Pennod 4 Tony ac Aloma: I'r Gresham
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Transcript
| Line | From | To | |
|---|---|---|---|
-Subtitles | 0:00:00 | 0:00:00 | |
-Subtitles - -Subtitles | 0:00:00 | 0:00:02 | |
-# Hey, hey, hey, -listen to the music | 0:00:05 | 0:00:09 | |
-# Tonight's a big night | 0:00:10 | 0:00:12 | |
-# I've got something | 0:00:12 | 0:00:14 | |
-# Yes, yes, yes, I've got something | 0:00:14 | 0:00:17 | |
-# Something to say | 0:00:18 | 0:00:21 | |
-# Tony, Tony, Tony | 0:00:24 | 0:00:26 | |
-# Aloma # | 0:00:26 | 0:00:28 | |
-They've sold over 100,000 records -and made six television series. | 0:00:29 | 0:00:34 | |
-Tony and Aloma are iconic -Welsh figures, the perfect duet. | 0:00:35 | 0:00:40 | |
-They've shone on our stages -and television sets for forty years. | 0:00:40 | 0:00:46 | |
-# Tony, Tony, Tony | 0:00:46 | 0:00:48 | |
-# Aloma # | 0:00:48 | 0:00:49 | |
-They've run a Blackpool hotel -for twenty years. | 0:00:50 | 0:00:54 | |
-The touring is over. | 0:00:54 | 0:00:56 | |
-Their devoted fans travel -to The Gresham to see their heroes. | 0:00:57 | 0:01:01 | |
-Let's sing some old favourites. | 0:01:04 | 0:01:06 | |
-# I've got a sweetheart | 0:01:10 | 0:01:11 | |
-# I've got a sweetheart - -# That's me | 0:01:11 | 0:01:13 | |
-# When there's a dance in town -we'll be there | 0:01:13 | 0:01:16 | |
-# My trousers are tight | 0:01:16 | 0:01:18 | |
-# My trousers are tight - -# And mine are white # | 0:01:18 | 0:01:19 | |
-It's been 44 years since -they recorded Mae Gen I Gariad. | 0:01:20 | 0:01:24 | |
-It's still a favourite -at The Gresham. | 0:01:25 | 0:01:28 | |
-# It's one, two, three o'clock | 0:01:29 | 0:01:32 | |
-# It's one, two, three o'clock # | 0:01:32 | 0:01:35 | |
-Tony and Aloma are returning -to the studio over the coming weeks. | 0:01:35 | 0:01:40 | |
-# And that's when the day ends # | 0:01:40 | 0:01:42 | |
-Aloma and Roy are driving -to Sain studios, by Caernarfon. | 0:01:43 | 0:01:47 | |
-They're meeting Dafydd Iwan. | 0:01:48 | 0:01:50 | |
-How are you? | 0:02:00 | 0:02:00 | |
-How are you? - -Not bad! | 0:02:00 | 0:02:01 | |
-It's been a long time. | 0:02:02 | 0:02:04 | |
-Nice to see you. -You're looking good! | 0:02:04 | 0:02:08 | |
-Sain are keen to release -a CD of old Tony and Aloma songs. | 0:02:09 | 0:02:13 | |
-They were originally -released on Cambrian Records. | 0:02:13 | 0:02:17 | |
-People think -we asked the piglet to pee. | 0:02:18 | 0:02:21 | |
-Talk about wee-wee-wee -all the way home! | 0:02:21 | 0:02:24 | |
-Yes! | 0:02:24 | 0:02:26 | |
-What did you think -of the tapes in the archive? | 0:02:28 | 0:02:32 | |
-I find it hard -to listen to the old songs. | 0:02:32 | 0:02:35 | |
-The pitch is so high. | 0:02:36 | 0:02:39 | |
-It's as if I'm listening -to seven-year-olds at an Eisteddfod. | 0:02:40 | 0:02:45 | |
-They're very high. | 0:02:46 | 0:02:47 | |
-Walking into a studio makes me -a nervous wreck! That's where I was. | 0:02:53 | 0:02:58 | |
-A Cambrian EP was recorded -in a hall in Llandovery. | 0:02:59 | 0:03:03 | |
-I sang into a little microphone. | 0:03:03 | 0:03:06 | |
-It took about an hour -and a quarter to record the EP. | 0:03:07 | 0:03:11 | |
-We sang, they pressed a few buttons, -rewind, and that was it. | 0:03:12 | 0:03:17 | |
-Does producing a Welsh record -make business sense? | 0:03:18 | 0:03:22 | |
-The average cost of a record -is 14 shillings and sixpence. | 0:03:22 | 0:03:27 | |
-Half is divided between -the shop and sales tax. | 0:03:27 | 0:03:31 | |
-Of the 7 shillings remaining, the -sleeve can cost 1 shilling to print. | 0:03:31 | 0:03:36 | |
-That leaves 6 shillings -for studio and equipment hire... | 0:03:37 | 0:03:41 | |
-..the orchestra or band, producing, -copyright and company profit. | 0:03:41 | 0:03:46 | |
-That leaves sixpence, -if they're lucky, to the artistes. | 0:03:46 | 0:03:51 | |
-# In my shirtsleeves -I'll have egg, chips and peas | 0:03:53 | 0:03:56 | |
-# And as I pay the bill, -I'll have a smile # | 0:03:56 | 0:04:01 | |
-Releasing a Welsh record -doesn't guarantee a fast return. | 0:04:02 | 0:04:06 | |
-# Call to see them -in the Gaerwen cafe | 0:04:06 | 0:04:09 | |
-# It'll be hard -not to lose your head | 0:04:09 | 0:04:12 | |
-# When you see -Pat, Janet, Elsie and Glen # | 0:04:12 | 0:04:15 | |
-While Aloma and Roy are away, -Tony looks after Oli. | 0:04:17 | 0:04:22 | |
-It's like a prison here! | 0:04:25 | 0:04:28 | |
-He's mad! | 0:04:32 | 0:04:34 | |
-Come here! | 0:04:44 | 0:04:46 | |
-Oli, come here! | 0:04:52 | 0:04:54 | |
-Come here! | 0:04:54 | 0:04:56 | |
-I don't know about the dog, -but I'm tired now! | 0:05:05 | 0:05:09 | |
-It's a woman's dog. | 0:05:10 | 0:05:11 | |
-There's no point saying -come here and sit! | 0:05:12 | 0:05:15 | |
-Aloma warns me not -to let him off the leash. | 0:05:17 | 0:05:20 | |
-I had a dog, Sian. | 0:05:22 | 0:05:24 | |
-I worked in England for three years, -moving from farm to farm. | 0:05:24 | 0:05:29 | |
-For the first six months... | 0:05:29 | 0:05:32 | |
-..I was strict with her, -because she had to behave. | 0:05:32 | 0:05:36 | |
-If she was naughty... | 0:05:36 | 0:05:39 | |
-..I'd smack her, like I was -smacked when I was a naughty boy. | 0:05:39 | 0:05:43 | |
-After the first six months... | 0:05:44 | 0:05:47 | |
-..she'd learnt her lesson -and I didn't touch her again. | 0:05:47 | 0:05:51 | |
-She lived to be sixteen. | 0:05:51 | 0:05:54 | |
-I daren't hit this one! -My life wouldn't be worth living! | 0:05:57 | 0:06:02 | |
-Aloma and Roy bought a cottage -in Benllech six years ago. | 0:06:03 | 0:06:07 | |
-I buy a Welsh paper, -or get the Daily Post delivered. | 0:06:09 | 0:06:13 | |
-Roy checks what's for sale -and the value of land. | 0:06:13 | 0:06:19 | |
-Are you talking about me? | 0:06:20 | 0:06:21 | |
-Are you talking about me? - -No! | 0:06:21 | 0:06:22 | |
-Years ago, Aloma purchased -the land surrounding the cottage. | 0:06:25 | 0:06:29 | |
-The land once -belonged to her grandfather. | 0:06:30 | 0:06:33 | |
-I'm proud that I've got -a small part of the island. | 0:06:33 | 0:06:38 | |
-No-one can take it away from me. | 0:06:39 | 0:06:41 | |
-When I come home... | 0:06:42 | 0:06:44 | |
-..especially when it's sunny... | 0:06:45 | 0:06:48 | |
-..I walk around -with a smile on my face. | 0:06:48 | 0:06:52 | |
-I know it's not massive. | 0:06:52 | 0:06:56 | |
-But it's mine. | 0:06:57 | 0:06:59 | |
-It's the only thing that I can say, -"That's mine, and only mine." | 0:07:00 | 0:07:05 | |
-Right, then. -I've found the old suitcase. | 0:07:10 | 0:07:14 | |
-I've still got it, for some reason! | 0:07:14 | 0:07:17 | |
-I can't remember -the last time I looked in it. | 0:07:17 | 0:07:21 | |
-Here's a cheque. | 0:07:23 | 0:07:24 | |
-You didn't put it in the bank? | 0:07:25 | 0:07:28 | |
-26th of June 1972. | 0:07:30 | 0:07:33 | |
-Aloma Jones. | 0:07:34 | 0:07:36 | |
-She hasn't had it! -Don't tell her, right! | 0:07:36 | 0:07:39 | |
-I have to watch what I take out! -Perhaps you shouldn't see it! | 0:07:40 | 0:07:45 | |
-Oh. | 0:07:48 | 0:07:50 | |
-My father died in 1972. | 0:07:54 | 0:07:56 | |
-He was the tenant in Cerrig-y-tyrn, -Rhosmeirch. | 0:07:56 | 0:08:00 | |
-"The tenant with whom the contract -of tenancy was made has died... | 0:08:00 | 0:08:04 | |
-"..within three months before the -date of the giving of this Notice." | 0:08:04 | 0:08:08 | |
-They wanted -to throw me out of my home. | 0:08:09 | 0:08:11 | |
-I stayed there for three years. | 0:08:12 | 0:08:17 | |
-The courts gave me six months. | 0:08:19 | 0:08:22 | |
-I kept having six month extensions. | 0:08:23 | 0:08:26 | |
-That carried on for three years. | 0:08:27 | 0:08:30 | |
-After three years, I gave up. | 0:08:30 | 0:08:34 | |
-I left. | 0:08:36 | 0:08:37 | |
-So... | 0:08:39 | 0:08:40 | |
-Back in Blackpool... | 0:08:41 | 0:08:43 | |
-..Aloma's meeting Roy after -one of his important ceremonies. | 0:08:43 | 0:08:48 | |
-Roy has been a Freemason -for 17 years. | 0:08:56 | 0:09:00 | |
-During this time, he's been the -President and Master of Ceremony. | 0:09:00 | 0:09:06 | |
-It's one of those very -important things in your life... | 0:09:08 | 0:09:12 | |
-..when you become -Master of your Lodge. | 0:09:12 | 0:09:15 | |
-Ever since -the first day I came in... | 0:09:16 | 0:09:19 | |
-..I've been absolutely mad keen -about it, and really enjoyed... | 0:09:19 | 0:09:23 | |
-..practically every minute -I've been involved in Freemasonry. | 0:09:24 | 0:09:28 | |
-When I first walked in, -I thought this was a chessboard. | 0:09:30 | 0:09:33 | |
-I had no draughts to play with! | 0:09:34 | 0:09:36 | |
-Do you and Roy play draughts -here when there's no-one around? | 0:09:36 | 0:09:41 | |
-We played chess. I always beat him. | 0:09:41 | 0:09:44 | |
-During some of the dinners... | 0:09:47 | 0:09:49 | |
-..if there's a guest speaker... | 0:09:50 | 0:09:53 | |
-..and when the Lodge -isn't so serious... | 0:09:53 | 0:09:57 | |
-..perhaps he's just -accompanying someone after dinner... | 0:09:57 | 0:10:01 | |
-..I wonder what song he's playing. | 0:10:02 | 0:10:05 | |
-Suddenly, I realize it's -Tri Mochyn Bach! | 0:10:05 | 0:10:09 | |
-It's past midnight at The Gresham. -Tony discusses his new song. | 0:10:13 | 0:10:18 | |
-Cofion Gorau is for everyone... | 0:10:19 | 0:10:22 | |
-..every couple -who've been in love... | 0:10:23 | 0:10:27 | |
-..all their lives... | 0:10:28 | 0:10:29 | |
-..and they're still together... | 0:10:30 | 0:10:33 | |
-..not just me and Aloma. | 0:10:33 | 0:10:35 | |
-Of course -I used Aloma as inspiration. | 0:10:36 | 0:10:39 | |
-There's no doubt about that. | 0:10:41 | 0:10:43 | |
-When I composed the song, -I heard Aloma singing it with me. | 0:10:43 | 0:10:49 | |
-Of course I used Aloma. | 0:10:49 | 0:10:51 | |
-She inspired the songs. | 0:10:53 | 0:10:55 | |
-# It was only an incident | 0:10:59 | 0:11:01 | |
-# It happened in an instant | 0:11:02 | 0:11:05 | |
-# Falling in love | 0:11:06 | 0:11:09 | |
-# Forever with you | 0:11:10 | 0:11:13 | |
-# The best memories | 0:11:16 | 0:11:19 | |
-# And God at his best | 0:11:19 | 0:11:22 | |
-# Putting two together | 0:11:23 | 0:11:26 | |
-# As one, like us # | 0:11:27 | 0:11:30 | |
-Time passes. | 0:11:31 | 0:11:32 | |
-# Time passes | 0:11:33 | 0:11:36 | |
-# Our love brings us closer | 0:11:37 | 0:11:40 | |
-# I need your company | 0:11:40 | 0:11:43 | |
-# More and more | 0:11:44 | 0:11:47 | |
-# The best memories | 0:11:48 | 0:11:51 | |
-# And God at his best | 0:11:52 | 0:11:55 | |
-# Putting the blue in your eyes | 0:11:56 | 0:11:59 | |
-# And magic in my world # | 0:11:59 | 0:12:03 | |
-It'll work like that. | 0:12:04 | 0:12:05 | |
-It'll work like that. - -OK, then! | 0:12:05 | 0:12:06 | |
-. | 0:12:07 | 0:12:07 | |
-Subtitles | 0:12:11 | 0:12:11 | |
-Subtitles - -Subtitles | 0:12:11 | 0:12:13 | |
-The Gresham is closed today. | 0:12:14 | 0:12:16 | |
-The hotel is being used -as a recording studio for the day. | 0:12:17 | 0:12:21 | |
-Tony and Aloma -decided to record Cofion Gorau. | 0:12:22 | 0:12:26 | |
-The producer, Dyl Mei, has arrived. | 0:12:27 | 0:12:31 | |
-I've read the book -and it's such an amazing story. | 0:12:32 | 0:12:36 | |
-It's almost like wanting -to be a part of the film... | 0:12:37 | 0:12:41 | |
-..an epic Hollywood biopic. | 0:12:41 | 0:12:43 | |
-It's also an excuse -to come to The Gresham. | 0:12:44 | 0:12:47 | |
-# Living with you | 0:12:47 | 0:12:50 | |
-# Sometimes there were tears | 0:12:51 | 0:12:53 | |
-# Sometimes there was laughter # | 0:12:54 | 0:12:56 | |
-The Cowbois are here. | 0:12:58 | 0:12:59 | |
-Thanks for coming. | 0:13:02 | 0:13:04 | |
-Dyl Mei chose Cowbois Rhos Botwnnog -to accompany Tony and Aloma. | 0:13:05 | 0:13:10 | |
-I'm fine. What's that?! | 0:13:11 | 0:13:13 | |
-Have you got -a clear vision for the song? | 0:13:21 | 0:13:24 | |
-I'll let the Cowbois be Cowbois. | 0:13:24 | 0:13:27 | |
-The song's there. | 0:13:28 | 0:13:30 | |
-We just need a real sound... | 0:13:30 | 0:13:33 | |
-..and not keyboards -and fake machines. | 0:13:33 | 0:13:37 | |
-Roy did a good job of it. | 0:13:38 | 0:13:41 | |
-I'm bringing his vision -into the real world. | 0:13:42 | 0:13:46 | |
-Blimey. | 0:13:50 | 0:13:52 | |
-We've had an influx of Gogs. | 0:13:52 | 0:13:55 | |
-Real Gogs. | 0:13:55 | 0:13:57 | |
-I haven't seen them yet. | 0:13:57 | 0:13:59 | |
-I could be their grandfather. -I wandered a lot around Lleyn. | 0:14:00 | 0:14:04 | |
-That's quite feasible. | 0:14:04 | 0:14:06 | |
-I haven't seen them yet. -Is there a blonde there? | 0:14:06 | 0:14:10 | |
-Is there a bearded blonde there?! | 0:14:10 | 0:14:12 | |
-Is there a bearded blonde there?! - -With blue eyes! | 0:14:12 | 0:14:13 | |
-"An incident." | 0:14:33 | 0:14:34 | |
-It sounds nice. | 0:14:39 | 0:14:41 | |
-How are you? | 0:14:41 | 0:14:43 | |
-There is a blonde here! | 0:14:43 | 0:14:45 | |
-Tony just said Lleyn -was his stomping ground years ago... | 0:14:45 | 0:14:49 | |
-..and one of you -could be his grandson. | 0:14:49 | 0:14:52 | |
-He's the only one from Lleyn! | 0:14:52 | 0:14:54 | |
-He's good looking, too. | 0:14:55 | 0:14:57 | |
-Make yourselves at home! | 0:14:58 | 0:15:00 | |
-I reckon it'll be a late night. | 0:15:00 | 0:15:03 | |
-While Dyl Mei and -the band work on the song... | 0:15:05 | 0:15:09 | |
-..Tony and Aloma look -for presents for the musicians. | 0:15:09 | 0:15:13 | |
-They've never been to Blackpool. -We need to get a stick of rock. | 0:15:17 | 0:15:21 | |
-Blackpool rock. | 0:15:21 | 0:15:22 | |
-Blackpool rock. - -It's out of season. | 0:15:22 | 0:15:25 | |
-Is the shop open? | 0:15:26 | 0:15:27 | |
-Is the shop open? - -No. | 0:15:27 | 0:15:28 | |
-Tulips are growing over there. | 0:15:33 | 0:15:35 | |
-They're lights! | 0:15:35 | 0:15:38 | |
-Oh, they're lights! | 0:15:41 | 0:15:42 | |
-Was it strange -to hear the band's arrangement? | 0:15:45 | 0:15:51 | |
-I've mixed emotions. | 0:15:53 | 0:15:56 | |
-Half of me was excited... | 0:15:57 | 0:15:59 | |
-..but the other half -was unsure how it would sound. | 0:15:59 | 0:16:03 | |
-I'd heard people -taking about the Cowbois. | 0:16:03 | 0:16:08 | |
-There's a song about wanting -to be like Tony and Aloma. | 0:16:09 | 0:16:14 | |
-Iwan, the main vocalist, -cocomposed Blackpool Rock. | 0:16:15 | 0:16:21 | |
-The chorus is, "I don't want to be -just friends, like Tony and Aloma." | 0:16:23 | 0:16:28 | |
-I felt a bit bad afterwards. | 0:16:29 | 0:16:31 | |
-People could misunderstand -and think it's a bit mean. | 0:16:32 | 0:16:36 | |
-I was nervous before coming here. | 0:16:36 | 0:16:39 | |
-I wasn't sure whether they'd -heard it and if they liked it. | 0:16:39 | 0:16:43 | |
-Here's Blackpool Rock. | 0:16:44 | 0:16:46 | |
-Shall we listen to it? | 0:16:47 | 0:16:48 | |
-Shall we listen to it? - -I haven't heard it. | 0:16:48 | 0:16:50 | |
-What do I press? | 0:16:50 | 0:16:51 | |
-# And even though -you found someone else # | 0:16:56 | 0:16:59 | |
-I'll be crying soon. | 0:16:59 | 0:17:00 | |
-I'll be crying soon. - -# Can we still see each other? | 0:17:00 | 0:17:04 | |
-# Even though I'm not enough -to satisfy you # | 0:17:05 | 0:17:09 | |
-Nice, isn't it? | 0:17:09 | 0:17:11 | |
-# I don't want -to be like Tony and Aloma | 0:17:13 | 0:17:17 | |
-# Loving each other, -but just like friends | 0:17:17 | 0:17:21 | |
-# Despite the quarrels -and heartache # | 0:17:22 | 0:17:27 | |
-Oh, it's nice! | 0:17:27 | 0:17:29 | |
-# I don't want -to be like Tony and Aloma | 0:17:30 | 0:17:34 | |
-# Loving each other, -but just like friends | 0:17:35 | 0:17:38 | |
-# I thought you'd always love me # | 0:17:39 | 0:17:45 | |
-Oh, fair play! | 0:17:45 | 0:17:46 | |
-It's nice the way he says it. | 0:17:47 | 0:17:49 | |
-He doesn't want -to be like Tony and Aloma. | 0:17:50 | 0:17:53 | |
-And just be friends. -It's wrong, in a way. | 0:17:53 | 0:17:56 | |
-They're in love, -but just as friends. | 0:17:56 | 0:17:59 | |
-That really sums us up. | 0:18:00 | 0:18:03 | |
-Yes. | 0:18:03 | 0:18:05 | |
-# Oh | 0:18:07 | 0:18:09 | |
-# Pity I wasn't closer to her | 0:18:09 | 0:18:13 | |
-# It's hard to be so far apart | 0:18:14 | 0:18:17 | |
-# A year has passed | 0:18:18 | 0:18:21 | |
-# And I'm travelling -further away from a better place | 0:18:21 | 0:18:26 | |
-# I love her more -with every step I take | 0:18:28 | 0:18:31 | |
-# I remember the words of my song | 0:18:32 | 0:18:35 | |
-# I beg of you | 0:18:36 | 0:18:40 | |
-# Please come back to me # | 0:18:40 | 0:18:44 | |
-Are you going down to B flat? | 0:18:46 | 0:18:48 | |
-I hit the seventh. | 0:18:49 | 0:18:52 | |
-Tony and Aloma -gave Dyl Mei and the band... | 0:18:54 | 0:18:58 | |
-..free rein to adapt Cofion Gorau. | 0:18:58 | 0:19:01 | |
-Tony has written hundreds of songs. | 0:19:02 | 0:19:05 | |
-This one is close to his heart. | 0:19:05 | 0:19:08 | |
-I don't think we'll write any more. | 0:19:08 | 0:19:13 | |
-This might be the last CD too. | 0:19:15 | 0:19:17 | |
-I think so. | 0:19:18 | 0:19:19 | |
-I reckon it'll be the last one. | 0:19:20 | 0:19:23 | |
-There's something special -about the song and this CD. | 0:19:23 | 0:19:27 | |
-It's our swansong. | 0:19:28 | 0:19:30 | |
-After rehearsing all afternoon, Dyl -Mei is happy with the arrangement. | 0:19:33 | 0:19:38 | |
-But will Tony and Aloma be happy? | 0:19:38 | 0:19:41 | |
-# The best memories | 0:19:45 | 0:19:47 | |
-# And God at his best | 0:19:48 | 0:19:51 | |
-# Putting two together | 0:19:52 | 0:19:55 | |
-# As one, like us # | 0:19:56 | 0:19:59 | |
-That was OK, wasn't it? It worked -brilliantly. Was the tempo OK? | 0:20:01 | 0:20:06 | |
-Was it a little slow? | 0:20:06 | 0:20:08 | |
-It's slow, but -there's something nice about that. | 0:20:08 | 0:20:12 | |
-It sounded nice. It works. -Could you hear from there? | 0:20:12 | 0:20:16 | |
-We've got another two bands -to listen to. We'll get in touch! | 0:20:16 | 0:20:21 | |
-Can you get off the stage, please?! | 0:20:21 | 0:20:24 | |
-I've had it since 1970, -but I haven't looked after it. | 0:20:28 | 0:20:32 | |
-I didn't look after it. | 0:20:32 | 0:20:36 | |
-It's before Gibson guitars. | 0:20:36 | 0:20:38 | |
-We can get the original sound. | 0:20:39 | 0:20:43 | |
-The new, young Tony and Aloma. | 0:20:43 | 0:20:46 | |
-Tony doesn't perform -with his guitar any more. | 0:20:46 | 0:20:50 | |
-He wants the band -to use it on the recording. | 0:20:51 | 0:20:54 | |
-I don't understand -this sort of thing. | 0:20:59 | 0:21:02 | |
-They've done their part, now it's up -to me and Aloma. I'm starting to go! | 0:21:04 | 0:21:09 | |
-I think that'll make a difference. | 0:21:13 | 0:21:16 | |
-It's not like being in a studio. | 0:21:19 | 0:21:22 | |
-You wouldn't get a drink, -and certainly no sandwiches... | 0:21:22 | 0:21:27 | |
-..and a chat with whoever's around. | 0:21:27 | 0:21:30 | |
-Will you stop -talking about willies?! | 0:21:31 | 0:21:34 | |
-I'm trying to be serious! -Do you see what I put up with?! | 0:21:34 | 0:21:38 | |
-Tony's going to juggle with them. | 0:21:39 | 0:21:42 | |
-What you don't know is -I'm a juggler. | 0:21:42 | 0:21:45 | |
-Ready? | 0:21:45 | 0:21:47 | |
-Ready? | 0:21:49 | 0:21:50 | |
-Aloma! | 0:21:51 | 0:21:53 | |
-I'm always this side of you. | 0:22:01 | 0:22:03 | |
-It's nice like this. | 0:22:03 | 0:22:05 | |
-I'm the wrong side of you. | 0:22:05 | 0:22:07 | |
-Dyl Mei has recorded the band. | 0:22:07 | 0:22:09 | |
-Tony and Aloma take their place -on The Gresham stage. | 0:22:09 | 0:22:14 | |
-Ready? | 0:22:18 | 0:22:19 | |
-One, two, three, go. | 0:22:19 | 0:22:21 | |
-# It was only an incident | 0:22:22 | 0:22:24 | |
-# It happened in an instant | 0:22:25 | 0:22:28 | |
-# Falling in love | 0:22:29 | 0:22:32 | |
-# Forever | 0:22:32 | 0:22:34 | |
-# With you | 0:22:34 | 0:22:37 | |
-# The best memories | 0:22:38 | 0:22:41 | |
-# And God at his best | 0:22:41 | 0:22:44 | |
-# Putting two together | 0:22:45 | 0:22:48 | |
-# As one, like us | 0:22:49 | 0:22:52 | |
-# Time passes | 0:22:55 | 0:22:57 | |
-# Our love brings us closer | 0:22:58 | 0:23:01 | |
-# I need your company | 0:23:02 | 0:23:05 | |
-# More and more | 0:23:06 | 0:23:09 | |
-# The best memories | 0:23:11 | 0:23:14 | |
-# And God at his best | 0:23:14 | 0:23:17 | |
-# Putting blue in your eyes | 0:23:18 | 0:23:21 | |
-# And magic in my world | 0:23:21 | 0:23:25 | |
-# The best memories | 0:23:27 | 0:23:29 | |
-# And God at his best | 0:23:30 | 0:23:32 | |
-# Giving me a memory | 0:23:33 | 0:23:36 | |
-# To remember | 0:23:37 | 0:23:39 | |
-# Remember | 0:23:41 | 0:23:42 | |
-# Back # | 0:23:44 | 0:23:50 | |
-S4C Subtitles by Gwead | 0:23:56 | 0:23:58 | |
-. | 0:23:58 | 0:23:58 |