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-Has anybody got confetti? -Yes! -Come on, then. | 0:00:05 | 0:00:07 | |
Every girl likes to take control of her wedding. | 0:00:07 | 0:00:09 | |
So what happens when she has no say on her big day? | 0:00:09 | 0:00:13 | |
Oh, they're awful! | 0:00:13 | 0:00:14 | |
We're not doing it. | 0:00:14 | 0:00:16 | |
Don't Tell The Bride is back. | 0:00:16 | 0:00:18 | |
This is ridiculous. | 0:00:18 | 0:00:19 | |
As ever, the grooms are in charge. | 0:00:19 | 0:00:21 | |
I want there to be a donkey at the wedding. | 0:00:21 | 0:00:23 | |
I'm going to look lovely on our big day. | 0:00:23 | 0:00:25 | |
But with £12,000 to spend | 0:00:25 | 0:00:27 | |
and just three weeks to throw the wedding of their dreams... | 0:00:27 | 0:00:31 | |
Tell him I love him! SCREAMING | 0:00:31 | 0:00:33 | |
..have the boys pushed themselves too far? | 0:00:33 | 0:00:36 | |
-Oh, my God! -You're fired! | 0:00:36 | 0:00:38 | |
With more shocking, | 0:00:38 | 0:00:40 | |
more outrageous | 0:00:40 | 0:00:42 | |
and more daredevil weddings than ever before, | 0:00:42 | 0:00:45 | |
will there be a happy ever after? | 0:00:45 | 0:00:48 | |
-This is not the thing you get wrong the day before your wedding. -Will true love save the day? | 0:00:48 | 0:00:52 | |
Mum, what is that? Mum, what is that? | 0:00:52 | 0:00:53 | |
Or is it a countdown to disaster? | 0:00:53 | 0:00:56 | |
Three, two, one! SCREAMING FADES OUT | 0:00:56 | 0:00:59 | |
Tonight... | 0:00:59 | 0:01:01 | |
Girls do that, gays don't do that. | 0:01:01 | 0:01:03 | |
Former drama student, Jack, | 0:01:03 | 0:01:05 | |
Oh, my God! | 0:01:05 | 0:01:06 | |
..is hoping to impress his husband to be, James... | 0:01:06 | 0:01:08 | |
This needs to look nice, otherwise James will just think we're idiots. | 0:01:08 | 0:01:11 | |
..by putting on the performance of a lifetime. | 0:01:11 | 0:01:14 | |
Scene one, in there, we need Lysander. | 0:01:14 | 0:01:16 | |
But with James's sights set on a traditional wedding... | 0:01:16 | 0:01:19 | |
-Just a little bit scared now. -SCREAMING | 0:01:19 | 0:01:21 | |
What happens when our groom, turned theatre director... | 0:01:21 | 0:01:24 | |
Oh... | 0:01:24 | 0:01:25 | |
..takes on a literary classic... | 0:01:25 | 0:01:28 | |
Midsummer Night's Dream. | 0:01:28 | 0:01:29 | |
I want there to be an actual, real-life donkey. | 0:01:29 | 0:01:32 | |
THEY LAUGH | 0:01:32 | 0:01:33 | |
..and a wedding? | 0:01:33 | 0:01:34 | |
Having the play as well as the wedding, that is way too much. | 0:01:34 | 0:01:38 | |
Will it be A Midsummer Night's Dream? | 0:01:38 | 0:01:41 | |
-Yeah! -Ha! | 0:01:41 | 0:01:42 | |
Or a Shakespearean tragedy? | 0:01:42 | 0:01:44 | |
-What the hell is going on? -Stop. | 0:01:44 | 0:01:47 | |
26-year-old Jack | 0:01:58 | 0:02:00 | |
is marrying the love of his life, 24-year-old James. | 0:02:00 | 0:02:04 | |
JACK SINGS: # It takes two, baby | 0:02:04 | 0:02:07 | |
# Me and you! # | 0:02:07 | 0:02:08 | |
Jack and James live in Essex and have been together for four years. | 0:02:08 | 0:02:12 | |
When I first saw him I was just like, "Oh, he's all right." | 0:02:12 | 0:02:15 | |
And when you like, you stalk them on Facebook obviously, | 0:02:15 | 0:02:18 | |
that's what you do and then you go, you're just like, "Oh, actually, he's fun!" | 0:02:18 | 0:02:23 | |
James is very, very caring and he does do a lot for me. | 0:02:23 | 0:02:26 | |
Having been to drama school, Jack has a passion for the theatre, | 0:02:26 | 0:02:30 | |
whilst James, who works in retail, has to live with his eccentric ways. | 0:02:30 | 0:02:35 | |
I'm outgoing and I like to just do things and just be like, | 0:02:35 | 0:02:37 | |
that's fun, we should do that, it will be interesting. | 0:02:37 | 0:02:40 | |
But I do get bored easily. | 0:02:40 | 0:02:41 | |
Look, I'm not an idiot. | 0:02:41 | 0:02:43 | |
LAUGHTER | 0:02:43 | 0:02:45 | |
While outgoing Jack loves to take centre stage, | 0:02:45 | 0:02:48 | |
James prefers setting the scene at home. | 0:02:48 | 0:02:51 | |
'The whole house, it is my taste.' | 0:02:51 | 0:02:53 | |
Jack, he doesn't have a say. | 0:02:53 | 0:02:55 | |
'I love everything I've done.' | 0:02:55 | 0:02:57 | |
I had no say. | 0:02:57 | 0:02:59 | |
No, not in colours, you're colour-blind so no point, you're not picking wall colours. | 0:02:59 | 0:03:03 | |
OK, brilliant. So, yeah, I had no say at all. | 0:03:03 | 0:03:06 | |
Jack may play a minor role when it comes to their home life, | 0:03:06 | 0:03:10 | |
but the tables are about to turn | 0:03:10 | 0:03:12 | |
as he takes control of the biggest day in both their lives. | 0:03:12 | 0:03:16 | |
So it's quite nice for me to be able to go, | 0:03:16 | 0:03:17 | |
this time, I'm going to do EVERYTHING. | 0:03:17 | 0:03:20 | |
While organised James | 0:03:20 | 0:03:22 | |
will have absolutely no say in the wedding whatsoever. | 0:03:22 | 0:03:25 | |
It is going to be the most stressful three weeks of... | 0:03:25 | 0:03:28 | |
my life, I think, because it's the biggest day of your life | 0:03:28 | 0:03:30 | |
and I don't get a say, know what I mean? | 0:03:30 | 0:03:32 | |
And I'm giving it to the guy that I don't let wash up, he doesn't do it properly, | 0:03:32 | 0:03:35 | |
but now he's going to organise my big day. That's what I'm scared about. | 0:03:35 | 0:03:39 | |
The couple may have their differences, | 0:03:39 | 0:03:41 | |
but one thing they do agree on is the importance of family. | 0:03:41 | 0:03:44 | |
We're going to get married and this is going to be the house we come back to. | 0:03:44 | 0:03:48 | |
This is the house we're going to have kids in, the house, we're looking to foster. | 0:03:48 | 0:03:52 | |
You don't have to be married to foster children, but for us, | 0:03:52 | 0:03:56 | |
getting married is the next step in our relationship, | 0:03:56 | 0:03:59 | |
and then the next step after that is to do the fostering | 0:03:59 | 0:04:02 | |
and then we'll have a really strong family unit | 0:04:02 | 0:04:04 | |
and I think it's nice to be able to offer that stability to a child. | 0:04:04 | 0:04:08 | |
Sadly, one family member will be missing from their big day, | 0:04:08 | 0:04:12 | |
Jack's mum. | 0:04:12 | 0:04:13 | |
My family over the last four of five years have gone through quite a lot. | 0:04:13 | 0:04:16 | |
-'We'd only been together for a month. -A month. | 0:04:16 | 0:04:18 | |
'James was planning to meet my mum on the Saturday,' | 0:04:18 | 0:04:21 | |
and then she passed away on the Tuesday. | 0:04:21 | 0:04:23 | |
'Me and my mum, we were like best friends.' | 0:04:23 | 0:04:25 | |
I've heard so much about Theresa and I feel like I know her. | 0:04:25 | 0:04:30 | |
Inspired by his mum and with this the first year of same-sex marriage, | 0:04:30 | 0:04:34 | |
Jack's determined to make this wedding a production to remember. | 0:04:34 | 0:04:37 | |
We're lucky that we have no traditions to stick to. | 0:04:37 | 0:04:41 | |
You know, if it's a man and a woman getting married, | 0:04:41 | 0:04:44 | |
you have people and aunties and uncles might go, | 0:04:44 | 0:04:46 | |
"Oh, well, you didn't do this and you'll have to do that, | 0:04:46 | 0:04:48 | |
"you're a man and woman." What traditions do we have? | 0:04:48 | 0:04:51 | |
None whatsoever. We literally make it up on the spot. | 0:04:51 | 0:04:53 | |
We can even make traditions now. | 0:04:53 | 0:04:55 | |
Jack's creative juices may be flowing but, James is hoping | 0:04:55 | 0:04:58 | |
to celebrate equal marriage in a very different way. | 0:04:58 | 0:05:02 | |
My dream wedding day will literally be a nice, | 0:05:02 | 0:05:05 | |
proper old-fashioned, traditional wedding, nothing outrageous, | 0:05:05 | 0:05:09 | |
and it just be a day for all of us to remember. | 0:05:09 | 0:05:12 | |
Jack's mother might be absent on his big day, but he wants to make | 0:05:12 | 0:05:15 | |
sure she's not forgotten. | 0:05:15 | 0:05:17 | |
I had a few ideas of how I wanted to incorporate my mum within the day. | 0:05:17 | 0:05:21 | |
My mum was in Midsummer Night's Dream when I was younger, I think | 0:05:21 | 0:05:24 | |
I was about six or seven, and it was her favourite Shakespeare, | 0:05:24 | 0:05:28 | |
so when thinking about themes and things for weddings, | 0:05:28 | 0:05:31 | |
that just sprung to my mind straightaway. | 0:05:31 | 0:05:34 | |
To honour his mum's love of Shakespeare, Jack wants to | 0:05:34 | 0:05:37 | |
stage the performance of a lifetime, directing an hour-long version | 0:05:37 | 0:05:42 | |
of Shakespeare's A Midsummer Night's Dream, | 0:05:42 | 0:05:44 | |
for James and their guests to watch. | 0:05:44 | 0:05:47 | |
I'm incorporating a lot of what my friends do as a profession, | 0:05:47 | 0:05:50 | |
which is acting. It is literally, I've chosen a play as the theme, | 0:05:50 | 0:05:53 | |
and then I'm going to be, like, directing my wedding. | 0:05:53 | 0:05:56 | |
But that's fun. | 0:05:56 | 0:05:58 | |
A Midsummer Night's Dream is a comedy about young lovers | 0:05:58 | 0:06:01 | |
set in a fairy forest wonderland. | 0:06:01 | 0:06:04 | |
So, the question is, can Jack really pull of one of Shakespeare's | 0:06:04 | 0:06:07 | |
most successful, complicated and eccentric plays with just £12,000? | 0:06:07 | 0:06:12 | |
I want to be very creative. | 0:06:13 | 0:06:15 | |
This isn't going to be a kind of normal, traditional wedding. | 0:06:15 | 0:06:19 | |
This is going to be an event. | 0:06:19 | 0:06:21 | |
Who cares if it's in the back garden? | 0:06:21 | 0:06:22 | |
It doesn't matter, like, we're getting married. | 0:06:22 | 0:06:25 | |
And our friends and family that love us | 0:06:25 | 0:06:27 | |
and support us are going to be there. | 0:06:27 | 0:06:28 | |
-We're not getting married in the back garden, though. -We might be! | 0:06:28 | 0:06:32 | |
It's time for our couple to say goodbye. | 0:06:33 | 0:06:36 | |
Today, Jack moves out to plan the wedding, and James is making | 0:06:36 | 0:06:40 | |
sure he's set for the next few weeks. | 0:06:40 | 0:06:43 | |
-Thank you. -Made you some. | 0:06:43 | 0:06:44 | |
Just put it in there, don't put it in the thing. | 0:06:44 | 0:06:46 | |
Thank you, James. | 0:06:46 | 0:06:47 | |
You're nervous, aren't you? | 0:06:47 | 0:06:49 | |
Yes, very, very nervous. It's three weeks. | 0:06:49 | 0:06:52 | |
We can do it. | 0:06:52 | 0:06:53 | |
Yeah, it'll be fine. | 0:06:53 | 0:06:55 | |
After four years together, the couple are going to find it | 0:06:55 | 0:06:58 | |
hard spending time apart. | 0:06:58 | 0:07:00 | |
You're taking the house with you, ain't you? | 0:07:00 | 0:07:02 | |
-All right? -Yeah. OK. | 0:07:02 | 0:07:03 | |
See you later. | 0:07:03 | 0:07:05 | |
Go on. Go for it. | 0:07:05 | 0:07:08 | |
See you on our wedding day. | 0:07:08 | 0:07:09 | |
Have fun. Not too much fun. | 0:07:09 | 0:07:11 | |
As Jack drives away, the pressure of staging this ambitious | 0:07:11 | 0:07:15 | |
production is already playing on his mind. | 0:07:15 | 0:07:19 | |
I could list quite a lot of my fears at the moment, | 0:07:19 | 0:07:21 | |
like, there's lots of things that I'm worried about, but I think | 0:07:21 | 0:07:26 | |
that I won't know the answers until I actually start organising it. | 0:07:26 | 0:07:30 | |
While Jack prepares for his directorial debut, James is | 0:07:30 | 0:07:35 | |
waiting in the wings at home. | 0:07:35 | 0:07:37 | |
He's invited bridesmaid, Alex, and friend, Kelly, to keep him company. | 0:07:37 | 0:07:42 | |
-Cheers to Jack going! -Cheers to Jack going. | 0:07:43 | 0:07:47 | |
So, how are you feeling now he's gone? | 0:07:47 | 0:07:49 | |
-I'm scared. -About what? | 0:07:49 | 0:07:51 | |
I'm just scared because of what's going to happen, obviously, | 0:07:51 | 0:07:54 | |
in three weeks' time, but I think I'm more upset. | 0:07:54 | 0:07:56 | |
Are you worried about the choices he's going to make, | 0:07:56 | 0:07:59 | |
or you do you just completely trust him? | 0:07:59 | 0:08:01 | |
No, I don't trust him. | 0:08:01 | 0:08:02 | |
WOMEN LAUGH | 0:08:02 | 0:08:03 | |
We know that. I don't trust him. | 0:08:03 | 0:08:05 | |
What would you do, like, if it was, like, a theme? | 0:08:05 | 0:08:08 | |
No! You don't really have themes for weddings, do you? | 0:08:08 | 0:08:10 | |
I want traditional, just, like, sit down for a three-course meal. | 0:08:10 | 0:08:13 | |
-You don't want anything too out there. -Yeah. | 0:08:13 | 0:08:15 | |
-You don't want anything like... -Nothing too flamboyant. -Oh... | 0:08:15 | 0:08:18 | |
But flamboyant is exactly what Jack is going for. | 0:08:18 | 0:08:22 | |
And he's travelled to London to move in with best man | 0:08:22 | 0:08:25 | |
and fellow thespian, Jay. | 0:08:25 | 0:08:27 | |
-Jacko! -Hello, mate, you all right? Good to see you. | 0:08:27 | 0:08:30 | |
For the next three weeks, Jay is giving up time with his | 0:08:30 | 0:08:32 | |
girlfriend to help Jack plan the wedding, | 0:08:32 | 0:08:35 | |
but James is already worried about what that might mean. | 0:08:35 | 0:08:38 | |
Because they both went to drama school, | 0:08:38 | 0:08:39 | |
I hope the wedding and drama school are not going | 0:08:39 | 0:08:42 | |
to relate that. I hope they don't do nothing stupid. | 0:08:42 | 0:08:45 | |
So, all James wants is a normal, traditional wedding, OK, Jack? | 0:08:45 | 0:08:50 | |
I do not want it to be like a normal, traditional wedding. | 0:08:50 | 0:08:54 | |
Oh. | 0:08:54 | 0:08:55 | |
-And we're not doing church? -No! | 0:08:55 | 0:08:57 | |
-Church would just be weird. Like... -Inappropriate? | 0:08:57 | 0:09:00 | |
Totally inappropriate. I'm gay! | 0:09:00 | 0:09:03 | |
You're gay?! | 0:09:03 | 0:09:04 | |
THEY LAUGH | 0:09:04 | 0:09:05 | |
Basically, we have a theme, Midsummer Night's Dream. | 0:09:05 | 0:09:08 | |
HE LAUGHS | 0:09:08 | 0:09:10 | |
I want James to arrive as if, like, he's arriving | 0:09:10 | 0:09:14 | |
in the middle of a scene. | 0:09:14 | 0:09:16 | |
That is so cool! | 0:09:16 | 0:09:18 | |
So, there's like, actors will just like surround the car, | 0:09:18 | 0:09:21 | |
and then boom, they're gone, and they're vanished. | 0:09:21 | 0:09:23 | |
And then, like, so there'd be, like, a 45-minute version of scenes | 0:09:23 | 0:09:27 | |
and stuff, which we could cut together... | 0:09:27 | 0:09:29 | |
Boom, here's a performance. | 0:09:29 | 0:09:30 | |
Like putting on a play and a wedding. | 0:09:30 | 0:09:34 | |
-Directing a wedding. -Directing a wedding. | 0:09:34 | 0:09:36 | |
Oh, that's so cool. | 0:09:36 | 0:09:38 | |
And if you like that, Jack's got another kick-ass idea. | 0:09:38 | 0:09:41 | |
I want there to be an actual, real-life donkey. | 0:09:41 | 0:09:44 | |
THEY LAUGH | 0:09:44 | 0:09:46 | |
OK, yeah, great. | 0:09:46 | 0:09:47 | |
Midsummer Night's Dream, Bottom gets turned into a donkey halfway | 0:09:47 | 0:09:50 | |
through the play and has a crazy bit where he's having sex | 0:09:50 | 0:09:56 | |
with the Queen of the Fairies, which is brilliant! | 0:09:56 | 0:09:58 | |
And he's a donkey, and I thought about, how am I going to incorporate | 0:09:58 | 0:10:01 | |
the donkey into the wedding, and I thought, we'll just get a donkey. | 0:10:01 | 0:10:06 | |
Well, that does make sense. | 0:10:08 | 0:10:10 | |
So, the boys head to the countryside in search of a star. | 0:10:10 | 0:10:15 | |
How you doing, buddy? Hello, mate. | 0:10:15 | 0:10:17 | |
Organising a wedding in three weeks, | 0:10:17 | 0:10:19 | |
and it's a Midsummer Night's Dream theme, | 0:10:19 | 0:10:22 | |
and one of the characters in Midsummer Night's Dream gets | 0:10:22 | 0:10:25 | |
turned into a donkey, | 0:10:25 | 0:10:26 | |
and I thought it'd be a really cool idea to have a real donkey there. | 0:10:26 | 0:10:31 | |
Yeah, the donkeys are always the star attraction of any event. | 0:10:31 | 0:10:35 | |
They're really popular. | 0:10:35 | 0:10:36 | |
How much do you normally charge for, like, hiring them | 0:10:36 | 0:10:39 | |
out for, like, the day and stuff? | 0:10:39 | 0:10:41 | |
Erm... How long would you like them for? | 0:10:41 | 0:10:44 | |
We probably want them for about two hours, maybe. | 0:10:44 | 0:10:48 | |
The cost would be about 400 for that. | 0:10:48 | 0:10:50 | |
£400?! Let's hope this donkey can act. | 0:10:50 | 0:10:53 | |
-Well, what are you willing to...? -250, I'd be happy with that. | 0:10:53 | 0:10:57 | |
-But that doesn't sound good to you, right? -No. | 0:10:57 | 0:11:01 | |
OK, thank you. We'll have a think and then we'll... | 0:11:01 | 0:11:03 | |
Yeah, that's fine. | 0:11:03 | 0:11:05 | |
Yeah. See you later, fellas. | 0:11:05 | 0:11:07 | |
With the ass still up in the air, it's back to the drawing | 0:11:07 | 0:11:10 | |
board for groom, Jack. | 0:11:10 | 0:11:12 | |
Meanwhile, organised James is on the Isle of Sheppey, where he grew up, | 0:11:12 | 0:11:16 | |
to visit his dream venue with his family and bridesmaid, Alex. | 0:11:16 | 0:11:21 | |
A proper traditional wedding, | 0:11:21 | 0:11:22 | |
that's what I want, to get married back home on the island. | 0:11:22 | 0:11:25 | |
I want the old traditional car to pick me up and take me there. | 0:11:25 | 0:11:29 | |
Even the dinner, like, I've even thought of having, like, | 0:11:29 | 0:11:31 | |
a three-course meal, like, all the knife | 0:11:31 | 0:11:33 | |
and forks you can think of, cos you only get married once, | 0:11:33 | 0:11:36 | |
you want it all. You want to splash out on everything. | 0:11:36 | 0:11:39 | |
-Ah, look at this, Jim. -Ain't it nice? -Yeah! | 0:11:39 | 0:11:41 | |
Oh, my God! | 0:11:43 | 0:11:45 | |
Oh, it's really pretty, isn't it? | 0:11:45 | 0:11:46 | |
Oh, it's really nice, James. | 0:11:46 | 0:11:48 | |
Jack this side, Jack's lot. | 0:11:48 | 0:11:50 | |
-Jack's this side? -Our side this side, Mum. | 0:11:50 | 0:11:53 | |
Are you having sides? Are you going to have sides? | 0:11:53 | 0:11:55 | |
I don't know. I don't know what's going to happen. | 0:11:55 | 0:11:57 | |
That's true! | 0:11:57 | 0:11:59 | |
-It's lovely, as well, especially this is at home, isn't it? -Yeah. | 0:11:59 | 0:12:02 | |
On the island. Look outside. | 0:12:02 | 0:12:04 | |
MUM GASPS | 0:12:04 | 0:12:05 | |
-Look at that view! -Oh, my God. | 0:12:05 | 0:12:07 | |
Could you get married outside? | 0:12:08 | 0:12:09 | |
I imagine just, like, worst case scenario, and it's like... | 0:12:09 | 0:12:13 | |
HE MIMICS RAIN | 0:12:13 | 0:12:15 | |
Well, it's windy today, | 0:12:15 | 0:12:16 | |
can you imagine what it'd be like if it was raining? | 0:12:16 | 0:12:19 | |
An outdoor wedding would be a problem for James, | 0:12:19 | 0:12:21 | |
but perfect for Jack. | 0:12:21 | 0:12:23 | |
He's on the hunt for a venue to stage his Midsummer Night's | 0:12:23 | 0:12:25 | |
Dream production, and he thinks he's found a hidden gem, | 0:12:25 | 0:12:29 | |
Willow Cottage outdoor theatre. | 0:12:29 | 0:12:32 | |
This is beautiful. We're literally in the middle of a forest. | 0:12:32 | 0:12:36 | |
Just 15 minutes away from Jack and James's home, Willow Cottage | 0:12:36 | 0:12:40 | |
could be ideal for Jack's Shakespeare inspired wedding. | 0:12:40 | 0:12:42 | |
-This is amazing. -A-ma-zing. | 0:12:42 | 0:12:45 | |
They are meeting theatre owner, David, to see the grand arena | 0:12:45 | 0:12:49 | |
that will stage Jack's play. | 0:12:49 | 0:12:51 | |
Then we have a little amphitheatre. | 0:12:53 | 0:12:55 | |
A little dug out amphitheatre. | 0:12:55 | 0:12:57 | |
That's crazy! | 0:12:57 | 0:12:59 | |
Yep, a crazy big hole in the ground. | 0:12:59 | 0:13:03 | |
This is not what I expected at all. | 0:13:03 | 0:13:05 | |
This is amazing. | 0:13:05 | 0:13:08 | |
Back on the Isle Of Sheppey, James is keen to find out what his | 0:13:08 | 0:13:11 | |
wedding will entail - but how? | 0:13:11 | 0:13:14 | |
Well, his mum is an amateur psychic, which is handy. | 0:13:14 | 0:13:17 | |
So, Mum, have you thought what Jack's going to do? | 0:13:17 | 0:13:20 | |
Can you see it being in a venue like this though? | 0:13:20 | 0:13:22 | |
Do you reckon Jack will pick something like this? | 0:13:22 | 0:13:24 | |
-Bigger. -Bigger? -Yeah. | 0:13:24 | 0:13:26 | |
-What, like stately-home big? -Yeah. -Oh, James! | 0:13:26 | 0:13:29 | |
And psychic Mum has even foreseen what they'll be wearing. | 0:13:29 | 0:13:32 | |
I do...I am seeing tweed...suits, for you. | 0:13:32 | 0:13:36 | |
No, you're picturing navy, Mum, no? | 0:13:36 | 0:13:38 | |
-I am seeing the tweed. -What, both? Or just me? | 0:13:38 | 0:13:40 | |
No, both you and Jack. | 0:13:40 | 0:13:41 | |
So we both look like idiots. Who wears tweed? | 0:13:41 | 0:13:44 | |
Well, you will be on your wedding day. | 0:13:44 | 0:13:46 | |
I can tell that is what you're going to look like. | 0:13:46 | 0:13:49 | |
Oh, bloody hell! Are you taking the piss? | 0:13:49 | 0:13:52 | |
James isn't exactly loving his mum's premonitions, and heading | 0:13:52 | 0:13:56 | |
outside to see the backdrop to his traditional wedding pictures... | 0:13:56 | 0:13:59 | |
It's beautiful. | 0:13:59 | 0:14:00 | |
..he soon spots something else he wouldn't want. | 0:14:00 | 0:14:02 | |
I wouldn't have a marquee though, cos look, it's all blowing. | 0:14:02 | 0:14:05 | |
I would rather have the indoor bit, do you know what I mean? | 0:14:05 | 0:14:08 | |
Look, it's going to blow over! | 0:14:08 | 0:14:09 | |
Yeah, but, you're seeing it like that but them doors do open. | 0:14:09 | 0:14:12 | |
It looked pretty inside but, it's just...look, it's shaking. | 0:14:12 | 0:14:15 | |
We live in England, it's going to rain, do you know what I mean? | 0:14:15 | 0:14:18 | |
You can put up however many marquees you want but it's not going to | 0:14:18 | 0:14:21 | |
stop the wind and the rain, and that's my biggest fear. | 0:14:21 | 0:14:24 | |
Back in Essex, happy with his theatrical venue, Jack's | 0:14:24 | 0:14:28 | |
looking for somewhere to hold his reception and has a plan to | 0:14:28 | 0:14:31 | |
keep out the British weather. | 0:14:31 | 0:14:32 | |
And then out here is where we have put the marquee. | 0:14:32 | 0:14:37 | |
Did he say "marquee"? | 0:14:37 | 0:14:38 | |
That's incredible. | 0:14:38 | 0:14:39 | |
The marquee that we want to get would be a see-through marquee, | 0:14:39 | 0:14:43 | |
-so you could see all around... -Yeah. | 0:14:43 | 0:14:45 | |
..so we're just going to go and stand in the middle of a field | 0:14:45 | 0:14:47 | |
and just see what you can see... | 0:14:47 | 0:14:49 | |
-If that's all right? -..around, if that's OK? | 0:14:49 | 0:14:51 | |
-Carry on. -Thank you. | 0:14:51 | 0:14:52 | |
Just in the middle of this...it's just like, boof! | 0:14:52 | 0:14:58 | |
-I love it. -Yeah, I absolutely love it. | 0:14:58 | 0:15:00 | |
And with £12,000 | 0:15:00 | 0:15:01 | |
burning a hole in Jack's pocket, even rain wouldn't dampen his day. | 0:15:01 | 0:15:05 | |
Let's get umbrellas, man, if it rains, like... | 0:15:05 | 0:15:07 | |
Yeah. We could hire a person to be the umbrella guy. | 0:15:07 | 0:15:12 | |
The venue's ticking every box for Jack but, how much does a dug out | 0:15:12 | 0:15:17 | |
amphitheatre and a field for a marquee actually cost? | 0:15:17 | 0:15:21 | |
Obviously...price, that's what we're...? | 0:15:21 | 0:15:24 | |
For the venue, it's a thousand. | 0:15:24 | 0:15:26 | |
-OK. -A thousand? -Yes. | 0:15:26 | 0:15:28 | |
-And that's the whole time? -Yes. | 0:15:28 | 0:15:30 | |
That's unbelievable! | 0:15:30 | 0:15:32 | |
But can it hold legal ceremonies? | 0:15:32 | 0:15:34 | |
-You can have a blessing... -Yeah. | 0:15:34 | 0:15:36 | |
...but, certainly can't get married here. | 0:15:36 | 0:15:39 | |
That's... | 0:15:39 | 0:15:41 | |
Without a wedding licence, this could be the end of Jack's | 0:15:41 | 0:15:44 | |
midsummer night's dream. | 0:15:44 | 0:15:46 | |
I feel a bit disappointed that we can't legally get married there, | 0:15:46 | 0:15:49 | |
which is shit. | 0:15:49 | 0:15:50 | |
But with his emotional connection to Shakespeare's play, Jack | 0:15:52 | 0:15:56 | |
makes a big decision. | 0:15:56 | 0:15:58 | |
I think I'm just going to have to do registry office... | 0:15:58 | 0:16:01 | |
really quick, really like - boom, legal bit done. | 0:16:01 | 0:16:04 | |
Despite this being the first year that same-sex couples can get | 0:16:04 | 0:16:07 | |
married anywhere with a licence, | 0:16:07 | 0:16:09 | |
Jack has decided to say their vows in a registry office. | 0:16:09 | 0:16:12 | |
You may kiss the...groom, and then you're like... | 0:16:12 | 0:16:15 | |
You may kiss the groom. | 0:16:15 | 0:16:16 | |
-...bye! And run out. -Yeah. | 0:16:16 | 0:16:18 | |
So, Jack plans to leave James at the registry office, | 0:16:18 | 0:16:21 | |
then meet him again for a blessing in a field. | 0:16:21 | 0:16:24 | |
And then once again, you're waiting for him to walk up the thing. | 0:16:24 | 0:16:28 | |
Well, I'm probably going to probably meet and walk together. | 0:16:28 | 0:16:31 | |
Oh, right yeah, yeah. | 0:16:31 | 0:16:32 | |
I think him walking up the aisle is just weird...girls do that. | 0:16:32 | 0:16:36 | |
Gays don't do that. | 0:16:36 | 0:16:37 | |
All so he can direct a play in a muddy amphitheatre. | 0:16:37 | 0:16:41 | |
It's the end of week one and with all the venues and marquee | 0:16:42 | 0:16:45 | |
costing over £4,000, Jack has travelled to Kent to relay | 0:16:45 | 0:16:49 | |
the first part of his wedding plans to his dad. | 0:16:49 | 0:16:52 | |
-All right, Dad. -Hello, mate. You all right? -Yeah, I'm good. | 0:16:52 | 0:16:54 | |
-Lovely to see ya. -Yeah, you, too. -What's going on? | 0:16:54 | 0:16:57 | |
-Booked a venue. -Yeah. -The theme is Midsummer Night's Dream. | 0:16:57 | 0:17:03 | |
-Oh, my favourite! -I know. -And it is and all, isn't it? | 0:17:03 | 0:17:06 | |
The reason why we did that is cos it's the first ever | 0:17:06 | 0:17:09 | |
-Shakespeare that I ever knew anything about. -Yeah, same as me. | 0:17:09 | 0:17:12 | |
Cos of Mum. Because she was in it and she'd talk about it all the time | 0:17:12 | 0:17:15 | |
and she absolutely loved it, so it's nice to do Midsummer Night's Dream | 0:17:15 | 0:17:18 | |
-because she... I'd then kind of feel like she was still there. -Yeah. | 0:17:18 | 0:17:23 | |
Because, when I think of Midsummer Night's Dream, | 0:17:23 | 0:17:25 | |
I think of Mum and I think of all the memories and watching it. | 0:17:25 | 0:17:30 | |
Well, your mum'll be up there, looking down, well proud, mate. | 0:17:30 | 0:17:33 | |
I know she would, I know she would. | 0:17:34 | 0:17:36 | |
No, it'll be good. That sounds good, that sounds great. | 0:17:36 | 0:17:39 | |
Who does blessings? | 0:17:39 | 0:17:41 | |
-Any vicar, don't they? -Or...I don't know. | 0:17:41 | 0:17:43 | |
Well, it's not going to be a religious blessing. | 0:17:43 | 0:17:46 | |
Can't you get someone just with a collar? | 0:17:46 | 0:17:48 | |
They can't be religious, can they? I don't want it to be religious. | 0:17:48 | 0:17:51 | |
It's not like me at all. | 0:17:51 | 0:17:53 | |
-I'll do it. -No, you ain't. | 0:17:53 | 0:17:55 | |
-I could be a vicar! -No, you ain't! Stop it. | 0:17:57 | 0:18:00 | |
You're stressing me out, I knew I shouldn't have come to see ya! | 0:18:00 | 0:18:03 | |
While Jack is getting stressed by his dad, James is calming his | 0:18:05 | 0:18:08 | |
nerves over a coffee with his psychic mum. | 0:18:08 | 0:18:11 | |
When you first come out and told us, we knew all along. | 0:18:11 | 0:18:13 | |
I knew there was something there all along. | 0:18:13 | 0:18:15 | |
Brilliant, you should've told me then, I would've come out earlier. | 0:18:15 | 0:18:19 | |
No, I just did. It's a mum's thing, isn't it? You know. | 0:18:19 | 0:18:22 | |
Now, I've got three sons, once it's all done on paper, | 0:18:22 | 0:18:25 | |
-but I've always seen Jack as a son anyway. -Yeah. | 0:18:25 | 0:18:27 | |
Since he lost his mum, isn't it, I've sort of... I don't know, | 0:18:27 | 0:18:30 | |
I've just had that little thing for Jack. | 0:18:30 | 0:18:32 | |
So, well done for getting married. | 0:18:32 | 0:18:34 | |
After a week away from Jack, James is starting to worry. | 0:18:34 | 0:18:38 | |
-Are you nervous, though? -Yeah. | 0:18:38 | 0:18:40 | |
Really nervous, cos I don't have a say, do you know what I mean? | 0:18:40 | 0:18:43 | |
It's my big day. I'm literally just trying to get married. | 0:18:43 | 0:18:46 | |
What would be your worst nightmare? | 0:18:46 | 0:18:48 | |
A theme and stuff like that, just, you don't do that, do you? | 0:18:48 | 0:18:50 | |
-It's for your birthday parties, isn't it? -No. -Not for your wedding. | 0:18:50 | 0:18:53 | |
Not wedding. He knows it would be your nightmare. | 0:18:53 | 0:18:55 | |
Mind you, it's his way of getting you back. | 0:18:55 | 0:18:57 | |
Yeah. What for? Marrying him? He doesn't need to get me back. | 0:18:57 | 0:19:01 | |
-No, but you're really picky, aren't you? -Yeah. | 0:19:01 | 0:19:03 | |
You do nag him a lot. | 0:19:03 | 0:19:05 | |
-He's the one... -You're the serious one and Jack isn't. He's the kid! | 0:19:05 | 0:19:08 | |
Meanwhile, big kid Jack is in his element, directing the play | 0:19:09 | 0:19:14 | |
he and James will watch on their big day. | 0:19:14 | 0:19:16 | |
Yeah, Midsummer Night's Dream is a comedy, it's really funny, | 0:19:16 | 0:19:19 | |
stupid thing happened, a guy gets turned into a donkey | 0:19:19 | 0:19:22 | |
and falls in love with the Queen of the Fairies. | 0:19:22 | 0:19:24 | |
Like, it's all really farcical and stupid. | 0:19:24 | 0:19:26 | |
-Where's my Bottom? -That's funny, isn't it? | 0:19:26 | 0:19:30 | |
Having condensed the five-act play to an hour-long show, Jack spent | 0:19:30 | 0:19:34 | |
£600 on a company of actors to bring his vision to life. | 0:19:34 | 0:19:38 | |
Scene one, so, in there we need Lysander, Hermia, Helena | 0:19:38 | 0:19:42 | |
and Demetrius. | 0:19:42 | 0:19:43 | |
Pyramus and Thisbe! | 0:19:43 | 0:19:46 | |
Just stand it up. | 0:19:46 | 0:19:47 | |
And this will clearly be a dream with a difference, as they | 0:19:47 | 0:19:51 | |
change the words of the world's most successful playwright. | 0:19:51 | 0:19:54 | |
To the glade our happiness we'll show. Come! | 0:19:54 | 0:19:57 | |
-Well, that's me writing Shakespeare. -Jay just made that line-up. | 0:19:57 | 0:20:01 | |
It looks like Jack's version will be a very loose adaptation. | 0:20:01 | 0:20:05 | |
That means bugger off for the photos, | 0:20:05 | 0:20:07 | |
so then the audience members... | 0:20:07 | 0:20:09 | |
Well, audience members, wedding guests, whatever! | 0:20:09 | 0:20:14 | |
I think having the play as well as the wedding, that is | 0:20:14 | 0:20:17 | |
way too much, but, we have to do it. | 0:20:17 | 0:20:19 | |
With the play cast and rehearsed, this untraditional wedding won't be | 0:20:28 | 0:20:31 | |
complete without the cast's outfits, so Jack's come to a costume store. | 0:20:31 | 0:20:36 | |
-Is it weird that I quite like it? -Yeah, a bit weird. | 0:20:36 | 0:20:40 | |
Top of his list, the Queen of the Fairies. | 0:20:40 | 0:20:43 | |
This is very much what I'd imagine Titania being in | 0:20:43 | 0:20:46 | |
cos it has like...wings. | 0:20:46 | 0:20:47 | |
And an all-important donkey's head. | 0:20:49 | 0:20:51 | |
What is super, super cool? | 0:20:51 | 0:20:54 | |
Oh, my God! | 0:20:57 | 0:21:00 | |
I think he'll know it's Midsummer Night's Dream if there's | 0:21:00 | 0:21:02 | |
all, like, fairies, woodland-y... man with a donkey on his head. | 0:21:02 | 0:21:06 | |
I think this is absolutely lush. | 0:21:06 | 0:21:07 | |
Unless he thinks we've done a farmyard theme. | 0:21:07 | 0:21:10 | |
That, or Shrek. | 0:21:10 | 0:21:12 | |
Still, with over £100 spent on actors' costumes, Jack's delighted. | 0:21:12 | 0:21:16 | |
Happy days. | 0:21:16 | 0:21:17 | |
Happy with their earlier choices, the boys are down the pub | 0:21:21 | 0:21:24 | |
where their thoughts finally move away from staging a play and | 0:21:24 | 0:21:28 | |
onto planning a wedding. | 0:21:28 | 0:21:29 | |
-I'm really happy we done that. -Hallelujah. | 0:21:29 | 0:21:32 | |
I'm really happy. | 0:21:32 | 0:21:34 | |
We start working out, now, | 0:21:34 | 0:21:36 | |
prioritising details of what needs to be done. | 0:21:36 | 0:21:39 | |
Big, number one, bar, tables and chairs, | 0:21:39 | 0:21:43 | |
decorations and centrepieces. | 0:21:43 | 0:21:46 | |
And all of that shit that comes with that stuff. | 0:21:47 | 0:21:50 | |
Still hoping to afford his donkey, Jack has a money-saving idea. | 0:21:50 | 0:21:55 | |
Also, for like the cake table... | 0:21:55 | 0:21:57 | |
Oh, shit, yeah, cake. | 0:21:57 | 0:21:59 | |
I have, in my house, loads and loads | 0:21:59 | 0:22:02 | |
and loads of pallets that I made my coffee table from. | 0:22:02 | 0:22:06 | |
Did you? I've never heard about those(!) | 0:22:06 | 0:22:08 | |
So, I think that we should, together... | 0:22:10 | 0:22:13 | |
Make a cake out of pallets. | 0:22:13 | 0:22:15 | |
Probably taste better! Make a cake table out of pallets. | 0:22:16 | 0:22:20 | |
-Great. -So a cake table made out of old pallets, but first, | 0:22:20 | 0:22:23 | |
how to sneak them out of the house? | 0:22:23 | 0:22:26 | |
-If worse comes to the worst... -Yeah? -...and somebody sees that | 0:22:26 | 0:22:30 | |
-we're here, it would be better if they saw me, not you. -OK. | 0:22:30 | 0:22:34 | |
So, why don't I go in first and if nobody does answer the door, | 0:22:34 | 0:22:37 | |
I'll give you a signal, you can bring the van all the way up | 0:22:37 | 0:22:39 | |
-and we'll literally... -I've got my key and we'll go in. | 0:22:39 | 0:22:42 | |
-..Guy Ritchie the whole place, all right? -All right. | 0:22:42 | 0:22:44 | |
-Can I talk to my cat? -Ah, yeah, but briefly, cos we've got a job to do. | 0:22:44 | 0:22:49 | |
Go! Run! Run, run, run, run! | 0:22:49 | 0:22:51 | |
MUSIC: THEME TO MISSION: IMPOSSIBLE | 0:22:51 | 0:22:57 | |
Get down! | 0:23:00 | 0:23:01 | |
Let's go, let's go, let's go. | 0:23:15 | 0:23:16 | |
-No-one in, no? -No. I swear I could hear somebody move in there. | 0:23:18 | 0:23:22 | |
Oh, this is so weird! | 0:23:25 | 0:23:28 | |
Thinking that no-one's home, the boys head inside. | 0:23:28 | 0:23:31 | |
-So, where are these pallets? -In the garden. | 0:23:31 | 0:23:34 | |
Covert operation, they could be back any minute. | 0:23:34 | 0:23:36 | |
-Hello? -Oh, my God! -Oh, my God! -Kelly's... | 0:23:36 | 0:23:40 | |
Unless you count James friend, Kelly. | 0:23:40 | 0:23:43 | |
-What the -BLEEP -do we do? Hello, mate, you all right? | 0:23:43 | 0:23:45 | |
Yeah, I'm going to come up and hug you. | 0:23:45 | 0:23:48 | |
Hello. | 0:23:52 | 0:23:53 | |
-Jack, we've got to go! -Oh, no. | 0:23:53 | 0:23:55 | |
If I ever set up a strike force, you're not in it. | 0:23:55 | 0:23:59 | |
Love you, see you later! Quick, we've got to go. | 0:23:59 | 0:24:01 | |
Pallets. Roll! | 0:24:01 | 0:24:02 | |
What? We've got to turn these into a table? | 0:24:05 | 0:24:07 | |
Yeah, you're right, that is what we have to do. | 0:24:07 | 0:24:09 | |
-How many do you need? -I don't know, mate. | 0:24:11 | 0:24:13 | |
One hand, pallet man! | 0:24:16 | 0:24:18 | |
Hallelujah, step on it! Let's go, let's go, let's go! | 0:24:24 | 0:24:27 | |
ENGINE STALLS | 0:24:27 | 0:24:29 | |
-OK, now let's go! -Yay! -Yay! | 0:24:29 | 0:24:32 | |
A few hours later, James is back home | 0:24:35 | 0:24:39 | |
and Kelly can't wait to spill the beans. | 0:24:39 | 0:24:42 | |
-What the hell is going on? -I'm really scared. | 0:24:42 | 0:24:44 | |
I was in the bath and I heard a knock on the door | 0:24:44 | 0:24:47 | |
and I was like, ignore it, I'm in the bath. | 0:24:47 | 0:24:49 | |
Put my head under water and then when I came back up | 0:24:49 | 0:24:52 | |
I heard some people talking, | 0:24:52 | 0:24:53 | |
band then all of a sudden I heard a massive scream and it was Jack. | 0:24:53 | 0:24:57 | |
-What was he doing? -Stealing pallets. | 0:24:57 | 0:24:59 | |
-What the -BLEEP -was he going to do with pallets? -Does he look skinny? | 0:24:59 | 0:25:01 | |
In my ideal wedding, pallets are not on the scene, | 0:25:01 | 0:25:03 | |
so, obviously, he's not doing what I want. I'm just so confused, | 0:25:03 | 0:25:06 | |
I really don't understand why... | 0:25:06 | 0:25:08 | |
Just a little bit scared now. | 0:25:08 | 0:25:10 | |
I just don't have a clue what he's going to do with these pallets | 0:25:10 | 0:25:13 | |
at the wedding so, hopefully he hasn't gone too off-key but, fingers | 0:25:13 | 0:25:16 | |
crossed, it's nothing big that he's going to do | 0:25:16 | 0:25:18 | |
with these bloody pallets. | 0:25:18 | 0:25:20 | |
Back at best man Jay's, the boys get to work | 0:25:23 | 0:25:26 | |
on their cost-cutting cake table. | 0:25:26 | 0:25:29 | |
This table needs to look nice otherwise James will just | 0:25:29 | 0:25:32 | |
think we're idiots. | 0:25:32 | 0:25:33 | |
With savings made on the table, | 0:25:33 | 0:25:35 | |
Jack and Jay splash the cash at a car-boot sale. | 0:25:35 | 0:25:37 | |
-How much for all four? -Six quid. -Done. | 0:25:37 | 0:25:40 | |
Spending £100 on decorations... | 0:25:40 | 0:25:43 | |
That's what we need, that's really cool. | 0:25:45 | 0:25:48 | |
..£200 on bridesmaid dresses... | 0:25:48 | 0:25:50 | |
-Let's go. -..and £300 on James's wedding transport. | 0:25:50 | 0:25:55 | |
-That's awesome. Deal, mate. -Cheers. -Thank you so much. | 0:25:55 | 0:25:58 | |
Thank you so much. Really, thank you. Hooray! | 0:25:58 | 0:26:01 | |
It's ten days until the wedding and with Jack's play in good shape, | 0:26:06 | 0:26:10 | |
he's finally ready to find James's wedding outfit, | 0:26:10 | 0:26:13 | |
so long as it fits in with his dream theme. | 0:26:13 | 0:26:17 | |
Cos Midsummer Night's Dream is very forest-y, | 0:26:17 | 0:26:21 | |
English countryside so, I'd like to get him in like a tweed suit. | 0:26:21 | 0:26:25 | |
Which weirdly enough is exactly what James's mum said. She is psychic! | 0:26:25 | 0:26:30 | |
Jack's on the hunt for a country suit, | 0:26:32 | 0:26:35 | |
in distinctly urban East London. | 0:26:35 | 0:26:37 | |
Most tweed places you go to are like old-men tweed | 0:26:37 | 0:26:41 | |
and I definitely don't think that's mine and James's style. | 0:26:41 | 0:26:45 | |
I think East London is cooler, more edgy. | 0:26:45 | 0:26:47 | |
And definitely more grimy. | 0:26:47 | 0:26:49 | |
Look at that toilet. | 0:26:49 | 0:26:51 | |
He can wear this. | 0:26:51 | 0:26:53 | |
But hidden down a back alley is the gem that Jack's after. | 0:26:55 | 0:26:58 | |
-Hello, hi. I'm Jack. -Nathan. | 0:26:59 | 0:27:01 | |
-Hi, Nathan, nice to meet you. -Hello. -Hello, Jay. | 0:27:01 | 0:27:04 | |
-Wow. You've lots and lots and lots of tweed. -Yes. | 0:27:04 | 0:27:07 | |
This is so cool. | 0:27:07 | 0:27:09 | |
I was really looking for a tweed suit for both me | 0:27:09 | 0:27:13 | |
and my partner, James. | 0:27:13 | 0:27:15 | |
Well, I mean, basically, that's what we do. | 0:27:15 | 0:27:17 | |
There's 600 tweeds here, you know, in all these cloth books | 0:27:17 | 0:27:21 | |
because, what we do is mainly a made-to-measure service. | 0:27:21 | 0:27:24 | |
-OK. -And so we've got hundreds of tweeds for that but... | 0:27:24 | 0:27:28 | |
-Right. -...minimum turnaround time is going to be six weeks. | 0:27:28 | 0:27:32 | |
Which is four weeks longer than Jack has. | 0:27:32 | 0:27:34 | |
What we do have is some ready-to-wear. | 0:27:34 | 0:27:37 | |
There's not a huge selection, there's only four different tweeds. | 0:27:37 | 0:27:41 | |
And like that, Jack's options drop from 600 to just four. | 0:27:41 | 0:27:45 | |
Meanwhile, in the tailoring capital of Britain, James has brought | 0:27:49 | 0:27:53 | |
Alex and Kelly to show them his dream wedding suit... | 0:27:53 | 0:27:57 | |
that's if he was arranging his own wedding day. | 0:27:57 | 0:27:59 | |
I want a tailored suit, do you know what I mean? | 0:27:59 | 0:28:01 | |
I want it to be expensive, I want it to fit amazing, | 0:28:01 | 0:28:04 | |
I don't want it from some high street or anything, like. | 0:28:04 | 0:28:06 | |
You're going to wear it once in your life and I want the best thing | 0:28:06 | 0:28:09 | |
in the world. | 0:28:09 | 0:28:11 | |
-So, what's the occasion? -My big day. | 0:28:11 | 0:28:14 | |
-Wow, congratulations! -Thank you. -When is the big day? | 0:28:14 | 0:28:16 | |
-Don't actually have a clue. -You don't know when the wedding is? | 0:28:16 | 0:28:19 | |
-I don't know anything. -OK. -So, it's all very scary. | 0:28:19 | 0:28:23 | |
-Do you know where it is, or...? -No. -No idea at all? -Not even a date. | 0:28:23 | 0:28:25 | |
OK. So what's the plan on the suit front? | 0:28:25 | 0:28:29 | |
-Well, I kind of want...like this. -Something like that. | 0:28:29 | 0:28:33 | |
I want, but I don't know what Jack's going to get me. | 0:28:33 | 0:28:35 | |
-OK, so he's picking your suit for you. -Yes, he's picking everything. | 0:28:35 | 0:28:38 | |
You're a brave man! | 0:28:38 | 0:28:40 | |
I want, like a royal navy with the handkerchief and the tie to be red. | 0:28:40 | 0:28:44 | |
Handkerchief, OK, that's no problem at all. So, in terms... | 0:28:44 | 0:28:46 | |
-I've not thought about it at all. -OK. | 0:28:46 | 0:28:48 | |
Because I've looked at so many navy suits, | 0:28:48 | 0:28:51 | |
I've fell I love with it, that's what I want. | 0:28:51 | 0:28:54 | |
He can't put me in nothing stupid. | 0:28:54 | 0:28:56 | |
Probably have like a little hissy fit, but then...yeah, no, he won't. | 0:28:56 | 0:29:01 | |
Depends if you think green tweed is stupid. | 0:29:01 | 0:29:04 | |
Oh, my goodness. It does look really lovely. | 0:29:04 | 0:29:08 | |
I really like this. What colour are these? Is this? | 0:29:08 | 0:29:12 | |
-What, is that suit? -Yeah. -It's like a dark green. | 0:29:12 | 0:29:15 | |
OK. | 0:29:15 | 0:29:17 | |
Whatever it is, it isn't the navy that James wants. | 0:29:17 | 0:29:21 | |
-Oh! -What do we think, ladies? -Oh, James! -Do you like it? | 0:29:21 | 0:29:25 | |
-Yeah, I love it. -Yeah. You look amazing! | 0:29:25 | 0:29:27 | |
-Do you like that? -I love the tie. | 0:29:27 | 0:29:31 | |
Yeah, I think the red tie is perfect for you. | 0:29:31 | 0:29:33 | |
-Is he ready to get married? -Yes! | 0:29:33 | 0:29:35 | |
-Yes, he certainly is. -Good! -It's nice, isn't it? | 0:29:35 | 0:29:37 | |
-How do you feel in it? -No, I like it. -You really like it? | 0:29:37 | 0:29:40 | |
Do you feel quite emotional, just being in it? | 0:29:40 | 0:29:43 | |
-That's exactly what you wanted, isn't it? -Yeah. | 0:29:43 | 0:29:46 | |
Perfect. Come on, Jack, just telepathically know. | 0:29:46 | 0:29:50 | |
I like that for James. | 0:29:50 | 0:29:51 | |
Sadly for James, Jack isn't psychic. | 0:29:51 | 0:29:55 | |
I think the theme, the style, what we're doing all day is perfect. | 0:29:55 | 0:29:58 | |
He'll fit right in. | 0:29:58 | 0:29:59 | |
With James's green tweed sorted, | 0:29:59 | 0:30:01 | |
that leaves Jack with just three others to choose from. | 0:30:01 | 0:30:04 | |
I really like that. | 0:30:04 | 0:30:06 | |
-Do you? -I do, actually. | 0:30:06 | 0:30:07 | |
Ah, yes, so do I. | 0:30:07 | 0:30:10 | |
I like this one so, how much would this one as a three-piece be? | 0:30:10 | 0:30:15 | |
And that one? | 0:30:15 | 0:30:16 | |
-750, it would be. -Each? | 0:30:16 | 0:30:18 | |
Yeah, for a three-piece, yeah. | 0:30:18 | 0:30:20 | |
We are on a bit of a budget. | 0:30:20 | 0:30:22 | |
What do we do? | 0:30:22 | 0:30:23 | |
With only £500 budgeted, | 0:30:25 | 0:30:27 | |
it's time for best man Jay to come to the rescue. | 0:30:27 | 0:30:30 | |
If we bought both of them... | 0:30:30 | 0:30:31 | |
I'd definitely do you a discount on taking two suits. | 0:30:31 | 0:30:34 | |
What is your budget? | 0:30:34 | 0:30:36 | |
-500 quid. -OK. | 0:30:36 | 0:30:38 | |
Well, that's nearly the asking price, | 0:30:38 | 0:30:40 | |
give or take £1,000. | 0:30:40 | 0:30:42 | |
Could you do it for 1,200 for the two? | 0:30:42 | 0:30:44 | |
Go on, then. | 0:30:47 | 0:30:48 | |
-1,200. -OK, brilliant. | 0:30:48 | 0:30:51 | |
And so, Jack shakes on the deal - | 0:30:51 | 0:30:53 | |
£1,200 for the couple's tweed suits. | 0:30:53 | 0:30:57 | |
But it's not even close to what James wants. | 0:30:57 | 0:30:59 | |
It's the start of the final week and time for the stag dos. | 0:31:01 | 0:31:05 | |
Oblivious to the play, the tweed | 0:31:05 | 0:31:07 | |
or the possible appearance of a donkey at his wedding, | 0:31:07 | 0:31:09 | |
James and his friends are all dressed up | 0:31:09 | 0:31:12 | |
for a good old-fashioned night out. | 0:31:12 | 0:31:14 | |
-So, what do you think we're going to be doing? -I don't know. | 0:31:14 | 0:31:16 | |
I think he'll have organised something really lovely for you. | 0:31:16 | 0:31:19 | |
-He knows us all. -Yeah. -He knows we'll not do nothing stupid. | 0:31:19 | 0:31:22 | |
He knows we want to do... | 0:31:22 | 0:31:23 | |
It's been two weeks now and I'm missing him a lot. | 0:31:23 | 0:31:26 | |
I don't think I realised until this morning, | 0:31:26 | 0:31:27 | |
everyone's here, all under the same roof, | 0:31:27 | 0:31:29 | |
and you're just like, "Someone's missing", and it's Jack, | 0:31:29 | 0:31:32 | |
which is really upsetting | 0:31:32 | 0:31:33 | |
but holding it in cos I know I'm going to see him very soon. | 0:31:33 | 0:31:37 | |
Meanwhile, best man Jay has arranged for some family time | 0:31:37 | 0:31:41 | |
for Jack, his brother and dad. | 0:31:41 | 0:31:43 | |
He's sent them to an airfield with a sealed letter. | 0:31:43 | 0:31:48 | |
Mysterious. | 0:31:48 | 0:31:50 | |
-Go on, open it. -Go on, then. | 0:31:50 | 0:31:52 | |
I'm shaking. | 0:31:52 | 0:31:54 | |
"Today I can't be there but it's the perfect opportunity | 0:31:55 | 0:31:58 | |
"to spend a few moments with your family | 0:31:58 | 0:31:59 | |
"before returning to the mayhem of planning. | 0:31:59 | 0:32:01 | |
"Your mum would be really proud of the work you've done..." | 0:32:01 | 0:32:05 | |
It says, "She'd be really proud of the work you've done | 0:32:12 | 0:32:16 | |
"and also pretty sure that she'd want to see you | 0:32:16 | 0:32:18 | |
"continue enjoy yourself." | 0:32:18 | 0:32:19 | |
"So, today is a day to have a giggle with the people you love..." | 0:32:19 | 0:32:22 | |
Oh, this is ridiculous! | 0:32:26 | 0:32:28 | |
"..and try a few new things in the process. | 0:32:30 | 0:32:33 | |
"Flight school!" Right, OK. | 0:32:33 | 0:32:37 | |
-Flight school. -Flight school. | 0:32:37 | 0:32:39 | |
James's stag party is finally up and running | 0:32:39 | 0:32:41 | |
and everyone's ready for a posh night out. | 0:32:41 | 0:32:44 | |
Sadly, that's not what they're getting. | 0:32:44 | 0:32:47 | |
What? White Water Centre? | 0:32:47 | 0:32:48 | |
THEY SCREAM AND LAUGH | 0:32:48 | 0:32:52 | |
-I hate Jack. -Oh, James, we're dressed up! | 0:32:55 | 0:32:57 | |
-We all picked outfits that hide our lumps and bumps... -Hiya! | 0:32:57 | 0:33:00 | |
..and now we've got to sit in that. | 0:33:00 | 0:33:03 | |
I am not dressed for this occasion at all. | 0:33:03 | 0:33:05 | |
If I knew, I would've worn little Speedos but, apart from that, | 0:33:05 | 0:33:08 | |
I'm going to have to wear a wet suit and look like a bloody idiot. | 0:33:08 | 0:33:11 | |
Back at the airfield, | 0:33:13 | 0:33:14 | |
best man Jay has spent £200 of the wedding budget | 0:33:14 | 0:33:17 | |
to give Jack a day to remember. | 0:33:17 | 0:33:20 | |
-Everything's shaking! -And up we go! | 0:33:20 | 0:33:22 | |
Oh, my... | 0:33:26 | 0:33:28 | |
This is really cool, isn't it? | 0:33:29 | 0:33:31 | |
Could you imagine Mum if she was here? | 0:33:31 | 0:33:33 | |
She'd be screaming! | 0:33:33 | 0:33:34 | |
-This was definitely worth not knowing about it. -Yeah. | 0:33:34 | 0:33:38 | |
Yeah. Definitely. I'm really happy I didn't know. | 0:33:38 | 0:33:40 | |
We're going to sneak a little bit of a steep... | 0:33:40 | 0:33:42 | |
THEY CHEER | 0:33:42 | 0:33:44 | |
I'm so glad that I said to Jay, "You sort it out," | 0:33:44 | 0:33:48 | |
because there's so much that's going on in my brain about food, | 0:33:48 | 0:33:51 | |
about plates, about everything else | 0:33:51 | 0:33:53 | |
that today I can just forget about it | 0:33:53 | 0:33:55 | |
and just kind of slightly feel | 0:33:55 | 0:33:57 | |
what James will be feeling on the day, | 0:33:57 | 0:33:58 | |
just kind of going, "What?!" | 0:33:58 | 0:34:00 | |
Yeah, it's made me more excited about how James is going to feel | 0:34:00 | 0:34:03 | |
because, I had no idea when I was coming up that lane | 0:34:03 | 0:34:05 | |
what was going to happen. | 0:34:05 | 0:34:07 | |
In Essex, James is now in for a rocky ride. | 0:34:07 | 0:34:10 | |
THEY SCREAM | 0:34:12 | 0:34:14 | |
'I can't breathe, a lot of water went into my mouth but it was fun.' | 0:34:23 | 0:34:26 | |
I don't think I'd have picked it as a stag do but | 0:34:26 | 0:34:28 | |
I'm glad he did cos it was fun. | 0:34:28 | 0:34:29 | |
It's intense and everyone enjoyed it, which is the main thing. | 0:34:29 | 0:34:32 | |
I wonder what he's got in store for me at the wedding! | 0:34:32 | 0:34:35 | |
Scary stuff. | 0:34:35 | 0:34:36 | |
NO! | 0:34:36 | 0:34:38 | |
HE PROTESTS | 0:34:38 | 0:34:40 | |
It's only days until the wedding | 0:34:50 | 0:34:52 | |
and although everything's booked | 0:34:52 | 0:34:53 | |
for his performance of A Midsummer Night's Dream, | 0:34:53 | 0:34:56 | |
Jack still hasn't booked any food for the reception. | 0:34:56 | 0:34:59 | |
Come here, Jay. Jay, Jay, Jay. I've got an e-mail. | 0:34:59 | 0:35:01 | |
"I've attached a menu and a quote for the same." | 0:35:01 | 0:35:04 | |
I want to see the price first - that stresses me out. | 0:35:04 | 0:35:06 | |
Total is £3,085. | 0:35:06 | 0:35:10 | |
OK, well, that's a lot of money. | 0:35:10 | 0:35:12 | |
That evening buffet is like... | 0:35:12 | 0:35:16 | |
-that'll be like a BUFFET. -Yeah, that'll be massive. | 0:35:16 | 0:35:18 | |
I don't think we need anything like that. | 0:35:18 | 0:35:20 | |
Yes. Yes, you're right. | 0:35:20 | 0:35:22 | |
We're essentially doing the lunch twice by doing the evening buffet. | 0:35:22 | 0:35:25 | |
That's true. Oh, cos I want to be so, so cheeky. | 0:35:25 | 0:35:29 | |
Can we offer you 1,500? | 0:35:29 | 0:35:32 | |
If he doesn't say yes to us, he won't earn any money that day | 0:35:32 | 0:35:35 | |
because it's too late and no-one's as silly as us. | 0:35:35 | 0:35:38 | |
But one man can't be expected to stage a masterpiece | 0:35:38 | 0:35:41 | |
and negotiate catering costs. | 0:35:41 | 0:35:43 | |
-Can you call and talk to him? -Yeah. -This is really stressful. | 0:35:43 | 0:35:46 | |
Hello, it's Josh Carter here, | 0:35:46 | 0:35:48 | |
I'm Jack's best man. | 0:35:48 | 0:35:50 | |
Would you possibly consider | 0:35:50 | 0:35:51 | |
doing the barbecue lunch with the glassware and the bar | 0:35:51 | 0:35:54 | |
for 1,500 all in? | 0:35:54 | 0:35:56 | |
'Eh...1,500... | 0:35:56 | 0:35:58 | |
'Yeah, I could do that. Yep, that's fine.' | 0:35:58 | 0:36:00 | |
Amazing. | 0:36:00 | 0:36:01 | |
The guys have got a bargain, | 0:36:01 | 0:36:03 | |
although they've had to knock off the evening buffet to do it. | 0:36:03 | 0:36:06 | |
Yes! | 0:36:06 | 0:36:08 | |
We are on notices, ceremony, Willow Cottage, marquee, actors, | 0:36:08 | 0:36:12 | |
decorations, suits for you two, VW Camper, food and bar - | 0:36:12 | 0:36:16 | |
£10,034.50. | 0:36:16 | 0:36:19 | |
-That's -BLEEP -brilliant! | 0:36:19 | 0:36:21 | |
-You know what we need to do, though? -What? | 0:36:21 | 0:36:23 | |
Talk about that donkey. | 0:36:23 | 0:36:25 | |
Yes! | 0:36:25 | 0:36:27 | |
With money to spend, Jack can finally book his leading male. | 0:36:27 | 0:36:31 | |
Get that donkey's agent on the phone. | 0:36:31 | 0:36:33 | |
Hello there, I was just calling to speak to Sam | 0:36:33 | 0:36:36 | |
-about hiring a donkey for my wedding. -'Yeah.' | 0:36:36 | 0:36:39 | |
Is it feasible to do it for £200 all in? | 0:36:39 | 0:36:42 | |
Cos we're not really able to go much higher than that? | 0:36:42 | 0:36:48 | |
'She'll do it for 250.' | 0:36:48 | 0:36:50 | |
-250? -'Yep.' | 0:36:50 | 0:36:52 | |
Yes. Yes. | 0:36:54 | 0:36:56 | |
That's £150 less than his first donkey search. | 0:36:56 | 0:37:00 | |
Thank you very much, cheers, bye-bye. | 0:37:00 | 0:37:02 | |
So with the food and Midsummer character Bottom booked | 0:37:02 | 0:37:05 | |
it all adds up to one thing for Jack... | 0:37:05 | 0:37:07 | |
I think we've got a wedding. | 0:37:07 | 0:37:09 | |
It's the day before the wedding | 0:37:10 | 0:37:12 | |
and James is miles away from Savile Row in Mayfair. | 0:37:12 | 0:37:15 | |
He's been sent to a back street in East London | 0:37:15 | 0:37:18 | |
to collect his wedding suit. | 0:37:18 | 0:37:20 | |
I'm not filled with confidence in the area. | 0:37:20 | 0:37:21 | |
I really want a navy suit, like really slim fitting. | 0:37:21 | 0:37:25 | |
I'm going to wear it once in my life | 0:37:25 | 0:37:27 | |
and it's got to be nice and it's got to be expensive. | 0:37:27 | 0:37:29 | |
Oh, nice. | 0:37:29 | 0:37:30 | |
Always got to look nice. | 0:37:30 | 0:37:32 | |
To be fair, his psychic mum did warn him | 0:37:32 | 0:37:35 | |
but what will he make of the tweed? | 0:37:35 | 0:37:36 | |
-Hey. -Hi. Hi. -Are you all right? -Are you James? -I'm James. Yes, I am. | 0:37:36 | 0:37:40 | |
-OK. Nathan, good to meet you. -Thank you. | 0:37:40 | 0:37:42 | |
-I assume it's tweed. -Yours is in there. | 0:37:42 | 0:37:44 | |
THEY GASP | 0:37:44 | 0:37:46 | |
Have you seen it? Have you opened it yet? | 0:37:50 | 0:37:52 | |
-No, I've not done it yeah. -Well, open it! -Oh, my Jesus. | 0:37:52 | 0:37:54 | |
Good "Oh, my Jesus" or bad "Oh, my Jesus"? | 0:37:54 | 0:37:56 | |
No, I'm a little bit nervous. It's green... | 0:37:56 | 0:37:59 | |
-It's green. -..and Mum was right. | 0:37:59 | 0:38:02 | |
-Tweed? -Tweed? -Yes. | 0:38:02 | 0:38:05 | |
-I said you would look like the... -INDISTINCT | 0:38:05 | 0:38:07 | |
-Yeah, thank you, Alex. -Let's retract that comment, shall we? | 0:38:07 | 0:38:09 | |
Oh, it's a bit itchy, isn't it? | 0:38:09 | 0:38:11 | |
Well, it's tweed, babe, isn't it? | 0:38:11 | 0:38:13 | |
-You ready? -Oh, my God, hold on. | 0:38:13 | 0:38:15 | |
-Oh, my God, James! -Yay? | 0:38:19 | 0:38:21 | |
-You look really good! -Yeah. -Do I look like a farmer? | 0:38:21 | 0:38:25 | |
-No! -No, you don't look like farmer, | 0:38:25 | 0:38:26 | |
what farmers do you know wear bloody ties? | 0:38:26 | 0:38:28 | |
I didn't really expect it, that's the God's honest truth. | 0:38:28 | 0:38:31 | |
-I know Mum... -Even though she said tweed? -..Mum said tweed | 0:38:31 | 0:38:33 | |
but, do you know when you kind of like... | 0:38:33 | 0:38:35 | |
-you have that image in your head? -Yeah. -It's not navy, is it? | 0:38:35 | 0:38:39 | |
-It's not navy. Do you love? -It's not navy, babe. | 0:38:39 | 0:38:41 | |
I like...now the trousers are on, look, I've got a nice little bum. | 0:38:41 | 0:38:44 | |
-You've got a nice little bum, you do. -Lovely bum. | 0:38:44 | 0:38:47 | |
Get that out on the dance floor. | 0:38:47 | 0:38:48 | |
I am a little bit nervous, though, | 0:38:48 | 0:38:50 | |
that he's not got too carried away | 0:38:50 | 0:38:51 | |
and he's done a massive theme for the wedding, | 0:38:51 | 0:38:54 | |
especially dressed in this, I look like a plonker. | 0:38:54 | 0:38:56 | |
So are you happy to wear this on the wedding day, like...? | 0:38:56 | 0:39:00 | |
-Don't have a choice. -No. | 0:39:00 | 0:39:02 | |
-If I'm wearing this... -Yeah? -..what does the venue look like? | 0:39:02 | 0:39:05 | |
Having blown the rest of the budget on decorations, | 0:39:08 | 0:39:11 | |
back at Willow Cottage Theatre, | 0:39:11 | 0:39:12 | |
with the help of his closest friends, | 0:39:12 | 0:39:14 | |
Jack is dressing the marquee. | 0:39:14 | 0:39:16 | |
That one needs to move over there a tiny bit more. | 0:39:16 | 0:39:18 | |
Bring it forward a little bit. | 0:39:18 | 0:39:20 | |
Still keen to set new traditions, | 0:39:20 | 0:39:22 | |
Jack wants to write his own vows. | 0:39:22 | 0:39:24 | |
How on Earth are you going to sign your life away? | 0:39:24 | 0:39:27 | |
What are you going to say? | 0:39:27 | 0:39:29 | |
Normal wedding vows are like, | 0:39:29 | 0:39:31 | |
-"Through sickness and in health" and all that shit. -Yeah. | 0:39:31 | 0:39:34 | |
Millions and millions of people have said those words | 0:39:34 | 0:39:36 | |
and it just means nothing. | 0:39:36 | 0:39:38 | |
I've no idea what to write. | 0:39:38 | 0:39:39 | |
Maybe I could write a bunch of promises... | 0:39:39 | 0:39:41 | |
-I promise to... -..like five or six promises. | 0:39:41 | 0:39:44 | |
"I promise to love you for the rest of my life." | 0:39:44 | 0:39:49 | |
"I promise to share the ups and downs, | 0:39:49 | 0:39:51 | |
"the dum-ba-dums and the dum-ba-dums." | 0:39:51 | 0:39:53 | |
What are the other dum-ba-dums? | 0:39:53 | 0:39:55 | |
-All I can think is... -This is... -..the round and rounds! | 0:39:55 | 0:39:58 | |
No, this is... The round and rounds. That is rubbish! | 0:39:58 | 0:40:01 | |
-Starting again. "I promise..." -I promise... | 0:40:01 | 0:40:04 | |
"..to love you for ever." | 0:40:04 | 0:40:06 | |
Never take him for granted. | 0:40:06 | 0:40:08 | |
"And cherish each moment we spend together." | 0:40:08 | 0:40:10 | |
"Through thick and thin." | 0:40:10 | 0:40:12 | |
But what about the really important stuff? | 0:40:12 | 0:40:15 | |
"I promise to share the fluffy blanket..." | 0:40:15 | 0:40:19 | |
-Yeah! -"..on every occasion necessary." | 0:40:19 | 0:40:23 | |
What do you argue about in the house? | 0:40:23 | 0:40:25 | |
-Something about those -BLEEP -dogs - I hate them. | 0:40:25 | 0:40:29 | |
"And be kind about the china dogs." | 0:40:29 | 0:40:32 | |
-Yeah, that's great. -It's got to end on something nice. | 0:40:32 | 0:40:35 | |
These are my wedding vows. | 0:40:35 | 0:40:36 | |
I kind of feel like I want to say, | 0:40:36 | 0:40:38 | |
"I look forward to adding new additions to our family" | 0:40:38 | 0:40:40 | |
but none of us have got a womb | 0:40:40 | 0:40:41 | |
so, we're not actually adding anything, | 0:40:41 | 0:40:44 | |
we're just taking them from other people. | 0:40:44 | 0:40:45 | |
"I look forward to building a family with you." | 0:40:45 | 0:40:47 | |
-Just that one line? -Yeah. -Yeah. | 0:40:47 | 0:40:50 | |
OK? | 0:40:50 | 0:40:52 | |
-Yeah? -Vows done. | 0:40:53 | 0:40:55 | |
-Want to hug it out? -Yes. | 0:40:55 | 0:40:57 | |
-Good, well done. -Done. | 0:40:59 | 0:41:00 | |
It's the day of Jack's big Midsummer Night's Dream play | 0:41:06 | 0:41:10 | |
and the couple's two wedding ceremonies. | 0:41:10 | 0:41:13 | |
And at home in Essex, James is with his family, friends | 0:41:13 | 0:41:16 | |
and bridesmaids, Alex and Lana. | 0:41:16 | 0:41:18 | |
I'm really, really nervous. | 0:41:18 | 0:41:20 | |
Today's the day, and there's no turning back, | 0:41:20 | 0:41:22 | |
so, whatever he's done, he's done, you've just got to go with it. | 0:41:22 | 0:41:25 | |
And James is hoping for the sun to come out. | 0:41:25 | 0:41:27 | |
I think it being outside would be my worst nightmare. | 0:41:27 | 0:41:30 | |
-Being outside. -The weather's not looking good. | 0:41:30 | 0:41:32 | |
Everyone here is thinking about the wedding details. | 0:41:32 | 0:41:36 | |
-Cake! -We can't tell you. | 0:41:36 | 0:41:38 | |
-Cake. -Oh! | 0:41:38 | 0:41:39 | |
Yeah, what's your cake going to be like? | 0:41:39 | 0:41:41 | |
I don't know. | 0:41:41 | 0:41:42 | |
With just three hours until the registry office ceremony, | 0:41:42 | 0:41:45 | |
Jack and Jay are putting the finishing touches | 0:41:45 | 0:41:48 | |
to the reception venue, setting the home-made cake table in place... | 0:41:48 | 0:41:52 | |
Oh, my table! | 0:41:52 | 0:41:54 | |
..ready for the ultimate last-minute preparation - | 0:41:54 | 0:41:57 | |
building the wedding cake on the actual day. | 0:41:57 | 0:42:00 | |
I think we're absolutely mental with this cake, but it will look great. | 0:42:00 | 0:42:04 | |
I can't believe I'm doing this. | 0:42:06 | 0:42:08 | |
I really like it. | 0:42:08 | 0:42:09 | |
The cake's finished but it seems the pressure of organising | 0:42:12 | 0:42:16 | |
two ceremonies and a play is getting to Jack. | 0:42:16 | 0:42:20 | |
Jay, my vows are not here. | 0:42:20 | 0:42:21 | |
In the corner, by the box? | 0:42:23 | 0:42:25 | |
While Jack panics about his lost vows, back in Essex, | 0:42:25 | 0:42:29 | |
with only a suit to put on, James is feeling relaxed, | 0:42:29 | 0:42:33 | |
and still in his pyjamas, it's time to see the bridesmaid dresses. | 0:42:33 | 0:42:37 | |
Oh! | 0:42:39 | 0:42:40 | |
Not really sure about the bling bit, but I think it's nice. | 0:42:41 | 0:42:44 | |
-Yeah! -Is there anything that you don't like | 0:42:44 | 0:42:46 | |
that we can quickly change before anything happens? | 0:42:46 | 0:42:49 | |
No. Oh, you've got little tassels! OK, minus that bit but, I like it. | 0:42:49 | 0:42:52 | |
With the bridesmaid dresses a success, | 0:42:52 | 0:42:55 | |
it means only one thing to James. | 0:42:55 | 0:42:57 | |
I want to get dressed now! | 0:42:57 | 0:42:59 | |
Yeah! Let's get you dressed! | 0:42:59 | 0:43:01 | |
Do we look all right together? | 0:43:02 | 0:43:04 | |
I think so. | 0:43:04 | 0:43:05 | |
I thought he'd have picked a pink tie to match your dresses. | 0:43:05 | 0:43:08 | |
Yeah. | 0:43:08 | 0:43:09 | |
And with same-sex marriages now legal, the conversation turns | 0:43:09 | 0:43:13 | |
to where the ceremony might happen. | 0:43:13 | 0:43:15 | |
You can get married anywhere, though, | 0:43:15 | 0:43:17 | |
it doesn't just have to be, like, a civil partnership can only be | 0:43:17 | 0:43:20 | |
in one place, like a registry office or whatever, when you're married... | 0:43:20 | 0:43:24 | |
No, it's nice to be like every other couple. | 0:43:24 | 0:43:26 | |
And after putting on his less-than-traditional suit... | 0:43:26 | 0:43:29 | |
..James's less-than-traditional transport arrives. | 0:43:30 | 0:43:34 | |
-Jim... -Shut up! | 0:43:34 | 0:43:36 | |
I'd never have thought of that! | 0:43:41 | 0:43:43 | |
And with that, James's hopes of a vintage wedding car | 0:43:43 | 0:43:46 | |
have completely stalled. | 0:43:46 | 0:43:49 | |
In London, best man Jay's house | 0:43:49 | 0:43:51 | |
has been turned into a theatre dressing room. | 0:43:51 | 0:43:55 | |
If I die with a donkey on my head, then... | 0:43:55 | 0:43:57 | |
But amid the madness, Jack's having a meltdown. | 0:43:57 | 0:44:00 | |
He still can't find his vows. | 0:44:00 | 0:44:02 | |
No, nowhere, they're gone. | 0:44:02 | 0:44:03 | |
Right, it's going to have to be really simple, we haven't got time. | 0:44:03 | 0:44:06 | |
It's nearly half past ten and we've got to get there. | 0:44:06 | 0:44:09 | |
It seems that Jack may have been more preoccupied with his play | 0:44:09 | 0:44:12 | |
than he was with his wedding ceremony. | 0:44:12 | 0:44:14 | |
Oh, bollocks! | 0:44:15 | 0:44:17 | |
He may be unaware that he's heading for the registry office, | 0:44:17 | 0:44:20 | |
but James seems to be accepting Jack may not have taken the traditional | 0:44:20 | 0:44:24 | |
route for their big day. | 0:44:24 | 0:44:25 | |
I think now I have to go with it's not traditional. | 0:44:25 | 0:44:28 | |
You got butterflies? | 0:44:28 | 0:44:30 | |
Yeah. Big butterflies. Are you predicting anything, Mum, or not? | 0:44:30 | 0:44:34 | |
Or you're not going to tell me? | 0:44:34 | 0:44:35 | |
-I'm not going to tell you. -Not going to tell me. | 0:44:35 | 0:44:37 | |
No, I won't, cos obviously everything I've said... | 0:44:37 | 0:44:40 | |
Has been right. | 0:44:40 | 0:44:41 | |
And I don't want to say anything else in case that's right | 0:44:41 | 0:44:43 | |
-and I've spoiled it. -Cos we're here now, | 0:44:43 | 0:44:45 | |
we don't know how long we've got, we've got an hour or so in a car. | 0:44:45 | 0:44:48 | |
Well, after just 20 minutes in the van, James is arriving. | 0:44:48 | 0:44:52 | |
Ah, we're pulling in somewhere. | 0:44:52 | 0:44:55 | |
We're at the registry office. | 0:44:56 | 0:44:57 | |
And inside, the pressure is getting to Jack as he waits. | 0:45:00 | 0:45:05 | |
What's happening? | 0:45:05 | 0:45:06 | |
Why is it not happening? | 0:45:08 | 0:45:10 | |
Will the registry office be a step too far? | 0:45:11 | 0:45:14 | |
Yeah, you... Oh, my God! | 0:45:20 | 0:45:23 | |
# All of me | 0:45:23 | 0:45:25 | |
# Loves all of you... # | 0:45:25 | 0:45:28 | |
I love you so much! | 0:45:30 | 0:45:32 | |
We're going to have such a good day. | 0:45:32 | 0:45:34 | |
Come on, let's walk down the aisle. | 0:45:34 | 0:45:36 | |
Oh, Jesus! We're getting married! | 0:45:39 | 0:45:42 | |
Give me some of that. | 0:45:43 | 0:45:45 | |
After three weeks apart, | 0:45:47 | 0:45:48 | |
it's time for Jack and James to be legally wed, | 0:45:48 | 0:45:51 | |
and luckily, Jack's remembered the vows. | 0:45:51 | 0:45:54 | |
I promise to love you for the rest of my life. | 0:45:54 | 0:45:57 | |
I promise to stand by you through thick and thin. | 0:45:57 | 0:46:00 | |
I promise to share the fluffy blanket | 0:46:00 | 0:46:04 | |
and be kind about the horrible china dogs. | 0:46:04 | 0:46:07 | |
You mean the absolute world to me | 0:46:09 | 0:46:10 | |
and I can't wait to share my life with you. | 0:46:10 | 0:46:13 | |
I promise to love you for the rest of my life. | 0:46:14 | 0:46:17 | |
I promise to stand by you through thick and thin. | 0:46:17 | 0:46:20 | |
I promise to share the fluffy blanket, | 0:46:20 | 0:46:22 | |
and I can't wait to share my life with you. | 0:46:22 | 0:46:24 | |
Jack and James, it gives me great pleasure | 0:46:30 | 0:46:33 | |
in announcing you are now husband and husband. | 0:46:33 | 0:46:37 | |
You may kiss each other. | 0:46:37 | 0:46:38 | |
APPLAUSE | 0:46:38 | 0:46:40 | |
Now legally married, James may think the surprises are over, | 0:46:48 | 0:46:52 | |
but Jack's about to leave him to set the stage for his next wedding act. | 0:46:52 | 0:46:57 | |
I've got to go. | 0:46:57 | 0:46:58 | |
Awkward. | 0:46:58 | 0:46:59 | |
And I need your ring. | 0:46:59 | 0:47:01 | |
I'm really sorry, just trust me. | 0:47:01 | 0:47:02 | |
We've done this bit now, the day begins now. | 0:47:02 | 0:47:05 | |
-I love you. -Love you, too. | 0:47:05 | 0:47:06 | |
See you later. Jay, Holly, let's go. | 0:47:06 | 0:47:09 | |
Bye, I love you! Bye, everyone, see you later! | 0:47:09 | 0:47:13 | |
So, what's the plan now? Do we get back in the car? | 0:47:13 | 0:47:16 | |
I don't know, babe. Has he left you anything? | 0:47:16 | 0:47:19 | |
-No. -Like a note? | 0:47:19 | 0:47:20 | |
I think the most annoying thing is that the ring's been taken off | 0:47:20 | 0:47:23 | |
and we've got to do it all over again. | 0:47:23 | 0:47:24 | |
I think for me, that's the hardest part, like, I've seen him | 0:47:24 | 0:47:27 | |
and now we've got to re-act it again, | 0:47:27 | 0:47:29 | |
but I think taking the ring... I don't know. | 0:47:29 | 0:47:31 | |
I don't know what's in store now. Scared. | 0:47:31 | 0:47:33 | |
Hopefully, he's not got nothing planned that's too stupid | 0:47:33 | 0:47:36 | |
the next time. | 0:47:36 | 0:47:38 | |
Um... | 0:47:38 | 0:47:39 | |
Oh... | 0:47:39 | 0:47:40 | |
Oh, my God! | 0:47:40 | 0:47:43 | |
Oh, we've got to get in, got to get in! | 0:47:43 | 0:47:45 | |
Oh, my God! | 0:47:45 | 0:47:46 | |
So I assume it's a theme. | 0:47:48 | 0:47:50 | |
Exactly what James didn't want. | 0:47:50 | 0:47:52 | |
I saw the donkey. | 0:47:52 | 0:47:54 | |
That's Midsummer Night's Dream. | 0:47:54 | 0:47:55 | |
I personally would not do a theme for my wedding. | 0:47:55 | 0:47:58 | |
You've gone up, you've seen Jack | 0:47:58 | 0:47:59 | |
and now you've hit a... You've hit a crash. | 0:47:59 | 0:48:02 | |
I personally thought that both me and Jack would just get in this car. | 0:48:02 | 0:48:05 | |
I thought that. | 0:48:05 | 0:48:06 | |
Scared. | 0:48:08 | 0:48:09 | |
And maybe he should be, as at the venue, | 0:48:09 | 0:48:12 | |
two donkeys and the cast of A Midsummer Night's Dream await. | 0:48:12 | 0:48:16 | |
Deep breaths, James. Deep breaths. | 0:48:16 | 0:48:17 | |
-Yeah, deep breaths, just... -I know. | 0:48:17 | 0:48:20 | |
James, there's someone waiting for you! | 0:48:20 | 0:48:23 | |
-What the hell is going on? -Stop. | 0:48:23 | 0:48:24 | |
There's donkeys! There's loads of people! | 0:48:24 | 0:48:26 | |
-Oh, my... -Oh, my Jesus! | 0:48:26 | 0:48:29 | |
Is there no play? | 0:48:29 | 0:48:30 | |
A brief story of young Jack and his love for James! | 0:48:30 | 0:48:34 | |
And we all hear it. Bring them in. | 0:48:35 | 0:48:38 | |
-Oh, we've got to go. -Right. | 0:48:38 | 0:48:40 | |
Come with me, sir. Come on, ladies. | 0:48:40 | 0:48:42 | |
Come! | 0:48:42 | 0:48:43 | |
Oh, I'm going a different way. Bye! | 0:48:43 | 0:48:46 | |
We're off to the future, to find your love, | 0:48:46 | 0:48:49 | |
to meet all of your wildest dreams. | 0:48:49 | 0:48:52 | |
It's all very exciting. | 0:48:53 | 0:48:55 | |
It is very exciting. | 0:48:55 | 0:48:57 | |
And confusing, I'm not going to lie to you. | 0:48:57 | 0:48:59 | |
He may be wearing a tweed suit, had his ring snatched | 0:48:59 | 0:49:02 | |
and been greeted by donkeys, | 0:49:02 | 0:49:04 | |
but now it's time for Jack's surprise blessing. | 0:49:04 | 0:49:08 | |
What have you done? Oh, what are you making me do? | 0:49:08 | 0:49:11 | |
Walk through here. | 0:49:11 | 0:49:13 | |
I, Jack Derek Harding, do take you, | 0:49:24 | 0:49:26 | |
James Edward John Finch, | 0:49:26 | 0:49:29 | |
to be my lawful wedded husband. | 0:49:29 | 0:49:30 | |
I, James Edward John Finch, | 0:49:32 | 0:49:34 | |
do take you, Jack Derek Harding, | 0:49:34 | 0:49:36 | |
to be my lawful wedded husband. | 0:49:36 | 0:49:38 | |
It is my absolute honour to declare that you are both now | 0:49:40 | 0:49:43 | |
Mr Finch-Harding, gentlemen. | 0:49:43 | 0:49:45 | |
APPLAUSE | 0:49:45 | 0:49:47 | |
Ceremonies finally over | 0:49:51 | 0:49:53 | |
and Jack showing no signs of scarpering again, | 0:49:53 | 0:49:56 | |
James now has a chance to confront his new hubby. | 0:49:56 | 0:49:59 | |
-I was abandoned. -Oh, what, when I left you... | 0:49:59 | 0:50:01 | |
-When you run away. -Isn't this worth it though? | 0:50:01 | 0:50:03 | |
No, cos I wanted it indoors, | 0:50:03 | 0:50:05 | |
and obviously I can see a massive marquee. | 0:50:05 | 0:50:08 | |
Like, you're lucky the weather is on your side today, sunshine. | 0:50:08 | 0:50:11 | |
Look at it, it's amazing. | 0:50:11 | 0:50:12 | |
I don't need to convince you it's very beautiful. | 0:50:12 | 0:50:14 | |
No, yeah, I know it's beautiful. | 0:50:14 | 0:50:16 | |
You're being horrible! | 0:50:16 | 0:50:17 | |
What he's done for the wedding, it's not me. | 0:50:17 | 0:50:19 | |
Like, there is a lot of actors running around dressed up | 0:50:19 | 0:50:23 | |
which, for me, that's out of my comfort zone. | 0:50:23 | 0:50:26 | |
Will James be persuaded once he sees the main event? | 0:50:26 | 0:50:30 | |
Jack's adaptation of A Midsummer Night's Dream, in honour of his mum. | 0:50:30 | 0:50:34 | |
It is to make an ass of me, | 0:50:34 | 0:50:37 | |
to frighten me if they could, | 0:50:37 | 0:50:39 | |
but I will not stir from this place, oh, no! | 0:50:39 | 0:50:41 | |
Do what they can, I will walk up and down | 0:50:41 | 0:50:45 | |
and I will sing and I will shout, | 0:50:45 | 0:50:47 | |
and they will see that I am not afraid! | 0:50:47 | 0:50:49 | |
I'd never have pictured my wedding day like this | 0:50:51 | 0:50:54 | |
but I'm glad you did it like this. | 0:50:54 | 0:50:56 | |
Shut up, man! No, yeah... | 0:50:56 | 0:50:58 | |
-You did a good job. -..I'm glad, too. | 0:50:58 | 0:51:01 | |
After three weeks and £12,000, | 0:51:01 | 0:51:04 | |
the play is a success. | 0:51:04 | 0:51:05 | |
Pat Harding! | 0:51:11 | 0:51:13 | |
Jack's pulled off A Midsummer Night's Dream, | 0:51:14 | 0:51:17 | |
and in Shakespearean style, | 0:51:17 | 0:51:18 | |
is pulling the audience up to be involved. | 0:51:18 | 0:51:21 | |
Was it worth it? It was worth it for me. | 0:51:22 | 0:51:24 | |
Oh, my God, yeah, all of that work, all of that stress, all of | 0:51:24 | 0:51:27 | |
those times where I was saying to Jay, like, "What are we going to do? | 0:51:27 | 0:51:30 | |
"What's going to happen?" Totally, totally worth it. | 0:51:30 | 0:51:33 | |
You've done really well and I'm really proud of you. | 0:51:33 | 0:51:35 | |
The handsome Pyramus and the lovely Thisbe! | 0:51:35 | 0:51:39 | |
No, you just be a man, you be a woman. | 0:51:39 | 0:51:42 | |
Be a man. There we go, be a woman! | 0:51:42 | 0:51:45 | |
There we go. Very good. | 0:51:45 | 0:51:48 | |
With the play/wedding almost over... | 0:51:50 | 0:51:53 | |
..thoughts turn to the future. | 0:51:54 | 0:51:56 | |
The next stage now, for us... | 0:51:56 | 0:51:58 | |
Is going to this foster meeting. | 0:51:58 | 0:52:00 | |
Is going to the foster meetings in July. | 0:52:00 | 0:52:01 | |
And starting to really focus on that. | 0:52:01 | 0:52:03 | |
But enjoy married life first for a bit. | 0:52:03 | 0:52:05 | |
Enjoy married life. | 0:52:05 | 0:52:06 | |
Here's to the next stage of our life. Wey! | 0:52:06 | 0:52:09 | |
You got to drink all of that. | 0:52:09 | 0:52:10 | |
On the count of three, bow! | 0:52:10 | 0:52:14 | |
Three! Bow! | 0:52:14 | 0:52:16 | |
So, James has been convinced by the theme, | 0:52:17 | 0:52:20 | |
but it's time to see inside the marquee | 0:52:20 | 0:52:22 | |
and finally find out what happened to those pallets. | 0:52:22 | 0:52:27 | |
Oh, James, look! Look at the cake! | 0:52:27 | 0:52:30 | |
-Where are the pallets? -There. | 0:52:30 | 0:52:32 | |
-They're there! -Oh, my God! -I didn't even notice! | 0:52:32 | 0:52:36 | |
Oh, look at the cake, James! | 0:52:36 | 0:52:38 | |
-How do you feel, James? -It's a marquee, it is a marquee. | 0:52:38 | 0:52:40 | |
I know, but look how sturdy it is. Like... | 0:52:40 | 0:52:42 | |
It's not blowing the same as the one at home. | 0:52:42 | 0:52:44 | |
Luckily for Jack, the sun came out for his marquee choice. | 0:52:44 | 0:52:48 | |
-I think I've converted to... -Converted? | 0:52:48 | 0:52:50 | |
-He's converted your opinion? -Yeah. -Really? | 0:52:50 | 0:52:53 | |
On the marquee, yeah. This is gorgeous. | 0:52:53 | 0:52:55 | |
I don't know if your everyday marquee looks like this but... | 0:52:55 | 0:52:58 | |
No, it really doesn't. It's a sturdy marquee. | 0:52:58 | 0:53:00 | |
I want to see him now, I want to see his face with it as well, | 0:53:00 | 0:53:03 | |
because he's going to be so proud of himself. | 0:53:03 | 0:53:05 | |
-Jack! -What do you think? -I love it. | 0:53:05 | 0:53:09 | |
Well done, dude! This is amazing! | 0:53:09 | 0:53:12 | |
Oh, Lil, Lil, Lil, oh, yeah, babes, honestly, don't touch the table. | 0:53:12 | 0:53:16 | |
Oh, yeah, I can see it wobbling. | 0:53:16 | 0:53:18 | |
I'm really nervous, can everyone just stand back from the table? | 0:53:18 | 0:53:20 | |
So we made the cake table, and what do you think about the cake? | 0:53:20 | 0:53:23 | |
I love it. | 0:53:23 | 0:53:24 | |
After a day of surprises, it's time for Jack to tell James | 0:53:24 | 0:53:27 | |
why he chose such an untraditional wedding day. | 0:53:27 | 0:53:30 | |
I picked Midsummer Night's Dream because it's the first | 0:53:30 | 0:53:33 | |
Shakespeare play that I ever really kind of knew, | 0:53:33 | 0:53:35 | |
because Mum drummed it into me when I was a kid, | 0:53:35 | 0:53:38 | |
and it's wild flowers and it's rustic and it's just... | 0:53:38 | 0:53:41 | |
-I think it's just beautiful. -It is. I love it. | 0:53:41 | 0:53:44 | |
-It's perfect. -You did well. | 0:53:44 | 0:53:45 | |
These three weeks, I was really panicking, as well, | 0:53:45 | 0:53:47 | |
especially, like, I didn't want a theme and I wasn't... | 0:53:47 | 0:53:50 | |
I wanted a traditional, back home... | 0:53:50 | 0:53:52 | |
But it's nice to see, he's brung it to our home | 0:53:52 | 0:53:54 | |
where we now live in Essex, and it's really nice that we're all here | 0:53:54 | 0:53:57 | |
together and we're going to spend the happiest day of my life together. | 0:53:57 | 0:54:01 | |
Jack's midsummer wedding may not have been what James dreamed of | 0:54:01 | 0:54:04 | |
but it's gone down a treat. | 0:54:04 | 0:54:06 | |
Even the pallet cake table's a success... | 0:54:06 | 0:54:09 | |
I've got the cake, I've got the cake! | 0:54:11 | 0:54:14 | |
..just not for very long. | 0:54:14 | 0:54:16 | |
After all the hard work, the cake and the table are ruined, | 0:54:16 | 0:54:20 | |
but best man Jay is looking on the bright side. | 0:54:20 | 0:54:23 | |
Dirty floor, cake everywhere, cutting of the cake's ruined, | 0:54:23 | 0:54:26 | |
but it's much funnier, so who cares? | 0:54:26 | 0:54:29 | |
Thank God the bar's open! | 0:54:29 | 0:54:31 | |
MUSIC: Sweet Disposition by The Temper Trap | 0:54:31 | 0:54:35 | |
Today, I am so proud you would not believe. | 0:54:45 | 0:54:47 | |
I mean, my head's probably about this big. | 0:54:47 | 0:54:50 | |
His mum's would've been even bigger. | 0:54:50 | 0:54:52 | |
She's probably looking down now. | 0:54:52 | 0:54:53 | |
I can't believe what a great day it's been. | 0:54:53 | 0:54:55 | |
She's going to be so proud up there, I know she is. | 0:54:55 | 0:54:58 | |
When we woke up this morning, | 0:54:58 | 0:55:00 | |
I did not think that this is how this day was going to turn out. | 0:55:00 | 0:55:04 | |
I think it's brilliant what he's done | 0:55:04 | 0:55:06 | |
and it's been absolutely magical. | 0:55:06 | 0:55:08 | |
I'm over the moon - happy as Larry. | 0:55:08 | 0:55:11 | |
Jack has 100% proved himself. He's been amazing. | 0:55:11 | 0:55:15 | |
He's going to be a brilliant husband. | 0:55:15 | 0:55:17 | |
Fingers crossed, if it happens, | 0:55:17 | 0:55:20 | |
he will be a brilliant father, as will James. | 0:55:20 | 0:55:23 | |
I think it's happy days from here on out. | 0:55:24 | 0:55:27 | |
As the curtain falls, it looks as though Jack has pulled off | 0:55:27 | 0:55:30 | |
the performance of a lifetime. | 0:55:30 | 0:55:32 | |
I trust you now, so much. | 0:55:32 | 0:55:34 | |
Thank you very much, thank you. I'm happy about that. | 0:55:34 | 0:55:37 | |
No, I really, really do. I think you did really well | 0:55:37 | 0:55:39 | |
and I'm really proud of you, and to call you my husband. | 0:55:39 | 0:55:42 | |
And James is so impressed, he wants to stay for ever. | 0:55:42 | 0:55:46 | |
In our front garden. | 0:55:46 | 0:55:47 | |
It's not our front... We don't live here, James! | 0:55:47 | 0:55:49 | |
-We do live here. -We don't live here! Oh, someone's come out of our house. | 0:55:49 | 0:55:53 | |
# Don't call me baby | 0:55:53 | 0:55:55 | |
# You got some nerve, and, baby, that'll never do | 0:55:55 | 0:55:58 | |
# You know I don't belong to you | 0:55:58 | 0:56:01 | |
# It's time you knew I'm not your baby | 0:56:01 | 0:56:04 | |
# I belong to me, so don't call me baby. # | 0:56:04 | 0:56:07 |