Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Hello, shw mae? I'm Alex Jones. | 0:00:13 | 0:00:16 | |
No, this isn't the usual One Show, | 0:00:16 | 0:00:18 | |
this is a very special edition all about my home country of Wales. | 0:00:18 | 0:00:22 | |
This is the studio and usually, I'd be sat on the sofa over there | 0:00:22 | 0:00:25 | |
with Matt or Chris. | 0:00:25 | 0:00:27 | |
Our celebrity guests would be sitting there | 0:00:27 | 0:00:30 | |
and people would be running around frantically. | 0:00:30 | 0:00:32 | |
But today, it's just you and me and this pile of Welsh films | 0:00:32 | 0:00:36 | |
made by BBC Wales especially for The One Show. | 0:00:36 | 0:00:39 | |
It's special to me | 0:00:39 | 0:00:40 | |
when we've got films about Wales but today we've got five of them, | 0:00:40 | 0:00:44 | |
so sit back and enjoy Wales On The One Show. | 0:00:44 | 0:00:47 | |
Coming up - science fact or fiction? | 0:00:47 | 0:00:49 | |
Marty Jobson investigates | 0:00:49 | 0:00:51 | |
a Swansea inventor's bizarre weapon of mass destruction. | 0:00:51 | 0:00:55 | |
-CRACK! -BLEEP | 0:00:55 | 0:00:58 | |
You didn't warn me about that! | 0:00:58 | 0:00:59 | |
Jay Rayner tucks into the original Welsh takeaway in Neath. | 0:00:59 | 0:01:03 | |
There is no way to do this elegantly! | 0:01:03 | 0:01:07 | |
Riots in north Wales - | 0:01:07 | 0:01:09 | |
Joe Crawley meets former residents of Capel Celyn. | 0:01:09 | 0:01:12 | |
Hidden beneath these troubled waters | 0:01:12 | 0:01:14 | |
lie the remains of a once-happy village. | 0:01:14 | 0:01:17 | |
# Gloria... # | 0:01:17 | 0:01:21 | |
And Giles Brandreth experiences the power of song in Swansea. | 0:01:21 | 0:01:25 | |
Standing here, you would have been faced with 300 chimneys | 0:01:25 | 0:01:28 | |
belching clouds of thick orange smoke that blocked out the sun. | 0:01:28 | 0:01:32 | |
It was like a volcano erupting. | 0:01:32 | 0:01:35 | |
But first, let's start with one of the strangest chapters ever | 0:01:39 | 0:01:43 | |
in Welsh history. | 0:01:43 | 0:01:44 | |
Angellica Bell bravely went back in time to Fishguard in Pembrokeshire | 0:01:44 | 0:01:48 | |
where it was all kicking off. | 0:01:48 | 0:01:50 | |
BRASS BAND PLAYS "LA MARSEILLAISE" | 0:01:50 | 0:01:52 | |
Most people think the last invasion of Britain was at Hastings in 1066. | 0:01:52 | 0:01:58 | |
But they're wrong. | 0:01:58 | 0:02:00 | |
That dubious claim to fame belongs to Fishguard here in west Wales. | 0:02:00 | 0:02:05 | |
In 1797, 1,400 French troops landed at Carreg Wastad near Fishguard. | 0:02:05 | 0:02:11 | |
Equipped with 50 tons of grenades and 2,000 guns, | 0:02:11 | 0:02:15 | |
they swarmed inland. Things looked bleak. | 0:02:15 | 0:02:18 | |
Fishguard's volunteer army were out working in the fields | 0:02:18 | 0:02:22 | |
and the fort only had three cannonballs. | 0:02:22 | 0:02:26 | |
Arretez! Tournez! | 0:02:26 | 0:02:28 | |
Since their revolution eight years earlier, | 0:02:29 | 0:02:31 | |
the French had been spreading ideals of liberty, | 0:02:31 | 0:02:35 | |
equality and fraternity across Europe. | 0:02:35 | 0:02:38 | |
They'd been at war with Britain for years. Now, they were in Fishguard. | 0:02:38 | 0:02:43 | |
This was the farmhouse belonging to John Mortimer. | 0:02:43 | 0:02:45 | |
-It became the French headquarters. -Why did they choose Fishguard? | 0:02:45 | 0:02:51 | |
It was never meant to be Fishguard. They never intended to come here. | 0:02:51 | 0:02:56 | |
The plan was that there was to be an invasion of Ireland. | 0:02:56 | 0:03:00 | |
In order for the invasion of Ireland to work, | 0:03:00 | 0:03:03 | |
there had to be two diversionary raids to pull the English fleets | 0:03:03 | 0:03:06 | |
away from them, one to Newcastle and one to Bristol. | 0:03:06 | 0:03:10 | |
The one to Newcastle never happened. | 0:03:10 | 0:03:12 | |
Bristol - that's this lot. | 0:03:12 | 0:03:14 | |
They got as far as Lundy Island | 0:03:14 | 0:03:16 | |
and they realised the wind and tide were against them | 0:03:16 | 0:03:18 | |
so they turned around, sailed up the Welsh coast and came to Fishguard. | 0:03:18 | 0:03:22 | |
What did they want to achieve? | 0:03:22 | 0:03:24 | |
They thought that Wales was a hotbed of revolution | 0:03:24 | 0:03:27 | |
and that the Welsh, when they saw these Frenchmen, would join them. | 0:03:27 | 0:03:31 | |
They'd rise up, they would throw off the yoke of English tyranny | 0:03:31 | 0:03:34 | |
and join the French and so take England out of the war. | 0:03:34 | 0:03:38 | |
But the French liberators did little to enlist Welsh support. | 0:03:38 | 0:03:43 | |
Discovering large quantities of wine, which locals had salvaged | 0:03:43 | 0:03:47 | |
from a recent wreck, they were soon drunk and running amok. | 0:03:47 | 0:03:50 | |
A raiding party even looted St Gwyndaf's church and set fire to it. | 0:03:50 | 0:03:56 | |
Phil, tell us what the army would have been like? | 0:03:57 | 0:04:01 | |
To put it mildly, they were the worst soldiers ever. | 0:04:01 | 0:04:04 | |
Most of this legion were made up of convicts or soldiers | 0:04:04 | 0:04:09 | |
who nobody else wanted. | 0:04:09 | 0:04:11 | |
Nobody was going to risk good soldiers | 0:04:11 | 0:04:13 | |
on what was a fairly forlorn hope. | 0:04:13 | 0:04:15 | |
-They came ashore and they were out of control. -They desecrated this place. -They did. | 0:04:15 | 0:04:19 | |
If you look here, this is the Bible. They rip it to shreds. | 0:04:19 | 0:04:25 | |
They take out whole chapters, whole chunks of it | 0:04:25 | 0:04:27 | |
and use it as material to light fires. | 0:04:27 | 0:04:29 | |
The French had no concept of its importance. | 0:04:29 | 0:04:33 | |
All they were concerned about was, this was a means of keeping warm. | 0:04:33 | 0:04:37 | |
This was fuel. It wasn't just the Bible. Look at this. | 0:04:37 | 0:04:41 | |
That chalice was stolen by the French, | 0:04:41 | 0:04:43 | |
later turned up in Carmarthen, would you believe! | 0:04:43 | 0:04:46 | |
Somebody had tried to sell it in Carmarthen. | 0:04:46 | 0:04:48 | |
Allerons, mes amis! | 0:04:48 | 0:04:50 | |
By now, the locals had had enough of their uninvited guests. | 0:04:53 | 0:04:57 | |
Legend has it that Jemima Nicholas, a cobbler's wife, | 0:04:57 | 0:05:01 | |
armed herself with a pitchfork and captured 12 drunken Frenchmen. | 0:05:01 | 0:05:06 | |
Hundreds of women in red shawls | 0:05:06 | 0:05:08 | |
are said to have masqueraded as British soldiers | 0:05:08 | 0:05:12 | |
to scare off the invaders, who were beginning to mutiny. | 0:05:12 | 0:05:15 | |
Is there any truth in these stories about the women of Fishguard? | 0:05:15 | 0:05:20 | |
At this distance, it's very hard to say. | 0:05:20 | 0:05:22 | |
The fact has been mixed up with the fable | 0:05:22 | 0:05:25 | |
and it's become a fantasy. | 0:05:25 | 0:05:26 | |
But what is true is that the Welsh women in their red shawls | 0:05:26 | 0:05:30 | |
and their black hats did come to witness what was going on. | 0:05:30 | 0:05:34 | |
The French, from a distance, frightened, half-drunk, | 0:05:34 | 0:05:37 | |
desperate to get out of this situation, | 0:05:37 | 0:05:39 | |
probably did mistake them for soldiers. | 0:05:39 | 0:05:41 | |
It does seem a bit of a farce! | 0:05:41 | 0:05:44 | |
The whole story is one of farce. | 0:05:44 | 0:05:46 | |
It's worthy of Gilbert and Sullivan. | 0:05:46 | 0:05:48 | |
A small British army eventually showed up | 0:05:48 | 0:05:52 | |
and the invaders surrendered immediately in the local pub. | 0:05:52 | 0:05:57 | |
The entire French Army was marched off to prison, | 0:05:57 | 0:06:00 | |
having achieved very little apart from putting Fishguard on the map. | 0:06:00 | 0:06:05 | |
After just three days, their last invasion of Britain collapsed. | 0:06:05 | 0:06:10 | |
And nobody's been brave enough to try it again since. | 0:06:10 | 0:06:13 | |
CHEERING AND SHOUTING | 0:06:13 | 0:06:15 | |
Incredible story. You never know, if the French hadn't found all that wine, | 0:06:23 | 0:06:28 | |
maybe things would have turned out differently. | 0:06:28 | 0:06:30 | |
I'd probably be working on La Une Show now. | 0:06:30 | 0:06:33 | |
Multilingual, you see? | 0:06:33 | 0:06:34 | |
Enough of this warmongering. It's time to give PEAS a chance. | 0:06:34 | 0:06:38 | |
Faggots and peas, to be precise. | 0:06:38 | 0:06:40 | |
Who better to go in search of the Welsh delicacy | 0:06:40 | 0:06:42 | |
than One Show foodie Jay Rayner? | 0:06:42 | 0:06:44 | |
Take a look at the British High Street | 0:06:49 | 0:06:51 | |
and you'll have a fantastic choice of Italian, Indian, | 0:06:51 | 0:06:54 | |
Chinese or American takeaways. | 0:06:54 | 0:06:57 | |
But we have a takeaway tradition dating back to the 1800s | 0:06:57 | 0:07:00 | |
which makes the doner kebab look like a Johnny-come-lately. | 0:07:00 | 0:07:04 | |
In chippies all over Wales and the West Midlands, | 0:07:04 | 0:07:06 | |
you can find this takeaway tradition still thriving. | 0:07:06 | 0:07:09 | |
Faggots and peas. | 0:07:09 | 0:07:11 | |
Takeaway faggots and peas paved the way for modern fast food. | 0:07:14 | 0:07:19 | |
Since the 1920s, Neath Market in west Wales | 0:07:19 | 0:07:22 | |
has hosted faggot-sellers. | 0:07:22 | 0:07:24 | |
Frances Loaring's gran Katie started this stall. | 0:07:27 | 0:07:30 | |
Four generations of her family | 0:07:30 | 0:07:31 | |
have sold eat-in or takeaway faggots from it ever since. | 0:07:31 | 0:07:35 | |
It's warming, it's cheap. It's filling. | 0:07:35 | 0:07:37 | |
I think people are going back to that sort of food, as well. | 0:07:37 | 0:07:41 | |
You know, home-made food. | 0:07:41 | 0:07:43 | |
Who likes to buy them? | 0:07:43 | 0:07:44 | |
One fellow came from South Africa. | 0:07:44 | 0:07:46 | |
Before he even went to visit his family, | 0:07:46 | 0:07:48 | |
he got off the train at Neath station | 0:07:48 | 0:07:50 | |
and he came in here straightaway. | 0:07:50 | 0:07:52 | |
Faggots first became popular in the mid-19th century | 0:07:52 | 0:07:57 | |
as cheap food for the urban poor. | 0:07:57 | 0:07:59 | |
But why should WE be bothered eating them 150 years later? | 0:08:01 | 0:08:04 | |
Traditional faggots deserve to be given credit | 0:08:05 | 0:08:08 | |
for using the whole beast and not just the prime cuts. | 0:08:08 | 0:08:11 | |
The hungry poor in the 19th century knew that if you killed an animal, | 0:08:11 | 0:08:14 | |
you ought to eat the whole thing. | 0:08:14 | 0:08:16 | |
That's a lesson that those of us in the 21st century ought to learn. | 0:08:16 | 0:08:21 | |
Faggots use the pig's heart, lungs, liver, | 0:08:21 | 0:08:24 | |
meat and fat that would otherwise go to waste. | 0:08:24 | 0:08:27 | |
Butcher Gareth Cole supplies the faggots for Frances' stall. | 0:08:27 | 0:08:31 | |
The recipe's come right through from my great-grandfather. | 0:08:31 | 0:08:34 | |
I've managed to get my hands on it now. | 0:08:34 | 0:08:36 | |
-How many faggots do you eat a week? -Three or four...at a time! | 0:08:36 | 0:08:40 | |
So have faggots made you the man you are today? | 0:08:40 | 0:08:44 | |
Can't you tell? | 0:08:44 | 0:08:45 | |
Why pigs' offal? | 0:08:51 | 0:08:52 | |
Well, swine were more likely to be kept close by | 0:08:52 | 0:08:55 | |
in the rapidly-expanding urban areas of Wales and the Midlands | 0:08:55 | 0:08:58 | |
but, in recent times, the public have turned away from offal | 0:08:58 | 0:09:01 | |
and faggots have gone out of fashion. | 0:09:01 | 0:09:04 | |
Even so, Gareth still manages to sell 2,000 of them a week. | 0:09:05 | 0:09:09 | |
I can see why. | 0:09:09 | 0:09:11 | |
There's no way to do this elegantly. | 0:09:11 | 0:09:14 | |
Oh! | 0:09:16 | 0:09:17 | |
That's really, really good. | 0:09:19 | 0:09:21 | |
It's not pretty, but it's good. | 0:09:21 | 0:09:24 | |
But will the public be put off by the offal content? | 0:09:24 | 0:09:27 | |
I hope not. | 0:09:27 | 0:09:29 | |
-Never have been very keen on them. -Really? -Yeah. | 0:09:29 | 0:09:31 | |
-What's in 'em? -Quite a bit of offal, bit of pig's lip... Is that it? | 0:09:31 | 0:09:34 | |
Yeah. That's probably what it is. | 0:09:34 | 0:09:36 | |
-I don't like them. -You don't like them?! | 0:09:36 | 0:09:38 | |
They're made out of liver and...no. | 0:09:38 | 0:09:40 | |
-Do you not like offal? -No. | 0:09:40 | 0:09:42 | |
When I was a little boy, I used to come regular into the shop here, | 0:09:42 | 0:09:47 | |
have faggots and peas. I don't know what faggots are made of, mind. | 0:09:47 | 0:09:50 | |
Very nice. | 0:09:50 | 0:09:52 | |
Very good faggots. | 0:09:52 | 0:09:53 | |
So despite a few offal-dodgers, Frances still has plenty of fans. | 0:09:53 | 0:09:59 | |
In an age when the British public | 0:09:59 | 0:10:01 | |
seems to prefer sanitised, pretty meat products, | 0:10:01 | 0:10:04 | |
it's really good to see old-fashioned, offal-rich faggots | 0:10:04 | 0:10:07 | |
holding their own. | 0:10:07 | 0:10:08 | |
Mm. | 0:10:12 | 0:10:13 | |
That's exactly my sort of thing. It's not sophisticated or subtle | 0:10:13 | 0:10:16 | |
but it's dense, meaty and savoury. | 0:10:16 | 0:10:19 | |
On a very cold day in Neath, it's exactly what I want. | 0:10:19 | 0:10:23 | |
Yes, luckily they do taste loads better than they look. | 0:10:29 | 0:10:32 | |
If only somebody could leak that secret recipe | 0:10:32 | 0:10:35 | |
to the BBC canteen here in London, | 0:10:35 | 0:10:37 | |
they'd make a lot of ex-pats very happy. | 0:10:37 | 0:10:39 | |
Now, I found this next film really quite moving | 0:10:39 | 0:10:42 | |
when we first showed it. | 0:10:42 | 0:10:44 | |
It seems that many of you felt the same way. | 0:10:44 | 0:10:46 | |
After it went out, loads of people got in touch. | 0:10:46 | 0:10:48 | |
The response was overwhelming. | 0:10:48 | 0:10:50 | |
Here it is - Joe Crowley's tale of a lost village. | 0:10:50 | 0:10:54 | |
Shining amid the hills of north Wales, | 0:10:59 | 0:11:02 | |
Llyn Celyn is a cold, deep lake. | 0:11:02 | 0:11:05 | |
It may look like it's been here forever, but it hasn't. | 0:11:05 | 0:11:08 | |
Hidden beneath the troubled waters | 0:11:08 | 0:11:10 | |
lie the remains of a once-happy village. | 0:11:10 | 0:11:13 | |
A village which changed Welsh history. | 0:11:13 | 0:11:16 | |
Capel Celyn was a traditional Welsh-speaking village. | 0:11:21 | 0:11:25 | |
Families had lived there for generations, | 0:11:25 | 0:11:28 | |
farming the valley and attending chapel. | 0:11:28 | 0:11:30 | |
Well, it was typical of a Welsh community in the '50s and '60s. | 0:11:30 | 0:11:34 | |
Very tight, very friendly. | 0:11:34 | 0:11:36 | |
Very, very fond memories, really. Time in school was a real pleasure. | 0:11:36 | 0:11:42 | |
It revolved, really, more around nature | 0:11:42 | 0:11:45 | |
and all the things you could find. | 0:11:45 | 0:11:47 | |
Yeah, there is me, there. | 0:11:47 | 0:11:49 | |
That is me. That's really weird. | 0:11:49 | 0:11:52 | |
Very smart, in your double-breasted blazer. | 0:11:52 | 0:11:55 | |
To look at these faces, going back 30 years, is really strange. | 0:11:55 | 0:11:59 | |
Really eerie. Spooky. Like ghosts. | 0:11:59 | 0:12:01 | |
The children expected one day they'd farm the valley, like their parents. | 0:12:03 | 0:12:07 | |
But, in 1955, the outside world came crashing in. | 0:12:07 | 0:12:12 | |
The people of Capel Celyn received compulsory purchase orders. | 0:12:12 | 0:12:16 | |
Their entire valley was to become a reservoir. | 0:12:16 | 0:12:19 | |
Their homes, farms and memories were to be lost forever. | 0:12:19 | 0:12:24 | |
60 miles away, Liverpool wanted extra water | 0:12:24 | 0:12:27 | |
for post-war regeneration | 0:12:27 | 0:12:28 | |
and had chosen the Tryweryn Valley, with its narrow neck | 0:12:28 | 0:12:31 | |
perfect for damming. | 0:12:31 | 0:12:33 | |
Despite local opposition, planning permission wasn't required | 0:12:33 | 0:12:37 | |
as Liverpool Corporation had the backing of a parliamentary bill. | 0:12:37 | 0:12:41 | |
It didn't really become reality until you actually saw places | 0:12:41 | 0:12:46 | |
that you thought were going to be there forever | 0:12:46 | 0:12:50 | |
coming down in front of your eyes. | 0:12:50 | 0:12:53 | |
It was greeted with disbelief that such a thing had happened. | 0:12:53 | 0:12:57 | |
But it was irreversible. | 0:12:57 | 0:13:00 | |
As the dam slowly rose, residents were permitted | 0:13:00 | 0:13:03 | |
to exhume their loved ones from the graveyard | 0:13:03 | 0:13:06 | |
before it was bulldozed. | 0:13:06 | 0:13:07 | |
My parents never spoke about it. | 0:13:07 | 0:13:10 | |
I don't think they could bring themselves to imagine | 0:13:10 | 0:13:13 | |
that such a thing would ever happen. | 0:13:13 | 0:13:16 | |
They believed, once you were dead and buried, you were in peace. | 0:13:16 | 0:13:21 | |
Capel Celyn was soon razed to the ground | 0:13:22 | 0:13:24 | |
but the school was left standing till last. | 0:13:24 | 0:13:27 | |
TRANSLATION FROM WELSH: | 0:13:27 | 0:13:30 | |
Well, I remember the sound of the chainsaws coming closer and closer. | 0:13:39 | 0:13:43 | |
The bulldozers, the mud, the dust, the uncertainty, | 0:13:43 | 0:13:47 | |
the black cloud came closer and closer and closer, | 0:13:47 | 0:13:50 | |
until eventually it swallowed up our school. | 0:13:50 | 0:13:53 | |
And destroyed it. | 0:13:55 | 0:13:56 | |
On the day the reservoir was opened, passions ran high. | 0:13:56 | 0:13:59 | |
The loss of Capel Celyn | 0:13:59 | 0:14:01 | |
had a profound impact on Welsh national identity. | 0:14:01 | 0:14:05 | |
There was the cultural argument | 0:14:05 | 0:14:07 | |
that villages that still held to Welsh traditions | 0:14:07 | 0:14:09 | |
were getting increasingly rare | 0:14:09 | 0:14:11 | |
and to destroy one was an act of vandalism. | 0:14:11 | 0:14:15 | |
There was a feeling that, | 0:14:15 | 0:14:16 | |
well, at least we've got MPs that would give the Welsh view. | 0:14:16 | 0:14:19 | |
They did give the Welsh view | 0:14:19 | 0:14:21 | |
and nobody took any notice of them at all. | 0:14:21 | 0:14:23 | |
Wales, at the beginning of the 21st-century, | 0:14:23 | 0:14:26 | |
is a much different place. | 0:14:26 | 0:14:28 | |
If one looks at a single source causing that change, | 0:14:28 | 0:14:31 | |
I would say Tryweryn. | 0:14:31 | 0:14:33 | |
My mother was born in the valley. | 0:14:37 | 0:14:39 | |
In their last years, you could see how the trauma had affected them | 0:14:39 | 0:14:44 | |
and they were just talking about the valley all the time, | 0:14:44 | 0:14:47 | |
asking, "Is the water coming? Is the home still there?" | 0:14:47 | 0:14:51 | |
It's impossible to imagine, for someone like me, | 0:14:51 | 0:14:55 | |
who never knew it any other way, that it could be different, really. | 0:14:55 | 0:14:58 | |
It is difficult for me, as well. | 0:14:58 | 0:15:00 | |
Despite what they've done, it's still a very, very beautiful place. | 0:15:00 | 0:15:04 | |
And there are still people here. We're still here. We always will be. | 0:15:05 | 0:15:10 | |
In 2005, Liverpool City Council finally apologised | 0:15:13 | 0:15:17 | |
for what happened here. | 0:15:17 | 0:15:19 | |
Some may have forgiven them. But few will forget. | 0:15:19 | 0:15:22 | |
As the 40-year-old graffiti still says, "remember Tryweryn". | 0:15:22 | 0:15:27 | |
"Cofiwch Dryweryn" - "remember Tryweryn". | 0:15:36 | 0:15:38 | |
I've driven past that sign so many times | 0:15:38 | 0:15:40 | |
on my way home from Aberystwyth | 0:15:40 | 0:15:42 | |
and I think it'll probably be there for a long time to come. | 0:15:42 | 0:15:46 | |
Now, if you live in Swansea, | 0:15:46 | 0:15:49 | |
you might recognise this recently-erected statue. | 0:15:49 | 0:15:51 | |
It's Harry Grindell Matthews, | 0:15:51 | 0:15:53 | |
who had a laboratory high in the hills of Betws. | 0:15:53 | 0:15:56 | |
Back in the '30s, the world quaked in terror | 0:15:56 | 0:15:59 | |
at news of his latest invention. | 0:15:59 | 0:16:01 | |
Here is Marty Jobson with the electrifying tale. | 0:16:01 | 0:16:04 | |
The death ray, a terrifying beam of light. | 0:16:09 | 0:16:12 | |
From Archimedes to HG Wells, it was once the stuff of legend. | 0:16:12 | 0:16:16 | |
But in the 1920s, it stopped being science fiction. | 0:16:17 | 0:16:20 | |
The prospect of a real death ray seemed frighteningly close. | 0:16:20 | 0:16:25 | |
Harry Grindell Matthews was an inventor from Gloucestershire. | 0:16:26 | 0:16:29 | |
He was renowned for dreaming up futuristic prototypes, | 0:16:29 | 0:16:32 | |
including an early mobile phone, | 0:16:32 | 0:16:34 | |
which he demonstrated at Buckingham Palace. | 0:16:34 | 0:16:37 | |
But his most infamous invention was a beam of light | 0:16:37 | 0:16:40 | |
said to be capable of knocking enemy aeroplanes out of the sky. | 0:16:40 | 0:16:44 | |
The press called it his death ray. | 0:16:44 | 0:16:46 | |
This remarkable footage has never been seen on television before. | 0:16:50 | 0:16:54 | |
It shows Matthews testing his death ray, | 0:16:54 | 0:16:57 | |
which he claimed could kill rats, detonate gunpowder | 0:16:57 | 0:17:00 | |
and stop an engine, all from 60 feet away. | 0:17:00 | 0:17:03 | |
After the stalemate of World War I, | 0:17:03 | 0:17:06 | |
the press hoped this sensational new weapon would give Britain the edge. | 0:17:06 | 0:17:10 | |
So, on the 26th of May 1924, a delegation of academics, | 0:17:14 | 0:17:20 | |
high Pooh-Bahs from the military and scientists, | 0:17:20 | 0:17:24 | |
-all came to Grindell Matthews' laboratory to see his death ray. -That's right, yes. | 0:17:24 | 0:17:28 | |
-Right. So, here it is. This is my contraption. -Wow! | 0:17:30 | 0:17:33 | |
This is my death ray and it's pointing over there | 0:17:33 | 0:17:36 | |
at that petrol motor that we're going to knock out. | 0:17:36 | 0:17:39 | |
'Of course, this is just a mock-up of Matthews' experiment.' | 0:17:39 | 0:17:43 | |
I never thought a wastepaper basket could look quite so sinister. | 0:17:43 | 0:17:46 | |
Talk me through it. What is it we've made here? | 0:17:46 | 0:17:48 | |
-At the bottom would have been the electrical generator. -What's in here? | 0:17:48 | 0:17:52 | |
In here, you've got a source of ultraviolet light. | 0:17:52 | 0:17:54 | |
-You get to be Grindell Matthews. -Brilliant. I get to fire the contraption? | 0:17:54 | 0:17:58 | |
-Yes. You get the dirty lab coat. -I've got it on, it fits. -That looks good. | 0:17:58 | 0:18:02 | |
Three, two, one, fire! | 0:18:02 | 0:18:04 | |
MOTOR STUTTERS TO A HALT | 0:18:04 | 0:18:05 | |
And it goes off! Brilliant. | 0:18:05 | 0:18:07 | |
The generals on that day witnessed that. | 0:18:07 | 0:18:10 | |
AIR-RAID SIREN WAILS | 0:18:10 | 0:18:11 | |
We're faking it, but Matthews insisted his result was genuine. | 0:18:11 | 0:18:15 | |
The secret theory that ultraviolet light could ionise air. | 0:18:15 | 0:18:18 | |
The beam creates a path of charged particles | 0:18:18 | 0:18:21 | |
capable of conducting electricity. | 0:18:21 | 0:18:23 | |
But the War Office suspected he used a hidden cable. | 0:18:25 | 0:18:29 | |
The military asked him to move the engine, didn't they? | 0:18:29 | 0:18:33 | |
That's right. But Matthews said no, he wasn't going to move it. | 0:18:33 | 0:18:36 | |
-I guess that would have made him look a bit dodgy. -Yes, it would. | 0:18:36 | 0:18:40 | |
-Was he faking it? -I don't think he was faking it at all. | 0:18:40 | 0:18:43 | |
It was new technology. | 0:18:43 | 0:18:44 | |
Matthews had spent weeks getting the ultraviolet light | 0:18:44 | 0:18:47 | |
focused really precisely onto this running engine. | 0:18:47 | 0:18:49 | |
Any movement in that would undermine the demonstration. | 0:18:49 | 0:18:53 | |
The hype surrounding Matthews rocketed | 0:18:53 | 0:18:55 | |
with the release of a film suggesting a huge death ray | 0:18:55 | 0:18:59 | |
could annihilate an entire city. | 0:18:59 | 0:19:00 | |
But, to the public's dismay, the War Office rejected it. | 0:19:00 | 0:19:05 | |
I've come to Cardiff University to see if they made the right decision. | 0:19:06 | 0:19:11 | |
So, Richard, do you think it's theoretically possible | 0:19:11 | 0:19:14 | |
that Grindell Matthews' death ray could have worked? | 0:19:14 | 0:19:17 | |
Certainly. In principle, it is possible to demonstrate. | 0:19:17 | 0:19:20 | |
In this lab, we have a high-voltage generator. | 0:19:20 | 0:19:22 | |
We can show air being ionised. | 0:19:22 | 0:19:24 | |
We can see electrical current passing through the air. | 0:19:24 | 0:19:27 | |
-Certainly, that aspect of his experiment is possible. -Excellent. | 0:19:27 | 0:19:31 | |
-CRACK! -BLEEP | 0:19:31 | 0:19:33 | |
You didn't warn me about that, mate! | 0:19:33 | 0:19:36 | |
Yes, I see your point. | 0:19:36 | 0:19:39 | |
It's perfectly possible, then, | 0:19:39 | 0:19:42 | |
to create a big, fat spark of ionised air | 0:19:42 | 0:19:45 | |
But is it possible to ionise air with light? | 0:19:45 | 0:19:49 | |
-That's the key to Grindell Matthews' machine, his death ray. -Absolutely. | 0:19:49 | 0:19:53 | |
-I'll show you now. -"Fire laser." | 0:19:53 | 0:19:56 | |
-There you go. -Where? | 0:19:56 | 0:19:59 | |
That infinitesimally small pinprick? | 0:19:59 | 0:20:01 | |
That is ionised air that's being ionised by a big, fat laser somehow? | 0:20:01 | 0:20:05 | |
Absolutely. That's right. | 0:20:05 | 0:20:07 | |
For Grindell Matthews' machine to work, it would have to go | 0:20:07 | 0:20:10 | |
from the death ray all the way to the aeroplane? | 0:20:10 | 0:20:13 | |
Absolutely. Long way, a lot of power. | 0:20:13 | 0:20:15 | |
A heck of a lot of power. | 0:20:15 | 0:20:16 | |
For example, for five metres of air | 0:20:16 | 0:20:18 | |
you would need 1.4 million lasers of this sort of size. | 0:20:18 | 0:20:22 | |
To reach a plane, you'd need a laser the size of a small town. | 0:20:22 | 0:20:27 | |
The notion of using light as a weapon | 0:20:27 | 0:20:29 | |
was overtaken by other innovations | 0:20:29 | 0:20:31 | |
and the death ray never became a reality. | 0:20:31 | 0:20:34 | |
Matthews died in 1941. | 0:20:34 | 0:20:36 | |
His insistence on secrecy means we'll never know | 0:20:36 | 0:20:38 | |
whether he was a master showman or a visionary genius. | 0:20:38 | 0:20:42 | |
Amazing footage, there. | 0:20:50 | 0:20:51 | |
After his death ray flopped, Matthews spent the rest of his days | 0:20:51 | 0:20:55 | |
holed up in a fortified lair, high in the hills above Swansea. | 0:20:55 | 0:20:58 | |
We'll probably never know what he was up to | 0:20:58 | 0:21:01 | |
but the locals claim that when they drove past his lab, their cars mysteriously cut out. | 0:21:01 | 0:21:05 | |
Of course, that could have been caused by the damp - not that it ever rains in Wales! | 0:21:05 | 0:21:09 | |
We're almost at the end of the show now. | 0:21:09 | 0:21:12 | |
What better way to finish off than with a rousing singsong, | 0:21:12 | 0:21:15 | |
something we know we're good at! | 0:21:15 | 0:21:17 | |
Here is Gyles Brandreth | 0:21:17 | 0:21:18 | |
with the story of the great Welsh hymn tune Blaenwern | 0:21:18 | 0:21:21 | |
and its origins in industrial Swansea. | 0:21:21 | 0:21:24 | |
These days, Swansea's a leafy city, if a little rainy at times, | 0:21:28 | 0:21:32 | |
but back in the 19th century, the view was very different. | 0:21:32 | 0:21:37 | |
Standing here, you would have been faced with 300 chimneys | 0:21:37 | 0:21:41 | |
belching clouds of thick, orange smoke that blocked out the sun. | 0:21:41 | 0:21:45 | |
It was like a volcano erupting. | 0:21:45 | 0:21:48 | |
There were slag heaps and scorched earth | 0:21:48 | 0:21:51 | |
so poisoned by sulphur that nothing could grow. | 0:21:51 | 0:21:54 | |
Known as Copper Kingdom, | 0:21:54 | 0:21:56 | |
Swansea was the smelting capital of the world and workers flocked here. | 0:21:56 | 0:22:01 | |
It was said that if the devil had passed through, | 0:22:01 | 0:22:05 | |
he'd have thought he'd come home. | 0:22:05 | 0:22:07 | |
But amid this bleak landscape, something was blossoming. | 0:22:07 | 0:22:11 | |
Wales was caught in a wave of intense Christianity. | 0:22:11 | 0:22:15 | |
Alcohol was out, hymns were in and chapels were packed to the rafters. | 0:22:15 | 0:22:20 | |
The influx of workers boosted congregations so dramatically in this part of Swansea | 0:22:20 | 0:22:26 | |
that they built this! | 0:22:26 | 0:22:28 | |
The Morriston Tabernacle. | 0:22:31 | 0:22:33 | |
It was here, in 1904, that conductor William Penfro Rowlands | 0:22:33 | 0:22:36 | |
composed a Welsh hymn tune called Blaenwern. | 0:22:36 | 0:22:39 | |
It was written at a time when his son was ill. | 0:22:39 | 0:22:42 | |
His son had had pneumonia. | 0:22:42 | 0:22:44 | |
His son was sent to Pembrokeshire, to Blaenwern Farm near Tufton, | 0:22:44 | 0:22:48 | |
because the air was much cleaner in Pembrokeshire | 0:22:48 | 0:22:51 | |
than it was in smoky, sultry Morriston. | 0:22:51 | 0:22:54 | |
So he went to get away from the smelting and the fumes? | 0:22:54 | 0:22:56 | |
Exactly, yes. | 0:22:56 | 0:22:58 | |
To mark the fact that his son recovered from his illness, | 0:22:58 | 0:23:02 | |
Penfro Rowlands named the tune Blaenwern. | 0:23:02 | 0:23:06 | |
-Why does it have this extraordinary impact? -I think it's so well-built. | 0:23:06 | 0:23:11 | |
It starts off quite modestly, quite low in the register, HE PLAYS THE ORGAN | 0:23:11 | 0:23:15 | |
but then, when you get to the middle, everything notches up. | 0:23:15 | 0:23:20 | |
It's far more emotional. There's more drive to it. | 0:23:20 | 0:23:24 | |
The harmony is higher, everything gets stronger. | 0:23:24 | 0:23:26 | |
It's a very dramatic, the way it moves forwards. | 0:23:30 | 0:23:33 | |
The last four lines are very, very full of emotion. | 0:23:33 | 0:23:37 | |
# Dim ond calon lan | 0:23:39 | 0:23:44 | |
# All ganu... # | 0:23:44 | 0:23:46 | |
So, a simple opening | 0:23:51 | 0:23:53 | |
-and then we build and build to this crescendo of emotion. -Yes. | 0:23:53 | 0:23:57 | |
The religious revival isn't all that grew | 0:23:57 | 0:24:00 | |
in the grim, industrial conditions. | 0:24:00 | 0:24:02 | |
To escape the toil, | 0:24:02 | 0:24:04 | |
male voice choirs were formed | 0:24:04 | 0:24:06 | |
and the four-piece harmony of Blaenwern was perfect for them. | 0:24:06 | 0:24:10 | |
The furnaces had gone, but Blaenwern lived on. | 0:24:10 | 0:24:12 | |
Set to the English words of Methodist Charles Wesley, | 0:24:12 | 0:24:17 | |
it became Love Divine, All Loves Excelling, | 0:24:17 | 0:24:20 | |
sung here by the Morriston Orpheus Choir. | 0:24:20 | 0:24:23 | |
# Visit us with Thy salvation... # | 0:24:23 | 0:24:31 | |
It's wonderful that this great melody | 0:24:31 | 0:24:33 | |
comes from this harsh, industrial landscape. | 0:24:33 | 0:24:36 | |
Yes, but that was how people overcame the difficulties | 0:24:36 | 0:24:40 | |
of where they lived. | 0:24:40 | 0:24:41 | |
A lot of the male voice choir tradition was born | 0:24:41 | 0:24:44 | |
in industrial areas, | 0:24:44 | 0:24:45 | |
just to get out of the harsh climate that they worked in. | 0:24:45 | 0:24:49 | |
-It lifts the spirit. -It does. | 0:24:49 | 0:24:51 | |
# Hwyl a bore fy nymuniad | 0:24:51 | 0:24:58 | |
# Esgyn ar adenydd can | 0:24:59 | 0:25:06 | |
# Ar i Dduw, er mwyn fy Ngheidwad | 0:25:07 | 0:25:14 | |
# Roddi i mi galon lan | 0:25:14 | 0:25:21 | |
# Calon lan yn llawn daioni | 0:25:22 | 0:25:29 | |
# Tecach yw na'r lili dlos | 0:25:29 | 0:25:37 | |
# Dim ond calon lan all ganu... # | 0:25:37 | 0:25:43 | |
Rowlands never got to see Blaenwern become as famous as it is today, | 0:25:43 | 0:25:49 | |
which is a shame, because I think he'd have been proud | 0:25:49 | 0:25:52 | |
to know that his beautiful hymn outlived the stinking factories | 0:25:52 | 0:25:56 | |
of the Copper Kingdom. | 0:25:56 | 0:25:58 | |
# Nos. # | 0:25:58 | 0:26:06 | |
What an ending. Fantastic stuff. Da iawn, boys. | 0:26:16 | 0:26:19 | |
Well, we've got to let the cleaners in now | 0:26:19 | 0:26:21 | |
so that's all we've got time for, | 0:26:21 | 0:26:23 | |
but don't despair because there are plenty more gems | 0:26:23 | 0:26:26 | |
waiting for you in episode two of Wales On The One Show. | 0:26:26 | 0:26:28 | |
Coming up next time... medieval mayhem. | 0:26:28 | 0:26:32 | |
Joe Crowley is catapulted back in time at Caerphilly. | 0:26:32 | 0:26:36 | |
Prepare to loose! | 0:26:36 | 0:26:38 | |
Loose! | 0:26:38 | 0:26:39 | |
-Huzzah! -THEY CHEER. | 0:26:45 | 0:26:47 | |
Deadly deception. | 0:26:47 | 0:26:48 | |
Dan Snow's in Trealaw on the trail of a man who never was. | 0:26:48 | 0:26:52 | |
They created this completely false personality, | 0:26:52 | 0:26:56 | |
this person who'd never existed. | 0:26:56 | 0:26:58 | |
Who's the picture of? | 0:26:58 | 0:26:59 | |
The picture is of an MI5 officer | 0:26:59 | 0:27:01 | |
who just happened to look a bit like the dead man. | 0:27:01 | 0:27:03 | |
It's as Welsh as Tom Jones, so what will an Englishman make of laverbread? | 0:27:03 | 0:27:07 | |
Jay Rayner gets his first taste of Gower seaweed. | 0:27:07 | 0:27:11 | |
I must admit, I'm a little nervous, | 0:27:11 | 0:27:12 | |
because I have no idea whether I'm going to like it or not. | 0:27:12 | 0:27:16 | |
And half a century after the war ended, | 0:27:16 | 0:27:18 | |
Angellica Bell meets the Londoner | 0:27:18 | 0:27:21 | |
who's still being evacuated to Haverfordwest. | 0:27:21 | 0:27:24 | |
I still get butterflies when I come up here. It's like coming home. | 0:27:24 | 0:27:29 | |
Wow, that is going to be an amazing show. | 0:27:32 | 0:27:34 | |
Make sure you don't miss it. | 0:27:34 | 0:27:36 | |
I'm off to look for some faggots and peas somewhere in London. | 0:27:36 | 0:27:40 | |
Thanks so much for watching this special edition. | 0:27:40 | 0:27:43 | |
We really did enjoy putting it together. | 0:27:43 | 0:27:45 | |
That's it from Wales On The One Show. | 0:27:45 | 0:27:47 | |
Nos da. Goodbye. | 0:27:47 | 0:27:49 | |
Subtitles by Red Bee Media Ltd | 0:27:53 | 0:27:56 | |
E-mail [email protected] | 0:27:56 | 0:27:59 |