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# Here comes Santa Claus Here comes Santa Claus... # | 0:00:40 | 0:00:43 | |
'That's me, Paul Maddens, back in drama school. | 0:00:43 | 0:00:46 | |
'Yes, I look like an idiot. | 0:00:46 | 0:00:48 | |
'And there's my girlfriend, Jennifer. | 0:00:48 | 0:00:52 | |
'With our best mate, Gordon Shakespeare. | 0:00:52 | 0:00:54 | |
'We were the Three Amigos, with the world at our feet.' | 0:00:54 | 0:00:59 | |
# So jump in bed and cover your head | 0:00:59 | 0:01:01 | |
# Cos Santa Claus comes tonight. # | 0:01:01 | 0:01:03 | |
'Jennifer and her family always loved Christmas. | 0:01:03 | 0:01:07 | |
'And it was Jennifer who taught me to love it too. | 0:01:07 | 0:01:10 | |
'Gordon said he loved Christmas, but the only thing he truly loved | 0:01:10 | 0:01:13 | |
'was himself.' | 0:01:13 | 0:01:15 | |
I'm completely above this. It's pointless. Elf. | 0:01:15 | 0:01:18 | |
It's my last elf. I could be Father Christmas. | 0:01:18 | 0:01:21 | |
Why am I not Father Christmas? | 0:01:21 | 0:01:23 | |
I-I can't do this any more. It's ridiculous. | 0:01:23 | 0:01:25 | |
-You're good. -There's no control being an actor. | 0:01:25 | 0:01:28 | |
You're doing what other people's ideas are. | 0:01:28 | 0:01:30 | |
I'd rather be in control, I don't know, like directing, producing. | 0:01:30 | 0:01:35 | |
-I think you should consider that. -I will. | 0:01:35 | 0:01:37 | |
That's why I'm going to train as a primary school teacher. | 0:01:37 | 0:01:39 | |
LAUGHTER | 0:01:39 | 0:01:41 | |
-BOTH: Shush! -Give it three years. | 0:01:41 | 0:01:43 | |
-If you're as bad as you are now, give up. -At least try. | 0:01:43 | 0:01:46 | |
You know, those who can't act, teach. | 0:01:46 | 0:01:48 | |
BOTH: And those who can't teach, teach primary. | 0:01:48 | 0:01:51 | |
-Who says that? -Nobody. It's a truism. -It's... People say... | 0:01:51 | 0:01:55 | |
Five, six, seven, eight. | 0:01:55 | 0:01:56 | |
# Here comes Santa Claus Here comes Santa Claus... # | 0:01:56 | 0:01:59 | |
'And so that's what I did. I became a teacher. | 0:01:59 | 0:02:02 | |
'And Jennifer seemed really proud of me. | 0:02:03 | 0:02:06 | |
'As I was of her when she went to Hollywood and became a producer. | 0:02:06 | 0:02:10 | |
'As for Gordon, | 0:02:10 | 0:02:12 | |
'he became a teacher at the best private school in the city. | 0:02:12 | 0:02:15 | |
'His productions of the Nativity | 0:02:15 | 0:02:17 | |
'won the five-star review in the local paper.' | 0:02:17 | 0:02:19 | |
"Gordon Shakespeare's Three-Colour Trilogy | 0:02:19 | 0:02:22 | |
"has redefined Nativity, with its rainbow of talent | 0:02:22 | 0:02:26 | |
"that hangs over the city of Coventry | 0:02:26 | 0:02:29 | |
"like a blessed beacon. | 0:02:29 | 0:02:31 | |
"Five stars. | 0:02:31 | 0:02:33 | |
"Jesus, Mary and Joseph! What a performance! | 0:02:33 | 0:02:36 | |
"Paul Maddens' Nativity was abysmal. | 0:02:36 | 0:02:40 | |
"Minus two stars." | 0:02:40 | 0:02:43 | |
'And that's when I decided. | 0:02:43 | 0:02:44 | |
'I hated Christmas.' | 0:02:44 | 0:02:46 | |
MUSIC: "Santa Claus Is Coming To Town" by the Jackson 5 | 0:02:46 | 0:02:50 | |
# Santa Claus is comin' to town | 0:02:52 | 0:02:55 | |
# Santa Claus is comin' to town You'd better watch out | 0:02:55 | 0:02:59 | |
# You'd better not cry... # | 0:02:59 | 0:03:02 | |
Sit down! Olly, that's you in detention for the week. | 0:03:02 | 0:03:05 | |
TJ, that's you in detention for the week. | 0:03:05 | 0:03:09 | |
And, also, TJ, that's your parents coming into school tomorrow. | 0:03:09 | 0:03:13 | |
Who's going to win the five-star review? | 0:03:17 | 0:03:19 | |
ALL CHANT: Us, us, us! Us, us, us! Us, us, us! | 0:03:19 | 0:03:25 | |
Us, us, us! Yeaaargh! | 0:03:25 | 0:03:28 | |
Who can spell "Bethlehem"? Go! | 0:03:28 | 0:03:29 | |
B-E-I-E... | 0:03:29 | 0:03:31 | |
No, next. | 0:03:31 | 0:03:33 | |
Olly. | 0:03:33 | 0:03:34 | |
B-E-L-T... | 0:03:34 | 0:03:36 | |
No! TJ. | 0:03:36 | 0:03:38 | |
-B-E-L-E... -No! | 0:03:38 | 0:03:40 | |
Good morning, boys and girls. | 0:03:43 | 0:03:45 | |
ALL: Good morning, Mrs Bevan. | 0:03:45 | 0:03:49 | |
Here we are on the run-up to Christmas. | 0:03:49 | 0:03:51 | |
-CHILDREN: Yes! -Isn't that exciting? | 0:03:51 | 0:03:54 | |
Now, last year, Mrs Spink did the Nativity play | 0:03:54 | 0:03:57 | |
and, if you remember, | 0:03:57 | 0:03:59 | |
she got upset and started shouting a lot and crying. | 0:03:59 | 0:04:04 | |
And some of you, I remember, were crying with her. | 0:04:04 | 0:04:06 | |
So, we are going to have to find a new person. | 0:04:06 | 0:04:10 | |
This year, to make the best Nativity play that has ever, ever been... | 0:04:10 | 0:04:15 | |
is Mr Maddens. | 0:04:15 | 0:04:16 | |
-APPLAUSE -Yes. | 0:04:16 | 0:04:18 | |
# We wish you a merry Christmas We wish you a merry Christmas | 0:04:18 | 0:04:21 | |
# We wish you a merry Christmas and a happy year | 0:04:21 | 0:04:25 | |
# We wish you a merry Christmas We wish you a merry Christmas | 0:04:25 | 0:04:29 | |
# We wish you a merry Christmas and a happy year | 0:04:29 | 0:04:32 | |
# We wish you a merry Christmas We wish you a merry Christmas | 0:04:35 | 0:04:37 | |
# We wish you a merry Christmas and a happy new year | 0:04:37 | 0:04:40 | |
CRESCENDO: # A happy new year | 0:04:40 | 0:04:42 | |
# A happy new year... # | 0:04:42 | 0:04:46 | |
THEY SING IN THE ROUND | 0:04:46 | 0:04:49 | |
You have the talent and training. | 0:04:57 | 0:04:59 | |
-I think it's a wonderful thing. -I barely have the training. | 0:04:59 | 0:05:02 | |
I did three years of drama... SHE SIGHS | 0:05:02 | 0:05:04 | |
-I wasn't very good. -Yes, I know. | 0:05:04 | 0:05:06 | |
-It... -Now, let's move on. | 0:05:06 | 0:05:08 | |
When are you going to start the casting? | 0:05:08 | 0:05:10 | |
These children are literally useless. | 0:05:10 | 0:05:13 | |
I am literally useless. Please don't make me do this. | 0:05:13 | 0:05:16 | |
Think about Oakmoor. Think about how they always steal all the reviews. | 0:05:16 | 0:05:20 | |
We agreed four years ago that after my disastrous attempt | 0:05:20 | 0:05:24 | |
to direct the Nativity, I wouldn't do it again. | 0:05:24 | 0:05:27 | |
Make this a good one. | 0:05:27 | 0:05:28 | |
Make this a fabulous last Nativity play for me | 0:05:28 | 0:05:31 | |
and then I retire and you won't have to put up with me any more. | 0:05:31 | 0:05:34 | |
Oh, and you've got a classroom assistant starting today sometime. | 0:05:34 | 0:05:37 | |
HE SIGHS Thank you. | 0:05:37 | 0:05:41 | |
That will help with the wear and tear and stress. | 0:05:41 | 0:05:44 | |
-Hello. -Hello. | 0:05:57 | 0:05:58 | |
'Tell us clearly and concisely' | 0:06:00 | 0:06:03 | |
what happened at Christmas, if you think you're so clever. | 0:06:03 | 0:06:05 | |
Joseph got together with Mary | 0:06:05 | 0:06:07 | |
and Mary went to Bethlehem to have a baby. Um... | 0:06:07 | 0:06:10 | |
She has a baby, Jesus. A couple of years later, about 30 years later, | 0:06:10 | 0:06:14 | |
-he dies on the cross and then... -Go and sit down. | 0:06:14 | 0:06:17 | |
LAUGHTER Go and sit down. | 0:06:17 | 0:06:19 | |
That was almost blasphemy. | 0:06:19 | 0:06:21 | |
'Here's to a five-star review' | 0:06:21 | 0:06:23 | |
of the St Bernadette's Nativity, directed by Paul Maddens. Cheers. | 0:06:23 | 0:06:26 | |
ALL: Cheers! | 0:06:26 | 0:06:28 | |
LAUGHTER | 0:06:28 | 0:06:31 | |
CHILDREN: # When Suzy was a child | 0:06:31 | 0:06:34 | |
# A child Suzy was She said | 0:06:34 | 0:06:36 | |
# "Miss, miss, I can't get this! | 0:06:36 | 0:06:39 | |
# "I've got my knickers in a right old twist!" | 0:06:39 | 0:06:41 | |
# When... # | 0:06:41 | 0:06:43 | |
Who are you? | 0:06:43 | 0:06:44 | |
-Mr Poppy. -Yes, what are you doing here, Mr Poppy? -Oh, I'm... | 0:06:44 | 0:06:47 | |
I'm your teaching assistant. | 0:06:47 | 0:06:49 | |
Remember, please keep it neat. Dan, are you having trouble there? | 0:06:52 | 0:06:56 | |
How are you getting on, Frazer? | 0:06:56 | 0:06:58 | |
You know you don't have to put your hand up to talk to me. | 0:07:02 | 0:07:04 | |
I thought we were supposed to be doing a play. | 0:07:04 | 0:07:06 | |
-We are. -Everyone's just sitting around. | 0:07:06 | 0:07:08 | |
This isn't the rehearsal for the play. | 0:07:08 | 0:07:11 | |
This is a creative writing class. It's a different thing. | 0:07:11 | 0:07:13 | |
Who wants to do a play? | 0:07:13 | 0:07:15 | |
-ALL: -Me! -Excuse me. Excuse me. Excuse me! | 0:07:15 | 0:07:18 | |
-Move the tables to one side. -No! Keep the tables where you are. | 0:07:18 | 0:07:21 | |
Alfie! Alfie, TJ, put the tables back. | 0:07:21 | 0:07:25 | |
The next person to move their table | 0:07:25 | 0:07:28 | |
will be in detention for the entire term. | 0:07:28 | 0:07:30 | |
BELL RINGS, THEY SHOUT Sit down! Sit down! | 0:07:30 | 0:07:32 | |
MR MADDENS DROWNED OUT BY SHOUTING | 0:07:35 | 0:07:38 | |
-Mr Poppy! Come in, please. Come in now. -I've been tigged. | 0:07:44 | 0:07:48 | |
-Mr Poppy... -I've been tigged. | 0:07:48 | 0:07:50 | |
Come in now. | 0:07:50 | 0:07:51 | |
Get inside, please. | 0:07:51 | 0:07:53 | |
I've told you before. Get in. | 0:07:53 | 0:07:55 | |
-CHILDREN CHANT: -Poppy! Poppy! -Go in! | 0:07:55 | 0:07:57 | |
Children, please. Go away. | 0:07:57 | 0:07:58 | |
Just carry on playing. | 0:07:58 | 0:08:00 | |
-SHRIEKING -Tig, tig, tig, tig! | 0:08:00 | 0:08:02 | |
Mr Poppy! | 0:08:02 | 0:08:03 | |
Mr Poppy! | 0:08:04 | 0:08:06 | |
MAKES ZAPPING AND WHOOSHING NOISES | 0:08:08 | 0:08:12 | |
I just wanted to check something. | 0:08:13 | 0:08:15 | |
Can I say, I really enjoyed today, thank you very much. | 0:08:15 | 0:08:18 | |
You're welcome. You haven't done this before, have you? | 0:08:18 | 0:08:21 | |
Er, I've done stuff like it. | 0:08:21 | 0:08:23 | |
Classroom assistant? | 0:08:23 | 0:08:25 | |
-Nope. -No. I just wanted to check that. | 0:08:25 | 0:08:27 | |
Thank you. I'll see you tomorrow at 8.15? | 0:08:27 | 0:08:29 | |
-D'you want to come for a sausage sizzler? -Sorry? | 0:08:29 | 0:08:33 | |
Young's, the newsagent, they do sausages with tomato ketchup | 0:08:33 | 0:08:36 | |
in a roll with a sausage. They're only £1.50. | 0:08:36 | 0:08:39 | |
D'you want to maybe share one and we could hang out at the park? | 0:08:39 | 0:08:43 | |
I'll introduce you to Tom, Stinky Tom. He's funny. | 0:08:43 | 0:08:45 | |
I'm a bit busy. I shan't be doing that tonight. Thank you. | 0:08:45 | 0:08:48 | |
-See you later. -HE GIGGLES | 0:08:48 | 0:08:51 | |
MAKES ZAPPING NOISES | 0:08:51 | 0:08:52 | |
# Can't you see it's gonna be | 0:08:54 | 0:08:56 | |
# A merry, merry Christmas | 0:08:56 | 0:08:58 | |
# A merry, merry Christmas for all the girls and boys? | 0:08:58 | 0:09:04 | |
# Can't you see the Christmas tree... # | 0:09:04 | 0:09:06 | |
Come here. Hello! | 0:09:06 | 0:09:08 | |
Ooh, right on me kippers. Oh, Cracker! | 0:09:08 | 0:09:11 | |
Cracker. "You hardly know me!" | 0:09:11 | 0:09:14 | |
Cracker, Cracker. | 0:09:14 | 0:09:16 | |
Where you going, you mental dog? | 0:09:16 | 0:09:18 | |
HE HUMS A TUNE | 0:09:18 | 0:09:22 | |
Cracker. | 0:09:27 | 0:09:29 | |
HIGH PITCH: # In Nazareth. # Or... | 0:09:29 | 0:09:32 | |
LOW PITCH: # In Nazareth. # I think low. | 0:09:32 | 0:09:34 | |
Bark for high. | 0:09:34 | 0:09:36 | |
BARKS | 0:09:36 | 0:09:37 | |
Bark for low. WHINES | 0:09:37 | 0:09:40 | |
Suit yourself. | 0:09:40 | 0:09:42 | |
Cracker... | 0:09:42 | 0:09:44 | |
Cracker. | 0:09:44 | 0:09:46 | |
Cracker, come here. | 0:09:46 | 0:09:48 | |
THUD, SHRIEKING | 0:09:52 | 0:09:53 | |
Help me, Mr Maddens! | 0:09:53 | 0:09:55 | |
This man is an idiot. He's an actual village idiot. | 0:09:57 | 0:09:59 | |
If this was a village, he would be the idiot. | 0:09:59 | 0:10:03 | |
He's not a classroom assistant, he's an absolute calamitous fool. | 0:10:03 | 0:10:06 | |
But he'll be a big help with the play. | 0:10:06 | 0:10:08 | |
The play that I don't care about? | 0:10:08 | 0:10:11 | |
The play that brings the children away from learning to read and write? | 0:10:11 | 0:10:14 | |
Great(!) Big whoopee(!) I've got an oaf helping my children to fail. | 0:10:14 | 0:10:18 | |
-Thanks(!) -This is getting personal. | 0:10:18 | 0:10:19 | |
-Who's that? -Who's what? -What's that? | 0:10:19 | 0:10:22 | |
-That's a photograph of me and Mr Poppy. -Why? | 0:10:22 | 0:10:26 | |
-He is my sister's son. -Mm-hm. | 0:10:26 | 0:10:28 | |
CHILDREN SHOUT | 0:10:33 | 0:10:35 | |
Mr Poppy! | 0:10:39 | 0:10:41 | |
Mr Poppy! Sit... | 0:10:41 | 0:10:43 | |
Sit down. | 0:10:43 | 0:10:45 | |
Sit down. Be quiet! | 0:10:45 | 0:10:46 | |
Sit down, now! | 0:10:46 | 0:10:48 | |
Why is Mr Maddens such a grumpy grumps? | 0:10:52 | 0:10:55 | |
His girlfriend left him at Christmas time. | 0:10:55 | 0:10:58 | |
-Where's his girlfriend now? -In America. | 0:10:59 | 0:11:02 | |
America! How cool is that? | 0:11:02 | 0:11:04 | |
It is cool, but it's a long way away from here. | 0:11:04 | 0:11:08 | |
Can we keep it down over there, please? | 0:11:08 | 0:11:10 | |
-Bagsy drive the van! -You can't drive, I've got the... | 0:11:13 | 0:11:16 | |
-Nothing overrules the rules of bagsy. -Mr Poppy. | 0:11:16 | 0:11:19 | |
-I'm insured to drive the van. -Auntie Pat said I could drive. | 0:11:19 | 0:11:23 | |
-Can you drive? -Yeah. | 0:11:23 | 0:11:25 | |
-Come on, jump in. -TOOTS HORN | 0:11:25 | 0:11:28 | |
-What about Gabriel comes in on a death slide. -What's a death slide? | 0:11:28 | 0:11:32 | |
One of those things... Zoom! You just go down on two hands. | 0:11:32 | 0:11:35 | |
I don't think health and safety for children | 0:11:35 | 0:11:37 | |
-will involve the death slide in a Nativity play. -OK. | 0:11:37 | 0:11:39 | |
-What about no donkey? -Please... -What about a BMX with trick pegs? | 0:11:39 | 0:11:42 | |
This is a Roman Catholic school. | 0:11:42 | 0:11:44 | |
We're not going to replace a donkey with a trick-peg BMX. | 0:11:44 | 0:11:48 | |
-I don't even know that that is! -We can do it. | 0:11:48 | 0:11:51 | |
-If we just work together. -Sorry? -Like Webber and Rice. | 0:11:51 | 0:11:54 | |
Posh and Becks. Jackie Chan and Bruce Lee. You and me. | 0:11:54 | 0:11:57 | |
-I think maybe this one. -No! | 0:11:57 | 0:11:59 | |
-The big one. -It's not going to fit. And how are we going to carry it? | 0:11:59 | 0:12:03 | |
I don't believe it! | 0:12:03 | 0:12:05 | |
-Paul Maddens. -Gordon Shakespeare. | 0:12:05 | 0:12:07 | |
How are you doing, my man? | 0:12:07 | 0:12:10 | |
-Great to see you. -And you. -Where've you been? | 0:12:11 | 0:12:15 | |
Just five years at St Bernadette's. | 0:12:15 | 0:12:16 | |
But you were going to be the star, the man. | 0:12:16 | 0:12:20 | |
-Was I? -Yeah! -I never thought that. | 0:12:20 | 0:12:21 | |
We all did and then it...all went. | 0:12:21 | 0:12:24 | |
Now you're down the road. How is it down there at St B's? | 0:12:24 | 0:12:27 | |
Goodness me, what a challenge. | 0:12:27 | 0:12:28 | |
Slowly, that dreadful school is dragging itself up. | 0:12:28 | 0:12:33 | |
How's Jennifer? Have you...? | 0:12:33 | 0:12:35 | |
-Do you speak to her? -Still quite good friends with her. | 0:12:35 | 0:12:38 | |
-So, you still keep in touch with her? -Yeah, yeah. | 0:12:38 | 0:12:41 | |
-Even though she's Hollywood side. -Goodness me. Didn't she do well? | 0:12:41 | 0:12:44 | |
-She's now a producer. -I know. | 0:12:44 | 0:12:46 | |
If you think I'm talented, well, she's just gone to another level. | 0:12:46 | 0:12:50 | |
-Way above me and-and... clearly, you. -Clearly. | 0:12:50 | 0:12:55 | |
In fact, if you want to see how the other half lives | 0:12:55 | 0:12:57 | |
and see where it really happens in the right way, | 0:12:57 | 0:13:01 | |
just come along to our Christmas bazaar. We're doing a showcase. | 0:13:01 | 0:13:03 | |
-The talent. -I'm sure. -Amazing. | 0:13:03 | 0:13:06 | |
-It's worth a look. Take it, come along. -Thank you. | 0:13:06 | 0:13:08 | |
-What are you doing? -I'm doing the Nativity again. | 0:13:08 | 0:13:11 | |
-Perhaps I can come and see yours. -Yes. You won't be alone. | 0:13:11 | 0:13:13 | |
Actually, Jennifer's coming. | 0:13:13 | 0:13:16 | |
-She's coming over to the UK? -Yeah, she going to come and see the, er... | 0:13:16 | 0:13:20 | |
Why would she want to do that? | 0:13:20 | 0:13:22 | |
Because she's going to bring most of her agency with her. | 0:13:22 | 0:13:25 | |
Hollywood are coming to St Bernadette's? | 0:13:25 | 0:13:28 | |
-Yes. -To see your show? -Yes. | 0:13:28 | 0:13:31 | |
-To film your show? -Yeah. -Make a film out of it? | 0:13:31 | 0:13:34 | |
Yeah. | 0:13:34 | 0:13:36 | |
And a book. | 0:13:36 | 0:13:37 | |
HE SINGS | 0:13:37 | 0:13:40 | |
Come on, come on. Come close. | 0:13:51 | 0:13:53 | |
This is... Come in, come in, gather round. | 0:13:53 | 0:13:57 | |
I've got something to tell you. | 0:13:57 | 0:13:59 | |
I'm not supposed to tell you | 0:13:59 | 0:14:01 | |
but someone twisted my arm and I have to tell you. | 0:14:01 | 0:14:04 | |
I've just been to get the Christmas tree and I heard Mr Maddens say | 0:14:04 | 0:14:07 | |
a big Hollywood production film thing company are coming here | 0:14:07 | 0:14:13 | |
to see our Nativity. | 0:14:13 | 0:14:15 | |
But it's not a Nativity. | 0:14:15 | 0:14:17 | |
It's Nativity, the musical, in 3-D, with 5-D sound | 0:14:17 | 0:14:21 | |
-and we're all going to be famous. -ALL SHOUT | 0:14:21 | 0:14:23 | |
Sh! Sh! Sh! This is big stuff, all right? | 0:14:26 | 0:14:29 | |
Zack, I mean, you could end up being Zac Efron. | 0:14:29 | 0:14:33 | |
-Yes! -And you. | 0:14:33 | 0:14:34 | |
-You could be Shrek. -LAUGHTER | 0:14:34 | 0:14:37 | |
-And you, Bob. -What? | 0:14:37 | 0:14:39 | |
You're like a little Gollum, or something, | 0:14:39 | 0:14:41 | |
like a little creature in something. | 0:14:41 | 0:14:43 | |
We're going to be super-famous because Hollywood are coming! | 0:14:43 | 0:14:46 | |
CHEERING | 0:14:46 | 0:14:49 | |
HE GASPS, CRACKER WHINES | 0:14:49 | 0:14:51 | |
Ow. Ow. Ow! | 0:14:51 | 0:14:55 | |
Ooh! | 0:14:55 | 0:14:57 | |
Aargh! | 0:14:57 | 0:14:59 | |
With me now are the real stars of the film, | 0:14:59 | 0:15:02 | |
the pupils of St Bernadette's School. | 0:15:02 | 0:15:04 | |
You must be excited. | 0:15:04 | 0:15:06 | |
-Very excited, aren't we, children? -ALL: Yes! | 0:15:06 | 0:15:09 | |
CRACKER WHINES Wait. Wait. | 0:15:09 | 0:15:12 | |
We only heard this morning that Hollywood are coming | 0:15:12 | 0:15:15 | |
to see our Nativity play. We can hardly believe it. | 0:15:15 | 0:15:18 | |
Sit down, please. Sit, Cracker. | 0:15:18 | 0:15:21 | |
I'm Mr Poppy and I am the co-director, co-writer, co-producer. | 0:15:21 | 0:15:27 | |
TV MUTED | 0:15:27 | 0:15:29 | |
'The true stars of a Hollywood blockbuster coming to town.' | 0:15:33 | 0:15:38 | |
CHILDREN CHEER | 0:15:38 | 0:15:40 | |
-Well done, Paul. -PAUL WHISTLES | 0:15:49 | 0:15:53 | |
We don't want to be late for PE. | 0:15:53 | 0:15:55 | |
Well done, congratulations, Mr Maddens. | 0:15:55 | 0:15:58 | |
We can... There you are. Goodness, at last. | 0:16:02 | 0:16:06 | |
This is Darren from the local newspaper. Mr Maddens. | 0:16:06 | 0:16:09 | |
-Nice to meet you. -Come on, this way. -Sorry? -Yeah. They've been waiting. | 0:16:09 | 0:16:12 | |
I've told Darren everything I know, but I don't know very much. | 0:16:12 | 0:16:16 | |
It's wonderful you're back in touch with her. | 0:16:16 | 0:16:19 | |
There you are. After you. | 0:16:19 | 0:16:21 | |
CHEERING AND CHANTING | 0:16:21 | 0:16:23 | |
Thank you. Good morning, boys and girls. Good morning, teachers. | 0:16:29 | 0:16:34 | |
Good morning. Good morning, gentlemen of the press. | 0:16:34 | 0:16:38 | |
And local news team. | 0:16:38 | 0:16:41 | |
As you can see, children, it's very exciting. | 0:16:41 | 0:16:44 | |
The whole of the town is buzzing with the news | 0:16:44 | 0:16:47 | |
that St Bernadette's is going to get a visitor from Hollywood. | 0:16:47 | 0:16:53 | |
Three cheers for Mr Maddens. Hip, hip. | 0:16:53 | 0:16:55 | |
ALL: Hurray! | 0:16:55 | 0:16:57 | |
-Hip, hip. -Hurray! -Hip, hip. -Hurray! | 0:16:57 | 0:17:01 | |
Mrs Bevan. Boys and girls... | 0:17:01 | 0:17:04 | |
I'm sorry, cos there's obviously been some misunderstanding | 0:17:07 | 0:17:10 | |
because yesterday I said, in front of Mr Poppy, | 0:17:10 | 0:17:15 | |
that we were going to have a visit from Hollywood. | 0:17:15 | 0:17:18 | |
And I'm only sorry, cos it's not happening right now! | 0:17:25 | 0:17:28 | |
CHEERING | 0:17:28 | 0:17:31 | |
I didn't tell you, I told Gordon Shakespeare. | 0:17:40 | 0:17:42 | |
It wasn't even for your ears. D'you understand me?! | 0:17:42 | 0:17:46 | |
-You were eavesdropping. -What does it matter...? -Be quiet! | 0:17:46 | 0:17:48 | |
It's obviously a lie. | 0:17:48 | 0:17:50 | |
-Yeah, but... -Hollywood coming to the school? How? | 0:17:50 | 0:17:53 | |
It's a lie! It's not true. I made it up. | 0:17:53 | 0:17:56 | |
You have messed up, right? | 0:17:59 | 0:18:01 | |
It's up to you to face your responsibility | 0:18:01 | 0:18:03 | |
and go out there and tell them it's a lie. | 0:18:03 | 0:18:05 | |
CHEERING | 0:18:08 | 0:18:10 | |
Yeah! | 0:18:11 | 0:18:13 | |
Call your girlfriend and get the Hollywood people across. | 0:18:16 | 0:18:20 | |
One problem. She's not my girlfriend. | 0:18:20 | 0:18:23 | |
I don't know her number. I don't know where she is. | 0:18:23 | 0:18:26 | |
-I was making all of that up... -Family! Has she got any family? | 0:18:26 | 0:18:30 | |
She's got parents, yes. | 0:18:30 | 0:18:33 | |
-Do you have any pets? -I have a dog. | 0:18:33 | 0:18:35 | |
-Used to be hers. -Brilliant! | 0:18:35 | 0:18:37 | |
Go round there and say, | 0:18:37 | 0:18:38 | |
"The dog's died, I need her number. I should tell her in person." | 0:18:38 | 0:18:42 | |
-The dog's died? -Yeah. -How's the dog died? | 0:18:42 | 0:18:45 | |
It blew up. The dog blew up. | 0:18:45 | 0:18:48 | |
They won't ask. You wouldn't ask. I wouldn't ask. | 0:18:49 | 0:18:53 | |
Ugh. They'd just think, "Oh," and get the number. | 0:18:53 | 0:18:56 | |
We need those five stars. | 0:19:05 | 0:19:08 | |
I need you all to be stars to get those stars. | 0:19:08 | 0:19:10 | |
We need something edgier, more dangerous, something darker. | 0:19:10 | 0:19:14 | |
Something the RSC do every year. | 0:19:14 | 0:19:16 | |
Tripping around and, bang, they hit you with something enormous. | 0:19:16 | 0:19:19 | |
That's what we should be doing. Something European, strange, exotic. | 0:19:19 | 0:19:23 | |
Something the Americans don't understand, but love! | 0:19:23 | 0:19:25 | |
That's it. I know, we could have Herod. | 0:19:25 | 0:19:29 | |
King... He's never done, is he? | 0:19:29 | 0:19:30 | |
Herod's never done. | 0:19:30 | 0:19:32 | |
Ever. That's it. Wonderful. We could have Herod. | 0:19:32 | 0:19:35 | |
He could be like an opera. | 0:19:35 | 0:19:37 | |
This dark shape brooding in the back, coming forward onto the stage. | 0:19:37 | 0:19:41 | |
Singing his heart out, his lungs. | 0:19:41 | 0:19:43 | |
Craving for their minds, and blood and body of children. | 0:19:43 | 0:19:46 | |
That's what we want. Who's going to be my Herod? | 0:19:46 | 0:19:49 | |
Thank you, lovely. Anything else you'd like to show us? | 0:20:02 | 0:20:05 | |
-SHE BURPS: -A, B, C... -That's good. | 0:20:05 | 0:20:09 | |
# You mean I've been dancing on the floor, darling | 0:20:09 | 0:20:14 | |
# And I feel like I need some more | 0:20:14 | 0:20:17 | |
# And I feel your body close to mine | 0:20:17 | 0:20:20 | |
# And I... # Oh. | 0:20:20 | 0:20:23 | |
# Cos I'm just a teenage dirtbag, baby | 0:20:23 | 0:20:29 | |
# Listen to Iron Maiden, baby | 0:20:29 | 0:20:32 | |
# With me... # | 0:20:32 | 0:20:34 | |
# I was going on a hillside | 0:20:34 | 0:20:37 | |
# On a hillside | 0:20:37 | 0:20:41 | |
# I was going on a hillside | 0:20:41 | 0:20:42 | |
# On a hillside... # | 0:20:42 | 0:20:45 | |
# Oh, Danny boy | 0:20:52 | 0:20:56 | |
# The pipes The pipes are calling... # | 0:20:56 | 0:21:02 | |
What would you like to play? | 0:21:07 | 0:21:08 | |
I know you won't let me, but I really want to be Joseph. | 0:21:08 | 0:21:11 | |
OK, in your own time. | 0:21:11 | 0:21:14 | |
-Careful. -Wow. | 0:21:16 | 0:21:18 | |
HE GRUNTS | 0:21:25 | 0:21:27 | |
-You're through to the next round! -There's no next round. | 0:21:27 | 0:21:31 | |
-The Hollywood round! -There's no Hollywood round. | 0:21:31 | 0:21:33 | |
Please can I go to Hollywood? Please, please, please. | 0:21:33 | 0:21:35 | |
Hollywood, Bob, are going to love it. | 0:21:35 | 0:21:38 | |
Yeah! Ooh! | 0:21:38 | 0:21:41 | |
I can't do it. Can we take five for a moment, please? I've got to... | 0:21:41 | 0:21:44 | |
Excuse me. HE SIGHS | 0:21:44 | 0:21:48 | |
Keep going, it's good. It's really good. | 0:21:50 | 0:21:53 | |
Paul. | 0:21:55 | 0:21:56 | |
-Paul. -Hello, Father. -Paul! | 0:21:56 | 0:21:58 | |
-Just popped in to congratulate you. Well done. -Thank you! | 0:21:58 | 0:22:01 | |
-Oh, it's great news. -Thank you much. | 0:22:01 | 0:22:04 | |
-Well done. -Father, could I ask your advice? | 0:22:04 | 0:22:07 | |
I've just had a query from one of the children in the auditions. | 0:22:07 | 0:22:13 | |
I'm not sure how to advise them. They're worried about...lying. | 0:22:13 | 0:22:16 | |
I think one of them's told a lie. | 0:22:16 | 0:22:18 | |
We all know there's such a thing as a little white lie | 0:22:18 | 0:22:21 | |
and there's a black Protestant lie, which is more serious. | 0:22:21 | 0:22:25 | |
I don't think so. A lie is a lie is a lie. | 0:22:25 | 0:22:29 | |
Technically? | 0:22:29 | 0:22:30 | |
-What d'you mean, "technically"? -Well... | 0:22:30 | 0:22:32 | |
You know. "Is that a nice meal?" "Yes, Mrs Johnson, lovely." | 0:22:32 | 0:22:35 | |
Even though you're feeling sick, you don't want to hurt her feelings. | 0:22:35 | 0:22:38 | |
-It's still a lie, isn't it? -I'm not going to be punished for it. | 0:22:38 | 0:22:42 | |
Please, God, I'm not going to be punished. | 0:22:42 | 0:22:44 | |
But if you picked the woman up on her bad cooking, | 0:22:44 | 0:22:47 | |
the next time, you might get a decent meal. | 0:22:47 | 0:22:49 | |
Ee-aw, ee-aw! Ee-aw, ee-aw! | 0:23:00 | 0:23:04 | |
-Mrs Bevan. -Ah. -Thank you so much. | 0:23:06 | 0:23:09 | |
-Can I have a quick word? -My phone is ringing off the hook. | 0:23:09 | 0:23:11 | |
-Can I grab you for a minute? -Of course. | 0:23:11 | 0:23:15 | |
Word has got out about the Hollywood connection | 0:23:15 | 0:23:17 | |
-and parents are ringing. -I... -They want to know why, how, when. | 0:23:17 | 0:23:20 | |
-I can save time with that. -Wait. This is the cherry on the cake. | 0:23:20 | 0:23:24 | |
The Lord Mayor's office has rung and they want you | 0:23:24 | 0:23:26 | |
-to go to a big reception for Coventry ambassadors. -No! | 0:23:26 | 0:23:30 | |
-Yes, they do! -No! | 0:23:30 | 0:23:32 | |
There'll be drinks. | 0:23:32 | 0:23:34 | |
I don't think I can go. | 0:23:34 | 0:23:35 | |
-I've accepted on your behalf. -Have you? -Yes, you've got to come. | 0:23:35 | 0:23:38 | |
-PHONE RINGS -I've got to go. Phone! -Mrs Bevan. | 0:23:38 | 0:23:40 | |
-Mrs... -That'll be somebody else. See you soon, bye-bye. | 0:23:40 | 0:23:43 | |
DOORBELL RINGS | 0:23:55 | 0:23:57 | |
-PAUL MUTTERS -You. | 0:23:59 | 0:24:02 | |
I wonder if I might come in. | 0:24:03 | 0:24:06 | |
-I think you should come in. -Thank you. -Come on. | 0:24:06 | 0:24:09 | |
You'd better sit down, Paul. | 0:24:18 | 0:24:20 | |
I've heard of some things in my life, Paul, | 0:24:20 | 0:24:23 | |
but to take a dog, called Cracker, and then to put explosives in it | 0:24:23 | 0:24:27 | |
and blow it apart like a cracker, | 0:24:27 | 0:24:29 | |
I think common parlance is "the pits". | 0:24:29 | 0:24:32 | |
Wait till Jennifer hears. | 0:24:32 | 0:24:35 | |
She'll probably be sitting there in her heart-shaped pool, | 0:24:35 | 0:24:38 | |
sipping her Cristal champagne, which Harrison has bought her. | 0:24:38 | 0:24:41 | |
That's her new boyfriend, by the way. | 0:24:41 | 0:24:44 | |
New boyfriend, you understand that? | 0:24:44 | 0:24:46 | |
Not the old boyfriend who blows dogs to smithereens. | 0:24:46 | 0:24:49 | |
BICYCLE BELL DINGS Excuse me. | 0:24:53 | 0:24:55 | |
-What did she say? -I haven't spoken to her yet. | 0:24:59 | 0:25:01 | |
-When are you going to phone her? -I'll phone her | 0:25:01 | 0:25:03 | |
when I've got time and when I've discovered, realised, | 0:25:03 | 0:25:06 | |
worked out what I'm going to say. | 0:25:06 | 0:25:08 | |
Phone her. Why don't you want to phone her? | 0:25:08 | 0:25:10 | |
A, because I'm working. These are books that I'm marking. | 0:25:10 | 0:25:13 | |
I understand. You were going out with her for a long time. | 0:25:13 | 0:25:17 | |
You loved her, she loved you. It went wrong. | 0:25:17 | 0:25:20 | |
You feel butterfly feelings in your tummy when you go to call. | 0:25:20 | 0:25:23 | |
I understand that. You need to take a big daddy breath, | 0:25:23 | 0:25:27 | |
pick up the phone, dial the number and say hello. | 0:25:27 | 0:25:30 | |
I don't know what you think is going on. | 0:25:30 | 0:25:32 | |
It baffles me that you think I'm hung up over a woman | 0:25:32 | 0:25:35 | |
I've not seen for five years. I'm not. | 0:25:35 | 0:25:37 | |
I see a man who's scared and frightened and angry. | 0:25:37 | 0:25:41 | |
I'm frightened of you, because I've never met one of you before. | 0:25:41 | 0:25:44 | |
I'm terrified because I don't know what you or I am going to do. | 0:25:44 | 0:25:48 | |
I can help you mend your heart, Mr Maddens. | 0:25:48 | 0:25:50 | |
DOOR SLAMS | 0:25:51 | 0:25:53 | |
Open the door. | 0:25:53 | 0:25:56 | |
-Did you just slam that door? -No. -Close it properly, please. | 0:25:56 | 0:26:00 | |
LAUGHTER | 0:26:06 | 0:26:08 | |
# Maybe this Christmas will mean something more | 0:26:08 | 0:26:13 | |
# Maybe this year | 0:26:13 | 0:26:16 | |
# Love will appear | 0:26:16 | 0:26:19 | |
# Deeper than ever before | 0:26:19 | 0:26:24 | |
# And maybe forgiveness will ask us to call | 0:26:24 | 0:26:29 | |
# Someone we love | 0:26:29 | 0:26:31 | |
# Someone we've lost... # | 0:26:31 | 0:26:34 | |
CRACKER WHINES | 0:26:34 | 0:26:35 | |
# For reasons we can't quite recall | 0:26:35 | 0:26:39 | |
# Mm-mm-mmm Maybe this Christmas... # | 0:26:39 | 0:26:43 | |
Hello. | 0:26:43 | 0:26:44 | |
SIGHS WITH ANNOYANCE | 0:26:44 | 0:26:47 | |
# Maybe this Christmas... # | 0:26:47 | 0:26:50 | |
I was very impressed with the auditions. | 0:26:56 | 0:26:59 | |
Thank you very much. | 0:26:59 | 0:27:00 | |
I thought there was a wonderful array of talent on display. | 0:27:00 | 0:27:03 | |
So, you can all be proud of yourselves. | 0:27:03 | 0:27:05 | |
Because there is a wonderful array of talent on display, | 0:27:05 | 0:27:08 | |
I've no doubt you can handle this song, which is quite advanced. OK. | 0:27:08 | 0:27:12 | |
# Things are going well in Nazareth | 0:27:12 | 0:27:16 | |
# Our city is full of joy... # | 0:27:16 | 0:27:19 | |
Right, and that goes into... PIANO INTRO | 0:27:19 | 0:27:22 | |
Do you have to do that? | 0:27:22 | 0:27:23 | |
-So, fine. -That sounds good, doesn't it? | 0:27:23 | 0:27:26 | |
Yes. So, right, so we've got... | 0:27:26 | 0:27:29 | |
-# Things are going well... -Things are really cool | 0:27:29 | 0:27:31 | |
-# In Nazareth -In Nazareth | 0:27:31 | 0:27:34 | |
# Our city is full of joy... # Shush. | 0:27:34 | 0:27:36 | |
BOTH SING: # Cos this is where girl meets boy | 0:27:36 | 0:27:38 | |
-# In Nazareth -Our city is full of joy... # | 0:27:38 | 0:27:42 | |
-That's it. -Try it. -CHILDREN: -# Things are really cool | 0:27:42 | 0:27:46 | |
# In Nazareth | 0:27:46 | 0:27:49 | |
# Our city is full of joy | 0:27:49 | 0:27:53 | |
# Cos this is where girl meets boy... # | 0:27:53 | 0:27:55 | |
Who thinks my song is better? | 0:27:55 | 0:27:58 | |
Anyone? | 0:27:58 | 0:28:00 | |
This is far more linear. It's very dirge-like. | 0:28:00 | 0:28:03 | |
Mine is actually...influenced more by Sondheim. But... | 0:28:03 | 0:28:08 | |
OK. Who prefers Mr Poppy's song? | 0:28:08 | 0:28:11 | |
Black. Imagine darkness. A black-out. | 0:28:12 | 0:28:15 | |
The audience thinks, "What's going to happen?" | 0:28:15 | 0:28:18 | |
And some of the children, maybe six or seven, come on here | 0:28:18 | 0:28:22 | |
on that, "de-de-de-de-de-de", toe-heel. | 0:28:22 | 0:28:26 | |
Over here, some more children. De-de-de. So you get this big cross. | 0:28:26 | 0:28:29 | |
At the back, as the cross opens up, we see the city of Nazareth. | 0:28:29 | 0:28:33 | |
The children turn round. They've got cut-outs of the city. | 0:28:33 | 0:28:36 | |
It comes together. There's windows and lights shining through | 0:28:36 | 0:28:39 | |
and people going, "Hello", through the little windows. | 0:28:39 | 0:28:43 | |
Mr Poppy. These children will never be able to do that. | 0:28:43 | 0:28:46 | |
-Yes, they will. -We're useless. | 0:28:46 | 0:28:48 | |
-Everyone knows we're useless. -You're not useless. | 0:28:48 | 0:28:51 | |
-That's what Mr Maddens calls us. -No, I don't. | 0:28:51 | 0:28:54 | |
-GIRLS: -Yes, you do. -No, I don't. | 0:28:54 | 0:28:56 | |
-Shush. -You told Mrs Bevan that we are. | 0:28:56 | 0:28:59 | |
-Who told you that? -Sam, she heard you. | 0:28:59 | 0:29:02 | |
You did say we were useless. | 0:29:02 | 0:29:05 | |
I didn't mean useless. I didn't mean useless. | 0:29:05 | 0:29:08 | |
But they will never be able to do that. | 0:29:08 | 0:29:11 | |
Yeah, they will. | 0:29:11 | 0:29:13 | |
Anything we can do, Oakmoor can do ten times better. | 0:29:13 | 0:29:17 | |
Olly, Oakmoor, Shmoakmore. | 0:29:17 | 0:29:19 | |
Ba-ba-ba-ba-ba. | 0:29:19 | 0:29:22 | |
The final scene of the play is a really, really important scene. | 0:29:22 | 0:29:26 | |
Do you know what happens at the end of the Nativity? | 0:29:26 | 0:29:29 | |
-Baby Jesus is born. -Baby Jesus is born. | 0:29:29 | 0:29:33 | |
Right. Who fancies going on a little field trip | 0:29:33 | 0:29:36 | |
to actually see a real baby being born? | 0:29:36 | 0:29:41 | |
Here you are! I've been looking for you, my class. What are we all doing? | 0:29:41 | 0:29:44 | |
We're talking about going on a field trip to see a baby being born. | 0:29:44 | 0:29:48 | |
-What d'you mean? -It'd be good to do a few field trips. | 0:29:48 | 0:29:50 | |
-Go to a farm and see animals. -CHILDREN AGREE | 0:29:50 | 0:29:53 | |
It'd be cool for you to see the animals that come to the manger. | 0:29:53 | 0:29:56 | |
Thank you. Can we come in, please? | 0:29:56 | 0:29:58 | |
Enough silliness about babies being born. It's not going to happen. | 0:29:58 | 0:30:02 | |
How can they be convincing if they've not seen a baby being born? | 0:30:02 | 0:30:05 | |
It's called pretending. It's what every child | 0:30:05 | 0:30:08 | |
in every Nativity does every year. | 0:30:08 | 0:30:09 | |
You can't pretend something, unless you've experienced it. | 0:30:09 | 0:30:12 | |
I pretend to like you and I've yet to experience that. | 0:30:12 | 0:30:15 | |
Who wants to see a baby being born? | 0:30:15 | 0:30:16 | |
-ALL: -Me! | 0:30:16 | 0:30:20 | |
SCREAMING | 0:30:34 | 0:30:36 | |
BABY CRIES | 0:30:38 | 0:30:41 | |
Piglets! | 0:30:54 | 0:30:56 | |
Hello, everybody, I'd like to welcome you | 0:31:04 | 0:31:07 | |
to our annual Christmas bazaar at Oakmoor School. | 0:31:07 | 0:31:10 | |
As you know, Christmas is a time for giving, | 0:31:10 | 0:31:12 | |
a time for charity | 0:31:12 | 0:31:14 | |
and valuing those people less fortunate than ourselves. | 0:31:14 | 0:31:18 | |
So, in that spirit, I'd like to welcome the students | 0:31:18 | 0:31:21 | |
from St Bernadette's School. | 0:31:21 | 0:31:23 | |
# Ding dong merrily on high | 0:31:26 | 0:31:30 | |
-# In heaven the bells are ringing -Ding dong | 0:31:30 | 0:31:34 | |
-# Ding dong verily the sky -Ooh ooh | 0:31:34 | 0:31:37 | |
# Is riven with angels singing... # | 0:31:37 | 0:31:41 | |
MULTIPLE HARMONIES | 0:31:41 | 0:31:42 | |
# Gloria | 0:31:42 | 0:31:50 | |
# Hosanna in excelsis. # | 0:31:50 | 0:31:54 | |
APPLAUSE | 0:31:54 | 0:31:56 | |
That was good. | 0:31:56 | 0:31:57 | |
-They look beautiful. -I know. We're never going to beat them. | 0:32:05 | 0:32:09 | |
Ooh. | 0:32:17 | 0:32:19 | |
That one's good, isn't he? | 0:32:21 | 0:32:23 | |
HE SCOFFS | 0:32:26 | 0:32:27 | |
HE GIGGLES | 0:32:31 | 0:32:34 | |
APPLAUSE | 0:32:35 | 0:32:37 | |
How are we, are we all right? Are we ready to give it a go? | 0:32:44 | 0:32:48 | |
We know it a little bit. | 0:32:48 | 0:32:50 | |
Listen, this doesn't matter. It's not a test. | 0:32:50 | 0:32:52 | |
You don't have to get this right. | 0:32:52 | 0:32:54 | |
This is something we do cos we enjoy it. We enjoy singing. | 0:32:54 | 0:32:57 | |
Just to give us an idea of a Mary and Joseph. | 0:32:57 | 0:33:00 | |
OK? Mr Poppy, if you would, please. | 0:33:00 | 0:33:02 | |
Two, three. | 0:33:02 | 0:33:04 | |
# He's not my type | 0:33:04 | 0:33:08 | |
# She's not too bad | 0:33:08 | 0:33:13 | |
# Not the most gorgeous I've ever had | 0:33:13 | 0:33:20 | |
# And yet there's something | 0:33:20 | 0:33:23 | |
# Behind those eyes | 0:33:23 | 0:33:27 | |
# A fire that flickers... # | 0:33:27 | 0:33:32 | |
ALL SHOUT | 0:33:32 | 0:33:33 | |
CYMBALS CRASH | 0:33:35 | 0:33:37 | |
What's going on? | 0:33:39 | 0:33:40 | |
Olly and Alfie, did I see you fighting? | 0:33:42 | 0:33:44 | |
Why were you fighting? | 0:33:46 | 0:33:49 | |
He said I'd be rubbish at Joseph | 0:33:49 | 0:33:51 | |
and I'll never make it in the school play | 0:33:51 | 0:33:53 | |
and if I do, I would let the school down. | 0:33:53 | 0:33:56 | |
Alfie, who made you director? | 0:33:56 | 0:33:58 | |
No-one. But...but he hit me. | 0:33:58 | 0:34:01 | |
Alfie, it's not down to you who's going to be rubbish or good | 0:34:01 | 0:34:06 | |
or who'll let the school down. | 0:34:06 | 0:34:07 | |
You've just let the school down, and so have you, Olly. | 0:34:07 | 0:34:11 | |
You both want to try out for Joseph? | 0:34:11 | 0:34:12 | |
-Yes, Mr Maddens. -Yeah? Neither of you are going to. Sit down. | 0:34:12 | 0:34:17 | |
I knew you'd never let me! | 0:34:17 | 0:34:19 | |
Jade. Do you want to try for Mary? | 0:34:23 | 0:34:26 | |
-Olly. -Yes, Mr Maddens. -Take your feet of the seat. | 0:34:26 | 0:34:30 | |
-Try for Joseph. Come on. -Thank you, Mr Maddens. | 0:34:35 | 0:34:38 | |
# I'll grow to love her | 0:34:40 | 0:34:42 | |
# It might work out | 0:34:42 | 0:34:46 | |
# Too young to know | 0:34:46 | 0:34:49 | |
# What it's all about... # | 0:34:49 | 0:34:53 | |
This one I'm quite excited about, but it's a bit of a risk. | 0:34:53 | 0:34:56 | |
It could go either way. If you don't like it, you can just say. | 0:34:56 | 0:35:00 | |
Er... What...? Hang on. What's down here? | 0:35:00 | 0:35:03 | |
Oh, I think I've just found... | 0:35:03 | 0:35:07 | |
What's...? DOOR CLOSES | 0:35:07 | 0:35:09 | |
# Together, for ever | 0:35:13 | 0:35:17 | |
# And always home | 0:35:17 | 0:35:22 | |
-# Together... # -Other hand. | 0:35:22 | 0:35:23 | |
# For ever and always | 0:35:23 | 0:35:27 | |
# Always home. # | 0:35:27 | 0:35:31 | |
And kiss. | 0:35:31 | 0:35:33 | |
-BOTH: -And no. -They don't have to kiss. -Yes. | 0:35:33 | 0:35:37 | |
-No, Mr Poppy. -What about a cuddle? -Jade, Olly. Come here. | 0:35:37 | 0:35:40 | |
Sit here. | 0:35:40 | 0:35:41 | |
-That was excellent. -Thank you. | 0:35:44 | 0:35:45 | |
-You've got a beautiful voice. -Thank you. | 0:35:45 | 0:35:47 | |
And, Olly. | 0:35:47 | 0:35:50 | |
That was really good. | 0:35:50 | 0:35:52 | |
Thank you, Mr Maddens. | 0:35:52 | 0:35:53 | |
So, what was all that about earlier? | 0:35:53 | 0:35:56 | |
-Alfie got on my nerves. -But do you see what I'm saying to you? | 0:35:56 | 0:36:00 | |
I don't care if someone's getting on your nerves, you don't fight. | 0:36:00 | 0:36:02 | |
People think you're a bad lad. Maybe you're not. | 0:36:02 | 0:36:05 | |
The more bad things you do, | 0:36:05 | 0:36:07 | |
people have you marked down as that. | 0:36:07 | 0:36:09 | |
You've got talent and you let yourself down by being silly. | 0:36:09 | 0:36:13 | |
There are only so many conversations I can have about that. | 0:36:13 | 0:36:17 | |
Only so many times I can tell you off. Do you understand? | 0:36:17 | 0:36:20 | |
You don't want to be told off by me. It's boring. I hate doing it. | 0:36:20 | 0:36:23 | |
It's really boring for me as well. | 0:36:23 | 0:36:26 | |
If you could show me more of what you've shown me there, | 0:36:26 | 0:36:30 | |
you could be great in this show. | 0:36:30 | 0:36:32 | |
-So, can I be Joseph, Mr Maddens? -We don't know that yet. | 0:36:32 | 0:36:35 | |
Boy band, all right. | 0:36:35 | 0:36:37 | |
I'm thinking I can see my boy band here. | 0:36:37 | 0:36:40 | |
I'm thinking this is the boy band, but we've got to whittle it down. | 0:36:40 | 0:36:44 | |
-Without TJ. -Buddy? No TJ. | 0:36:44 | 0:36:46 | |
-Why? -I think he'd be a cool Gabriel. -OK. | 0:36:46 | 0:36:49 | |
He's in my Gabriel pile. | 0:36:49 | 0:36:51 | |
How will we whittle it down? | 0:36:51 | 0:36:53 | |
We've got to lose two. | 0:36:53 | 0:36:55 | |
-Good dancer. Zack is a great dancer. -He should definitely be in it. | 0:36:55 | 0:36:59 | |
-Matt? -Spiky hair and a good dancer. | 0:36:59 | 0:37:01 | |
Right, spiky hair, he's a good dancer. | 0:37:01 | 0:37:04 | |
Plus, he's eye-candy for the girls. | 0:37:04 | 0:37:05 | |
I don't think we need to bother ourselves with that. He's 11. | 0:37:05 | 0:37:08 | |
Have you seen the looks he gets in the playground? | 0:37:08 | 0:37:11 | |
-I don't look for those. -All these girls are like... | 0:37:11 | 0:37:13 | |
Good. OK, well... | 0:37:13 | 0:37:14 | |
-He doesn't walk around the playground, he struts. -Erm... | 0:37:14 | 0:37:18 | |
-Bobby! -Good morning, Mr Poppy. | 0:37:18 | 0:37:21 | |
I'm feeling a bit upset because I haven't got the part in the show. | 0:37:21 | 0:37:26 | |
How do you know that? We're just working it out. | 0:37:26 | 0:37:29 | |
-Bob, what do you want to be? -I want to be king. -Bob... | 0:37:29 | 0:37:32 | |
# She's the brightest star I've ever seen... # | 0:37:32 | 0:37:35 | |
-Throw some shapes. -INDISTINCT SINGING | 0:37:35 | 0:37:38 | |
# ..She shines down the light | 0:37:43 | 0:37:45 | |
# And she's gonna be my girl and me her boy... # | 0:37:45 | 0:37:50 | |
Is there room for a little one? | 0:37:50 | 0:37:52 | |
-Hm. Yeah. -You're through. | 0:37:52 | 0:37:54 | |
Get in there, baby, get in. | 0:37:54 | 0:37:56 | |
Thank you, Bob. | 0:37:56 | 0:37:58 | |
Chin up. | 0:37:58 | 0:38:00 | |
Things are moving apace a little bit with this Hollywood business. | 0:38:01 | 0:38:06 | |
If they go down the road before they come here, it'll be disastrous. | 0:38:06 | 0:38:09 | |
It's the end of everything. We'll be washed up by the age of ten. | 0:38:09 | 0:38:13 | |
We need to find Jennifer Law, | 0:38:13 | 0:38:14 | |
who's this executive producer - she works in one of the major studios. | 0:38:14 | 0:38:19 | |
I need somebody to go online to find out where she is. | 0:38:19 | 0:38:22 | |
I want her contacted. | 0:38:22 | 0:38:24 | |
We need to find out exactly what they're doing in their show. | 0:38:24 | 0:38:27 | |
-ALL: Yes, Mr Shakespeare. -We can see what their show's like, | 0:38:27 | 0:38:31 | |
see what they've got going on, then we can top it. | 0:38:31 | 0:38:33 | |
We beat them. If their show's big, we make ours bigger. | 0:38:33 | 0:38:36 | |
SHOUTING | 0:38:36 | 0:38:38 | |
We're going to do a warm-up | 0:38:44 | 0:38:45 | |
because it's very important before we do strenuous rehearsals or activity, | 0:38:45 | 0:38:50 | |
that we are warm our bodies and our minds up. | 0:38:50 | 0:38:53 | |
Minds are equally important to warm up as our bodies. | 0:38:53 | 0:38:56 | |
-Hi, Mr Poppy. -Hi. | 0:38:56 | 0:38:57 | |
We're going to do a gentle warm-up. You can join us, if you like. | 0:38:57 | 0:39:00 | |
I've got some music. I prepared a warm-up. | 0:39:00 | 0:39:03 | |
A little dance. We're going to limber up. | 0:39:03 | 0:39:05 | |
Copy what I do. And you, Mr Maddens. | 0:39:05 | 0:39:08 | |
MUSIC: "I Want You Back" by the Jackson 5 | 0:39:08 | 0:39:11 | |
-Ho, ho, ho. -CHILDREN COPY | 0:39:15 | 0:39:18 | |
# A-ha-ha-ha-ha | 0:39:27 | 0:39:31 | |
# Let me tell you now | 0:39:31 | 0:39:34 | |
# Ooh-hoo | 0:39:34 | 0:39:36 | |
# When I had you to myself I didn't want you around | 0:39:38 | 0:39:42 | |
# Those pretty faces always made you stand out in a crowd | 0:39:42 | 0:39:46 | |
# But someone picked you from the bunch | 0:39:46 | 0:39:48 | |
# One glance was all it took | 0:39:48 | 0:39:51 | |
# Now it's much too late for me to take a second look | 0:39:51 | 0:39:55 | |
# Oh, baby, give me one more chance | 0:39:55 | 0:39:59 | |
# Show you that I love you | 0:39:59 | 0:40:00 | |
# Won't you please let me back in your arms? | 0:40:00 | 0:40:05 | |
# Oh, darling, I was blind to let you go | 0:40:05 | 0:40:10 | |
# But now since I see you in his arms | 0:40:10 | 0:40:14 | |
-# I want you back -Yes, I do now | 0:40:14 | 0:40:16 | |
-# I want you back... # -Spies! | 0:40:16 | 0:40:18 | |
-CHILDREN SHOUT -Mr Maddens, it's the freak. | 0:40:18 | 0:40:21 | |
Cry God for Harry, England and St George! | 0:40:23 | 0:40:30 | |
-Come on. -SHOUTING | 0:40:30 | 0:40:33 | |
-SHE LAUGHS -Break time. | 0:40:42 | 0:40:44 | |
I wanted to say, you know, if you needed help | 0:40:44 | 0:40:46 | |
with the singing or dancing, or anything like that. | 0:40:46 | 0:40:49 | |
SHOUTING CONTINUES | 0:40:49 | 0:40:51 | |
-Step, step, change... -Excuse me. -Step, step... | 0:40:55 | 0:40:58 | |
Gordon! | 0:41:04 | 0:41:06 | |
Gordon! | 0:41:07 | 0:41:09 | |
-I don't know what's happening. -What are you doing? | 0:41:09 | 0:41:12 | |
-Why've you come to the school? -We came on a field trip and... | 0:41:12 | 0:41:15 | |
-Excuse me. Excuse me. No... -Mr Maddens! | 0:41:17 | 0:41:20 | |
Bundle! | 0:41:23 | 0:41:26 | |
Some of the children have described being encouraged to have a rumble. | 0:41:29 | 0:41:33 | |
What on earth does that mean? | 0:41:33 | 0:41:35 | |
It was more of a bundle than a rumble. | 0:41:35 | 0:41:37 | |
Bundle or rumble, I do not care. | 0:41:37 | 0:41:39 | |
You've dragged this school and your trousers through the mire. | 0:41:39 | 0:41:44 | |
If it wasn't for this Hollywood thing, | 0:41:44 | 0:41:46 | |
you'd be off the premises without a job and without a reference. | 0:41:46 | 0:41:48 | |
Get out, back your classrooms. | 0:41:48 | 0:41:50 | |
-Tuck your shirt in. -I'm really sorry. | 0:41:50 | 0:41:54 | |
Good evening, ladies and gentlemen, Thank you for coming. | 0:41:54 | 0:41:56 | |
I know a lot of you have heard about the Hollywood connection, | 0:41:56 | 0:42:00 | |
so I'll hand you over to Mr Maddens. Paul. | 0:42:00 | 0:42:03 | |
There was talk about relocating. | 0:42:03 | 0:42:05 | |
Is this... Is there any truth in this? | 0:42:05 | 0:42:08 | |
I don't want any of us to run away with ourselves | 0:42:08 | 0:42:12 | |
and dream about Hollywood mansions or swimming pools, | 0:42:12 | 0:42:15 | |
when we know that is plainly a fantasy. | 0:42:15 | 0:42:17 | |
Yeah, but if the people from Hollywood see something brilliant | 0:42:17 | 0:42:21 | |
in your child, they'll probably take them over there. | 0:42:21 | 0:42:24 | |
I'm worried about the religious aspect being lost. | 0:42:24 | 0:42:26 | |
It will be absolutely, 100%, | 0:42:26 | 0:42:29 | |
in line with the teaching of the Church, a normal Nativity. | 0:42:29 | 0:42:32 | |
Yeah, but also we've got the death slide. | 0:42:32 | 0:42:34 | |
How much are you paying? | 0:42:34 | 0:42:36 | |
There will be no financial benefit, as far as I know. | 0:42:36 | 0:42:39 | |
If you're making a film, there's got to be a fee. | 0:42:39 | 0:42:41 | |
Nobody does a film for nothing. | 0:42:41 | 0:42:43 | |
It's Hollywood, they've got the money. | 0:42:43 | 0:42:45 | |
And he's really good. He deserves to be paid. | 0:42:45 | 0:42:48 | |
About £1 million. I think, I've heard. | 0:42:48 | 0:42:51 | |
-We're going to have to get agents. -Alfie can't have contacts. | 0:42:51 | 0:42:54 | |
Just don't cast him, then. | 0:42:54 | 0:42:56 | |
-My daughter is very beautiful. -Will my daughter Becky be...? | 0:42:56 | 0:42:59 | |
-My daughter is going to be... -She's a Mary, isn't she? | 0:42:59 | 0:43:02 | |
EVERYONE SPEAKS AT ONCE | 0:43:02 | 0:43:04 | |
OK... Hi, Jennifer, this is, er, Paul. Paul Maddens. | 0:43:04 | 0:43:08 | |
Er... Just wondering if you can possibly give me a call back. | 0:43:08 | 0:43:11 | |
I have something to ask you, if that's all right. | 0:43:11 | 0:43:14 | |
If you could give me a ri... Love you. | 0:43:14 | 0:43:17 | |
What are you...?! Don't say that. | 0:43:17 | 0:43:20 | |
Why did you tell me to say that? | 0:43:20 | 0:43:22 | |
-It's a nice ending. -It's not a nice ending. | 0:43:22 | 0:43:25 | |
It's a totally inappropriate ending. What are you talking about? | 0:43:25 | 0:43:28 | |
-Why are you were my house?! -I'm just trying to help, Mr Maddens. | 0:43:28 | 0:43:32 | |
It's not helping! | 0:43:32 | 0:43:33 | |
I haven't told her I loved her have a five years... | 0:43:33 | 0:43:36 | |
Get out. What are you doing? | 0:43:36 | 0:43:38 | |
He's doing it for the best, | 0:43:38 | 0:43:39 | |
because if it does happen, it'll be brilliant. | 0:43:39 | 0:43:42 | |
-It's not happening. -But it might happen. -How? | 0:43:42 | 0:43:45 | |
-Well... -How's it going to happen? | 0:43:45 | 0:43:47 | |
-Maybe you could kind of help out. -Desmond. | 0:43:47 | 0:43:51 | |
Are you going to be on break duty, today? Can you...? | 0:43:51 | 0:43:54 | |
-I was chatting with Miss Rye. -You shouldn't be. | 0:43:54 | 0:43:57 | |
Can you get out, please? | 0:43:57 | 0:43:58 | |
-Paul. -Yeah? | 0:43:58 | 0:44:00 | |
Why did you lie? | 0:44:01 | 0:44:03 | |
-About what? -About America, | 0:44:03 | 0:44:06 | |
about Hollywood all being a complete load of rubbish. | 0:44:06 | 0:44:09 | |
-You've lied about all this. -You DID lie. | 0:44:09 | 0:44:11 | |
I'm in shock. I'm in shock. | 0:44:11 | 0:44:14 | |
I'm really sorry. I was looking for the right time. | 0:44:14 | 0:44:15 | |
-What are you going to do? -I don't know. | 0:44:15 | 0:44:18 | |
-You've got to do something. -Maybe you've got an idea. | 0:44:18 | 0:44:21 | |
You've got to get Jennifer to return your calls | 0:44:21 | 0:44:24 | |
-or speak to you, whatever. -Yes. | 0:44:24 | 0:44:26 | |
We're going to film what we've done. | 0:44:26 | 0:44:28 | |
-We'll film some of the rehearsals. -A best bits. | 0:44:28 | 0:44:31 | |
-A best bit of these children? -Yes. -Four seconds. There are no best bits. | 0:44:31 | 0:44:34 | |
-Oh! -Come on, Paul! | 0:44:34 | 0:44:36 | |
OK, just get something. Get what you can. | 0:44:36 | 0:44:39 | |
The best thing you can. On the DVD. | 0:44:39 | 0:44:41 | |
Film it for the DVD. Send the DVD. | 0:44:41 | 0:44:43 | |
Stop saying "DVD". | 0:44:43 | 0:44:44 | |
It's got to be worth a try. | 0:44:44 | 0:44:46 | |
Well, I'm not doing the DVD. | 0:44:46 | 0:44:50 | |
# She's the brightest star I've ever seen | 0:44:50 | 0:44:53 | |
# It's like we're living in some kind of dream | 0:44:53 | 0:44:58 | |
# Why do I feel love with her with hope and joy | 0:44:58 | 0:45:01 | |
# Cos she's shining down the light | 0:45:01 | 0:45:04 | |
# And she's gonna be my girl and me her boy... # | 0:45:04 | 0:45:08 | |
VOICES FADE TO SILENT | 0:45:08 | 0:45:10 | |
THEY CHEER | 0:45:21 | 0:45:23 | |
OK. Er... | 0:45:24 | 0:45:26 | |
OK, nice and loud. In here, in here. Go! | 0:45:38 | 0:45:41 | |
HE SOBS | 0:45:45 | 0:45:47 | |
'Hello, you don't know me. I've heard a lot about you | 0:45:53 | 0:45:57 | |
'and the children have got something they want to tell you. | 0:45:57 | 0:46:00 | |
'Mr Maddens is having a hard time without you. | 0:46:00 | 0:46:02 | |
'Mr Maddens loves you so much, so can you please come back? | 0:46:02 | 0:46:09 | |
'Please, please come back and mend Mr Maddens' heart. | 0:46:09 | 0:46:11 | |
'Mr Maddens is heartbroken without you. | 0:46:11 | 0:46:14 | |
'Without you, Mr Maddens is lost. | 0:46:16 | 0:46:18 | |
'Mr Maddens is miserable without you, Jennifer. | 0:46:18 | 0:46:23 | |
'So, please, please come. | 0:46:23 | 0:46:26 | |
'Erm, and come and see the show while you're here. | 0:46:26 | 0:46:29 | |
'And everything will be good.' | 0:46:29 | 0:46:31 | |
The Lord Mayor welcomes Mrs Bevan and Mr Maddens! | 0:46:44 | 0:46:48 | |
APPLAUSE | 0:46:48 | 0:46:51 | |
-Paul Maddens. -Nice to meet you. | 0:46:55 | 0:46:57 | |
-How d'you do? -Nice to see you again. -Lovely to be here. | 0:46:57 | 0:47:00 | |
You look marvellous, by the way. | 0:47:00 | 0:47:02 | |
This old thing comes out at Christmas time. | 0:47:02 | 0:47:04 | |
You look like a Christmas cracker! | 0:47:04 | 0:47:06 | |
Thank you very much. | 0:47:06 | 0:47:07 | |
Let's hope you get pulled before the end of the night! | 0:47:07 | 0:47:10 | |
Can I take you for a drink, Mrs Bevan? | 0:47:10 | 0:47:14 | |
I'm sure you'd like another glass of champagne. | 0:47:14 | 0:47:15 | |
I'd love another one. It's very nice, very cooling. | 0:47:15 | 0:47:18 | |
-Patrick Burns. -Hello. | 0:47:18 | 0:47:20 | |
-Coventry Evening Telegraph. -I know who you are, yeah. | 0:47:20 | 0:47:23 | |
-Excited? -About? | 0:47:23 | 0:47:26 | |
Hollywood? | 0:47:26 | 0:47:27 | |
Oh, yeah, that old thing. | 0:47:27 | 0:47:29 | |
I've got contacts there. Had them for years. | 0:47:29 | 0:47:31 | |
Pulling in a favour. | 0:47:31 | 0:47:33 | |
Yeah. From a young lady. Jennifer, isn't it? | 0:47:33 | 0:47:36 | |
-Er, yeah. -Yeah... | 0:47:36 | 0:47:38 | |
Sorry, I know how this works. No. You're a reporter and it's... | 0:47:38 | 0:47:41 | |
No, I'm off duty. I'm off duty. | 0:47:41 | 0:47:44 | |
-I hear there's no such thing. -Please. | 0:47:44 | 0:47:47 | |
Gordon was saying how you had a few problems in the beginning | 0:47:47 | 0:47:51 | |
and then he said to her, "You go, girl. You go to LA." | 0:47:51 | 0:47:54 | |
I just wondered your take on it all. | 0:47:54 | 0:47:58 | |
-I'm sensing a lot of anger. -Are you? Why would that be, I wonder? | 0:48:00 | 0:48:05 | |
Could it be because you are the man who, five years ago, | 0:48:05 | 0:48:08 | |
roundly trashed my one honest attempt at putting on a Nativity. | 0:48:08 | 0:48:12 | |
It doesn't ring a bell. Sure it was me? | 0:48:12 | 0:48:15 | |
"Jesus, Mary and Joseph!" was the headline. Now, with a chance... | 0:48:15 | 0:48:18 | |
Oh, come on. It was appalling. | 0:48:18 | 0:48:20 | |
So, you do remember it? | 0:48:20 | 0:48:21 | |
I did that review to make you tough. | 0:48:21 | 0:48:24 | |
Look at you now. You're mixing with Hollywood. | 0:48:24 | 0:48:27 | |
You're no-one if you haven't had a bad review off Patrick Burns. | 0:48:27 | 0:48:30 | |
That's why they call them Burns' victims. | 0:48:30 | 0:48:32 | |
Ladies and gentlemen, | 0:48:35 | 0:48:36 | |
can I thank you for your attendance and your support | 0:48:36 | 0:48:38 | |
because I would like to publicly congratulate | 0:48:38 | 0:48:41 | |
Mr Maddens and St Bernadette's School | 0:48:41 | 0:48:44 | |
for the incredible opportunity they are affording our wonderful city. | 0:48:44 | 0:48:48 | |
APPLAUSE | 0:48:48 | 0:48:50 | |
In honour of this occasion, and much against the council's wishes, | 0:48:50 | 0:48:53 | |
the mayor's parlour has overruled the council | 0:48:53 | 0:48:56 | |
and we would like to offer the cathedral ruins | 0:48:56 | 0:48:59 | |
as a venue for your show. | 0:48:59 | 0:49:01 | |
HE LAUGHS | 0:49:01 | 0:49:03 | |
APPLAUSE | 0:49:03 | 0:49:04 | |
Mr Maddens. | 0:49:15 | 0:49:17 | |
This is brilliant. This is going to blow your mind. | 0:49:17 | 0:49:20 | |
Prepare to be amazed. | 0:49:20 | 0:49:23 | |
We're doing it at the cathedral. | 0:49:23 | 0:49:25 | |
What? | 0:49:25 | 0:49:27 | |
-We're doing the show in the ruins of the cathedral. -Yes! | 0:49:27 | 0:49:33 | |
The cathedral's got a spire. | 0:49:33 | 0:49:35 | |
-It's got a really high spire. -You don't seem to understand | 0:49:35 | 0:49:38 | |
that the bigger this gets... | 0:49:38 | 0:49:39 | |
It's now constituting fraud. | 0:49:39 | 0:49:41 | |
He's getting corporate sponsors involved to give money | 0:49:41 | 0:49:45 | |
-and to give their services for free. -We need money. | 0:49:45 | 0:49:47 | |
-We need lights. We need a little smoke machine. -Please. | 0:49:47 | 0:49:50 | |
We need someone to help do the hanging. I can't. | 0:49:50 | 0:49:53 | |
-I tried with the rope, but it keeps snapping... -Mr Poppy. | 0:49:53 | 0:49:55 | |
Stop it, please. Seriously. | 0:49:55 | 0:49:57 | |
-What are you doing? -I think I'm having a heart... | 0:49:57 | 0:50:00 | |
-Mr Maddens. -Don't touch me. | 0:50:00 | 0:50:02 | |
-You're upset, aren't you? -HIGH-PITCHED: Oh! | 0:50:02 | 0:50:05 | |
I can give you a cuddle. Cuddles make it all go away. | 0:50:05 | 0:50:09 | |
I promise. Feel this. | 0:50:09 | 0:50:12 | |
(You're hurting me.) | 0:50:12 | 0:50:15 | |
We can do this, Mr Maddens, can't we? | 0:50:15 | 0:50:16 | |
"Yes, we can." | 0:50:16 | 0:50:18 | |
-No, we can't. -We can, we can. Look... | 0:50:18 | 0:50:21 | |
I'll leave you here, all right? | 0:50:21 | 0:50:23 | |
You can listen to the music and just chill out and relax. | 0:50:23 | 0:50:26 | |
I'll take care of the children. | 0:50:26 | 0:50:28 | |
MUSIC PLAYS ON LAPTOP | 0:50:28 | 0:50:30 | |
Believe, Mr Maddens, believe. | 0:50:30 | 0:50:33 | |
# I've had a little make-over and I'm all dressed up tonight... # | 0:50:33 | 0:50:36 | |
Out to here, out to here. | 0:50:36 | 0:50:38 | |
# A cheeky drink A naughty wink... # | 0:50:38 | 0:50:42 | |
Yes. | 0:50:42 | 0:50:45 | |
-# Step up and put your shades on -Cos I'm about to shine... # | 0:50:45 | 0:50:48 | |
This is the cathedral. Fill the cathedral. | 0:50:48 | 0:50:51 | |
-Good. -# Cos there's no star like mine! # | 0:50:51 | 0:50:54 | |
Yes. | 0:50:54 | 0:50:56 | |
ALL: # Ooh-ooh, ooh-ooh... # | 0:50:56 | 0:50:58 | |
See, that's... Can you cut the music, please? Cut the music. | 0:50:58 | 0:51:01 | |
That has got to come in absolutely after the... | 0:51:01 | 0:51:04 | |
# Ooh-ooh, ooh-ooh. # | 0:51:04 | 0:51:06 | |
Bosh! # Sparkle and shine! # | 0:51:06 | 0:51:09 | |
It has to have that ferocity to it. | 0:51:09 | 0:51:11 | |
It's a cathedral we're trying to fill, not just this hall. | 0:51:11 | 0:51:14 | |
You're not hitting me when I'm here. | 0:51:14 | 0:51:16 | |
OK, let's go again, please. | 0:51:16 | 0:51:18 | |
# I've had a little make-over and I'm all dressed up tonight | 0:51:18 | 0:51:23 | |
# A cheeky drink A naughty wink | 0:51:23 | 0:51:27 | |
# We'll loosen up, all right | 0:51:27 | 0:51:30 | |
# Step up and put your shades on | 0:51:30 | 0:51:33 | |
# Cos I'm about to shine | 0:51:33 | 0:51:36 | |
# My blinding light will throw you | 0:51:36 | 0:51:38 | |
# Cos there's no starlight like mine | 0:51:38 | 0:51:42 | |
# Sparkle and shine | 0:51:42 | 0:51:45 | |
# Planets gather round | 0:51:45 | 0:51:47 | |
# Sparkle and shine | 0:51:47 | 0:51:50 | |
# Let's all make a dazzling sound | 0:51:50 | 0:51:53 | |
# Here's something you won't believe | 0:51:53 | 0:51:56 | |
# It's the first time ever It's Christmas Eve. # | 0:51:56 | 0:52:01 | |
HE HOLDS NOTE | 0:52:01 | 0:52:03 | |
Very good. Very good. Well done. | 0:52:07 | 0:52:10 | |
BELL RINGS All right. Be back in an hour. Go. | 0:52:10 | 0:52:13 | |
CHILDREN SHOUT Mr Poppy! Mr... | 0:52:13 | 0:52:17 | |
Right, carefully, please. Carefully, Lucy. | 0:52:17 | 0:52:20 | |
Hello, Sadie. That was great. Well done. | 0:52:20 | 0:52:25 | |
-I don't really want to do it. -You don't want to do what? | 0:52:25 | 0:52:28 | |
The singing and dancing. | 0:52:28 | 0:52:30 | |
Come here. Sit down. Sit down. | 0:52:30 | 0:52:32 | |
HE CLEARS THROAT | 0:52:36 | 0:52:38 | |
Sadie, that was absolutely brilliant. | 0:52:38 | 0:52:39 | |
Everyone's going to laugh at me. | 0:52:39 | 0:52:41 | |
No, everyone's going to laugh with you. | 0:52:41 | 0:52:44 | |
Anyone who tells you that anyone's going to laugh at you must be a fool, | 0:52:44 | 0:52:48 | |
because you were great up there - | 0:52:48 | 0:52:50 | |
you sparkled and you shone like the brightest star. | 0:52:50 | 0:52:52 | |
You were really good. | 0:52:52 | 0:52:54 | |
Please don't drop out now. | 0:52:54 | 0:52:55 | |
HE SIGHS Truth be known, I need you. | 0:52:57 | 0:53:01 | |
I need all of you in it, OK? | 0:53:01 | 0:53:03 | |
If you don't do it for yourself, please, look at me - | 0:53:03 | 0:53:06 | |
I'm a man literally on the edge of something, I don't know what. | 0:53:06 | 0:53:10 | |
But if you go now, it will really, genuinely... | 0:53:10 | 0:53:16 | |
hurt me. | 0:53:16 | 0:53:17 | |
You were great up there. | 0:53:18 | 0:53:21 | |
-Do I have to wear a stupid costume? -Yes. | 0:53:21 | 0:53:24 | |
It's the Nativity. You can't look cool. | 0:53:24 | 0:53:26 | |
Go on, have your lunch. | 0:53:26 | 0:53:28 | |
Oh, you're joking! | 0:53:38 | 0:53:40 | |
"Dear Father Christmas, | 0:54:00 | 0:54:02 | |
"I'm so scared of not doing the play properly, | 0:54:02 | 0:54:05 | |
"so please could you make my Christmas wish come true | 0:54:05 | 0:54:08 | |
"and make Hollywood love us in the play? | 0:54:08 | 0:54:10 | |
"PS, make me be Mary. Love, Saffron." | 0:54:10 | 0:54:14 | |
"Dear Santa, please send me loads of stuff and surprises. | 0:54:16 | 0:54:20 | |
"I want to be happy and see more of my mum, | 0:54:20 | 0:54:23 | |
"cos she never spends any time with me. | 0:54:23 | 0:54:25 | |
"And please let me be Joseph. | 0:54:25 | 0:54:27 | |
"She's never seen me do a school play before. | 0:54:27 | 0:54:30 | |
"Thank you very much, from Olly." | 0:54:30 | 0:54:32 | |
"Dear Santa, please, please let my Christmas wish come true. | 0:54:37 | 0:54:41 | |
"I'd really love for everyone in the world to be happy, even Mr Maddens. | 0:54:41 | 0:54:45 | |
"Please help Mr Maddens get his girlfriend back | 0:54:45 | 0:54:48 | |
"when she comes to see us. | 0:54:48 | 0:54:49 | |
"Thank you very much, from Charlotte." | 0:54:49 | 0:54:52 | |
"Dear Father Christmas, | 0:54:59 | 0:55:01 | |
"please make my teacher happy, cos he seems really sad. | 0:55:01 | 0:55:04 | |
"He doesn't even like Christmas. | 0:55:04 | 0:55:07 | |
"So, please help him find his smile. Love from Lizzie." | 0:55:07 | 0:55:11 | |
HE GULPS | 0:55:11 | 0:55:13 | |
Right. Who wants to go on a death slide? | 0:55:23 | 0:55:27 | |
-ALL: -Me! -Yes! | 0:55:27 | 0:55:29 | |
-What's going on? -I'm going. | 0:55:31 | 0:55:33 | |
-What d'you mean, you're going? -I'm going to Hollywood. -You... | 0:55:33 | 0:55:36 | |
-Are you being serious? -Yes, I am. | 0:55:36 | 0:55:38 | |
-Ah! -HE LAUGHS | 0:55:38 | 0:55:40 | |
I want to kiss you. And me too. | 0:55:40 | 0:55:43 | |
No, no. You've got to be here, look after the play. | 0:55:43 | 0:55:46 | |
-You're my wingman. -Yes, Mr Maddens! | 0:55:46 | 0:55:50 | |
-Send me a postcard, man. -I will do. -OK. Do-do-doo! | 0:55:50 | 0:55:54 | |
-TO TUNE OF "HOLIDAYS ARE COMING": -# Hollywood is coming! # | 0:55:54 | 0:55:58 | |
CHIMES, FLIGHT ANNOUNCEMENT | 0:55:58 | 0:56:03 | |
-Mr Maddens. -Whoa, whoa, whoa, whoa. -Mr Maddens. | 0:56:03 | 0:56:06 | |
-Hello. -Room for two little ones? | 0:56:06 | 0:56:07 | |
-Sorry? -William and Saffron are coming with you. | 0:56:07 | 0:56:10 | |
-They can't come on the plane with me. -I've got consent forms. | 0:56:10 | 0:56:13 | |
-I've got the passports. -Passports? -Tickets. | 0:56:13 | 0:56:16 | |
Miss Rye and I thought it would be a good idea if they come with you, | 0:56:16 | 0:56:20 | |
cos they can sing and dance and do the opening numbers and Nazareth. | 0:56:20 | 0:56:23 | |
The gate's closing. She's got allergies. | 0:56:23 | 0:56:25 | |
-What are your allergies? -Ponies, horses, donkeys and cats. | 0:56:25 | 0:56:28 | |
-I don't have time for this. -It's a good idea. | 0:56:28 | 0:56:31 | |
-Desmond, this is all very sweet. -They can help you. | 0:56:31 | 0:56:34 | |
I'm not taking two children on an 11-hour flight. | 0:56:34 | 0:56:37 | |
MUSIC: "Sleigh Ride" by The Ronettes | 0:56:46 | 0:56:49 | |
-Mr Maddens! Look what we've found! -What is it? | 0:57:03 | 0:57:05 | |
So, we're in the right area. | 0:57:05 | 0:57:07 | |
We're closer to her than we were at the beach. Good. | 0:57:07 | 0:57:10 | |
We should be getting very near Beverly Hills now. | 0:57:10 | 0:57:14 | |
Saffron! | 0:57:14 | 0:57:16 | |
If we come across anyone, let me do the talking. You keep schtum, OK? | 0:57:18 | 0:57:22 | |
Now, just follow me. | 0:57:22 | 0:57:23 | |
-Excuse me. -Hi. -Hey, you guys have an appointment? | 0:57:23 | 0:57:26 | |
Er, yes, that's right. I have an appointment with Jennifer Law. | 0:57:26 | 0:57:29 | |
-My name is Paul Maddens. -Can I see some ID, please? | 0:57:29 | 0:57:33 | |
-Sorry? -I need to see a piece of ID. | 0:57:33 | 0:57:36 | |
I'm so sorry. Totally my fault. I haven't got it with me. | 0:57:36 | 0:57:40 | |
You're not on the list. I wouldn't let you on if you had it. | 0:57:40 | 0:57:44 | |
Is it possible to check somewhere else? | 0:57:44 | 0:57:47 | |
I've come all the way with these two. | 0:57:47 | 0:57:49 | |
-I'll check. -If you would. | 0:57:49 | 0:57:50 | |
Follow me. | 0:57:52 | 0:57:54 | |
-Come on! -Hey! | 0:57:54 | 0:57:55 | |
-This way! -Hey! Come here! Hey, stop! Come here! Stop! | 0:57:55 | 0:57:59 | |
Quick. | 0:57:59 | 0:58:00 | |
Come on. | 0:58:00 | 0:58:03 | |
OK. OK. Come here. Hold on tight. Hold on tight. | 0:58:06 | 0:58:10 | |
Stop! | 0:58:10 | 0:58:12 | |
Stop! Wait! | 0:58:13 | 0:58:15 | |
-Whoa! -Whoa! Whoa! | 0:58:18 | 0:58:22 | |
Gabriel! Thomas, it's not your bit. | 0:58:22 | 0:58:25 | |
What d'you mean, it's not my bit? | 0:58:25 | 0:58:27 | |
BLEATING | 0:58:29 | 0:58:30 | |
SQUEALING | 0:58:37 | 0:58:39 | |
DONKEY BRAYS | 0:58:48 | 0:58:50 | |
Aw! | 0:58:55 | 0:58:56 | |
-TRUMP! -Oh! | 0:58:56 | 0:58:58 | |
..That's a David Lowenstein? OK, putting you through. | 0:59:04 | 0:59:08 | |
Good morning, Independent United Pictures. Hi, Angie! | 0:59:08 | 0:59:11 | |
I know! | 0:59:11 | 0:59:13 | |
Putting you through. | 0:59:15 | 0:59:17 | |
-How can I help you, sir? -My name is Paul Maddens... | 0:59:17 | 0:59:19 | |
Good afternoon, Independent United Pictures. Uh-huh. | 0:59:19 | 0:59:22 | |
That's for Sean Michelle? Putting you through. | 0:59:22 | 0:59:24 | |
-I'm sorry, sir. -Hi. Paul Maddens to see Jennifer Law at ten o'clock. | 0:59:24 | 0:59:29 | |
-Can I take you name again, sir? -Paul Maddens. M-A-D-D-E-N-S. | 0:59:29 | 0:59:33 | |
-P-A-U-L-L? -P-A-U-L. No, just one L. -One L. | 0:59:33 | 0:59:38 | |
I don't have that appointment, sir. | 0:59:38 | 0:59:40 | |
-Sorry, is... -If you'd move away from the desk. | 0:59:40 | 0:59:42 | |
THEY TALK OVER EACH OTHER | 0:59:42 | 0:59:44 | |
-Tony, we have children in reception! -So, what's the problem? | 0:59:44 | 0:59:46 | |
-Tony, we have children in reception! -What's the problem? -Kevin... | 0:59:46 | 0:59:50 | |
I'm so sorry, Jennifer, there's this crazy guy. | 0:59:50 | 0:59:53 | |
-Yeah, it's fine. -He's been ask... -It's OK. I... | 0:59:53 | 0:59:56 | |
You look amazing. | 1:00:01 | 1:00:03 | |
Why are you here? | 1:00:03 | 1:00:05 | |
You know why I'm here. You didn't give me much of a choice. | 1:00:05 | 1:00:08 | |
You didn't return my calls. | 1:00:08 | 1:00:09 | |
-Paul. -What? -I don't understand what I'm meant to do. | 1:00:09 | 1:00:12 | |
Look, you shouldn't be involved in it, but, somehow, | 1:00:12 | 1:00:16 | |
we've got to a situation where the whole town thinks | 1:00:16 | 1:00:19 | |
that Hollywood are coming. | 1:00:19 | 1:00:20 | |
Why do feel like I'm suddenly ten years ago? | 1:00:20 | 1:00:23 | |
I tried to maintain contact with you. You were having none of it. | 1:00:23 | 1:00:26 | |
-You did not want anything... -Excuse me. | 1:00:26 | 1:00:28 | |
-Sorry. Jen, this is that letter of agreement. -OK. | 1:00:28 | 1:00:31 | |
-You can take time off. -I can't take time off. | 1:00:31 | 1:00:35 | |
-I know you're busy. -I don't understand why... | 1:00:35 | 1:00:37 | |
An executive producer can't just take time off? | 1:00:37 | 1:00:40 | |
I'm not an executive producer. | 1:00:40 | 1:00:42 | |
What do you mean? What are you, then? | 1:00:42 | 1:00:44 | |
I file, I answer phone calls. I speak to people, | 1:00:44 | 1:00:47 | |
I put people in meetings, | 1:00:47 | 1:00:49 | |
-I take people out of meetings. -A secretary? | 1:00:49 | 1:00:51 | |
-Yep. -You can't be a secretary. You can't be a secretary. | 1:00:51 | 1:00:55 | |
She does a heck of a lot more than that, pal, | 1:00:55 | 1:00:58 | |
-and you should respect her time. -I am pretty much a secretary. | 1:00:58 | 1:01:01 | |
Yeah. Yeah. | 1:01:01 | 1:01:03 | |
I'm sorry. Look, I know this is mad. | 1:01:03 | 1:01:06 | |
I know this is absolutely insane and it's my fault. | 1:01:06 | 1:01:09 | |
I'm asking you for one more favour and then I'll be out of your life. | 1:01:09 | 1:01:12 | |
-I can't do anything. -If you can't, who can? Harrison, are you up for it? | 1:01:12 | 1:01:17 | |
I believe the answer is no. Sorry you came all this way... | 1:01:17 | 1:01:20 | |
-A trip to England? -I'm sorry you have come over here. | 1:01:20 | 1:01:24 | |
-Who could help me out, then? -If you got an appointment... | 1:01:24 | 1:01:27 | |
I am not leaving here with these two without something to take home, OK? | 1:01:27 | 1:01:32 | |
Come here! | 1:01:32 | 1:01:33 | |
-Kevin, get security. -Security, please! | 1:01:34 | 1:01:37 | |
This way, this way. | 1:01:37 | 1:01:39 | |
Have you heard of the Nativity? | 1:01:39 | 1:01:43 | |
HE SIGHS You have, I can tell you have. | 1:01:43 | 1:01:46 | |
So, we're doing our Nativity show. | 1:01:46 | 1:01:48 | |
-Mary meets Joseph. They... -I know the story. -OK. | 1:01:48 | 1:01:53 | |
All I need to tell you is it's being performed by 24 children. | 1:01:53 | 1:01:55 | |
It happens every year in every school around the world | 1:01:55 | 1:01:59 | |
where Christians are. | 1:01:59 | 1:02:01 | |
So, what's so special about yours? | 1:02:01 | 1:02:03 | |
A good question. Here's an even better answer. | 1:02:03 | 1:02:06 | |
One, two, three, four. | 1:02:06 | 1:02:09 | |
BOTH: # Things are really cool... # (Sing it out.) | 1:02:09 | 1:02:12 | |
# In Nazareth | 1:02:12 | 1:02:14 | |
# Our city is full of joy | 1:02:14 | 1:02:18 | |
# Cos this is where girl meets boy... # | 1:02:18 | 1:02:21 | |
Yes, that's a Sean Burridge. Putting you through. | 1:02:21 | 1:02:25 | |
Last chance. | 1:02:25 | 1:02:26 | |
Bye, Paul. Thanks for dropping by. | 1:02:29 | 1:02:31 | |
-Oh, shut up, Harrison! -Hey. | 1:02:31 | 1:02:33 | |
They're not coming, are they? | 1:02:41 | 1:02:42 | |
No, they're not. | 1:02:45 | 1:02:47 | |
-Is it our fault? -No. | 1:02:47 | 1:02:50 | |
No, it's not your fault. Come on. | 1:02:50 | 1:02:54 | |
Although, you could have sung a bit better. | 1:02:55 | 1:02:58 | |
They're expecting Hollywood to come and see their show. | 1:03:03 | 1:03:08 | |
-Mr Parker, we can make that happen. -I've got 50 states. | 1:03:08 | 1:03:14 | |
I've got hundreds of towns in each one of those states | 1:03:14 | 1:03:18 | |
that are putting on a Nativity play I can go see. | 1:03:18 | 1:03:21 | |
I don't need to travel 6,000 miles. | 1:03:21 | 1:03:24 | |
Mr Parker, I need you to do this for me. | 1:03:24 | 1:03:28 | |
I have worked here for three years, and... | 1:03:28 | 1:03:31 | |
every morning, at ten to eight, I take your coat, I hang it up. | 1:03:31 | 1:03:37 | |
At nine o'clock, I get you your coffee, I put it on your table. | 1:03:37 | 1:03:42 | |
I take away the letters. I put them into the outbox. | 1:03:42 | 1:03:44 | |
I take the other letters, put them in the inbox. I file, fax, smile. | 1:03:44 | 1:03:49 | |
Jennifer... | 1:03:49 | 1:03:50 | |
..that's what you're paid to do. | 1:03:52 | 1:03:54 | |
I know. | 1:03:55 | 1:03:56 | |
-Yeah. -Yes. | 1:03:58 | 1:04:00 | |
Hello. | 1:04:05 | 1:04:07 | |
Well? | 1:04:07 | 1:04:08 | |
No joy. | 1:04:10 | 1:04:11 | |
To take two children out of here without my permission, | 1:04:15 | 1:04:18 | |
I can't believe you did it. | 1:04:18 | 1:04:19 | |
Mrs Bevan, I have consent. | 1:04:19 | 1:04:21 | |
-Thank goodness. -Well... -Thank goodness for that. | 1:04:21 | 1:04:24 | |
It's the first thing Mr Poppy gave me. | 1:04:24 | 1:04:26 | |
Otherwise, it's abduction and the school would close. You realise? | 1:04:26 | 1:04:29 | |
Of course. I wouldn't have got on the plane without these. | 1:04:29 | 1:04:32 | |
You realise the school can get in severe trouble over this? | 1:04:32 | 1:04:35 | |
What is this? | 1:04:39 | 1:04:41 | |
I don't know what that is. | 1:04:42 | 1:04:44 | |
What is that? Did you do that? | 1:04:44 | 1:04:46 | |
Desmond, I trusted you. | 1:04:49 | 1:04:50 | |
I trusted you with children. Small lives. | 1:04:50 | 1:04:54 | |
I thought it was something you could rise to, | 1:04:54 | 1:04:55 | |
but you have been a disaster. | 1:04:55 | 1:04:57 | |
I'm sorry, Auntie Pat. | 1:04:57 | 1:04:58 | |
-Did you know about this?! -I didn't know about that. | 1:04:58 | 1:05:01 | |
But I did know about... | 1:05:01 | 1:05:03 | |
-No. -What did you kn...? | 1:05:03 | 1:05:04 | |
-What did you know? Shush! -We've got to tell her. -Speak to me, Miss Rye. | 1:05:04 | 1:05:08 | |
-What did you know? -Um... | 1:05:08 | 1:05:09 | |
Actually, Hollywood, they're not coming. | 1:05:09 | 1:05:12 | |
Um, Paul, Mr Maddens, panicked, I think, and... | 1:05:12 | 1:05:18 | |
lied. | 1:05:18 | 1:05:19 | |
Why did I ever, ever think this school | 1:05:19 | 1:05:22 | |
would ever have anything good happen to it and out of the ordinary | 1:05:22 | 1:05:27 | |
and successful and-and helpful to me and the children? | 1:05:27 | 1:05:32 | |
Why did I ever think that would happen? | 1:05:32 | 1:05:35 | |
-Mrs Bevan... -You'd better start looking for another job. | 1:05:35 | 1:05:37 | |
-Sorry? -And you. You're out. | 1:05:37 | 1:05:40 | |
You're irresponsible. You're not focused. | 1:05:44 | 1:05:46 | |
You are, I think, possibly educationally subnormal. | 1:05:46 | 1:05:49 | |
You have an attitude of wanting to be a friend to the children, | 1:05:49 | 1:05:53 | |
rather than a professional adult, | 1:05:53 | 1:05:55 | |
which, by the way, any fool can do that. | 1:05:55 | 1:05:58 | |
Any fool can say, "Hands up, who wants to meet a pig? | 1:05:58 | 1:06:00 | |
"Hands up, who wants to go to a hospital?" | 1:06:00 | 1:06:02 | |
Any fool can do that and it transpires you are that any fool. | 1:06:02 | 1:06:06 | |
I really had high hopes for you. | 1:06:06 | 1:06:08 | |
For five minutes, I thought you were something else. No. | 1:06:08 | 1:06:11 | |
It transpires you are actually just an idiot. | 1:06:11 | 1:06:14 | |
SHE SOBS | 1:06:14 | 1:06:17 | |
As you know, I've been away for a couple of days. | 1:06:19 | 1:06:23 | |
And in that time, something has changed regarding our Nativity. | 1:06:23 | 1:06:28 | |
I'm afraid I let you believe that Hollywood were coming | 1:06:28 | 1:06:31 | |
and they're not coming. | 1:06:31 | 1:06:34 | |
But worse than that, | 1:06:34 | 1:06:35 | |
we are not being allowed to do the show in the first place. | 1:06:35 | 1:06:38 | |
There will be no Nativity. | 1:06:38 | 1:06:40 | |
Can't we do the show, anyway? We don't care about Hollywood. | 1:06:40 | 1:06:44 | |
Unfortunately not. Mrs Bevan is not going to let us to the show. | 1:06:44 | 1:06:47 | |
-Er... -Please, please, please, Mr Maddens. | 1:06:47 | 1:06:49 | |
Can we still do the Nativity? Please! | 1:06:49 | 1:06:53 | |
I told a lie. | 1:06:53 | 1:06:55 | |
And I let that lie grow and multiply | 1:06:55 | 1:06:58 | |
and turn into lots of other little lies. | 1:06:58 | 1:07:01 | |
And, as I've told you all, probably, on may occasions, | 1:07:01 | 1:07:05 | |
a lie always, always causes more problems than it solves, | 1:07:05 | 1:07:10 | |
which is why I shan't be here next term. | 1:07:10 | 1:07:13 | |
This will be my last term here. I won't be coming back. | 1:07:14 | 1:07:17 | |
And worse than losing my job, | 1:07:17 | 1:07:19 | |
my position, my security, much worse than that, | 1:07:19 | 1:07:22 | |
is that I'm not going to see any of you again. | 1:07:22 | 1:07:25 | |
And... | 1:07:25 | 1:07:26 | |
..that's a very hurtful thing for me. | 1:07:30 | 1:07:32 | |
Come on. Back to your class, please. | 1:07:32 | 1:07:35 | |
# Have yourself a merry little Christmas | 1:07:35 | 1:07:43 | |
# Let your heart be light | 1:07:45 | 1:07:50 | |
# Next year, all our troubles | 1:07:53 | 1:07:57 | |
# Will be out of sight... # | 1:07:57 | 1:08:01 | |
-There's a wee joke in it, no? -Is there? -Yeah. | 1:08:03 | 1:08:05 | |
Yeah! Ah! | 1:08:05 | 1:08:07 | |
Just that little bit. | 1:08:10 | 1:08:12 | |
-It's good. -It's great, isn't it? | 1:08:12 | 1:08:15 | |
-Jennifer, how are you? -I'm all right. | 1:08:15 | 1:08:18 | |
INDISTINCT SPEECH | 1:08:18 | 1:08:21 | |
# Until then we'll have to muddle through | 1:08:26 | 1:08:32 | |
# Somehow | 1:08:32 | 1:08:37 | |
# So have yourself a merry little Christmas... # | 1:08:40 | 1:08:48 | |
Who are you and where do you come from? | 1:08:48 | 1:08:52 | |
ALL: We are the three kings and we've come to find the baby Jesus. | 1:08:52 | 1:08:58 | |
He is the new King of the Jews. | 1:08:58 | 1:09:01 | |
Kill every boy child in this land. | 1:09:01 | 1:09:03 | |
-Where's my baby, where's my baby? -Where's my baby, where's my baby? | 1:09:03 | 1:09:07 | |
Where's my baby? Where's my baby? | 1:09:07 | 1:09:09 | |
-Where's my baby, where's my baby? -Where's my baby, where's my baby? | 1:09:09 | 1:09:13 | |
ALL SHOUT | 1:09:13 | 1:09:15 | |
SCREAMING THROUGHOUT | 1:09:17 | 1:09:21 | |
I am the king! | 1:09:32 | 1:09:34 | |
APPLAUSE | 1:09:34 | 1:09:35 | |
# So have yourself | 1:09:38 | 1:09:41 | |
# A merry little | 1:09:41 | 1:09:46 | |
# Christmas now. # | 1:09:46 | 1:09:51 | |
Nouns are used to name a person, animal, place, thing or idea. | 1:09:51 | 1:09:57 | |
We've got a football, pineapple, iguana, a guitar. | 1:09:57 | 1:10:01 | |
Nouns can be replaced by these - pronouns. | 1:10:01 | 1:10:04 | |
They can replace nouns or other pronouns. | 1:10:04 | 1:10:07 | |
So, "ours", "she", "one", "he", "it", "this", "you", "none". | 1:10:07 | 1:10:11 | |
-Are you all right, Cleo? -No, not very. | 1:10:13 | 1:10:15 | |
What's the problem? | 1:10:15 | 1:10:17 | |
Nothing. | 1:10:17 | 1:10:18 | |
TJ? | 1:10:18 | 1:10:20 | |
-I miss Mr Poppy. -Everyone misses Mr Poppy. | 1:10:20 | 1:10:24 | |
We'd be doing the play if Mr Poppy was still here. | 1:10:24 | 1:10:28 | |
ALL CHANT: Poppy! Poppy! Poppy! | 1:10:47 | 1:10:50 | |
What am I doing? | 1:10:52 | 1:10:54 | |
Meet me in the hall in ten minutes. We're doing the play. | 1:10:54 | 1:10:57 | |
-ALL: -Yes! -ALL CHEER | 1:10:57 | 1:11:01 | |
All right? | 1:11:10 | 1:11:11 | |
BLEATING | 1:11:11 | 1:11:12 | |
Desmond...I've come to apologise. | 1:11:14 | 1:11:17 | |
I said some things to you that were unforgivable | 1:11:17 | 1:11:21 | |
and that weren't true and that were mean. | 1:11:21 | 1:11:23 | |
I want you to do the play with me, | 1:11:23 | 1:11:25 | |
because I told the children we're going to do it | 1:11:25 | 1:11:27 | |
and I can't do it without you. | 1:11:27 | 1:11:28 | |
I messed everything up. | 1:11:30 | 1:11:33 | |
I know I put it on you. I know I did. | 1:11:33 | 1:11:36 | |
You were right all along. | 1:11:36 | 1:11:38 | |
And for ad undas, you've been right on the money. | 1:11:38 | 1:11:42 | |
You said I was scared, I denied it. You were absolutely right. | 1:11:42 | 1:11:44 | |
You said I was still in love with Jennifer. | 1:11:44 | 1:11:47 | |
I denied it and you were absolutely right. | 1:11:47 | 1:11:50 | |
Well, let's do it. What are you waiting for? We'd better get going. | 1:11:57 | 1:12:00 | |
-Come on. -You're going to do it? -Yeah, let's do it. | 1:12:00 | 1:12:03 | |
-Let's do it. -Right, thank you. You're not going to regret it. | 1:12:03 | 1:12:06 | |
Oh, my gosh! | 1:12:14 | 1:12:16 | |
It looks amazing! | 1:12:16 | 1:12:17 | |
You'll remember where to press the button. Nazareth... | 1:12:17 | 1:12:20 | |
-I'm nervous. -Don't be nervous. | 1:12:20 | 1:12:22 | |
-You're a Nazarene. -Mr Maddens? | 1:12:22 | 1:12:24 | |
-Yes? -I don't want to be a building. I want to get a proper part. | 1:12:24 | 1:12:28 | |
You're playing part of Nazareth in a song called Nazareth. | 1:12:28 | 1:12:31 | |
-Please, everyone, just calm down! -Fingers crossed. | 1:12:31 | 1:12:34 | |
I've forgotten it. I don't want to do it. | 1:12:34 | 1:12:37 | |
I'm nervous and I don't want to do it. | 1:12:37 | 1:12:38 | |
It's you and me. We'll beat them all. | 1:12:38 | 1:12:41 | |
-Come on, Mr Maddens. -Hey... -We've got to get going. | 1:12:44 | 1:12:47 | |
We haven't got much time. This is fine. | 1:12:47 | 1:12:49 | |
It's what everyone in Nazareth wore, even the women. | 1:12:49 | 1:12:52 | |
Not on the women. No. | 1:12:52 | 1:12:53 | |
Buddy, it's exciting. Look. The audience are filling up. | 1:12:57 | 1:13:02 | |
OK. Everybody listen up, all right? | 1:13:02 | 1:13:05 | |
Big bit of advice, and I had to learn this the hard way. | 1:13:05 | 1:13:08 | |
Can everybody make sure you've done a poo and a wee | 1:13:08 | 1:13:11 | |
because there won't be a chance when we get the show going. | 1:13:11 | 1:13:14 | |
You can use my caravan. Just get in there, do a poo and a wee. | 1:13:14 | 1:13:16 | |
Come back. There's no show. There will be no show. | 1:13:16 | 1:13:19 | |
I've just had a call telling me this was happening. | 1:13:19 | 1:13:21 | |
-I cannot believe... What is all this? -Mrs Bevan. | 1:13:21 | 1:13:25 | |
I cancelled this performance. I cancelled the show. You are sacked. | 1:13:25 | 1:13:29 | |
-You know you are sacked. -I'm already sacked. | 1:13:29 | 1:13:31 | |
-What else can you do? -Desmond! | 1:13:31 | 1:13:33 | |
Thank you. Thank you. This is absolutely marvellous. | 1:13:33 | 1:13:36 | |
-Well done, young man. -Thank you. | 1:13:36 | 1:13:38 | |
Break a leg, kids. | 1:13:38 | 1:13:40 | |
-Break a leg. -I need to have the microphone. -I'm going to do it. | 1:13:40 | 1:13:45 | |
Can you watch on that wing. APPLAUSE | 1:13:45 | 1:13:47 | |
Come on, this'll be sensational. The town will be so proud of you. | 1:13:47 | 1:13:50 | |
Ladies and gentlemen, mums and dads. | 1:13:56 | 1:13:58 | |
I just want to thank you for the effort | 1:13:58 | 1:14:01 | |
and the time you've put into the show. | 1:14:01 | 1:14:03 | |
Ladies and gentlemen, if I had to single any one person out | 1:14:03 | 1:14:07 | |
for their effort, time, their diligence and their enthusiasm, | 1:14:07 | 1:14:11 | |
it would have to be Mrs B, better known to you as Mrs Bevan. | 1:14:11 | 1:14:16 | |
Come and take a bow. Ladies and gentlemen, Mrs Bevan. | 1:14:16 | 1:14:20 | |
-Come on. -CHEERING | 1:14:20 | 1:14:22 | |
Erm, hello. Thank you very much, ladies and gentlemen. | 1:14:26 | 1:14:29 | |
It's very kind of you. | 1:14:29 | 1:14:31 | |
This will be my last Nativity play, so it's a bit special. Really. | 1:14:31 | 1:14:37 | |
We're used to the school hall. We don't have all this beauty around, | 1:14:37 | 1:14:40 | |
normally, for the play. | 1:14:40 | 1:14:42 | |
And the mums and dads who've been before to see our Nativity play | 1:14:42 | 1:14:45 | |
know that things can go a little bit wrong with the little ones. | 1:14:45 | 1:14:48 | |
LAUGHTER | 1:14:48 | 1:14:50 | |
Don't ex... I was going to say don't expect too much. | 1:14:50 | 1:14:53 | |
But, er, I shouldn't have said that. Smack. | 1:14:53 | 1:14:58 | |
Nobody ever expects enough of the children at St Bernadette's. | 1:14:58 | 1:15:02 | |
Everyone expects them to go down the drain. | 1:15:02 | 1:15:06 | |
And I'm going to change that. | 1:15:06 | 1:15:08 | |
That's what I said 17 years ago, | 1:15:10 | 1:15:12 | |
and tonight, it stands a chance of coming true. | 1:15:12 | 1:15:15 | |
I've not seen it. I don't know what's going to happen. | 1:15:15 | 1:15:20 | |
All I know is that each and every one of these children is amazing | 1:15:20 | 1:15:24 | |
-and wonderful and a little pocket of stardust. -Hear, hear. | 1:15:24 | 1:15:30 | |
-I hope you enjoy it. -APPLAUSE | 1:15:32 | 1:15:34 | |
# Things are really cool in Nazareth | 1:15:43 | 1:15:49 | |
# Our city is full of joy | 1:15:49 | 1:15:54 | |
# Cos this is where girl meets boy | 1:15:54 | 1:15:57 | |
# Everything is cool in Nazareth | 1:15:58 | 1:16:04 | |
# They're going hand in hand | 1:16:04 | 1:16:08 | |
# This is no one-night stand | 1:16:08 | 1:16:11 | |
# A wedding is being planned here in Nazareth... # | 1:16:11 | 1:16:17 | |
THEY MOUTH | 1:16:20 | 1:16:22 | |
# Nazareth, a place to live | 1:16:23 | 1:16:28 | |
# Always willing to forgive | 1:16:28 | 1:16:30 | |
# Nazareth, our big heart swells | 1:16:30 | 1:16:35 | |
# We can hear those wedding bells | 1:16:35 | 1:16:39 | |
# Wedding bells | 1:16:39 | 1:16:42 | |
# Feeling in a fix in Nazareth | 1:16:42 | 1:16:48 | |
# Rules are to be obeyed | 1:16:48 | 1:16:52 | |
# Arrangements are being made | 1:16:52 | 1:16:55 | |
# Got to get your kicks in Nazareth | 1:16:57 | 1:17:02 | |
# Here we go, on our way | 1:17:04 | 1:17:06 | |
# Start of a brand-new day | 1:17:06 | 1:17:10 | |
# Still you cannot be swayed | 1:17:10 | 1:17:14 | |
# Good old Nazareth. # | 1:17:14 | 1:17:16 | |
CHEERING AND WHISTLING | 1:17:16 | 1:17:19 | |
# He's not my type | 1:17:28 | 1:17:31 | |
# She's not too bad | 1:17:31 | 1:17:34 | |
# Not the most gorgeous I've ever had | 1:17:34 | 1:17:41 | |
# I'll grow to love her | 1:17:41 | 1:17:45 | |
# It might work out | 1:17:45 | 1:17:48 | |
# Too young to know what it's all about | 1:17:48 | 1:17:56 | |
# And yet there's something behind those eyes | 1:17:56 | 1:18:02 | |
# A fire that flickers but never lies | 1:18:02 | 1:18:09 | |
# Could I love him? | 1:18:09 | 1:18:12 | |
# Could she love me? | 1:18:12 | 1:18:16 | |
# You can't rush into what it's meant to be | 1:18:16 | 1:18:24 | |
ALL: # One look | 1:18:27 | 1:18:30 | |
# And we're for ever | 1:18:30 | 1:18:33 | |
# One look and it's like we've always known | 1:18:33 | 1:18:40 | |
# One look | 1:18:40 | 1:18:43 | |
# We're boxing clever | 1:18:43 | 1:18:48 | |
# Together for ever | 1:18:48 | 1:18:51 | |
# And always hope | 1:18:51 | 1:18:54 | |
# Together for ever | 1:18:54 | 1:18:59 | |
# And always, always hope. # | 1:18:59 | 1:19:05 | |
APPLAUSE | 1:19:07 | 1:19:08 | |
OK, mate. It's your big moment. | 1:19:17 | 1:19:21 | |
Don't look down. | 1:19:23 | 1:19:26 | |
THUNDERCLAP | 1:19:26 | 1:19:27 | |
SHE SCREAMS | 1:19:29 | 1:19:32 | |
# OK, people, hear the news I've got something to yell about | 1:19:50 | 1:19:55 | |
# OK, people, forget the blues | 1:19:55 | 1:19:57 | |
# Here's something to feel swell about | 1:19:57 | 1:19:59 | |
-# Good news -Click your fingers | 1:19:59 | 1:20:01 | |
-# Good news -Stamp your feet | 1:20:01 | 1:20:03 | |
-# Good news -Always lingers | 1:20:03 | 1:20:05 | |
-# Good news -Feel the beat | 1:20:05 | 1:20:08 | |
-# Good news -Wakey, wakey | 1:20:08 | 1:20:10 | |
-# Good news -Shake your ass | 1:20:10 | 1:20:12 | |
-# Good news -Shaky, shaky | 1:20:12 | 1:20:14 | |
-# Good news -Listen, mass | 1:20:14 | 1:20:16 | |
# Good news | 1:20:16 | 1:20:18 | |
# Hey, little sister Hear the word | 1:20:25 | 1:20:28 | |
# There ain't no need for a big stuffed bird | 1:20:29 | 1:20:31 | |
# Time to holler, time to dance | 1:20:34 | 1:20:36 | |
# Whoo! | 1:20:36 | 1:20:38 | |
# Y'all gonna need some bigger pants | 1:20:38 | 1:20:41 | |
# Good news, good news | 1:20:41 | 1:20:44 | |
-# Yeah! -Good news | 1:20:44 | 1:20:49 | |
# Good news | 1:20:49 | 1:20:50 | |
# You'd better go when you get the idea... # | 1:20:54 | 1:20:57 | |
-Mr Maddens? -Yes, darling? -I have a tummy ache. | 1:21:00 | 1:21:03 | |
Oh, Sam, I need you to go on. Have you tried taking deep breaths? | 1:21:03 | 1:21:06 | |
-Yeah. -Tried taking your hat off for once? -Mm-hm. | 1:21:06 | 1:21:09 | |
-OK. Alfie, you're going to have to do it. -What? | 1:21:09 | 1:21:12 | |
-Can you go on in Sam's place, please? -No way. | 1:21:12 | 1:21:14 | |
-Why? -Because that's a girl's costume. | 1:21:14 | 1:21:17 | |
You already look like Barbarella. What's the difference? | 1:21:17 | 1:21:19 | |
Go in there, get dressed. Thank you. | 1:21:19 | 1:21:21 | |
SONG FINALE | 1:21:28 | 1:21:31 | |
APPLAUSE AND WHISTLING | 1:21:31 | 1:21:33 | |
Mary and Joseph were told they had to travel to Bethlehem | 1:21:41 | 1:21:45 | |
to be counted, | 1:21:45 | 1:21:47 | |
-because of the nasty, mean King Herod. -Stop! | 1:21:47 | 1:21:51 | |
-Mary had to... -You, shut up. Stop! Stop, everyone. | 1:21:51 | 1:21:55 | |
That'll do. OK, that's the end. Stop. | 1:21:55 | 1:21:58 | |
-I'll have that, please. Give me that. -Hey! | 1:21:58 | 1:22:00 | |
My name's Gordon Shakespeare. Just telling you now. | 1:22:00 | 1:22:03 | |
You thought you were here to see Hollywood. It's why you're here. | 1:22:03 | 1:22:07 | |
Not to see this sub-standard chav-fest. | 1:22:07 | 1:22:10 | |
It falls upon me to tell you that no-one was coming from Hollywood. | 1:22:10 | 1:22:14 | |
Nobody's coming and nobody will. | 1:22:14 | 1:22:16 | |
That man is a sham. | 1:22:16 | 1:22:19 | |
-(What?) -As if Hollywood would come to Coventry. | 1:22:19 | 1:22:22 | |
No. Look at him. | 1:22:22 | 1:22:23 | |
He's a dishonest person. | 1:22:25 | 1:22:29 | |
He lied. | 1:22:29 | 1:22:31 | |
(What is it?) | 1:22:36 | 1:22:37 | |
It's a star. | 1:22:41 | 1:22:42 | |
HELICOPTER ROTOR BLADES WHIRR | 1:22:44 | 1:22:46 | |
-MR POPPY: -It's Hollywood! | 1:22:50 | 1:22:54 | |
CHEERING | 1:22:54 | 1:22:56 | |
Ladies and gentlemen! | 1:22:57 | 1:23:01 | |
May I please introduce to you | 1:23:01 | 1:23:04 | |
the Star of Bethlehem and her sparkly, sparkly! | 1:23:04 | 1:23:11 | |
# Ooh, ooh | 1:23:13 | 1:23:16 | |
# Ooh, ooh ooh-ooh | 1:23:16 | 1:23:19 | |
# Aah! | 1:23:19 | 1:23:22 | |
# Ooh-ooh, ooh-ooh, ooh-ooh... # | 1:23:22 | 1:23:26 | |
OK, everybody. Clap your hands. | 1:23:26 | 1:23:28 | |
I'm a superstar and I'm coming out tonight. | 1:23:28 | 1:23:30 | |
# I've had a little make-over and I'm all dressed up tonight | 1:23:30 | 1:23:35 | |
# A cheeky drink A naughty wink | 1:23:35 | 1:23:39 | |
# We'll loosen up, all right | 1:23:39 | 1:23:42 | |
# Stand back and put your shades on | 1:23:42 | 1:23:45 | |
# Cos I'm about to shine | 1:23:45 | 1:23:48 | |
# My blinding light will throw you | 1:23:48 | 1:23:50 | |
# Cos there's no starlight like mine | 1:23:50 | 1:23:54 | |
# Ooh-ooh ooh, ooh-ooh ooh | 1:23:54 | 1:23:56 | |
# Sparkle and shine | 1:23:56 | 1:23:59 | |
# Planets gather round | 1:23:59 | 1:24:02 | |
# Sparkle and shine | 1:24:02 | 1:24:05 | |
# Let's all make a dazzling sound | 1:24:05 | 1:24:08 | |
# Here's something you won't believe | 1:24:08 | 1:24:11 | |
# It's the first time ever Christmas Eve | 1:24:11 | 1:24:16 | |
# I've got my light within me and it's coming out for you | 1:24:20 | 1:24:25 | |
# I'm dizzy with self-confidence Hope you can feel it too | 1:24:25 | 1:24:31 | |
-# I'm lighting up the skies tonight -So come on, join the party | 1:24:31 | 1:24:37 | |
-SINGS GRUDGINGLY: -# Make the moment last all night | 1:24:37 | 1:24:40 | |
# And keep the skies all starry... # | 1:24:40 | 1:24:43 | |
Olly! Your mum's here. I just saw her. She's right at the back. | 1:24:43 | 1:24:47 | |
When you do your rap, look for her and give it your everything. | 1:24:47 | 1:24:51 | |
-Mr Maddens, the donkey's freaking out. -Sorry? | 1:24:51 | 1:24:53 | |
-I gave it chocolate and it's feeling icky. -Chocolate? | 1:24:53 | 1:24:56 | |
Can you check on it. I'm doing the narration. | 1:24:56 | 1:24:59 | |
# ..Dazzling sound | 1:24:59 | 1:25:00 | |
# Here's something you won't believe | 1:25:00 | 1:25:03 | |
# It's the first time ever Christmas Eve. # | 1:25:03 | 1:25:07 | |
APPLAUSE | 1:25:07 | 1:25:10 | |
The four kings saw the beautiful shining star | 1:25:29 | 1:25:33 | |
rising from the East Side. | 1:25:33 | 1:25:37 | |
-They thought she looked... -HE ROLLS "R" | 1:25:37 | 1:25:40 | |
So they decided to follow her. | 1:25:40 | 1:25:43 | |
SLOW R&B TUNE PLAYS | 1:25:43 | 1:25:45 | |
-One time. -ECHOES | 1:25:56 | 1:25:58 | |
Come on, come on, come on. | 1:25:58 | 1:26:01 | |
-Two times. -# Shining down the light -Come on, come on | 1:26:01 | 1:26:06 | |
# Peace to the star | 1:26:06 | 1:26:09 | |
# Shining down the light | 1:26:09 | 1:26:11 | |
# What a moment when I saw her first | 1:26:13 | 1:26:16 | |
# She stole my heart So it's about to burst | 1:26:16 | 1:26:21 | |
# I'm the guy she twinkles for | 1:26:21 | 1:26:24 | |
# Je t'adore Cos she's blinding me with love | 1:26:24 | 1:26:29 | |
# She's my saviour from above | 1:26:29 | 1:26:31 | |
# She's the brightest star I've ever seen | 1:26:31 | 1:26:34 | |
# Brightest star | 1:26:34 | 1:26:36 | |
# It's like we're living in some kind of dream | 1:26:36 | 1:26:38 | |
# It's like some kind of dream | 1:26:38 | 1:26:41 | |
# Why do I feel overcome with hope and joy? | 1:26:41 | 1:26:45 | |
# Cos she's shining down her light | 1:26:45 | 1:26:47 | |
# And she's gonna be my girl and me her boy | 1:26:47 | 1:26:51 | |
# I'm feeling like I've got to follow her | 1:26:51 | 1:26:56 | |
# With frankincense and lots of gold and myrrh... # | 1:26:56 | 1:26:58 | |
Excuse me. | 1:26:58 | 1:27:00 | |
# She is gonna lead the way to Christmas Day | 1:27:00 | 1:27:06 | |
# Hallelujah, feeling good Time to leave this neighbourhood... # | 1:27:06 | 1:27:10 | |
-Hello, Mr Maddens. -SHE LAUGHS | 1:27:20 | 1:27:23 | |
You weren't coming. | 1:27:23 | 1:27:24 | |
I know. | 1:27:26 | 1:27:28 | |
(RAPS) She's the shining star from above | 1:27:53 | 1:27:55 | |
She sprinkles and she twinkles and I wanna be her love | 1:27:55 | 1:27:58 | |
I wanna squeeze her, please her Share my pizza | 1:27:58 | 1:28:01 | |
(DEEP VOICE) Extra spicy | 1:28:01 | 1:28:02 | |
She makes me hotter than the colour Fizzy deep inside | 1:28:02 | 1:28:05 | |
I wish I was a sleigh I'd take her for a ride | 1:28:05 | 1:28:08 | |
She's tiny, she's shiny She sparkles in the night | 1:28:08 | 1:28:09 | |
I love her and I need her to guide me through the night...word! | 1:28:09 | 1:28:12 | |
ECHOES | 1:28:12 | 1:28:14 | |
CHEERING AND APPLAUSE | 1:28:14 | 1:28:17 | |
Eventually, Mary and Jo-Jo | 1:28:20 | 1:28:23 | |
found an innkeeper what was nicerer. He said... | 1:28:23 | 1:28:26 | |
You can use my stable. At least it's dry. | 1:28:26 | 1:28:28 | |
-Yeah, man. Huh! -LAUGHTER | 1:28:28 | 1:28:31 | |
They asked the animals if they could nestle down to pop out Baby Jesus. | 1:28:31 | 1:28:36 | |
BRAYING | 1:28:36 | 1:28:39 | |
The donkey said, "Neigh." | 1:28:39 | 1:28:40 | |
But the other animals said it was all right. | 1:28:40 | 1:28:43 | |
And everyone what was anyone gathered around to witness... | 1:28:43 | 1:28:47 | |
SCREAMING | 1:28:47 | 1:28:51 | |
Buddy, what happened? | 1:28:54 | 1:28:55 | |
Well, I put that plug in and it all exploded. | 1:28:55 | 1:29:00 | |
Don't worry, I'll take care of it. You've got to get on stage. | 1:29:00 | 1:29:04 | |
I'm going to give you all a candle. We've got these candles. | 1:29:04 | 1:29:07 | |
As soon as you've got one, make your way out onto the stage. | 1:29:07 | 1:29:11 | |
Everyone, this is Jennifer, who've you've heard about from Hollywood. | 1:29:11 | 1:29:15 | |
-ALL: Hello. -Hi. -Get a candle. Right? | 1:29:15 | 1:29:17 | |
# Sometimes life is not all it can be | 1:29:51 | 1:29:56 | |
# And here we are | 1:29:56 | 1:29:59 | |
# Wondering just how far this road can lead | 1:30:02 | 1:30:07 | |
# And here we are | 1:30:07 | 1:30:10 | |
# And from the darkness shines a bright burning star | 1:30:13 | 1:30:20 | |
# And who we are is changing within our hearts | 1:30:20 | 1:30:25 | |
-# One night -One night | 1:30:26 | 1:30:29 | |
# One moment And everything's changed | 1:30:29 | 1:30:36 | |
# One night, one moment | 1:30:36 | 1:30:38 | |
# One night, one moment | 1:30:38 | 1:30:40 | |
# One night, one moment | 1:30:40 | 1:30:42 | |
# And everything is changed | 1:30:42 | 1:30:45 | |
# One night, one moment | 1:30:45 | 1:30:48 | |
# Tonight is so pure and so special | 1:30:50 | 1:30:54 | |
# We'll never feel lonely again | 1:30:54 | 1:31:00 | |
# Cos we are all standing together | 1:31:00 | 1:31:06 | |
# As friends | 1:31:06 | 1:31:10 | |
# Ooh, ooh, ooh-ooh ooh | 1:31:10 | 1:31:13 | |
# And everything's changing for ever | 1:31:13 | 1:31:18 | |
# One night, one moment... # | 1:31:18 | 1:31:20 | |
HE HOLDS NOTE | 1:31:20 | 1:31:22 | |
LAUGHTER AND APPLAUSE | 1:31:30 | 1:31:32 | |
-UPBEAT MUSIC PLAYS -Yes! | 1:31:35 | 1:31:38 | |
Come on, everybody, clap your hands. | 1:31:39 | 1:31:42 | |
We're going to tear the roof off this place. Let's rock'n'roll! | 1:31:45 | 1:31:48 | |
Rock, rock. Wig out! | 1:31:48 | 1:31:52 | |
Yes! | 1:31:52 | 1:31:54 | |
OK, best back-flips ever! | 1:31:56 | 1:31:59 | |
SQUEALING | 1:31:59 | 1:32:00 | |
Olly. | 1:32:02 | 1:32:03 | |
GASPING | 1:32:08 | 1:32:09 | |
Yeah! | 1:32:09 | 1:32:11 | |
Edward. | 1:32:11 | 1:32:13 | |
TRUMP NOISES | 1:32:13 | 1:32:15 | |
TJ, throw some shapes. | 1:32:15 | 1:32:18 | |
CHEERING DROWNS SPEECH | 1:32:23 | 1:32:25 | |
-SHE BELCHES -Yeah! | 1:32:25 | 1:32:27 | |
OK, we've got special guests from Oakmoor. Thomas, joined by Frankie. | 1:32:27 | 1:32:34 | |
Yeah! | 1:32:41 | 1:32:43 | |
Mr Maddens, | 1:32:43 | 1:32:45 | |
come up, come up. | 1:32:45 | 1:32:47 | |
Bring Jennifer with you. Come on. | 1:32:49 | 1:32:52 | |
Miss Rye! | 1:33:07 | 1:33:09 | |
I love you. | 1:33:09 | 1:33:11 | |
Critic man, come up and boogie! | 1:33:13 | 1:33:15 | |
It doesn't matter how many stars you give it. | 1:33:15 | 1:33:19 | |
Gordon. Come up. | 1:33:29 | 1:33:32 | |
-No, Gordon. -Come on. -Gordon. Gordon. Come here. | 1:33:32 | 1:33:36 | |
# Sparkle and shine Planets gather round | 1:33:49 | 1:33:53 | |
# Sparkle and shine Let's all make a dazzling sound | 1:33:53 | 1:33:58 | |
# Here's something you won't believe | 1:33:58 | 1:34:01 | |
# It's the first time ever Christmas | 1:34:01 | 1:34:03 | |
# Sparkle and shine Planets gather round | 1:34:03 | 1:34:09 | |
# Sparkle and shine | 1:34:09 | 1:34:11 | |
# Let's all make a dazzling sound | 1:34:11 | 1:34:14 | |
# Here's something you won't believe | 1:34:14 | 1:34:17 | |
# It's the first time ever Christmas Eve. # | 1:34:17 | 1:34:22 | |
'And, from that night, me and Jennifer | 1:34:22 | 1:34:24 | |
'fell in love with each other, and Christmas, all over again. | 1:34:24 | 1:34:29 | |
'And as for our Nativities, they just kept getting better.' | 1:34:29 | 1:34:33 | |
Don't mind being a shepherd or a stage manager. | 1:34:35 | 1:34:39 | |
I always wanted to be Mary in the whole of my life. | 1:34:43 | 1:34:48 | |
I would like to be Angel Gabriel. | 1:34:48 | 1:34:50 | |
HE GURGLES | 1:34:50 | 1:34:52 | |
I wouldn't mind being a donkey. | 1:34:55 | 1:34:57 | |
TRUMPING NOISES | 1:34:57 | 1:34:58 | |
Actually, I'd quite like to be the star. | 1:34:58 | 1:35:00 | |
-SHE BURPS -Bah humbug! | 1:35:00 | 1:35:02 | |
You might not like this, but you might do. | 1:35:11 | 1:35:14 | |
It's dancing. | 1:35:14 | 1:35:16 | |
# One night | 1:35:16 | 1:35:18 | |
# One moment and everything's changed | 1:35:18 | 1:35:22 | |
# One night, one moment | 1:35:22 | 1:35:25 | |
# One night, one moment | 1:35:25 | 1:35:29 | |
# One night, one moment | 1:35:29 | 1:35:31 | |
# And everything's changed | 1:35:31 | 1:35:34 | |
# One night, one moment | 1:35:34 | 1:35:36 | |
# Tonight is so pure and so special | 1:35:38 | 1:35:43 | |
# We'll never feel lonely again | 1:35:43 | 1:35:49 | |
# Cos we are standing together | 1:35:49 | 1:35:55 | |
# As friends | 1:35:55 | 1:35:58 | |
# Ooh, ooh, ooh-ooh ooh | 1:35:58 | 1:36:01 | |
# And everything's changing for ever | 1:36:01 | 1:36:06 | |
# One night | 1:36:07 | 1:36:10 | |
# One moment... # | 1:36:11 | 1:36:20 | |
Why do you want to play an innkeeper? | 1:36:20 | 1:36:22 | |
Because I'd love to, because he swears all day. | 1:36:22 | 1:36:25 | |
# Silent night | 1:36:35 | 1:36:38 | |
# Holy night | 1:36:39 | 1:36:42 | |
# All is calm | 1:36:43 | 1:36:46 | |
# All is bright | 1:36:46 | 1:36:50 | |
# Round yon Virgin Mother and Child | 1:36:50 | 1:36:57 | |
# Holy Infant so tender and mild | 1:36:57 | 1:37:04 | |
# Sleep in heavenly peace | 1:37:05 | 1:37:13 | |
# Sleep in heavenly peace | 1:37:13 | 1:37:18 | |
# Silent night | 1:37:24 | 1:37:28 | |
# Holy night | 1:37:28 | 1:37:32 | |
# Shepherds quake at the sight | 1:37:32 | 1:37:39 | |
# Glories stream from heaven afar | 1:37:39 | 1:37:47 | |
# Heavenly hosts sing Alleluia | 1:37:47 | 1:37:55 | |
# Christ the Saviour is born | 1:37:55 | 1:38:02 | |
# Christ the Saviour is born | 1:38:02 | 1:38:08 | |
# Jesus, Lord, at thy birth | 1:38:13 | 1:38:18 | |
# Jesus, Lord | 1:38:21 | 1:38:25 | |
# At thy... | 1:38:25 | 1:38:29 | |
# Birth. # | 1:38:29 | 1:38:37 |