Browse content similar to Summer Magic. Check below for episodes and series from the same categories and more!
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# Summer magic | 0:00:12 | 0:00:16 | |
# That wonderful magic... # | 0:00:16 | 0:00:21 | |
RAGTIME MUSIC | 0:02:04 | 0:02:07 | |
HE WHISTLES | 0:02:16 | 0:02:19 | |
Who's it from? | 0:02:38 | 0:02:41 | |
Oh, nobody you'd know. | 0:02:41 | 0:02:43 | |
RAGTIME MUSIC | 0:02:57 | 0:03:01 | |
Pry yourself away from that piano. There's work to do! | 0:03:13 | 0:03:17 | |
-Why did Mother sell it? -Because it's the most valuable thing we own. | 0:03:17 | 0:03:23 | |
How am I going to be a composer with only a guitar to compose on? | 0:03:23 | 0:03:28 | |
Hey! My fish! I got to thinking about him the other day. Where was he? | 0:03:28 | 0:03:35 | |
You can't take everything. There's no room in our horrid new house. | 0:03:35 | 0:03:39 | |
We can't pay storage on junk. | 0:03:39 | 0:03:42 | |
Look at his poor eye! | 0:03:42 | 0:03:44 | |
Why is my stuff junk and yours is priceless? | 0:03:44 | 0:03:48 | |
Here, you can have him, Peter. Thanks! I'll put him with MY junk! | 0:03:48 | 0:03:54 | |
That did a lot of good! | 0:03:54 | 0:03:56 | |
Their poor mother! | 0:03:56 | 0:03:59 | |
One minute a happy wife, then Fate struck a cruel blow and she's a poor widow woman! | 0:03:59 | 0:04:06 | |
Watch the teacup, Miss. Yes, Ma'am. | 0:04:06 | 0:04:09 | |
This family's going to be lost without you, Mary. You too, Ellen. | 0:04:09 | 0:04:15 | |
In a book I was reading - True Blue was the name of it - True Blue. | 0:04:21 | 0:04:27 | |
-Lord and Lady Darcy and their children all lived in a magnificent castle. -I love them castle stories! | 0:04:27 | 0:04:35 | |
The tray, Miss. Yes, Ma'am. | 0:04:35 | 0:04:38 | |
Well, everybody worshipped everybody, so of course it was all terribly happy. | 0:04:38 | 0:04:45 | |
Then, one day, they lost all their riches. | 0:04:46 | 0:04:49 | |
-Lord save us! HE PLAYS TRAGIC MUSIC -They were driven from the castle | 0:04:49 | 0:04:54 | |
and lived in a hovel, which was not in a very nice neighbourhood. | 0:04:54 | 0:05:00 | |
But they had this loyal old family servant | 0:05:00 | 0:05:04 | |
and the faithful creature followed them from castle to hovel. | 0:05:04 | 0:05:08 | |
She brought her life savings wrapped in a pitiful handkerchief, | 0:05:08 | 0:05:14 | |
and remained with them to serve them for years... | 0:05:14 | 0:05:18 | |
without wages. | 0:05:18 | 0:05:20 | |
'Tis a beautiful tale and a lesson to the greedy. | 0:05:20 | 0:05:24 | |
It is. You, Miss Nancy, being so interested in the welfare of the deserving, | 0:05:24 | 0:05:31 | |
will be happy to know that we have found a situation in Salem. | 0:05:31 | 0:05:35 | |
-At 5 more a month. -Oh! I'm happy for you both. | 0:05:35 | 0:05:40 | |
-BELL RINGS -Really. | 0:05:40 | 0:05:43 | |
-Finish the story, Nancy. -I've reached the end. | 0:05:47 | 0:05:50 | |
"End" is right! Miss Nancy. | 0:05:50 | 0:05:54 | |
'Tis the men, come for the piano. | 0:05:54 | 0:05:57 | |
Oh, Gilly! | 0:05:59 | 0:06:01 | |
Is this the instrument? | 0:06:10 | 0:06:13 | |
Pad. > | 0:06:14 | 0:06:16 | |
Son, pad! | 0:06:16 | 0:06:19 | |
Strap. | 0:06:26 | 0:06:28 | |
< Mallet. | 0:06:33 | 0:06:35 | |
Dolly.> | 0:06:41 | 0:06:42 | |
-CLANG! Careful! -It's just saying goodbye. | 0:06:44 | 0:06:47 | |
'Tis a black day for the Careys. | 0:07:06 | 0:07:09 | |
Back to your packing, Miss. Yes, Ma'am. | 0:07:09 | 0:07:12 | |
We've lost a friend, Gilly. Sold for a mess of pottage. | 0:07:13 | 0:07:19 | |
Nancy, can't you ever keep quiet? Do you always have to...? | 0:07:19 | 0:07:25 | |
-Nancy, Gilly, come quick! They got a thing! Come quick! -A what? | 0:07:25 | 0:07:29 | |
A thing! It's come! It's come! | 0:07:29 | 0:07:33 | |
Oh, mighty, look at that! | 0:07:33 | 0:07:36 | |
It's a player piano! | 0:07:41 | 0:07:43 | |
I've heard one! You don't need no hands! | 0:07:43 | 0:07:46 | |
Son... > | 0:07:46 | 0:07:49 | |
Put it right there. | 0:07:58 | 0:08:00 | |
Is it a mistake? Are you sure it's for us? | 0:08:03 | 0:08:06 | |
A Mrs Carey sold the instrument we just removed for 150 and a swap. | 0:08:06 | 0:08:12 | |
This instrument is the swap. | 0:08:12 | 0:08:15 | |
Rolls in here. | 0:08:15 | 0:08:18 | |
Here's one we always put on when folks are moving. | 0:08:18 | 0:08:24 | |
Son... > | 0:08:35 | 0:08:37 | |
Let me play! | 0:08:39 | 0:08:41 | |
When you learn how! | 0:08:41 | 0:08:44 | |
-VERY FAST MUSIC -Slow it down! | 0:08:49 | 0:08:53 | |
MUSIC IS SLOWER | 0:08:55 | 0:08:59 | |
The words! | 0:09:01 | 0:09:02 | |
# It's time for flitterin' Dustin' off the trunk | 0:09:02 | 0:09:07 | |
# And flitterin' far Where the grass is greener | 0:09:07 | 0:09:10 | |
# Now and then Comes the time again | 0:09:10 | 0:09:13 | |
# For flitterin' | 0:09:13 | 0:09:15 | |
# We'll soon be packin' up | 0:09:15 | 0:09:18 | |
# Stackin' up our dreams and bric a brac for some new destination | 0:09:18 | 0:09:23 | |
# Don't know where But we're going there | 0:09:23 | 0:09:26 | |
# We're flitterin' again | 0:09:26 | 0:09:28 | |
# New places, new faces New friendships will start | 0:09:30 | 0:09:35 | |
# While old places, old faces | 0:09:35 | 0:09:40 | |
# Stay dear to our heart as we go | 0:09:40 | 0:09:42 | |
# Flitterin', following a rainbow | 0:09:42 | 0:09:45 | |
# Glitterin' bright over the horizon | 0:09:45 | 0:09:49 | |
# Maybe then and maybe there | 0:09:49 | 0:09:51 | |
# We'll settle down and never care | 0:09:51 | 0:09:55 | |
-# For flitterin', flitterin' flitterin'... -again. -# | 0:09:55 | 0:09:59 | |
-Mother! -Hello, sweetheart. Feel better, Gilly? | 0:09:59 | 0:10:03 | |
-You bet! -It's wonderful, Mother! | 0:10:03 | 0:10:06 | |
Let me tell her! | 0:10:06 | 0:10:08 | |
-Tell me. -Well, this one you don't need any hands. You play with feet. | 0:10:08 | 0:10:14 | |
-And a little roller thing with holes makes the keys go up and down! -No! | 0:10:14 | 0:10:18 | |
-And guess what! -What? -I played it! With this leg. Nobody showed me how! | 0:10:18 | 0:10:25 | |
That's your smartest leg. | 0:10:25 | 0:10:28 | |
You have almost everything done! | 0:10:31 | 0:10:33 | |
Children, come over here. | 0:10:35 | 0:10:38 | |
-I've just come from the lawyer's. -What happened, Mother? | 0:10:39 | 0:10:44 | |
Oh, it's nothing that can't be solved. | 0:10:44 | 0:10:47 | |
We'll make out somehow. | 0:10:47 | 0:10:50 | |
-I've learned we haven't quite as much money as I thought. -Go on. | 0:10:50 | 0:10:56 | |
The real blow was the mining stocks George Ferguson got your father to invest in. | 0:10:56 | 0:11:02 | |
They're not worth the paper they're written on, Mr Manson told me. | 0:11:02 | 0:11:07 | |
That isn't so bad. We're just in reduced circumstances. | 0:11:07 | 0:11:12 | |
I'll be happy to beg. I saw a beggar once with a tin cup full of money. | 0:11:12 | 0:11:18 | |
-Things won't be so very different. -I'm afraid they will, in a way. | 0:11:18 | 0:11:23 | |
You see, counting everything, we have exactly 50 a month to live on. | 0:11:23 | 0:11:28 | |
-We can't afford to move to the little house in Boston. -We can't afford the horrible house? | 0:11:28 | 0:11:35 | |
Oh, Mother, that's wonderful! Oh, Gilly... | 0:11:35 | 0:11:40 | |
What ails her? | 0:11:40 | 0:11:43 | |
-Mother, this came today. -What is it? -Mother. | 0:11:43 | 0:11:48 | |
After Father... Remember that evening when we talked about things | 0:11:48 | 0:11:53 | |
that had been fun with him, and the best thing was that time in Maine? | 0:11:53 | 0:11:58 | |
We saw the yellow house in Beulah. | 0:11:58 | 0:12:01 | |
Yes. Wasn't it beautiful? And nobody lived there. | 0:12:01 | 0:12:06 | |
That was years ago. You're wild! | 0:12:06 | 0:12:09 | |
I remember it! You weren't even born. | 0:12:09 | 0:12:12 | |
-Stop it! Your life's about to change! -Go on. | 0:12:12 | 0:12:16 | |
A couple of weeks ago, I decided to try to find out about that house. | 0:12:16 | 0:12:21 | |
I wrote to the postmaster in Beulah, and he answered! His name is Ossian Popham. | 0:12:21 | 0:12:27 | |
He's the agent for Mr Hamilton, who owns the house, | 0:12:27 | 0:12:31 | |
who's miles away in China or somewhere, probably a missionary... | 0:12:31 | 0:12:36 | |
-Could I see Mr Popham's letter? -Oh, it's all right... -Nancy. | 0:12:36 | 0:12:41 | |
Well... | 0:12:41 | 0:12:42 | |
-"..The plight of your good self and your little ones..." Nancy! -Read the last page. | 0:12:43 | 0:12:49 | |
"Beulah is brimming over with fresh milk for your baby boy." | 0:12:49 | 0:12:54 | |
Baby? | 0:12:54 | 0:12:55 | |
-"..so there's no need for him to be blue with rickets." Nancy! -Look at the last page. | 0:12:55 | 0:13:02 | |
He says the yellow house is vacant | 0:13:02 | 0:13:05 | |
and he knows Mr Hamilton would be glad to rent it to a deserving family like ours for 60 a year. | 0:13:05 | 0:13:12 | |
-He's Mr Hamilton's trusted friend, his factotum... -Slow down, Nancy! | 0:13:12 | 0:13:18 | |
Think of living in the country! No storage bills. All our things will fit! | 0:13:18 | 0:13:25 | |
We'll be self-supporting! Chickens, eggs, vegetables from the garden. | 0:13:25 | 0:13:30 | |
Air, space, honest toil... | 0:13:30 | 0:13:33 | |
-Can we, Mother, can we? -Oh, please, Mother. | 0:13:36 | 0:13:39 | |
But Mother, my school's here, my friends! | 0:13:39 | 0:13:43 | |
-Beulah's a hick town! -Abraham Lincoln came from a hick town! | 0:13:43 | 0:13:48 | |
Mother? | 0:13:48 | 0:13:50 | |
Your father wanted so much for you. It was his dream to live in the country. | 0:13:51 | 0:13:57 | |
Maybe he'd like to know we were together in the house in Beulah. | 0:13:57 | 0:14:02 | |
Oh, Mother, I knew it! I knew it! I wished it! | 0:14:02 | 0:14:06 | |
Gilly, get to the piano. Mother, sit down there. | 0:14:06 | 0:14:10 | |
In anticipation of this decision, I've written a glorification. | 0:14:10 | 0:14:15 | |
But first, an introduction from the Bible. | 0:14:15 | 0:14:18 | |
Church chords, please, Gilly. | 0:14:18 | 0:14:21 | |
Thou shalt not be termed forsaken. | 0:14:22 | 0:14:25 | |
Neither shall thy land be termed desolate, | 0:14:25 | 0:14:28 | |
but it shall be called Beulah, for the Lord delighteth in thee. Amen. | 0:14:28 | 0:14:34 | |
-Now, Railroad Rag. -What? -You were just playing it! | 0:14:34 | 0:14:38 | |
HE STARTS PLAYING | 0:14:38 | 0:14:42 | |
-# -Land of promise, bounteous | 0:14:42 | 0:14:46 | |
-# -This is beautiful, this is beautiful Beulah | 0:14:46 | 0:14:50 | |
-# -In the rocky state of Maine | 0:14:50 | 0:14:51 | |
BOTH: # Land of plenty, meant for us | 0:14:51 | 0:14:56 | |
# This is beautiful, this is beautiful Beulah! | 0:14:56 | 0:14:59 | |
# Within our reach is there Grapes as big as peaches there | 0:15:01 | 0:15:05 | |
# The cows and bees are busy | 0:15:05 | 0:15:07 | |
# Who needs money in the land of milk and honey? | 0:15:07 | 0:15:09 | |
# Sweet apple trees abound Wild cherries all around | 0:15:09 | 0:15:14 | |
# Berries, roses, they're so nice It's a paradise | 0:15:14 | 0:15:18 | |
# Beulah, land so beautiful | 0:15:18 | 0:15:21 | |
# Let's send forth for it Let's go north on that | 0:15:21 | 0:15:25 | |
# Train, chug-a-choo-chug-a-choo | 0:15:25 | 0:15:27 | |
# To beautiful Beulah land Beautiful Beulah, Maine | 0:15:27 | 0:15:31 | |
# To beautiful Beulah land Beautiful Beulah, Maine. # | 0:15:31 | 0:15:36 | |
Chug-a-choo-chug-a-choo Woo-ooh! | 0:15:36 | 0:15:39 | |
TRAIN WHISTLES | 0:15:39 | 0:15:42 | |
So this is Beulah! | 0:16:05 | 0:16:07 | |
You're right in the heart of the city. | 0:16:07 | 0:16:10 | |
It's wonderful! How can we thank your father for all he's done? | 0:16:10 | 0:16:16 | |
The name "Ossian Popham" should flame across the sky! | 0:16:16 | 0:16:20 | |
Pa's just glad somebody's living in the old house. | 0:16:20 | 0:16:24 | |
Hamiltons haven't used it since I can recollect. | 0:16:24 | 0:16:28 | |
What's wrong with it? Haunted? | 0:16:28 | 0:16:31 | |
No. It's too fancy for these parts. | 0:16:31 | 0:16:34 | |
When Hamiltons fixed up the barn for dancing, Pa said it'd overpower a cow! | 0:16:34 | 0:16:40 | |
Your father didn't write much about his family. Are you an only child? | 0:16:40 | 0:16:46 | |
You might say so. I just have a sister. GILLY LAUGHS | 0:16:46 | 0:16:50 | |
Mother... | 0:16:50 | 0:16:53 | |
-Look, the church! -How lovely and quaint. -Heavenly! | 0:16:53 | 0:16:58 | |
Yeah, and believe it or not... we have a minister named... | 0:16:58 | 0:17:04 | |
Mr Lord. | 0:17:04 | 0:17:06 | |
-Is he any relation...? -No, Peter. | 0:17:06 | 0:17:10 | |
Well, hold tight! | 0:17:11 | 0:17:13 | |
Country - real country! | 0:17:24 | 0:17:27 | |
-We're out in the sticks all right! -Gilly! -Sticks? | 0:17:27 | 0:17:31 | |
It's the loveliest! Land of promise, land of opportunity! | 0:17:31 | 0:17:35 | |
Opportunity for what? | 0:17:35 | 0:17:38 | |
Ain't a fresh family moved into Beulah in more than five years. | 0:17:38 | 0:17:44 | |
Most people move away - to the city. | 0:17:44 | 0:17:47 | |
I'm going, soon as I can. See them bright lights, make a little money. | 0:17:47 | 0:17:53 | |
Money? The heavenly thing about the country is you don't need money! | 0:17:53 | 0:17:59 | |
-You have the soil, the soil! -What's soil? | 0:17:59 | 0:18:03 | |
Mud. | 0:18:03 | 0:18:04 | |
We're here! We're home! Oh, Gilly, come on! | 0:19:03 | 0:19:08 | |
The piano's here! | 0:19:11 | 0:19:13 | |
HE PLAYS "Railroad Rag" | 0:19:15 | 0:19:18 | |
Mother, a quaint old pump! | 0:19:23 | 0:19:25 | |
-You folks the Careys? I heard you way up in the attic. -Yes. | 0:19:36 | 0:19:41 | |
You mean to tell me that you're the Careys? | 0:19:41 | 0:19:45 | |
-You must be Ossian Popham! -Yes. At your service, Ma'am. | 0:19:47 | 0:19:53 | |
-First dibs for bedrooms, Gilly! -Nancy... | 0:19:53 | 0:19:57 | |
Is this your...treasured daughter, Ma'am? | 0:20:00 | 0:20:03 | |
Let's just say my daughter. Nancy... | 0:20:05 | 0:20:09 | |
this is Mr Popham. | 0:20:09 | 0:20:12 | |
Oh, my goodness! Mr Popham... | 0:20:12 | 0:20:15 | |
No, you don't! No, you don't! | 0:20:15 | 0:20:17 | |
That must have been... the invalid boy. | 0:20:21 | 0:20:24 | |
-About that first letter. -I -wrote it.... -No need to go on. | 0:20:25 | 0:20:30 | |
-What you've done's come to me like a blinding flash. -Pa... | 0:20:30 | 0:20:35 | |
Pa, there's a boy up here! | 0:20:36 | 0:20:39 | |
It's the Carey boy. Come on down, Lally-Joy. | 0:20:39 | 0:20:43 | |
That's my daughter. She's shy. She'd be more like me, only her ma won't let her. | 0:20:44 | 0:20:51 | |
-Look at me, Mother! Look! Whee! -Peter! | 0:20:51 | 0:20:54 | |
-Where are you? -Look at me! Look at me! | 0:20:54 | 0:20:58 | |
Whee! Whee! Look at me! | 0:20:58 | 0:21:01 | |
That must be the rickety baby. | 0:21:01 | 0:21:04 | |
Mr Popham, I think it's time I told you everything. | 0:21:08 | 0:21:12 | |
May I tell him, Mother, please? | 0:21:12 | 0:21:15 | |
You see, Mr Popham, I wrote that letter... | 0:21:15 | 0:21:19 | |
Oh, I don't know how to begin. | 0:21:20 | 0:21:23 | |
Uh... | 0:21:28 | 0:21:30 | |
Oh! | 0:21:44 | 0:21:46 | |
Gee, I'm sorry! | 0:21:46 | 0:21:49 | |
They're too heavy for a girl. | 0:21:49 | 0:21:52 | |
Allow me. | 0:21:54 | 0:21:56 | |
You don't have to be nice or nothin'. She's my sister. | 0:22:00 | 0:22:05 | |
That's the way it was. | 0:22:06 | 0:22:09 | |
I figure this is the only world we've got, until we move to the next one, | 0:22:12 | 0:22:18 | |
and a story that's a mite off the truth makes things interesting. | 0:22:18 | 0:22:24 | |
-Like a painter improving on nature? -It ain't an out-and-out lie. | 0:22:24 | 0:22:28 | |
Just a small white one, only coloured a little. | 0:22:28 | 0:22:33 | |
Mr Popham understands. The first thing to do is fix up this house! | 0:22:33 | 0:22:38 | |
Now, where to begin? | 0:22:38 | 0:22:40 | |
Standing before you is the best painter, carpenter, bricklayer in Maine! | 0:22:40 | 0:22:47 | |
You're wonderful! | 0:22:47 | 0:22:49 | |
Mr Popham, one part of the letter was true. We don't have much money. | 0:22:49 | 0:22:54 | |
Forget about the money. When it's all done, we can figure that out. | 0:22:54 | 0:22:59 | |
I work cheap if I can take my time and get into some conversing. | 0:22:59 | 0:23:04 | |
I ain't one to hurry. | 0:23:06 | 0:23:08 | |
One hurry in the family's enough. | 0:23:08 | 0:23:11 | |
Mrs Popham does everything right on the dot. | 0:23:11 | 0:23:15 | |
Sometimes I get terrible sick of that dot. | 0:23:15 | 0:23:19 | |
It's getting toward noon. I better be digging for home. | 0:23:19 | 0:23:23 | |
Maria sits and looks at the clock from 11 on, | 0:23:23 | 0:23:27 | |
then she'll get a meal of cold pork and beans, gingerbread and custard pie on the table. | 0:23:27 | 0:23:33 | |
She stands and hollers, "Hurry up! It struck 12 two minutes ago and everything's getting overdone!" | 0:23:33 | 0:23:41 | |
-Well, so long, folks. -Goodbye. | 0:23:41 | 0:23:44 | |
Thanks for letting me crank her up, Digby! | 0:23:52 | 0:23:55 | |
HE HUMS | 0:24:01 | 0:24:05 | |
Pa, I've been doing some thinking. | 0:24:05 | 0:24:07 | |
Good. Thinking never hurt anybody. | 0:24:07 | 0:24:10 | |
Pa, do you realise the farthest I've been from Beulah was Four Corners and I was too young to remember? | 0:24:10 | 0:24:18 | |
What are you getting at? | 0:24:18 | 0:24:20 | |
Pa, you realise I ain't never seen nothing or done nothing? | 0:24:20 | 0:24:25 | |
Go on. | 0:24:25 | 0:24:27 | |
You said a man never gets anywhere standing in one place. | 0:24:27 | 0:24:32 | |
-How much am I paying you, Digby? -3 a week, but a fellow can make that in one day in the city. | 0:24:32 | 0:24:39 | |
-You gonna put a stop to it, Pa? -..Nope. | 0:24:41 | 0:24:46 | |
Might as well get it out of your system. | 0:24:46 | 0:24:50 | |
Might be about the right time, too. | 0:24:50 | 0:24:53 | |
The boy Gilbert seems as if he might be able to take on the job of driving this truck. | 0:24:53 | 0:25:00 | |
That Gilly boy - he's awful nice, Pa! | 0:25:01 | 0:25:04 | |
I got a feeling the money might come in handy for the Careys too. | 0:25:06 | 0:25:11 | |
They're wonderful folks - even if they ain't got the rickets! | 0:25:11 | 0:25:15 | |
Smell it, Mother. | 0:25:32 | 0:25:34 | |
CRICKETS CHIRP AND BIRD CALLS | 0:25:34 | 0:25:38 | |
Listen. | 0:25:39 | 0:25:40 | |
OWL HOOTS | 0:25:40 | 0:25:43 | |
I feel sorry for city people tonight. | 0:25:43 | 0:25:48 | |
-# -Summer magic | 0:25:50 | 0:25:56 | |
-# -The soft summer magic | 0:25:57 | 0:26:04 | |
-# -Drifts across | 0:26:05 | 0:26:10 | |
-# -The meadows | 0:26:10 | 0:26:15 | |
-# -Summer magic | 0:26:16 | 0:26:22 | |
-# -It weaves through the willows | 0:26:22 | 0:26:27 | |
-# -Right into | 0:26:28 | 0:26:33 | |
-# -Your heart | 0:26:33 | 0:26:38 | |
-# -A song the river sings | 0:26:38 | 0:26:45 | |
-# -The joy the sunset brings | 0:26:51 | 0:26:57 | |
-# -Warm rain | 0:27:02 | 0:27:05 | |
-# -On blossoming | 0:27:05 | 0:27:09 | |
-# -Growing things... -# | 0:27:09 | 0:27:14 | |
PEEP-PEEP-PEEP | 0:27:19 | 0:27:21 | |
KWA-KWA-KWA-KWA | 0:27:21 | 0:27:26 | |
-# -Hearts grow dearer | 0:27:38 | 0:27:45 | |
-# -And heaven seems nearer | 0:27:45 | 0:27:50 | |
-# -Winter dreams | 0:27:50 | 0:27:55 | |
-# -Come true | 0:27:55 | 0:27:59 | |
-# -Oh, what magic | 0:28:03 | 0:28:08 | |
-# -What wonderful magic | 0:28:08 | 0:28:16 | |
-# -Summer time | 0:28:16 | 0:28:22 | |
-# -Can do. -# | 0:28:22 | 0:28:27 | |
ENGINE CHUGS AND BACKFIRES | 0:28:34 | 0:28:37 | |
-Slow down! -Look out with that fool contraption! | 0:28:37 | 0:28:41 | |
Slow down. I can't! | 0:28:41 | 0:28:43 | |
HORSES WHINNY | 0:28:46 | 0:28:49 | |
Gosh, I'm sorry, Digby! | 0:28:56 | 0:29:00 | |
She was about to blow anyway. Lally-Joy, another tyre to fix! | 0:29:00 | 0:29:05 | |
It was my fault. Let me fix it. | 0:29:05 | 0:29:07 | |
No! Digby always lets me fix the flat tyres! | 0:29:07 | 0:29:11 | |
I'd better learn how in case one blows when she's not around! | 0:29:11 | 0:29:16 | |
Might. | 0:29:16 | 0:29:18 | |
You can watch. | 0:29:18 | 0:29:21 | |
I've been longing to meet you. | 0:29:22 | 0:29:25 | |
I suppose your husband's too modest to tell you we think he's a saint. | 0:29:25 | 0:29:30 | |
Nope. Never dared mention it. | 0:29:30 | 0:29:34 | |
-I'm afraid he hides his light under a bushel. -He hides more than that! | 0:29:34 | 0:29:39 | |
-There's a whole mess of things... -What a glorious, quaint store! | 0:29:39 | 0:29:44 | |
You must just adore working in it! | 0:29:44 | 0:29:47 | |
Oh - all those things for the house. Wallpaper, brushes, paint... | 0:29:47 | 0:29:53 | |
Maybe we shouldn't do this without Mr Hamilton's approval. | 0:29:53 | 0:29:57 | |
No need. I told you he's got deep-seated faith in my judgment. | 0:29:57 | 0:30:02 | |
Give Mrs Popham the grocery list. Take her mind off what it's on. | 0:30:02 | 0:30:08 | |
Just a saint. | 0:30:10 | 0:30:13 | |
-Now...wallpaper, and paint, and brushes, and those tools you use to scrape off old wallpaper...? -Yes. | 0:30:13 | 0:30:21 | |
I'm the king! I'm the king! | 0:30:21 | 0:30:25 | |
Can I play? | 0:30:25 | 0:30:26 | |
We don't play with girls! | 0:30:27 | 0:30:30 | |
- I'm not a girl! - You've got sissy hair! | 0:30:30 | 0:30:33 | |
Not in Boston! | 0:30:33 | 0:30:35 | |
Sissy hair! Sissy clothes! You want a fight? | 0:30:35 | 0:30:40 | |
We don't fight with girls! | 0:30:40 | 0:30:43 | |
- Ooh! She's mad! - She'll pull your hair! | 0:30:47 | 0:30:50 | |
Let's go swimming! Last one in's a sissy from Boston! | 0:30:55 | 0:30:59 | |
Come back and fight! Cowards! | 0:30:59 | 0:31:02 | |
Hank! Haircuts for the lot. I'll pick 'em up later. Get down, boys. | 0:31:04 | 0:31:10 | |
Now you're taking over. Here you are, Barney Oldfield. | 0:31:21 | 0:31:26 | |
Say, thanks! | 0:31:26 | 0:31:28 | |
-Osh, I forgot to buy a stepladder. -Now you're talking like city folk. | 0:31:28 | 0:31:33 | |
Country folks don't buy stepladders, they borrow 'em. | 0:31:33 | 0:31:38 | |
Oh! | 0:31:38 | 0:31:40 | |
ENGINE CHUGS | 0:31:40 | 0:31:43 | |
-We forgot Peter! -I'll see that he gets home all right. | 0:31:51 | 0:31:55 | |
Mr Popham! Now you've a spare minute thrust upon you, I'd like a word. | 0:32:02 | 0:32:07 | |
Why don't you get back to them strawberry preserves you're fixing? | 0:32:07 | 0:32:13 | |
Mr Popham. | 0:32:13 | 0:32:15 | |
Have you written to Mr Hamilton advising him that you took it on yourself to rent the yellow house? | 0:32:16 | 0:32:24 | |
-I told you - I have written to him. -Has he written you? | 0:32:24 | 0:32:30 | |
..No. | 0:32:30 | 0:32:31 | |
He's a busy man. No news is good news. | 0:32:31 | 0:32:36 | |
Besides, he's off in them furrin parts. Heathens might've et him. | 0:32:36 | 0:32:42 | |
And you let them Careys tear his house apart? | 0:32:42 | 0:32:46 | |
Redoin', plantin'. Young 'uns running all over the place. | 0:32:46 | 0:32:50 | |
-Selling 'em wallpaper for less than it cost you! -That lot never did move. | 0:32:50 | 0:32:55 | |
They got you bewitched. I know why. | 0:32:55 | 0:32:58 | |
You wore out the people in this town with your stories and you want new ears. | 0:32:58 | 0:33:05 | |
But Mr Hamilton's gonna land back in Beulah some day and want his house. | 0:33:05 | 0:33:10 | |
I'm warning you, if you don't get a letter from Mr Hamilton soon, I'll take matters into my own hands. | 0:33:10 | 0:33:17 | |
-BUBBLING -Maria, your pot's boiling over. -Oh! | 0:33:17 | 0:33:21 | |
What do you mean, 1.25? All I know is, I cut five heads. | 0:33:25 | 0:33:30 | |
All I know is, I got four kids. One, two, three, four. | 0:33:30 | 0:33:36 | |
- I cut five heads. - One of my sons has two heads? | 0:33:36 | 0:33:42 | |
LAUGHTER | 0:33:42 | 0:33:45 | |
I seen and cut five! | 0:33:45 | 0:33:48 | |
You should get a pair of spectacles! | 0:33:48 | 0:33:51 | |
I sent four in and I'm picking up four! | 0:33:53 | 0:33:56 | |
All right. Forget it. Into the wagon, boys. | 0:33:58 | 0:34:02 | |
-How many heads did he cut, Peter? -Five. | 0:34:10 | 0:34:14 | |
-How'll I get a job if people think I'm a girl? -So you're looking for work? | 0:34:14 | 0:34:21 | |
-I'm the only boy in the family that's not working. -That puts a different complexion on things. | 0:34:21 | 0:34:28 | |
You see, you got on a handsome city outfit. | 0:34:28 | 0:34:33 | |
It's too good to work in. | 0:34:33 | 0:34:36 | |
-A man hiring you might get the idea you wouldn't buckle down. -I'll buckle down. | 0:34:36 | 0:34:42 | |
Of course you will. So...maybe we ought to arrange for a little swap. | 0:34:42 | 0:34:48 | |
I've been looking for a Buster Brown suit just about that size. | 0:34:48 | 0:34:53 | |
-If you'd consider swapping it for a pair of overalls... -With patches? | 0:34:53 | 0:34:58 | |
Of course with patches! And a shirt. | 0:34:58 | 0:35:02 | |
That's a very, very fine piece of goods. | 0:35:02 | 0:35:07 | |
So, I won't take advantage of you. | 0:35:07 | 0:35:09 | |
Now, suppose that I... | 0:35:10 | 0:35:13 | |
-..that I give you two bits to boot? -A quarter? | 0:35:13 | 0:35:19 | |
That's a lot of money. Hank Champlin has to cut a whole head of hair before he makes that much. | 0:35:19 | 0:35:26 | |
He's got six mouths to feed at his house too. | 0:35:26 | 0:35:30 | |
With the two bits to boot, I can pay him for my fifth head! | 0:35:30 | 0:35:34 | |
Be right back! | 0:35:35 | 0:35:38 | |
SHE HUMS | 0:35:40 | 0:35:42 | |
Just one ladder in the house. We should find something for you to stand on. | 0:35:42 | 0:35:48 | |
-Oh, that's all right, Mrs Carey. -Mother, if the house is beautiful, Mr Hamilton might want it back! | 0:35:48 | 0:35:55 | |
Well, the way it looks now, I don't think he would. | 0:35:55 | 0:36:01 | |
He could suddenly descend upon us, swoop down like the Yellow Peril. | 0:36:01 | 0:36:06 | |
-Now do be careful. -That's all right. | 0:36:14 | 0:36:17 | |
Just get it up here... | 0:36:17 | 0:36:20 | |
-Shouldn't you have someone to help you? -Any idiot can hang wallpaper! | 0:36:22 | 0:36:27 | |
Oh! | 0:36:29 | 0:36:31 | |
PETER: Mother! Mother! Come here! | 0:36:31 | 0:36:34 | |
-Where is it? -I want to show you something! > | 0:36:34 | 0:36:37 | |
WOOF! | 0:36:39 | 0:36:41 | |
-Out! Get him out! -He won't bite! His name's Sam! | 0:36:41 | 0:36:46 | |
WOOF! WOOF! | 0:36:46 | 0:36:49 | |
-Come here, Sam! -Out! Out! | 0:36:49 | 0:36:52 | |
-Oh! -Get him out! | 0:36:55 | 0:36:58 | |
-My paper! -Don't just stand there! Catch him! | 0:36:58 | 0:37:01 | |
Here, Sam! Come on, Sam! | 0:37:05 | 0:37:08 | |
-Don't hurt my dog! -Get him out! | 0:37:10 | 0:37:12 | |
Catch him! | 0:37:12 | 0:37:14 | |
-Stop him! -Catch him, catch him! | 0:37:16 | 0:37:19 | |
Come here! | 0:37:21 | 0:37:24 | |
-Keep him there! -I'll get him! He likes me! | 0:37:24 | 0:37:28 | |
-See, he loves you, Mother. -I want that dog out of here! | 0:37:35 | 0:37:41 | |
-His name's Sam! -Outside! | 0:37:41 | 0:37:44 | |
-But I promised this man I'd keep him! -What man? | 0:37:44 | 0:37:47 | |
A rich man! I told him I'd board Sam. | 0:37:47 | 0:37:51 | |
That enormous thing would eat us out of house and home. | 0:37:51 | 0:37:55 | |
But we're getting paid! You explained about everybody doing his share. Sam's my share. | 0:37:55 | 0:38:02 | |
-I'm getting paid 25 cents. -A meal? -A week. | 0:38:02 | 0:38:07 | |
I'm sorry, Peter. We can't do it. | 0:38:07 | 0:38:10 | |
-You'll have to take him back. -But the man's already left town! | 0:38:10 | 0:38:14 | |
-Goodness! -He's going to pay me the next time he sees me. | 0:38:14 | 0:38:18 | |
You mean you didn't get it? | 0:38:18 | 0:38:21 | |
SHE LAUGHS | 0:38:21 | 0:38:24 | |
-What happened to your hair? -I got it cut. | 0:38:26 | 0:38:30 | |
-And your eye? You've been fighting! -They called me a sissy. | 0:38:30 | 0:38:34 | |
-Where did you get those rags? -They're my working clothes! | 0:38:34 | 0:38:38 | |
-Working clothes? -A-hem! | 0:38:38 | 0:38:40 | |
Not to change the subject, but here's a special delivery letter. | 0:38:40 | 0:38:45 | |
Special delivery? | 0:38:45 | 0:38:48 | |
-Thank you. -You ought to see me handle that... -Shh. | 0:38:48 | 0:38:52 | |
-Special delivery. -Oh. | 0:38:52 | 0:38:55 | |
What is it? | 0:38:57 | 0:39:00 | |
What does it say? | 0:39:01 | 0:39:03 | |
-Julia. She's coming to stay with us next week. -Oh, no! | 0:39:03 | 0:39:08 | |
Oh, please! Not Julia! | 0:39:08 | 0:39:11 | |
Oh... | 0:39:17 | 0:39:19 | |
Best leave these folks to their grief. Come on, Lally-Joy. | 0:39:21 | 0:39:26 | |
-Do I have to? It's been real interesting. -Yes, come on. See you tomorrow. | 0:39:26 | 0:39:32 | |
Goodbye. | 0:39:32 | 0:39:34 | |
And thanks for everything. | 0:39:34 | 0:39:36 | |
And I want you two out of those dying gladiator attitudes! | 0:39:39 | 0:39:43 | |
-Julia's your cousin, and a Carey. Don't forget that. -Forget it? | 0:39:43 | 0:39:49 | |
Nancy, try to realise that Julia's story is rather a sad one. | 0:39:49 | 0:39:54 | |
She never knew her mother, and after her dear father died, | 0:39:54 | 0:39:58 | |
-the Fergusons kindly took her in and raised her. -Kindly? | 0:39:58 | 0:40:03 | |
George Ferguson had a guilty conscience. The stocks he sold her father were as worthless as ours! | 0:40:03 | 0:40:10 | |
-She's their responsibility. Why dump her on us? -George says he can't keep her. Another unfortunate investment. | 0:40:10 | 0:40:18 | |
-Mmm. -But there is one thing we're going to do. | 0:40:18 | 0:40:22 | |
We're going to welcome her. | 0:40:22 | 0:40:25 | |
As a cousin, and as a young girl who has no other home to go to. | 0:40:25 | 0:40:29 | |
We didn't really have a home for a while either, | 0:40:29 | 0:40:33 | |
but we didn't beg all our relatives to take us in. | 0:40:33 | 0:40:37 | |
Have you both forgotten? | 0:40:41 | 0:40:44 | |
We had each other. | 0:40:44 | 0:40:46 | |
Julia doesn't know any of this. It would kill her if she found out. | 0:40:50 | 0:40:55 | |
-So not a word out of either of you. -All right. The more, the hungrier. | 0:40:55 | 0:41:01 | |
-Find some place for that dog to sleep. -There's room on my bed! | 0:41:02 | 0:41:07 | |
Outside! | 0:41:07 | 0:41:09 | |
Julia! | 0:41:11 | 0:41:13 | |
I'll be nice to her for Mother's sake, but...Julia's a pill! | 0:41:13 | 0:41:19 | |
Complete! | 0:41:19 | 0:41:21 | |
And she does think she's the pink of perfection. | 0:41:21 | 0:41:25 | |
# She's the pink of perfection | 0:41:37 | 0:41:40 | |
# From her prissy pink nose | 0:41:40 | 0:41:43 | |
# To her custard complexion And eleven pink toes | 0:41:43 | 0:41:49 | |
# With a chin like a prune | 0:41:49 | 0:41:52 | |
# She's a dainty baboon | 0:41:52 | 0:41:55 | |
# And... | 0:41:55 | 0:41:57 | |
# She thinks she's the pink of perfection | 0:41:57 | 0:42:01 | |
# She's the pink of perfection Made of skim milk and rice | 0:42:02 | 0:42:07 | |
# She's a witch's confection Makes your blood turn to ice | 0:42:07 | 0:42:13 | |
-# -Like a stale charlotte russe | 0:42:13 | 0:42:16 | |
-# -With the charm of a moose | 0:42:16 | 0:42:20 | |
# And she thinks she's the pink of perfection | 0:42:20 | 0:42:25 | |
-# -Never walked there a creature With features so fair | 0:42:27 | 0:42:33 | |
-# -Like a Lilian Russell | 0:42:33 | 0:42:38 | |
# Without any hair | 0:42:38 | 0:42:41 | |
-# -She's a princess presiding in diaphanous gowns | 0:42:43 | 0:42:48 | |
-# -With a face and a figure that's the envy of clowns | 0:42:48 | 0:42:53 | |
# She's a knock-kneed gazelle | 0:42:53 | 0:42:57 | |
# With a voice like a bell... # | 0:42:57 | 0:43:02 | |
HOWWWL! | 0:43:02 | 0:43:04 | |
# And she thinks she's the pink of perfection. # | 0:43:04 | 0:43:10 | |
Gee, I can't wait to see her! | 0:43:12 | 0:43:14 | |
WOOF! WOOF! WOOF! | 0:43:18 | 0:43:21 | |
DOG'S BARKS ECHOES | 0:43:23 | 0:43:30 | |
Here, Sam! | 0:43:32 | 0:43:35 | |
Come on, boy! | 0:43:35 | 0:43:37 | |
Come on, boy! Come on! | 0:43:37 | 0:43:40 | |
Here, Sam! Come on, boy! | 0:43:44 | 0:43:47 | |
Quiet, boy, quiet! You're not supposed to be in here! | 0:43:53 | 0:43:57 | |
If you get out early in the morning you can always sleep with me! | 0:43:57 | 0:44:02 | |
Go to sleep now! | 0:44:02 | 0:44:05 | |
-What a charming place, I DON'T think! -What's wrong with it? | 0:44:09 | 0:44:14 | |
Everything! If one must have Maine, why not Bar Harbor? | 0:44:14 | 0:44:19 | |
This place is truly primitive! | 0:44:19 | 0:44:21 | |
-Sure is! -Practically unsettled! | 0:44:21 | 0:44:24 | |
We don't see too many Indians nowadays, but there's plenty of wildlife. | 0:44:24 | 0:44:30 | |
What kind of wildlife? | 0:44:30 | 0:44:33 | |
Oh the usual. Not too many moose. Some wild cats. Lots of bears. | 0:44:33 | 0:44:40 | |
And the ordinary small stuff. A wolf or two, fox, skunks... | 0:44:40 | 0:44:45 | |
Snakes? | 0:44:45 | 0:44:47 | |
Only one in ten is poisonous. When we get bit we have a slug of whisky. | 0:44:47 | 0:44:53 | |
Even Peter. | 0:44:53 | 0:44:54 | |
Don't they even fix the roads in this backwoods place? | 0:45:08 | 0:45:12 | |
These are just wilderness trails! | 0:45:12 | 0:45:14 | |
Rapids ahead! Hold tight - maybe we'll make it! | 0:45:14 | 0:45:19 | |
Hello, Peter. Let me out of this thing! | 0:45:34 | 0:45:38 | |
-She's not knock-kneed, Nancy! -Shh! | 0:45:47 | 0:45:50 | |
Julia! | 0:45:52 | 0:45:54 | |
-Oh, dear! -Aunt Margaret. -Welcome to the yellow house! | 0:45:54 | 0:45:59 | |
-Thank you. -Was it a pleasant trip? -No! No parlour car on the train! -Oh. | 0:45:59 | 0:46:05 | |
And this wilderness! Last summer, Gladys Ferguson and I had a glorious time in East Hampton! | 0:46:05 | 0:46:11 | |
Come along. | 0:46:11 | 0:46:14 | |
The last thing dear Mrs Ferguson said to me was, "Don't let poverty drag you down. | 0:46:14 | 0:46:20 | |
"Keep high thoughts and don't let them get soiled by the grime of daily living." | 0:46:20 | 0:46:27 | |
Oh, lovely(!) Especially the part about the grime of daily living! | 0:46:28 | 0:46:34 | |
-A pill! -Complete, utter! | 0:46:34 | 0:46:37 | |
I think she's pretty! | 0:46:37 | 0:46:40 | |
-You go and play with Sam. Vanish! -Scat! | 0:46:40 | 0:46:43 | |
Naturally, we dressed for dinner every night. | 0:46:47 | 0:46:51 | |
Gladys Ferguson's French maid laid out our dresses. We didn't have to turn a hand. | 0:46:51 | 0:46:58 | |
If you could see Gladys' wardrobe! Her things are exquisite. | 0:46:58 | 0:47:02 | |
Nothing machine-stitched has ever touched her skin. | 0:47:02 | 0:47:06 | |
Everything hand-sewn by dear little nuns in Switzerland. | 0:47:06 | 0:47:11 | |
And the dances, Nancy! | 0:47:11 | 0:47:14 | |
-Did I say Gladys doesn't know one boy that doesn't go to Harvard? -You did. | 0:47:14 | 0:47:19 | |
Excuse me, Julia. I'll have to get our boy to bed. | 0:47:19 | 0:47:23 | |
Come on, Peter. You're going to sleep with me tonight. | 0:47:23 | 0:47:28 | |
-I can't! -Julia is in your room till we get another bed in Nancy's. | 0:47:28 | 0:47:32 | |
-Please! -Not another word. Come along. | 0:47:32 | 0:47:35 | |
Good night, Julia. Breakfast at seven. Good night, children. | 0:47:35 | 0:47:40 | |
-Seven in the morning? -Mmm. | 0:47:40 | 0:47:42 | |
Good night, Aunt Margaret. | 0:47:42 | 0:47:45 | |
-Mother... -Come along, Peter! | 0:47:45 | 0:47:48 | |
-Now, where was I? -Just a minute, Julia. | 0:47:48 | 0:47:51 | |
-Everything locked up tight, Gilly? -Oh, sure. | 0:47:51 | 0:47:55 | |
-Oh, dark tonight, isn't it? -Inky. | 0:47:59 | 0:48:02 | |
Wouldn't like to be out there alone. | 0:48:06 | 0:48:09 | |
I remember when... | 0:48:09 | 0:48:12 | |
Ssh! | 0:48:12 | 0:48:13 | |
-(What's that noise? -Sure the bear locks are on? | 0:48:13 | 0:48:17 | |
-(Wouldn't dare forget them. -Well, I guess we're safe enough.) | 0:48:17 | 0:48:22 | |
-Safe from what? -Oh, nothing, nothing. But this IS the wilderness. | 0:48:22 | 0:48:28 | |
-I should think out here, nobody would... -Oh, noBODY would. | 0:48:28 | 0:48:34 | |
They're just after honey. | 0:48:34 | 0:48:37 | |
Who is? | 0:48:37 | 0:48:38 | |
Well, I guess we've done all that's humanly possible. | 0:48:38 | 0:48:43 | |
Humanly. | 0:48:43 | 0:48:45 | |
Ready for bed, Julia? Or would you rather sit here alone and read a good book? | 0:48:45 | 0:48:51 | |
I think I'll go up with you. | 0:48:51 | 0:48:54 | |
(Check the back door again, Gil. Better safe than sorry.) | 0:48:54 | 0:48:59 | |
Right. | 0:48:59 | 0:49:00 | |
After you, Julia. | 0:49:00 | 0:49:03 | |
Who's there? | 0:49:41 | 0:49:43 | |
BLOODCURDLING SCREAMS | 0:49:45 | 0:49:49 | |
I tried to tell you! | 0:49:49 | 0:49:52 | |
Julia? Julia! | 0:49:52 | 0:49:54 | |
-JULIA SOBS AND SCREAMS -Oh! | 0:49:54 | 0:49:57 | |
Julia! | 0:50:02 | 0:50:04 | |
JULIA SOBS | 0:50:13 | 0:50:17 | |
Try to stop crying, dear. You'll make yourself sick. | 0:50:18 | 0:50:23 | |
It was deliberately planned! | 0:50:24 | 0:50:27 | |
On purpose! They're all against me! | 0:50:27 | 0:50:29 | |
Oh, nobody's against you, Julia. | 0:50:29 | 0:50:32 | |
We want you to be part of the family, but we have a little boy who has a great big dog. | 0:50:32 | 0:50:39 | |
-Nobody cares what happens to me! -Oh... | 0:50:39 | 0:50:42 | |
Julia? | 0:50:42 | 0:50:44 | |
I heated some milk. | 0:50:46 | 0:50:49 | |
I'll take it, dear. | 0:50:49 | 0:50:52 | |
See that Peter sleeps in his bed tonight. I'm keeping Julia with me. | 0:50:52 | 0:50:57 | |
Yes, Mother. | 0:50:57 | 0:51:00 | |
Julia... | 0:51:00 | 0:51:01 | |
Good night, Mother. | 0:51:04 | 0:51:07 | |
Good night, dear. | 0:51:07 | 0:51:09 | |
How do you like that? Pink of perfection raises her roof and lands in a bed of roses. | 0:51:17 | 0:51:23 | |
Where's Peter? | 0:51:23 | 0:51:26 | |
I don't know. He's not in his room. | 0:51:26 | 0:51:29 | |
Peter! | 0:51:31 | 0:51:33 | |
Peter? | 0:51:40 | 0:51:41 | |
-Come on. Bed. You can sleep in your own room tonight. -Sam too? | 0:51:45 | 0:51:50 | |
No. | 0:51:50 | 0:51:51 | |
Then can I sleep with Sam? He's had a terrible scare! | 0:51:51 | 0:51:57 | |
-Come on to bed now, Peter. -Nancy, Sam's upset! | 0:51:57 | 0:52:01 | |
I know. | 0:52:01 | 0:52:03 | |
Bye, Sam. | 0:52:05 | 0:52:07 | |
Very good. Very good. You're going to be a real carpenter. | 0:52:19 | 0:52:23 | |
WOOF! WOOF! | 0:52:23 | 0:52:26 | |
Osh! Look, Osh! | 0:52:41 | 0:52:44 | |
Hmm. | 0:52:49 | 0:52:51 | |
He climbed up there all by himself. He likes me! | 0:52:51 | 0:52:55 | |
Hmm, that's a mighty handsome critter. | 0:52:56 | 0:52:59 | |
He has a very ugly face. | 0:52:59 | 0:53:02 | |
Maybe he's thinking the same thing about you! | 0:53:02 | 0:53:07 | |
You know, the little critters of nature don't know they're ugly. | 0:53:07 | 0:53:12 | |
-They don't? -Except one. | 0:53:12 | 0:53:15 | |
-# -Once a lonely caterpillar sat and cried | 0:53:15 | 0:53:18 | |
-# -To a sympathetic beetle by his side | 0:53:18 | 0:53:23 | |
-# -I've got nobody to hug | 0:53:23 | 0:53:27 | |
-# -I'm such an ugly bug | 0:53:27 | 0:53:30 | |
-# -Then a spider and a dragonfly replied | 0:53:30 | 0:53:33 | |
-# -If you're serious and want to win a bride | 0:53:33 | 0:53:37 | |
-# -Come along with us To the glorious | 0:53:37 | 0:53:40 | |
-# -Annual Ugly Bug Ball | 0:53:40 | 0:53:43 | |
-# -Come on, let's crawl Gotta crawl, gotta crawl | 0:53:43 | 0:53:46 | |
-# -To the Ugly Bug Ball To the ball, to the ball | 0:53:46 | 0:53:50 | |
-# -And a happy time we'll have there | 0:53:50 | 0:53:53 | |
-# -One and all | 0:53:53 | 0:53:55 | |
-# -At the Ugly Bug Ball! | 0:53:55 | 0:53:58 | |
-# -While the crickets clicked their cricky melodies | 0:54:19 | 0:54:22 | |
-# -All the ants were fancy dancing with the fleas | 0:54:22 | 0:54:26 | |
-# -Then up from under the ground | 0:54:26 | 0:54:30 | |
-# -The worms came squirming around | 0:54:30 | 0:54:33 | |
-# -Oh, they danced until their legs were nearly lame | 0:54:33 | 0:54:36 | |
-# -Every little crawling creature you could name | 0:54:36 | 0:54:41 | |
-# -Everyone was glad What a time they had | 0:54:41 | 0:54:44 | |
-# -They were so happy they came | 0:54:44 | 0:54:46 | |
-# -Come on, let's crawl -Gotta crawl, gotta crawl | 0:54:46 | 0:54:50 | |
-# -To the Ugly Bug Ball -To the ball, to the ball | 0:54:50 | 0:54:53 | |
-# -And a happy time we'll have there | 0:54:53 | 0:54:57 | |
-# -One and all -At the Ugly Bug Ball. # | 0:54:57 | 0:55:01 | |
HARMONICA | 0:55:11 | 0:55:14 | |
MOUTH HARP | 0:55:15 | 0:55:18 | |
-# -Then our caterpillar saw a pretty queen | 0:55:18 | 0:55:24 | |
-# -She was beautiful and yellow, black and green | 0:55:24 | 0:55:27 | |
-# -He said, "Would you care to dance?" | 0:55:28 | 0:55:32 | |
-# -Their dancing led to romance | 0:55:32 | 0:55:34 | |
-# -Then she sat upon his caterpillar knees | 0:55:34 | 0:55:38 | |
-# -And he gave his caterpillar queen a squeeze | 0:55:38 | 0:55:42 | |
-# -Soon they'll honeymoon Build a big cocoon | 0:55:42 | 0:55:45 | |
-# -Thanks to the Ugly Bug Ball | 0:55:45 | 0:55:48 | |
-# -Come on, let's crawl -Gotta crawl, gotta crawl | 0:55:48 | 0:55:51 | |
-# -To the Ugly Bug Ball -To the ball, to the ball | 0:55:51 | 0:55:55 | |
-# -And a happy time we'll have there | 0:55:55 | 0:55:58 | |
-# -One and all At the Ugly Bug Ball! -# | 0:55:58 | 0:56:02 | |
Osh? | 0:56:02 | 0:56:03 | |
Mother wants you. | 0:56:03 | 0:56:06 | |
Not too hot. Test it with your elbow. | 0:56:11 | 0:56:14 | |
Julia, you can't take a bath in here! | 0:56:14 | 0:56:17 | |
I'm tired of lugging kettles of hot water upstairs. | 0:56:17 | 0:56:23 | |
At the Fergusons', Gladys and I had a private bath with hot running water. | 0:56:23 | 0:56:28 | |
This is the Careys'. | 0:56:28 | 0:56:31 | |
If the Careys are silly enough to spend money on a house they don't even own, | 0:56:31 | 0:56:38 | |
they should have installed civilised plumbing in this primitive place. | 0:56:38 | 0:56:43 | |
Well, really! | 0:56:43 | 0:56:46 | |
Where is your ma? | 0:56:46 | 0:56:49 | |
In the sewing room. | 0:56:49 | 0:56:51 | |
Primitive or not, the Careys are just as clean as the Fergusons! | 0:56:54 | 0:56:58 | |
-Close the door, please. -You don't have to help her, Lally-Joy! | 0:56:58 | 0:57:03 | |
I don't mind! | 0:57:03 | 0:57:05 | |
-Mrs Carey, did you want something? -Yes, Osh. | 0:57:10 | 0:57:13 | |
-I've been figuring. Facing facts. -I hate facts! | 0:57:13 | 0:57:18 | |
There's one very unpleasant one. We haven't enough money. | 0:57:18 | 0:57:22 | |
If we want to stay in this house, we can't go on fixing it. | 0:57:22 | 0:57:27 | |
-We haven't started the outside yet! -We must live in it the way it is. | 0:57:27 | 0:57:32 | |
Oh, no! | 0:57:32 | 0:57:34 | |
No hurry about paying me. We'll get round to it some day. | 0:57:36 | 0:57:40 | |
It won't do, Osh. You're too kind! We can't accept it. | 0:57:40 | 0:57:45 | |
-There's the second rent payment to Mr Hamilton... -I clean forgot! | 0:57:45 | 0:57:50 | |
-I've a letter from him in my pocket. ..Must be in my coat. -Did he get my letter about the improvements? | 0:57:50 | 0:57:58 | |
..Oh, yes, sir! I put it with the one I wrote him about that time. | 0:57:58 | 0:58:03 | |
He was so overjoyed about what you were doing to the house, adding to its value, | 0:58:03 | 0:58:11 | |
-he wouldn't even consider taking any rent money. -No rent money? | 0:58:11 | 0:58:16 | |
Mother! That makes a difference... | 0:58:16 | 0:58:19 | |
-We can't accept it. Mr Hamilton is very kind... -Hold your horses, Mrs Carey. He wants a favour in return. | 0:58:19 | 0:58:27 | |
-A favour? From us? -Yes. | 0:58:27 | 0:58:29 | |
He wants you to find a suitable place for his dear mother's picture. | 0:58:29 | 0:58:34 | |
-His mother's picture? -Of course! | 0:58:35 | 0:58:38 | |
Dear old soul! Portrait of a lady. Where is she, Osh? | 0:58:38 | 0:58:42 | |
Well, he hid her! He hid her away someplace safe. | 0:58:42 | 0:58:47 | |
He wrote it down real clear but it's gone out of my head. | 0:58:47 | 0:58:51 | |
If you bring the letter, she'll have a place of honour! | 0:58:51 | 0:58:56 | |
That's the idea. He wrote something about a simple vase of flowers - on her birthday. | 0:58:56 | 0:59:02 | |
-Of course! When is her birthday? -Well, he... | 0:59:02 | 0:59:06 | |
Seems he said it was along with the fall of the year... Hallowe'en! | 0:59:06 | 0:59:12 | |
-Hallowe'en? -People ARE born on Hallowe'en. | 0:59:12 | 0:59:16 | |
Perfect! It'll tie in with our housewarming. | 0:59:16 | 0:59:19 | |
We can have a solemn ceremony. Candles, a simple bouquet, | 0:59:19 | 0:59:24 | |
-painting - by Sargent or Whistler. -Sounds too good to be true. | 0:59:24 | 0:59:29 | |
-ENGINE CHUGS -There's Gilly now. | 0:59:29 | 0:59:32 | |
You see, Mother? We were fated to live here! | 0:59:32 | 0:59:37 | |
I was... | 0:59:43 | 0:59:44 | |
-Don't try to stop me, Mr Popham! -Of course not. Is it a social call? | 0:59:44 | 0:59:50 | |
I ain't feeling social, Mr Popham. | 0:59:50 | 0:59:53 | |
I'm here to talk gospel truth to Mrs Carey. I searched for a letter from Mr Hamilton. | 0:59:53 | 1:00:00 | |
I didn't find one. This thing's gone far enough. | 1:00:00 | 1:00:04 | |
-What are you going to tell the Careys, Maria? -My suspicions! | 1:00:04 | 1:00:10 | |
I look on the dark side. Living with Mr Popham, and him so hopeful. | 1:00:18 | 1:00:24 | |
-He keeps OUR spirits up. -You don't get him steady. | 1:00:24 | 1:00:28 | |
Hopefulness meals, hopefulness days, hopefulness nights. One everlasting stream of hopefulness. | 1:00:28 | 1:00:36 | |
Even as a boy, he always looked on the bright side, whether there was any or not. | 1:00:36 | 1:00:42 | |
His parents got terrible sick of it. | 1:00:42 | 1:00:45 | |
-It's wonderful, seeing the bright side. -Wonderful? Tiresome! | 1:00:45 | 1:00:50 | |
I like to believe in a first-class cloud. Thick and black clean through. | 1:00:50 | 1:00:57 | |
I get tired to death of Mr Popham's silver linings. | 1:00:57 | 1:01:01 | |
-We all believe in silver linings and rainbows, and... -I don't. | 1:01:01 | 1:01:06 | |
I always expect the worst. I ain't ever been disappointed. It's why I've come. | 1:01:06 | 1:01:12 | |
-Is something wrong? -CRASH! | 1:01:12 | 1:01:14 | |
My goodness! | 1:01:17 | 1:01:19 | |
-Osh! -HE GROANS | 1:01:22 | 1:01:26 | |
Pa! Mr Popham! | 1:01:27 | 1:01:30 | |
-He's unconscious! -Speak to me, Pa! | 1:01:31 | 1:01:34 | |
Ossian! Can you hear me? | 1:01:34 | 1:01:36 | |
Maria... | 1:01:39 | 1:01:41 | |
-Julia! Tell Gilly to get the doctor. -No, no! I'll be all right. | 1:01:41 | 1:01:46 | |
I'll be all right. Just take me home, Maria. | 1:01:46 | 1:01:51 | |
It's my leg. | 1:01:51 | 1:01:53 | |
AHHH! | 1:01:54 | 1:01:57 | |
Ohh... | 1:01:57 | 1:01:58 | |
Crank her up, Lally-Joy! This is for his head! | 1:02:00 | 1:02:04 | |
-I'll be all right, once I get home. Oh! -Be careful, Osh! | 1:02:04 | 1:02:09 | |
Ohhh! Oh! | 1:02:09 | 1:02:11 | |
Oh! | 1:02:13 | 1:02:15 | |
-Ohh! -For his head! | 1:02:15 | 1:02:17 | |
-Ohhh! -That's it! | 1:02:19 | 1:02:22 | |
-Hold on! -Take care! | 1:02:27 | 1:02:29 | |
Good morning! | 1:02:49 | 1:02:51 | |
-Good morning. -This is Charles Bryant, our new schoolteacher. | 1:02:51 | 1:02:56 | |
-Mrs Carey. -We've all been expecting you. | 1:02:56 | 1:02:59 | |
-You seem very young for such a chore. -He's just out of college. | 1:02:59 | 1:03:04 | |
I love his name! Charles Bryant. It's so dignified! | 1:03:04 | 1:03:10 | |
-He looks awfully young to be a teacher. -Isn't he handsome? | 1:03:10 | 1:03:14 | |
Aren't you sorry you're finished that elegant finishing school? | 1:03:14 | 1:03:20 | |
It might be the social thing to do if we had him to tea. | 1:03:20 | 1:03:24 | |
Julia, that's an inspiration! This afternoon? Refreshments on the lawn. | 1:03:24 | 1:03:29 | |
-Maybe a small affair. -We should ask Mother so it's not too obvious. But we'll start with him. | 1:03:29 | 1:03:37 | |
We needed new faces, new ideas, and laughter. | 1:03:37 | 1:03:40 | |
-Mr Lord forgets Beulah has given the Careys a new life! -Thank you. | 1:03:40 | 1:03:46 | |
Oh! | 1:03:46 | 1:03:48 | |
Two more Careys! Young ladies, this is Mr Bryant, your new teacher this fall. | 1:03:48 | 1:03:54 | |
-How do you do? -Mr Lord, I finished at Miss Somerville's! | 1:03:54 | 1:03:59 | |
Then, Charles, may I present Miss Nancy Carey and dear old Miss Julia Carey? | 1:03:59 | 1:04:06 | |
My pleasure, young ladies. Excuse me. | 1:04:06 | 1:04:10 | |
Oh! | 1:04:11 | 1:04:12 | |
-Mr Bryant, Julia and I are having a little afternoon thing... -(Affair!) -..affair today. | 1:04:13 | 1:04:20 | |
-We hope you'll be able to show up. -(Attend!) -Attend. | 1:04:20 | 1:04:25 | |
-The whole thing's spur-of-the-moment. -(Impromptu.) -Impromptu thing. Affair. | 1:04:25 | 1:04:31 | |
We hope you'll be able to come. We hope everyone will be able to come. | 1:04:31 | 1:04:36 | |
-But first, will you? -Yes. I'd be delighted. | 1:04:36 | 1:04:39 | |
Oh. Julia... | 1:04:42 | 1:04:45 | |
Mother! | 1:04:48 | 1:04:49 | |
-May we invite some intimate friends to the house this afternoon? -I don't see why not. | 1:04:49 | 1:04:56 | |
Oh, good! We've already invited him! | 1:04:56 | 1:05:00 | |
Him? | 1:05:00 | 1:05:01 | |
-The girls have invited some friends this afternoon. Will you come? -Be happy to. | 1:05:05 | 1:05:12 | |
Let's see which one of you ladies is going to be old Mrs Hamilton. | 1:05:16 | 1:05:22 | |
I've seen you someplace before. | 1:05:39 | 1:05:42 | |
Ossian, | 1:06:07 | 1:06:09 | |
dinner's on the table... Oh! | 1:06:09 | 1:06:12 | |
Mr Popham, what are you doing with them women? It's the Sabbath! | 1:06:14 | 1:06:18 | |
I'm looking for a work of art to take over to the Careys'. | 1:06:18 | 1:06:23 | |
They've got a lot of wall space there. | 1:06:26 | 1:06:30 | |
Hand me that old apron. | 1:06:33 | 1:06:35 | |
You can't take any of that junk. | 1:06:35 | 1:06:38 | |
She's got a kind face. Pity she's got pattern on her. | 1:06:40 | 1:06:45 | |
There's only one that's fit to have. Miss Gracewood. | 1:06:45 | 1:06:49 | |
Wasn't much to look at but she was a good woman. | 1:06:49 | 1:06:55 | |
Spent her life on the opposing side. | 1:06:55 | 1:06:58 | |
If she hadn't went down in the wreck off Nantucket Light, | 1:06:58 | 1:07:02 | |
the demon rum would have been chased off the New England coast. | 1:07:02 | 1:07:07 | |
A real martyr. Insisted on going down with the ship. | 1:07:07 | 1:07:12 | |
-Everybody else was saved. Crew and captain. -Hmm. | 1:07:12 | 1:07:17 | |
That's a mighty inspiring story. | 1:07:17 | 1:07:20 | |
Maria. Relax and enjoy yourself today at the Careys', will you? | 1:07:23 | 1:07:28 | |
This is no time to go upsetting them with cold facts. | 1:07:28 | 1:07:33 | |
Very well, but I'm warning you - | 1:07:33 | 1:07:35 | |
the town constable will catch you and you'll spend the rest of your life in prison. | 1:07:35 | 1:07:42 | |
Aren't you forgetting the town constable is named Ossian Popham? | 1:07:42 | 1:07:47 | |
Where's the cake knife? Where are all the napkins? Where's Julia? | 1:08:02 | 1:08:08 | |
Upstairs in her room, primping. | 1:08:08 | 1:08:10 | |
Charming! WE'LL give a little social affair. WE'LL invite... | 1:08:10 | 1:08:15 | |
Oh, here he comes! | 1:08:15 | 1:08:17 | |
-Mr Bryant! -Oh! Miss Nancy! | 1:08:22 | 1:08:24 | |
-You must be tired, pedalling all the way! -It keeps me in condition. | 1:08:24 | 1:08:29 | |
-Still, I think you need a glass of lemonade. -That sounds great. | 1:08:29 | 1:08:34 | |
I couldn't help noticing your Phi Beta Kappa key. You must be proud of it. | 1:08:34 | 1:08:40 | |
-They're quite common. -They're unique in Beulah! | 1:08:40 | 1:08:44 | |
-I hope you don't find yourself in an intellectual desert here. Ice cream, Gilly. -Thank you. | 1:08:47 | 1:08:54 | |
-What did you major in? -English Lit, but I... | 1:08:54 | 1:08:57 | |
Literature! I love it! Poetry... | 1:08:57 | 1:09:00 | |
-"This is the forest primeval, the murmuring pines..." -Here. | 1:09:00 | 1:09:05 | |
Two scoops. Oh! The napkins. I'll get them. | 1:09:05 | 1:09:08 | |
-Mr Bryant. -Oh. Thank you. | 1:09:11 | 1:09:14 | |
You're rather late arriving at a little affair WE'RE giving! | 1:09:25 | 1:09:30 | |
You look exhausted. Why don't you bathe your face and comb your hair? | 1:09:30 | 1:09:36 | |
-I'VE been working. -That's what I mean. You look it. | 1:09:36 | 1:09:40 | |
Mr Bryant, you shouldn't stand out here in this hot sun! | 1:09:48 | 1:09:53 | |
I think we can find some shade. | 1:09:56 | 1:09:59 | |
Shade sounds great. | 1:09:59 | 1:10:01 | |
Oh! | 1:10:05 | 1:10:06 | |
-Nancy! -Osh. -I've remembered where old Mrs Hamilton's picture was hid. | 1:10:12 | 1:10:17 | |
-Where is she? -Since I mislaid that letter, I ain't been able to sleep. | 1:10:17 | 1:10:23 | |
Then it come to me like a ray of light. | 1:10:23 | 1:10:27 | |
-She's in there! -In the Dutch oven? | 1:10:27 | 1:10:31 | |
-Just like the letter said! -Funny place to put your mother! | 1:10:31 | 1:10:36 | |
That old Dutch oven is cool and dry. Wouldn't harm the old lady herself! | 1:10:36 | 1:10:42 | |
You'll be out soon! | 1:10:42 | 1:10:45 | |
A dear little gold football. | 1:10:47 | 1:10:50 | |
And to think that YOU won it! | 1:10:52 | 1:10:55 | |
Please tell me all about it! | 1:10:55 | 1:10:57 | |
Well, Dartmouth were on our five-yard line... | 1:10:57 | 1:11:01 | |
I wondered where everybody was! What have you got there, Julia? | 1:11:01 | 1:11:06 | |
A football! | 1:11:06 | 1:11:08 | |
"Brown University. | 1:11:08 | 1:11:10 | |
"Charles Bryant...Brown." | 1:11:10 | 1:11:13 | |
You must be Bandy Bryant! I've seen you play! | 1:11:15 | 1:11:20 | |
You got the ball at the five-yard line... | 1:11:20 | 1:11:23 | |
-He knows what he did, Nancy! -I like to relive it. It was a glorious moment in a great American scene! | 1:11:23 | 1:11:31 | |
-Mr Bryant... -A renowned athlete, sitting here, | 1:11:33 | 1:11:37 | |
when you're probably dying to be batting something! | 1:11:37 | 1:11:41 | |
-Well, I... -I don't play football, but how about a game of croquet? | 1:11:41 | 1:11:46 | |
Fine. | 1:11:46 | 1:11:48 | |
I can't wait till school begins! | 1:11:54 | 1:11:59 | |
-I have another turn now, Mr Bryant? -Yes. | 1:12:03 | 1:12:07 | |
I think I'll try for Julia. | 1:12:07 | 1:12:10 | |
Your turn, Miss Julia. | 1:12:21 | 1:12:24 | |
Oh, dear! Nancy's so athletic! | 1:12:26 | 1:12:29 | |
What am I doing wrong? | 1:12:32 | 1:12:34 | |
May I? | 1:12:34 | 1:12:36 | |
Put that hand there... | 1:12:36 | 1:12:39 | |
There. You've a chance to knock me away from the wicket. | 1:12:39 | 1:12:43 | |
I couldn't do THAT! | 1:12:43 | 1:12:46 | |
It's part of the game. Hit him! | 1:12:46 | 1:12:49 | |
No, no! | 1:12:51 | 1:12:53 | |
Like this. That's right. | 1:12:53 | 1:12:56 | |
I really can't hit YOU, Mr Bryant! | 1:12:59 | 1:13:02 | |
-For the love of Pete! It's part of the game! -Is it? | 1:13:02 | 1:13:07 | |
Nice shot, Miss Julia! Hit out of bounds. | 1:13:15 | 1:13:19 | |
I won! | 1:14:18 | 1:14:19 | |
I won. | 1:14:23 | 1:14:25 | |
SHE GIGGLES | 1:14:25 | 1:14:27 | |
-# -Three creaky wooden stairs | 1:14:32 | 1:14:36 | |
-# -Those squeaky rocking chairs | 1:14:37 | 1:14:41 | |
-# -The well-worn welcome mat | 1:14:43 | 1:14:46 | |
-# -The lattice vines | 1:14:46 | 1:14:50 | |
-# -The happy times | 1:14:50 | 1:14:53 | |
-# -All I want to do-oo | 1:14:55 | 1:14:59 | |
-# -When the day is through-oo | 1:14:59 | 1:15:04 | |
-# -Is linger here | 1:15:05 | 1:15:08 | |
-# -On the front porch with you | 1:15:08 | 1:15:13 | |
-# -From the wicker swing | 1:15:15 | 1:15:19 | |
-# -While the night birds sing | 1:15:19 | 1:15:25 | |
-# -We'll watch the fireflies sparking | 1:15:25 | 1:15:29 | |
-# -Do some sparking too | 1:15:29 | 1:15:34 | |
-# -How the hours fly | 1:15:34 | 1:15:39 | |
-# -As the moon drifts by | 1:15:40 | 1:15:44 | |
-# -How sweet the air | 1:15:44 | 1:15:48 | |
-# -As we stare | 1:15:48 | 1:15:50 | |
-# -At the sky | 1:15:50 | 1:15:53 | |
-# -Oh, how I love to linger here like this | 1:15:54 | 1:16:01 | |
-# -Hold your hand and steal a kiss or two | 1:16:01 | 1:16:08 | |
-# -On the front porch | 1:16:08 | 1:16:11 | |
-# -With you | 1:16:11 | 1:16:13 | |
# All I want to do-oo | 1:16:14 | 1:16:19 | |
# When the day is through-oo | 1:16:20 | 1:16:24 | |
# Is linger here | 1:16:24 | 1:16:28 | |
# On the front porch with you | 1:16:28 | 1:16:32 | |
# From the wicker swing | 1:16:35 | 1:16:39 | |
# While the night birds sing | 1:16:39 | 1:16:43 | |
# We'll watch the fireflies sparkin' | 1:16:45 | 1:16:48 | |
# Do some sparkin' too | 1:16:48 | 1:16:52 | |
# Some sparkin' too | 1:16:52 | 1:16:54 | |
# How the hours fly | 1:16:54 | 1:16:58 | |
# As the moon drifts by | 1:17:00 | 1:17:04 | |
# How sweet the air | 1:17:04 | 1:17:07 | |
# As we stare | 1:17:07 | 1:17:10 | |
# At the sky | 1:17:10 | 1:17:13 | |
-# -Oh, how I love | 1:17:14 | 1:17:18 | |
-# -To linger here like this | 1:17:18 | 1:17:22 | |
-# -Hold your hand and steal a kiss | 1:17:22 | 1:17:28 | |
-# -Or two... | 1:17:28 | 1:17:32 | |
-# -On the front porch | 1:17:32 | 1:17:37 | |
-# -With you. -# | 1:17:39 | 1:17:42 | |
Well, after all the time she took primping! | 1:17:49 | 1:17:52 | |
She could at least hang up her clothes! | 1:17:52 | 1:17:56 | |
What does she think she is? A guest in this house or something? | 1:17:56 | 1:18:01 | |
# ..And steal a kiss or two... # | 1:18:02 | 1:18:07 | |
Oh, I thought you'd be in bed! | 1:18:07 | 1:18:09 | |
With your stuff piled all over it? | 1:18:12 | 1:18:15 | |
-You left this place like a pigsty! -Did I? | 1:18:15 | 1:18:19 | |
You know, there's nothing like a college man. | 1:18:19 | 1:18:23 | |
I hope your mother will save to get Gilly into a good college. | 1:18:24 | 1:18:29 | |
Give one of you a chance to amount to something. | 1:18:29 | 1:18:33 | |
-What did you say? -I said... -I heard you! | 1:18:35 | 1:18:39 | |
I want you to know you make me sick. | 1:18:39 | 1:18:42 | |
I'm sick of Gladys's clothes and her French maid and her old lace. | 1:18:42 | 1:18:47 | |
-I'm sick of the Fergusons. -RIP! | 1:18:47 | 1:18:50 | |
That's right, tear my dress(!) Pull the buttons off. It's only imported! | 1:18:50 | 1:18:55 | |
You're very imported! But I'm tired of doing your work and picking up after you. | 1:18:55 | 1:19:02 | |
-Don't pick up after me! -I won't! | 1:19:02 | 1:19:05 | |
Ohh! | 1:19:05 | 1:19:06 | |
Imported chemise, French silk, hand-made shirtwaist, English lisle. | 1:19:11 | 1:19:17 | |
Crepe-de-Chine drawers. Oh, no, they were over there. | 1:19:17 | 1:19:21 | |
I know what's wrong! You're jealous! | 1:19:21 | 1:19:24 | |
Jealous? | 1:19:24 | 1:19:26 | |
Me, jealous? Oh! | 1:19:26 | 1:19:28 | |
-Yes, because of Charles. -Oh, so it's Charles now, is it? | 1:19:28 | 1:19:34 | |
"Oh, Mr Bryant, I couldn't hit your croquet ball! I'm too weak and dainty! | 1:19:40 | 1:19:46 | |
"But I might take a weensy push at Nancy Carey's ball." | 1:19:46 | 1:19:51 | |
-WHACK! -"Mercy! I only sent her 100 yards but I couldn't hit you!" | 1:19:51 | 1:19:57 | |
-Hilarious(!) -If you knew how you look pretending to be dumb. -I am dumb. -You're not. -I am! | 1:19:57 | 1:20:04 | |
-Ha ha(!) -No use talking to you. You're a child. | 1:20:04 | 1:20:08 | |
A jealous child. A year with the Fergusons might make a lady of you. | 1:20:08 | 1:20:13 | |
-My mother hasn't? -She hasn't succeeded. | 1:20:13 | 1:20:16 | |
Go back to the Fergusons, then. Oh, no - they dumped you here with us. | 1:20:16 | 1:20:22 | |
George Ferguson only raised you because he felt guilty for losing all your father's money. | 1:20:22 | 1:20:29 | |
-If he hadn't lost MY father's money, I might have a maid and Gilly could go to college. -I don't believe you. | 1:20:29 | 1:20:37 | |
Oh, Julia! | 1:20:37 | 1:20:40 | |
I'm sorry, I... | 1:20:40 | 1:20:42 | |
-Aunt Margaret? -What? -Is what Nancy told me true? | 1:20:48 | 1:20:53 | |
-What is it? -I've done a terrible thing! I was mad. It slipped out! | 1:20:53 | 1:20:58 | |
Tell her what you said. | 1:20:58 | 1:21:00 | |
Oh, Mother, you know what I said. | 1:21:00 | 1:21:03 | |
Nancy, how could you? | 1:21:03 | 1:21:06 | |
-Julia, I... -No matter what Nancy says, the Fergusons love me! | 1:21:06 | 1:21:11 | |
Of course they do. | 1:21:11 | 1:21:14 | |
And we love you too, Julia. | 1:21:14 | 1:21:17 | |
And, dear, I've had a letter from George Ferguson. | 1:21:19 | 1:21:23 | |
His affairs are looking brighter and they're ready to take you back. | 1:21:23 | 1:21:28 | |
Take me back? | 1:21:31 | 1:21:34 | |
I've put off telling you because... I hoped you'd care for us as much as we care for you. | 1:21:34 | 1:21:41 | |
-But it has to be your choice. -Oh, please choose us, Julia! | 1:21:41 | 1:21:46 | |
I do! | 1:21:50 | 1:21:51 | |
Oh, Aunt Margaret! | 1:21:52 | 1:21:55 | |
I don't want to go back! I'm happy here. Please let me stay! | 1:21:55 | 1:22:01 | |
-Please, Mother! -Oh, of course! | 1:22:01 | 1:22:04 | |
Oh, Nancy! | 1:22:06 | 1:22:09 | |
Julia. | 1:22:09 | 1:22:10 | |
It's my fault. I'll do my share and I'll never mention the Fergusons again! | 1:22:10 | 1:22:16 | |
-And my dresses weren't imported. I made them myself. -You did? | 1:22:16 | 1:22:21 | |
If I do all the dishes and stuff, will you help me with my dress for the housewarming? I'm all thumbs! | 1:22:21 | 1:22:29 | |
I have a wonderful book of patterns. Gladys... I mean, it's from Paris. | 1:22:29 | 1:22:34 | |
-The latest styles! -Really? Oh, a Paris gown! | 1:22:34 | 1:22:40 | |
Goodnight...sisters. | 1:22:40 | 1:22:43 | |
That's the best one you've done! | 1:22:45 | 1:22:48 | |
Who're you bringing to the dance, Dig? | 1:22:49 | 1:22:53 | |
Opal. | 1:22:53 | 1:22:55 | |
Opal? I never heard of her. Must be one of your city girls. | 1:22:55 | 1:22:59 | |
No, she lives on the other side of Beulah. | 1:22:59 | 1:23:03 | |
I've known her since about... first grade. | 1:23:03 | 1:23:06 | |
I always used to think she was kind of clunky. | 1:23:06 | 1:23:10 | |
Then I met some of those city girls. | 1:23:10 | 1:23:13 | |
Oh, you can have 'em! | 1:23:13 | 1:23:15 | |
Gee, Dig, | 1:23:17 | 1:23:19 | |
you liked the city, didn't you? | 1:23:19 | 1:23:21 | |
It's like Pa always says. The city's all right for city folks. | 1:23:21 | 1:23:26 | |
Second night I was there, I wished I was back in Beulah. | 1:23:26 | 1:23:30 | |
Why? | 1:23:30 | 1:23:32 | |
I was walking along the streets, and all these people were rushing by me. | 1:23:32 | 1:23:37 | |
They looked like...like ants, | 1:23:37 | 1:23:41 | |
and I could no more talk to one of them than I could talk to an ant. | 1:23:41 | 1:23:46 | |
Well, it's great you're home. | 1:23:48 | 1:23:50 | |
I guess you'll be wanting your job back, driving the truck. | 1:23:50 | 1:23:55 | |
I got a good offer to work down at the sawmill, so the job's still yours. | 1:23:55 | 1:24:02 | |
Gee, thanks! | 1:24:02 | 1:24:04 | |
Well... | 1:24:04 | 1:24:05 | |
we'd better be getting the rest of the stuff up here. | 1:24:05 | 1:24:09 | |
The night before I left, | 1:24:09 | 1:24:12 | |
I was talking to Pa about wanting to see the city lights, and the gals. | 1:24:12 | 1:24:17 | |
Know what he said to me? | 1:24:17 | 1:24:20 | |
Pa said, | 1:24:22 | 1:24:24 | |
'Mid pleasures and palaces, | 1:24:24 | 1:24:27 | |
wherever you may roam, | 1:24:27 | 1:24:29 | |
be it ever so humble, there's no place like home. | 1:24:29 | 1:24:33 | |
- He sang it? - No, he said it. | 1:24:33 | 1:24:37 | |
He made it right up. You know, Gil, | 1:24:38 | 1:24:42 | |
if Pa had felt like it, he'd have made a great poet. | 1:24:42 | 1:24:46 | |
Peter! | 1:24:57 | 1:24:59 | |
No! | 1:24:59 | 1:25:01 | |
I just wanted to see what Mrs Hamilton looks like. | 1:25:01 | 1:25:05 | |
Not till tonight at the ceremony, as we promised Osh. | 1:25:05 | 1:25:09 | |
Where are those girls? We've a million things to do! Go and carve your pumpkin. | 1:25:09 | 1:25:15 | |
I wish I was dead! | 1:25:17 | 1:25:19 | |
-All right, Lally-Joy, why do you wish you were dead? -Look at it! | 1:25:19 | 1:25:24 | |
-Oh, my goodness... -Lally-Joy! | 1:25:25 | 1:25:28 | |
Where did you dig that up? | 1:25:28 | 1:25:30 | |
Ma made it! I'll die if I have to wear it! It's not so bad. | 1:25:30 | 1:25:35 | |
We'll make a few changes. It'll be all right. | 1:25:35 | 1:25:39 | |
-Sure... -We don't need this! | 1:25:39 | 1:25:42 | |
Right, get rid of these. That's too... | 1:25:42 | 1:25:46 | |
My chest shows! Too bunchy here! | 1:25:46 | 1:25:50 | |
-All right, out of it. -There's nothing to it! | 1:25:50 | 1:25:53 | |
We'll just have to start all over again. | 1:25:53 | 1:25:56 | |
My dress! What'll Ma say? | 1:25:56 | 1:25:59 | |
Don't worry about the dress. It's what's inside that counts. | 1:25:59 | 1:26:04 | |
-# -You must walk feminine, talk feminine | 1:26:04 | 1:26:08 | |
-# -Smile and beguile feminine | 1:26:08 | 1:26:11 | |
-# -Utilise your femininity | 1:26:11 | 1:26:14 | |
-# -That's what every girl should know | 1:26:14 | 1:26:17 | |
-# -If she wants to catch a beau.. -# | 1:26:17 | 1:26:21 | |
I just want Gilly! | 1:26:21 | 1:26:23 | |
-# -Dance feminine, glance feminine | 1:26:25 | 1:26:28 | |
-# -Act shy and sigh feminine | 1:26:28 | 1:26:31 | |
-# -Complement his masculinity | 1:26:31 | 1:26:34 | |
-# -That's what every girl should know | 1:26:34 | 1:26:37 | |
-# -If she wants to catch a beau... -# -You're wobbling too much! | 1:26:37 | 1:26:41 | |
# Let him do the talking | 1:26:41 | 1:26:45 | |
# Men adore good listeners | 1:26:45 | 1:26:48 | |
-# -Laugh, but not loudly - ha ha! If he should choose to tell a joke | 1:26:48 | 1:26:54 | |
-# -Be radiant -But delicate | 1:26:54 | 1:26:57 | |
# Memorise the rules of etiquette | 1:26:57 | 1:27:00 | |
# Be demure, sweet and pure | 1:27:00 | 1:27:03 | |
# Hide the real you | 1:27:03 | 1:27:06 | |
# You must look feminine, dress feminine | 1:27:06 | 1:27:10 | |
# You're at your best feminine | 1:27:10 | 1:27:13 | |
# Emphasise your femininity | 1:27:13 | 1:27:16 | |
# That's what every girl should know | 1:27:16 | 1:27:19 | |
# Femininity, femininity | 1:27:19 | 1:27:22 | |
# That's the way to catch a beau Dum-da-da-da... # | 1:27:22 | 1:27:26 | |
CAR CLANKS | 1:27:26 | 1:27:32 | |
-Nancy! -Coming! | 1:27:32 | 1:27:34 | |
HAMMERING > | 1:27:34 | 1:27:37 | |
# ..Dance feminine, one, two, three... # | 1:27:37 | 1:27:41 | |
Feet together! Watch your feet. You're not a duck! | 1:27:41 | 1:27:45 | |
-Gilly, look where you're going! -I'm sorry. | 1:27:47 | 1:27:51 | |
-I thought you were my brother. -I hope I'm not intruding on anything. | 1:27:51 | 1:27:56 | |
No. No. You see, we're having a party tonight in the barn. Paying a tribute to Mr Hamilton's mother. | 1:27:56 | 1:28:04 | |
-Oh. -It's the least we can do. He does own the place. -Oh, he does? | 1:28:04 | 1:28:10 | |
Mmm. But you should have seen the mess before we took over. | 1:28:10 | 1:28:16 | |
Took over? | 1:28:16 | 1:28:18 | |
From Mr Hamilton. He gave us carte blanche, so this is a housewarming. | 1:28:18 | 1:28:23 | |
-A huge affair. Everyone's coming. -Nancy! -Right there, Mother! | 1:28:23 | 1:28:28 | |
Well, I mustn't keep you. | 1:28:28 | 1:28:30 | |
-I don't suppose you're stopping over in Beulah. -Well, I hadn't... | 1:28:30 | 1:28:36 | |
-It's just a little town. -Nancy! | 1:28:36 | 1:28:39 | |
Someone's calling you. Careful of the wheel! | 1:28:39 | 1:28:42 | |
It's open house tonight. Terribly open, to anyone who wants to come. | 1:28:50 | 1:28:55 | |
-Friends, acquaintances, strangers... -Interesting. Have fun. Bye. -Bye! | 1:28:55 | 1:29:01 | |
Nancy! | 1:29:09 | 1:29:11 | |
We're waiting for all those things! | 1:29:11 | 1:29:14 | |
-CLEARS THROAT -Be with you in a minute. | 1:29:38 | 1:29:41 | |
-Quite all right, thank you. -Important letter to a friend. | 1:29:41 | 1:29:46 | |
Rich property owner here. He lives in China. | 1:29:46 | 1:29:51 | |
Leaves me in complete charge of his affairs. | 1:29:53 | 1:29:56 | |
Big responsibility. | 1:29:56 | 1:29:59 | |
I must get this off to Mr Hamilton. | 1:29:59 | 1:30:02 | |
Then I'll take it. | 1:30:02 | 1:30:04 | |
Tom Hamilton! Why...I didn't know you for a minute! | 1:30:07 | 1:30:13 | |
Didn't know you was coming back. Gave me quite a shock. | 1:30:15 | 1:30:19 | |
-Right. -Um...I just drove by the yellow house. There's some people out there. | 1:30:19 | 1:30:25 | |
-Lovely folks named Carey live there. -How long have they been there? | 1:30:25 | 1:30:30 | |
-Well, not long... Wonderful folks. They put in a new pump... -Who gave them permission to live there? | 1:30:30 | 1:30:39 | |
Uh... You did. | 1:30:39 | 1:30:41 | |
I did? | 1:30:41 | 1:30:43 | |
-I've never heard of 'em. Why didn't you write? -Well, I did! | 1:30:43 | 1:30:48 | |
Yes, sir, I did. I wrote you every week and kept you abreast of what was happening. | 1:30:51 | 1:30:58 | |
-I didn't get any letters. -That's right. I didn't mail 'em. | 1:30:58 | 1:31:02 | |
Popham, what's going on? | 1:31:03 | 1:31:06 | |
Now, just hear me out. | 1:31:06 | 1:31:08 | |
I didn't know how you would take it. These nice folks needed a house, and... | 1:31:08 | 1:31:15 | |
they fell plumb in love with yours and I let them have it. | 1:31:15 | 1:31:20 | |
I wrote to you all about it. | 1:31:20 | 1:31:23 | |
Put 'em up here, where Maria wasn't likely to look. | 1:31:23 | 1:31:27 | |
Here they are, the lot of 'em. | 1:31:28 | 1:31:32 | |
The ones I wrote and the ones Nancy Carey wrote to you. Hers are on top. | 1:31:32 | 1:31:37 | |
I wrote because Maria was a nag and made me get your permission. | 1:31:37 | 1:31:42 | |
Nancy wrote hers from a grateful young heart. | 1:31:42 | 1:31:46 | |
I hope you read hers before you make up your mind what to do. | 1:31:46 | 1:31:50 | |
Who was that, Mr Popham? | 1:32:11 | 1:32:14 | |
Maria, for once in your life, pray for a silver lining. | 1:32:14 | 1:32:19 | |
CAR STARTS UP | 1:32:19 | 1:32:22 | |
MUSIC AND LAUGHTER | 1:32:24 | 1:32:27 | |
Mother, must I? | 1:32:28 | 1:32:31 | |
(Yes. Osh has been our true friend and he was very pleased you were going to be Lally-Joy's partner.) | 1:32:31 | 1:32:38 | |
Lally-Joy! Gilly's waiting! | 1:32:38 | 1:32:41 | |
-Remember, now. Walk feminine. -Talk feminine. | 1:32:44 | 1:32:48 | |
Go on! | 1:32:48 | 1:32:50 | |
Good evening, Gilly! | 1:33:21 | 1:33:23 | |
Good evening, Mr Bryant! Lally-Joy! | 1:33:30 | 1:33:33 | |
-Evening, Charles. -Mrs Carey. | 1:33:34 | 1:33:37 | |
-Won't you come in? -Charles! How's my hair? -Fine. | 1:33:37 | 1:33:41 | |
-How do I look? -Fine. You said you should keep a man waiting. -Did I? | 1:33:41 | 1:33:46 | |
Oh, Nancy, you'll understand some day. | 1:33:46 | 1:33:50 | |
You've got plenty of time. | 1:33:50 | 1:33:52 | |
I didn't think you'd be ready. | 1:34:00 | 1:34:03 | |
I'll never keep YOU waiting, Charles. | 1:34:03 | 1:34:06 | |
DOOR SLAMS | 1:34:11 | 1:34:14 | |
WALTZ PLAYS | 1:34:16 | 1:34:19 | |
DIGBY: Hi, Julia. | 1:34:19 | 1:34:22 | |
This is Opal. This is Julia, and Mr Bryant. | 1:34:22 | 1:34:25 | |
How do you do? Hello. | 1:34:25 | 1:34:28 | |
No use standing around out here. The party's inside. | 1:34:28 | 1:34:32 | |
-KNOCK-KNOCK -Nancy! | 1:34:38 | 1:34:41 | |
-Everybody's at the barn. -I told you these slippers'd be too big! | 1:34:41 | 1:34:47 | |
Well, I hoped you'd grow into them. | 1:34:47 | 1:34:49 | |
Oh, Mother, you still think of me as a child. | 1:34:49 | 1:34:53 | |
I suppose I do. | 1:34:53 | 1:34:55 | |
Anyway, your guests are waiting. | 1:34:55 | 1:34:58 | |
Fine little fixer I am. Everybody has somebody. | 1:34:58 | 1:35:02 | |
Not me, though. Not me...er...not I. | 1:35:02 | 1:35:06 | |
-There are plenty of young people. You can join them. -Join? | 1:35:06 | 1:35:10 | |
It isn't the same thing. I wouldn't have minded a year ago, or a month. | 1:35:10 | 1:35:16 | |
But... | 1:35:16 | 1:35:18 | |
I don't know. Somehow I just have a different feeling, that's all. | 1:35:18 | 1:35:23 | |
If you don't want to go in alone, I'll send Gilly over. | 1:35:23 | 1:35:27 | |
Mother! He's a relative. I couldn't go into the ballroom with a relative! | 1:35:27 | 1:35:33 | |
No, I must go alone. I must do it alone. | 1:35:33 | 1:35:37 | |
-If you're sure... -Florence Nightingale in the Crimea. Joan of Arc, Maid of Orleans. | 1:35:37 | 1:35:44 | |
Mrs Pankhurst. Votes for women! | 1:35:44 | 1:35:47 | |
Don't take too long deciding which one you want to be. | 1:35:47 | 1:35:51 | |
Chin up! | 1:35:54 | 1:35:56 | |
Smiling, the boy fell dead. | 1:35:56 | 1:35:59 | |
Boy? Oh, no, never! | 1:35:59 | 1:36:02 | |
-I'd much rather... -# -Walk feminine, talk feminine | 1:36:02 | 1:36:08 | |
-# -Smile and beguile feminine.. -# | 1:36:08 | 1:36:11 | |
Oh, allow me, please. | 1:36:39 | 1:36:42 | |
I brought along a friend of mine. | 1:36:46 | 1:36:49 | |
-Nancy, I don't think you know Tom... -We've met. | 1:36:49 | 1:36:53 | |
I decided I couldn't afford to miss this party. | 1:36:54 | 1:36:58 | |
Should be a very, um...interesting evening. | 1:36:58 | 1:37:02 | |
Well, to think you know Osh Popham, the most remarkable human being! | 1:37:03 | 1:37:09 | |
You know, if it hadn't been for him, we wouldn't be in this lovely house. | 1:37:09 | 1:37:14 | |
-I don't think Mr Popham told me the whole story. -He's so modest! | 1:37:14 | 1:37:19 | |
So I'll start at the beginning. | 1:37:19 | 1:37:22 | |
Where was I? Oh, yes, I remember... | 1:37:23 | 1:37:27 | |
It was Osh, Osh, Osh, from the very start. From the moment we arrived... | 1:37:27 | 1:37:33 | |
"RAILROAD RAG" PLAYS | 1:37:37 | 1:37:40 | |
Evenin'. | 1:37:59 | 1:38:01 | |
Evenin', cousin! | 1:38:01 | 1:38:04 | |
Say! You're looking worse than I ever seen you! | 1:38:04 | 1:38:08 | |
-I am worse. I'm horrible. -That's not a fit mood to be in for a party! | 1:38:08 | 1:38:13 | |
I've got some nice applejack here. | 1:38:13 | 1:38:16 | |
This'll fix you up fine. | 1:38:16 | 1:38:20 | |
Take a swig of this. | 1:38:22 | 1:38:25 | |
Pull you right out of yourself. Here's to the state of Maine! | 1:38:26 | 1:38:31 | |
APPLAUSE AS MUSIC FINISHES | 1:38:31 | 1:38:33 | |
Good evening! | 1:38:33 | 1:38:36 | |
Nice to have you with us. | 1:38:36 | 1:38:39 | |
Digby, Lally-Joy... | 1:38:39 | 1:38:42 | |
Oh, there's dear Osh! | 1:38:42 | 1:38:45 | |
Who's she with? I don't know. City fella. | 1:38:45 | 1:38:51 | |
It's time for Mother to start the ceremonies. | 1:38:52 | 1:38:56 | |
Oh, yes - the ceremonies. | 1:38:57 | 1:38:59 | |
-Won't amount to much. Be kinda dull. Like to go out for a smoke? -No. | 1:38:59 | 1:39:05 | |
I'm sure that I'll enjoy them. | 1:39:05 | 1:39:08 | |
FANFARE | 1:39:10 | 1:39:14 | |
Will you gather closer, please? | 1:39:14 | 1:39:16 | |
Friends and neighbours, as you know, | 1:39:21 | 1:39:24 | |
the Carey family would not be living in the yellow house | 1:39:24 | 1:39:28 | |
were it not for the generosity of Mr Thomas Hamilton. | 1:39:28 | 1:39:32 | |
He has made but one modest request, | 1:39:32 | 1:39:35 | |
that we hang the portrait of his beloved mother in a place of honour. | 1:39:35 | 1:39:40 | |
APPLAUSE | 1:39:40 | 1:39:43 | |
-Mr Popham! -Maria. Don't say it! | 1:39:45 | 1:39:48 | |
-You look near to apoplexy. -Mr Popham! | 1:39:48 | 1:39:53 | |
Calm yourself. Here, drink this. Then I'll listen to you. | 1:39:53 | 1:39:58 | |
And now may I present my daughter, Nancy, who'll unveil this lovely portrait. | 1:40:05 | 1:40:12 | |
-Where's Peter? -I won't! | 1:40:15 | 1:40:17 | |
PETER SCREAMS | 1:40:17 | 1:40:20 | |
I won't! | 1:40:22 | 1:40:24 | |
Mr Hamilton, wherever you may be, | 1:40:29 | 1:40:32 | |
ankle-deep in rice paddies or splendid in a gay rickshaw, | 1:40:32 | 1:40:36 | |
delirious with fever or sated with Oriental dances, | 1:40:36 | 1:40:40 | |
we know your heart is with us now. | 1:40:40 | 1:40:43 | |
Amen. | 1:40:43 | 1:40:45 | |
Tonight, we are unveiling your mother, as per your request. | 1:40:48 | 1:40:52 | |
She's been hidden in the oven for many years. | 1:40:52 | 1:40:56 | |
In the oven? His mother? | 1:40:56 | 1:40:59 | |
Of course, we're not going to keep her hanging in the barn. | 1:40:59 | 1:41:04 | |
We'll find a place where she'll always be enshrined in our hearts. | 1:41:04 | 1:41:09 | |
No doubt some of you have heard me kidding about old Mr Hamilton, calling him the Yellow Peril. | 1:41:09 | 1:41:16 | |
That was only because I thought | 1:41:16 | 1:41:19 | |
that maybe the old gentleman might return and snatch the yellow house away from us. | 1:41:19 | 1:41:26 | |
Peter. | 1:41:26 | 1:41:27 | |
To light these candles, I give you a twig of rosemary, | 1:41:31 | 1:41:35 | |
for remembrance. | 1:41:35 | 1:41:38 | |
This is a very special mother. | 1:41:44 | 1:41:47 | |
Ladies and gentlemen, dear friends, Mr Hamilton's mother! | 1:41:47 | 1:41:51 | |
She was a good woman. APPLAUSE | 1:42:02 | 1:42:06 | |
Where did you dig up that thing? | 1:42:20 | 1:42:23 | |
I forgot to ask. How IS your mother? | 1:42:23 | 1:42:26 | |
Fine, on the Riviera. She wouldn't live in Beulah if you gave it to her. | 1:42:26 | 1:42:31 | |
That's why Father left the yellow house to me. | 1:42:31 | 1:42:35 | |
-What are you going to do? -I'll see you later. | 1:42:38 | 1:42:42 | |
-There you are! Did you enjoy the ceremony? -Sort of. | 1:42:50 | 1:42:54 | |
-Her face was a shock. -It was a bit of a shock to me too. | 1:42:54 | 1:42:58 | |
-I'm sure she has a heart of gold, Mr... -I'm sure. | 1:42:58 | 1:43:02 | |
-I don't know your name... -Hamilton. | 1:43:02 | 1:43:06 | |
-Tom Hamilton. -Hamilton. | 1:43:06 | 1:43:08 | |
That's a familiar-sounding name. | 1:43:08 | 1:43:11 | |
TOM Hamilton. | 1:43:12 | 1:43:14 | |
Tom...Hamilton. | 1:43:14 | 1:43:17 | |
Any relation to...? | 1:43:17 | 1:43:19 | |
Close? | 1:43:20 | 1:43:22 | |
Very close. | 1:43:22 | 1:43:25 | |
Not our Mr Hamilton? Not the Yellow Peril Hamilton? | 1:43:26 | 1:43:30 | |
I think YOU look more like a Yellow Peril. | 1:43:30 | 1:43:33 | |
What are you going to do to me? | 1:43:33 | 1:43:36 | |
Right now? Dance with you. | 1:43:36 | 1:43:39 | |
-And don't talk. -Wasn't going to! | 1:43:43 | 1:43:46 | |
Well, Maria, looks like that black cloud has its silver lining! | 1:43:51 | 1:43:56 | |
Didn't I tell you everything always turns out all right in the end? | 1:43:56 | 1:44:02 | |
Subtitles by Veronica Simpson BBC Scotland - 1997 | 1:44:24 | 1:44:28 |