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Bobby Brown is an internationally renowned businesswoman and make-up | :00:07. | :00:14. | |
artist began her career in New York. In those days, the Scandinavian look | :00:15. | :00:25. | |
was in vogue. But she created looks for women of all shapes. She started | :00:26. | :00:32. | |
with lipstick, and now, with a career of three decades, she has | :00:33. | :00:37. | |
become synonymous with a clean and polished look loved by women all | :00:38. | :00:45. | |
over the world. I talk to her about building a successful business and | :00:46. | :00:47. | |
promoting inclusiveness in an exclusive industry. | :00:48. | :01:03. | |
Welcome to the BBC's 100 Women Series. Growing up, you were | :01:04. | :01:13. | |
inspired by your mother applying make-up. Has it's always been | :01:14. | :01:19. | |
important to you? When I was a young child watching my mother doing that | :01:20. | :01:24. | |
I was amazed how beautiful she looked. -- it. She was never overly | :01:25. | :01:33. | |
made up, but she transformed into this incredibly beautiful creature. | :01:34. | :01:36. | |
It was the seventies. It was a little bit about looking like Cher, | :01:37. | :01:44. | |
you know, very sexy and Ricky. You started your career in 1980 when you | :01:45. | :01:49. | |
moved here to become a make-up artist. -- pretty. When I moved to | :01:50. | :01:57. | |
yield in the 80s I did not know anyone and didn't know what I was | :01:58. | :02:01. | |
going to do. -- New York. I moved out and try to get a job as a | :02:02. | :02:04. | |
waitress which I wasn't successful with. So I thought I should make it | :02:05. | :02:11. | |
as a make-up artist. I didn't know what to do and had no idea. I didn't | :02:12. | :02:16. | |
know anyone. So I opened the Yellow Pages and look up make-up and called | :02:17. | :02:24. | |
modelling agencies and ask how I can start working. -- asked. I put | :02:25. | :02:29. | |
together a portfolio and it took a few months to get a job with a | :02:30. | :02:34. | |
magazine. Tell me about your company in the early days and what it is | :02:35. | :02:39. | |
now. I had just had my first child when I started, I was living in the | :02:40. | :02:43. | |
suburbs, outside the city, learning to be a mother and commuting. I was | :02:44. | :02:49. | |
also a work of artists, doing shoes. -- work-up. It was me and my | :02:50. | :02:58. | |
partner. I never thought what I was doing was wrong. It's just made | :02:59. | :03:04. | |
sense to me. There were so many big companies out there that were my | :03:05. | :03:08. | |
competition. -- It. I never thought of them as that. I had tunnel vision | :03:09. | :03:13. | |
and was running as fast as I could. I was adding products as I could and | :03:14. | :03:18. | |
was running home at night to take care of my children and see my | :03:19. | :03:23. | |
husband and in the morning I would go back to work and either do a | :03:24. | :03:28. | |
shoot or go back to my office. I never really looked at the | :03:29. | :03:33. | |
competition because what I was creating was something that didn't | :03:34. | :03:38. | |
exist. I really thought that my cosmetics were different than | :03:39. | :03:41. | |
everything else out there. Now I know I was finding a niche. Tell us | :03:42. | :03:49. | |
about your big break. Many of the things I was organically doing what | :03:50. | :03:54. | |
me on the map. I was a make-up artist when I started the company. | :03:55. | :03:58. | |
Traditionally, most people in cosmetics were very smart people | :03:59. | :04:05. | |
with MBA, I did not have an MBA, but I worked with regular women. I was | :04:06. | :04:09. | |
very lucky to have relationships with editors. They would write about | :04:10. | :04:14. | |
my new company and how to put make-up on. So I became a teacher | :04:15. | :04:23. | |
through the magazines. Now I know it is called PR. I was lucky enough to | :04:24. | :04:27. | |
go on television to explain how the board make-up on. My products have | :04:28. | :04:39. | |
also... -- how to put. I would tell them, put chocolate lions near I, I | :04:40. | :04:47. | |
would explain to women how to do it in those terms. -- lines near your | :04:48. | :04:56. | |
eye. I was on Oprah once. When she said I only use Bobby Brown | :04:57. | :05:04. | |
foundation I completely sold out of it. Much of my success came from | :05:05. | :05:10. | |
working with TV and magazines. You started your company with just | :05:11. | :05:17. | |
$10,000. Did you ever think that Bobby Brown would be as big as it is | :05:18. | :05:24. | |
today. -- Bobbi. If I had a crystal ball and had known I probably would | :05:25. | :05:29. | |
not have done it. It would have been overwhelming. I never set out to be | :05:30. | :05:36. | |
famous or a CEO, a CCO, of a humongous brand. I just set out to | :05:37. | :05:43. | |
make women look beautiful, make make up easy to apply. You said that when | :05:44. | :05:49. | |
you were a teenager you inspired to be tall, thin and blonde, like | :05:50. | :05:57. | |
popular models of the time. Did you have any role models? Ali McGrath, I | :05:58. | :06:06. | |
saw her in the movie Love Story. I did not look like any models at the | :06:07. | :06:10. | |
time. She was brunette, had very strong eyebrows, very natural | :06:11. | :06:15. | |
make-up, she was the most beautiful woman in the world to me. She was my | :06:16. | :06:21. | |
role model. You said in the 80s that make up was about pale white skin | :06:22. | :06:29. | |
and red lips. But you also say that you are somehow part of a revolution | :06:30. | :06:34. | |
that looks at natural skin as more of a natural and healthy look. What | :06:35. | :06:42. | |
made you go against the grain? When I started getting involved in | :06:43. | :06:47. | |
make-up in the 80s it was so artificial. It's never looked | :06:48. | :06:53. | |
right. I was never talented enough at the time to be able to paint and | :06:54. | :06:59. | |
shade and contour a face. It made no sense to me to change the colour of | :07:00. | :07:04. | |
someone's skin. I thought that the models looked so beautiful with no | :07:05. | :07:09. | |
make up. So in trying to enhance their looks I found they were so | :07:10. | :07:15. | |
much prettier. It was not a trend at the time, the opposite, but I always | :07:16. | :07:20. | |
followed my gut and it made sense. Your involvement in this industry, | :07:21. | :07:24. | |
obviously, one can imagine you hoped to revolutionise it to get more | :07:25. | :07:31. | |
people like you. I like people with good energy. Sometimes in the | :07:32. | :07:36. | |
creative field you get people who are pretty intense, have different | :07:37. | :07:42. | |
personalities, I mean, I have worked with some of the top models, whether | :07:43. | :07:50. | |
it is Naomi Campbell, so many people... UCI lots of differences | :07:51. | :07:57. | |
and a lot of brilliant. -- You see a lot. It is great to be around that. | :07:58. | :08:04. | |
-- brilliance. But when I go home I put my hair in a ponytail and put my | :08:05. | :08:08. | |
sneakers on, and I can be the real Bobbi that I am with my family and | :08:09. | :08:13. | |
friends. Seeing that the nice person you are I will take advantage of | :08:14. | :08:18. | |
your kindness and ask for a makeover. I am looking forward to | :08:19. | :08:23. | |
getting your magic hands on me. You always talk about intrusiveness and | :08:24. | :08:31. | |
inclusiveness and you often used black models when many do not use | :08:32. | :08:42. | |
then. -- inclusiveness. -- them. I never knew who would be sitting on | :08:43. | :08:49. | |
my chest I had make-up for anyone. -- chair. But even from day one I | :08:50. | :08:56. | |
wanted all women to have access. I didn't want anyone to go to a desk | :08:57. | :09:03. | |
and hear that there is no foundation for them. So there is make-up for | :09:04. | :09:08. | |
everyone. No matter what kind of make-up. So, with the darker skin | :09:09. | :09:18. | |
tone, how dark aryou willing to go? Are foundation, called Ebony, is | :09:19. | :09:28. | |
very dark. -- Our. It is the lowest selling foundation and many want to | :09:29. | :09:34. | |
discontinue it but I never will. There are women who have that can | :09:35. | :09:38. | |
colour. There is not another foundation in the world that | :09:39. | :09:43. | |
matches. It is important to me. My lightest is called ZeroZero. | :09:44. | :09:49. | |
Alabaster is the lightest colour and not many use it in the UK there are | :09:50. | :09:54. | |
many with that colouring so I make sure we have a colour for ebony and | :09:55. | :10:01. | |
alabaster. It is really important for me. You also say you don't want | :10:02. | :10:05. | |
to change how women look. You want to enhance. Make them look better. | :10:06. | :10:11. | |
You are part of an industry that objectified women. Does that not | :10:12. | :10:15. | |
make you feel uncomfortable? I don't objectified them, I empower them. | :10:16. | :10:21. | |
The better you feel the more you do with your life. If feeling better | :10:22. | :10:30. | |
means putting on a blush, an eyeliner, I like to be a part of | :10:31. | :10:32. | |
that. Confidence means everything to me. It means being comfortable in | :10:33. | :10:38. | |
your skin, that is the secret of life. Tell me about Pretty Powerful. | :10:39. | :10:47. | |
That is a campaign that is the keystone of our company. It is about | :10:48. | :10:55. | |
how powerful you can be with the right make-up. It isn't about a | :10:56. | :11:00. | |
woman with shoulder pads and a briefcase, it is about feeling good | :11:01. | :11:03. | |
and doing anything you put your mind to. For some people it is a little | :11:04. | :11:07. | |
bit of make-up, and others it is a lot. It is also a campaign that | :11:08. | :11:12. | |
teaches women to be their best self and appreciate yourself without | :11:13. | :11:17. | |
make-up and we also help women who are in need with different things, | :11:18. | :11:23. | |
from either giving make-up to women in need, or, helping to educate | :11:24. | :11:30. | |
women. It will be a global message for the brand for a long time. You | :11:31. | :11:38. | |
also distribute make-up kits to women in need. We have a few | :11:39. | :11:40. | |
partnerships globally with different organisations that help women who | :11:41. | :11:45. | |
have gone through bad times and are able to use the make up to be | :11:46. | :11:53. | |
better. Tell me about Les Murray. She is this incredible. -- | :11:54. | :12:05. | |
incredible girl. I wrote this book about her, you read it and then you | :12:06. | :12:11. | |
realise... It couldn't even be fiction when you read it. The things | :12:12. | :12:18. | |
that she went through and somehow ended up living on the street... And | :12:19. | :12:24. | |
going and graduating from Harvard... What is amazing about | :12:25. | :12:28. | |
her, she has no chip on her shoulder. She is not angry. She | :12:29. | :12:32. | |
looks back on her incredible life with her parents who had many | :12:33. | :12:38. | |
issues, drugs and addiction, and she feels loved. Her parents love her. | :12:39. | :12:45. | |
She feels like. She is the most incredible role model... If I ever | :12:46. | :12:53. | |
hear anyone complaining about their life I tell them to read this book. | :12:54. | :13:01. | |
In some point of my life I became known as the wholeness to Harvard | :13:02. | :13:09. | |
person. What caused that was a situation in my life where I came | :13:10. | :13:13. | |
from a lot of adversity. My parents... I was raised in York | :13:14. | :13:21. | |
city. People call it a ghetto. -- New York City. My parents had an | :13:22. | :13:27. | |
intense drug addiction. It spills over into every aspect of our lives | :13:28. | :13:35. | |
together and it's common -- culminated in me living homeless in | :13:36. | :13:41. | |
the city and I had to find a way out. -- spilt. -- it. After having | :13:42. | :13:50. | |
failed and dropped out and having nothing going with my education I | :13:51. | :13:54. | |
decided to go back to school. I kept a secret from my teachers in high | :13:55. | :14:01. | |
school that I was homeless. I was doing homework in the subway and | :14:02. | :14:04. | |
sleeping on the street. Absolutely fixated on this idea of finding a | :14:05. | :14:10. | |
way out and making a better life. I did not think I would get to | :14:11. | :14:17. | |
Harvard. That came as a surprise. When I saw it was possible to change | :14:18. | :14:22. | |
my life I knew I had a story to share with other people. I always | :14:23. | :14:26. | |
kept journals and loved to write so I wrote a book and Mrs Brown said, | :14:27. | :14:36. | |
you have quite a story, would you like to be in a book that is the | :14:37. | :14:44. | |
keystone of our brand, Pretty Powerful. What was it like when you | :14:45. | :14:52. | |
first met? Incredible. I was like the brown... I thought it was a | :14:53. | :14:59. | |
different one. -- Bobby Brown. I thought, she wrote a book? In my | :15:00. | :15:04. | |
survival I did not know much about her. It was incredible when I met | :15:05. | :15:10. | |
her because, I mean, in my journey now I do a lot of beating. Islet to | :15:11. | :15:18. | |
inspire people. You meet people who inspire. -- speaking. -- I look to. | :15:19. | :15:30. | |
You come to see she made her success because of the person she is, not | :15:31. | :15:34. | |
because of commerce and finance. She is a quality person who is | :15:35. | :15:36. | |
incredibly kind of. See asked me to be in the book and | :15:37. | :15:50. | |
they asked if it was OK if I was seven months pregnant. I came in and | :15:51. | :15:54. | |
there she was and we ended up with all these cute belly shots and all | :15:55. | :15:59. | |
these great pictures and it was only half-an-hour before she invited me | :16:00. | :16:03. | |
to her house for Thanksgiving. I'm the godmother of your child. What | :16:04. | :16:07. | |
can I do for you? I'm your new family. Bobbi Brown embraces people | :16:08. | :16:15. | |
and makes them feel at home. I think that she is one of those rare people | :16:16. | :16:20. | |
you meet when she always leaves you better than when you found her. The | :16:21. | :16:25. | |
industry that you are so popular in is filled with many people who could | :16:26. | :16:31. | |
be described as prima donnas, very difficult people to work with, and | :16:32. | :16:34. | |
yet you are notably a very nice person, very patient, and you work | :16:35. | :16:40. | |
with everyone. How do you manage? I have been really lucky in my life. I | :16:41. | :16:44. | |
have had some really great role models. Whether it is my parents, | :16:45. | :16:51. | |
grubbing up... I was raised in Chicago, in the middle of the | :16:52. | :16:55. | |
country. I was raised to be a nice, respectful person. I watched my | :16:56. | :17:00. | |
grandfather built his car business on his smart and respectful | :17:01. | :17:05. | |
personality. And I was lucky enough when it came into the industry to | :17:06. | :17:08. | |
work on some of the best of the business. Some of the top | :17:09. | :17:13. | |
photographers, they are nice people. They are confident and they are | :17:14. | :17:18. | |
nice. And I saw that when there are a lot of people who are not so nice, | :17:19. | :17:21. | |
it really comes from being insecure. And the good news about | :17:22. | :17:26. | |
seeing people who act like that when you don't want it like that, it is a | :17:27. | :17:31. | |
great model of how not to be. I always believed that being nice and | :17:32. | :17:36. | |
kind is a much better way of being. And by the way, I get exactly what I | :17:37. | :17:41. | |
want with niceness. What has Bobbi Brown giving you that you are | :17:42. | :17:44. | |
passing on to other people? Well, that is a great question. One of the | :17:45. | :17:49. | |
main words that stands up to me with her is the word inclusive. I grew up | :17:50. | :17:55. | |
with so much poverty. When you grew up with the kind of adversity that I | :17:56. | :17:59. | |
grew up in... My parents are drug addicts and all of this struggle. I | :18:00. | :18:04. | |
think you can feel separate from society. And here I am, coming into | :18:05. | :18:09. | |
different environments that are new to me. From homeless to Harvard. I | :18:10. | :18:13. | |
can carry a feeling of not belonging. And she brings a feeling | :18:14. | :18:19. | |
of you actually do deserve a seat at the table. You are more than welcome | :18:20. | :18:23. | |
here. And then also to really help me see that I'm contributing | :18:24. | :18:29. | |
something. When I see Bobbi working with people, even if I see her | :18:30. | :18:32. | |
walking around her studio and speaking to other people, she seems | :18:33. | :18:37. | |
to find some small way to acknowledge what the person just | :18:38. | :18:40. | |
did, leaves them more empowered and help you see the value you are | :18:41. | :18:44. | |
bringing. It just makes you feel like, maybe I do belong here. It is | :18:45. | :18:49. | |
understandable about the challenges that I have to. I don't mean to | :18:50. | :18:52. | |
diminish that. There were days when I didn't eat. I was starving. Young | :18:53. | :18:58. | |
people grow hungry in this world. I know that it is not easy. I know | :18:59. | :19:03. | |
that we can get depressed. That is very real stuff. Those obstacles are | :19:04. | :19:07. | |
not just because people are spoiled or something. That is real. I don't | :19:08. | :19:13. | |
mean to diminish that. I only mean to say that if you are in a place in | :19:14. | :19:17. | |
your life where you want to move forward, you will be best served by | :19:18. | :19:19. | |
putting one foot in front of the other. There will always be | :19:20. | :19:23. | |
something you can't do. When my mother died when I was 16 and I had | :19:24. | :19:27. | |
to bury her and live on the streets, I could not bring her back. I did | :19:28. | :19:31. | |
not even have a home for myself at the time. I did not know when my | :19:32. | :19:35. | |
next meal was coming from. But I had to say, OK, what is the next thing I | :19:36. | :19:42. | |
can do? And if I focus on what I can do, I can empower myself from there | :19:43. | :19:46. | |
because that will give me pride. That responsibility it takes will | :19:47. | :19:50. | |
give me pride. And I can move forward just for the possibility. | :19:51. | :19:57. | |
And when you started out, your plan was to sell 100 lipsticks in a | :19:58. | :20:02. | |
months but you were able to sell those in a day. Was that surprising | :20:03. | :20:06. | |
for you? I knew that my lipsticks would have appealed to women I | :20:07. | :20:10. | |
knew. I never understood what it was to have a business plan. We thought | :20:11. | :20:15. | |
it would be amazing if we could sell 100 in the first months and we sold | :20:16. | :20:21. | |
that in the first day. That was pretty exciting. But then what comes | :20:22. | :20:25. | |
with that is the war is not enough lipstick at the end of the month. So | :20:26. | :20:33. | |
it was pretty neat to start that we. -- start that way. How did you make | :20:34. | :20:45. | |
this brand is so huge? I believe I started a revolution and that | :20:46. | :20:47. | |
revolution was to tell women they are actually beautiful the way they | :20:48. | :20:51. | |
are. And for the past 24 years, that is what I have been doing. I started | :20:52. | :20:56. | |
creating lipstick that worked with the colour of women's lips and | :20:57. | :21:01. | |
worked with their skintone. That was new. And when I started adding | :21:02. | :21:06. | |
products, I used my vision, which was foundation that looks like skin, | :21:07. | :21:11. | |
blush there is a national -- natural colour of a woman's cheek when you | :21:12. | :21:15. | |
can jet, eyeshadow that works with your skintone. To me, it was not | :21:16. | :21:21. | |
revolutionary, it was common sense. But I do think it is change the way | :21:22. | :21:27. | |
women look and make up. And how do you inspire your staff? What | :21:28. | :21:32. | |
inspires me more than anything is meeting women and I have been lucky | :21:33. | :21:35. | |
enough to meet women globally from country to country, many in New | :21:36. | :21:40. | |
York, many as I travel, and honestly, what inspires me is | :21:41. | :21:44. | |
hearing their stories, from where they have come and where they want | :21:45. | :21:49. | |
to go. They inspire me and I love being part of the inspiration for | :21:50. | :21:53. | |
them. When you walk around the saloon, how do you feel? Honestly, | :21:54. | :21:59. | |
I'm usually so busy I don't have time to look at the details, so when | :22:00. | :22:03. | |
I'm finally here I look at the details and I notice the things that | :22:04. | :22:07. | |
need to be fixed. That is just the way my eye operates. I never stop | :22:08. | :22:11. | |
and think about the other things but sometimes I come in and I'm very | :22:12. | :22:16. | |
pleased and I see how visually nice it looks. Other times I come in here | :22:17. | :22:20. | |
and I say that I wish I would have done that or that doesn't extend -- | :22:21. | :22:28. | |
doesn't make sense. How does it feel letting go of a company that you | :22:29. | :22:32. | |
describe of as your fourth child? I don't let go of anything. That is my | :22:33. | :22:38. | |
problem. I don't let go and I'm more involved today than I think I was on | :22:39. | :22:42. | |
the first day and I'm very involved. For me, it is about having a team | :22:43. | :22:45. | |
that you inspire and that work together to create the company that | :22:46. | :22:50. | |
you know it can be. And it is a challenge. I won't say it is not. | :22:51. | :22:56. | |
When your company is that big, it is a challenge. And when I travel, | :22:57. | :23:00. | |
often see things that I don't like to see. But sometimes I see things | :23:01. | :23:06. | |
that I'm very surprised seeing. It is part of the business. Where do | :23:07. | :23:11. | |
you see yourself in 20 years? In 20 years, I see myself with my | :23:12. | :23:14. | |
grandchildren doing yoga in the morning and spending a couple of | :23:15. | :23:17. | |
hours per day working with my team. And good luck with the rest of it. | :23:18. | :23:24. | |
Thank you. 20 years goes so quickly. Thank you so much. My pleasure. | :23:25. | :23:27. | |
Thank you again. Not quite as cold a start to the day | :23:28. | :23:50. | |
as we had during yesterday but Tuesday will be a day of sunshine | :23:51. | :23:56. | |
and blustery showers across the UK. | :23:57. | :24:02. |