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-From the depths of the Earth... -Oh, my God! | 0:00:02 | 0:00:03 | |
..to the crests of the mountains... | 0:00:03 | 0:00:05 | |
My legs have gone weird. | 0:00:05 | 0:00:07 | |
..these crusading grooms must rise to the challenge. | 0:00:07 | 0:00:10 | |
£12,000... LAUGHTER | 0:00:10 | 0:00:14 | |
..and just three weeks... | 0:00:14 | 0:00:16 | |
I love that girl! I love her! | 0:00:16 | 0:00:18 | |
..to plan a wedding worthy of their betrothed. | 0:00:18 | 0:00:20 | |
-Oh, my God, what's he done? -He just took my dress! | 0:00:20 | 0:00:24 | |
These fair maidens are bound by contract to be legally wedded... | 0:00:24 | 0:00:28 | |
I hate it! | 0:00:28 | 0:00:29 | |
..but have no say in their big day. | 0:00:29 | 0:00:32 | |
Is it just all going to be last minute and just rubbish? | 0:00:32 | 0:00:34 | |
Where did he get green from? | 0:00:34 | 0:00:36 | |
Can these hapless heroes marshal their armies... | 0:00:37 | 0:00:42 | |
Just leave me to drown! | 0:00:42 | 0:00:43 | |
-..vanquish dragons... -Oh, God! | 0:00:43 | 0:00:46 | |
Do as your future mother-in-law tells you! | 0:00:46 | 0:00:48 | |
..and conquer all before them? | 0:00:48 | 0:00:51 | |
Get out of my pub! | 0:00:51 | 0:00:54 | |
Or will they be...defeated? | 0:00:54 | 0:00:58 | |
I'm not doing it. | 0:00:58 | 0:01:00 | |
Tonight, hairstylist groom James wants a cutting-edge wedding. | 0:01:00 | 0:01:04 | |
Jenna comes down that way and stands at the catwalk. | 0:01:04 | 0:01:07 | |
While Jenna craves a day that's classic and timeless. | 0:01:07 | 0:01:10 | |
THEY GASP Oh, my...! | 0:01:10 | 0:01:13 | |
This is literally, like, what my dream is. | 0:01:13 | 0:01:15 | |
Can this man... HE LAUGHS | 0:01:15 | 0:01:18 | |
..give this woman... | 0:01:18 | 0:01:19 | |
Why would I want to come here on my hen do? | 0:01:19 | 0:01:21 | |
..the wedding of her dreams? | 0:01:21 | 0:01:22 | |
Oh, my God! | 0:01:22 | 0:01:24 | |
Will his catwalk aisle leave his bride purring? | 0:01:24 | 0:01:26 | |
This is awful! | 0:01:26 | 0:01:29 | |
Will his bride want to run away from his runway? | 0:01:29 | 0:01:32 | |
I am not happy. | 0:01:32 | 0:01:34 | |
Or will it end up the ultimate fashion faux pas? | 0:01:34 | 0:01:37 | |
I am well and truly pissed off. | 0:01:37 | 0:01:41 | |
Wo-pah! | 0:01:51 | 0:01:53 | |
30-year-old James and 27-year-old Jenna | 0:01:53 | 0:01:55 | |
met when they worked together at a hair salon. | 0:01:55 | 0:01:58 | |
But their romance wasn't cut and dried. | 0:01:58 | 0:02:01 | |
I thought James was gay. | 0:02:01 | 0:02:04 | |
I thought she was the biggest bitch ever. | 0:02:06 | 0:02:08 | |
It's only because, literally when I first met you, | 0:02:10 | 0:02:13 | |
you had that outfit on with them dungarees and that pink T-shirt. | 0:02:13 | 0:02:19 | |
First, Jenna and James became friends, then flatmates. | 0:02:19 | 0:02:23 | |
Finally, one evening, things started to bubble. | 0:02:23 | 0:02:26 | |
It didn't take that long to realise he wasn't gay. | 0:02:26 | 0:02:29 | |
One night, he cooked Sunday dinner for us both and I was like, | 0:02:29 | 0:02:33 | |
"Oh, I'm going to go and have a bath." | 0:02:33 | 0:02:35 | |
I don't even know why I said it, | 0:02:35 | 0:02:38 | |
"Why don't we have a bath together, but with swimwear on, not naked?" | 0:02:38 | 0:02:45 | |
And he looked a bit weird | 0:02:45 | 0:02:46 | |
and I thought, "Let's see where this might go from here." | 0:02:46 | 0:02:49 | |
# Splish-splash, I was taking a bath... # | 0:02:49 | 0:02:53 | |
And then, after that, I guess things just blossomed. | 0:02:53 | 0:02:57 | |
# Rub-a-dub, just relaxing in the tub... # | 0:02:57 | 0:02:59 | |
-So if we hadn't had a bath... -It might not have worked. | 0:02:59 | 0:03:04 | |
-Maybe that's what we should call our second child - Bubbles. -Bubbles! | 0:03:04 | 0:03:07 | |
Today, Jenna and James live in Leicester | 0:03:09 | 0:03:12 | |
with their two-year-old son Noah. | 0:03:12 | 0:03:14 | |
This hairdressing couple certainly gelled, | 0:03:14 | 0:03:16 | |
but now they want to give their relationship a permanent set. | 0:03:16 | 0:03:20 | |
I want to get married because I want to spend my life with Jenna. | 0:03:20 | 0:03:23 | |
I want us to be a family. | 0:03:23 | 0:03:25 | |
I just think we're soul mates, I think we're meant to be together. | 0:03:25 | 0:03:29 | |
Even though he annoys me all the time, I do love him, a lot. | 0:03:29 | 0:03:33 | |
I'd be lost without him. | 0:03:33 | 0:03:35 | |
And to make sure she didn't lose out on James, | 0:03:35 | 0:03:37 | |
Jenna took charge of the proposal. | 0:03:37 | 0:03:40 | |
I didn't propose to Jenna, Jenna proposed to herself. | 0:03:40 | 0:03:42 | |
So, erm, when you going to do this? Cos it's annoying me. | 0:03:42 | 0:03:46 | |
-What, you want me to do it NOW, in the kitchen? -Yeah! | 0:03:46 | 0:03:49 | |
-I was just like, "Are you serious?" -Come on! | 0:03:49 | 0:03:52 | |
-Do I have to get down on one knee? -If you want. | 0:03:52 | 0:03:55 | |
It wasn't the big thing I'd got in my head. | 0:03:55 | 0:03:57 | |
Are you going to say yes? | 0:03:57 | 0:03:59 | |
Well, yeah, you know it's going to be yes. Oh, take a picture. | 0:03:59 | 0:04:02 | |
She'd had it planned cos she'd been and had her nails done | 0:04:02 | 0:04:05 | |
and there was champagne in the fridge, | 0:04:05 | 0:04:07 | |
so she knew that's exactly what was going to happen. | 0:04:07 | 0:04:09 | |
Well, I knew I'd get what I want, | 0:04:09 | 0:04:11 | |
so I therefore just took control of the situation. | 0:04:11 | 0:04:15 | |
But the future Mrs Taylor can't be in control of everything. | 0:04:15 | 0:04:19 | |
The only downside of getting married to James | 0:04:19 | 0:04:21 | |
will be taking his surname, because it will be Jenna Taylor. | 0:04:21 | 0:04:27 | |
Like genitalia. | 0:04:27 | 0:04:30 | |
She can't do much about his name, | 0:04:30 | 0:04:31 | |
but there's one thing this style-conscious bride | 0:04:31 | 0:04:34 | |
would love to change about James. | 0:04:34 | 0:04:36 | |
-What do you reckon? -It's vile. -His fashion sense. | 0:04:36 | 0:04:40 | |
I think his taste's quite... Not revolting... | 0:04:40 | 0:04:43 | |
No. | 0:04:43 | 0:04:44 | |
Sometimes, it does make me feel a bit sick. | 0:04:44 | 0:04:47 | |
There's one item of clothing they clash on the most - the trousers. | 0:04:47 | 0:04:53 | |
It's Jenna who wears them and now, she thinks it's time | 0:04:53 | 0:04:55 | |
for James to take charge... of her entire wedding. | 0:04:55 | 0:04:58 | |
I take control of day-to-day life. | 0:04:58 | 0:05:00 | |
James needs to not step up to the plate, but... | 0:05:00 | 0:05:04 | |
You need to back down from the plate. | 0:05:04 | 0:05:06 | |
No, I think this might prove to me | 0:05:06 | 0:05:09 | |
that he could actually probably do more things. | 0:05:09 | 0:05:13 | |
James needs to man up and prove himself worthy of his bride, | 0:05:15 | 0:05:18 | |
but he may have his work cut out, | 0:05:18 | 0:05:20 | |
because Jenna knows exactly the style of wedding she wants. | 0:05:20 | 0:05:24 | |
I don't want to look back at photos and think, | 0:05:24 | 0:05:26 | |
"God, why did we have that there? Why did we have our hair like that?" | 0:05:26 | 0:05:31 | |
When you look back and they've got those big puffy sleeves, | 0:05:31 | 0:05:34 | |
you know that's from the '80s, | 0:05:34 | 0:05:36 | |
so my dream wedding would be like a big stately home | 0:05:36 | 0:05:40 | |
or a manor house with nice grounds. | 0:05:40 | 0:05:44 | |
They never go out of fashion. | 0:05:44 | 0:05:47 | |
I want it to be quite classic, so it's going to be timeless. | 0:05:47 | 0:05:50 | |
So, what is James's plan for the bride | 0:05:52 | 0:05:54 | |
who just wants timeless, elegant and traditional? | 0:05:54 | 0:05:57 | |
So it has to be cutting edge, flamboyant, non-traditionalist - | 0:05:57 | 0:06:02 | |
something that's going to be quite bold and extravagant. | 0:06:02 | 0:06:06 | |
Oh, dear! | 0:06:06 | 0:06:08 | |
I want a fashion-inspired wedding that takes place on a catwalk. | 0:06:08 | 0:06:12 | |
I think it has got to have that extra wow factor. | 0:06:12 | 0:06:17 | |
Being a hairdresser, you have to deal with fashion | 0:06:17 | 0:06:19 | |
and different trends all the time and, with the wedding, | 0:06:19 | 0:06:22 | |
I don't want it to be like that. | 0:06:22 | 0:06:24 | |
I want it classic and I want it to be timeless. | 0:06:24 | 0:06:27 | |
I'm picturing it being in somewhere quite urban, quite industrial, | 0:06:27 | 0:06:33 | |
which kind of contradicts traditional wedding pictures. | 0:06:33 | 0:06:38 | |
We're not normal, traditional and not boring. | 0:06:38 | 0:06:42 | |
We're not boring, so it's got to be creative | 0:06:42 | 0:06:44 | |
and it's definitely got to be individual. | 0:06:44 | 0:06:47 | |
I just hope he gets it right, cos I will kill him. | 0:06:47 | 0:06:49 | |
There will be fireworks if not, for sure. | 0:06:49 | 0:06:52 | |
It's time for Jenna and James to say goodbye. | 0:06:53 | 0:06:57 | |
Noah, this is going to be the last time you see Daddy for a while. | 0:06:57 | 0:07:00 | |
-Are you sad? -Next time, we'll be getting married! | 0:07:00 | 0:07:05 | |
James is moving back in with Mum and Dad, | 0:07:05 | 0:07:07 | |
while Jenna will stay at home with Noah. | 0:07:07 | 0:07:10 | |
The couple will have no contact until their wedding in three weeks' time. | 0:07:10 | 0:07:14 | |
-Love you. -Love you. | 0:07:14 | 0:07:16 | |
-Right, I'll see you... -In three weeks. -See you at the altar! | 0:07:16 | 0:07:20 | |
That's if I turn up. | 0:07:20 | 0:07:22 | |
CAR HORN BLARES | 0:07:22 | 0:07:23 | |
Knob! | 0:07:23 | 0:07:25 | |
I feel a bit sick, a bit anxious that he's gone. I think... | 0:07:27 | 0:07:32 | |
Hopefully, that'll pass. | 0:07:32 | 0:07:34 | |
It is a little bit daunting, knowing that I'm literally on my own. | 0:07:34 | 0:07:39 | |
The anxiety's kicking in. | 0:07:39 | 0:07:42 | |
The groom isn't the only one feeling anxious. | 0:07:42 | 0:07:44 | |
Bridesmaids Ash and Sam have come round to calm Jenna's nerves. | 0:07:44 | 0:07:48 | |
Trouble is, knowing James, they're every bit as worried as she is. | 0:07:48 | 0:07:53 | |
-James is so out the box. -He can be out there, can't he? | 0:07:53 | 0:07:56 | |
-It's making me nervous. -I've got nervous dry mouth, like full-on... | 0:07:56 | 0:07:59 | |
-Anxiety dry. -Anxiety dry mouth. | 0:07:59 | 0:08:02 | |
He's got these extravagant ideas, hasn't he, and if he puts that | 0:08:02 | 0:08:05 | |
-into the wedding, it could be something, like, mahoosive. -Aaah! | 0:08:05 | 0:08:09 | |
James's idea is definitely extravagant | 0:08:09 | 0:08:12 | |
and he's going to need some help. | 0:08:12 | 0:08:14 | |
Meet best man Adam. | 0:08:14 | 0:08:15 | |
And, best man Adam, | 0:08:15 | 0:08:17 | |
meet James's massive fashion statement idea of a wedding. | 0:08:17 | 0:08:20 | |
-Eyes closed? -Yep. | 0:08:20 | 0:08:22 | |
I need you to imagine you're in some disused, rundown warehouse. | 0:08:22 | 0:08:30 | |
So, open your eyes. | 0:08:30 | 0:08:31 | |
Turn around. | 0:08:31 | 0:08:32 | |
So, rather than an aisle, you're going to have a catwalk. | 0:08:32 | 0:08:36 | |
Jenna'll be in here first on her own. | 0:08:36 | 0:08:38 | |
Yeah, then, one by one, | 0:08:38 | 0:08:39 | |
our guests are going to walk down the runway and then sit down. | 0:08:39 | 0:08:45 | |
So, imagine all of these people running...sitting. | 0:08:45 | 0:08:48 | |
The music's going to be blaring, lights possibly flickering | 0:08:48 | 0:08:51 | |
and Jenna's thinking, "What is going on, seriously?!" | 0:08:51 | 0:08:54 | |
And then me, the designer of the whole thing, | 0:08:54 | 0:08:58 | |
as in a normal catwalk, to walk down the aisle to greet the wife. | 0:08:58 | 0:09:02 | |
So, what does best man Adam think of James's plan to make his bride | 0:09:02 | 0:09:06 | |
a spectator at her cutting-edge catwalk show wedding? | 0:09:06 | 0:09:10 | |
Yeah. | 0:09:10 | 0:09:12 | |
I think if he can pull it off, it'll be fantastic, | 0:09:12 | 0:09:15 | |
but it's whether he can pull it off in three weeks. | 0:09:15 | 0:09:20 | |
Three weeks - man-break! Cheers, mate. | 0:09:20 | 0:09:22 | |
Well, at least he's sold. | 0:09:22 | 0:09:24 | |
Day one of wedding planning - James wants a venue to contrast | 0:09:27 | 0:09:31 | |
the flamboyant fashion styles on display on the big day. | 0:09:31 | 0:09:35 | |
The boys are looking for somewhere with a rundown sort of charm. | 0:09:35 | 0:09:40 | |
This it? This is... | 0:09:40 | 0:09:44 | |
Oh, this is like a warzone. | 0:09:45 | 0:09:47 | |
And they're thinking less old country estate, more old industrial estate. | 0:09:47 | 0:09:54 | |
This is the first space I'll show you. | 0:09:54 | 0:09:57 | |
As you can see, it's quite an open space, | 0:09:57 | 0:09:59 | |
so it might fit in with your theme. | 0:09:59 | 0:10:01 | |
Yeah, if you want to take a look around, then see what you think. | 0:10:01 | 0:10:04 | |
I really like the space, I like the elements. I like it. | 0:10:04 | 0:10:08 | |
I like it, yeah. | 0:10:08 | 0:10:09 | |
I'm not not liking it cos you could segregate that side off | 0:10:09 | 0:10:13 | |
-to this side if this was all clear. -Well, it's definitely derelict! | 0:10:13 | 0:10:17 | |
You're not going to get more derelict than this. | 0:10:17 | 0:10:20 | |
As James explores a venue to fit his vision of the wedding, | 0:10:20 | 0:10:23 | |
deep in the Leicestershire countryside, Jenna is looking | 0:10:23 | 0:10:27 | |
at an altogether less derelict venue to fit in with hers - Belvoir Castle. | 0:10:27 | 0:10:33 | |
-Wow! -Oh, my...! -I told you it was a castle! | 0:10:33 | 0:10:36 | |
-Look at it! Take it all in! -I literally can't cope. | 0:10:36 | 0:10:40 | |
Oh, my God! | 0:10:42 | 0:10:44 | |
Oh, my...! | 0:10:44 | 0:10:48 | |
This is literally amazing. | 0:10:48 | 0:10:51 | |
Key to Jenna's dream wedding vision | 0:10:51 | 0:10:54 | |
is a classic venue with stunning interiors and splendid scenery - | 0:10:54 | 0:10:58 | |
and for one very good reason. | 0:10:58 | 0:11:00 | |
It's just nice to have it so timeless. | 0:11:00 | 0:11:03 | |
You don't want to be looking back on photos with hair like this. | 0:11:03 | 0:11:06 | |
You want it to be nice, | 0:11:06 | 0:11:08 | |
and that's never going to go out of fashion, is it, like this place? | 0:11:08 | 0:11:11 | |
Look how old it is and it's never gone out of fashion. | 0:11:11 | 0:11:13 | |
People are still using it now. | 0:11:13 | 0:11:15 | |
This is literally, like, what my dream is, | 0:11:15 | 0:11:17 | |
like a classic traditional English wedding. | 0:11:17 | 0:11:20 | |
While Jenna's embracing the fabulous features of her venue, | 0:11:20 | 0:11:23 | |
Leicester's answer to Dolce & Gabbana are pondering over a venue | 0:11:23 | 0:11:27 | |
with some distinctive features of its own - broken windows, | 0:11:27 | 0:11:31 | |
-some old pallets and graffiti. -Guys, this is another one of our floors. | 0:11:31 | 0:11:36 | |
From what you told me earlier with the catwalk theme, | 0:11:36 | 0:11:39 | |
this might be a space that can be used, this central area here. | 0:11:39 | 0:11:44 | |
-What is that at the end? -That is a good question. What IS that? | 0:11:44 | 0:11:50 | |
It's like a...hanging kangaroo. | 0:11:50 | 0:11:54 | |
-Oh, poor Skippy! -So weird. | 0:11:54 | 0:11:57 | |
I don't want to even go near it. | 0:11:57 | 0:11:59 | |
I don't know. Actually, it's giving me the creeps in here. | 0:11:59 | 0:12:03 | |
It's eering me out. | 0:12:03 | 0:12:04 | |
-I couldn't imagine having a wedding here, to be honest. -No. | 0:12:04 | 0:12:08 | |
I think Jenna would batter you! | 0:12:08 | 0:12:10 | |
THEY LAUGH | 0:12:10 | 0:12:13 | |
Yeah, I was looking for more cutting edge, rather than slitting throat. | 0:12:13 | 0:12:17 | |
This is too derelict. | 0:12:17 | 0:12:19 | |
James decides that the scene of his wedding should look a little less | 0:12:19 | 0:12:22 | |
like the scene of a murder, so it's back to the fashion drawing board. | 0:12:22 | 0:12:26 | |
-THEY GASP -Oh, my God, literally! | 0:12:29 | 0:12:32 | |
60 miles away, Jenna's dream castle also holds a few surprises. | 0:12:32 | 0:12:38 | |
What the hell?! Oh, my God! | 0:12:38 | 0:12:42 | |
-Look at the ceiling! -And no dead kangaroos in sight. | 0:12:42 | 0:12:47 | |
This is what you dream about when you're little, isn't it? | 0:12:47 | 0:12:50 | |
Yeah, getting married in a castle. | 0:12:50 | 0:12:51 | |
It's everyone's dream, to get married in a castle. | 0:12:51 | 0:12:54 | |
You only do it once, all your photos reflect that. | 0:12:54 | 0:12:57 | |
The photos are what you have left of your wedding, isn't it, | 0:12:57 | 0:13:00 | |
-do you know what I mean? -That's what you look back on. | 0:13:00 | 0:13:02 | |
Yeah, like, for the rest of your life. | 0:13:02 | 0:13:04 | |
He'll either really surprise me | 0:13:04 | 0:13:07 | |
or he'll just do something, like, mental | 0:13:07 | 0:13:10 | |
and I'm going to hate it and if it's anything modern, I'm going to die. | 0:13:10 | 0:13:16 | |
Well, James's next potential venue is from the 20th century, | 0:13:16 | 0:13:20 | |
but it's not exactly modern - it's barely standing. | 0:13:20 | 0:13:23 | |
Mind your head on that. | 0:13:23 | 0:13:25 | |
Best man Adam's had a venue idea | 0:13:25 | 0:13:27 | |
that could rescue James's dream of urban decay | 0:13:27 | 0:13:30 | |
and really sock it to the guests. | 0:13:30 | 0:13:32 | |
Here we are. | 0:13:32 | 0:13:34 | |
This is the room. | 0:13:34 | 0:13:36 | |
It's a disused building where Adam works...in an old sock factory. | 0:13:37 | 0:13:42 | |
-What do you think? -It makes me nervous. | 0:13:42 | 0:13:46 | |
But I actually quite like it. | 0:13:46 | 0:13:48 | |
If we're looking for derelict, this is the place. There is other rooms. | 0:13:48 | 0:13:54 | |
That's the toilets. This bit is where we used to store all the yarn. | 0:13:54 | 0:13:59 | |
That's another shutter door... | 0:13:59 | 0:14:01 | |
-I'm just thinking how we can get the guests in. -Yeah, they could... | 0:14:01 | 0:14:05 | |
They could come through here | 0:14:05 | 0:14:07 | |
and then this could be like the little holding/dressing area. | 0:14:07 | 0:14:12 | |
We could have that door closed. | 0:14:12 | 0:14:14 | |
Jenna comes down that way and stands at the catwalk | 0:14:14 | 0:14:17 | |
and then everyone comes in this way. | 0:14:17 | 0:14:20 | |
Yeah, cos Jenna could be facing there or wherever | 0:14:20 | 0:14:22 | |
and then you could have all the guests filing through here | 0:14:22 | 0:14:25 | |
with the catwalk there and Jenna stood there. | 0:14:25 | 0:14:28 | |
I can tell you're impressed. | 0:14:28 | 0:14:31 | |
I am actually feeling quite excited now. | 0:14:31 | 0:14:34 | |
It all fits, it feels right here. It actually feels right. | 0:14:34 | 0:14:38 | |
I've got that really excited, nervous anticipation. | 0:14:38 | 0:14:43 | |
I just want to now crack on and do it. | 0:14:43 | 0:14:45 | |
For a bargain price of £500, James bags himself a venue | 0:14:45 | 0:14:50 | |
he thinks will be perfect for his catwalk ceremony and reception. | 0:14:50 | 0:14:54 | |
Now, he just needs to give it the ultimate fashion makeover | 0:14:54 | 0:14:57 | |
in time for the wedding. | 0:14:57 | 0:14:59 | |
It's me being me. | 0:14:59 | 0:15:03 | |
It's my creative side coming out. | 0:15:03 | 0:15:07 | |
I might have gone a little bit wild this time, but I always think big. | 0:15:07 | 0:15:10 | |
But, yeah, I've done it | 0:15:10 | 0:15:12 | |
for the non-traditional wedding we both want. | 0:15:12 | 0:15:16 | |
James's vision is coming together and he couldn't be more pleased | 0:15:16 | 0:15:21 | |
so time to show off the venue for the most special day of his life | 0:15:21 | 0:15:24 | |
-to his mum, Mary. -Are you excited? | 0:15:24 | 0:15:28 | |
I'm a little bit feeling apprehensive, | 0:15:28 | 0:15:32 | |
-at the moment. Are we here? -Oh, yeah. -Where? | 0:15:32 | 0:15:36 | |
Where? | 0:15:39 | 0:15:41 | |
-Here. -James, where? -Here! | 0:15:41 | 0:15:45 | |
So, this is where it's going to be. | 0:15:45 | 0:15:48 | |
And then we'll have champagne and Pimm's and drinks. | 0:15:48 | 0:15:52 | |
Oh, Jesus, graffiti. | 0:15:54 | 0:15:56 | |
-SHE GASPS -God... | 0:15:56 | 0:15:57 | |
I just don't know how you're going to make it | 0:15:59 | 0:16:02 | |
look like there's going to be a wedding here. | 0:16:02 | 0:16:04 | |
Look at it. | 0:16:04 | 0:16:06 | |
Look at it... | 0:16:07 | 0:16:09 | |
She's going to go mental. She will go mental. | 0:16:11 | 0:16:15 | |
So, that went well(!) | 0:16:15 | 0:16:18 | |
And James is beginning to realise that pulling off a catwalk show | 0:16:18 | 0:16:22 | |
good enough to wow his bride may not be that easy. | 0:16:22 | 0:16:25 | |
What he needs is some sort of big fashion event for inspiration. | 0:16:25 | 0:16:29 | |
How about London Fashion Week? | 0:16:31 | 0:16:34 | |
We've got our venue now, which is our main thing. | 0:16:36 | 0:16:38 | |
We've got that for a steal. | 0:16:38 | 0:16:40 | |
We just need to kit it out now, | 0:16:40 | 0:16:42 | |
cos otherwise, it'll look like an empty, shit box. | 0:16:42 | 0:16:45 | |
This is going to set the standard that I want for the wedding, | 0:16:45 | 0:16:48 | |
cos obviously we're at Fashion Week, which is one of the biggest events | 0:16:48 | 0:16:51 | |
in the fashion calendar that we can come to. | 0:16:51 | 0:16:53 | |
Literally, we've got to ask questions, | 0:16:53 | 0:16:55 | |
try and be cheeky in a polite way | 0:16:55 | 0:16:57 | |
and see if we can blag a few freebies. | 0:16:57 | 0:16:59 | |
To turn their dirty old warehouse into, well, THIS, | 0:16:59 | 0:17:03 | |
James and Adam need all the elements of a professional runway show - | 0:17:03 | 0:17:08 | |
from extravagant and cutting-edge clothing | 0:17:08 | 0:17:12 | |
to lighting and stage design | 0:17:12 | 0:17:14 | |
and, of course, the look and attitude to bring it all to life. | 0:17:14 | 0:17:18 | |
But where James may need most help is backstage. | 0:17:20 | 0:17:24 | |
When you're out there, | 0:17:24 | 0:17:27 | |
you wouldn't necessarily know that any of this is going on. | 0:17:27 | 0:17:30 | |
Yeah, it's calm, | 0:17:30 | 0:17:31 | |
but they don't want obviously to see all this craziness that's going on. | 0:17:31 | 0:17:35 | |
So then, they'll slowly walk out, so she's checking everyone, | 0:17:35 | 0:17:39 | |
one of these will be the designer, | 0:17:39 | 0:17:40 | |
they'll check that everything is going on as they walk out | 0:17:40 | 0:17:43 | |
and then, it's go-go-go. | 0:17:43 | 0:17:46 | |
With less than three weeks to pull off an event to this standard, | 0:17:46 | 0:17:50 | |
the reality of the task ahead is sinking in. | 0:17:50 | 0:17:53 | |
The next two weeks are going to be sheer hell, I think, | 0:17:53 | 0:17:57 | |
trying to get what is basically a derelict warehouse | 0:17:57 | 0:18:04 | |
into something that we've just seen. | 0:18:04 | 0:18:08 | |
It's worlds apart at the moment, yeah, so a lot to do. | 0:18:08 | 0:18:11 | |
With a very fashionable mountain to climb, | 0:18:16 | 0:18:19 | |
the boys grab a few precious minutes | 0:18:19 | 0:18:20 | |
with global fashion house founder Savita. | 0:18:20 | 0:18:24 | |
How are you? | 0:18:24 | 0:18:25 | |
-Very well. How are you? -Nervous. -Why are you nervous? Tell me. | 0:18:25 | 0:18:30 | |
Just cos the whole spectrum of what we've got lined up, | 0:18:30 | 0:18:33 | |
I'm kind of overwhelmed at the minute! | 0:18:33 | 0:18:34 | |
So, yeah, we've got some ideas. | 0:18:34 | 0:18:36 | |
We're going to have some kind of cutting-edge photography taken, | 0:18:36 | 0:18:39 | |
so they almost look like they're in the pages of a magazine. | 0:18:39 | 0:18:42 | |
What my suggestion would be is have models walk down | 0:18:42 | 0:18:45 | |
showing complete attitude, so they'll come out, | 0:18:45 | 0:18:47 | |
they'll pose and then they'll just stomp down the runway | 0:18:47 | 0:18:50 | |
with all the photographers taking pictures | 0:18:50 | 0:18:53 | |
and making it really high-end. | 0:18:53 | 0:18:54 | |
What do you do for your shows to get the impact, | 0:18:54 | 0:18:57 | |
to make sure there is the impact? | 0:18:57 | 0:18:59 | |
When you do your model casting, | 0:18:59 | 0:19:00 | |
it's very important that you pick the right girls. | 0:19:00 | 0:19:03 | |
So, they've got to have that look, pure attitude and diva, | 0:19:03 | 0:19:05 | |
and I absolutely love it. | 0:19:05 | 0:19:06 | |
It's just how, cos obviously you've had six months, probably longer. | 0:19:06 | 0:19:11 | |
I've got two weeks, so it is that kind of last minute, | 0:19:11 | 0:19:14 | |
-making sure we've thought of EVERYTHING. -Mmm. | 0:19:14 | 0:19:17 | |
We've got to bring it to life. | 0:19:17 | 0:19:18 | |
I know, you've got to bring it to life. | 0:19:18 | 0:19:20 | |
-If you need any help, I'll be more than happy. -Perfect. | 0:19:20 | 0:19:23 | |
With Savita's advice ringing in his ears, James comes to a decision - | 0:19:23 | 0:19:27 | |
to pull off a professional show, it's all about the attitude. | 0:19:27 | 0:19:33 | |
And to get attitude, he needs professional models. | 0:19:33 | 0:19:37 | |
So, in effect, the catwalk is just a catwalk. | 0:19:37 | 0:19:40 | |
That's why I think the models will make it better | 0:19:40 | 0:19:42 | |
and then obviously, their presence on the stage will be... | 0:19:42 | 0:19:45 | |
-Yeah, they've got to own the stage. -Definitely. | 0:19:45 | 0:19:48 | |
That's their moment to shine. | 0:19:48 | 0:19:49 | |
If they look shit, then it will look shit. | 0:19:49 | 0:19:51 | |
Whilst James works out how to attract professional models | 0:19:51 | 0:19:54 | |
to an abandoned sock factory, | 0:19:54 | 0:19:56 | |
Jenna's at work and getting increasingly concerned | 0:19:56 | 0:19:59 | |
about what direction her wedding could be headed in without her input. | 0:19:59 | 0:20:04 | |
Do you think he'll go very traditional or do you think | 0:20:04 | 0:20:06 | |
-it'll be something quite modern and out there? -I don't know. | 0:20:06 | 0:20:11 | |
I don't know whether he's thinking of me, | 0:20:11 | 0:20:15 | |
whether I'll like it or not, or... | 0:20:15 | 0:20:18 | |
-If it fits in with whatever he's decided? -Yeah. | 0:20:18 | 0:20:20 | |
Do you think there's going to be loads of people there? | 0:20:20 | 0:20:23 | |
I hope not. I hope there's not people I don't know. | 0:20:23 | 0:20:26 | |
-Right, so you want it quite intimate and family. -Yeah. | 0:20:26 | 0:20:29 | |
I don't want it to be like, "Oh, why are you here?" | 0:20:29 | 0:20:32 | |
Cos I probably will say that. | 0:20:32 | 0:20:34 | |
So, Jenna doesn't want any strangers spoiling her big day, | 0:20:34 | 0:20:38 | |
but to pull off the ultimate fashion wedding, | 0:20:38 | 0:20:41 | |
James is hoping to invite a whole host of strangers. | 0:20:41 | 0:20:43 | |
And not just any old strangers, but stunning models, | 0:20:43 | 0:20:47 | |
who he wants to parade down the catwalk | 0:20:47 | 0:20:49 | |
moments before the couple say their vows. | 0:20:49 | 0:20:52 | |
Good afternoon, guys, you all right? | 0:20:53 | 0:20:55 | |
Cos every bride wants to be upstaged by models on their big day(!) | 0:20:55 | 0:21:00 | |
So, I'm James, this is Adam, | 0:21:00 | 0:21:03 | |
and we are planning a high-end fashion show wedding, | 0:21:03 | 0:21:07 | |
very sort of cutting edge. | 0:21:07 | 0:21:10 | |
You guys and girls need to kill it with attitude. | 0:21:10 | 0:21:13 | |
That is the main objective. | 0:21:13 | 0:21:16 | |
So literally, we want all eyes on you, stomping down, work your magic. | 0:21:16 | 0:21:21 | |
Er, shouldn't all eyes be on the bride? | 0:21:21 | 0:21:24 | |
One, two, three... | 0:21:24 | 0:21:26 | |
In a bid to wow his bride, | 0:21:28 | 0:21:30 | |
James is planning a grand entrance... for the, er, models. | 0:21:30 | 0:21:35 | |
-She's got a good stomp. -With music, she'll be really good. -Yeah. | 0:21:35 | 0:21:39 | |
He wants Jenna at the end of his catwalk aisle | 0:21:39 | 0:21:42 | |
stood spectating as a team of super-hot models | 0:21:42 | 0:21:45 | |
wearing cutting-edge fashion strut their stuff in front of her. | 0:21:45 | 0:21:50 | |
We need a tiny bit more attitude, but I think it's in there. | 0:21:50 | 0:21:54 | |
Hmm! | 0:21:58 | 0:22:00 | |
She's got a good walk. She has got a good walk. | 0:22:00 | 0:22:03 | |
-Sold. -Yep. -Definitely. | 0:22:04 | 0:22:07 | |
James's budget will only stretch to seven models, | 0:22:07 | 0:22:09 | |
so it's vital he chooses the ones he feels have the right look | 0:22:09 | 0:22:13 | |
and attitude to pull off his vision. | 0:22:13 | 0:22:16 | |
I can only take the front row forward. | 0:22:16 | 0:22:19 | |
Sorry, guys! | 0:22:20 | 0:22:23 | |
This is awful! | 0:22:23 | 0:22:25 | |
But maybe not as awful | 0:22:25 | 0:22:27 | |
as sharing a stage with models on your wedding day. | 0:22:27 | 0:22:30 | |
So, we've got seven models. | 0:22:30 | 0:22:32 | |
If we can make them look great, this catwalk's going to pop. | 0:22:32 | 0:22:36 | |
With his mob of models sorted, | 0:22:38 | 0:22:40 | |
he just needs something cutting edge for them to wear. | 0:22:40 | 0:22:44 | |
The bride is also thinking wedding outfits... | 0:22:46 | 0:22:49 | |
and what she would wear if she were in charge. | 0:22:49 | 0:22:53 | |
I want a traditional dress that's not going to go out of fashion. | 0:22:53 | 0:22:57 | |
I want something that's white and that's classic | 0:22:57 | 0:22:59 | |
and I'm not going to look back on it and be horrified. | 0:22:59 | 0:23:01 | |
-This is a lovely cut dress. -No. | 0:23:01 | 0:23:05 | |
-This is a really nice design. -No. | 0:23:05 | 0:23:07 | |
-I like that. -Fitted fishtail. -No. | 0:23:07 | 0:23:10 | |
This picky bride won't settle for anything less than the perfect | 0:23:10 | 0:23:14 | |
classic dress of her dreams. | 0:23:14 | 0:23:16 | |
This is a lovely all-over lace to try, really pretty. | 0:23:16 | 0:23:19 | |
-Yeah, I like that one. -I really like it. I think it's really pretty. | 0:23:19 | 0:23:23 | |
-Classic. It will just swish. -Oh, I love that. | 0:23:23 | 0:23:29 | |
-That's like a look-at-me dress, Jen. -That's what we want. | 0:23:29 | 0:23:32 | |
James has his very own distinctive dress dream for Jenna. | 0:23:33 | 0:23:37 | |
All he needs now is someone to make it a reality. | 0:23:37 | 0:23:41 | |
-Hello. -Hello, Claire? | 0:23:41 | 0:23:43 | |
-Yes, James. -Nice to meet you. | 0:23:43 | 0:23:44 | |
Shunning the fashion houses of Paris and Milan, | 0:23:44 | 0:23:47 | |
he's come to a dressmaker in Leicester. | 0:23:47 | 0:23:49 | |
I have tried to source a dress and what I'm thinking | 0:23:49 | 0:23:53 | |
-and what I'm looking for, I can't buy it. -It doesn't exist. -No. | 0:23:53 | 0:23:56 | |
Because it's all in your head at this stage. OK. | 0:23:56 | 0:24:00 | |
-The theme of the wedding is, it's going to be a fashion show. -OK. | 0:24:00 | 0:24:04 | |
What is it you would like Jenna to wear? | 0:24:04 | 0:24:07 | |
Obviously, it's going to be catwalk, | 0:24:07 | 0:24:09 | |
so it's not going to be a traditional wedding dress. | 0:24:09 | 0:24:11 | |
'This dress will be the master creation of the whole day.' | 0:24:11 | 0:24:16 | |
I don't like wedding dresses, I think they are tacky. | 0:24:16 | 0:24:19 | |
OK, here is the first dress, ladies. | 0:24:19 | 0:24:22 | |
Oh, I love it. | 0:24:22 | 0:24:23 | |
That's a shame, because his bride is trying on | 0:24:23 | 0:24:25 | |
a very traditional, lacy fishtail number. | 0:24:25 | 0:24:28 | |
-Oh, it is so pretty. -It is amazing. -I don't know. | 0:24:28 | 0:24:33 | |
I love it, but I love lace, so... | 0:24:33 | 0:24:35 | |
I don't feel like it's me, I don't feel like me in it. | 0:24:35 | 0:24:39 | |
While it is back to the wedding dress drawing board for Jenna, | 0:24:39 | 0:24:42 | |
James's non-wedding-dress dress is beginning to take shape. | 0:24:42 | 0:24:46 | |
-Jenna doesn't mind showing a bit of skin. -Right, OK. | 0:24:46 | 0:24:49 | |
Maybe it's a bit more underwear-y looking with something over it, | 0:24:49 | 0:24:52 | |
so it's not just... she's got a bra on. | 0:24:52 | 0:24:55 | |
I like the idea of having the sheer bits. | 0:24:55 | 0:24:57 | |
Like you say, she does like to be naked. | 0:24:57 | 0:24:59 | |
Even if the whole top could be quite nude... | 0:24:59 | 0:25:02 | |
From a distance, she could look like she was just wearing her underwear kind of thing. | 0:25:02 | 0:25:06 | |
Right. | 0:25:06 | 0:25:07 | |
It could look like she's only wearing bits of a dress. | 0:25:07 | 0:25:11 | |
Oh, that's pretty. | 0:25:14 | 0:25:15 | |
Unfortunately, Jenna is thinking more of a complete dress. | 0:25:15 | 0:25:19 | |
-I love that skirt. -A very complete and very traditional dress. | 0:25:19 | 0:25:25 | |
Look, when I walk, you see wedding shoe. | 0:25:25 | 0:25:27 | |
Is it timeless and traditional enough for Jenna? | 0:25:27 | 0:25:31 | |
I don't want to look back and be like, | 0:25:31 | 0:25:33 | |
"Oh, that's when them two-piece things were in." | 0:25:33 | 0:25:35 | |
Yeah, I know what you mean. Yes, like it's a fashion thing. | 0:25:35 | 0:25:39 | |
Well, how about a dress in lots of pieces | 0:25:41 | 0:25:43 | |
with see-through bits in between? | 0:25:43 | 0:25:46 | |
-Well, you have this bit that's sheer, then the middle... -Yes. | 0:25:46 | 0:25:49 | |
Then this covered and then maybe sheer again. | 0:25:49 | 0:25:52 | |
-Sheer and then something very dramatic at the bottom. -Yes. | 0:25:52 | 0:25:55 | |
So, we would have a sheer bit here, filled in, sheer, filled in, | 0:25:55 | 0:25:58 | |
sheer and then possibly feathers? | 0:25:58 | 0:26:00 | |
Yeah. It's got that high-fashion cutting-edge feel to it. | 0:26:00 | 0:26:04 | |
This wouldn't be like a traditional dress for a traditional bride. | 0:26:04 | 0:26:08 | |
Traditional bride Jenna has found her dream traditional dress. | 0:26:08 | 0:26:12 | |
THEY GASP | 0:26:12 | 0:26:14 | |
-That is amazing. -That is beautiful. -Yeah, I love it. | 0:26:14 | 0:26:19 | |
Classic, understated and very elegant. | 0:26:19 | 0:26:22 | |
Definitely that, that suits you. | 0:26:22 | 0:26:24 | |
-I love it. -This dress is timeless. | 0:26:26 | 0:26:28 | |
-It's not got anything on it, it's plain. -Give me a twirl. | 0:26:29 | 0:26:34 | |
Oh, it's beautiful. | 0:26:34 | 0:26:36 | |
Why do you keep staring like that? | 0:26:36 | 0:26:37 | |
No, because I know I'm not going to have it. | 0:26:37 | 0:26:40 | |
He's going to get me something vile. | 0:26:40 | 0:26:43 | |
-Are you worried now? -Yeah, really worried. | 0:26:43 | 0:26:46 | |
Now that you've got an image in your head of what you want. | 0:26:46 | 0:26:49 | |
Oh, God! What's he going to get? | 0:26:49 | 0:26:51 | |
Nothing is going to be the same as this dress. | 0:26:51 | 0:26:54 | |
Unless it is this dress. | 0:26:54 | 0:26:57 | |
Back at the dressmaker's, James's extreme design is finished, | 0:26:57 | 0:27:00 | |
along with Jenna's hopes of anything | 0:27:00 | 0:27:02 | |
even resembling a traditional wedding dress. | 0:27:02 | 0:27:05 | |
-Can you see Jenna wearing it? -Yes. It's certainly different. | 0:27:05 | 0:27:09 | |
OK, we're looking at about 909 | 0:27:09 | 0:27:11 | |
altogether with your underwear and hoop. | 0:27:11 | 0:27:13 | |
We have a deal. | 0:27:13 | 0:27:15 | |
Jenna loves modern fashion, cutting-edge design, | 0:27:15 | 0:27:17 | |
so hopefully, she will like it, because it is unique, | 0:27:17 | 0:27:21 | |
it is bespoke and it is high-end and has that cutting-edge feel to it. | 0:27:21 | 0:27:25 | |
It is a big risk, because we're not going to know what it looks like until the day. | 0:27:26 | 0:27:30 | |
Obviously we've got it drawn up and it's a sketch, | 0:27:30 | 0:27:32 | |
but nobody's going to see the dress until Jenna has got it on. | 0:27:32 | 0:27:36 | |
Because James's design is so revealing, the dressmaker needs | 0:27:36 | 0:27:39 | |
some of Jenna's underwear, so she can make precise cuts | 0:27:39 | 0:27:43 | |
and hopefully avoid any embarrassing flashes on the big day. | 0:27:43 | 0:27:46 | |
-Literally, I am shaking like a -BLEEPING -duck. | 0:27:48 | 0:27:50 | |
HE LAUGHS | 0:27:50 | 0:27:51 | |
Shit! You hold these, because I'll start jingling. | 0:27:53 | 0:27:56 | |
Start jingling, mate, we're in the shit... | 0:27:56 | 0:27:59 | |
Right, we need to be quiet. | 0:27:59 | 0:28:00 | |
The boys need to get hold of Jenna's underwear, | 0:28:00 | 0:28:04 | |
without her suspecting a thing. | 0:28:04 | 0:28:06 | |
Luckily, these lads have worked out the knack for nicking knickers. | 0:28:09 | 0:28:14 | |
-Hiya. Are you all right? -Yes. -Good. -What have you got for me? | 0:28:18 | 0:28:23 | |
While Adam distracts Jenna with details about the hen do, | 0:28:23 | 0:28:26 | |
James seizes his moment. | 0:28:26 | 0:28:28 | |
-There needs to be roughly ten people. -Yeah. | 0:28:28 | 0:28:32 | |
DOGS BARK | 0:28:42 | 0:28:43 | |
Shh! | 0:28:43 | 0:28:45 | |
You'll give the game away. | 0:28:45 | 0:28:46 | |
HE WHISPERS | 0:28:46 | 0:28:48 | |
I can go through a few more bits then. But if you can tell... | 0:28:51 | 0:28:56 | |
Does that mean you can tell me what I can wear? | 0:28:56 | 0:28:59 | |
-So has everybody got a pack for everything? -Yeah, yeah. | 0:28:59 | 0:29:02 | |
That's all I can say at the moment. | 0:29:02 | 0:29:04 | |
-I've got to rush...off. -OK. | 0:29:04 | 0:29:07 | |
I've got to go. I'll see you later. | 0:29:07 | 0:29:10 | |
See you in a bit. | 0:29:10 | 0:29:12 | |
I've no idea what that means. | 0:29:12 | 0:29:14 | |
With all Jenna's vital details, the designer can put together James's vision | 0:29:14 | 0:29:17 | |
of a sexy, cutting-edge wedding dress as the centrepiece for his big day. | 0:29:17 | 0:29:23 | |
There's no turning back now. | 0:29:23 | 0:29:24 | |
With Jenna's dress being prepared for the catwalk, | 0:29:27 | 0:29:30 | |
there's one thing James still needs and that's the catwalk. | 0:29:30 | 0:29:34 | |
Could we seal the deal now, shake on it and do it for 3,000 all in? | 0:29:34 | 0:29:39 | |
Yes, we can. We can do it. | 0:29:39 | 0:29:41 | |
We'll do it for you for £3,000 including the VAT. | 0:29:41 | 0:29:44 | |
Perfect. You're an absolute legend. | 0:29:44 | 0:29:47 | |
We've just nailed the daddy of catwalks. | 0:29:53 | 0:29:55 | |
It's proper, decent equipment that we've got. I can't believe it. | 0:29:55 | 0:30:00 | |
Looking at those catwalks at Fashion Week, we've got that. | 0:30:00 | 0:30:04 | |
That is amazing. | 0:30:04 | 0:30:06 | |
Seriously. Well happy. | 0:30:06 | 0:30:09 | |
With everything falling into place, | 0:30:09 | 0:30:11 | |
James makes a call to Savita, the fashion-house founder he met | 0:30:11 | 0:30:14 | |
at London Fashion Week, | 0:30:14 | 0:30:16 | |
to take her up on the offer of help for their show. | 0:30:16 | 0:30:20 | |
I'm looking for someone to help backstage, | 0:30:20 | 0:30:23 | |
-you know, with hair and make-up. -That's no problem. | 0:30:23 | 0:30:26 | |
Basically, you can have styling and fitting. | 0:30:26 | 0:30:29 | |
I can bring my second-in-command with me, so that's not a problem. | 0:30:29 | 0:30:33 | |
-You're doing it like a fashion show, though we know it's a wedding. -Yeah. | 0:30:33 | 0:30:37 | |
-We don't want to take too much attention away from the gorgeous bride. -No. | 0:30:37 | 0:30:41 | |
-She wouldn't be happy if that happens, trust me. -Of course not. | 0:30:41 | 0:30:44 | |
She's quite vocal, she's very vocal. | 0:30:44 | 0:30:47 | |
-Is the bride-to-be really into fashion? -Yes. | 0:30:47 | 0:30:51 | |
Well, we both are, really. | 0:30:51 | 0:30:52 | |
We're both hairdressers, so it kind of comes with the territory. | 0:30:52 | 0:30:55 | |
That won't be a problem, sourcing hair and make-up artists for you. | 0:30:55 | 0:31:00 | |
-They're actually one of the top in London. -Thank you. See you soon. | 0:31:00 | 0:31:04 | |
We've got Savita and her top A team to literally come and sort us out. | 0:31:04 | 0:31:09 | |
This crisis is getting bigger and bigger, isn't it? | 0:31:09 | 0:31:12 | |
The boys bag a top fashion team for the cost of £600 | 0:31:12 | 0:31:14 | |
to cover their expenses, leaving just under £4,000 with a week to go. | 0:31:14 | 0:31:20 | |
Time to start spending that money like it's going out of fashion. | 0:31:20 | 0:31:24 | |
Flowers done, now we need rings. | 0:31:24 | 0:31:27 | |
Jenna, we are going for platinum. | 0:31:27 | 0:31:29 | |
For you, we're doing palladium. | 0:31:29 | 0:31:31 | |
Look what I have found. | 0:31:31 | 0:31:34 | |
-For Noah. -Oh! | 0:31:34 | 0:31:36 | |
Next on the list, | 0:31:36 | 0:31:37 | |
seating and props for his fashion shoot reception. | 0:31:37 | 0:31:40 | |
-£700. -Yes. -Perfect. | 0:31:40 | 0:31:43 | |
But there is one traditional touch - tuxedos. | 0:31:45 | 0:31:48 | |
Although the boys won't be wearing them, | 0:31:48 | 0:31:51 | |
-the bridesmaids will. -Bridesmaids? | 0:31:51 | 0:31:53 | |
-Bridesmaids. -I think you're in the wrong shop. This is menswear. | 0:31:53 | 0:31:57 | |
They won't be upstaging the bride, then - | 0:31:57 | 0:31:59 | |
let's leave the models to do that. | 0:31:59 | 0:32:02 | |
So, we're going for two of those, one of those, two cummerbunds, | 0:32:02 | 0:32:06 | |
three cummerbunds, two bow ties, £520. | 0:32:06 | 0:32:09 | |
-A deal? -Deal. -Happy? -Sweet. -Thank you. | 0:32:11 | 0:32:15 | |
Finally, the most important element of any fashion show, fashion. | 0:32:15 | 0:32:20 | |
The lads might have a limited budget, but they've also had a brainwave. | 0:32:20 | 0:32:23 | |
They've come to De Montfort University | 0:32:23 | 0:32:25 | |
to try and borrow statement pieces from | 0:32:25 | 0:32:27 | |
the fashion students to make the models | 0:32:27 | 0:32:30 | |
really stand out on the catwalk. | 0:32:30 | 0:32:32 | |
I like the layers and I just like the length of everything. | 0:32:32 | 0:32:35 | |
You can almost imagine one of the models, like, our models in it. | 0:32:35 | 0:32:39 | |
-I like this. -No, I like the pleating feel. | 0:32:39 | 0:32:41 | |
And I like the combination of the black with the bright colours | 0:32:41 | 0:32:45 | |
that really stand out. | 0:32:45 | 0:32:46 | |
With a week until the wedding, it's time for the hen do, | 0:32:46 | 0:32:49 | |
and to throw the girls off the scent, James has arranged something | 0:32:49 | 0:32:53 | |
a little more locker room than catwalk. | 0:32:53 | 0:32:56 | |
-What the -BLEEP -is that? We better not be playing football. | 0:32:56 | 0:32:59 | |
This is what lads should be doing, not us. | 0:32:59 | 0:33:01 | |
We want to be relaxing in a nice spa with a glass of fizz. | 0:33:01 | 0:33:05 | |
Do you know what I mean? Just chilling out. | 0:33:05 | 0:33:08 | |
Well, the good news is, the boys aren't completely stupid. | 0:33:08 | 0:33:11 | |
They do have a pampering session and cheeky glass of fizz set up. | 0:33:14 | 0:33:19 | |
I feel like I'm floating. | 0:33:19 | 0:33:21 | |
But the bad news is, | 0:33:21 | 0:33:22 | |
it's for themselves. | 0:33:22 | 0:33:24 | |
Definitely living the life. | 0:33:24 | 0:33:27 | |
This is the best part. | 0:33:27 | 0:33:29 | |
-I don't even like football. -I just don't want to be here, like... | 0:33:30 | 0:33:33 | |
Why would I want to come to a place like this on my hen do? | 0:33:33 | 0:33:36 | |
Are they all still in that football kit? | 0:33:36 | 0:33:39 | |
Stinking of sweat, with orange segments in their gobs... | 0:33:39 | 0:33:43 | |
..moaning. | 0:33:44 | 0:33:47 | |
Ladies... | 0:33:47 | 0:33:48 | |
Grrr! | 0:33:48 | 0:33:50 | |
-I don't know the offside rule. -There's no offside. -Good. | 0:33:50 | 0:33:54 | |
That's fine then. | 0:33:54 | 0:33:55 | |
WHISTLE BLOWS | 0:33:57 | 0:33:59 | |
What could possibly go wrong? | 0:34:02 | 0:34:04 | |
-I've broke my finger, broke my finger. -What? | 0:34:14 | 0:34:17 | |
Less than two minutes into the game and they have their first casualty. | 0:34:21 | 0:34:25 | |
-She's broke her finger. -OK. Oh, bloody hell. | 0:34:25 | 0:34:28 | |
I'm in so much pain. | 0:34:31 | 0:34:32 | |
The girls head to A&E and both Sam's finger | 0:34:34 | 0:34:37 | |
and Jenna's hen do are put on ice. | 0:34:37 | 0:34:40 | |
This hen do has gone from bad to worse and you've got to go | 0:34:40 | 0:34:43 | |
and try and enjoy yourself after all this and I don't even get to come. | 0:34:43 | 0:34:47 | |
Right, get up. | 0:34:47 | 0:34:49 | |
Let's go, let's go! | 0:34:52 | 0:34:54 | |
With Sam in hospital, Jenna bravely decides to carry on with | 0:34:54 | 0:34:57 | |
the next stage of the hen do James has organised. | 0:34:57 | 0:35:00 | |
Oblivious to the girls' medical emergency, | 0:35:02 | 0:35:05 | |
the boys are out on James's stag do. | 0:35:05 | 0:35:08 | |
On the hen do, Sam's back and Jess has decided to demand | 0:35:14 | 0:35:18 | |
compensation from the groom in the form of beer money. | 0:35:18 | 0:35:23 | |
Sam, at the football place, has broke her finger | 0:35:23 | 0:35:27 | |
-and she has sat in A&E for two hours. -No, four. | 0:35:27 | 0:35:31 | |
Two hours later and apparently, Sam has broken her finger. | 0:35:31 | 0:35:35 | |
-She's what? -How did Sam break her finger? | 0:35:35 | 0:35:38 | |
Swear to God, we've got in Birmingham two hours late, | 0:35:38 | 0:35:42 | |
-we deserve more money. -So we've got to pay for that? -Her finger! | 0:35:42 | 0:35:46 | |
-We've got to pay for a finger? -£100. | 0:35:46 | 0:35:49 | |
-What are we going to give them? -50 quid. -50 quid. | 0:35:51 | 0:35:54 | |
£50. All right. See you later. | 0:35:54 | 0:35:56 | |
No! | 0:35:56 | 0:35:58 | |
Victory! | 0:35:59 | 0:36:01 | |
But the hen do has left some of the girls worrying about what lies ahead. | 0:36:01 | 0:36:06 | |
I just feel a bit frustrated, to be honest. | 0:36:06 | 0:36:09 | |
At the minute, I'm not thinking greatly of what's going to happen with the wedding. | 0:36:09 | 0:36:14 | |
It's the morning after the disastrous hen do. | 0:36:21 | 0:36:24 | |
Time for the bridesmaids to see their wedding outfits. | 0:36:24 | 0:36:27 | |
Let's hope James's untraditional choices don't add insult to injury. | 0:36:27 | 0:36:31 | |
Literally. | 0:36:31 | 0:36:33 | |
Welcome. There's nothing to be worried about. | 0:36:33 | 0:36:36 | |
What could possibly go wrong? | 0:36:36 | 0:36:37 | |
-A broken finger. -Anyway, never mind. | 0:36:37 | 0:36:39 | |
Right, we're going to take a seat on our lovely little sofa. | 0:36:39 | 0:36:43 | |
I'd like to tell you I'm excited, but I'd be lying. | 0:36:43 | 0:36:46 | |
Another couch. | 0:36:46 | 0:36:48 | |
-What is going on? -Close your eyes. | 0:36:51 | 0:36:55 | |
-I can't cope. -I can't cope. | 0:36:55 | 0:36:57 | |
I don't want to open my eyes. | 0:36:59 | 0:37:00 | |
-I know. -OK, after three. One, two, three. | 0:37:00 | 0:37:04 | |
What the hell? No way am I wearing that! | 0:37:04 | 0:37:06 | |
No way. I can't believe you've done that. | 0:37:06 | 0:37:08 | |
Surely that's for a bloke. What is Jenna going to say? | 0:37:08 | 0:37:12 | |
She'll like it. | 0:37:12 | 0:37:14 | |
I don't think she will. | 0:37:14 | 0:37:16 | |
When everything comes together, you've got to trust us. | 0:37:16 | 0:37:19 | |
This has made me think, | 0:37:19 | 0:37:20 | |
-what the -BLEEP -have you done for the wedding day? | 0:37:20 | 0:37:23 | |
-I'm in shock. -I can't believe we're going to wear a suit. | 0:37:24 | 0:37:27 | |
I wanted to feel nice for her, for me. | 0:37:27 | 0:37:30 | |
I can't get my head round it right now. | 0:37:30 | 0:37:32 | |
Reluctantly, the girls head to the changing rooms - | 0:37:32 | 0:37:36 | |
the men's changing rooms, obviously, | 0:37:36 | 0:37:38 | |
to see what their tuxedos look like on. | 0:37:38 | 0:37:40 | |
-I like it. -How are we feeling? | 0:37:46 | 0:37:49 | |
Like a twat. | 0:37:49 | 0:37:50 | |
That is horrific. | 0:37:52 | 0:37:54 | |
He is convinced that she's going to like it. | 0:37:54 | 0:37:57 | |
I don't get it. Why would she like it? | 0:37:57 | 0:37:59 | |
It's her wedding day, like... | 0:37:59 | 0:38:01 | |
Any other time, any other location, | 0:38:01 | 0:38:03 | |
she might not be too bad about it, but it's her wedding day. | 0:38:03 | 0:38:06 | |
I'm kind of having second thoughts about everything. | 0:38:06 | 0:38:09 | |
The whole thing could go tits up, to be honest, | 0:38:09 | 0:38:11 | |
and now it kind of puts doubt in your head for everything. | 0:38:11 | 0:38:14 | |
So, this is how my creative mind works. | 0:38:14 | 0:38:16 | |
It might not necessarily be to everybody's taste, | 0:38:16 | 0:38:19 | |
it's just me having that creative licence. | 0:38:19 | 0:38:21 | |
Our relationship isn't a traditional, typical, | 0:38:21 | 0:38:24 | |
normal relationship and I think this wedding just shows that | 0:38:24 | 0:38:27 | |
and it just speaks... volumes for itself. | 0:38:27 | 0:38:30 | |
The bridesmaids and now even his best man believe | 0:38:30 | 0:38:33 | |
James may have misjudged Jenna's taste, | 0:38:33 | 0:38:36 | |
but the groom himself remains confident | 0:38:36 | 0:38:39 | |
that he knows his bride and what she wants on her big day. | 0:38:39 | 0:38:43 | |
With the wedding only a day away, the moment of truth is here. | 0:38:48 | 0:38:52 | |
Jenna is about to see the cutting-edge dress | 0:38:52 | 0:38:55 | |
James has designed for her to wear tomorrow. | 0:38:55 | 0:38:57 | |
Hi, everyone. Come on in. Hi. | 0:38:57 | 0:38:59 | |
'The dress is really important to me. | 0:38:59 | 0:39:02 | |
'It's one of the main things that everyone looks at, at a wedding, | 0:39:02 | 0:39:04 | |
'and if it's wrong, then it's going to be...disaster.' | 0:39:04 | 0:39:07 | |
I don't want it to be too in your face or too out there. | 0:39:09 | 0:39:12 | |
I just want it to be remembered as a nice day. | 0:39:12 | 0:39:15 | |
Not wacky. | 0:39:15 | 0:39:16 | |
I feel dead anxious. | 0:39:16 | 0:39:18 | |
You know how weird he can be. | 0:39:19 | 0:39:21 | |
You say that, yeah, I am, yeah, I am nervous for you. | 0:39:21 | 0:39:23 | |
Oh, God. I'm really nervous. | 0:39:23 | 0:39:25 | |
-Are you? -I'm nervous I'm not going to like it. | 0:39:25 | 0:39:28 | |
I don't know. | 0:39:29 | 0:39:30 | |
-Let's... I just want to get it on. -Yeah. -Get it on. -Yeah. | 0:39:30 | 0:39:34 | |
So, do you want to come and, er, have a look at it? | 0:39:34 | 0:39:36 | |
-OK. -SHE SIGHS | 0:39:36 | 0:39:39 | |
-Are you ready, Jenna, to see this dress? -I think so. -Are you sure? -No. | 0:39:41 | 0:39:44 | |
-SHE LAUGHS -Can I close my eyes? | 0:39:44 | 0:39:46 | |
Oh, my God, I'm so scared | 0:39:46 | 0:39:48 | |
that I'm not going to like it. | 0:39:48 | 0:39:50 | |
Oh, my! I can't cope. | 0:39:50 | 0:39:52 | |
Jenna wanted a traditional, timeless wedding dress, | 0:39:53 | 0:39:56 | |
but what will she make of the revealing number that James | 0:39:56 | 0:39:59 | |
has designed for her catwalk-themed wedding? | 0:39:59 | 0:40:02 | |
Oh, my God. | 0:40:05 | 0:40:07 | |
Oh, my... | 0:40:07 | 0:40:09 | |
Is that a good "Oh, my God"? | 0:40:09 | 0:40:11 | |
I don't... I'm not sure. | 0:40:11 | 0:40:13 | |
It's just not what I would've picked. | 0:40:13 | 0:40:15 | |
It's nothing like the traditional dress I wanted. | 0:40:15 | 0:40:18 | |
Um... | 0:40:19 | 0:40:21 | |
-It's complete opposite. -Oh, my God, really? | 0:40:21 | 0:40:24 | |
Yeah. | 0:40:24 | 0:40:26 | |
-Let's get it on. -Let's get it on! | 0:40:26 | 0:40:28 | |
Oh, my God. | 0:40:28 | 0:40:30 | |
Come on, come on, come on, come on. | 0:40:37 | 0:40:39 | |
-Oh, my God. -Oh, my God. -Do you like it? | 0:40:39 | 0:40:43 | |
-Oh, my God. -It's literally not what I would pick. | 0:40:43 | 0:40:45 | |
It's just so, yeah, different. | 0:40:45 | 0:40:47 | |
-Are you ready to see yourself in a mirror? -Definitely. -OK. | 0:40:47 | 0:40:51 | |
Let's do it. | 0:40:51 | 0:40:53 | |
-Yeah. -And there we go. | 0:40:55 | 0:40:57 | |
SLOW HEARTBEAT | 0:40:57 | 0:40:59 | |
I love it. | 0:41:03 | 0:41:04 | |
# Ooh, singing... # | 0:41:04 | 0:41:07 | |
He's got it down...to a T with that, perfect. | 0:41:07 | 0:41:11 | |
I'm so annoyed! | 0:41:11 | 0:41:14 | |
LAUGHTER | 0:41:14 | 0:41:16 | |
Damn! | 0:41:16 | 0:41:17 | |
-The boy did good. -Boy did great. -He did. | 0:41:17 | 0:41:20 | |
-She likes her bum. -My bum looks... | 0:41:20 | 0:41:21 | |
LAUGHTER | 0:41:21 | 0:41:23 | |
-Your bum locks in. -Yeah, that's what I like. | 0:41:23 | 0:41:26 | |
-I am shocked I like it. -Yeah. | 0:41:26 | 0:41:28 | |
But I think I prefer this better than the other one. | 0:41:28 | 0:41:31 | |
-What? -I know. -Really? | 0:41:31 | 0:41:33 | |
I can't...I don't, I can't believe it. | 0:41:33 | 0:41:36 | |
I prefer it, cos it's more runway. | 0:41:36 | 0:41:38 | |
-Yeah. -What the hell's wrong with me? | 0:41:38 | 0:41:41 | |
-What? It's like you've just... -Changed my mind. | 0:41:41 | 0:41:44 | |
-I know, what are you doing? -I know. | 0:41:44 | 0:41:46 | |
You were unsure, like you say, of how you felt... | 0:41:46 | 0:41:48 | |
-This wouldn't go in a castle. -No, course it wouldn't. | 0:41:48 | 0:41:51 | |
-I think in her head, she wanted a traditional, timeless kind of dress. -She was lost. Mm. | 0:41:51 | 0:41:55 | |
And I think that's what she THOUGHT she wanted for her big day, but then this dress is more her. | 0:41:55 | 0:41:59 | |
This is more like runway, like, more fashionable. | 0:41:59 | 0:42:03 | |
But I do like runway, so, maybe he knew that I'd like it, | 0:42:03 | 0:42:07 | |
and I do, I love it. | 0:42:07 | 0:42:09 | |
With his take on a wedding dress a success, | 0:42:09 | 0:42:12 | |
perhaps this groom's fashion show runway wedding | 0:42:12 | 0:42:15 | |
could take off tomorrow. | 0:42:15 | 0:42:17 | |
It's the morning of the wedding. | 0:42:25 | 0:42:27 | |
All the elements for James's day are coming together. | 0:42:27 | 0:42:30 | |
The transformation from lowly sock factory | 0:42:30 | 0:42:32 | |
to high-end fashion show venue is almost complete. | 0:42:32 | 0:42:37 | |
The models have arrived... | 0:42:37 | 0:42:39 | |
-Good journey? -Yes, thank you. | 0:42:39 | 0:42:41 | |
..as have fashion founder Savita and her team from London Fashion Week. | 0:42:41 | 0:42:46 | |
This is just inspiration for the models. | 0:42:46 | 0:42:50 | |
All coming together, isn't it? So it's...it's the build-up | 0:42:50 | 0:42:52 | |
and it's the excitement. | 0:42:52 | 0:42:54 | |
But it's that nervous adrenaline feeling. | 0:42:54 | 0:42:57 | |
Quite scary, but scary in a positive and good way. | 0:42:57 | 0:43:00 | |
Back at home, Jenna's morning is also off to a flawless start. | 0:43:00 | 0:43:04 | |
-Hi! You OK? -We've got your make-up. -Yeah! Thank God. We've got make-up! | 0:43:04 | 0:43:09 | |
-CHEERING -Ooh! | 0:43:09 | 0:43:12 | |
-OK, so we've been given a style to do... -Yeah. | 0:43:12 | 0:43:14 | |
..so, it's going to be kind of heavy, smoky eyes, | 0:43:14 | 0:43:18 | |
a lot of contour... | 0:43:18 | 0:43:19 | |
Yes! This is what I've been saying the whole time. | 0:43:19 | 0:43:22 | |
LAUGHTER | 0:43:22 | 0:43:23 | |
What about my lips? Have I got pink lips? | 0:43:23 | 0:43:26 | |
Nail colours. | 0:43:26 | 0:43:28 | |
-This colour? -Supposed to match your nail colour. -Perfect. | 0:43:28 | 0:43:30 | |
But it's not just Jenna that James wants to look her very best today. | 0:43:30 | 0:43:35 | |
He has hair, make-up and cutting-edge clothing for the beautiful models, | 0:43:35 | 0:43:39 | |
who'll be out to steal the show before the bride has her chance to. | 0:43:39 | 0:43:43 | |
-So, we've got nine outfits... -Yeah. | 0:43:43 | 0:43:46 | |
I was wanting the models, kind of, to fluff it out a little bit more... | 0:43:46 | 0:43:49 | |
-Mm. -..so we'll probably send five guests down, | 0:43:49 | 0:43:51 | |
-maybe the bridesmaids... -Mm. -..and then a model | 0:43:51 | 0:43:54 | |
and then, some more guests, then another model, | 0:43:54 | 0:43:56 | |
-so they're kind of... -You're going to stagger it a little bit. -Yeah. | 0:43:56 | 0:43:59 | |
-OK, that's no problem. -So they kind of fit in with... -Yeah. | 0:43:59 | 0:44:02 | |
OK, now I've got it. And guests, what time are they arriving? | 0:44:02 | 0:44:05 | |
-Two... -Two o'clock. So, I will have them in running order for you, | 0:44:05 | 0:44:09 | |
-just like a fashion show. -Perfect. | 0:44:09 | 0:44:11 | |
Walk. | 0:44:11 | 0:44:13 | |
Pose. | 0:44:13 | 0:44:14 | |
I like the fact that the models' outfits | 0:44:14 | 0:44:17 | |
are going to really stand out, | 0:44:17 | 0:44:19 | |
so it will all look beautiful on the runway. | 0:44:19 | 0:44:21 | |
I wouldn't want professional models at my wedding. | 0:44:21 | 0:44:23 | |
So, imagine if we were like Cara Delevingne. | 0:44:23 | 0:44:26 | |
I would not want her at my wedding. | 0:44:26 | 0:44:27 | |
SHE LAUGHS | 0:44:27 | 0:44:29 | |
Back at home, Jenna is about to get her first clue | 0:44:29 | 0:44:32 | |
that she may not be getting the timeless, traditional wedding | 0:44:32 | 0:44:35 | |
she dreamed of. | 0:44:35 | 0:44:36 | |
-What the -BLEEP? | 0:44:36 | 0:44:38 | |
LAUGHTER | 0:44:38 | 0:44:39 | |
We're in men's suits. | 0:44:39 | 0:44:41 | |
-Are they men's? -Yeah. -Yes. | 0:44:41 | 0:44:43 | |
They've been tailored, though. | 0:44:43 | 0:44:45 | |
-I like it. -I knew you'd like it! I knew you'd like it! | 0:44:45 | 0:44:48 | |
-I want one! -LAUGHTER | 0:44:48 | 0:44:51 | |
Incredibly, the bridesmaids' tuxedos suit the bride perfectly. | 0:44:51 | 0:44:56 | |
But back at the sock factory, | 0:44:56 | 0:44:58 | |
a nervous James has no idea that so far, he hasn't put a foot wrong. | 0:44:58 | 0:45:03 | |
-Feeling a bit real now, isn't it? -A little bit, now everyone's here. | 0:45:03 | 0:45:06 | |
I think it's going to be more real once the bridesmaids are here, | 0:45:06 | 0:45:09 | |
then you know Jenna's on the way. | 0:45:09 | 0:45:11 | |
I'm really happy. Just nervous. | 0:45:11 | 0:45:14 | |
I just want to get there. | 0:45:14 | 0:45:15 | |
With everything ready at the venue, | 0:45:15 | 0:45:17 | |
Jenna is ready to leave home in James's high-fashion dress. | 0:45:17 | 0:45:21 | |
Where do you reckon we're going, then? | 0:45:24 | 0:45:26 | |
God knows. | 0:45:26 | 0:45:29 | |
Well, we're going past the church. | 0:45:29 | 0:45:31 | |
That's a no-go. | 0:45:32 | 0:45:34 | |
Jenna's only minutes away. | 0:45:34 | 0:45:36 | |
James just has time to brief his guests about the key role | 0:45:36 | 0:45:39 | |
they have to play in the wedding. | 0:45:39 | 0:45:41 | |
JAMES WHISTLES | 0:45:41 | 0:45:42 | |
You're actually at the James and Jenna fashion show. | 0:45:42 | 0:45:45 | |
Jenna's going to come through the room | 0:45:45 | 0:45:47 | |
and we're going to come in to her, | 0:45:47 | 0:45:49 | |
so there's a bit of a slight role reversal of the whole thing, | 0:45:49 | 0:45:51 | |
but we've not done anything normal. | 0:45:51 | 0:45:53 | |
So, once we go in there, there's a catwalk, | 0:45:53 | 0:45:56 | |
you're all going to walk down it and then sit down. | 0:45:56 | 0:45:59 | |
There's a few models in there as well, so they'll mingle in with you. | 0:45:59 | 0:46:03 | |
So, we're going to move in. | 0:46:03 | 0:46:05 | |
-Everyone all right with that? -Yeah. | 0:46:05 | 0:46:06 | |
Oh! Why are we going this way? | 0:46:06 | 0:46:09 | |
HE LAUGHS | 0:46:09 | 0:46:10 | |
James needs just one final piece of the jigsaw to fall into place... | 0:46:12 | 0:46:17 | |
Jenna. | 0:46:17 | 0:46:19 | |
Oh! | 0:46:19 | 0:46:20 | |
But the bride is realising she won't be getting | 0:46:21 | 0:46:23 | |
her dream of a timeless and classic country manor house. | 0:46:23 | 0:46:27 | |
-We're in a... Where the -BLEEP -are we? | 0:46:30 | 0:46:33 | |
-Here we are. -Oh, my... Where are we? | 0:46:37 | 0:46:40 | |
Can James's urban industrial chic win her over? | 0:46:40 | 0:46:44 | |
I'm not happy, I'm not happy, I am not happy. | 0:46:44 | 0:46:48 | |
The bride has arrived. | 0:46:51 | 0:46:53 | |
The guests are in place and the models are set to strut their stuff. | 0:46:53 | 0:46:58 | |
-Oh, is she here? -Yeah. | 0:46:58 | 0:47:00 | |
-Sharpen up. -SHE LAUGHS | 0:47:00 | 0:47:02 | |
Joe and Dave and Joseph, then Mum and Dad and Colin | 0:47:02 | 0:47:05 | |
and then whoever in order. Yeah, and let's do her last. | 0:47:05 | 0:47:08 | |
Oh, thank you. | 0:47:08 | 0:47:10 | |
-INDISTINCT VOICE -Shut up. | 0:47:11 | 0:47:13 | |
Right, am I walking in on my own? | 0:47:13 | 0:47:15 | |
Joy. | 0:47:15 | 0:47:17 | |
Ssh. | 0:47:17 | 0:47:18 | |
I'm not happy. | 0:47:18 | 0:47:20 | |
What's this on here? Like, what is this? | 0:47:20 | 0:47:23 | |
I can't be walking past this. Oh... | 0:47:23 | 0:47:27 | |
Oh, my God. Are you joking? | 0:47:31 | 0:47:33 | |
This is horrendous. | 0:47:35 | 0:47:36 | |
I don't even want to be here. | 0:47:38 | 0:47:41 | |
This is awful. | 0:47:41 | 0:47:42 | |
Safe to say Jenna's not wowed so far. | 0:47:45 | 0:47:49 | |
Am I looking this way? | 0:47:49 | 0:47:51 | |
Will James's fashion show ceremony, | 0:47:51 | 0:47:53 | |
complete with wedding guests and troupe of hot models, | 0:47:53 | 0:47:56 | |
win her over? | 0:47:56 | 0:47:58 | |
Oh... | 0:47:58 | 0:47:59 | |
MUSIC: Donatella by Lady Gaga | 0:47:59 | 0:48:02 | |
# I am so fab | 0:48:02 | 0:48:05 | |
# Check out, I'm blonde | 0:48:05 | 0:48:08 | |
# I'm skinny | 0:48:08 | 0:48:10 | |
# I'm rich | 0:48:10 | 0:48:12 | |
# And I am a little bit of a bitch... # | 0:48:12 | 0:48:14 | |
What's that? | 0:48:14 | 0:48:15 | |
# I wanna dress you up in silk... | 0:48:15 | 0:48:20 | |
# Taffeta... # | 0:48:20 | 0:48:21 | |
Backstage, James has no idea how his runway wedding is going down, | 0:48:23 | 0:48:27 | |
so he's sticking to plan A, keep sending those models out. | 0:48:27 | 0:48:32 | |
No, I don't want to be here. | 0:48:32 | 0:48:35 | |
Please. | 0:48:35 | 0:48:36 | |
You'll be all right when James comes. | 0:48:36 | 0:48:38 | |
Who are these people?! | 0:48:38 | 0:48:40 | |
# Mi-mi-bella! | 0:48:40 | 0:48:42 | |
# I'm a rich bitch, I'm the upper class | 0:48:42 | 0:48:45 | |
# All of the day | 0:48:45 | 0:48:46 | |
# I'm the pearl | 0:48:46 | 0:48:48 | |
# I'm gonna smoke Marlboro Lights And drink champagne | 0:48:48 | 0:48:50 | |
# I smoke Marlboro reds and drink champagne... # | 0:48:50 | 0:48:54 | |
Five, six, go. | 0:48:54 | 0:48:55 | |
# What do you think Is the new thing?... # | 0:48:55 | 0:48:59 | |
MUSIC DROWNS SPEECH | 0:48:59 | 0:49:01 | |
# What do you wanna wear This season? | 0:49:01 | 0:49:04 | |
INSTRUMENTAL | 0:49:04 | 0:49:05 | |
MUSIC FADES AND APPLAUSE | 0:49:05 | 0:49:09 | |
After three weeks, | 0:49:15 | 0:49:16 | |
it's finally time for James to walk down his own aisle | 0:49:16 | 0:49:20 | |
and marry his bride. | 0:49:20 | 0:49:22 | |
IF she will say, "I do." | 0:49:22 | 0:49:24 | |
Do you, Jenna and James, realise that this ceremony is the biggest | 0:49:58 | 0:50:01 | |
real deal and everlasting thing you'll ever do? | 0:50:01 | 0:50:05 | |
We do. | 0:50:05 | 0:50:06 | |
What? I weren't listening. | 0:50:06 | 0:50:08 | |
LAUGHTER | 0:50:08 | 0:50:09 | |
Do you, Jenna and James, | 0:50:09 | 0:50:11 | |
-realise that my ceremony is the biggest real... -Yeah, yeah, yeah. | 0:50:11 | 0:50:13 | |
FAINT LAUGHTER | 0:50:13 | 0:50:15 | |
Do you, James, agree to be Jenna's best friend and soul mate, | 0:50:15 | 0:50:18 | |
loving life partner and never organise anything ever again? | 0:50:18 | 0:50:22 | |
-Yeah. -LAUGHTER | 0:50:22 | 0:50:24 | |
Do you, Jenna, agree to be James's best friend and soul mate, | 0:50:24 | 0:50:27 | |
loving life partner, no matter how adventurous and creative he may be? | 0:50:27 | 0:50:31 | |
-Yeah. -Yeah. | 0:50:31 | 0:50:32 | |
-BABY CRIES IN BACKGROUND -The rings, please. | 0:50:32 | 0:50:35 | |
I now pronounce you husband and wife. | 0:50:38 | 0:50:40 | |
You may now kiss your beautiful bride. | 0:50:40 | 0:50:43 | |
CHEERING AND APPLAUSE | 0:50:43 | 0:50:45 | |
James has managed to pull off a spectacular fashion show. | 0:50:48 | 0:50:52 | |
The problem is, it may not be the perfect wedding for his bride. | 0:50:52 | 0:50:56 | |
'I feel gutted. | 0:50:56 | 0:50:58 | |
'Disappointed. | 0:50:58 | 0:51:00 | |
'Definitely wasn't expecting... that reaction.' | 0:51:00 | 0:51:03 | |
I am well and truly pissed off. | 0:51:03 | 0:51:07 | |
I am... | 0:51:08 | 0:51:10 | |
disappointed. | 0:51:10 | 0:51:11 | |
Yeah, she still went ahead with it, but... | 0:51:11 | 0:51:14 | |
I actually don't know what to say. | 0:51:16 | 0:51:18 | |
I wanted to walk down an aisle and be like, "Oh, yeah, | 0:51:18 | 0:51:20 | |
"that dress is really nice, that looks really nice." | 0:51:20 | 0:51:22 | |
Now, I look like a stupid, crying mess. | 0:51:22 | 0:51:26 | |
Wasn't going to be a fairy-tale wedding. | 0:51:26 | 0:51:28 | |
-Now, it's just turned into a -BLEEPING -nightmare. | 0:51:28 | 0:51:31 | |
I think everybody's attention was more on the catwalk | 0:51:31 | 0:51:33 | |
and Jenna was kind of just there. So... | 0:51:33 | 0:51:36 | |
er, obviously, we diverted all the attention from Jenna, | 0:51:36 | 0:51:40 | |
when everybody should be looking at Jenna, really. | 0:51:40 | 0:51:42 | |
As soon as I walked down that catwalk, I just knew. I just knew. | 0:51:42 | 0:51:46 | |
The look on her face. | 0:51:47 | 0:51:49 | |
All celebrations are on hold. | 0:51:49 | 0:51:52 | |
It's left to the bridesmaids to try and salvage the day. | 0:51:52 | 0:51:55 | |
-What do you want to do? -Why do you even think that I would want that? | 0:51:58 | 0:52:02 | |
He's not thought about it on your wedding day, | 0:52:02 | 0:52:04 | |
the fact that you... He's took it to what you like | 0:52:04 | 0:52:06 | |
and then took that to the extreme. | 0:52:06 | 0:52:08 | |
That's what he's done, because you love fashion, | 0:52:08 | 0:52:10 | |
-you love everything like that, but... -Yeah, but I didn't... | 0:52:10 | 0:52:13 | |
-I know. -..just random people there that I don't even know. -I know. | 0:52:13 | 0:52:17 | |
With his fashion show wedding falling apart at the seams, | 0:52:17 | 0:52:21 | |
James tries to bring round his bride. | 0:52:21 | 0:52:24 | |
You know me, I'm not traditional, we're not traditional. | 0:52:24 | 0:52:27 | |
-So, I wanted to do something... -No, but I, because we're not traditional, | 0:52:27 | 0:52:30 | |
I wanted to do more traditional on the wedding day, | 0:52:30 | 0:52:33 | |
-so we don't look back and think, "What the -BLEEP -is this?" | 0:52:33 | 0:52:37 | |
Yeah, like, literally didn't even get a chance to walk down the aisle. | 0:52:37 | 0:52:40 | |
I wanted to do, sort of like a fashion...catwalk thing. | 0:52:40 | 0:52:43 | |
I wanted you to see it, cos everything else... | 0:52:43 | 0:52:45 | |
-To see what, though? -What we've done. -Everything was already there. | 0:52:45 | 0:52:49 | |
-I tried my best. -I know you did. | 0:52:49 | 0:52:51 | |
-I love you. -I love you too. | 0:52:52 | 0:52:54 | |
INDISTINCT | 0:52:54 | 0:52:56 | |
-Huh? -Promise? -Promise! | 0:52:56 | 0:52:58 | |
-I'm just annoyed. -I'm sorry. I'm so sorry. | 0:52:58 | 0:53:01 | |
It's not...a problem, it's done, it's done now. | 0:53:01 | 0:53:04 | |
-They're feisty. -Yeah. -They've got that feistiness in them. | 0:53:04 | 0:53:07 | |
One minute, that's them in there, going at each other... | 0:53:07 | 0:53:09 | |
-Yeah. -..but then seconds later, they're fine. -Mm. | 0:53:09 | 0:53:14 | |
-I'm really annoyed. -Why? | 0:53:14 | 0:53:16 | |
I'm annoyed that I'm upset that I didn't like it, | 0:53:17 | 0:53:21 | |
which I know would upset you. | 0:53:21 | 0:53:23 | |
I'm not sure whether I forgive this ceremony. | 0:53:23 | 0:53:26 | |
-Oh, give over. -I might be holding it against you to get... | 0:53:26 | 0:53:29 | |
-leverage. -Leverage? -Leverage. Is that the right word? | 0:53:29 | 0:53:33 | |
The happy couple are happy again. | 0:53:33 | 0:53:35 | |
Sort of. | 0:53:35 | 0:53:37 | |
But at least now the party can get started and there's still time | 0:53:37 | 0:53:40 | |
for those timeless, traditional wedding pictures | 0:53:40 | 0:53:44 | |
Jenna's always wanted. | 0:53:44 | 0:53:46 | |
They married each other because they're soul mates. | 0:53:48 | 0:53:52 | |
Both of them are far from perfect. | 0:53:52 | 0:53:54 | |
They've both got their moods, their attitudes. | 0:53:54 | 0:53:58 | |
But for each other, | 0:53:58 | 0:54:00 | |
yeah, they are soul mates. | 0:54:00 | 0:54:03 | |
# Look at this face | 0:54:03 | 0:54:06 | |
# I know the years are showing | 0:54:06 | 0:54:09 | |
# Look at this life... # | 0:54:09 | 0:54:12 | |
If I gave her a traditional, what did you call it, English wedding?... | 0:54:12 | 0:54:16 | |
I'd have loved it. | 0:54:16 | 0:54:17 | |
THEY wouldn't. Swans on the lawn, violins playing... | 0:54:17 | 0:54:20 | |
I don't like swans, swans are aggressive. | 0:54:20 | 0:54:22 | |
You give her what she wants, | 0:54:22 | 0:54:23 | |
she'd find something that's wrong with it. | 0:54:23 | 0:54:25 | |
This had a LOT wrong with it. | 0:54:25 | 0:54:28 | |
# Look at these eyes | 0:54:28 | 0:54:30 | |
# They've never seen What mattered... # | 0:54:32 | 0:54:35 | |
You and Noah definitely mean the world to me. | 0:54:35 | 0:54:39 | |
Like, and I wouldn't have not married you, | 0:54:39 | 0:54:42 | |
but I was...just so angry. | 0:54:42 | 0:54:46 | |
I could've walked out. | 0:54:46 | 0:54:48 | |
So, have James's efforts in any way convinced his bride | 0:54:48 | 0:54:52 | |
that he CAN take some responsibility in their relationship? | 0:54:52 | 0:54:56 | |
I think I've learned I need...you, | 0:54:56 | 0:55:00 | |
but I think you also need to learn that you need me. | 0:55:00 | 0:55:03 | |
I know I need you, but I definitely don't need you to make any form of decision in my life. | 0:55:03 | 0:55:08 | |
SONG ENDS | 0:55:08 | 0:55:10 | |
CHEERING AND APPLAUSE | 0:55:10 | 0:55:12 | |
A few days later, James and Jenna made their union legal. | 0:55:16 | 0:55:20 | |
James, will you take Jenna to be your lawful wedded wife? | 0:55:20 | 0:55:24 | |
I do. | 0:55:24 | 0:55:26 | |
And, Jenna, will you take James to be your lawful wedded husband? | 0:55:26 | 0:55:30 | |
I do. | 0:55:30 | 0:55:31 | |
It's my very great pleasure to declare that you are now | 0:55:31 | 0:55:34 | |
lawfully joined together as husband and wife. | 0:55:34 | 0:55:37 | |
Congratulations. | 0:55:37 | 0:55:38 | |
APPLAUSE | 0:55:38 | 0:55:40 | |
-Congratulations. -Thank you. | 0:55:40 | 0:55:42 | |
CAMERA CLICKS | 0:55:44 | 0:55:46 | |
Next time, get ready to jingle your wedding bells... | 0:55:46 | 0:55:49 | |
-Oh, my God! -LAUGHTER | 0:55:49 | 0:55:52 | |
..as we look back at the most festive nuptials ever. | 0:55:52 | 0:55:55 | |
Christmas! | 0:55:55 | 0:55:56 | |
There'll be wise men... | 0:55:56 | 0:55:57 | |
-Dan, this could end disastrously. -..not so wise men... | 0:55:57 | 0:56:00 | |
I like the elf. Looks a bit freaky. | 0:56:00 | 0:56:03 | |
..and the brides going completely out of their tree. | 0:56:03 | 0:56:05 | |
You can literally see my pubes. | 0:56:05 | 0:56:07 | |
Why a bikini? You don't go to places abroad! | 0:56:07 | 0:56:10 | |
So, make sure you tune in to this Christmas special. | 0:56:10 | 0:56:13 | |
It's going to be crackers. | 0:56:13 | 0:56:15 | |
I hate him so much at the minute. | 0:56:15 | 0:56:17 | |
# You know, baby When you're in my arms | 0:56:17 | 0:56:20 | |
# I can feel your love And magic charms | 0:56:20 | 0:56:24 | |
# You drive me cra-azy | 0:56:24 | 0:56:26 | |
# You drive me cra-azy | 0:56:27 | 0:56:30 | |
# And when I'm looking in those Big blue eyes | 0:56:32 | 0:56:36 | |
# I started Floating down in paradise | 0:56:36 | 0:56:40 | |
# You drive me cra-azy | 0:56:40 | 0:56:44 | |
# You drive me cra-azy... # | 0:56:44 | 0:56:46 |