuse to give us a warning. | 0:36:25 | 0:36:29 | |
He thinks, "He's a bad apple, so I'm going to get rid of him." | 0:36:29 | 0:36:32 | |
I would just love to go to work and not be watched off a millionaire. | 0:36:32 | 0:36:36 | |
On camera, 24/7. It's like fucking Durham jail. | 0:36:36 | 0:36:39 | |
You've got the governor watching you on camera 24/7 | 0:36:39 | 0:36:43 | |
and picking the phone up at the slightest little thing you do wrong. | 0:36:43 | 0:36:47 | |
Graffiti on your cell wall, | 0:36:47 | 0:36:48 | |
the governor's at your fucking door like a shot. | 0:36:48 | 0:36:50 | |
That's what it's like at Durham jail - Big Brother watching you. | 0:36:50 | 0:36:53 | |
It hurts me to think of a good-natured laddie like you, | 0:36:53 | 0:36:57 | |
my son, getting made a mug of, like that. | 0:36:57 | 0:37:02 | |
It really breaks my heart. | 0:37:02 | 0:37:05 | |
Hurts me, the only reason why is because of the money. | 0:37:05 | 0:37:07 | |
If I don't give you 30 quid a week, | 0:37:07 | 0:37:09 | |
we're going to get kicked out of our house. | 0:37:09 | 0:37:12 | |
But it's not your responsibility to have that burden on your shoulders. | 0:37:12 | 0:37:15 | |
It's mine, as a mother. | 0:37:15 | 0:37:17 | |
When we both live together as mother and son, I've got to help you as much | 0:37:17 | 0:37:21 | |
as you help me, because without that 30 quid a week, where would we be? | 0:37:21 | 0:37:25 | |
In a flat, in a one-bedroom flat somewhere. Exactly. | 0:37:25 | 0:37:29 | |
We'll still stand together and we'll get through it, whatever. | 0:37:31 | 0:37:35 | |
# Where's all my soul sisters? | 0:37:35 | 0:37:39 | |
# Let me hear y'all flow sisters | 0:37:39 | 0:37:40 | |
# Hey sister, go sister Soul sister, flow sister... # | 0:37:40 | 0:37:44 | |
Unlike many of his peers, Jon's already moved out of home | 0:37:44 | 0:37:48 | |
and rents a flat with his sister Molly. | 0:37:48 | 0:37:51 | |
With, obviously, having my own place, there's a lot more bills | 0:37:51 | 0:37:55 | |
involved in what most people my age have. | 0:37:55 | 0:37:57 | |
So all my money does tend to get put into that. | 0:37:57 | 0:38:01 | |
But when he does have money for a night out, | 0:38:01 | 0:38:03 | |
it's not just the town he paints red. | 0:38:03 | 0:38:05 | |
The whole thing about being a drag queen is that everything is | 0:38:05 | 0:38:08 | |
meant to be over the top, so you have hair that is ridiculously big. | 0:38:08 | 0:38:13 | |
So, excluding Molly, who hasn't quite accepted it yet, | 0:38:13 | 0:38:17 | |
when did we all come out? | 0:38:17 | 0:38:18 | |
I think there is quite a big difference between coming to | 0:38:18 | 0:38:21 | |
-terms with it and coming out. What ages...? -16 for me. Literally. | 0:38:21 | 0:38:24 | |
-I had a girlfriend for, like, eight months. -You had a girlfriend?! | 0:38:24 | 0:38:28 | |
-We were pretty serious, right? -Did you sleep with her? | 0:38:28 | 0:38:31 | |
-Are you a gold-star gay? -What's gold-star gay? | 0:38:31 | 0:38:34 | |
It's when you haven't slept with a member of the opposite gender. | 0:38:34 | 0:38:37 | |
I'm a gold-star gay | 0:38:37 | 0:38:39 | |
because I have never gone all the way with the girl. | 0:38:39 | 0:38:42 | |
-James, gold star? -No. -Definitely not! | 0:38:42 | 0:38:44 | |
-Gold star? -No. I was when I came out! | 0:38:44 | 0:38:48 | |
She's been bad since she came out. | 0:38:50 | 0:38:52 | |
-Basically, I had a girlfriend, we broke up... -Did you finish that? | 0:38:52 | 0:38:55 | |
No, she finished with me | 0:38:55 | 0:38:58 | |
because she thought I was cheating on her with another girl. | 0:38:58 | 0:39:01 | |
-How wrong can you get? -Who was actually, technically, my fag hag. | 0:39:01 | 0:39:05 | |
Then I came out as bi. | 0:39:05 | 0:39:07 | |
I said I was bi because I didn't know if I wanted to have sex... | 0:39:07 | 0:39:10 | |
When he told me, I laughed and went, "Well, I knew that. | 0:39:10 | 0:39:13 | |
"That's not a surprise." | 0:39:13 | 0:39:14 | |
I'm one of those rare few that have a very accepting family. | 0:39:14 | 0:39:18 | |
My mam's even, like... said when I was younger, | 0:39:18 | 0:39:20 | |
she was certain I was either going to come out as transgender or gay. | 0:39:20 | 0:39:25 | |
I'm too fabulous for trans. | 0:39:25 | 0:39:27 | |
Ready or not, here comes Mama. | 0:39:27 | 0:39:30 | |
So, do you like? | 0:39:33 | 0:39:35 | |
Ta-da. | 0:39:35 | 0:39:37 | |
Um...wow. | 0:39:38 | 0:39:40 | |
THEY LAUGH | 0:39:40 | 0:39:42 | |
Wow. You are just like a complete hot mess. | 0:39:42 | 0:39:45 | |
That's a good compliment. | 0:39:45 | 0:39:47 | |
-"Hot mess" is good. -"Hot mess" is good. -Are you sure? | 0:39:47 | 0:39:51 | |
Does that mean it's like messy and trashy? | 0:39:51 | 0:39:54 | |
-Yeah. -So, you're trashy but hot. | 0:39:54 | 0:39:56 | |
When you go out, do you use the men's toilet or the women's toilets? | 0:39:56 | 0:39:59 | |
I'm usually so drunk and it's half melted off anyway, | 0:39:59 | 0:40:02 | |
so you know I'm a bloke anyway, so I go in the men's. | 0:40:02 | 0:40:05 | |
I tend to only do this if I'm out on the gay scene. | 0:40:05 | 0:40:07 | |
I wouldn't do it in Linda's bar, so, yeah, men's toilets. | 0:40:07 | 0:40:10 | |
They don't even bat an eyelid. You walk past and they're, like "Hi!" | 0:40:10 | 0:40:13 | |
Right, let's get some drinks sorted, then. | 0:40:13 | 0:40:15 | |
From doughnut king to drag queen - | 0:40:15 | 0:40:18 | |
quick frock change and Lady Jon hits the mall bar. | 0:40:18 | 0:40:22 | |
-Here she is. -Hello, darling. -Hello, dear. | 0:40:22 | 0:40:25 | |
Ooh! | 0:40:25 | 0:40:26 | |
You look fabulous this evening. | 0:40:26 | 0:40:29 | |
-I always look fabulous, darling. -Is Jon coming tonight(?) -No, no. | 0:40:29 | 0:40:33 | |
He couldn't make it tonight. No. | 0:40:33 | 0:40:34 | |
Sent me along instead. | 0:40:34 | 0:40:36 | |
-I didn't think so. -Yes. -It's a pleasure to meet you. | 0:40:36 | 0:40:39 | |
It's a pleasure to meet you, dear. How are you? | 0:40:39 | 0:40:41 | |
-What do I call you now? -I'm Tina, darling. Tina Colada. -Fabulous. | 0:40:41 | 0:40:46 | |
-So, have you been at work today, then? -Yeah, I've just finished. | 0:40:46 | 0:40:49 | |
-Oh, have you? -Yeah. -Have you been busy or...? -Absolutely dead. | 0:40:49 | 0:40:53 | |
-Have you been dead? -I was in on Monday, Tuesday and Wednesday, | 0:40:53 | 0:40:56 | |
-and every single day I got sent home early. -Why? | 0:40:56 | 0:40:59 | |
It was that dead, they had no need for the amount of staff. | 0:40:59 | 0:41:02 | |
Do you not get the option? | 0:41:02 | 0:41:03 | |
It's always offered to you - "Would you like to go home now?" - | 0:41:03 | 0:41:06 | |
but you are kind of also almost put under the pressure of, | 0:41:06 | 0:41:10 | |
you know, "We don't need you in. Please leave now." | 0:41:10 | 0:41:13 | |
So, you kind of feel bad, and you're like, "Go on, then." | 0:41:13 | 0:41:17 | |
But when you're dressed to impress, | 0:41:17 | 0:41:19 | |
there's far more important things to talk about than work. | 0:41:19 | 0:41:22 | |
-Is everyone liking my nails? -Are they real? -Of course they're real. | 0:41:22 | 0:41:25 | |
-Of course they're real. -I was going to say, "Look at her." | 0:41:25 | 0:41:29 | |
I'm wearing white and pink, | 0:41:29 | 0:41:31 | |
-so I'm going to look like a right Barbie, aren't I? -Aw. | 0:41:31 | 0:41:34 | |
-I hate looking like a girl. -Ooh, I love it. | 0:41:34 | 0:41:38 | |
THEY ALL LAUGH | 0:41:38 | 0:41:40 | |
I'm going to get some money and come back. I'll see you in a momento. | 0:41:42 | 0:41:46 | |
-He really suits being a girl. -I was not at all surprised. | 0:41:46 | 0:41:49 | |
He's actually really pretty. | 0:41:49 | 0:41:50 | |
If I had been totalled, | 0:41:50 | 0:41:53 | |
I wouldn't have been able to tell that WAS Jon. | 0:41:53 | 0:41:56 | |
If I was single... | 0:41:56 | 0:41:58 | |
HE CHUCKLES | 0:41:58 | 0:42:00 | |
It's just four days till the Metrocentre fashion show, | 0:42:03 | 0:42:07 | |
and sushi waitress Helen has a plan | 0:42:07 | 0:42:09 | |
to drum up interest in her catwalk debut. | 0:42:09 | 0:42:11 | |
-Where are you off to? -It's Mayfield Studio. | 0:42:11 | 0:42:15 | |
She is heading to Newcastle for a meeting with the Northeast's | 0:42:15 | 0:42:18 | |
largest model agency, who will be talent-spotting at the show. | 0:42:18 | 0:42:22 | |
I'm getting nervous, because we're coming into the city centre now. | 0:42:22 | 0:42:26 | |
So... | 0:42:26 | 0:42:28 | |
Agh! | 0:42:28 | 0:42:29 | |
SHE LAUGHS | 0:42:29 | 0:42:30 | |
I'm actually shitting my pants. | 0:42:30 | 0:42:33 | |
-Hiya. -Hello. -Are you Lesley? -I am. Do you want to come in? Have a seat. | 0:42:33 | 0:42:38 | |
-So, what's your full-time work? -I'm a waitress. -You're a waitress? | 0:42:38 | 0:42:41 | |
Yeah. Just working full time. | 0:42:41 | 0:42:42 | |
I've wanted to get back into this for absolutely years. | 0:42:42 | 0:42:45 | |
You have got a really nice face, but with the red hair, | 0:42:45 | 0:42:48 | |
not that it isn't gorgeous, | 0:42:48 | 0:42:50 | |
but many of my clients might find it a little bit off-putting. | 0:42:50 | 0:42:54 | |
So, with having the red hair, it kind of wouldn't work. | 0:42:54 | 0:42:58 | |
We would need to get you more sort of girl-next-door look. | 0:42:58 | 0:43:01 | |
-Yeah, that's fine. -Is that something you would consider toning down? | 0:43:01 | 0:43:04 | |
Yeah. Completely. | 0:43:04 | 0:43:05 | |
So the next step I would like to see is | 0:43:05 | 0:43:07 | |
I would like to see you as a brunette. | 0:43:07 | 0:43:09 | |
I am going to pop along to the Metrocentre on Friday, | 0:43:09 | 0:43:12 | |
so maybe we could get meet up then | 0:43:12 | 0:43:14 | |
and I could have a look at you with the brown hair, | 0:43:14 | 0:43:17 | |
and then, if I think that there is a possibility that we can | 0:43:17 | 0:43:21 | |
get you some work, then I would really advise you to maybe go | 0:43:21 | 0:43:26 | |
-and have some test pictures taken. -Thank you very much for your time. | 0:43:26 | 0:43:30 | |
No problem. Thank you. | 0:43:30 | 0:43:31 | |
With the chance of getting on the agency books up for grabs, | 0:43:31 | 0:43:35 | |
the fashion show is now a huge opportunity for Helen, | 0:43:35 | 0:43:38 | |
but can she walk like a pro when it really matters? | 0:43:38 | 0:43:40 | |
Obviously, Lesley from Tyne Tees is going to be there. | 0:43:40 | 0:43:43 | |
I've also heard that newspapers and things are going as well, | 0:43:43 | 0:43:46 | |
so it's not just local. It's massive. | 0:43:46 | 0:43:48 | |
It's advertised on the telly. | 0:43:48 | 0:43:49 | |
I'm really nervous. Last night, I couldn't sleep. | 0:43:49 | 0:43:52 | |
I was nearly sick at work yesterday. I'm all right now, | 0:43:52 | 0:43:55 | |
but as it comes nearer the time, I'll be counting down the hours | 0:43:55 | 0:43:58 | |
and I'll be absolutely petrified. | 0:43:58 | 0:44:00 | |
It's not the fact of the people, it's in case, | 0:44:00 | 0:44:02 | |
"What if I fall over? | 0:44:02 | 0:44:04 | |
"What if I walk like an idiot?" Like I do anyway, but you know?! | 0:44:04 | 0:44:07 | |
Since his last warning, | 0:44:12 | 0:44:13 | |
skater boy Joey has been trying to stay out of trouble at work. | 0:44:13 | 0:44:17 | |
I had a couple of bad shifts at work. | 0:44:17 | 0:44:20 | |
I'm trying to get myself back on track now. | 0:44:20 | 0:44:22 | |
Just trying to get in that little bit early, | 0:44:22 | 0:44:24 | |
and things like that makes all the difference. | 0:44:24 | 0:44:26 | |
At least I can't get a written warning for being late. | 0:44:26 | 0:44:29 | |
Part of his master plan is to spend as much time as possible | 0:44:29 | 0:44:33 | |
in one part of the shop where CCTV doesn't reach. | 0:44:33 | 0:44:37 | |
When you come through here, out the shop, | 0:44:37 | 0:44:39 | |
and it's busy in there, it's a really nice release. | 0:44:39 | 0:44:42 | |
You've got speakers and you just plug your phone in, | 0:44:42 | 0:44:46 | |
get the music on, blasting. | 0:44:46 | 0:44:48 | |
You normally get a couple of knocks on the ball off Cafe Rouge next door. | 0:44:48 | 0:44:52 | |
But yeah, it's nice to get a release out of that shop. | 0:44:52 | 0:44:55 | |
Plus, there are no cameras in here, so you're not getting watched. | 0:44:55 | 0:44:59 | |
So, yeah, it's nice being here, I suppose. | 0:44:59 | 0:45:01 | |
But the boss is still not happy. | 0:45:04 | 0:45:07 | |
Joseph, I need to see you. | 0:45:07 | 0:45:10 | |
Clear out, girls. Clear out. Thank you. | 0:45:10 | 0:45:12 | |
I just reviewed last week. | 0:45:13 | 0:45:15 | |
I look at what went on last week, and Joe's in the back all week. | 0:45:15 | 0:45:19 | |
We're not paying you to be in the back all week, Joe. | 0:45:19 | 0:45:21 | |
-If you check everything I've done... -I've watched the footage, Joe. | 0:45:21 | 0:45:24 | |
I've been right through it, honestly. | 0:45:24 | 0:45:26 | |
This is a business, Joe, yeah? You understand that? | 0:45:26 | 0:45:28 | |
Being in the back is going in, sorting things out, | 0:45:28 | 0:45:31 | |
going round - boom, boom, boom - yeah, done, done, done, away. | 0:45:31 | 0:45:34 | |
So, don't think that working in the back means | 0:45:34 | 0:45:36 | |
you're in there for six, seven, eight hours a day. Come on, Joe. | 0:45:36 | 0:45:39 | |
We can't be sitting on top of you. | 0:45:39 | 0:45:41 | |
"Joe, you need a bar code." "Joe, you need to do this." | 0:45:41 | 0:45:43 | |
You need to start thinking for yourself. | 0:45:43 | 0:45:45 | |
Stop giving me the ammunition to giving you a bollocking. | 0:45:45 | 0:45:48 | |
-It's ridiculous. -I don't know what to say. I just try my best. | 0:45:48 | 0:45:51 | |
I'm trying my best. I always have. | 0:45:51 | 0:45:52 | |
I kept a work diary so you can see where I am | 0:45:52 | 0:45:55 | |
at every minute of the day. | 0:45:55 | 0:45:56 | |
Even when I go to the toilet, I write how long I've been in the toilet, | 0:45:56 | 0:45:59 | |
and seven minutes to go for a tab, things like that. | 0:45:59 | 0:46:01 | |
I just think I'm not getting anywhere. | 0:46:01 | 0:46:03 | |
This isn't an exercise in beating you up. | 0:46:03 | 0:46:06 | |
-We're trying to manage performance. -It's all right. | 0:46:06 | 0:46:09 | |
I'll... I'll get on with... | 0:46:09 | 0:46:11 | |
I'll get on with whatever anybody want us to do. | 0:46:11 | 0:46:14 | |
I'm just sorry. I'm sorry. | 0:46:14 | 0:46:16 | |
No. | 0:46:23 | 0:46:25 | |
Fucking... | 0:46:25 | 0:46:26 | |
-Hello, Ma. Hello, Storm. -You all right? -I am, aye. | 0:46:45 | 0:46:49 | |
-I just had a bad day, that's all. -I know. | 0:46:53 | 0:46:56 | |
I'm having a bad day at work an' all. | 0:46:56 | 0:46:59 | |
-Don't worry. It's not the end of the world. -I'm all right about it. | 0:46:59 | 0:47:03 | |
-As long as I can give you some money. -We'll get by. I love you. | 0:47:03 | 0:47:06 | |
We'll sit together on this, son. I'll support you. Anything at all. | 0:47:06 | 0:47:11 | |
If you end up on the dole, I'll support you, I'll help you. Right? | 0:47:11 | 0:47:15 | |
Don't you worry about coming in here or saying this, that or the other. | 0:47:15 | 0:47:18 | |
I love you and I'll support you whatever. | 0:47:18 | 0:47:21 | |
-Whatever happens. -Thanks, Mum. I just... | 0:47:21 | 0:47:24 | |
-Right, my darling? -Aye. I'm not really worried. | 0:47:24 | 0:47:27 | |
-Do you want a chicken dinner? -Aye, please. | 0:47:27 | 0:47:30 | |
I just look at him and, you know... | 0:47:33 | 0:47:37 | |
I hate seeing him slightly sad. | 0:47:37 | 0:47:39 | |
I hate it. | 0:47:41 | 0:47:42 | |
I'm feeling really bad for Joseph at the minute. | 0:47:42 | 0:47:45 | |
He's being kicked in the teeth. | 0:47:46 | 0:47:49 | |
I don't want my son worrying about now, so I take it on my shoulders. | 0:47:49 | 0:47:53 | |
He shouldn't be allowed to worry. He's a bairn, in my eyes. | 0:47:53 | 0:47:57 | |
Aye, he's 19. He's a bairn. He's just a babby. | 0:47:57 | 0:47:59 | |
To me, he's just a babby. | 0:47:59 | 0:48:01 | |
I'm the mother. I carried them. It's my job to worry for them. | 0:48:01 | 0:48:05 | |
Not their job. If I lose the house, I lose the house. | 0:48:05 | 0:48:08 | |
I'm not having my bairns worrying about this. | 0:48:08 | 0:48:11 | |
But despite his best efforts, Joey's now dangerously close | 0:48:11 | 0:48:14 | |
to losing the job that his family relies on. | 0:48:14 | 0:48:17 | |
Good afternoon. Van Mildert. Abbie speaking. | 0:48:21 | 0:48:24 | |
In Van Mildert, | 0:48:26 | 0:48:27 | |
it's a big day for Abbie - a visit from area manager Jane | 0:48:27 | 0:48:31 | |
could bring good news of an opening for a promotion | 0:48:31 | 0:48:34 | |
which could see Abbie's fashion spending | 0:48:34 | 0:48:36 | |
go from high street to high end. | 0:48:36 | 0:48:39 | |
I just want everything to be perfect. I mean, it isn't normally like this. | 0:48:39 | 0:48:43 | |
I just want it to be extra perfect | 0:48:43 | 0:48:46 | |
when the area manager comes in. | 0:48:46 | 0:48:48 | |
-Hello, Abbie. How are you doing? -All right. How are you? -Not bad. | 0:48:51 | 0:48:55 | |
The store inspection includes a review of all staff sales figures, | 0:48:55 | 0:48:59 | |
and unfortunately for Abbie, it's not been the best month. | 0:48:59 | 0:49:02 | |
Where are we up to with Abbie now? | 0:49:02 | 0:49:04 | |
Because I know she's normally either top sales or top three... | 0:49:04 | 0:49:10 | |
Normally, she is one of our best sellers, | 0:49:10 | 0:49:12 | |
whereas last month, she just fell short, which is so unlike her. | 0:49:12 | 0:49:16 | |
-She's keen to get on. She is a good... -Oh, yeah. | 0:49:16 | 0:49:20 | |
She's a good little egg in this store. | 0:49:20 | 0:49:22 | |
Before Jane leaves, Abbie is eager to find out if there are any | 0:49:22 | 0:49:26 | |
promotion opportunities... and if she's in with a shout. | 0:49:26 | 0:49:30 | |
I feel like I've took it upon myself to try and give myself a bit | 0:49:30 | 0:49:34 | |
more responsibility, as in helping out with management a lot. | 0:49:34 | 0:49:38 | |
It's in like team talks and stuff. | 0:49:38 | 0:49:39 | |
I know how to fill out the team talk, I know how to do the targets. | 0:49:39 | 0:49:43 | |
If the opportunity was there, I would grab it with both hands | 0:49:43 | 0:49:45 | |
because I feel that I would be able to progress | 0:49:45 | 0:49:48 | |
and I would be able to be a good member of the management. | 0:49:48 | 0:49:52 | |
At the minute, we don't have a vacancy. | 0:49:52 | 0:49:54 | |
So what we want to do with you, Abbie, is to get you to that level. | 0:49:54 | 0:49:58 | |
I just think you need to push yourself and remain consistent. | 0:49:58 | 0:50:00 | |
It's all about sales. Kate's the store manager, she's top sales. | 0:50:00 | 0:50:03 | |
She beats everybody in the store. | 0:50:03 | 0:50:06 | |
She has far more responsibilities than anybody else, so I think if | 0:50:06 | 0:50:09 | |
the store manager can do it, other team members can do it as well. | 0:50:09 | 0:50:13 | |
So you need to consistently hit your targets, | 0:50:13 | 0:50:16 | |
and it shows that you're striving to be better. | 0:50:16 | 0:50:19 | |
If you understand what you need to do, | 0:50:19 | 0:50:21 | |
then I can help you to get to that point, | 0:50:21 | 0:50:23 | |
to actually get you into being a supervisor or a floor manager, | 0:50:23 | 0:50:27 | |
so if there was a position that came up, | 0:50:27 | 0:50:30 | |
you could obviously step into it straightaway. | 0:50:30 | 0:50:34 | |
-How is that? -Yeah. -Right. | 0:50:34 | 0:50:36 | |
-It's not the news that Abbie wanted to hear. -It's just... I don't know. | 0:50:36 | 0:50:40 | |
It's me probably being impatient. | 0:50:40 | 0:50:42 | |
I just wish that that opportunity was there right now. | 0:50:42 | 0:50:45 | |
I feel like I've sort of proved myself to Kate and everyone, | 0:50:45 | 0:50:49 | |
my manager, | 0:50:49 | 0:50:51 | |
so obviously what's been said is that the supervisor role isn't there. | 0:50:51 | 0:50:56 | |
That is just massively unfortunate on my part, but it's like life. | 0:50:56 | 0:51:00 | |
I would love to be able to hold on, | 0:51:00 | 0:51:03 | |
but if I hold on for any longer than I already have, like... | 0:51:03 | 0:51:07 | |
..I'm going to get myself in a whole heap of trouble, | 0:51:09 | 0:51:12 | |
because I can't afford to live the lifestyle I would normally live. | 0:51:12 | 0:51:17 | |
Today, Milan's coming to the Metrocentre, | 0:51:21 | 0:51:25 | |
as the mall prepares for its annual fashion show. | 0:51:25 | 0:51:29 | |
For the clothes stores, it's a chance to promote | 0:51:29 | 0:51:32 | |
their wares on the catwalk. | 0:51:32 | 0:51:33 | |
For the new-look Helen, it's a chance to show | 0:51:33 | 0:51:36 | |
Lesley from the agency that she's got what it takes to be a model. | 0:51:36 | 0:51:39 | |
I need the toilet. Oh, lordy Lord. Look at all the lights. | 0:51:41 | 0:51:46 | |
Oh, Jesus Christ. | 0:51:46 | 0:51:47 | |
-It's just lights for the stage. -Oh, my God. I'm going to cry. -Don't cry. | 0:51:47 | 0:51:51 | |
Oh, Jesus Christ. There's going to be lots of people here, isn't there? | 0:51:51 | 0:51:55 | |
As the scale of the occasion sinks in, Helen is losing her bottle. | 0:51:55 | 0:51:58 | |
Oh, crap, I'm feeling nervous now. | 0:51:58 | 0:52:01 | |
I want to go home. | 0:52:04 | 0:52:06 | |
But it's too late for Helen to do a runner, | 0:52:06 | 0:52:08 | |
as it's time for her model makeover to begin. | 0:52:08 | 0:52:11 | |
-In here? -It's in there. -Right. | 0:52:11 | 0:52:14 | |
We've got a hat going on this side, so we want the hair... | 0:52:14 | 0:52:17 | |
# You're insecure | 0:52:17 | 0:52:19 | |
# Don't know what for | 0:52:19 | 0:52:20 | |
# You're turning heads when you walk through the door | 0:52:20 | 0:52:24 | |
# Don't need make-up to cover up | 0:52:24 | 0:52:27 | |
# Being the way that you are is enough | 0:52:27 | 0:52:32 | |
# That's what makes you beautiful... # | 0:52:32 | 0:52:35 | |
Ten seconds! | 0:52:35 | 0:52:37 | |
That will help focus the mind. | 0:52:40 | 0:52:43 | |
The moment has arrived for Helen to face the catwalk. | 0:52:43 | 0:52:46 | |
Not the best time for a wardrobe malfunction. | 0:52:46 | 0:52:50 | |
It keeps falling down. | 0:52:51 | 0:52:54 | |
My boobs are going to pop out. | 0:52:54 | 0:52:56 | |
As quick as you can. | 0:52:57 | 0:53:00 | |
At the casting a month ago, | 0:53:01 | 0:53:03 | |
Helen crumbled in front of just two judges. | 0:53:03 | 0:53:06 | |
Now she's facing a crowded mall and a model agency talent scout. | 0:53:06 | 0:53:11 | |
She's not even looking, me mam. | 0:53:11 | 0:53:13 | |
Look at them. I want to see me mam. | 0:53:13 | 0:53:16 | |
INDISTINCT | 0:53:17 | 0:53:19 | |
With the main show almost over, | 0:53:34 | 0:53:35 | |
it's time for Helen to strut her stuff in the stylist competition. | 0:53:35 | 0:53:39 | |
For Helen, there's | 0:53:41 | 0:53:43 | |
a lot more at stake than just conquering her fear of the catwalk. | 0:53:43 | 0:53:46 | |
Her whole career as a model could hinge on this performance. | 0:53:46 | 0:53:49 | |
Can I just ask Helen... Those shoes, can everyone see the shoes? | 0:53:49 | 0:53:52 | |
They're like skyscrapers. Are they comfortable? | 0:53:52 | 0:53:55 | |
I do it every weekend on a night out, | 0:53:55 | 0:53:57 | |
-so it's no different. -So right. OK. | 0:53:57 | 0:53:59 | |
You're comfortable? Brilliant! | 0:53:59 | 0:54:01 | |
She's at home, everyone, she's fine. OK, ladies, | 0:54:01 | 0:54:04 | |
if you would just like to take the chance to show off your outfit. | 0:54:04 | 0:54:07 | |
Now it's time for Helen to let her feet do the talking. | 0:54:07 | 0:54:10 | |
MUSIC PLAYS | 0:54:10 | 0:54:13 | |
Well done. That was absolutely fantastic. Oh, nice one. | 0:54:38 | 0:54:42 | |
Nice use of the accessory there, Helen. Brilliant. | 0:54:42 | 0:54:46 | |
Give it up for the designers, everyone. | 0:54:46 | 0:54:48 | |
-Helen has conquered her walk-o-phobia. -Oh, God. | 0:54:50 | 0:54:54 | |
I was like, "Oh, my God!" | 0:54:54 | 0:54:55 | |
Honestly, when I saw you cry, it was such a proud moment. | 0:54:56 | 0:55:00 | |
I was like, "I've made me mam and me grandma cry." | 0:55:00 | 0:55:03 | |
But has she done enough to impress the model agency talent scout? | 0:55:03 | 0:55:07 | |
-I was so nervous. -I'll not knock your hat off. -Me mam did earlier. | 0:55:07 | 0:55:10 | |
It went straight off my head. It was really good. | 0:55:10 | 0:55:12 | |
-How do you feel? -Absolutely great. Absolutely amazing. -Brilliant. | 0:55:12 | 0:55:15 | |
Is that the first time ever on the catwalk? Your hair looks fabulous. | 0:55:15 | 0:55:19 | |
-Brilliant. Much better, isn't it? -Make-up's beautiful. | 0:55:19 | 0:55:22 | |
You look a million times better. | 0:55:22 | 0:55:24 | |
What we'll do is get you in front of the camera in a studio | 0:55:24 | 0:55:28 | |
and get some nice shots done and then we'll take it from there. | 0:55:28 | 0:55:32 | |
-Can't wait. -I'm not going to promise that she's going to be | 0:55:32 | 0:55:35 | |
the next best model in Newcastle, but she has got character, | 0:55:35 | 0:55:38 | |
she's got confidence | 0:55:38 | 0:55:41 | |
and I'd like to see that on film. | 0:55:41 | 0:55:44 | |
It's been a mixture of feelings. | 0:55:44 | 0:55:45 | |
This morning, I was panicky, I was very nervous, | 0:55:45 | 0:55:48 | |
thinking I couldn't do it, but as soon as I got to practise it, | 0:55:48 | 0:55:51 | |
I knew what I was doing, so I wasn't being thrown in the deep end | 0:55:51 | 0:55:54 | |
and not knowing what to do. I saw the way one of the girls walked | 0:55:54 | 0:55:57 | |
and that was the way I wanted to walk. | 0:55:57 | 0:55:58 | |
Everyone's got their own thing, and if I can just do that | 0:55:58 | 0:56:01 | |
to start off with, then that's me starting off being a model. | 0:56:01 | 0:56:04 | |
Coming up in Shoplife - Helen bares all, | 0:56:04 | 0:56:07 | |
but does she measure up? | 0:56:07 | 0:56:08 | |
Oh, my God. That's horrible, that one. That's horrible. I look fat. | 0:56:08 | 0:56:13 | |
Abbie's at her wits' end. | 0:56:13 | 0:56:15 | |
What the hell do I do? I cannot frigging stay. | 0:56:15 | 0:56:18 | |
-I cannot live like that. -It's handbags to hatchbacks. | 0:56:18 | 0:56:22 | |
-Time for a career change. -I think the way a car works is amazing. | 0:56:22 | 0:56:25 | |
HORN TOOTS | 0:56:25 | 0:56:27 | |
And we meet sales assistant Tom, | 0:56:27 | 0:56:29 | |
who loves to take centre stage. | 0:56:29 | 0:56:31 | |
My name is Justin Credible. | 0:56:31 | 0:56:34 | |
But has his dream of superstardom gone to his head? | 0:56:34 | 0:56:37 | |
-Groceries. -Groceries. | 0:56:37 | 0:56:38 | |
Like ten cafes. | 0:56:38 | 0:56:40 | |
He's an absolute fruit loop. | 0:56:40 | 0:56:43 | |
Subtitles by Red Bee Media Ltd | 0:57:05 | 0:57:09 |