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This programme contains some strong language | 0:00:02 | 0:00:06 | |
Every girl dreams of her wedding. But what happens when she has no say | 0:00:06 | 0:00:09 | |
on her big day? | 0:00:09 | 0:00:11 | |
Don't Tell The Bride is back. | 0:00:11 | 0:00:13 | |
This is all for the name of love. | 0:00:13 | 0:00:16 | |
12 gallant grooms are taking control with 12 grand apiece. | 0:00:16 | 0:00:22 | |
Give it to me! | 0:00:22 | 0:00:23 | |
And just three weeks to organise a wedding. | 0:00:23 | 0:00:26 | |
-Absolute idiot. -They are more daring... -Why are we here?! | 0:00:26 | 0:00:29 | |
-..more ambitious... -Why has he done this? | 0:00:29 | 0:00:31 | |
..and more outrageous than ever before. | 0:00:31 | 0:00:35 | |
It's not a joke. | 0:00:35 | 0:00:36 | |
Will the glass slipper fit? | 0:00:36 | 0:00:39 | |
-Oh, my word. -Hell no. | 0:00:39 | 0:00:40 | |
-Will true love conquer all? -Horrid, horrid, horrid. | 0:00:40 | 0:00:44 | |
Oh, my God, it's going to be on the beach. | 0:00:44 | 0:00:46 | |
And will there be a fairy tale ending? | 0:00:48 | 0:00:50 | |
Don't like it! | 0:00:50 | 0:00:52 | |
-Is it the right ring? -Turn that camera off. | 0:00:53 | 0:00:55 | |
Or just a damsel in distress? | 0:00:55 | 0:00:57 | |
-Wishes do come true. -Sometimes, they don't. | 0:00:57 | 0:00:59 | |
Tonight, the gloves are off as professional boxer Ahmet... | 0:01:00 | 0:01:05 | |
-Bring it on! -..plans a knockout wedding for his bride-to-be, Daina. | 0:01:05 | 0:01:10 | |
Would you be open to doing this routine in a Michael Jackson outfit? | 0:01:10 | 0:01:13 | |
But while she's inspired by Beyonce and bling, | 0:01:13 | 0:01:16 | |
he's thinking ritzy and elegant. | 0:01:16 | 0:01:19 | |
Posh. Posh, with a twist of us. | 0:01:19 | 0:01:23 | |
-Ghetto. -Yeah, ghetto. | 0:01:23 | 0:01:25 | |
-With so much at stake... -I look like an idiot. | 0:01:25 | 0:01:27 | |
..and a bride on the edge of her ringside seat... | 0:01:27 | 0:01:30 | |
I imagined a stripper dancing in front of Ahmet. Don't get me angry. | 0:01:30 | 0:01:34 | |
-Will this ambitious groom... -I feel like I'm going to pass out. | 0:01:34 | 0:01:36 | |
-How is everyone getting there? -There's only one car. | 0:01:36 | 0:01:39 | |
-..be able to go the distance? -Oh, man, I forgot all about that. | 0:01:39 | 0:01:42 | |
Or simply be knocked out in the first round? | 0:01:44 | 0:01:46 | |
Oh, it's going to be some ghetto wedding, man. | 0:01:46 | 0:01:49 | |
Turn it off. I'm not even joking. | 0:01:49 | 0:01:50 | |
When professional boxer Ahmet spotted full-time student | 0:02:03 | 0:02:06 | |
Daina at a London nightclub, he knew he'd found a total knockout. | 0:02:06 | 0:02:11 | |
Creeped up, creeped up, I walked through the crowd, and I poked her, | 0:02:11 | 0:02:13 | |
and she started screaming... | 0:02:13 | 0:02:16 | |
I was not screaming! | 0:02:16 | 0:02:17 | |
And I just thought, "Awkward..." | 0:02:17 | 0:02:19 | |
Like he just came, put his arm around me straightaway. | 0:02:19 | 0:02:22 | |
Even though you're standing here in your military jacket, | 0:02:22 | 0:02:25 | |
your bright red hair, your shiny pants and long nails, I don't care. | 0:02:25 | 0:02:28 | |
I said, "You know what? I'm going to phone you tomorrow." | 0:02:28 | 0:02:31 | |
It was not like that. It was, "I'm going to phone you, yeah? | 0:02:31 | 0:02:34 | |
"I'm going to kiss you on the cheek | 0:02:34 | 0:02:35 | |
"and I'm going to go." And then he kissed me and ran away. | 0:02:35 | 0:02:38 | |
No-one's ever been that comfortable before. | 0:02:38 | 0:02:40 | |
I've never had anyone that's been bold, and I like that. | 0:02:40 | 0:02:43 | |
Three years later, | 0:02:43 | 0:02:44 | |
this image-conscious duo are certain they will go the distance. | 0:02:44 | 0:02:48 | |
She's beautiful, she's fun to be around, | 0:02:49 | 0:02:52 | |
-she's more like my friend, as well. -You are my best friend, Ahmet. | 0:02:52 | 0:02:55 | |
You're like my lover, but I love you like a sister. | 0:02:55 | 0:02:58 | |
-That's disgusting. -I know. | 0:02:58 | 0:03:00 | |
It is disgusting, but, you know. | 0:03:00 | 0:03:02 | |
-Got you! -Ha-ha! Ahmet! He's very funny. He's just very funny. | 0:03:02 | 0:03:05 | |
He's confident, he's determined, he's driven, he's very passionate. | 0:03:05 | 0:03:09 | |
And I like that. He's very ambitious. | 0:03:09 | 0:03:11 | |
# Tearing up the floor... # | 0:03:11 | 0:03:13 | |
Ahmet's not the only one with big ambitions. | 0:03:13 | 0:03:16 | |
-22-year-old Daina is a diva in the making. -Maybe do that again? | 0:03:16 | 0:03:20 | |
I've been singing since I was, I would say, 14. | 0:03:20 | 0:03:24 | |
And her biggest influence is the King of Pop, Cliff Richard. | 0:03:24 | 0:03:28 | |
Kidding. It's Michael Jackson, obviously. | 0:03:28 | 0:03:31 | |
I am Michael Jackson's daughter. | 0:03:31 | 0:03:33 | |
# Say what! # | 0:03:33 | 0:03:35 | |
It's definitely about the music and it's definitely about the dancing. | 0:03:35 | 0:03:38 | |
While Daina's fighting for fame, | 0:03:38 | 0:03:40 | |
25-year-old Ahmet is aiming for titles. | 0:03:40 | 0:03:43 | |
Started boxing when I was 14. | 0:03:45 | 0:03:47 | |
Boxed for England, national titles, the aim is to be British | 0:03:49 | 0:03:51 | |
and world champion. | 0:03:51 | 0:03:53 | |
Ranked in the UK Top 20, | 0:03:54 | 0:03:56 | |
Ahmet's commitment to his sport is unquestionable. | 0:03:56 | 0:03:59 | |
Anything I do, I put my all in. Anything. | 0:04:00 | 0:04:04 | |
He can hold his own in the ring, but at home, | 0:04:04 | 0:04:06 | |
Daina's is the real heavyweight. | 0:04:06 | 0:04:08 | |
I make all the important decisions in the relationship. | 0:04:08 | 0:04:11 | |
Because most of the time, I'm just focused on what I'm focused on | 0:04:11 | 0:04:14 | |
and I don't care about anything else. | 0:04:14 | 0:04:15 | |
Because, you know, I can't be arsed. | 0:04:15 | 0:04:17 | |
So much so that when it came to getting down on one knee | 0:04:17 | 0:04:20 | |
and proposing to the love of his life, well, he didn't. | 0:04:20 | 0:04:24 | |
I just thought, you know what, he's taking too long for my liking, | 0:04:24 | 0:04:27 | |
-so I'm just going to ask. -I know I would have proposed eventually. | 0:04:27 | 0:04:30 | |
I don't believe he would eventually have done it. | 0:04:30 | 0:04:32 | |
A lot people might think, "Oh, yeah, she proposed, so it's like you're | 0:04:32 | 0:04:35 | |
"being forced or something." But it's not even that, | 0:04:35 | 0:04:39 | |
because I'm my own person. | 0:04:39 | 0:04:40 | |
I could have said no. | 0:04:40 | 0:04:42 | |
Ahmet may be his own person, but since Daina | 0:04:42 | 0:04:45 | |
moved into his mum's home, he's got two women to answer to. | 0:04:45 | 0:04:49 | |
-Ahmet! Do you want something to eat? -Coming! | 0:04:49 | 0:04:52 | |
Like Beyonce and Jay-Z, they've even got his-and-hers tattoos. | 0:04:52 | 0:04:56 | |
Putting a ring on it just isn't enough for some people. | 0:04:56 | 0:04:59 | |
They represent that we know what we're thinking, but nobody | 0:04:59 | 0:05:03 | |
else knows what we're thinking, because people don't get us. | 0:05:03 | 0:05:06 | |
People kind of... Never thought we would last. | 0:05:06 | 0:05:08 | |
I've had people just directly like, | 0:05:08 | 0:05:10 | |
"Oh, my gosh, you're still with him?!" | 0:05:10 | 0:05:12 | |
It's now crucial for dominant Daina that Ahmet gives her | 0:05:13 | 0:05:17 | |
the wedding of her dreams. | 0:05:17 | 0:05:19 | |
The wedding day is very important, | 0:05:19 | 0:05:21 | |
just that things go the way I want them to go. | 0:05:21 | 0:05:24 | |
I'm just spoilt. | 0:05:24 | 0:05:25 | |
So if I don't get my own way, I just won't do it, | 0:05:25 | 0:05:28 | |
I'll just be like, "No, not doing it." | 0:05:28 | 0:05:30 | |
I just wouldn't turn up. | 0:05:30 | 0:05:31 | |
And demanding Daina has got something specific in mind. | 0:05:31 | 0:05:35 | |
If I didn't get married in a church, | 0:05:35 | 0:05:36 | |
I don't think I would go through with it, because I'm not | 0:05:36 | 0:05:39 | |
doing this for the law, I'm doing it for God, I'm doing it for us. | 0:05:39 | 0:05:42 | |
Daina may want a traditional ceremony, | 0:05:42 | 0:05:45 | |
but everything else she wants to be different. | 0:05:45 | 0:05:48 | |
If I had a big pink princess wedding, I would feel like an idiot. | 0:05:48 | 0:05:53 | |
Oh, hell yeah. I hate flowers. I don't want a horse and carriage. | 0:05:53 | 0:05:57 | |
I'm not Cinderella. I love this. I don't want to be a normal bride. | 0:05:57 | 0:06:00 | |
I want them to think, "Yeah! She better work!" | 0:06:00 | 0:06:03 | |
So, the bride knows what she likes. | 0:06:05 | 0:06:07 | |
Trouble is, the groom thinks he knows, too. | 0:06:07 | 0:06:09 | |
I want to give Daina a wedding that she wants, you know. | 0:06:09 | 0:06:13 | |
It's going to be chandeliers, you know, posh. | 0:06:13 | 0:06:15 | |
I wouldn't ever want anything posh. | 0:06:15 | 0:06:17 | |
Just because it's posh doesn't mean that we can't do it. | 0:06:17 | 0:06:20 | |
Why can't we have urban and posh, mix them together? | 0:06:20 | 0:06:22 | |
But for this groom with a view, there's just one slight issue. | 0:06:22 | 0:06:25 | |
I've never seen Ahmet plan anything, ever. | 0:06:25 | 0:06:28 | |
I don't think he actually realises how much goes into a wedding. | 0:06:28 | 0:06:31 | |
It's only one day! | 0:06:31 | 0:06:34 | |
For Daina, giving up control won't be easy. | 0:06:34 | 0:06:37 | |
But she's at least hoping it will change Ahmet's ways. | 0:06:37 | 0:06:40 | |
I want Ahmet to plan the wedding, | 0:06:40 | 0:06:42 | |
because I want him to do something for once. | 0:06:42 | 0:06:44 | |
Listen, I'm going to handle this wedding and you're going to like it | 0:06:44 | 0:06:47 | |
and it's going to be a very enjoyable experience. | 0:06:47 | 0:06:50 | |
You'll be smiling, and you'll be like, "Ahmet, you're the best." | 0:06:50 | 0:06:52 | |
-That's it. -All right. | 0:06:52 | 0:06:55 | |
Please, God, help me. | 0:06:55 | 0:06:57 | |
The time has come for Daina to pack her bags with what | 0:07:01 | 0:07:04 | |
she needs for the next three weeks. | 0:07:04 | 0:07:06 | |
I don't use all this stuff, though, but I don't want to pick. | 0:07:08 | 0:07:11 | |
-It's only three weeks. -Is it? -Yeah. | 0:07:11 | 0:07:15 | |
Don't try and act like you don't care! Don't you say, | 0:07:15 | 0:07:17 | |
"It's only three weeks," cos you care. | 0:07:17 | 0:07:19 | |
Let me help you. Get you out of here faster! | 0:07:19 | 0:07:22 | |
I'm joking! | 0:07:23 | 0:07:25 | |
And for a couple who've been inseparable for three years, | 0:07:26 | 0:07:29 | |
saying goodbye is bittersweet. | 0:07:29 | 0:07:31 | |
Daina, I won't miss you if you do this. OK? | 0:07:33 | 0:07:35 | |
DAINA SOBS | 0:07:35 | 0:07:38 | |
Stop! | 0:07:38 | 0:07:41 | |
Next time we see each other, we'll be married. OK? | 0:07:41 | 0:07:43 | |
We'll be married next time. Next time, OK? | 0:07:45 | 0:07:47 | |
I don't like to see her cry. But it just spurs me on even more. | 0:07:55 | 0:07:59 | |
Ten miles away, in Leyton, | 0:08:04 | 0:08:06 | |
east London, Daina is moving back home with her mum and brother. | 0:08:06 | 0:08:10 | |
But with everyone out for the night, it's a lonely homecoming. | 0:08:10 | 0:08:14 | |
Hopefully it's worth it. | 0:08:14 | 0:08:16 | |
I say hopefully. Should be. | 0:08:17 | 0:08:21 | |
Don't know. | 0:08:23 | 0:08:25 | |
It's the first day of wedding planning, | 0:08:36 | 0:08:39 | |
and Ahmet's best man and oldest friend, Nathan, is on hand to help. | 0:08:39 | 0:08:43 | |
-All right? -All right, yeah. | 0:08:46 | 0:08:47 | |
It's funny, Ahmet the wedding planner. Since I know him, | 0:08:48 | 0:08:51 | |
I know for a fact he doesn't know how to plan a wedding, innit. | 0:08:51 | 0:08:54 | |
I'm thinking, we plan out venues and stuff, churches, receptions... | 0:08:54 | 0:08:57 | |
What churches did you have in mind? | 0:08:57 | 0:08:59 | |
My idea was getting my uncle to marry us, he's a pastor. | 0:09:00 | 0:09:03 | |
He's got a church that he'll marry us at. | 0:09:03 | 0:09:05 | |
But I'm thinking that, I just want a church that can fit a lot of | 0:09:05 | 0:09:08 | |
people and obviously the reception, that's like the main thing, innit? | 0:09:08 | 0:09:11 | |
Almost like, kind of, posh, posh with a twist of us. | 0:09:11 | 0:09:15 | |
-Ghetto! -Yeah, ghetto! | 0:09:15 | 0:09:16 | |
Ghetto, urban, whatever. | 0:09:16 | 0:09:18 | |
I'm thinking like chandeliers, kind of thing, | 0:09:18 | 0:09:20 | |
fix it up and make it look sick. | 0:09:20 | 0:09:21 | |
-What's in here? -With planning barely started, Nathan's focused. | 0:09:22 | 0:09:27 | |
On his stomach. | 0:09:27 | 0:09:29 | |
Nathan? Listen to me, man! | 0:09:29 | 0:09:32 | |
I'm listening to you! | 0:09:32 | 0:09:34 | |
We have to get the numbers for the churches | 0:09:34 | 0:09:36 | |
and see if I get permission, and get married on the date! I need to know! | 0:09:36 | 0:09:39 | |
-You need to calm down. -I am calm. -You need to calm down. -I'm calm. | 0:09:39 | 0:09:43 | |
-Stop stressing. -I'm not stressed. | 0:09:43 | 0:09:45 | |
He might not be stressed, but back in Leyton, Daina is realising | 0:09:46 | 0:09:50 | |
that a man who gets punched in the head for a living is going to | 0:09:50 | 0:09:53 | |
have to think for himself for once. | 0:09:53 | 0:09:56 | |
I think Ahmet will just decide based on what he thinks | 0:09:56 | 0:10:01 | |
I would say if I was there. | 0:10:01 | 0:10:04 | |
That's what I think he will try to do, | 0:10:04 | 0:10:06 | |
but probably will get that wrong, because he doesn't really know, | 0:10:06 | 0:10:09 | |
because most of the time he doesn't listen to me. | 0:10:09 | 0:10:12 | |
So, he's probably going to get all the decisions wrong. | 0:10:12 | 0:10:14 | |
It's not just Daina who's worried. | 0:10:14 | 0:10:16 | |
Her mum, Lauren, has got that sinking feeling. | 0:10:16 | 0:10:19 | |
I know she's worrying about what he's doing. | 0:10:19 | 0:10:22 | |
I know I'm worrying about what he's doing, I can't even sleep. | 0:10:22 | 0:10:24 | |
I'm just scared of what he's going to do. I know he'll be... | 0:10:24 | 0:10:28 | |
Oh, I just don't want him to just spoil her day, | 0:10:28 | 0:10:30 | |
I just really hope he does good. | 0:10:30 | 0:10:32 | |
But what if he thinks that he's making something good, and he ain't? | 0:10:32 | 0:10:35 | |
Because he has done that a couple of times. | 0:10:35 | 0:10:37 | |
He wants to make a surprise for her and it always | 0:10:37 | 0:10:40 | |
turned into a disaster. | 0:10:40 | 0:10:42 | |
Daina is very, very hard to please. | 0:10:42 | 0:10:44 | |
Against the odds, Ahmet's off to a cracking start, | 0:10:48 | 0:10:51 | |
visiting his uncle's Pentecostal church in south London. | 0:10:51 | 0:10:54 | |
It's Ahmet's first time here, but the venue, popular with | 0:10:56 | 0:10:59 | |
the West Indian community, is exactly what Daina wants. | 0:10:59 | 0:11:02 | |
Nah, man. It's more like a... Sunday church service kind of feel. | 0:11:04 | 0:11:08 | |
It hasn't really got that wedding kind of feel. | 0:11:08 | 0:11:11 | |
I want her to walk down that aisle thinking, | 0:11:11 | 0:11:13 | |
"Your life's going to change." | 0:11:13 | 0:11:15 | |
-You seem like you want an echo kind of place. -Yeah! | 0:11:15 | 0:11:17 | |
Like an auditorium. This is more like a Sunday school, church service. | 0:11:18 | 0:11:22 | |
So, Ahmet's thinking | 0:11:25 | 0:11:26 | |
less West Indian chapel, more Westminster Abbey. | 0:11:26 | 0:11:29 | |
But Daina's dream venue, her mother's Pentecostal church | 0:11:30 | 0:11:33 | |
in Leyton, is uncannily similar to the one Ahmet's not keen on. | 0:11:33 | 0:11:37 | |
This is really nice. | 0:11:41 | 0:11:42 | |
This is nice. | 0:11:44 | 0:11:46 | |
-Yeah. It's got a warm feeling to it. -Yes! | 0:11:46 | 0:11:50 | |
This is what I want. | 0:11:52 | 0:11:54 | |
After we get married, I want everyone to pick up tambourines | 0:11:54 | 0:11:56 | |
and we're all going to, "Reeeeh!" | 0:11:56 | 0:11:58 | |
And everyone's like, "Yeah!" That'd be really, really good. | 0:11:58 | 0:12:01 | |
NATHAN IMPROVISES TUNELESSLY | 0:12:01 | 0:12:03 | |
Nah, I want that kind of wedding, wedding. | 0:12:04 | 0:12:06 | |
-This is church service, then. -Like, I want... | 0:12:06 | 0:12:09 | |
SHE IMPERSONATES WEST INDIAN PASTOR | 0:12:09 | 0:12:11 | |
"Ahmet! Will you take..." Stuff like that, | 0:12:11 | 0:12:13 | |
like a proper Sunday service feel, that's what I want it to feel like. | 0:12:13 | 0:12:16 | |
Heavenly Father...! | 0:12:16 | 0:12:18 | |
"Praise the Lord!" | 0:12:19 | 0:12:21 | |
I'm looking for an old vicar kind of church. | 0:12:24 | 0:12:28 | |
I want to say something more Cinderella-ish, if that makes sense. | 0:12:28 | 0:12:32 | |
More Cinderella-ish. | 0:12:32 | 0:12:33 | |
Whatever church he chooses, it has to be warm, we have to | 0:12:33 | 0:12:37 | |
get married in a warm church, not those big, tall, Catholic churches. | 0:12:37 | 0:12:40 | |
-They're always cold. -The ones with the gargoyles. | 0:12:40 | 0:12:43 | |
I don't like those kind of churches. | 0:12:43 | 0:12:45 | |
I don't like the churches with the stained glass windows. | 0:12:45 | 0:12:48 | |
So, Ahmet's found the perfect venue, | 0:12:50 | 0:12:52 | |
and he's off to tell his uncle that he doesn't want it. | 0:12:52 | 0:12:56 | |
Yes, uncle. Salutations, yeah? | 0:12:58 | 0:13:00 | |
It's a nice church and everything, but in my head, | 0:13:00 | 0:13:03 | |
it's not the church that I want. | 0:13:03 | 0:13:06 | |
Think beyond the church, just for a little bit. | 0:13:06 | 0:13:08 | |
You sure you're doing the right thing? | 0:13:08 | 0:13:10 | |
I haven't seen her in two days and I feel alone! | 0:13:10 | 0:13:14 | |
-I've got a headache and I can't even sleep. -Oh, dear. All right. | 0:13:14 | 0:13:17 | |
So, you feel the feeling? It's not good to be alone. | 0:13:17 | 0:13:20 | |
We're going to pray. Father, we thank you... | 0:13:20 | 0:13:23 | |
Luckily, Ahmet's uncle has got a direct line to someone | 0:13:23 | 0:13:26 | |
he thinks can help. | 0:13:26 | 0:13:27 | |
Father, they need a proper church to have the ceremony. | 0:13:27 | 0:13:31 | |
There is a place, and you know it. | 0:13:32 | 0:13:34 | |
I'm asking that you make direct comment as he searches. | 0:13:34 | 0:13:38 | |
In the name of Jesus, Amen. | 0:13:38 | 0:13:40 | |
Well, God bless you, sir, and I'm sure you'll find a place. | 0:13:40 | 0:13:43 | |
Turning his back on the church | 0:13:43 | 0:13:44 | |
Daina would have loved, Ahmet may need | 0:13:44 | 0:13:46 | |
some divine intervention, especially with his mum waiting at home. | 0:13:46 | 0:13:51 | |
So, what happened, then? | 0:13:51 | 0:13:53 | |
-The church ain't good. -OK. So, what are you going to do? | 0:13:55 | 0:13:58 | |
Going to research some today, and I'm going to do it tomorrow. | 0:13:58 | 0:14:01 | |
I've had enough, Mum, I'm going to lay down. | 0:14:01 | 0:14:03 | |
You need to go on the internet, and look for a church. | 0:14:03 | 0:14:06 | |
No, I'll do my research. I'm on it, Mum. | 0:14:06 | 0:14:09 | |
Slow progress, fam. | 0:14:09 | 0:14:10 | |
AHMET GROANS | 0:14:10 | 0:14:12 | |
The next morning, Ahmet's heading | 0:14:15 | 0:14:16 | |
to see another church he's always liked the look of. | 0:14:16 | 0:14:19 | |
It's not the Pentecostal church Daina wants but St Mark's | 0:14:19 | 0:14:22 | |
in Kennington has exactly the grand, posh feel he's after. | 0:14:22 | 0:14:26 | |
First impression of this... | 0:14:26 | 0:14:28 | |
Yeah, it's all right. | 0:14:28 | 0:14:29 | |
Daina gets out the car, she goes up the steps, big pillars... | 0:14:29 | 0:14:34 | |
Yeah. | 0:14:34 | 0:14:36 | |
It's got all the opulent features that he wants and Daina doesn't. | 0:14:36 | 0:14:40 | |
But as it's not his local church, he's meeting the vicar | 0:14:40 | 0:14:43 | |
to see if he can marry here. | 0:14:43 | 0:14:45 | |
-What's your address? -SE22. | 0:14:45 | 0:14:47 | |
-Daina's address? -E10. | 0:14:47 | 0:14:49 | |
OK, I can tell you straight off | 0:14:49 | 0:14:51 | |
that neither of those addresses will be within the parish, OK. | 0:14:51 | 0:14:54 | |
Basically, one of you has to have lived in the parish | 0:14:54 | 0:14:56 | |
for at least six months or if one of your parents or grandparents | 0:14:56 | 0:14:59 | |
were married in this church. | 0:14:59 | 0:15:01 | |
Do you think you or Daina qualify in any way... | 0:15:01 | 0:15:04 | |
-..under any of those circumstances? -I don't think so. -I don't think so. | 0:15:05 | 0:15:08 | |
The other thing you need to know about the Church of England rules - | 0:15:08 | 0:15:11 | |
we need three weeks, basically, to do the banns of marriage. | 0:15:11 | 0:15:14 | |
-Yeah. -Now, it seems to me, | 0:15:14 | 0:15:16 | |
from today you've only got two Sundays. | 0:15:16 | 0:15:19 | |
If only I had another week. | 0:15:19 | 0:15:20 | |
That's right, if you only had another week, | 0:15:20 | 0:15:22 | |
I think your options would be much bigger. | 0:15:22 | 0:15:24 | |
The Church really wants to help you but you've got a problem, | 0:15:24 | 0:15:28 | |
you've got a problem about how anyone can do it... | 0:15:28 | 0:15:30 | |
-In that timescale. -..in that timescale. | 0:15:30 | 0:15:32 | |
OK. | 0:15:35 | 0:15:37 | |
It's a huge set back for Ahmet. | 0:15:37 | 0:15:39 | |
A faltering start means he's out of time on his dream | 0:15:39 | 0:15:41 | |
of a church wedding. | 0:15:41 | 0:15:43 | |
Now, I don't want to go to no registry office. | 0:15:43 | 0:15:46 | |
Go into an office, like I'm going for an interview or something. | 0:15:46 | 0:15:49 | |
Ah, signing papers. | 0:15:51 | 0:15:53 | |
I don't want to get married and that kind of feel. | 0:15:53 | 0:15:55 | |
I want a big church like the one we just went in. | 0:15:55 | 0:15:58 | |
Something like that. | 0:15:58 | 0:15:59 | |
Undeterred and desperate for a majestic church setting, | 0:16:02 | 0:16:06 | |
Ahmet's discovered a chapel in Peckham. | 0:16:06 | 0:16:09 | |
It's got the impressive entrance he wants. | 0:16:09 | 0:16:12 | |
This looks proper. Big doors and that. | 0:16:12 | 0:16:15 | |
Yeah, it's nice. | 0:16:16 | 0:16:18 | |
The problem is, it's been unused for almost 80 years. | 0:16:18 | 0:16:21 | |
So there's no vicar. | 0:16:21 | 0:16:23 | |
It DOES have a licence for civil weddings, | 0:16:23 | 0:16:25 | |
but it's a bombsite. | 0:16:25 | 0:16:27 | |
Cor blimey. | 0:16:27 | 0:16:28 | |
Cor blimey indeed. | 0:16:30 | 0:16:31 | |
It needs a lick of paint. | 0:16:33 | 0:16:34 | |
That's the first thing that comes in my head - lick of paint. | 0:16:36 | 0:16:39 | |
Bombed in World War II, | 0:16:40 | 0:16:42 | |
the only surviving features are the stained glass windows. | 0:16:42 | 0:16:45 | |
Daina will be pleased(!) | 0:16:45 | 0:16:47 | |
But with time and options running out, Ahmet sees potential. | 0:16:47 | 0:16:51 | |
I think I could possibly turn this into something good. | 0:16:51 | 0:16:53 | |
It doesn't look like it now... | 0:16:53 | 0:16:55 | |
but with a lot of love... | 0:16:55 | 0:16:57 | |
this could be turned into something nice. | 0:16:57 | 0:16:59 | |
That's what it's all about in the end, innit? Love. | 0:16:59 | 0:17:01 | |
Well, they say love is blind. | 0:17:01 | 0:17:03 | |
With the registrar and venue hire costing a grand, | 0:17:03 | 0:17:06 | |
Ahmet's meeting the manager to seal the deal. | 0:17:06 | 0:17:08 | |
It's a blank canvas, | 0:17:08 | 0:17:10 | |
so I'm basically going to just rearrange it | 0:17:10 | 0:17:12 | |
and make it into something romantic. | 0:17:12 | 0:17:13 | |
Red carpet, chandeliers, all that - I'm just going to go all out. | 0:17:13 | 0:17:17 | |
-Oh, that'll look amazing. -I think that's a deal. | 0:17:17 | 0:17:19 | |
-Shake right there. -Thank you very much. | 0:17:19 | 0:17:21 | |
His first decision made, Ahmet's pleased with himself. | 0:17:25 | 0:17:28 | |
But Daina might not be - he's hired a derelict building | 0:17:28 | 0:17:31 | |
that was once a church, but is no longer a church. | 0:17:31 | 0:17:34 | |
It's not a church being used but it's a church. | 0:17:34 | 0:17:36 | |
You can see it's a church, it was a church. | 0:17:36 | 0:17:39 | |
To my eyes, it still is a church. | 0:17:39 | 0:17:41 | |
OK, Ahmet, it's a church. | 0:17:41 | 0:17:43 | |
Let's pray you can convince your mum. | 0:17:43 | 0:17:45 | |
-MUM: -Hello, how'd you get on then? | 0:17:45 | 0:17:47 | |
-Yeah, I got a place. -You got the church? | 0:17:47 | 0:17:48 | |
Yeah, it's a church. | 0:17:48 | 0:17:50 | |
-Yeah, where? -It's local, about ten minutes away, it's good. | 0:17:50 | 0:17:52 | |
Definitely going to have it for a Sunday. | 0:17:52 | 0:17:54 | |
-And you can get married there on Sunday? -It's a church! | 0:17:54 | 0:17:57 | |
-You're hiding something. -I'm not. -You are. | 0:17:58 | 0:18:00 | |
-I'm not. -Do they have church services there? -It's a church. | 0:18:00 | 0:18:03 | |
It's so not a church. | 0:18:05 | 0:18:06 | |
With no idea of Ahmet's choice of bombsite... Erm, church. | 0:18:08 | 0:18:13 | |
..diva Daina is focused on showing mum Lauren, best friend Jamal | 0:18:13 | 0:18:17 | |
and head-bridesmaid Troy her dream dress. | 0:18:17 | 0:18:20 | |
I don't like this, this is like a pencil skirt thing. | 0:18:20 | 0:18:23 | |
But this, I want all of this. | 0:18:23 | 0:18:26 | |
The dress is the most important thing to me about the day. | 0:18:26 | 0:18:29 | |
I feel good when I look good. | 0:18:29 | 0:18:31 | |
If I don't feel that way, then I won't feel he feels that way | 0:18:31 | 0:18:33 | |
and that would just ruin my whole wedding. | 0:18:33 | 0:18:35 | |
HE LAUGHS | 0:18:37 | 0:18:40 | |
Put it right back. Put that right back! Why's it so long? | 0:18:40 | 0:18:43 | |
-I don't like it. -Classy bird or... | 0:18:43 | 0:18:44 | |
It looks like a granny, it looks like a granny hillbilly dress. | 0:18:44 | 0:18:47 | |
He knows I like to show my legs, I like my legs. | 0:18:47 | 0:18:50 | |
I like short dresses, I don't like straps. | 0:18:50 | 0:18:52 | |
So he probably will pick me a short dress | 0:18:52 | 0:18:54 | |
but it just won't be a nice short dress. | 0:18:54 | 0:18:56 | |
Across town, Ahmet and Nathan have the difficult task of finding | 0:18:59 | 0:19:03 | |
a dress for a bride who's desperate to be different. | 0:19:03 | 0:19:06 | |
I like this Cinderella kind of thing, this is nice. | 0:19:07 | 0:19:10 | |
Woo, big. | 0:19:10 | 0:19:12 | |
Fit seven dwarves under there, innit. | 0:19:12 | 0:19:15 | |
You're practising your winding as well. | 0:19:16 | 0:19:19 | |
HE RAPS AND LAUGHS | 0:19:19 | 0:19:22 | |
If you dance with a rat, you have to practise it. | 0:19:22 | 0:19:24 | |
-SALESWOMAN: -This one's quite sweet. | 0:19:24 | 0:19:26 | |
-That's nice. -I like that, it's probably like Cinderella. | 0:19:27 | 0:19:29 | |
Let's see what it looks like in the flesh. | 0:19:29 | 0:19:31 | |
There we go. | 0:19:31 | 0:19:34 | |
-Hey! -Woo. | 0:19:34 | 0:19:35 | |
Mm-hm. | 0:19:35 | 0:19:37 | |
Yeah, I like this. I'm not sure if Daina's... | 0:19:37 | 0:19:39 | |
If she's going to like the long train because you know we get down... | 0:19:39 | 0:19:42 | |
Like, when it's coming to party time. | 0:19:42 | 0:19:44 | |
What about if I wanted to bring up the front just past the knee. | 0:19:44 | 0:19:47 | |
It can be shorter at the front | 0:19:47 | 0:19:49 | |
-but obviously you've got to get the right proportions. -Yeah. | 0:19:49 | 0:19:51 | |
So I wouldn't suggest going right up here. | 0:19:51 | 0:19:53 | |
Because you're going to lose the balance then the dress body | 0:19:53 | 0:19:56 | |
is too short for the skirt. | 0:19:56 | 0:19:58 | |
I think I'm not looking in the right place right now. | 0:19:58 | 0:20:01 | |
I need something that's going to make a statement. | 0:20:01 | 0:20:03 | |
The dresses in the shop are a bit typical. | 0:20:03 | 0:20:05 | |
Typically, Daina's found a dream dress that does make a statement. | 0:20:05 | 0:20:10 | |
ALL: Wow. | 0:20:11 | 0:20:13 | |
I love this dress. | 0:20:13 | 0:20:14 | |
-Oh, my God. -Same here. | 0:20:14 | 0:20:17 | |
Yes, honey. | 0:20:17 | 0:20:18 | |
-Yes, yes. -Oh, it's so pretty. -Yeah, it's proper. | 0:20:18 | 0:20:21 | |
Everything about it's perfect from this material to the contrast. | 0:20:21 | 0:20:25 | |
-This. -The perfect dress for you. | 0:20:25 | 0:20:27 | |
Is Ahmet going to be loving this dress and getting this dress? Nope. | 0:20:27 | 0:20:31 | |
Oh, gosh. Back to reality. | 0:20:31 | 0:20:33 | |
I have to have this. | 0:20:33 | 0:20:35 | |
If I don't have this, it has to be something better. | 0:20:36 | 0:20:39 | |
I'm scared. | 0:20:39 | 0:20:40 | |
And I don't see how Ahmet could find something better than this. | 0:20:40 | 0:20:43 | |
Oh, dear. | 0:20:43 | 0:20:45 | |
Determined to find something unique and boutique, | 0:20:47 | 0:20:50 | |
Ahmet and Nathan are heading to swanky Islington in north London. | 0:20:50 | 0:20:54 | |
And having dismissed a long princess as too safe for his bride, | 0:20:54 | 0:20:57 | |
he's chosen... | 0:20:57 | 0:20:59 | |
Well, he's chosen something almost identical. | 0:20:59 | 0:21:01 | |
That looks all right. | 0:21:01 | 0:21:03 | |
-It's got the beautiful princess fairytale. -Yeah. | 0:21:03 | 0:21:06 | |
But I don't know, like, Daina with her style... | 0:21:06 | 0:21:09 | |
she would want something that's a bit more different as well. | 0:21:09 | 0:21:11 | |
It's like it was tailored to her. | 0:21:11 | 0:21:13 | |
-It's risky business getting a dress and altering it. -It is risky but... | 0:21:13 | 0:21:16 | |
You know, I want Daina to have that unique affect. | 0:21:18 | 0:21:22 | |
As Ahmet sets about "alterising" a designer dress... | 0:21:22 | 0:21:26 | |
..Daina's getting down and dirty with hers. | 0:21:27 | 0:21:29 | |
I'll be walking down the aisle like it's a catwalk. | 0:21:29 | 0:21:32 | |
"What do you mean?" Yeah. | 0:21:32 | 0:21:33 | |
This is perfect, I can literally dance in this and everything. | 0:21:35 | 0:21:37 | |
DANCE MUSIC PLAYS | 0:21:40 | 0:21:41 | |
Do a duck walk. | 0:21:46 | 0:21:48 | |
ALL: Yeah! | 0:21:48 | 0:21:49 | |
Oh, this is probably the worst part of this whole experience. | 0:21:52 | 0:21:56 | |
Looking at something that I probably just won't even have. | 0:21:56 | 0:21:59 | |
All I can just do is hope that this one time he won't get it wrong. | 0:21:59 | 0:22:03 | |
Under pressure to get it right, | 0:22:04 | 0:22:06 | |
Ahmet's called in the dress designer to bring his ideas to life. | 0:22:06 | 0:22:10 | |
Yeah, well, I'm trying to be a bit creative here. | 0:22:11 | 0:22:14 | |
You know, trying to add my little touches. | 0:22:14 | 0:22:17 | |
Like, you see where it comes up past the knee round here? | 0:22:17 | 0:22:20 | |
I'm thinking to have the whole dress all the way round at that length. | 0:22:20 | 0:22:24 | |
More like a tutu. | 0:22:24 | 0:22:25 | |
As long as he doesn't get "too-too" carried away! | 0:22:25 | 0:22:28 | |
This is sort of what you want? | 0:22:28 | 0:22:29 | |
He's getting carried away, isn't he? | 0:22:29 | 0:22:31 | |
REALLY carried away. | 0:22:31 | 0:22:33 | |
Obviously pleating that way just to like a crystallised tail. | 0:22:34 | 0:22:37 | |
Crystallised tail? | 0:22:37 | 0:22:38 | |
Put some gems on there, you see my idea? | 0:22:38 | 0:22:40 | |
-Yeah, man. -It's a goer, innit? Think I should take the chance? | 0:22:40 | 0:22:43 | |
Amazing what you can do with some bulldog clips. | 0:22:43 | 0:22:46 | |
-Mm-hm. -Word to the mother. | 0:22:46 | 0:22:48 | |
-Altogether, that's £1,868. -Woo-hoo! | 0:22:48 | 0:22:52 | |
Do you know what? | 0:22:52 | 0:22:53 | |
Like I said, you only get one dress but that's a big cut from my budget. | 0:22:53 | 0:22:56 | |
Sold. Oh, that handshake was expensive, | 0:22:56 | 0:22:58 | |
that's probably the most expensive handshake I've ever had. | 0:22:58 | 0:23:01 | |
So, for almost a sixth of his budget, | 0:23:01 | 0:23:04 | |
Ahmet's completely redesigned a designer dress. | 0:23:04 | 0:23:07 | |
That is the most money I've ever spent on a piece of clothing | 0:23:07 | 0:23:09 | |
but it is customised. You're not going to get another one. | 0:23:09 | 0:23:13 | |
That's a piece made by Ahmet. | 0:23:13 | 0:23:15 | |
Hopefully, she'll appreciate it. | 0:23:15 | 0:23:17 | |
You know. | 0:23:17 | 0:23:18 | |
Let's just hope, all I can do is hope, it's in God's hands now. | 0:23:18 | 0:23:21 | |
It's in your hands. | 0:23:22 | 0:23:24 | |
One week in and Daina's taking best friend Jamal to see a venue | 0:23:28 | 0:23:31 | |
she'd choose for her reception. | 0:23:31 | 0:23:34 | |
And for this fame-hungry bride, | 0:23:34 | 0:23:36 | |
it has to be one of London's top celebrity haunts. | 0:23:36 | 0:23:39 | |
-Ooh. -That's really, really nice. | 0:23:40 | 0:23:42 | |
I'm loving this, this is really nice. | 0:23:44 | 0:23:46 | |
Cos we'll all... | 0:23:46 | 0:23:48 | |
Does it feel, when you're in a club... | 0:23:48 | 0:23:50 | |
-Exactly, you literally eat... -Dance, you sweat it out. | 0:23:50 | 0:23:52 | |
Get up and dance straight. | 0:23:52 | 0:23:54 | |
Just go crazy. | 0:23:54 | 0:23:55 | |
You don't have to think about ruining stuff. | 0:23:55 | 0:23:57 | |
-Cos it is a club. -This would be the perfect place. | 0:23:57 | 0:24:00 | |
Over in east London, Ahmet's got his eye on a reception venue too. | 0:24:02 | 0:24:06 | |
He wanted posh but this old town hall is less VIP, more OAP. | 0:24:06 | 0:24:12 | |
Oh, wow. I like this. | 0:24:12 | 0:24:14 | |
I love the... | 0:24:14 | 0:24:15 | |
The decor. | 0:24:16 | 0:24:17 | |
-Yeah, this is nice. -It's a theatre. | 0:24:19 | 0:24:22 | |
It's spacious. Let's go. | 0:24:22 | 0:24:25 | |
It'll hold all 150 guests. | 0:24:26 | 0:24:29 | |
Great, it's enough to make you... Well, do this. | 0:24:29 | 0:24:31 | |
DANCE MUSIC | 0:24:33 | 0:24:34 | |
They seem to like it. | 0:24:41 | 0:24:43 | |
But while the boys are in a spin, | 0:24:43 | 0:24:44 | |
Daina's got her heart set on a more risque form of entertainment. | 0:24:44 | 0:24:49 | |
I would have it at the wedding for sure. | 0:24:49 | 0:24:51 | |
It's your personality. | 0:24:51 | 0:24:53 | |
We're crazy, we're wild and let's have fun. | 0:24:53 | 0:24:56 | |
Would you be open to doing this routine in a Michael Jackson outfit? | 0:24:56 | 0:24:59 | |
STRIPPER: That can be done. | 0:24:59 | 0:25:01 | |
-That's it, sold. -Yes! | 0:25:01 | 0:25:03 | |
That's it, it's done, I love it. | 0:25:03 | 0:25:04 | |
Can you imagine? While everything's going on, partying's going on... | 0:25:04 | 0:25:07 | |
You've got a girl hanging from the ceiling. | 0:25:07 | 0:25:09 | |
We've got a girl hanging from the ceiling in a Michael Jackson outfit! | 0:25:09 | 0:25:12 | |
Back in Shoreditch, | 0:25:13 | 0:25:15 | |
there's something hanging from Ahmet's ceiling too. | 0:25:15 | 0:25:18 | |
This is quite elegant, you know? | 0:25:18 | 0:25:20 | |
You've got chandeliers, nice decor on the balcony. | 0:25:20 | 0:25:23 | |
It is nice in here. | 0:25:23 | 0:25:24 | |
When it's all done up, it could be nice, really nice. | 0:25:24 | 0:25:26 | |
You couldn't put this in, like, a hall. | 0:25:26 | 0:25:30 | |
You don't want a normal wedding. | 0:25:30 | 0:25:31 | |
I don't want people to think, OK, we're going to go | 0:25:31 | 0:25:34 | |
and just go to just a regular hotel or a banquet suite | 0:25:34 | 0:25:38 | |
-to do the reception. -That would be nice. | 0:25:38 | 0:25:40 | |
But it's not nice for me. | 0:25:40 | 0:25:42 | |
Imagine when I start putting lights and fixing it up and whatnot. | 0:25:42 | 0:25:46 | |
Daina would like this, I think, as well. | 0:25:46 | 0:25:48 | |
You need the club. | 0:25:48 | 0:25:50 | |
-Mm. -We literally have to have a club. | 0:25:50 | 0:25:52 | |
-How would you feel if Ahmet doesn't get you a club? -I'd be gutted. | 0:25:52 | 0:25:56 | |
I think I'm just going to go to the straight question of how much is it? | 0:25:56 | 0:25:59 | |
You're looking at 4,500, which is a 14-hour day. | 0:25:59 | 0:26:04 | |
I know it is pretty soon and I'm on a budget. | 0:26:04 | 0:26:06 | |
I'm probably thinking, like...two and a half? | 0:26:06 | 0:26:09 | |
It could be possible, I'd have to speak to our sales manager | 0:26:09 | 0:26:12 | |
and she'll be able to say yes or no. | 0:26:12 | 0:26:14 | |
-OK, nice one. -Cheers, thank you. -Nice one. | 0:26:14 | 0:26:17 | |
Two and a half grand later | 0:26:17 | 0:26:19 | |
and Ahmet's booked an old-fashioned, opulent town hall... | 0:26:19 | 0:26:22 | |
without a VIP rope in sight. | 0:26:22 | 0:26:25 | |
Daina would like that place. | 0:26:25 | 0:26:27 | |
-Mm. -You know, if I fix it up, the visualisation that I'm giving to you, | 0:26:27 | 0:26:31 | |
-you know she'll like it. -Word to the mother, son! | 0:26:31 | 0:26:34 | |
Over the next few days, with best man Nathan at work, | 0:26:37 | 0:26:39 | |
Ahmet's left alone to bag some essentials. | 0:26:39 | 0:26:42 | |
First stop, wedding rings. | 0:26:42 | 0:26:45 | |
I finally got her ring. | 0:26:45 | 0:26:46 | |
A snip at 35 quid. | 0:26:46 | 0:26:48 | |
Next, a cut-price flower girl dress. | 0:26:52 | 0:26:54 | |
I think she's about that big. | 0:26:54 | 0:26:57 | |
I can't remember. Why am I putting it against my chest like I'm wearing it? | 0:26:57 | 0:27:00 | |
Cheers, nice one. | 0:27:00 | 0:27:02 | |
And he's even bargain shopping for Daina's shoes. | 0:27:04 | 0:27:07 | |
They look all right, they'll go with her dress. | 0:27:07 | 0:27:09 | |
I think she'll like these. | 0:27:10 | 0:27:12 | |
Cheers, bye. | 0:27:14 | 0:27:15 | |
And with those discounts in the bag, he needs one more item... | 0:27:15 | 0:27:18 | |
I'm looking for the stag jacket, innit. | 0:27:18 | 0:27:21 | |
This time, there's no expense spared. | 0:27:21 | 0:27:23 | |
I spend nearly two grand on her. | 0:27:23 | 0:27:26 | |
Just for one item. | 0:27:26 | 0:27:28 | |
Come on, man, I need something to make me smile. | 0:27:28 | 0:27:30 | |
-SALESMAN: -750, I'm going to do you for £500. | 0:27:30 | 0:27:33 | |
-It's on offer for your wedding. -OK. Thank you very much. | 0:27:33 | 0:27:36 | |
All right, take care. | 0:27:36 | 0:27:38 | |
With a week until the wedding, and no news from Ahmet, | 0:27:39 | 0:27:42 | |
Daina, her mum and Jamal are hitting the hard stuff - | 0:27:42 | 0:27:46 | |
it's time for ice cream. | 0:27:46 | 0:27:48 | |
So far I haven't had an invitation so are we even having a wedding? | 0:27:48 | 0:27:52 | |
I don't know, I have to wait on an invite as well. | 0:27:52 | 0:27:54 | |
I don't know where I'm going. | 0:27:54 | 0:27:56 | |
I don't know if it's even in London. | 0:27:56 | 0:27:58 | |
Much less England. I don't known nothing! | 0:27:58 | 0:28:01 | |
What if he's done nothing? | 0:28:01 | 0:28:02 | |
I'm not going to lie, I'm getting a bit worried. | 0:28:02 | 0:28:05 | |
My concern is having Ahmet's stag-do. | 0:28:05 | 0:28:08 | |
-Cos if Nathan does it... -I'm thinking strip club as well. | 0:28:08 | 0:28:11 | |
Yeah, make her all dance up on his lap and everything. | 0:28:11 | 0:28:14 | |
Oh, my gosh, I've lost my appetite. | 0:28:14 | 0:28:16 | |
My stomach just turned when you said that. | 0:28:16 | 0:28:18 | |
I imagined a stripper... dancing in front of Ahmet. | 0:28:18 | 0:28:21 | |
Don't get me angry. | 0:28:21 | 0:28:23 | |
If he goes to a strip club, he knows how I'm going to react. | 0:28:23 | 0:28:25 | |
So he best know me and walk straight out of that strip club if that happens. | 0:28:25 | 0:28:28 | |
# You're a troublemaker you're a troublemaker... # | 0:28:28 | 0:28:31 | |
Across town, Ahmet's stag party is under way, | 0:28:32 | 0:28:35 | |
-with not a stripper in sight. -Come on, lads, let's go. | 0:28:35 | 0:28:39 | |
Well, not till they get inside, anyway. | 0:28:39 | 0:28:41 | |
This is what I did not want, you get me? | 0:28:43 | 0:28:46 | |
I don't know why they took me to a strip club. I don't understand that. | 0:28:46 | 0:28:49 | |
-I know Daina's not going to like it. Nathan is an idiot. -Let's do this. | 0:28:49 | 0:28:53 | |
I've never been to a strip club and I never planned to go to a strip club. | 0:28:53 | 0:28:57 | |
Now you're here, bro. | 0:28:57 | 0:29:00 | |
It's all right, having a bit of fun in there. | 0:29:00 | 0:29:03 | |
Wa-hey! Whoa! Get in there, sonny Jim! | 0:29:03 | 0:29:05 | |
Ahmet got a nice little dance. | 0:29:05 | 0:29:08 | |
Two lovely birds shaking, wiggle, wiggle. | 0:29:08 | 0:29:11 | |
I was very jealous, very jealous. I wish that was me. | 0:29:11 | 0:29:15 | |
No, I didn't have a lap dance. | 0:29:15 | 0:29:17 | |
Um, is that lipstick on your cheek? | 0:29:17 | 0:29:20 | |
Awkward. | 0:29:20 | 0:29:22 | |
Oh, yeah, they all chipped in together and bought me a dance, | 0:29:23 | 0:29:26 | |
but I just sat there and closed my eyes. | 0:29:26 | 0:29:29 | |
Like, OK, you're wasting your money. | 0:29:29 | 0:29:31 | |
They're all laughing, laughing, laughing. I just want to go, man. | 0:29:31 | 0:29:34 | |
I want Daina. | 0:29:34 | 0:29:36 | |
If she finds out about tonight, you'll want a stretcher. | 0:29:37 | 0:29:40 | |
With only days till the wedding, | 0:29:43 | 0:29:45 | |
Ahmet sent Daina to Walthamstow, east London. | 0:29:45 | 0:29:48 | |
She's been told to find a spot marked by an X | 0:29:48 | 0:29:51 | |
and await instructions. | 0:29:51 | 0:29:53 | |
What she doesn't know is that Ahmet is watching her every move, | 0:29:55 | 0:29:58 | |
and has planned a thriller of a wedding | 0:29:58 | 0:30:00 | |
invite for Michael Jackson fan Daina. | 0:30:00 | 0:30:03 | |
-I don't get it. -What's happening? -I'm really confused. | 0:30:03 | 0:30:07 | |
-I'm confused. -I'm confused. | 0:30:10 | 0:30:12 | |
MUSIC: "Thriller" by Michael Jackson | 0:30:12 | 0:30:14 | |
SHE SCREAMS AND LAUGHS | 0:30:17 | 0:30:19 | |
# ..Something evil's lurking in the dark | 0:30:22 | 0:30:24 | |
# Under the moonlight... # | 0:30:27 | 0:30:29 | |
Not only has Ahmet arranged a flash mob, | 0:30:29 | 0:30:31 | |
but he's even booked a special guest. | 0:30:31 | 0:30:34 | |
SHE SCREAMS | 0:30:34 | 0:30:36 | |
That's Nathan! Nathan! | 0:30:36 | 0:30:38 | |
The invitation! | 0:30:46 | 0:30:48 | |
"You're getting married this Friday. See you at the altar. | 0:30:51 | 0:30:54 | |
"I can't wait to see you and call you my wife. Love you, Ahmet." | 0:30:54 | 0:30:58 | |
Give me a hug, you. | 0:31:01 | 0:31:04 | |
It's all about making her happy, man. | 0:31:05 | 0:31:08 | |
But with just three days' notice to her wedding | 0:31:08 | 0:31:11 | |
and a shoddy invite, she's not completely happy. | 0:31:11 | 0:31:14 | |
It's not a lot of time to be prepared, | 0:31:14 | 0:31:17 | |
but I'm literally really excited. | 0:31:17 | 0:31:19 | |
He could've got a better invite, though! | 0:31:19 | 0:31:22 | |
That's from your uni book, probably. | 0:31:22 | 0:31:24 | |
This actually looks like my notebook. | 0:31:24 | 0:31:26 | |
One surprise down, one to go. | 0:31:29 | 0:31:31 | |
This time, it's for Daina's bridesmaids. | 0:31:31 | 0:31:34 | |
Ahmet has bought their dresses online, | 0:31:34 | 0:31:36 | |
-and the big surprise is it's these or nothing. -You know what this is. | 0:31:36 | 0:31:41 | |
These are the lovely dresses I bought you online. | 0:31:41 | 0:31:43 | |
I think they're nice, so you'd better like them, | 0:31:43 | 0:31:46 | |
cos you're going to be wearing them. | 0:31:46 | 0:31:47 | |
And at £11 each, they're a bargain. | 0:31:47 | 0:31:50 | |
Do you know what? I can never tell what a dress looks like | 0:31:50 | 0:31:52 | |
until I see it on a girl. Because everything just looks like big cloth. | 0:31:52 | 0:31:56 | |
I'm not really going to know. Look at me, I can't even unfold the dress. | 0:31:56 | 0:31:59 | |
Jeez. It's like I'm making it more tangled. | 0:31:59 | 0:32:03 | |
What the hell is going on? What is this? | 0:32:03 | 0:32:06 | |
That's not how the dress looks like on the back. Really? | 0:32:06 | 0:32:09 | |
Oh, my days, what am I doing? Why is it like this? | 0:32:11 | 0:32:13 | |
-Oh, I'll deal with it later. -I hope it's nice. I hope it fits right. | 0:32:13 | 0:32:18 | |
I don't even want to think about it. | 0:32:20 | 0:32:22 | |
-We're going to make it look good, don't worry. -Try it. Damn. | 0:32:22 | 0:32:27 | |
Those are your dresses. | 0:32:27 | 0:32:29 | |
Ahmet, we're not going clubbing! Oh, my God. | 0:32:29 | 0:32:34 | |
When I went online, I looked at the model in the picture, it looked good. | 0:32:34 | 0:32:38 | |
-Yeah, she's a model. -You guys are models. Look at you. | 0:32:38 | 0:32:43 | |
All right, let's just go try them on. | 0:32:43 | 0:32:44 | |
-Don't worry, man, you guys will look good. -Right. | 0:32:44 | 0:32:48 | |
-Ahmet, if they don't look right... -You look all right. | 0:32:48 | 0:32:51 | |
I'm kind of happy with that reaction. | 0:32:51 | 0:32:53 | |
I thought they were going to be like, "What the hell? Get out of here." | 0:32:53 | 0:32:57 | |
Let's see what it looks like when it's on, do you know what I mean? | 0:32:57 | 0:33:01 | |
-That's nice. -Yeah, it's nice for clubbing. -But it's sexy. It's good. | 0:33:07 | 0:33:14 | |
I like it. I would advise you to keep that dress for future. | 0:33:15 | 0:33:21 | |
I'm telling you, it's good. I won't lie to you. Trust me, it looks good. | 0:33:21 | 0:33:26 | |
You both look good in that. | 0:33:26 | 0:33:27 | |
There's good-looking people at this wedding, man. Show it off. | 0:33:27 | 0:33:31 | |
-He's trying to set us up with his mates. -You cheeky... | 0:33:31 | 0:33:35 | |
THEY LAUGH | 0:33:35 | 0:33:36 | |
It can run man, it's nice. I like them. | 0:33:36 | 0:33:39 | |
The more I look at it in the mirror, | 0:33:39 | 0:33:40 | |
the more I feel they're nice dresses. It probably could work. | 0:33:40 | 0:33:44 | |
They just need to be jazzed up. | 0:33:44 | 0:33:46 | |
He did all right. | 0:33:46 | 0:33:48 | |
I've never really known a bridesmaid dress to be so...sexy. | 0:33:48 | 0:33:53 | |
But Daina does like sexy. | 0:33:53 | 0:33:56 | |
He made the right choice with the dresses. I'm nervous. | 0:33:56 | 0:34:01 | |
I am. | 0:34:03 | 0:34:04 | |
Sex is back, baby. Do you know what I mean? Sexy is back. | 0:34:04 | 0:34:07 | |
MUSIC: "Bringing Sexy Back" by Justin Timberlake | 0:34:07 | 0:34:10 | |
So, you know, that was your cue to put # I'm bringing sexy back... # | 0:34:10 | 0:34:13 | |
I'm bringing sexy back and I walk away. | 0:34:13 | 0:34:16 | |
Two days to go and the boys have finally decided to check how | 0:34:23 | 0:34:26 | |
much of their budget they have left. Well, it might be handy to know. | 0:34:26 | 0:34:29 | |
Let's do the big numbers, man. | 0:34:29 | 0:34:31 | |
500 + 600 + 2,592. | 0:34:31 | 0:34:38 | |
-Tell me that number. -10,328. | 0:34:38 | 0:34:41 | |
They've paid for some essentials - caterers, the cake, | 0:34:41 | 0:34:44 | |
suits, a stag jacket and a lap dance. | 0:34:44 | 0:34:46 | |
-But there's just one grand left and lots to sort. -Oh, my word. | 0:34:46 | 0:34:52 | |
The budget you have, that's not going to cover everything at all. | 0:34:52 | 0:34:55 | |
It's not even funny. | 0:34:55 | 0:34:57 | |
The budget all but spent, Ahmet's posh wedding may be anything but. | 0:34:58 | 0:35:03 | |
I'm not good at this. | 0:35:03 | 0:35:04 | |
Told you, write things down, take off how much things have cost. | 0:35:04 | 0:35:09 | |
Instead of saying could have, would have, should have, | 0:35:09 | 0:35:12 | |
what are we going to do right now? | 0:35:12 | 0:35:14 | |
It's two days to the wedding | 0:35:14 | 0:35:16 | |
and he's only just figured out that he's overspent. | 0:35:16 | 0:35:19 | |
Ridiculous. He should have been budgeting from day one. | 0:35:19 | 0:35:23 | |
I've got the red carpet just delivered, red carpet going down. | 0:35:23 | 0:35:25 | |
I'm going to put tea lights going all the way down. | 0:35:25 | 0:35:28 | |
I thought you'd have trees. | 0:35:28 | 0:35:29 | |
What am I going to do, pull some plants out of the front | 0:35:29 | 0:35:32 | |
and just throw them down with the roots showing?! | 0:35:32 | 0:35:35 | |
-What is that going to look like? -You're laughing at me. | 0:35:35 | 0:35:38 | |
It's not even funny. | 0:35:38 | 0:35:40 | |
This red carpet, walking down the red carpet with no trees. | 0:35:40 | 0:35:44 | |
-It's going to be a ghetto wedding, man. -Say the word ghetto again. | 0:35:44 | 0:35:48 | |
-Ghetto ain't good. -Yeah, I think it's all gone pear shaped. | 0:35:49 | 0:35:53 | |
With time and money running out, Ahmet is heading back | 0:35:56 | 0:36:00 | |
-to his reception venue to weigh up his options. -I feel under pressure. | 0:36:00 | 0:36:04 | |
In a way, it's kind of exciting. It shouldn't be exciting. | 0:36:04 | 0:36:06 | |
I should be scared, man. | 0:36:06 | 0:36:08 | |
I should be disappearing for a couple of days, | 0:36:08 | 0:36:11 | |
and hopefully it will blow over. | 0:36:11 | 0:36:12 | |
The venue have agreed to provide 15 tables, so Ahmet has two days | 0:36:12 | 0:36:17 | |
to find chairs, table dressing, plates and cutlery for 150 guests. | 0:36:17 | 0:36:21 | |
-So, how do you see the room being laid out? -DJ up there. | 0:36:21 | 0:36:25 | |
-OK. -Possibly. Or maybe down here. I don't know. Probably down here. | 0:36:27 | 0:36:30 | |
-Speakers, whatever. -OK. -Can I see a table? -Of course you can. | 0:36:30 | 0:36:35 | |
Hold on a second. What about these chairs? | 0:36:39 | 0:36:42 | |
They're just old chairs, we're in the process of getting rid of them. | 0:36:42 | 0:36:45 | |
-I'll make them brand-new. -We don't charge for them. | 0:36:45 | 0:36:49 | |
We don't charge as well? Can I have a hug, please? | 0:36:49 | 0:36:51 | |
-Thank you. -And he's straight onto his mum to report the good news. | 0:36:51 | 0:36:55 | |
There's old chairs there, they're going to get rid of them, | 0:36:55 | 0:36:58 | |
but with white covers, that's it! And I can have them for free. | 0:36:58 | 0:37:02 | |
So, that's hallelujah right there, isn't it? Do you know what I mean? | 0:37:02 | 0:37:05 | |
All right, my battery is low. All right, bye-bye. | 0:37:07 | 0:37:11 | |
My battery's not really low, I just said that to get off the phone. | 0:37:11 | 0:37:15 | |
Oldest trick in the book. | 0:37:15 | 0:37:16 | |
With just a day to go, | 0:37:19 | 0:37:20 | |
Daina is off to see the £1,800 tutu dress Ahmet so carefully customised. | 0:37:20 | 0:37:25 | |
-This is it. -Look at that dress. | 0:37:25 | 0:37:29 | |
That lacy looking Little Bo Peep looking... I'm scared now. | 0:37:30 | 0:37:34 | |
I'm hoping there's something completely not this inside. | 0:37:34 | 0:37:39 | |
-Can I wait outside? -No, you have to come in with me. | 0:37:39 | 0:37:42 | |
I can't do this by myself. | 0:37:42 | 0:37:44 | |
Hello! Lovely to meet you. Hi. How you feeling? | 0:37:46 | 0:37:52 | |
Scared. Really scared. | 0:37:52 | 0:37:54 | |
Shall we go into the changing room? | 0:37:54 | 0:37:57 | |
-Oh, gosh. -Ready? -Yeah. | 0:38:00 | 0:38:02 | |
I'm actually shocked. | 0:38:18 | 0:38:20 | |
He actually chose a short dress. | 0:38:23 | 0:38:25 | |
I'm not crazy on the train. | 0:38:32 | 0:38:34 | |
I'm not even crazy on the back either. Oh, no. No. | 0:38:36 | 0:38:40 | |
No. I think I might change my mind if I put it on. | 0:38:41 | 0:38:44 | |
I might fall in love with this cape thing. Who knows? | 0:38:44 | 0:38:46 | |
I'll try and fall in love with the cape for the sake of Ahmet, | 0:38:46 | 0:38:49 | |
cos I really don't like this cape! | 0:38:49 | 0:38:52 | |
SHE SIGHS | 0:38:52 | 0:38:54 | |
I'm scared. | 0:38:54 | 0:38:56 | |
I'm really scared. Looking at the dresses in here, I really am scared. | 0:38:56 | 0:39:00 | |
I'm scared of what her dress is going to look like. | 0:39:00 | 0:39:04 | |
-Sorry. -Why are you laughing? | 0:39:14 | 0:39:17 | |
-You look like a fairy. -I look like a fairy? | 0:39:18 | 0:39:21 | |
SHE CHUCKLES | 0:39:21 | 0:39:24 | |
You just said I looked like a fairy. | 0:39:24 | 0:39:26 | |
It's nice. | 0:39:28 | 0:39:30 | |
Does it look like I'm wearing a cape? | 0:39:31 | 0:39:33 | |
No, but it looks like you've got some...bum pad! | 0:39:34 | 0:39:38 | |
SHE CACKLES | 0:39:38 | 0:39:39 | |
I turned and it makes you laugh, | 0:39:39 | 0:39:41 | |
you're not making this any better, you're laughing. | 0:39:41 | 0:39:44 | |
Because it just goes like this, and it's got a cape on it. | 0:39:44 | 0:39:47 | |
It's like, OK. Trying to hide an elephant. The cape needs to go. | 0:39:47 | 0:39:50 | |
-Didn't like the cape when I looked at it in the back. -Neither do I. | 0:39:50 | 0:39:53 | |
-It's like you're Elvis at the back. -Is it like an Elvis cape? | 0:39:53 | 0:39:56 | |
"Thank you very much." | 0:39:56 | 0:39:58 | |
I don't want to look like fairy Elvis, thank you very much! | 0:39:58 | 0:40:01 | |
So that's the tiara. | 0:40:03 | 0:40:05 | |
What about now? | 0:40:07 | 0:40:09 | |
You're proper just making me not want to look at this dress. | 0:40:09 | 0:40:12 | |
It's time for Daina to see herself in her full glory. | 0:40:12 | 0:40:16 | |
I look like an idiot. | 0:40:25 | 0:40:27 | |
Mm-mm. Hell, no. | 0:40:33 | 0:40:35 | |
I don't know what to do. So this dress was just cut? | 0:40:37 | 0:40:40 | |
Yes, it was floor length, so all the underskirt and petticoats | 0:40:40 | 0:40:45 | |
-and everything have been shortened. -I wonder if it could be cut more. | 0:40:45 | 0:40:49 | |
-I don't know. Ask him. -He's just gotten it slightly wrong. | 0:40:49 | 0:40:53 | |
Mum, don't you think you can call him and ask him | 0:40:56 | 0:40:59 | |
if they can alter this? | 0:40:59 | 0:41:00 | |
Hello. | 0:41:04 | 0:41:05 | |
We looked at the dress and everything, | 0:41:05 | 0:41:07 | |
-we want to know if we can alter. -Oh, don't get on my nerves. Really? | 0:41:07 | 0:41:11 | |
Something has to be done, cos she doesn't like the front. | 0:41:11 | 0:41:13 | |
HE GROANS | 0:41:13 | 0:41:15 | |
With no money, all Ahmet can offer are minor alterations. | 0:41:15 | 0:41:19 | |
OK, cool. Bye. | 0:41:19 | 0:41:21 | |
So the designer has been given the go-ahead to fit the dress. | 0:41:28 | 0:41:32 | |
-And, with a bit more leg, Daina is a lot happier. -Yes, now I like it. | 0:41:32 | 0:41:38 | |
-Now I like it as well. -Now it looks like you. | 0:41:38 | 0:41:40 | |
Now that it's been slightly altered at the front, I really, | 0:41:40 | 0:41:44 | |
really love this dress. | 0:41:44 | 0:41:46 | |
It's lovely. | 0:41:46 | 0:41:47 | |
-That's all it needed. -The perfect dress. -Yes! | 0:41:49 | 0:41:52 | |
Look at the train! As soon as he pinned up just the front. | 0:41:56 | 0:42:00 | |
-Yes, that was a big difference. -The cape doesn't even matter any more. | 0:42:00 | 0:42:03 | |
-He can have the cape. -The butt cape. | 0:42:03 | 0:42:05 | |
LAUGHTER | 0:42:05 | 0:42:07 | |
With time running out, Ahmet is desperate to see his posh | 0:42:14 | 0:42:17 | |
reception venue all dressed up, but there's a problem. | 0:42:17 | 0:42:20 | |
We haven't been contracted to set up the chairs and tables. | 0:42:20 | 0:42:24 | |
-Just put them on? -Just put them on. -Just the chair covers. | 0:42:24 | 0:42:27 | |
We don't actually have the manpower to do it. | 0:42:27 | 0:42:30 | |
-And we've only got till six o'clock. -What time is it now? Wow. | 0:42:30 | 0:42:33 | |
Have you got any friends you can call? | 0:42:33 | 0:42:36 | |
-As many friends as possible. -Yeah, yeah. | 0:42:36 | 0:42:39 | |
So, right now, I'm by myself | 0:42:42 | 0:42:43 | |
and I basically need to man together right now, innit? | 0:42:43 | 0:42:46 | |
I can't pick these tables up by myself. | 0:42:46 | 0:42:48 | |
Bruv, bruv, it's the ASAP thing right now. | 0:42:48 | 0:42:51 | |
-I can't believe this. -Where's your best man? | 0:42:54 | 0:42:56 | |
Isn't he supposed to be your sidekick? | 0:42:56 | 0:42:57 | |
Yeah, he is supposed to be but I don't know where he is right now. | 0:42:57 | 0:43:00 | |
I'm going to see how heavy the chairs are. | 0:43:00 | 0:43:02 | |
As a goodwill gesture I'll see if I can help you. | 0:43:02 | 0:43:05 | |
So, do you think you can manage the tables? | 0:43:05 | 0:43:07 | |
I'll try. How many do you think you can take? | 0:43:07 | 0:43:10 | |
-That much? -Right. | 0:43:10 | 0:43:12 | |
I can do three. | 0:43:12 | 0:43:14 | |
What's 150 divided by three? | 0:43:14 | 0:43:17 | |
How many times I'll have to go up and down the stairs. | 0:43:17 | 0:43:20 | |
This is a joke, man. | 0:43:20 | 0:43:22 | |
Sadly, it's no joke. | 0:43:23 | 0:43:25 | |
Ahmet has just two hours to set up an entire reception venue. | 0:43:25 | 0:43:29 | |
HE PUFFS AND PANTS | 0:43:29 | 0:43:32 | |
But the last three weeks have taught him something. | 0:43:34 | 0:43:37 | |
If you ever get married, yeah, don't you be in charge of nothing. | 0:43:37 | 0:43:40 | |
Yeah? | 0:43:40 | 0:43:41 | |
It's the morning of the wedding | 0:43:45 | 0:43:47 | |
and along with bridesmaids Charelle, Troy and Paige, | 0:43:47 | 0:43:50 | |
Daina's waiting for something special from her groom. | 0:43:50 | 0:43:52 | |
The shoes you'll be wearing today... | 0:43:57 | 0:43:59 | |
Oh, hell, no. | 0:44:01 | 0:44:03 | |
Hell, no. | 0:44:03 | 0:44:04 | |
You would never put those on your feet. | 0:44:04 | 0:44:06 | |
Ahmet knows I would never, ever, ever, ever | 0:44:06 | 0:44:08 | |
pick up these and buy them. | 0:44:08 | 0:44:10 | |
E-ver! | 0:44:10 | 0:44:11 | |
The thing is, you haven't tried them on yet. You never know. | 0:44:11 | 0:44:14 | |
Try them on?! | 0:44:14 | 0:44:16 | |
-These are what you're wearing to your wedding. -Are you serious? -Yeah. | 0:44:16 | 0:44:19 | |
Are you serious? | 0:44:19 | 0:44:20 | |
The shoes have bombed, | 0:44:23 | 0:44:24 | |
but oblivious, Ahmet's working on the chapel, | 0:44:24 | 0:44:27 | |
which, funnily enough, was also bombed. | 0:44:27 | 0:44:29 | |
This is a nightmare! | 0:44:31 | 0:44:32 | |
How long have you got left? | 0:44:33 | 0:44:34 | |
About now I'm saying, "Ten minutes." | 0:44:36 | 0:44:38 | |
Get home, shower, ten minutes changed, get here at 3.30pm. | 0:44:38 | 0:44:41 | |
Cor. | 0:44:41 | 0:44:43 | |
Back in Leyton, Ahmet's put his creative flair to something else - | 0:44:43 | 0:44:47 | |
Daina's make-up. | 0:44:47 | 0:44:48 | |
Oh, wow! | 0:44:50 | 0:44:51 | |
This is so bright. | 0:44:55 | 0:44:56 | |
He was very specific about the colours. | 0:44:58 | 0:45:01 | |
Red, gold and white. | 0:45:02 | 0:45:04 | |
If he's picked this colour scheme for the wedding, | 0:45:04 | 0:45:07 | |
why does it have to be all over my face? | 0:45:07 | 0:45:08 | |
15 minutes later, | 0:45:12 | 0:45:14 | |
shock has turned to tears. | 0:45:14 | 0:45:16 | |
-Jamal, I look like a clown. -Yeah. | 0:45:16 | 0:45:19 | |
-It's way too much make-up. -I really feel like a clown, a drag queen. | 0:45:19 | 0:45:23 | |
With the wedding turning into a circus, | 0:45:25 | 0:45:28 | |
it's phone call time. | 0:45:28 | 0:45:29 | |
-Hello, hello, hello? -Basically, the make-up | 0:45:29 | 0:45:33 | |
-is not working out. -Really? | 0:45:33 | 0:45:36 | |
-She looks kind of a clown right now. -Oh, my days. | 0:45:36 | 0:45:38 | |
She's going to do it herself, cos she said she can do it better. | 0:45:38 | 0:45:41 | |
-Do, that then. -But I want to know, what time's the wedding? | 0:45:41 | 0:45:43 | |
Don't worry, someone's going to pick you up, man. | 0:45:43 | 0:45:46 | |
-Literally, we're running around. What's going on? -Get dressed. | 0:45:46 | 0:45:48 | |
Get dressed, man. Get dressed. I'll give you an hour and a half. | 0:45:48 | 0:45:52 | |
Oh, sugar. | 0:45:52 | 0:45:54 | |
All right, then. See you. Bye. | 0:45:54 | 0:45:56 | |
-You have less than an hour. -That's fine. | 0:45:56 | 0:45:59 | |
Oh, my day. Too much to do. | 0:45:59 | 0:46:02 | |
This is crazy. | 0:46:02 | 0:46:04 | |
An hour later and looking less like Coco the Clown, | 0:46:06 | 0:46:09 | |
Daina's ready to inspect her bridesmaids. | 0:46:09 | 0:46:11 | |
ALL: Oh! | 0:46:13 | 0:46:15 | |
Make-up, make-up! | 0:46:16 | 0:46:19 | |
-I love it. -That's good. I'm happy now. | 0:46:20 | 0:46:23 | |
Oh, my gosh. Guys! | 0:46:23 | 0:46:25 | |
Out of time, boxer Ahmet's already feeling like he's done 12 rounds. | 0:46:27 | 0:46:31 | |
-I'm going to pass out, man. -You ain't going to pass out. | 0:46:31 | 0:46:35 | |
I feel like I'm going to pass out. | 0:46:35 | 0:46:37 | |
-What if Daina gets there before me? -She won't. | 0:46:37 | 0:46:39 | |
Let's go. | 0:46:42 | 0:46:43 | |
THEY SHRIEK | 0:46:48 | 0:46:51 | |
Oh, I love it! | 0:46:53 | 0:46:55 | |
-Do it, do it, do it! -Dip. | 0:46:55 | 0:46:57 | |
THEY CHEER | 0:46:57 | 0:47:00 | |
It's been a roller-coaster morning, | 0:47:00 | 0:47:01 | |
but Daina's finally getting in the mood. | 0:47:01 | 0:47:04 | |
She's even wearing those £20 trainers | 0:47:04 | 0:47:06 | |
and with Ahmet arranging for his uncle to drive Daina | 0:47:06 | 0:47:09 | |
and her brother, nothing's bringing this bride down. | 0:47:09 | 0:47:11 | |
It's not a limo, but... | 0:47:11 | 0:47:13 | |
Oh, well, it's taking me to see my man, so bye. | 0:47:13 | 0:47:16 | |
LAUGHTER AND CHEERING | 0:47:16 | 0:47:18 | |
Problem is, that car is the only car. | 0:47:19 | 0:47:23 | |
Where's the taxi, or whatever we're getting? | 0:47:23 | 0:47:26 | |
-We don't know how we're getting there? -Honestly, this is not funny. | 0:47:26 | 0:47:29 | |
How are we getting there? I'm calling now. | 0:47:30 | 0:47:34 | |
Oh, my gosh. I'm really trying not to be stressed right now. | 0:47:34 | 0:47:38 | |
-Hello, Ahmet? -Hello? | 0:47:38 | 0:47:40 | |
How's everyone getting there? There's only one car. | 0:47:40 | 0:47:42 | |
Oh, shit. | 0:47:42 | 0:47:44 | |
Oh, shit. I forgot about them. | 0:47:45 | 0:47:47 | |
Car-wise. | 0:47:47 | 0:47:48 | |
-Has she gone? -We can't go nowhere. -Shit, I forgot all about that. | 0:47:52 | 0:47:55 | |
-Oh, shit. -We have to leave now, or she won't be getting married. | 0:47:58 | 0:48:01 | |
Oh, my gosh. The stress. | 0:48:01 | 0:48:03 | |
Oh, my days. | 0:48:03 | 0:48:04 | |
With boxer Ahmet on the ropes, | 0:48:04 | 0:48:06 | |
it's down to Daina's friends and family to sort their own cars. | 0:48:06 | 0:48:10 | |
Is it going to work? | 0:48:12 | 0:48:13 | |
I'm not getting in the car till I know it's going to work. | 0:48:13 | 0:48:16 | |
It's going to work. You get in the car first. | 0:48:16 | 0:48:18 | |
Someone's going to have to come with me in this car. | 0:48:18 | 0:48:20 | |
Come. You get in the car. We have to run now. | 0:48:20 | 0:48:22 | |
But with no space, mum Lauren is forced to squeeze in | 0:48:24 | 0:48:26 | |
with Daina and her brother. | 0:48:26 | 0:48:28 | |
The bridal party finally leaves an hour later than planned. | 0:48:28 | 0:48:31 | |
One, two, three... Two people go with Daina, sit next to her. | 0:48:31 | 0:48:36 | |
Troy drives. | 0:48:36 | 0:48:37 | |
Yeah. | 0:48:38 | 0:48:40 | |
Can't forget transportation. | 0:48:40 | 0:48:41 | |
That was the first thing after planning where it's going to be | 0:48:41 | 0:48:44 | |
and whatever he's going to do. | 0:48:44 | 0:48:45 | |
Car, transportation. | 0:48:45 | 0:48:46 | |
That should have been the next on the list before anything else. | 0:48:46 | 0:48:49 | |
You're going to marry somebody and you don't want them to get there. | 0:48:51 | 0:48:54 | |
No? | 0:48:54 | 0:48:56 | |
Angry mother-in-law en route, then. | 0:48:56 | 0:48:58 | |
Still, with his derelict church dressed and guests arriving, | 0:48:58 | 0:49:02 | |
Ahmet can't worry about Daina's mum being cross, | 0:49:02 | 0:49:05 | |
not when his mum's cross too. | 0:49:05 | 0:49:07 | |
I'm very disappointed. | 0:49:07 | 0:49:09 | |
I wouldn't have chose this building at all. | 0:49:09 | 0:49:11 | |
He could have chose somewhere much better, I think so. | 0:49:11 | 0:49:15 | |
I don't think she'll like it. | 0:49:15 | 0:49:17 | |
What is this? | 0:49:18 | 0:49:19 | |
This isn't a church. | 0:49:21 | 0:49:23 | |
It's a church! | 0:49:23 | 0:49:25 | |
OK, it's not a church and she's gutted. | 0:49:25 | 0:49:28 | |
A bit like the church that isn't really a church. | 0:49:28 | 0:49:30 | |
I can't even stress about this. Nothing is going to ruin today. | 0:49:33 | 0:49:36 | |
Not even these big pillar things. | 0:49:36 | 0:49:38 | |
Ladies and gentlemen, | 0:49:44 | 0:49:45 | |
can I ask you all to stand for the entrance of the bridal party? | 0:49:45 | 0:49:49 | |
Do you take Daina to be your lawful, wedded wife? | 0:50:13 | 0:50:17 | |
I do. I will, yeah. | 0:50:17 | 0:50:18 | |
-LAUGHTER -..to be loving, | 0:50:19 | 0:50:22 | |
faithful for the rest of your lives together? | 0:50:22 | 0:50:24 | |
-I do. -I give you this ring as a token of my love. | 0:50:24 | 0:50:28 | |
These promises I make to you for the rest of my life. | 0:50:28 | 0:50:31 | |
..to be faithful always. | 0:50:33 | 0:50:35 | |
SHE CRIES | 0:50:41 | 0:50:43 | |
LAUGHTER | 0:50:46 | 0:50:48 | |
It is both a pleasure and a privilege to declare you are now | 0:50:51 | 0:50:56 | |
husband and wife together. | 0:50:56 | 0:50:59 | |
CHEERING | 0:50:59 | 0:51:01 | |
-How do you feel, girl? -Really, really, really happy. -All right. | 0:51:20 | 0:51:23 | |
You look fine, too. Mmm-hmm. | 0:51:23 | 0:51:26 | |
So after all Ahmet's hard work, it seems Daina's happy. | 0:51:26 | 0:51:30 | |
Just not with the venue. | 0:51:30 | 0:51:32 | |
This venue ain't the one. The stained glass windows. | 0:51:32 | 0:51:35 | |
-It's like a death place. -Oh, OK. | 0:51:35 | 0:51:38 | |
-Or the dress. -Don't like this. This is Elvis coat. -Oh, well. | 0:51:38 | 0:51:42 | |
-And what are these shoes? -SHE LAUGHS | 0:51:42 | 0:51:44 | |
-But I just tried, innit? -I'm fine. | 0:51:44 | 0:51:46 | |
-I don't care. -You look beautiful. -I don't care. | 0:51:46 | 0:51:49 | |
She does care, and she's not stopping there. | 0:51:49 | 0:51:52 | |
-You didn't even get cars. -Do you know what? | 0:51:52 | 0:51:54 | |
I've been running around like a madman. | 0:51:54 | 0:51:56 | |
I don't plan to ever do this again. | 0:51:56 | 0:51:58 | |
Obviously, I'm not going to get married again but, you know, | 0:51:58 | 0:52:00 | |
I'm not doing it. | 0:52:00 | 0:52:02 | |
And as the journey continues to the reception, | 0:52:02 | 0:52:04 | |
Daina's questioning takes a dangerous turn | 0:52:04 | 0:52:07 | |
onto the subject of Ahmet's stag party. | 0:52:07 | 0:52:10 | |
-Where did you go? -Went to a club. -What club? -A boozy club. | 0:52:10 | 0:52:13 | |
Did you go to a strip club? | 0:52:13 | 0:52:14 | |
Were there strippers there? | 0:52:14 | 0:52:16 | |
-Do you know what..? -Ahmet, there were strippers there?! -Daina... | 0:52:18 | 0:52:21 | |
Daina. Daina. Daina. | 0:52:24 | 0:52:26 | |
-Listen... -I don't care. Please turn that camera off. No. | 0:52:28 | 0:52:31 | |
I beg you turn that off right now. I'm not even joking. | 0:52:33 | 0:52:36 | |
-There were strippers there? -Nathan brought me there. | 0:52:36 | 0:52:38 | |
-There were strippers, Ahmet. -Don't get twisted, Daina. | 0:52:38 | 0:52:41 | |
-Why should I get out of the car? -I never disrespected you. | 0:52:41 | 0:52:43 | |
Emotions high, all of Ahmet's plans are hanging in the balance | 0:52:46 | 0:52:50 | |
and with 150 of their closest friends and family waiting inside, | 0:52:50 | 0:52:54 | |
it's an awkward arrival. | 0:52:54 | 0:52:56 | |
Trust me. Trust me, Daina. | 0:52:56 | 0:52:59 | |
-Daina, listen. Look at me. -I don't want to hear it. I really don't. | 0:52:59 | 0:53:02 | |
-I didn't want to be there, Daina. -I don't want to hear it. | 0:53:02 | 0:53:05 | |
My defence is I got taken there and nothing else appeals to me but you. | 0:53:05 | 0:53:08 | |
But it's the truth. | 0:53:11 | 0:53:12 | |
-You shouldn't be upset because you said... -Why wouldn't I be upset? | 0:53:12 | 0:53:16 | |
-You should know, Daina, I only have eyes for you. -I don't care. | 0:53:16 | 0:53:18 | |
I don't care. | 0:53:18 | 0:53:20 | |
The fact I was there, OK, I understand. | 0:53:20 | 0:53:23 | |
Whatever. Can we just do this? | 0:53:23 | 0:53:26 | |
I wouldn't... | 0:53:26 | 0:53:27 | |
Oh, allow me. | 0:53:27 | 0:53:28 | |
See? | 0:53:29 | 0:53:30 | |
She might be icy now, | 0:53:32 | 0:53:33 | |
but will the bride who wanted a VIP nightclub reception | 0:53:33 | 0:53:37 | |
warm to this elegant, old venue, | 0:53:37 | 0:53:39 | |
which Ahmet painstakingly prepared himself? | 0:53:39 | 0:53:42 | |
Yeah, I'm just trying to, you know... | 0:53:43 | 0:53:45 | |
This is my designing, | 0:53:45 | 0:53:47 | |
you know... | 0:53:47 | 0:53:48 | |
What do you think? | 0:53:51 | 0:53:52 | |
Yes! | 0:53:52 | 0:53:54 | |
Come on, let me show you. | 0:53:54 | 0:53:55 | |
She may not have wanted to be a princess on her big day, | 0:53:55 | 0:53:58 | |
but what about a queen? | 0:53:58 | 0:54:00 | |
You like our chairs? | 0:54:00 | 0:54:01 | |
I'm shocked. | 0:54:01 | 0:54:03 | |
This is us. | 0:54:03 | 0:54:04 | |
Like I said, you're my queen. | 0:54:04 | 0:54:06 | |
You didn't do this. | 0:54:06 | 0:54:09 | |
-I didn't do this? -No, you didn't. | 0:54:09 | 0:54:11 | |
-Yes, I did! -No, you didn't. | 0:54:11 | 0:54:13 | |
I did do it! Oh, my gosh! | 0:54:13 | 0:54:16 | |
-Everything here is my creation. -This is really nice. | 0:54:16 | 0:54:19 | |
It's really, really nice. | 0:54:19 | 0:54:20 | |
Still don't believe you, though. | 0:54:22 | 0:54:23 | |
-I think I deserve a kiss on the cheek. -No, no, no, you don't! | 0:54:25 | 0:54:27 | |
-Come on. -No. | 0:54:27 | 0:54:29 | |
This is really, really nice. | 0:54:29 | 0:54:30 | |
Ahmet's posh reception has saved the day. | 0:54:31 | 0:54:34 | |
Although he may not like the result. | 0:54:34 | 0:54:36 | |
Do you know what this is actually showing me? That you are just lazy. | 0:54:36 | 0:54:40 | |
-I'm lazy?! -Yeah, you are. | 0:54:40 | 0:54:42 | |
Because if you're capable of doing this, | 0:54:42 | 0:54:43 | |
why do you make me do everything? | 0:54:43 | 0:54:45 | |
You actually have ideas. | 0:54:46 | 0:54:48 | |
-Yeah. -They're good ones. -I learned from the best, Daina. | 0:54:48 | 0:54:51 | |
So Daina has been won over and so have the guests. | 0:54:52 | 0:54:56 | |
It's lovely! | 0:54:56 | 0:54:57 | |
I can't have expected more. This is perfect. It's actually perfect. | 0:54:57 | 0:55:01 | |
Look at this. This is great. This is fantastic. | 0:55:01 | 0:55:04 | |
So, can we first of all give a round of applause | 0:55:06 | 0:55:09 | |
to Ahmet for an incredible, incredible wedding? | 0:55:09 | 0:55:12 | |
I'm really proud of you, Ahmet. Well done. You done good. | 0:55:13 | 0:55:16 | |
Basically, my little Dainy-wane, | 0:55:16 | 0:55:19 | |
you're a wifey now. | 0:55:19 | 0:55:20 | |
I wish you and your new bride happiness and peace. | 0:55:20 | 0:55:25 | |
To Ahmet and Daina. | 0:55:25 | 0:55:28 | |
So, after three weeks apart, was it all worth it? | 0:55:32 | 0:55:37 | |
You done amazing. I couldn't have planned better. | 0:55:37 | 0:55:41 | |
I think you know me better than I know myself. | 0:55:41 | 0:55:44 | |
Cos half of the stuff I said I would never like, I like. I love. | 0:55:44 | 0:55:47 | |
It was definitely a lot of ups and downs but it was all worth it. | 0:55:49 | 0:55:53 | |
Don't you feel I've earned a kiss? | 0:55:53 | 0:55:55 | |
You earned more than a kiss. | 0:55:55 | 0:55:57 | |
-Oh! -But that's not for the cameras. | 0:55:57 | 0:55:58 | |
Come on, guys. Don't just watch, join in. | 0:56:00 | 0:56:02 | |
Next time, action man Kev plans a sky-high wedding. | 0:56:02 | 0:56:06 | |
The end of your life is near. | 0:56:06 | 0:56:08 | |
But without his bride-to-be, Trish, to rein him in... | 0:56:08 | 0:56:11 | |
It's the most stupidest idea you've ever had | 0:56:11 | 0:56:13 | |
in your whole life, entire life. | 0:56:13 | 0:56:15 | |
..will daredevil Kev... | 0:56:15 | 0:56:16 | |
Looking out the window thinking, "I'm jumping out in a minute." | 0:56:16 | 0:56:19 | |
..pull off his soaring ceremony... | 0:56:19 | 0:56:21 | |
SHE SCREAMS | 0:56:21 | 0:56:22 | |
..or will he simply crash and burn? | 0:56:22 | 0:56:25 | |
It's damage limitation now. | 0:56:25 | 0:56:26 | |
I'm having a panic attack. | 0:56:26 | 0:56:28 | |
Subtitles by Red Bee Media Ltd | 0:56:34 | 0:56:37 |