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12 weeks ago, I set out to find six young people with Tourette syndrome | 0:00:03 | 0:00:07 | |
who could take their musical aspirations to the next level. | 0:00:07 | 0:00:09 | |
What I did not expect to find was the level of talent, creativity and dedication | 0:00:09 | 0:00:14 | |
that will definitely inspire you tonight. | 0:00:14 | 0:00:16 | |
-Reggie! -Reggie Yates... -On BBC Radio 1. | 0:00:16 | 0:00:21 | |
I present the Official Chart on Radio 1 and host TV talent shows. | 0:00:21 | 0:00:25 | |
Number 15 is just around the corner. We are getting closer and closer. | 0:00:25 | 0:00:29 | |
But now I've taken on something completely different. | 0:00:29 | 0:00:32 | |
Condoms, syphilis, gonorrhoea, chlamydia. | 0:00:33 | 0:00:38 | |
Petrol bomb. | 0:00:38 | 0:00:40 | |
Wankers. | 0:00:40 | 0:00:41 | |
I wanted to put together an event to showcase young people with Tourettes who have raw musical ability. | 0:00:41 | 0:00:46 | |
Reggie has a wedgie! | 0:00:46 | 0:00:49 | |
But it's been no ordinary journey. | 0:00:49 | 0:00:52 | |
All the performers tonight live with constant physical and verbal tics. | 0:00:56 | 0:00:59 | |
Hello! | 0:01:00 | 0:01:02 | |
# There's no combination of words I could put on the back of a postcard... # | 0:01:02 | 0:01:06 | |
But music has an extraordinary effect on their lives. | 0:01:06 | 0:01:10 | |
And I was surprised to discover that when they perform their tics completely disappear. | 0:01:11 | 0:01:16 | |
# ..It's always better when we're together... # | 0:01:16 | 0:01:19 | |
SHE SINGS A SCALE | 0:01:19 | 0:01:20 | |
For the past eight weeks, vocal coach Jo Price has put them through hours of intensive musical training. | 0:01:20 | 0:01:28 | |
Only when they all came together did I realise the enormity of the task I'd set myself. | 0:01:28 | 0:01:34 | |
Out the door, go. | 0:01:36 | 0:01:37 | |
To say I'm anxious is a massive understatement. | 0:01:37 | 0:01:41 | |
Shut up! | 0:01:41 | 0:01:42 | |
But music is their passion and hopefully tonight will be the greatest performance of their lives. | 0:01:42 | 0:01:48 | |
APPLAUSE | 0:01:51 | 0:01:56 | |
Now for those of you that don't know much about Tourettes, it can be quite confusing. | 0:01:59 | 0:02:03 | |
There are more than 300,000 people in the UK currently diagnosed with Tourette Syndrome. | 0:02:03 | 0:02:07 | |
HE SCREAMS | 0:02:07 | 0:02:09 | |
Now, there's a huge amount of misconception when it comes to Tourettes, | 0:02:09 | 0:02:13 | |
and part of the goal is to break down that stigma. | 0:02:13 | 0:02:15 | |
HE SHOUTS | 0:02:15 | 0:02:17 | |
Talent over Tourettes, you could say. | 0:02:17 | 0:02:19 | |
But enough of me, let's get the music started and, more importantly, meet the performers. | 0:02:19 | 0:02:23 | |
First up, Jake Ryall with hair fit for a pop star and a voice that isn't half bad too. | 0:02:23 | 0:02:29 | |
Right, let's go. | 0:02:29 | 0:02:30 | |
Jake is 15. | 0:02:33 | 0:02:35 | |
He was diagnosed with Tourette Syndrome two years ago. | 0:02:37 | 0:02:40 | |
I do spend quite a lot of time in the house. | 0:02:43 | 0:02:45 | |
I don't always want to go out because of my Tourettes, | 0:02:45 | 0:02:49 | |
if it's bad on a certain day then I feel, like, | 0:02:49 | 0:02:52 | |
I don't want to go out and start ticking in front of everyone. | 0:02:52 | 0:02:55 | |
When I'm in school, I have to sit inside a classroom all day | 0:02:55 | 0:03:01 | |
and try to make it look like I'm not different to everyone else, | 0:03:01 | 0:03:06 | |
I just want to be not the same as everyone else, | 0:03:06 | 0:03:08 | |
cos I know I'm never going to be the same as everyone else, | 0:03:08 | 0:03:11 | |
but I don't want everyone judging me. | 0:03:11 | 0:03:13 | |
Jake lives in Bristol with his dad Danny and mum Julie. | 0:03:15 | 0:03:18 | |
Most of his friends at school probably don't ever see him tic. | 0:03:19 | 0:03:23 | |
But then he comes home from school and obviously he has to release those tics. | 0:03:23 | 0:03:28 | |
And what happens when he releases them? | 0:03:28 | 0:03:30 | |
It's like fireworks night. | 0:03:30 | 0:03:31 | |
Fuck you. | 0:03:31 | 0:03:33 | |
What's happened to your hand? | 0:03:33 | 0:03:35 | |
Tourettes. Punched a wall a couple of times. | 0:03:35 | 0:03:37 | |
You're kidding me! | 0:03:37 | 0:03:39 | |
Wow, OK. | 0:03:40 | 0:03:41 | |
I don't want to be known as the kid who's got a problem, | 0:03:41 | 0:03:46 | |
I just want to be known as a kid who, yeah, has got something wrong with him, | 0:03:46 | 0:03:50 | |
but he just does... he gets on with it. | 0:03:50 | 0:03:53 | |
This is Two Door Cinema Club's What You Know. | 0:03:53 | 0:03:55 | |
Please put your hands together for Jake! | 0:03:55 | 0:03:57 | |
# In a few weeks I will get time | 0:04:12 | 0:04:16 | |
# To realise it's right before my eyes | 0:04:16 | 0:04:19 | |
# And I can take it | 0:04:19 | 0:04:22 | |
# If it's what I want to do | 0:04:22 | 0:04:26 | |
# I am leaving, this is starting | 0:04:26 | 0:04:30 | |
# To feel like it's right before my eyes | 0:04:30 | 0:04:33 | |
# And I can taste it | 0:04:33 | 0:04:35 | |
# It's my sweet beginning | 0:04:35 | 0:04:40 | |
# And I can tell just what you want | 0:04:40 | 0:04:45 | |
# You don't want to be alone | 0:04:45 | 0:04:48 | |
# You don't want to be alone | 0:04:48 | 0:04:52 | |
# And I can't say it's what you know | 0:04:54 | 0:04:59 | |
# But you've known it the whole time... # | 0:04:59 | 0:05:02 | |
It's amazing. If you walked into the studio now, | 0:05:02 | 0:05:06 | |
you'd never know Jake had Tourette syndrome and there's no sign of any nerves! | 0:05:06 | 0:05:12 | |
Right, what's the time? | 0:05:12 | 0:05:14 | |
I'm hoping the same will go for 15-year-old old Emilly who's waiting backstage to go on next! | 0:05:14 | 0:05:20 | |
Mum, Mum, 12 minutes past what did they want me? | 0:05:20 | 0:05:23 | |
-They're running slightly behind... -I am calm! -Calm, calm! | 0:05:23 | 0:05:28 | |
I can't even lay down. I'll ruin my hair. | 0:05:28 | 0:05:31 | |
# ..But you've known it the whole time | 0:05:31 | 0:05:34 | |
# Yeah, you've known it the whole time... # | 0:05:34 | 0:05:38 | |
-You all right? -Yeah, I'm just stressed out! | 0:05:38 | 0:05:42 | |
Emilly's lack of confidence has dogged her ever since she first sang to me eight weeks ago! | 0:05:42 | 0:05:48 | |
# Over the sea and far away she's waiting... # | 0:05:49 | 0:05:54 | |
She's a bit nervous, but she's bloody good for 15! | 0:05:54 | 0:05:58 | |
You ready? | 0:05:58 | 0:05:59 | |
Come on! It's only us, love, it's only us! | 0:06:00 | 0:06:03 | |
From the very beginning of her sessions with musical director Chris Egan and vocal coach Jo Price, | 0:06:03 | 0:06:08 | |
Emilly struggled. | 0:06:08 | 0:06:10 | |
# I get tired... # I'm sorry. | 0:06:10 | 0:06:13 | |
And with the live show less than a month away, she still couldn't make it through a whole song. | 0:06:13 | 0:06:18 | |
-I don't know, I just don't enjoy it! -Do you want to take a minute? | 0:06:18 | 0:06:22 | |
-I'm sweating! -OK. We have a wobble. -I'm officially sweating. | 0:06:25 | 0:06:29 | |
It's nerves and it's coming up and it's properly interfering. | 0:06:29 | 0:06:34 | |
I do believe that in front of an audience she will do it, but is that good enough for you guys to go with? | 0:06:34 | 0:06:40 | |
Have we actually seen her nail it yet? | 0:06:40 | 0:06:42 | |
The only problem for us is that we have no way of knowing that until show day. | 0:06:42 | 0:06:46 | |
One, two, three, four! | 0:07:03 | 0:07:05 | |
# And I can tell just what you want | 0:07:05 | 0:07:10 | |
# You don't want to be alone... # | 0:07:10 | 0:07:12 | |
We're ready to go now, Emilly and Mum and Dad. | 0:07:12 | 0:07:14 | |
Let's do it! Are you ready? | 0:07:14 | 0:07:15 | |
Let's go! Come on, Emilly, let's go. | 0:07:15 | 0:07:17 | |
-Yeah, I'm coming! -Put the phone down! | 0:07:17 | 0:07:19 | |
-After you. -Oh, God! | 0:07:19 | 0:07:22 | |
# ..And I can't say it's what you know | 0:07:27 | 0:07:30 | |
# But you've known it the whole time | 0:07:30 | 0:07:34 | |
# Yeah, you've known it the whole time. # | 0:07:34 | 0:07:38 | |
Give your mum and dad a hug! | 0:07:52 | 0:07:53 | |
Jake's got the show off to a cracking start. | 0:07:59 | 0:08:02 | |
It's great to see his confidence sky high. | 0:08:02 | 0:08:05 | |
-Fuck off, did you! -You didn't get your voice from me! | 0:08:05 | 0:08:07 | |
Let's hope our next performer will leave her nerves in the dressing room too! | 0:08:07 | 0:08:12 | |
Where've your shoes gone?! Where are they? | 0:08:14 | 0:08:16 | |
-Is this a new look you're trying out? -Yeah! | 0:08:16 | 0:08:19 | |
OK. Please welcome on stage our youngest performer tonight. | 0:08:19 | 0:08:22 | |
It's the lovely Emilly Carter. Come on! | 0:08:22 | 0:08:24 | |
Now, when I first met Emilly, her nerves before performing were almost paralysing. | 0:08:24 | 0:08:30 | |
But having heard the beauty of her tone and watching her blossom as well, | 0:08:30 | 0:08:33 | |
I cannot wait to see what she's got in store for us tonight. | 0:08:33 | 0:08:36 | |
Emilly was first diagnosed with Tourette Syndrome 11 years ago. | 0:08:39 | 0:08:43 | |
I don't know, a lot of people do know I have it. | 0:08:44 | 0:08:47 | |
And, like, teachers know I have it and stuff, so at school it's fine, | 0:08:47 | 0:08:51 | |
and if I'm out of school, just out and about, people don't really ask, | 0:08:51 | 0:08:54 | |
because they don't want to, they're like embarrassed or a bit freaked out sometimes. | 0:08:54 | 0:08:58 | |
Her tics include involuntary twitching and uncontrollable falling to the ground. | 0:09:01 | 0:09:06 | |
Until the age of 4, Emilly's mum Brigitte didn't know what was wrong with her daughter. | 0:09:08 | 0:09:13 | |
When Emilly was first diagnosed with Tourettes, it was like a great weight had been lifted, | 0:09:14 | 0:09:20 | |
because she'd actually been given a diagnosis. | 0:09:20 | 0:09:24 | |
B-B-B-B-itchy Ritchie.. | 0:09:24 | 0:09:27 | |
Whereas the doctors had kept saying she was attention seeking, | 0:09:27 | 0:09:30 | |
but it was quite obvious she wasn't attention seeking. | 0:09:30 | 0:09:33 | |
I-I'm pregnant! | 0:09:33 | 0:09:36 | |
With the live event fast approaching, | 0:09:37 | 0:09:40 | |
Jo had Emilly singing Eliza Doolittle's Pack Up, | 0:09:40 | 0:09:43 | |
but I was still worried that her lack of confidence | 0:09:43 | 0:09:45 | |
would get in the way of her performance, and so I invited Eliza herself along to help. | 0:09:45 | 0:09:52 | |
Do you want to say hello? | 0:09:55 | 0:09:57 | |
-Hello. -There you go. | 0:09:57 | 0:10:00 | |
Did you for quite a while sort of get really nervous on stage then when you performed? | 0:10:02 | 0:10:06 | |
Yeah, I would totally hide behind my hair, and I'm still trying to get over lots of that, | 0:10:06 | 0:10:11 | |
and trying to just be myself and be happy to be me, you know. | 0:10:11 | 0:10:14 | |
Is there any way you could sort of help Emilly? | 0:10:14 | 0:10:17 | |
I think just knowing that you're good, I think that's just all you need. | 0:10:17 | 0:10:21 | |
Can I just say you look amazing this evening? | 0:10:21 | 0:10:24 | |
Do you want to give us a spin? Go on, show them what you're wearing. You look incredible. | 0:10:24 | 0:10:28 | |
Now a little while ago you got to hang out with Eliza Doolittle herself, | 0:10:28 | 0:10:31 | |
and she said what you're about to perform is absolutely incredible. | 0:10:31 | 0:10:34 | |
Your version of it is fantastic. Are you ready to prove her right? | 0:10:34 | 0:10:37 | |
-Er... Yeah! -Good! | 0:10:37 | 0:10:40 | |
OK. Can you guys please put your hands together? | 0:10:40 | 0:10:43 | |
Performing Eliza Doolittle's Pack Up is the fantastic Emilly Carter, come on! | 0:10:43 | 0:10:47 | |
# I get tired and upset | 0:10:59 | 0:11:02 | |
# And I'm trying to care a little less | 0:11:02 | 0:11:06 | |
# When I Google, I only get depressed | 0:11:06 | 0:11:10 | |
# I was taught to dodge those issues, I was told | 0:11:10 | 0:11:14 | |
# Don't worry, there's no doubt | 0:11:14 | 0:11:16 | |
# There's always something to cry about | 0:11:16 | 0:11:20 | |
# When you're stuck in an angry crowd | 0:11:20 | 0:11:24 | |
# They don't think what they say before they open their mouth | 0:11:24 | 0:11:28 | |
# Pack up your troubles in your old kit bag | 0:11:28 | 0:11:32 | |
# And bury them beneath the sea | 0:11:32 | 0:11:36 | |
# I don't care what the people may say | 0:11:36 | 0:11:40 | |
# What the people may say about me | 0:11:40 | 0:11:43 | |
# Pack up your troubles, get your old kit bag | 0:11:44 | 0:11:47 | |
# Don't worry about the cavalries | 0:11:47 | 0:11:50 | |
# I don't care what the whisperers say | 0:11:50 | 0:11:54 | |
# Cos they whisper too loud for me | 0:11:54 | 0:11:57 | |
# Tweet, tweet, tweet, tweet, tweet | 0:11:59 | 0:12:02 | |
# Tweet, tweet, tweet, tweet, tweet | 0:12:02 | 0:12:04 | |
# Tweet, tweet, tweet, tweet, tweet | 0:12:04 | 0:12:08 | |
# Tweet, tweet, tweet, tweet, tweet | 0:12:08 | 0:12:11 | |
# Pack up your troubles in your old kit bag | 0:12:13 | 0:12:17 | |
# And bury them beneath the sea... # | 0:12:17 | 0:12:20 | |
I can't tell you how great it is to see Emilly conquering those nerves | 0:12:20 | 0:12:24 | |
and giving the performance of a lifetime! | 0:12:24 | 0:12:26 | |
# ..May say about me... # | 0:12:26 | 0:12:28 | |
Backstage, things couldn't be more different for 25-year-old Ruth. | 0:12:29 | 0:12:33 | |
HOARSELY: Hello! | 0:12:35 | 0:12:36 | |
When Ruth arrived this morning, she could hardly speak. | 0:12:37 | 0:12:40 | |
Is it that bad? | 0:12:40 | 0:12:42 | |
Yeah, I can't really even tic. | 0:12:42 | 0:12:44 | |
Petrol bomb. | 0:12:44 | 0:12:46 | |
Wankers. | 0:12:46 | 0:12:47 | |
Ruth was the first person I met with Tourette Syndrome. | 0:12:47 | 0:12:50 | |
Reggie has a wedgie! | 0:12:51 | 0:12:53 | |
I was surprised to learn that Ruth only developed her severe verbal and physical tics at the age of 16. | 0:12:53 | 0:13:01 | |
I was also surprised to learn that Tourette Syndrome can develop at any age and there is no known cure. | 0:13:01 | 0:13:07 | |
Syphilis. | 0:13:07 | 0:13:09 | |
Hello! | 0:13:11 | 0:13:12 | |
In 2006, with a promising career in front of her, Ruth went to university to study music, | 0:13:12 | 0:13:18 | |
but was forced to quit two years later because of her outbursts in lectures and during performances. | 0:13:18 | 0:13:24 | |
Four years on and Ruth has regained her confidence and started to sing again. | 0:13:25 | 0:13:30 | |
Vagina for sale, vagina for sale. | 0:13:31 | 0:13:36 | |
What happened next was one of the moments that turned our idea of staging an event into a reality. | 0:13:36 | 0:13:43 | |
# You could be the one who listens to | 0:13:43 | 0:13:49 | |
# My deepest inquisitions | 0:13:49 | 0:13:53 | |
# You could never be... # | 0:13:53 | 0:13:56 | |
She didn't tic at all during her performance and I was amazed. | 0:13:56 | 0:14:01 | |
-Yeah. -That's great. | 0:14:01 | 0:14:04 | |
Ka-wow! Playing a part with the son and the holy cunt. | 0:14:04 | 0:14:08 | |
Chip sticks. | 0:14:08 | 0:14:10 | |
Steam, madam. | 0:14:11 | 0:14:13 | |
I can't believe that after all Ruth's been through, | 0:14:14 | 0:14:17 | |
she may not even be able to show off her wonderful voice tonight because of a sore throat. | 0:14:17 | 0:14:22 | |
Do you think she's actually going to get to perform? | 0:14:22 | 0:14:24 | |
I don't know. | 0:14:24 | 0:14:26 | |
Oh, man! | 0:14:26 | 0:14:28 | |
# ..Pack up your troubles in your old kit bag | 0:14:31 | 0:14:34 | |
# And bury them beneath the sea | 0:14:34 | 0:14:37 | |
# I don't care what the people may say | 0:14:39 | 0:14:42 | |
# What the people may say about me, yeah, yeah, yeah | 0:14:42 | 0:14:49 | |
# Tweet, tweet, tweet, tweet, tweet. # | 0:14:53 | 0:14:59 | |
One more time for Emilly! Come on! | 0:15:16 | 0:15:18 | |
Where's that shy little girl gone? | 0:15:19 | 0:15:21 | |
Stop crying, you're embarrassing me! | 0:15:26 | 0:15:28 | |
Right, let's go. | 0:15:29 | 0:15:31 | |
What separates a great talent from the pack is the stamp of individuality. | 0:15:31 | 0:15:35 | |
Please welcome on stage the daddy of our group, it's Steve Ley. | 0:15:35 | 0:15:39 | |
One of my early recruits was 25-year-old Steve who's been living with Tourettes since the age of 7. | 0:15:45 | 0:15:51 | |
Fat cunt! | 0:15:56 | 0:15:57 | |
You get so used to it, fatty cunt, you're not fat... | 0:15:57 | 0:16:01 | |
That's the one that turns heads in Tesco's. | 0:16:04 | 0:16:07 | |
HE SINGS SCALES | 0:16:07 | 0:16:08 | |
From the moment I met him, I loved the tone of Steve's voice. | 0:16:08 | 0:16:11 | |
HE SINGS SCALES | 0:16:11 | 0:16:14 | |
But it was really important to challenge all of our performers | 0:16:14 | 0:16:18 | |
to find the right musical style for each of them. | 0:16:18 | 0:16:21 | |
So I sent Steve a track that I believed would be a great fit for him. | 0:16:21 | 0:16:25 | |
# No woman, no cry... # | 0:16:25 | 0:16:28 | |
No woman, no die. | 0:16:28 | 0:16:30 | |
# No woman, no cry | 0:16:30 | 0:16:35 | |
# No woman, no cry... # | 0:16:36 | 0:16:39 | |
-I don't feel like... -No Woman, No Cry. | 0:16:39 | 0:16:43 | |
..Shows all the tone in your voice. | 0:16:43 | 0:16:45 | |
Yeah, I totally felt that as well, to be honest with you. | 0:16:45 | 0:16:48 | |
The reality of living with Tourette Syndrome really came home to me | 0:16:48 | 0:16:52 | |
when I spent time with Steve and his girlfriend Iona. | 0:16:52 | 0:16:55 | |
Take that, you cunt. | 0:16:55 | 0:16:57 | |
So how did your friends react the first time you brought Steve round? | 0:16:57 | 0:17:00 | |
-They all know him! Everyone knew Steve before I did! -Cunt. -Right. | 0:17:00 | 0:17:03 | |
-I don't know how I was the last person to meet him, to be honest, because everyone knows him. -Yeah. | 0:17:03 | 0:17:08 | |
Mate, I don't even want to talk to you right now, | 0:17:08 | 0:17:10 | |
I want you to concentrate because I'm crapping myself that you've got a knife in your hand! | 0:17:10 | 0:17:14 | |
Oh, my God! | 0:17:14 | 0:17:16 | |
Can I just butter the bread for you? | 0:17:16 | 0:17:19 | |
Steve grew up in Devon and lives at home with his Mum, Jayne. | 0:17:21 | 0:17:24 | |
He'd come home and say, "There's something going on in my head and I can't help it." | 0:17:26 | 0:17:30 | |
Jelly legs! | 0:17:30 | 0:17:31 | |
When I first found out, I got diagnosed with Tourettes, I was very... | 0:17:34 | 0:17:39 | |
I didn't know what to think about the actual word, what it meant, like, "What is this?" | 0:17:40 | 0:17:45 | |
I thought, "Is this what life's all about?" I wasn't excited about life. | 0:17:45 | 0:17:49 | |
"I'm a kid, I need to be excited, I need to have some drive, I should be having loads of friends, | 0:17:49 | 0:17:54 | |
"I should be doing all these things." | 0:17:54 | 0:17:56 | |
At the age of 14, Steve began to play the piano and guitar, | 0:17:58 | 0:18:02 | |
and immediately found music an escape from his Tourettes. | 0:18:02 | 0:18:06 | |
Hopefully, I can just relax and just enjoy every moment of it, really. | 0:18:09 | 0:18:13 | |
Yeah, I'm buzzing about it, I can't wait, I'm so excited! | 0:18:13 | 0:18:16 | |
I'm just, like, "Fucking come on, come on!" | 0:18:16 | 0:18:19 | |
Now, if you're not welling up or openly crying by the end of this next song, | 0:18:24 | 0:18:28 | |
then call a doctor because you're dead inside. | 0:18:28 | 0:18:30 | |
Now, I had the pleasure of watching this being performed in rehearsals | 0:18:30 | 0:18:32 | |
and you could feel the mood in the room change as soon as it started. | 0:18:32 | 0:18:36 | |
Here's Steve Ley's take on the Coldplay classic Trouble. | 0:18:36 | 0:18:40 | |
# Oh, no, I see | 0:19:05 | 0:19:10 | |
# A spider web, it's tangled up with me | 0:19:12 | 0:19:17 | |
# And I lost my head | 0:19:17 | 0:19:23 | |
# The thought of all the stupid things I said | 0:19:24 | 0:19:29 | |
# Oh, no, what's this? | 0:19:48 | 0:19:52 | |
# A spider web and I'm caught in the middle | 0:19:53 | 0:19:58 | |
# So I turned to run | 0:19:59 | 0:20:04 | |
# And thought of all the stupid things I've done | 0:20:04 | 0:20:10 | |
# I never meant to cause you trouble | 0:20:13 | 0:20:17 | |
# I never meant to do you wrong | 0:20:20 | 0:20:25 | |
# Oh, if I ever caused you trouble | 0:20:28 | 0:20:33 | |
# Oh, I never meant to do you harm... # | 0:20:35 | 0:20:41 | |
Music has such a powerful effect on all of their lives, | 0:20:45 | 0:20:49 | |
but there's no medical explanation why they don't tic during their performance. | 0:20:49 | 0:20:53 | |
It's great to see everyone reaching their full potential... | 0:20:56 | 0:20:59 | |
..but, earlier in the day, things weren't looking so great for Ruth. | 0:21:02 | 0:21:07 | |
Shut up. | 0:21:10 | 0:21:11 | |
Five hours before Ruth was due to perform live in front of tonight's audience, | 0:21:11 | 0:21:15 | |
Jo called her to the studio to rehearse with musical director Chris Egan. | 0:21:15 | 0:21:19 | |
Stuck. 'Doors closing.' | 0:21:19 | 0:21:21 | |
Broken. | 0:21:21 | 0:21:23 | |
Crash. | 0:21:24 | 0:21:25 | |
Die. | 0:21:25 | 0:21:26 | |
'Second floor.' | 0:21:26 | 0:21:28 | |
Can you give us the first...just give us a chord on Use Somebody? | 0:21:28 | 0:21:32 | |
Let's see how you sound, then. | 0:21:36 | 0:21:38 | |
RUTH SINGS HOARSELY | 0:21:40 | 0:21:44 | |
I think we should rest it. | 0:21:53 | 0:21:54 | |
I don't think you should even try and sing during this. | 0:21:54 | 0:21:57 | |
I think you should rest it. | 0:21:57 | 0:21:59 | |
-We've just got to keep your voice safe now... -They all look so worried, though. | 0:22:07 | 0:22:12 | |
-Don't even go there. -Grr! | 0:22:14 | 0:22:16 | |
You've just got to think about what's best for you, what's best for your voice | 0:22:16 | 0:22:20 | |
and what give us the best chance of getting you on this stage tonight singing properly. | 0:22:20 | 0:22:25 | |
You know, I'm not a doctor, but that didn't sound great. | 0:22:25 | 0:22:31 | |
She doesn't seem to have a voice, it's marginally better than this morning, but not brilliant, | 0:22:31 | 0:22:39 | |
but I really don't know, I don't know which way this is going to go. | 0:22:39 | 0:22:47 | |
Right, lady, you don't speak to anyone for the next two hours, | 0:22:47 | 0:22:51 | |
you're back to your dressing room, you steam, you hot lemon and ginger. | 0:22:51 | 0:22:55 | |
You don't ask her any questions. | 0:22:55 | 0:22:57 | |
I don't want anyone speaking to you or making you speak. | 0:22:57 | 0:22:59 | |
I'll come and see you in an hour. | 0:22:59 | 0:23:01 | |
I'm drowning. | 0:23:01 | 0:23:02 | |
It wasn't looking good for Ruth. | 0:23:03 | 0:23:05 | |
It would be a complete nightmare if she couldn't take her place on stage. | 0:23:05 | 0:23:09 | |
Six hours later with the show underway, Steve is really rising to the occasion, | 0:23:16 | 0:23:21 | |
and the audience are loving it. | 0:23:21 | 0:23:23 | |
# ..A spider web | 0:23:28 | 0:23:33 | |
# For me | 0:23:33 | 0:23:36 | |
# A spider web | 0:23:37 | 0:23:41 | |
# For me | 0:23:41 | 0:23:43 | |
# A spider web | 0:23:44 | 0:23:48 | |
# For me... # | 0:23:48 | 0:23:51 | |
APPLAUSE AND CHEERING | 0:24:14 | 0:24:16 | |
Thank you. | 0:24:16 | 0:24:18 | |
-So what did you think of Steve? Come on! Wow! -CHEERING | 0:24:22 | 0:24:24 | |
Halfway through and I'm really pleased with the show. | 0:24:30 | 0:24:33 | |
On next is 18-year-old Greg, | 0:24:36 | 0:24:38 | |
a drummer from Yorkshire! | 0:24:38 | 0:24:40 | |
Erection! | 0:24:40 | 0:24:42 | |
Like Steve, Greg has severe physical and verbal tics. | 0:24:42 | 0:24:47 | |
SCREAMING | 0:24:47 | 0:24:50 | |
He was diagnosed with Tourette Syndrome at the age of 6. | 0:24:50 | 0:24:54 | |
I got bullied, I had problems being in class, | 0:24:57 | 0:25:02 | |
you know, doing the work, I'd be working, I'd snap my pencil. | 0:25:02 | 0:25:06 | |
And quite a lot of the time I can, you know, | 0:25:06 | 0:25:09 | |
shout out really weird things, like, the favourite one at the moment is chicken. | 0:25:09 | 0:25:13 | |
There's a chicken! | 0:25:15 | 0:25:16 | |
Greg has been playing the drums for three years. | 0:25:19 | 0:25:22 | |
Let's see how we can work that out. | 0:25:25 | 0:25:27 | |
To get him ready for the show, I organised a master class with top drummer Josh McKenzie! | 0:25:27 | 0:25:32 | |
This is better than being high. | 0:25:32 | 0:25:34 | |
I've never been high, but I'm sure it's better. | 0:25:34 | 0:25:37 | |
We're getting high right now, so let's just go deeper. | 0:25:38 | 0:25:41 | |
Get high on drums! | 0:25:41 | 0:25:43 | |
It was only when I went home to meet Greg's parents Paul and Kim, | 0:25:45 | 0:25:49 | |
and they showed me video of Greg when he was younger, | 0:25:49 | 0:25:52 | |
did I fully appreciate the impact that Tourettes has had on the whole family. | 0:25:52 | 0:25:57 | |
It started with a cough, | 0:26:01 | 0:26:02 | |
a persistent cough that wouldn't go, so it was the usual trip to the doctor's, | 0:26:02 | 0:26:07 | |
is it a bit of asthma? We started to notice the eye tics and the rolling at home, | 0:26:07 | 0:26:12 | |
but we found out later that he'd been doing the squeaks and twitches at school. | 0:26:12 | 0:26:17 | |
It's not helping. | 0:26:17 | 0:26:18 | |
Nothing is helping. | 0:26:18 | 0:26:21 | |
GREG: It's not exactly pleasant. | 0:26:21 | 0:26:22 | |
What is it about looking at yourself at that age that makes your tic start? | 0:26:22 | 0:26:25 | |
-It was bad. -Then? -Really bad! | 0:26:25 | 0:26:30 | |
-It was a tough time? -Yeah. | 0:26:36 | 0:26:38 | |
I want to live, not be stuck as the "Ooh, look, the guy with Tourettes!" | 0:26:38 | 0:26:43 | |
I want to be Greg with Tourettes, on the side, something nobody really cares about. | 0:26:43 | 0:26:48 | |
HE SHOUTS AND SQUEAKS | 0:26:48 | 0:26:51 | |
Next up is a man whose flair for the drums knows no bounds. | 0:26:51 | 0:26:54 | |
Please put your hands together for the fantastic Greg Storey. | 0:26:54 | 0:26:58 | |
# So glad, so glad, so glad, so glad | 0:27:06 | 0:27:10 | |
# So glad, get up, so glad, get up | 0:27:10 | 0:27:13 | |
# Everybody, dance now | 0:27:15 | 0:27:17 | |
# Let's go | 0:27:17 | 0:27:18 | |
# Ho! | 0:27:19 | 0:27:21 | |
# Let's go... # | 0:27:21 | 0:27:23 | |
Greg's really seized his opportunity and is really pulling out all the stops. | 0:27:23 | 0:27:28 | |
# ..Let's go! Everybody, dance now... # | 0:27:28 | 0:27:31 | |
In the two hours since the failed rehearsal, Ruth's voice hasn't improved. | 0:27:32 | 0:27:37 | |
I'm really sorry. | 0:27:39 | 0:27:41 | |
But listen, we're not defeated yet! | 0:27:44 | 0:27:46 | |
We'll keep the boiling water coming. | 0:27:46 | 0:27:48 | |
And let's just stay positive. | 0:27:48 | 0:27:51 | |
This could be the time when things don't go wrong, | 0:27:51 | 0:27:53 | |
this could be the time when things looked like they were going to go wrong but actually they didn't, | 0:27:53 | 0:27:58 | |
this could be that time. | 0:27:58 | 0:27:59 | |
Look at me. | 0:28:02 | 0:28:03 | |
This could be that time. | 0:28:04 | 0:28:06 | |
Just because things have always gone wrong in the past, | 0:28:06 | 0:28:08 | |
it doesn't mean that that's what's going to happen now, and we could get you through this. | 0:28:08 | 0:28:13 | |
Hello. | 0:28:31 | 0:28:32 | |
With only two-and-a-half hours until Ruth is due on stage, a doctor is called. | 0:28:32 | 0:28:36 | |
-This is Ruth. -Hello, are you the patient? | 0:28:36 | 0:28:40 | |
Let's have a look down your throat. | 0:28:40 | 0:28:42 | |
Say "Ah". | 0:28:42 | 0:28:43 | |
It's all inflamed, isn't it? | 0:28:44 | 0:28:46 | |
What we really need, Doctor, is we need Ruth on stage. | 0:28:48 | 0:28:51 | |
She's been rehearsing for months for a show which we're going to be doing in a few hours' time, | 0:28:51 | 0:28:54 | |
so we need to try and find a way to get her stage-ready as soon as possible. | 0:28:54 | 0:29:00 | |
-Now, in a situation like this... -So you want a miracle worker! | 0:29:00 | 0:29:02 | |
Well, I've heard that you're the man. | 0:29:02 | 0:29:04 | |
What are the chances of being able to turn it around? | 0:29:04 | 0:29:07 | |
This is difficult, there's no way I tell you whether or not | 0:29:08 | 0:29:12 | |
she'll be fit to sing in three or four hours' time. | 0:29:12 | 0:29:14 | |
There's no way to tell. | 0:29:14 | 0:29:16 | |
-What do you think...? -She's got laryngitis. | 0:29:16 | 0:29:20 | |
Keep drinking, drink, drink, drink, gargle, gargle, gargle, gargle and pray. | 0:29:20 | 0:29:26 | |
This is all I've been thinking about, everything I've been doing has been for this. | 0:29:48 | 0:29:54 | |
It's not over yet, I think we'll find out a bit closer to show time what's possible, but I don't know... | 0:29:54 | 0:30:02 | |
I've never been in your position before so I can't tell you what to do, | 0:30:02 | 0:30:05 | |
but I think the best thing to do is be as positive as possible. | 0:30:05 | 0:30:09 | |
-Is that the right way to deal with this? -It's the only way to deal with this. | 0:30:09 | 0:30:12 | |
APPLAUSE AND CHEERING | 0:30:50 | 0:30:53 | |
One more time for Greg! Come on! | 0:30:56 | 0:30:59 | |
What are you thinking about? | 0:31:00 | 0:31:02 | |
You look incredible, fella, look at you with your rock-star hair! | 0:31:02 | 0:31:04 | |
Yeah, it's a change from the scruff! | 0:31:04 | 0:31:08 | |
The thing that I can't believe is that you've only been playing drums for about three years now. | 0:31:08 | 0:31:12 | |
You've got incredible in such a short space of time. How important are the drums to you? | 0:31:12 | 0:31:17 | |
Everything, if I was to come home one day and my drums weren't in my bedroom, I'd be devastated. | 0:31:17 | 0:31:24 | |
It's a release, it's fun, it gives me just a time out from my Tourettes. | 0:31:24 | 0:31:30 | |
Without it, I wouldn't be me, sort of thing. | 0:31:30 | 0:31:33 | |
I'm chuffed for you, mate, give him a round of applause one more time. | 0:31:33 | 0:31:36 | |
Thanks. | 0:31:36 | 0:31:37 | |
Bloody brilliant! | 0:31:38 | 0:31:40 | |
Argh, I'm being strangled! | 0:31:40 | 0:31:42 | |
-Brilliant! -You just looked fantastic up there! You really did! | 0:31:44 | 0:31:47 | |
Hello, Ruth, you all right? | 0:31:49 | 0:31:51 | |
'Just before the show started, I went to check up on Ruth.' | 0:31:51 | 0:31:55 | |
Er, Ruth, we're pretty much at show time, and you look incredible by the way! | 0:31:56 | 0:32:02 | |
You look absolutely amazing, you look proper glam, | 0:32:02 | 0:32:04 | |
so if this get-up is anything to go by, you've made a decision, right? | 0:32:04 | 0:32:08 | |
Yeah, I want to do it. | 0:32:08 | 0:32:09 | |
You think that you can definitely deliver, then? | 0:32:09 | 0:32:11 | |
You can definitely hear my voice now, | 0:32:11 | 0:32:13 | |
so it's definitely much stronger than before, | 0:32:13 | 0:32:15 | |
and I think once I do this I probably won't be able to speak for the next couple of days, | 0:32:15 | 0:32:18 | |
-but I'm good to go for that. -Yeah. | 0:32:18 | 0:32:20 | |
I'm just really happy to see you smiling again. | 0:32:20 | 0:32:23 | |
-Yeah. -And to see that you're willing to get out there and do this. | 0:32:23 | 0:32:26 | |
So are you going to do some warm-ups now? | 0:32:26 | 0:32:28 | |
-I tell you what, I'll leave you to it... -Fuck off. | 0:32:28 | 0:32:30 | |
And the next time I see you will be when I'm introducing you on stage. | 0:32:30 | 0:32:34 | |
-Can I have a hug, please? -Yeah, of course! | 0:32:34 | 0:32:37 | |
-I'm really chuffed that you're doing this. Good luck, all right. -Cheers, Wedgie. | 0:32:37 | 0:32:40 | |
-Cheers, Reggie. -And I still get called Wedgie - amazing! -Love it! | 0:32:40 | 0:32:43 | |
Right, lady... | 0:32:43 | 0:32:45 | |
VOCAL EXERCISES | 0:32:45 | 0:32:49 | |
The first time I heard Ruth sing, I was shocked into silence, | 0:33:01 | 0:33:04 | |
because Ruth on stage delivers so much passion with every word. | 0:33:04 | 0:33:08 | |
Now, today, she's been fighting to speak, let alone sing, | 0:33:08 | 0:33:10 | |
as she's suffering from a really sore throat but like the trouper she is, she's insisted on performing. | 0:33:10 | 0:33:15 | |
Please give a huge welcome to Ruth Ojadi. | 0:33:15 | 0:33:19 | |
CHEERING | 0:33:19 | 0:33:20 | |
# Ooh, baby, don't you know I suffer? | 0:33:53 | 0:33:56 | |
# Ooh, baby, can you hear me moan? | 0:33:56 | 0:34:00 | |
# You caught me under false pretences | 0:34:00 | 0:34:05 | |
# How long before you tell the truth? | 0:34:05 | 0:34:07 | |
# I thought I was a fool for no-one | 0:34:07 | 0:34:11 | |
# But, ooh, baby, I'm a fool for you | 0:34:11 | 0:34:15 | |
# You're the queen of the superficial | 0:34:15 | 0:34:19 | |
# How long before you tell the truth? | 0:34:19 | 0:34:22 | |
# Ooh, yeah, you set my soul alight | 0:34:22 | 0:34:30 | |
# Ooh, yeah, you set my soul alight | 0:34:30 | 0:34:37 | |
# Glaciers melting in the dead of night | 0:34:37 | 0:34:41 | |
# And the superstars sucked into the supermassive | 0:34:41 | 0:34:45 | |
# Glaciers melting in the dead of night | 0:34:45 | 0:34:49 | |
# And the superstars sucked into the... # | 0:34:49 | 0:34:52 | |
Waiting backstage, our final performer of the night, 17-year-old singer Tom. | 0:35:00 | 0:35:06 | |
# ..Glaciers melting in the dead of night | 0:35:06 | 0:35:10 | |
# And the superstars sucked into the supermassive | 0:35:10 | 0:35:14 | |
# Glaciers melting in the dead of night | 0:35:14 | 0:35:18 | |
# Ooh, yeah, you set my soul alight | 0:35:18 | 0:35:22 | |
# Glaciers melting in the dead of night | 0:35:22 | 0:35:25 | |
# And the superstars sucked into the supermassive | 0:35:25 | 0:35:29 | |
# Glaciers melting in the dead of night | 0:35:29 | 0:35:32 | |
# And the superstars sucked into the... | 0:35:32 | 0:35:35 | |
# Supermassive black hole | 0:35:39 | 0:35:41 | |
# Supermassive black hole | 0:35:42 | 0:35:46 | |
# Supermassive black hole | 0:35:46 | 0:35:49 | |
# Supermassive black hole! # | 0:35:50 | 0:35:53 | |
I am absolutely thrilled for Ruth! What a brilliant performance! | 0:36:01 | 0:36:07 | |
Really well done, I'm really pleased for you. | 0:36:07 | 0:36:09 | |
-Thank you, Jo! -Really pleased for you! -Thank you. | 0:36:09 | 0:36:12 | |
Now, tonight's all about incredible performers and this next man is no exception. | 0:36:12 | 0:36:17 | |
Tom Carpenter was first diagnosed with Tourettes when he was 12 years old, | 0:36:17 | 0:36:21 | |
but there was no way he was letting that get between him and his music. | 0:36:21 | 0:36:24 | |
When I first met Tom, he was obsessed with looking like a well-known Canadian jazz singer. | 0:36:27 | 0:36:33 | |
I wear suits that are like what the sort of stuff that Michael Buble wears. | 0:36:33 | 0:36:37 | |
Obviously, I like the little lapel down here, that's quite showbizzy and sort of crooner style, but... | 0:36:37 | 0:36:44 | |
But it wasn't just the look, he even copied Buble's vocal style. | 0:36:47 | 0:36:52 | |
TOM SINGS IN THE STYLE OF MICHAEL BUBLE | 0:36:52 | 0:36:56 | |
I set Jo the task of de-Bublising Tom. | 0:36:56 | 0:37:00 | |
I liked his voice, but he desperately needed to find his own individuality. | 0:37:00 | 0:37:04 | |
-They're all Michael Buble songs! -Not all of them. | 0:37:04 | 0:37:09 | |
They're not all originally Michael Buble, though, are they? | 0:37:09 | 0:37:12 | |
How would you feel, Tom, if we banned his name in all sessions | 0:37:12 | 0:37:18 | |
and if I asked you not to listen to him? | 0:37:18 | 0:37:21 | |
# I know there's something beyond them | 0:37:22 | 0:37:24 | |
# I don't see what I can feel... # | 0:37:24 | 0:37:27 | |
But that was easier said than done. | 0:37:27 | 0:37:30 | |
# ..If vision is the only validation | 0:37:30 | 0:37:31 | |
# Then most of my life isn't real... # | 0:37:31 | 0:37:34 | |
Right, stop! That was all Buble! | 0:37:34 | 0:37:36 | |
# Validation! | 0:37:36 | 0:37:37 | |
# My name's Buble! # | 0:37:37 | 0:37:39 | |
Sing it again, try and sing it differently. | 0:37:39 | 0:37:42 | |
VOCAL EXERCISES | 0:37:42 | 0:37:46 | |
After a lot of hard work, Tom finally started to find his own voice. | 0:37:46 | 0:37:52 | |
To boost his self-belief, I wanted Tom to meet Aloe Blacc, | 0:37:52 | 0:37:56 | |
the singer-songwriter behind the track I wanted Tom to perform at our live show. | 0:37:56 | 0:38:01 | |
# It's inside the bottle | 0:38:01 | 0:38:03 | |
# It's inside the bottle | 0:38:03 | 0:38:06 | |
# I had a dollar but... # | 0:38:06 | 0:38:10 | |
Yeah! | 0:38:10 | 0:38:12 | |
I saw you in the... | 0:38:13 | 0:38:15 | |
I saw you... Oh, my God! | 0:38:17 | 0:38:19 | |
Tom, you've been working on this song for so long, | 0:38:19 | 0:38:21 | |
I figured, why not get someone who could give you some advice when it comes to performing it, | 0:38:21 | 0:38:25 | |
-the man who wrote it, Aloe Blacc. -How are you doing? -Great, thanks. | 0:38:25 | 0:38:28 | |
The most important thing is to be yourself, | 0:38:28 | 0:38:31 | |
to sing the songs that you feel represent you. | 0:38:31 | 0:38:35 | |
-Let's not hear someone else's voice when you sing. -That... | 0:38:35 | 0:38:37 | |
Yes, that was unique. | 0:38:37 | 0:38:39 | |
-That was something that I think is very you, OK? -Yeah. -Stick with that. | 0:38:39 | 0:38:43 | |
When I was first diagnosed, Mum always used to say "You'll wake up tomorrow and it'll be gone," | 0:38:46 | 0:38:52 | |
and I'd wake up and I was still the same. | 0:38:52 | 0:38:54 | |
I've got a whole range of tics that you'll probably notice throughout the day. | 0:38:54 | 0:38:58 | |
I keep going "Uh", like that, I've had that for about two years. | 0:38:58 | 0:39:03 | |
-My blinking is like when I've got too much energy, I just blink loads. -OK. -Tires me out loads. | 0:39:03 | 0:39:11 | |
I would like to have a day when I don't have to have Tourettes. | 0:39:11 | 0:39:14 | |
-Have you ever had a day where there's no tics? -No. | 0:39:14 | 0:39:17 | |
You never have that, never, never, I can't remember the last day I didn't get tired from having tics. | 0:39:17 | 0:39:25 | |
What separates a great talent from the pack is a stamp of individuality | 0:39:27 | 0:39:31 | |
and the delivery of this next track proves Tom has it in spades. | 0:39:31 | 0:39:34 | |
Taking a song you definitely know and truly owning it, this is Tom Carpenter. | 0:39:34 | 0:39:38 | |
# I need a dollar, dollar, a dollar, that's what I need, hey, hey | 0:39:42 | 0:39:47 | |
# Well, I need a dollar, dollar, a dollar, that's what I need, hey, hey | 0:39:47 | 0:39:52 | |
# Said I need a dollar, dollar, a dollar, that's what I need | 0:39:52 | 0:39:56 | |
# And if I share with you my story, would you share your dollar with me? | 0:39:56 | 0:40:01 | |
# Bad times are coming and I reap what I don't sow, hey, hey | 0:40:01 | 0:40:07 | |
# Well, let me tell you something, all that glitter ain't gold, hey, hey | 0:40:07 | 0:40:11 | |
# It's been a long old trouble, a long old troublesome road | 0:40:11 | 0:40:15 | |
# And I'm looking for somebody to come and help me carry this load | 0:40:15 | 0:40:21 | |
# Well, I need a dollar, dollar, a dollar, that's what I need, hey, hey | 0:40:21 | 0:40:26 | |
# Well, I need a dollar, dollar, a dollar, that's what I need | 0:40:26 | 0:40:30 | |
# Well, I don't know if I'm walking on solid ground | 0:40:31 | 0:40:36 | |
# Cos everything around me is falling down | 0:40:36 | 0:40:40 | |
# And all I want is for someone to help me | 0:40:40 | 0:40:48 | |
# Well, I need a dollar, dollar, a dollar, that's what I need, hey, hey | 0:40:48 | 0:40:52 | |
# Well, I need a dollar, dollar, a dollar, that's what I need, hey, hey | 0:40:52 | 0:40:57 | |
# Said I need a dollar, dollar, a dollar, that's what I need | 0:40:57 | 0:41:02 | |
# And if I share with you my story, would you share your dollar with me? | 0:41:02 | 0:41:06 | |
# Come on, share your dollar with me | 0:41:06 | 0:41:09 | |
# Go ahead, share your dollar with me | 0:41:09 | 0:41:11 | |
# Share your dollar, share your dollar, share your dollar with me | 0:41:11 | 0:41:16 | |
# Come on, share your dollar, share your dollar with me | 0:41:16 | 0:41:21 | |
# I need, I need, I need a dollar! # | 0:41:21 | 0:41:28 | |
CHEERING | 0:41:28 | 0:41:31 | |
I'm thrilled. | 0:41:34 | 0:41:36 | |
Each of the guys have performed brilliantly on their own. | 0:41:36 | 0:41:40 | |
But our show has always needed a group finale. | 0:41:40 | 0:41:43 | |
Four weeks ago, I put together a list of possible songs to try out with Chris and Jo. | 0:41:49 | 0:41:54 | |
Do you know this one? | 0:41:55 | 0:41:57 | |
# I've seen you ride around town with the girl I love | 0:41:57 | 0:42:01 | |
# And I'm, like, forget you. # | 0:42:01 | 0:42:03 | |
Cunt twat. | 0:42:06 | 0:42:06 | |
I like it, but it's just been played so much that it's killed it. | 0:42:06 | 0:42:12 | |
Road kill. | 0:42:12 | 0:42:13 | |
- Elbow. - Elbow. | 0:42:15 | 0:42:17 | |
Holy cow! | 0:42:19 | 0:42:20 | |
Not keen on that one? | 0:42:24 | 0:42:26 | |
Big notes! | 0:42:26 | 0:42:27 | |
# Watch the world come alive | 0:42:27 | 0:42:34 | |
# Watch the world come alive tonight | 0:42:34 | 0:42:41 | |
# Stay close to me... # | 0:42:41 | 0:42:43 | |
It was a lot harder than I'd imagined. | 0:42:47 | 0:42:50 | |
I hadn't thought about the fact they'd all tic during the quiet sections of songs. | 0:42:50 | 0:42:54 | |
Penis! | 0:42:55 | 0:42:56 | |
What sounded best to you guys? What did you like most? | 0:42:56 | 0:42:59 | |
I don't like the Greatest Day really, or... I don't know... | 0:42:59 | 0:43:03 | |
What was it about that song that you don't like? | 0:43:03 | 0:43:05 | |
-We were saying that the actual feeling of the song... -Greatest Day? | 0:43:05 | 0:43:09 | |
Yeah, Greatest Day, was just too... | 0:43:09 | 0:43:12 | |
< Sympathetic? | 0:43:12 | 0:43:13 | |
Yeah, yeah, "Look at us we've got Tourettes, we want loads of sympathy." | 0:43:13 | 0:43:18 | |
When I first saw the title, the first thing I thought was, "Oh, look, bless them"! | 0:43:18 | 0:43:21 | |
Whenever I hear that, it rubs me up the wrong way a little bit, | 0:43:21 | 0:43:25 | |
-because I think... -RUTH: Rub it the right way, then! | 0:43:25 | 0:43:28 | |
If I could, I would, Ruth! | 0:43:30 | 0:43:31 | |
So, guys, what are we going to do? | 0:43:31 | 0:43:33 | |
Because I haven't got a suggestion at the moment. | 0:43:34 | 0:43:37 | |
Even though they weren't keen, | 0:43:39 | 0:43:41 | |
I still thought Take That's Greatest Day would be the best song to show off their vocal abilities... | 0:43:41 | 0:43:46 | |
..so two weeks before the show we tried again. | 0:43:51 | 0:43:55 | |
# Today this could be | 0:43:55 | 0:43:58 | |
# The greatest day of our lives | 0:43:58 | 0:44:03 | |
# Stay close to me | 0:44:03 | 0:44:05 | |
# Watch the world come alive tonight | 0:44:05 | 0:44:12 | |
# Stay close to me... # | 0:44:12 | 0:44:14 | |
Cool. | 0:44:22 | 0:44:24 | |
We need to get a hold of that outro. | 0:44:24 | 0:44:26 | |
-It's kind of dying on its arse a bit! -Are you not happy with it, Jo? -No! | 0:44:26 | 0:44:30 | |
-You're not? -No! I'm not! | 0:44:30 | 0:44:32 | |
It was pretty obvious that we were getting nowhere, so I decided to find a new song. | 0:44:34 | 0:44:39 | |
But we'd run out of rehearsal time and the only chance of trying it out all together, | 0:44:39 | 0:44:44 | |
was the day before the show. | 0:44:44 | 0:44:46 | |
Getting the right song choice for them wasn't the only thing worrying me! | 0:44:53 | 0:44:57 | |
I was also worried about how they would cope performing together, | 0:44:59 | 0:45:03 | |
on the stage, in front of a big audience. | 0:45:03 | 0:45:07 | |
It's a set and a half, isn't it? | 0:45:09 | 0:45:11 | |
Pretty soon, you lot are going to be stood on here. | 0:45:11 | 0:45:13 | |
I spend a lot of my time in rooms like this | 0:45:13 | 0:45:16 | |
-in front of hundreds of people doing this sort of thing. -Stripping. Bullshit. | 0:45:16 | 0:45:19 | |
It's quite normal for me. Is this going to be strange or are you looking forward to it? | 0:45:19 | 0:45:24 | |
-I'm actually really excited. -Yeah? | 0:45:24 | 0:45:26 | |
It'll be like playing a gig at home, but not... | 0:45:26 | 0:45:29 | |
With your penis out! | 0:45:29 | 0:45:31 | |
I'm sure that you don't have that many people in your bedroom when you're playing your drums. | 0:45:31 | 0:45:35 | |
- No, not in my bedroom! - Unless you're having a wank! | 0:45:35 | 0:45:37 | |
-It's like playing a gig with my other band, but just on a bigger scale. -Yeah. | 0:45:37 | 0:45:40 | |
If I think about it that way, I won't get as nervous. | 0:45:40 | 0:45:42 | |
Lovin' it, lovin' it, lovin' it. | 0:45:42 | 0:45:44 | |
It's a bit more intimate than I thought. All right, Mum? | 0:45:44 | 0:45:46 | |
What about that spotlight? It's going be on you when you're singing later on. | 0:45:46 | 0:45:50 | |
-That spotlight will be on you. -You cunt. | 0:45:50 | 0:45:52 | |
I hope you fucking die, you twat! | 0:45:52 | 0:45:55 | |
Thank you. | 0:45:55 | 0:45:56 | |
I took them to the stage to inspire them, | 0:45:56 | 0:45:59 | |
but as they set off each other's tics, | 0:45:59 | 0:46:01 | |
it only reinforced how difficult it would be to get them to perform together. | 0:46:01 | 0:46:06 | |
So in the not too distant future, you lot will be on this stage, | 0:46:06 | 0:46:09 | |
there's going to be a big audience... | 0:46:09 | 0:46:11 | |
There's going to be Steve probably licking my face. And you're going to have to sing. | 0:46:11 | 0:46:15 | |
Is that something we're all looking forward to? | 0:46:15 | 0:46:18 | |
Can't wait! | 0:46:18 | 0:46:20 | |
Yeah. | 0:46:20 | 0:46:21 | |
-This is a massive opportunity! -Let's get out of here, Emilly! | 0:46:21 | 0:46:25 | |
- Dirty cunt! - No, you are! | 0:46:25 | 0:46:28 | |
But at least I had finally made a decision on a song for them all to sing, | 0:46:29 | 0:46:34 | |
Emeli Sande's Next To Me! | 0:46:34 | 0:46:37 | |
Reggie's got a wedgie! Who's sat over there? | 0:46:38 | 0:46:41 | |
Ruth fancies Reggie. | 0:46:41 | 0:46:43 | |
I'll do three chords... | 0:46:43 | 0:46:45 | |
You're all gay, aren't you? | 0:46:45 | 0:46:47 | |
If you hold that... | 0:46:47 | 0:46:49 | |
Can we address the harmony? | 0:46:49 | 0:46:52 | |
You cunt. | 0:46:54 | 0:46:56 | |
They kept setting each other's tics off and it wasn't looking good. | 0:47:08 | 0:47:13 | |
Maybe I had just pushed them too far and simply left it too late! | 0:47:13 | 0:47:18 | |
In just over 24 hours, the audience would be arriving. | 0:47:18 | 0:47:22 | |
What have we realistically got? | 0:47:26 | 0:47:28 | |
We've got an hour to rehearse it with them, 20 minutes with the band and 20 minutes on set. | 0:47:28 | 0:47:33 | |
That's an hour and 40 minutes. | 0:47:33 | 0:47:35 | |
We're not being negative, but do you know what that is? That's a hard gig. | 0:47:35 | 0:47:40 | |
I mean, it could be quite full on. | 0:47:40 | 0:47:42 | |
-We'll be fine, we'll be fine! -JO LAUGHS | 0:47:42 | 0:47:45 | |
As they walk to the stage, I've got absolute faith they'll pull this off. | 0:47:45 | 0:47:51 | |
After three months of hard work, this is the ultimate challenge for all of us. | 0:47:51 | 0:47:55 | |
- Utter cunt. - Shut up. | 0:47:55 | 0:47:58 | |
Fuck off. | 0:47:58 | 0:47:59 | |
Tonight they've all proved they've got individual talent, | 0:47:59 | 0:48:03 | |
and I hope their newfound confidence will give them the belief they need to pull off the finale. | 0:48:03 | 0:48:08 | |
Gonorrhoea. | 0:48:12 | 0:48:13 | |
OK, so you've met all our incredibly talented bunch. | 0:48:13 | 0:48:17 | |
Guys, let's go. | 0:48:17 | 0:48:19 | |
You've heard for yourselves what I've known for months, that they really do have something special, | 0:48:19 | 0:48:23 | |
so you could be forgiven for assuming that that's the end of the night, but no! | 0:48:23 | 0:48:27 | |
You cunt, I'll kill you! | 0:48:27 | 0:48:28 | |
We set these guys one more challenge, to create a supergroup, | 0:48:28 | 0:48:31 | |
and they've only had one day to rehearse this number. | 0:48:31 | 0:48:34 | |
So, for one night only, here they all are with Emile Sande's Next To Me. | 0:48:34 | 0:48:38 | |
# You won't find him drinking at the tables | 0:48:49 | 0:48:52 | |
# Rolling dice and staying out till three | 0:48:53 | 0:48:57 | |
# You won't ever find him being unfaithful | 0:48:58 | 0:49:03 | |
# You will find him, you'll find him next to me | 0:49:03 | 0:49:07 | |
# You won't find him trying to chase the devil | 0:49:09 | 0:49:12 | |
# For money, power, for fame, out of grief | 0:49:13 | 0:49:18 | |
# You won't ever find him where the rest go | 0:49:18 | 0:49:23 | |
# You will find him, you'll find him next to me | 0:49:23 | 0:49:27 | |
# Next to me, oooh | 0:49:27 | 0:49:33 | |
# Next to me, oooh... | 0:49:33 | 0:49:38 | |
# Next to me, oooh | 0:49:38 | 0:49:43 | |
# You will find him, you'll find him next to me | 0:49:43 | 0:49:47 | |
# When the money's spent and all my friends have vanished | 0:49:49 | 0:49:53 | |
# And I can't seem to find no help or love for free | 0:49:53 | 0:49:59 | |
# I know there's no need for me to panic | 0:49:59 | 0:50:03 | |
# Cos I'll find him, I'll find him next to me | 0:50:03 | 0:50:08 | |
# When the skies are grey and all the doors are closing | 0:50:09 | 0:50:13 | |
# And the rising pressure makes it hard to breathe | 0:50:14 | 0:50:19 | |
# Well, all I need is a hand to stop the tears from falling | 0:50:19 | 0:50:24 | |
# You will find him, you'll find him next to me | 0:50:24 | 0:50:29 | |
# Next to me, oooh | 0:50:29 | 0:50:34 | |
# Next to me, oooh... | 0:50:34 | 0:50:39 | |
# Next to me, oooh | 0:50:39 | 0:50:44 | |
# You will find him, you'll find him next to me | 0:50:44 | 0:50:48 | |
# When the sun and all the rain has gone | 0:50:49 | 0:50:53 | |
# When we spoilt the land and dried up all the sea | 0:50:54 | 0:50:59 | |
# When everyone has lost their heads around us | 0:51:00 | 0:51:04 | |
# You will find him, you'll find him next to me | 0:51:04 | 0:51:08 | |
# Next to me, oooh | 0:51:08 | 0:51:14 | |
# Next to me, oooh... | 0:51:14 | 0:51:19 | |
# Next to me, oooh | 0:51:19 | 0:51:24 | |
# You will find him, you'll find him next to me | 0:51:24 | 0:51:28 | |
# Next to me, oooh | 0:51:28 | 0:51:34 | |
# Next to me, oooh... | 0:51:34 | 0:51:39 | |
# Next to me, oooh | 0:51:39 | 0:51:44 | |
# You will find him, you'll find him next to me | 0:51:44 | 0:51:48 | |
# Next to me, oooh | 0:51:48 | 0:51:53 | |
# Next to me, oooh... | 0:51:53 | 0:51:59 | |
# Next to me, oooh | 0:51:59 | 0:52:04 | |
# You will find him, you'll find him next to me | 0:52:04 | 0:52:08 | |
# You will find him, you'll find him next to me... | 0:52:08 | 0:52:14 | |
# You will find him, you'll find him next to me | 0:52:14 | 0:52:18 | |
# You will find him, you'll find him next to me. # | 0:52:19 | 0:52:23 | |
CHEERING AND APPLAUSE | 0:52:23 | 0:52:28 | |
Come on, you can do better than that! Come on. | 0:52:34 | 0:52:36 | |
One more time, please, ladies and gentlemen, for our amazing performers. | 0:52:36 | 0:52:41 | |
Can you make some noise for Greg over there on the drums? Come on! | 0:52:46 | 0:52:49 | |
Make some noise for Jake, ladies and gentlemen! | 0:52:49 | 0:52:53 | |
Make some noise for Emilly and her bare feet. | 0:52:53 | 0:52:55 | |
Make some noise for Tom and his new hair. | 0:52:55 | 0:52:57 | |
Ruth and her new voice... and Steve without a hat finally! | 0:52:57 | 0:53:03 | |
I am so proud of what they've all achieved tonight, | 0:53:06 | 0:53:09 | |
proof that talent can overcome Tourettes. | 0:53:09 | 0:53:12 | |
-It was amazing. -Thank you! -Were you happy with today? -Yeah! | 0:53:12 | 0:53:15 | |
You were properly having the time of your life! | 0:53:15 | 0:53:18 | |
# ..Pack up your troubles in your old kit bag | 0:53:18 | 0:53:21 | |
# And bury them beneath the sea... # | 0:53:21 | 0:53:24 | |
Emilly is no longer the shy girl I first met. | 0:53:24 | 0:53:28 | |
She oozed confidence out there on stage. | 0:53:28 | 0:53:31 | |
My secret weapon! | 0:53:37 | 0:53:40 | |
# ..I can tell you... # | 0:53:40 | 0:53:43 | |
Jake looked and sounded like a proper little pop star! | 0:53:43 | 0:53:46 | |
He really performed for the crowd. | 0:53:46 | 0:53:48 | |
# ..You don't want to be alone... # | 0:53:48 | 0:53:53 | |
Come here, you! | 0:53:54 | 0:53:56 | |
-There you go. Well done. -Thank you. -Well done, mate! | 0:53:56 | 0:53:59 | |
# ..A spider web... # | 0:54:03 | 0:54:05 | |
And when Steve played, there wasn't a dry eye in the house. | 0:54:05 | 0:54:08 | |
# ..For me | 0:54:08 | 0:54:10 | |
# A spider web... # | 0:54:10 | 0:54:16 | |
It was a great show, wasn't it? | 0:54:16 | 0:54:18 | |
Is that what I get, Steve? | 0:54:19 | 0:54:21 | |
I'm so sorry! It got caught! | 0:54:21 | 0:54:23 | |
Can I have a hug to cancel that one out? | 0:54:23 | 0:54:26 | |
Tulip. | 0:54:27 | 0:54:29 | |
It was amazing! | 0:54:29 | 0:54:31 | |
The best feeling ever! I've never done anything like that! | 0:54:31 | 0:54:33 | |
# ..I need a dollar, dollar, a dollar, that's what I need... # | 0:54:33 | 0:54:37 | |
It was great to see Tom finally burst the Buble bubble and find his own unique style! | 0:54:37 | 0:54:42 | |
# ..Well, I don't know if I'm walking on solid ground... # | 0:54:42 | 0:54:47 | |
PUMPING DANCE MUSIC | 0:54:47 | 0:54:50 | |
And what about Greg's drumming? Amazing! | 0:54:50 | 0:54:53 | |
You are genuinely awesome. | 0:54:57 | 0:55:00 | |
What are you going to do next? | 0:55:00 | 0:55:02 | |
-You've got to do something! -Now I've got to believe it, haven't I? | 0:55:02 | 0:55:04 | |
But you've got to do something with it. If you don't I'll take it personally! | 0:55:04 | 0:55:07 | |
Oh, yeah! So impressed with you, lady. | 0:55:10 | 0:55:13 | |
So impressed with you. | 0:55:13 | 0:55:15 | |
As for Ruth, I really hope she can finally put behind her the dark days | 0:55:16 | 0:55:20 | |
of having to quit university! | 0:55:20 | 0:55:22 | |
She was the original inspiration for putting the event on and she really came up trumps. | 0:55:23 | 0:55:29 | |
At one point today I didn't think you were going to get on stage. | 0:55:29 | 0:55:31 | |
-I know, I saw it in your face. -I was like, "No! She's not going to not perform!" | 0:55:31 | 0:55:35 | |
But you did it and you did brilliantly! And well done, come here! | 0:55:35 | 0:55:39 | |
-I'm chuffed for you, well done! -Fixed your wedgie yet? | 0:55:39 | 0:55:41 | |
Always the way this ends! | 0:55:41 | 0:55:43 | |
The way they all came together at the end blew me away. It was truly amazing... | 0:55:45 | 0:55:51 | |
and not a tic in sight! | 0:55:51 | 0:55:53 | |
# ..Next to me, oooh | 0:55:54 | 0:55:59 | |
# You will find him, you'll find him next to me... # | 0:55:59 | 0:56:04 | |
These aren't just your average performers, | 0:56:04 | 0:56:07 | |
these are people who have been through a lot to get to this stage, | 0:56:07 | 0:56:11 | |
so when I came off and I saw Jo and she was bouncing around, it felt special, | 0:56:11 | 0:56:14 | |
because we've not just watched a bundle of great performers... | 0:56:14 | 0:56:19 | |
what we've seen if people morph, change and become amazing in front of our eyes. | 0:56:19 | 0:56:26 | |
And being a part of that has been a real privilege, and today feels special | 0:56:26 | 0:56:31 | |
because it's not just another day at the office. | 0:56:31 | 0:56:33 | |
Today has been a day I don't think I'll forget in a long time! | 0:56:33 | 0:56:37 | |
Thank you for joining us, we'll certainly be celebrating tonight at our afterparty! | 0:56:37 | 0:56:41 | |
But first I can't be the only one wanting to hear that again, right? Good... | 0:56:41 | 0:56:45 | |
I didn't think so! Good night, everybody. | 0:56:45 | 0:56:48 | |
# Next to me, oooh | 0:56:51 | 0:56:56 | |
# Next to me, oooh... | 0:56:56 | 0:57:01 | |
# Next to me, oooh | 0:57:01 | 0:57:06 | |
# You will find him, you'll find him next to me | 0:57:06 | 0:57:11 | |
# You will find him, you'll find him next to me... | 0:57:11 | 0:57:15 | |
# You will find him, you'll find him next to me. # | 0:57:16 | 0:57:20 | |
CHEERING Thank you very much! | 0:57:20 | 0:57:23 |