Browse content similar to Calendar Girls. Check below for episodes and series from the same categories and more!
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So sorry I'm late. | 0:00:12 | 0:00:13 | |
Hello, ladies. Ooh, I thought I was cutting it a bit fine today. | 0:00:15 | 0:00:18 | |
I said, "It's not shared. No! That's my drive!" | 0:00:18 | 0:00:22 | |
GENERAL CHATTER | 0:00:22 | 0:00:24 | |
So, ladies, straight to the high point of our meeting - our guest speaker. | 0:00:37 | 0:00:44 | |
I'm very pleased to welcome Alan Rathbone from York, | 0:00:44 | 0:00:48 | |
who's gonna be giving us a talk on the history of the Milk Marketing Board. | 0:00:48 | 0:00:53 | |
Thank you, Alan. | 0:00:53 | 0:00:55 | |
Good evening, ladies of the Women's Institute. | 0:00:56 | 0:00:59 | |
Ladies, I'd like to welcome Iris Benton from Ilkley. | 0:01:03 | 0:01:07 | |
She's come to lead us through the fascinating world of rugs. | 0:01:07 | 0:01:12 | |
I beg your pardon, Iris. | 0:01:14 | 0:01:15 | |
I stand corrected. It's not just rugs. | 0:01:15 | 0:01:18 | |
It's all forms of carpeting. | 0:01:18 | 0:01:20 | |
-(Thank God. For a minute there I thought it was going to be dull(!)) -Thank you, Iris. | 0:01:20 | 0:01:25 | |
Our round-the-world cruise started in September in Skipton, when we booked the tickets. | 0:01:32 | 0:01:38 | |
That's them. | 0:01:38 | 0:01:40 | |
They were a special offer and it was essential, my wife told me, to book them before the 25th of the month. | 0:01:41 | 0:01:47 | |
-SNORING -Thank you. | 0:01:51 | 0:01:53 | |
I don't know about you, ladies, | 0:02:03 | 0:02:04 | |
but can I just say, Pauline, I had no idea that broccoli could be so intriguing. | 0:02:04 | 0:02:10 | |
Thank you. | 0:02:10 | 0:02:11 | |
Now then, ladies, | 0:02:13 | 0:02:15 | |
can I have a volunteer to draw the raffle? | 0:02:15 | 0:02:17 | |
-No! -Yes. | 0:02:21 | 0:02:23 | |
-No! -All right, I'll ask him. | 0:02:23 | 0:02:25 | |
Volunteer your OWN husband! | 0:02:25 | 0:02:27 | |
-Yeah, right. What's Rod going to talk to the WI about? -Yeah, exactly. | 0:02:27 | 0:02:31 | |
That's exactly what John'd say. | 0:02:31 | 0:02:34 | |
What the hell am I gonna speak about? | 0:02:34 | 0:02:36 | |
John, I don't care. Whatever it is is gonna be better than the bloody | 0:02:36 | 0:02:39 | |
history of the cauliflower or whatever it is we've got next week. | 0:02:39 | 0:02:43 | |
-One seedling... -Annie, tell him! | 0:02:43 | 0:02:45 | |
John, the whole point of the WI is, er... | 0:02:45 | 0:02:48 | |
-Are you listening to me? -Annie, what is the point of the WI? | 0:02:48 | 0:02:52 | |
Enlightenment, fun and friendship. | 0:02:52 | 0:02:55 | |
Well, there, you see? It's right. | 0:02:55 | 0:02:58 | |
It's them...them things. | 0:02:58 | 0:03:00 | |
In my case, it's a thing you did cos your mother asked you, then she went and died... | 0:03:00 | 0:03:04 | |
-You love it! -One seed in each pot! | 0:03:04 | 0:03:06 | |
You're bloody useless, you are! | 0:03:06 | 0:03:09 | |
Oh look. Is that all right like that? | 0:03:10 | 0:03:12 | |
I've done the Harman wedding, but the carnation table fronts | 0:03:29 | 0:03:32 | |
need to be done for that conference in Guiseley. | 0:03:32 | 0:03:35 | |
Good Lord - nagging lilies! | 0:03:35 | 0:03:37 | |
And I couldn't find the order form. | 0:03:39 | 0:03:42 | |
I thought, after your fantastic reorganisation, all the order forms had to go on the bent nail. | 0:03:47 | 0:03:53 | |
Are you going upstairs to do your homework? | 0:03:56 | 0:03:59 | |
I'm not bothered. | 0:03:59 | 0:04:00 | |
-ON TELEVISION: -What happened yesterday, can't happen again. | 0:04:00 | 0:04:04 | |
Yeah. No worries. | 0:04:04 | 0:04:05 | |
Jem? | 0:04:42 | 0:04:44 | |
Mum. | 0:04:44 | 0:04:46 | |
SHE CHUCKLES | 0:04:52 | 0:04:54 | |
Oh, you... Shoo! You beggar! | 0:05:02 | 0:05:05 | |
Go on! | 0:05:05 | 0:05:08 | |
He's a little devil is that crow. | 0:05:17 | 0:05:19 | |
He'll have all them seedlings if we don't do something... | 0:05:19 | 0:05:22 | |
Something we need to have a little... | 0:05:28 | 0:05:30 | |
..a little chat about. | 0:05:30 | 0:05:33 | |
-Annie... -Don't leave me. | 0:05:33 | 0:05:36 | |
You great... Hey, come here. | 0:05:38 | 0:05:40 | |
Hey! | 0:05:41 | 0:05:42 | |
Hey, hey! | 0:05:43 | 0:05:45 | |
I'm not leaving you. | 0:05:45 | 0:05:47 | |
You soft girl. | 0:05:47 | 0:05:49 | |
At least, I bloody hope not. | 0:05:51 | 0:05:54 | |
So, um... | 0:06:03 | 0:06:05 | |
You know, what kind is it he's got? | 0:06:06 | 0:06:10 | |
He says he's gonna call it Saddam Hussein. | 0:06:10 | 0:06:13 | |
You should have told us. | 0:06:17 | 0:06:19 | |
I'm your oldest friend. You should have told me the moment you found out. | 0:06:19 | 0:06:23 | |
(I did.) | 0:06:23 | 0:06:24 | |
No big hoo-ha, though, OK? | 0:06:28 | 0:06:31 | |
It'll just make it easier for him to get back to normal when he gets out, you know, and, um... | 0:06:31 | 0:06:36 | |
-And the tests are clear and... -Yeah. -..and everything. | 0:06:36 | 0:06:39 | |
All entries for the home and craft competition to the WI tent immediately, please. | 0:06:52 | 0:06:57 | |
What are they? Hell's Angels? | 0:06:57 | 0:06:59 | |
Sort of. They're morris dancers. | 0:06:59 | 0:07:01 | |
We'll see you back at the tents. | 0:07:01 | 0:07:03 | |
-All right. See you later. -Yeah. | 0:07:03 | 0:07:05 | |
-Garden in a plant pot. -Yeah. Done that. -Straightest courgette. -Done. | 0:07:12 | 0:07:15 | |
-Most creative thing done with an egg. -Done that! -Then we've done everything. Come on! | 0:07:15 | 0:07:20 | |
Look at 'em! | 0:07:20 | 0:07:21 | |
High Gill WI. | 0:07:21 | 0:07:23 | |
"Let's arrange our cakes round an old cartwheel." | 0:07:23 | 0:07:26 | |
Does look pretty, though. | 0:07:26 | 0:07:28 | |
Whose side are you on, Brutus? | 0:07:28 | 0:07:30 | |
-No, I didn't mean... -What's your event, by the way? | 0:07:30 | 0:07:33 | |
Tea tray - on an international theme. | 0:07:34 | 0:07:37 | |
I did Jamaica, but it could be anywhere in the Caribbean. | 0:07:37 | 0:07:40 | |
You know, if more people did WI, | 0:07:41 | 0:07:43 | |
there'd be half the need for hallucinogenic drugs. | 0:07:43 | 0:07:46 | |
Good. Ruth. | 0:07:46 | 0:07:47 | |
International tea tray. Victoria sponge... | 0:07:47 | 0:07:50 | |
Annie's on Victoria sponge. | 0:07:50 | 0:07:52 | |
-Summat for under a pound... -Kathy. | 0:07:52 | 0:07:54 | |
Kathy. That's it. Where's that? | 0:07:54 | 0:07:56 | |
What's that? | 0:07:59 | 0:08:01 | |
Annie won't have had time, running Yul Brynner in and out of Skipton General, so... Ta-da! | 0:08:01 | 0:08:07 | |
I'm sorry. It just took a bit long... | 0:08:07 | 0:08:09 | |
-Oh, my God, the cake! -Told you. -It's all right. Chris has saved the day. | 0:08:09 | 0:08:13 | |
-YOU baked that? -I'm not a total dead loss as a woman. | 0:08:13 | 0:08:17 | |
I can't knit or make plum jam, but I can bake a bloody Victoria sponge. | 0:08:17 | 0:08:21 | |
-All right! Thank you. -Course, I didn't actually bake this one. | 0:08:21 | 0:08:24 | |
-I got it from Marks & Spencer's. -What?! -The point is... | 0:08:24 | 0:08:27 | |
-You can't enter a cake you've bought in a shop! -(Get off!) | 0:08:27 | 0:08:31 | |
It doesn't matter where it comes from, does it? | 0:08:31 | 0:08:34 | |
This is about putting up a united front against High Gill. | 0:08:34 | 0:08:36 | |
This isn't bakery. | 0:08:36 | 0:08:38 | |
It's Zulu. | 0:08:39 | 0:08:41 | |
Are you ready? | 0:08:43 | 0:08:45 | |
CHEERING AND CLAPPING | 0:08:45 | 0:08:47 | |
OVER TANNOY: Will the parents of the young lad in the Spiderman t-shirt please meet him under the gorilla? | 0:08:54 | 0:09:00 | |
CHEERING | 0:09:02 | 0:09:04 | |
OVER TANNOY: Excitement in the main tent, where the WI judging's begun. | 0:09:05 | 0:09:09 | |
Aye aye. | 0:09:09 | 0:09:10 | |
Jury's back. | 0:09:10 | 0:09:12 | |
Ladies and gentlemen, the winner of this year's May Wilkinson trophy | 0:09:12 | 0:09:17 | |
for Victoria sponge, maximum 12-inch diameter, | 0:09:17 | 0:09:21 | |
I'm pleased to say is entry number 213. | 0:09:21 | 0:09:25 | |
-Nice knowing you, Chris. -(Help me!) | 0:09:26 | 0:09:30 | |
Oh, that's interesting. | 0:09:30 | 0:09:31 | |
Entered by Knapely WI... | 0:09:31 | 0:09:33 | |
..and baked by Chris Harper. | 0:09:34 | 0:09:37 | |
CLAPPING | 0:09:37 | 0:09:39 | |
-Very, very well done. It's a beautiful cake. -Thanks. Thanks very much. | 0:09:44 | 0:09:48 | |
And I'm proud to say this cake | 0:09:48 | 0:09:51 | |
also wins the judges' 2002 | 0:09:51 | 0:09:55 | |
discretionary award. APPLAUSE | 0:09:55 | 0:09:57 | |
-It was really beautiful. -Thank you. | 0:10:03 | 0:10:06 | |
Listen, I never normally ask this. | 0:10:10 | 0:10:12 | |
The lightness of that sponge - | 0:10:12 | 0:10:16 | |
is there a trick, a technique, how you got that? | 0:10:16 | 0:10:21 | |
Uh, well... | 0:10:30 | 0:10:32 | |
Well, I basically stuck to me mother's advice about cake baking. | 0:10:32 | 0:10:37 | |
Yes. | 0:10:37 | 0:10:39 | |
Er...which is, | 0:10:39 | 0:10:41 | |
line the bowl with butter. | 0:10:41 | 0:10:43 | |
Always use a warm spoon. | 0:10:43 | 0:10:46 | |
And if it's a special event, | 0:10:46 | 0:10:48 | |
get it at Marks & Spencer's! | 0:10:48 | 0:10:50 | |
-She's...so-oh-oh...! Ah-ha-ha-ha! -CROWD BEGINS TO LAUGH | 0:10:51 | 0:10:55 | |
Throw the cake at 'em! | 0:11:04 | 0:11:06 | |
Are you throwing my cake?! | 0:11:08 | 0:11:11 | |
-That is disrespectful. -This is very good. | 0:11:11 | 0:11:15 | |
Of course it's good! | 0:11:15 | 0:11:17 | |
They don't give the May Wilkinson out lightly, you know. | 0:11:17 | 0:11:21 | |
In fact, I'm going to be asked to do a master class at the WI. | 0:11:21 | 0:11:26 | |
-That'll be interesting. -Wasn't I supposed to do one? | 0:11:26 | 0:11:29 | |
-Something? -Yeah. | 0:11:29 | 0:11:30 | |
For the WI. | 0:11:30 | 0:11:32 | |
Or don't you want that any more? | 0:11:32 | 0:11:34 | |
I'll tell you what, if you want me to do it, you'd better get it in quick. | 0:11:34 | 0:11:38 | |
-Go, go, go. -Kiss. | 0:11:50 | 0:11:54 | |
They're on "arrows of desire." | 0:11:54 | 0:11:55 | |
-You're not going off without a kiss. -I go every Thursday. | 0:11:55 | 0:11:58 | |
It's not an overseas posting. | 0:11:58 | 0:12:00 | |
Kiss. | 0:12:00 | 0:12:02 | |
# Till we have built Jerusalem | 0:12:17 | 0:12:22 | |
# In England's green and pleasant | 0:12:23 | 0:12:28 | |
# Land. # | 0:12:28 | 0:12:30 | |
SHE MOUTHS INAUDIBLY | 0:12:34 | 0:12:36 | |
Firstly, how else could we start than by congratulating Chris | 0:12:39 | 0:12:45 | |
on not only winning the May Wilkinson, but also the judges' discretionary ribbon. | 0:12:45 | 0:12:51 | |
CONGRATULATORY MOTIF ON PIANO AND CLAPPING | 0:12:51 | 0:12:53 | |
I'm so pleased. | 0:12:55 | 0:12:57 | |
Now, the next item on the agenda is the calendar. | 0:13:01 | 0:13:05 | |
Last year we had views of local bridges, so this year | 0:13:05 | 0:13:09 | |
I thought we could go for the 12 most beautiful views of... | 0:13:09 | 0:13:13 | |
-(..George Clooney.) -..the churches of Wharfedale. | 0:13:13 | 0:13:16 | |
(11 fully clothed and a little "lift the flap" for December.) | 0:13:16 | 0:13:20 | |
Chris? | 0:13:20 | 0:13:22 | |
-No, nothing. -She said George Clooney. | 0:13:23 | 0:13:26 | |
No. No, Marie. I'm fine, you know, with whatever. | 0:13:30 | 0:13:33 | |
Churches of Wharfedale it is, then. | 0:13:33 | 0:13:36 | |
LAUGHTER | 0:13:36 | 0:13:38 | |
It SHOULD be bloody George Clooney! | 0:13:38 | 0:13:39 | |
Come the toss between Burnsall Church and George Clooney, I know which I'd rather wake up looking at. | 0:13:39 | 0:13:45 | |
-It is a Norman church, you know. -I'm not disputing the loveliness of the church, John. | 0:13:45 | 0:13:49 | |
It's the firmness of the buttocks I'm worried about. | 0:13:49 | 0:13:53 | |
-Careful. You'll pull your drip out. -Anyway, let's face it... | 0:13:53 | 0:13:56 | |
-Oh, I hate to be a revolutionary, it might actually sell a few copies(!) -Yeah, the WI posing-pouch calendar. | 0:13:56 | 0:14:03 | |
-Flesh sells, I tell ya. -Yeah? | 0:14:03 | 0:14:06 | |
Right, decided. | 0:14:06 | 0:14:08 | |
So where do we get a photographer? | 0:14:08 | 0:14:11 | |
Art college. It's full of charlatans who prostitute their talent for money. | 0:14:11 | 0:14:16 | |
-Is it? -Yeah. Lawrence was telling me. | 0:14:16 | 0:14:20 | |
Hey, you wanna see this kid's photographs. | 0:14:20 | 0:14:23 | |
Don't go on about them. | 0:14:23 | 0:14:25 | |
He's taking some of me sunflowers, to see how they're getting on. | 0:14:25 | 0:14:30 | |
It's not your photographer, it's your models. Professional models cost a bomb. | 0:14:30 | 0:14:34 | |
Hey. | 0:14:34 | 0:14:35 | |
I'll model for you for nowt. | 0:14:36 | 0:14:38 | |
No, thanks, John. I've just seen your backside and, believe me, it's not like George's. | 0:14:40 | 0:14:45 | |
There we go. | 0:14:59 | 0:15:02 | |
Ow! | 0:15:02 | 0:15:03 | |
Ooh! This bloody settee. | 0:15:03 | 0:15:06 | |
They're gonna need another relatives' room, | 0:15:06 | 0:15:09 | |
for the relatives of the relatives who got injured on the settee in the bloody relatives' room. | 0:15:09 | 0:15:14 | |
So, did you talk to the specialist? | 0:15:17 | 0:15:19 | |
John seems chirpier to me today. What's the old, um... | 0:15:21 | 0:15:24 | |
Pneumonia and septicaemia. | 0:15:24 | 0:15:26 | |
That's good. I've heard of those. | 0:15:26 | 0:15:29 | |
They can deal with those, can't they? | 0:15:29 | 0:15:31 | |
It means his immune system's weakened. | 0:15:32 | 0:15:34 | |
The chemo isn't working. | 0:15:36 | 0:15:38 | |
Which means we're finally out of straws. | 0:15:40 | 0:15:43 | |
-BREATHILY: -Don't you go buying any benches. | 0:15:51 | 0:15:54 | |
Do what the hell I like, John Clarke. | 0:15:54 | 0:15:57 | |
If you put a bench out here, | 0:15:57 | 0:15:59 | |
it'll have "Leeds stuffed Arsenal" on it before you get back to the car. | 0:16:00 | 0:16:05 | |
Come on. | 0:16:08 | 0:16:10 | |
I've written me speech...WI. | 0:16:17 | 0:16:20 | |
Oh, right. | 0:16:20 | 0:16:22 | |
I did it about...me job. | 0:16:24 | 0:16:26 | |
And all this. | 0:16:28 | 0:16:31 | |
You read it to me. | 0:16:31 | 0:16:33 | |
Flowers of Yorkshire are like the women of Yorkshire. | 0:16:39 | 0:16:43 | |
Every stage of their growth | 0:16:43 | 0:16:45 | |
is more beautiful than the last. | 0:16:47 | 0:16:50 | |
But the last phase... | 0:16:53 | 0:16:55 | |
..is always the most glorious. | 0:16:56 | 0:16:59 | |
Then very quickly they all go to seed. | 0:17:14 | 0:17:16 | |
Cheeky beggar! | 0:17:22 | 0:17:24 | |
A while ago, | 0:17:57 | 0:18:00 | |
I asked John Clarke to give us a talk here at Knapely WI. | 0:18:00 | 0:18:04 | |
Annie asked me to read it to you here tonight, | 0:18:06 | 0:18:09 | |
and this is what he wrote. | 0:18:09 | 0:18:11 | |
"The flowers of Yorkshire are like the women of Yorkshire. | 0:18:14 | 0:18:18 | |
"Every stage of their growth has its own beauty, but the last phase is always the most glorious. | 0:18:18 | 0:18:24 | |
"Then very quickly they all go to seed." | 0:18:25 | 0:18:28 | |
LAUGHTER | 0:18:28 | 0:18:30 | |
"Which makes it ironic my favourite flower isn't even indigenous to the British Isles, let alone Yorkshire. | 0:18:30 | 0:18:38 | |
"I don't think there's anything on this planet that more trumpets life than the sunflower. | 0:18:38 | 0:18:45 | |
"For me, that's because of the reason behind its name. | 0:18:45 | 0:18:49 | |
"Not because it looks like the sun | 0:18:49 | 0:18:51 | |
"but because it follows the sun. | 0:18:51 | 0:18:54 | |
"During the course of the day, the head tracks the journey of the sun across the sky. | 0:18:55 | 0:19:01 | |
"A satellite dish for sunshine. | 0:19:02 | 0:19:05 | |
"Wherever light is, no matter how weak, these flowers will find it. | 0:19:06 | 0:19:11 | |
"And that's such an admirable thing. | 0:19:12 | 0:19:15 | |
"And such a lesson in life." | 0:19:15 | 0:19:18 | |
You ran into a gate? How'd you do that? | 0:19:30 | 0:19:33 | |
HE MUMBLES AN ANSWER | 0:19:33 | 0:19:35 | |
You what?! | 0:19:35 | 0:19:36 | |
He does a paper round. It pays for his elocution lessons. | 0:19:36 | 0:19:39 | |
Yeah, well, he's bent these, good-style. | 0:19:39 | 0:19:43 | |
It'll be, er... | 0:19:43 | 0:19:44 | |
..Be 25 quid, that, love. | 0:19:45 | 0:19:47 | |
I have to have it. | 0:19:47 | 0:19:48 | |
Mum? | 0:19:51 | 0:19:53 | |
Ted, would you mind if I borrowed this? | 0:19:57 | 0:19:59 | |
Nah. | 0:20:00 | 0:20:02 | |
Moving gently into the locust... | 0:20:05 | 0:20:08 | |
And then... | 0:20:09 | 0:20:11 | |
we have... | 0:20:11 | 0:20:13 | |
..the lion. | 0:20:14 | 0:20:16 | |
I have to admit I'm concerned about our great leader's grasp of t'ai chi. | 0:20:19 | 0:20:23 | |
-And into the llama. -Llama? | 0:20:23 | 0:20:27 | |
-Llama? -Are there llamas in China? | 0:20:27 | 0:20:29 | |
-OK? -What?(!) | 0:20:29 | 0:20:32 | |
Are you all looking in the right direction? | 0:20:32 | 0:20:35 | |
-See you later, girls! -Bye, love! ALL: Bye! | 0:20:35 | 0:20:38 | |
Bye. | 0:20:38 | 0:20:39 | |
How's Annie? | 0:20:39 | 0:20:42 | |
How can we help, do you think? | 0:20:42 | 0:20:43 | |
Are you doing anything tomorrow afternoon? | 0:20:47 | 0:20:50 | |
It is, I'm telling ya. | 0:21:05 | 0:21:07 | |
Girls laughing's a good sign. | 0:21:07 | 0:21:10 | |
It's a top sign, I tell ya. | 0:21:10 | 0:21:13 | |
Bloody hell, if you're in with Debbie Nolan... | 0:21:13 | 0:21:16 | |
Not bein' unsound here, but she has got the most fantastic tits. | 0:21:16 | 0:21:20 | |
She has got fi-hine mangoes. | 0:21:20 | 0:21:22 | |
Actually, not mangoes. | 0:21:24 | 0:21:26 | |
I don't imagine they'd be hard, like mangoes. | 0:21:26 | 0:21:29 | |
Maybe...plums. | 0:21:29 | 0:21:31 | |
Ripe plums. | 0:21:32 | 0:21:34 | |
You know, big, ripe plums. | 0:21:34 | 0:21:37 | |
No, what am I saying? | 0:21:41 | 0:21:43 | |
No, not plums. Balloons! | 0:21:43 | 0:21:46 | |
That's it. | 0:21:46 | 0:21:47 | |
That's exactly what they're like. | 0:21:47 | 0:21:49 | |
A pair of balloons you find behind your settee three days after a party. | 0:21:49 | 0:21:54 | |
Gaz, will you stop talking about tits? | 0:21:54 | 0:21:58 | |
Why would I ever wanna do that? | 0:21:58 | 0:22:00 | |
Well, I think it's a great idea. | 0:22:03 | 0:22:05 | |
You weren't concentrating, were you, Ruth? | 0:22:05 | 0:22:08 | |
I was. We're going to raise money for the hospital, to buy a sofa in John's name. | 0:22:08 | 0:22:14 | |
By posing for a nude calendar. | 0:22:14 | 0:22:17 | |
-Oh, no! -Sit down. I'm not asking you to straddle an 'arley-Davidson. | 0:22:19 | 0:22:24 | |
It's still a bit of a leap from Burnsall Church, love. | 0:22:24 | 0:22:27 | |
Yes, but that's the whole point. You see, like, it's an alternative calendar. It's, um... | 0:22:27 | 0:22:33 | |
It's what John suggested. | 0:22:33 | 0:22:35 | |
-Did he? -"The last stage of the flower is the most glorious." | 0:22:35 | 0:22:40 | |
So what this calendar would be saying is, "Yes, John, actually. We agree." | 0:22:40 | 0:22:45 | |
With respect, I didn't hear him use the phrase "whip your bras off." | 0:22:45 | 0:22:49 | |
It's £999 in the leather, that sofa. | 0:22:52 | 0:22:56 | |
Can I remind you how much last year's calendar raised? | 0:22:56 | 0:23:00 | |
-£75.60. -..Sixty. | 0:23:00 | 0:23:03 | |
Are you havin' it? | 0:23:04 | 0:23:06 | |
We're havin' it, all right! Come on. | 0:23:06 | 0:23:09 | |
Yeah, we'll get back to you, thank you. | 0:23:09 | 0:23:12 | |
'She's...' | 0:23:12 | 0:23:13 | |
..I don't know. She's being weird. | 0:23:14 | 0:23:17 | |
Normal weird, or weird weird? | 0:23:17 | 0:23:20 | |
She found this. | 0:23:20 | 0:23:22 | |
You're kidding? Big Bazookas! | 0:23:22 | 0:23:24 | |
I saw her looking at it. | 0:23:24 | 0:23:26 | |
God, I bet she went off her head. | 0:23:26 | 0:23:27 | |
My mum did when she found me Rubber Housewives. | 0:23:27 | 0:23:31 | |
It's a difficult age. | 0:23:33 | 0:23:36 | |
Round about now, | 0:23:36 | 0:23:38 | |
women go through a difficult age, | 0:23:38 | 0:23:41 | |
when they get all irrational and odd | 0:23:41 | 0:23:45 | |
and difficult to predict. | 0:23:45 | 0:23:47 | |
-How do you know? -Me dad told me. | 0:23:47 | 0:23:49 | |
-Right. -No. -Ruth... -I've got to go, anyway. | 0:23:50 | 0:23:54 | |
Eddie's getting back from Ilkley. | 0:23:54 | 0:23:55 | |
Nobody's going to see anything, I promise you. You take the picture. | 0:23:55 | 0:23:59 | |
I'm not quite sure how to... | 0:23:59 | 0:24:01 | |
-No, not yet. Wait! -You've just taken one of the table. | 0:24:02 | 0:24:06 | |
-Won't sell a lot of calendars, will it?! Is that... -But it's... -Right. | 0:24:06 | 0:24:09 | |
Can anyone see my nipples? | 0:24:13 | 0:24:14 | |
-You bloody would if it were YOUR mum. -Look, what's she done? | 0:24:14 | 0:24:18 | |
Flicked through one jazz mag and looked at a mucky calendar. | 0:24:18 | 0:24:21 | |
That doesn't make her a lesbian. | 0:24:21 | 0:24:23 | |
Hi, Jem. | 0:24:27 | 0:24:28 | |
Your mother's just... | 0:24:32 | 0:24:34 | |
Er, just er... Just go on upstairs with your friend, OK? | 0:24:36 | 0:24:41 | |
How was Ilkley? | 0:25:01 | 0:25:03 | |
Hey, what are you doing up? | 0:25:04 | 0:25:05 | |
-How'd it go? -Oh, you know. | 0:25:12 | 0:25:15 | |
They're not a scintillating lot, carpet dealers. | 0:25:15 | 0:25:19 | |
They only get excited about bonded underlay. | 0:25:19 | 0:25:22 | |
-Coming to bed? -Aye, in a bit. | 0:25:24 | 0:25:26 | |
Just having a wind-down. | 0:25:26 | 0:25:29 | |
TELEVISION: I don't want any more announcements of redundancies... | 0:25:31 | 0:25:35 | |
LAUGHTER | 0:25:35 | 0:25:37 | |
I've come for my photos. Er... | 0:25:49 | 0:25:51 | |
-Can't find my little receipt thingy. The name's Har... -Here they are. | 0:25:51 | 0:25:55 | |
-It's £4.99, please. -Thank you. | 0:25:55 | 0:25:58 | |
Keep the penny. Thank you. | 0:26:01 | 0:26:03 | |
SUPPRESSED GIGGLES | 0:26:03 | 0:26:05 | |
-I'm surprised they printed it. -It's probably on the internet by now. | 0:26:12 | 0:26:16 | |
By the sound of it, most people have seen it already. | 0:26:16 | 0:26:19 | |
LAUGHTER | 0:26:19 | 0:26:20 | |
For God's sake. | 0:26:20 | 0:26:22 | |
Lots of people have their photos taken with their tops off on holiday in Ibiza, don't they? | 0:26:22 | 0:26:27 | |
It just probably came as a slight shock, Chris. | 0:26:27 | 0:26:30 | |
What with the previous 15 photos being of flower arrangements. | 0:26:30 | 0:26:33 | |
Oh, I've screwed up a-bloody-gain, haven't I? Yet a-bloody-gain. | 0:26:33 | 0:26:37 | |
Whoa! Whoa, whoa, whoa. Look, what we have to ask ourselves here is this. | 0:26:37 | 0:26:43 | |
What is the difference between this and the Venus De Milo? | 0:26:43 | 0:26:46 | |
Oh, I love quizzes. | 0:26:46 | 0:26:47 | |
-The cooker? -Celia! | 0:26:48 | 0:26:50 | |
Both feature women with their breasts exposed. | 0:26:50 | 0:26:54 | |
What makes one a work of art? | 0:26:54 | 0:26:56 | |
I think the answer to that's very simple. An artist. | 0:26:56 | 0:27:00 | |
An artist. | 0:27:04 | 0:27:05 | |
Oh, she's lovely. | 0:27:15 | 0:27:17 | |
-A lovely light you've used on the face there. -Got her eyes, didn't he? | 0:27:17 | 0:27:21 | |
-And-and all those curls. -Mm. | 0:27:21 | 0:27:24 | |
BOTH: Oh. | 0:27:24 | 0:27:26 | |
So, have you photographed many humans, or is it mainly... | 0:27:28 | 0:27:30 | |
It is mainly poodles. | 0:27:30 | 0:27:34 | |
The blood represents globalisation and the sheep's skull is the death of democracy. | 0:27:34 | 0:27:40 | |
-And the carrot? -The carrot is capitalism. -Oh. | 0:27:41 | 0:27:44 | |
Mainly orchids. | 0:27:50 | 0:27:52 | |
I'm particularly interested in woodland orchids. | 0:27:52 | 0:27:55 | |
And butterflies. I love photographing native butterflies. | 0:27:55 | 0:28:00 | |
What exactly is your project? | 0:28:00 | 0:28:02 | |
Hello, ladies. | 0:28:06 | 0:28:09 | |
This is crazy. | 0:28:16 | 0:28:18 | |
He won't remember. | 0:28:18 | 0:28:19 | |
He must see thousands of people come through here every day. | 0:28:19 | 0:28:23 | |
Mrs Clarke? | 0:28:25 | 0:28:27 | |
-John's wife? -Yeah. | 0:28:27 | 0:28:30 | |
Hiya. | 0:28:30 | 0:28:31 | |
Hiya. | 0:28:31 | 0:28:33 | |
Um... | 0:28:38 | 0:28:39 | |
Are you serious? | 0:28:39 | 0:28:41 | |
You've got 12 women in Skipton who are all, er, committed to doin' a nude photo shoot? | 0:28:41 | 0:28:47 | |
-Well, technically we haven't got 12. -Yes. | 0:28:47 | 0:28:50 | |
So long as we can find the right photographer. | 0:28:50 | 0:28:52 | |
(We've found the right photographer.) | 0:29:04 | 0:29:07 | |
(Are you going to commit to it?) | 0:29:08 | 0:29:10 | |
(You are!) | 0:29:11 | 0:29:14 | |
(Sorry.) | 0:29:15 | 0:29:16 | |
(Don't think of it as naked, Cora.) | 0:29:17 | 0:29:20 | |
(It's not naked. It's nude.) | 0:29:20 | 0:29:23 | |
(Annie, I am 55 years old.) | 0:29:23 | 0:29:28 | |
(So if I'm not gonna get 'em out now, when am I?) | 0:29:28 | 0:29:32 | |
SHE PLAYS THE WEDDING MARCH | 0:29:35 | 0:29:37 | |
It's the whole showing your breasts issue that concerns me. | 0:29:37 | 0:29:41 | |
I think the whole point is that we don't properly. | 0:29:41 | 0:29:44 | |
I know. That's what concerns me. | 0:29:44 | 0:29:46 | |
Yours are good, are they? | 0:29:48 | 0:29:50 | |
They're tremendous. | 0:29:50 | 0:29:52 | |
Jessie, we're getting to the point now where we really need to commit. | 0:29:53 | 0:29:57 | |
-Now, I know... -No front bottoms. | 0:29:57 | 0:30:00 | |
What? | 0:30:00 | 0:30:01 | |
I'm in, just as long as it's no front bottoms. | 0:30:01 | 0:30:05 | |
That's a sight I've reserved for just one man in my life. | 0:30:05 | 0:30:08 | |
Do you think your husband'll mind? | 0:30:08 | 0:30:10 | |
It wasn't my husband. | 0:30:10 | 0:30:11 | |
Course you've got a body worth lookin' at! | 0:30:11 | 0:30:13 | |
-Just look at that parking! -Ruth. | 0:30:13 | 0:30:16 | |
Doesn't it annoy you when people take two spaces? | 0:30:16 | 0:30:18 | |
Look, look. None of us have got a body worth looking at. | 0:30:18 | 0:30:22 | |
No, well, that's not... | 0:30:22 | 0:30:24 | |
We're not all Chrises in this life. | 0:30:26 | 0:30:28 | |
Some of us are Ruths. | 0:30:28 | 0:30:31 | |
I'm sorry. | 0:30:31 | 0:30:32 | |
Ruth. Ruth? | 0:30:34 | 0:30:36 | |
Right, I did a bit of thinking about this calendar. | 0:30:55 | 0:30:58 | |
OK, I think there's a trick we could play here. Um... | 0:31:00 | 0:31:03 | |
At first glance, it should look like your classic WI calendar. | 0:31:03 | 0:31:08 | |
Er. You know, all your jams, cakes, sewing and all that. | 0:31:08 | 0:31:12 | |
You know, everything you'd expect. | 0:31:12 | 0:31:15 | |
Except for one tiny thing. | 0:31:15 | 0:31:18 | |
The person doing it is...er... | 0:31:18 | 0:31:21 | |
..naked. | 0:31:21 | 0:31:23 | |
It's... | 0:31:31 | 0:31:32 | |
It's perfect, Lawrence. Really, it's perfect. | 0:31:32 | 0:31:36 | |
A different girl for every month | 0:31:36 | 0:31:39 | |
in a different guise. | 0:31:39 | 0:31:41 | |
Painting, um...press. | 0:31:41 | 0:31:44 | |
Until December, when I thought we could do a group photo of you | 0:31:44 | 0:31:48 | |
all together, you know, singin' a Christmas carol. | 0:31:48 | 0:31:51 | |
That's a great idea! | 0:31:51 | 0:31:53 | |
-With little hats on, like Father Christmas. -Yes! | 0:31:53 | 0:31:55 | |
There's just one small problem. | 0:31:55 | 0:31:58 | |
The photographer's a man. | 0:31:58 | 0:32:00 | |
-Yeah. The point is, we won't actually be showing anything. -In the photos. | 0:32:00 | 0:32:04 | |
I imagine a considerable amount will be on display in the room. | 0:32:04 | 0:32:08 | |
(That's a point.) | 0:32:08 | 0:32:10 | |
-(He'll have to be in the room to take the photos. -With us naked! -Yeah, well, nude.) | 0:32:10 | 0:32:14 | |
(An art photographer doesn't see a naked woman. He sees a life model.) | 0:32:16 | 0:32:20 | |
(Yes, the nudity isn't important.) | 0:32:20 | 0:32:24 | |
That's easy to say when you've got your knickers on! | 0:32:24 | 0:32:27 | |
He'll be looking at us as an artist. | 0:32:27 | 0:32:29 | |
- I've heard that one before. - Have you? | 0:32:29 | 0:32:32 | |
-He's not that kind of bloke. -I've heard that one before an' all! | 0:32:32 | 0:32:35 | |
Where is he? | 0:32:35 | 0:32:37 | |
-Oh. -Where's he gone! | 0:32:39 | 0:32:40 | |
Lawrence? | 0:32:44 | 0:32:45 | |
I mean, have you any idea how intimidating it is to come in here in front of you lot? | 0:32:52 | 0:32:58 | |
How much it's taken that young man to do that? | 0:32:59 | 0:33:02 | |
THEY MUMBLE: Sorry. | 0:33:02 | 0:33:05 | |
Course we're not gonna go round parading ourselves in a room full of men. | 0:33:05 | 0:33:10 | |
This isn't... France, for God's sake. | 0:33:10 | 0:33:14 | |
Lawrence will set up the photo, | 0:33:14 | 0:33:17 | |
leave the room, | 0:33:17 | 0:33:19 | |
dressing gowns come off, | 0:33:19 | 0:33:21 | |
and one of us will click the shutter. | 0:33:21 | 0:33:24 | |
Right. | 0:33:27 | 0:33:29 | |
Lawrence? | 0:33:29 | 0:33:31 | |
I think these girls have got something to say to you. | 0:33:35 | 0:33:38 | |
Sorry. | 0:33:38 | 0:33:39 | |
Sorry, Lawrence. | 0:33:39 | 0:33:41 | |
# I will not cease | 0:33:41 | 0:33:44 | |
# From mental fight | 0:33:44 | 0:33:46 | |
# Nor shall my sword | 0:33:46 | 0:33:48 | |
# Sleep in my hand | 0:33:48 | 0:33:51 | |
# Till we have built | 0:33:51 | 0:33:54 | |
# Jerusalem | 0:33:54 | 0:33:57 | |
# In England's green and | 0:33:57 | 0:34:00 | |
# Pleasant land! # INAUDIBLE | 0:34:00 | 0:34:03 | |
Right. | 0:34:05 | 0:34:07 | |
Has anyone any activities planned we might want to seek approval for | 0:34:07 | 0:34:12 | |
at National Conference? | 0:34:12 | 0:34:14 | |
It's always wise. | 0:34:15 | 0:34:17 | |
We wouldn't want to do anything without approval from National Committee, | 0:34:17 | 0:34:21 | |
not with Knapely being such a proud WI, with an unblemished reputation. | 0:34:21 | 0:34:25 | |
Where it would take only one small act by a few rogue individuals | 0:34:26 | 0:34:31 | |
-to ruin a reputation that we've spent all these years... -All right, all right. | 0:34:31 | 0:34:36 | |
All right. | 0:34:36 | 0:34:37 | |
-Look, we're plannin' a calendar for John, everyone. -Yeah. | 0:34:37 | 0:34:43 | |
It's, um, to raise money for, er, | 0:34:43 | 0:34:46 | |
well to buy something for the relatives' room | 0:34:46 | 0:34:49 | |
in, er...in Knapely General. | 0:34:49 | 0:34:53 | |
MUTTERS OF APPROVAL And? | 0:34:53 | 0:34:55 | |
And...with us on it. | 0:34:56 | 0:34:59 | |
-One for each month. -(What did she say? -Ooh.) | 0:34:59 | 0:35:01 | |
And? | 0:35:01 | 0:35:03 | |
Well... | 0:35:04 | 0:35:05 | |
That-that's about it, really... | 0:35:07 | 0:35:10 | |
Naked! | 0:35:10 | 0:35:11 | |
-Naked? -Not naked. Nude. | 0:35:11 | 0:35:14 | |
- What's the difference? - Art. | 0:35:14 | 0:35:18 | |
And seein' Marie's raised the issue, we're a good few months short. | 0:35:18 | 0:35:22 | |
LAUGHTER | 0:35:22 | 0:35:23 | |
Is that not because all this has the air of another one of Chris's great ideas? | 0:35:23 | 0:35:28 | |
Like the vodka-tasting night. | 0:35:28 | 0:35:30 | |
No, no. Because I'm going to make sure this one turns out OK, Marie. | 0:35:30 | 0:35:34 | |
Because it's for John. | 0:35:34 | 0:35:36 | |
It was inspired by John, and it's for John, and it's because of John. | 0:35:36 | 0:35:41 | |
And no matter what you might think of the idea, Marie, you're lookin' at January. | 0:35:41 | 0:35:46 | |
February. | 0:35:49 | 0:35:52 | |
March. | 0:35:52 | 0:35:53 | |
TWO WOMEN AT ONCE: April! | 0:35:58 | 0:36:00 | |
Chris, do we have to make any special preparations? | 0:36:08 | 0:36:12 | |
-No. These pictures are going to be us, girls, as we come. -Oh, God! | 0:36:12 | 0:36:16 | |
-Grey hair, cellulite, the lot. -Oh, no! | 0:36:16 | 0:36:19 | |
-Remember, "The last phase..." -ALL: "Is the most glorious!" | 0:36:19 | 0:36:23 | |
Do you have any pictures of Rene Russo? | 0:36:24 | 0:36:28 | |
Thanks. | 0:36:44 | 0:36:46 | |
A week? | 0:37:04 | 0:37:05 | |
I know. It's a client. He does, um... | 0:37:05 | 0:37:08 | |
You know this new chain of hotels? Northern summat? | 0:37:08 | 0:37:11 | |
Shall I come? | 0:37:12 | 0:37:15 | |
Uh. | 0:37:15 | 0:37:16 | |
What? | 0:37:16 | 0:37:17 | |
Save your sanity, love. You know, it's carpets! | 0:37:17 | 0:37:20 | |
If I raced dragsters, there might be summat worth watching. | 0:37:20 | 0:37:24 | |
Oh! Darling, come on! | 0:37:32 | 0:37:34 | |
-Your ball's over there. -I'm coming, Frank. | 0:37:34 | 0:37:36 | |
MOBILE PHONE RINGS | 0:37:39 | 0:37:41 | |
T minus two hours. Bras off to avoid strap marks. | 0:37:44 | 0:37:47 | |
As we speak, darling. As we speak. | 0:37:47 | 0:37:49 | |
Darling?! Come on! | 0:37:50 | 0:37:52 | |
Good girl. | 0:37:52 | 0:37:53 | |
-So, we're going to go. -We're going to go. | 0:38:24 | 0:38:27 | |
-That's the decision. -That's the decision. | 0:38:27 | 0:38:29 | |
-We're going to go and tell them we're not going to do it. -OK. | 0:38:29 | 0:38:33 | |
In, in! Quick! | 0:38:44 | 0:38:45 | |
THEY GIGGLE | 0:38:46 | 0:38:48 | |
You have to realise, I've never appeared nude in front of anyone in my life. | 0:38:58 | 0:39:03 | |
-Not even Frank? -Frank's a major. | 0:39:03 | 0:39:06 | |
We approach nudity on a strictly need-to-know basis. | 0:39:06 | 0:39:09 | |
None of us have been here before, love. | 0:39:09 | 0:39:12 | |
I mean, for God's sake, my John didn't see me naked until the spring of 1975. | 0:39:12 | 0:39:17 | |
What happened in the spring of '75? | 0:39:17 | 0:39:20 | |
There was a lizard in the shower block at Abergele! | 0:39:20 | 0:39:23 | |
Quite a few people saw me naked that morning. | 0:39:25 | 0:39:27 | |
FAINT LAUGHTER FROM KITCHEN AND CLOCK CHIMING | 0:39:27 | 0:39:30 | |
Oh, that's not fair! ALL: Oh! | 0:40:15 | 0:40:18 | |
Right. | 0:40:20 | 0:40:21 | |
-(Shit or bust.) -(Shit or bust.) | 0:40:23 | 0:40:26 | |
Right, Lawrence. | 0:40:26 | 0:40:28 | |
-Ready when you are. -Here's the first. -You're on. | 0:40:28 | 0:40:31 | |
They'll never go through with it. | 0:40:39 | 0:40:41 | |
I'll put it here. It's a tool of the trade. | 0:40:43 | 0:40:46 | |
Ladies, just bring the lamp up a bit. Raise the lamp for me. | 0:40:46 | 0:40:49 | |
No, don't touch that. | 0:40:49 | 0:40:51 | |
OK? | 0:40:51 | 0:40:53 | |
Right. | 0:40:53 | 0:40:54 | |
Annie? Chris? | 0:40:54 | 0:40:55 | |
-Can you just clear frame for me? -Yeah. | 0:40:55 | 0:40:57 | |
-OK, Celia? -Mm-hm? -Just lean in toward t'camera a little bit. | 0:41:01 | 0:41:05 | |
-Right. -Enough? -Perfect. | 0:41:05 | 0:41:08 | |
OK. | 0:41:16 | 0:41:18 | |
Ready. | 0:41:18 | 0:41:20 | |
Erm. | 0:41:21 | 0:41:22 | |
(OK.) | 0:41:25 | 0:41:26 | |
Lawrence, we're going to need considerably bigger buns. | 0:41:30 | 0:41:34 | |
THE WOMEN LAUGH | 0:41:34 | 0:41:36 | |
Weren't the buns flat? | 0:41:46 | 0:41:48 | |
No! Don't mess with the buns! | 0:41:50 | 0:41:53 | |
I like them like this. They cover more. | 0:41:53 | 0:41:55 | |
No, don't touch the composition! | 0:41:55 | 0:41:58 | |
But, Lawrence, were the top buns flat? | 0:41:58 | 0:42:00 | |
-No. They're flat! -Yeah, but flat for us or flat for her? | 0:42:00 | 0:42:05 | |
Don't...touch...the...buns. | 0:42:10 | 0:42:13 | |
Please. | 0:42:15 | 0:42:16 | |
Sorry. | 0:42:16 | 0:42:18 | |
Bad girl. | 0:42:21 | 0:42:24 | |
Bun toucher. | 0:42:24 | 0:42:25 | |
She's got to look relaxed. | 0:42:27 | 0:42:29 | |
I am bloody relaxed. | 0:42:29 | 0:42:31 | |
-And she's gotta smile. -I am smiling! | 0:42:31 | 0:42:34 | |
Not too much. | 0:42:34 | 0:42:36 | |
I want it enigmatic. | 0:42:36 | 0:42:39 | |
She looks like she's seen somebody she knows in the distance. | 0:42:39 | 0:42:43 | |
Left side up a little. | 0:42:45 | 0:42:48 | |
Your right side down a little. | 0:42:48 | 0:42:50 | |
And the middle section sort of... | 0:42:50 | 0:42:53 | |
For God's sake, get bloody Botticelli in here. | 0:42:53 | 0:42:55 | |
-Lawrence. -Hiya. | 0:42:57 | 0:42:59 | |
Get in here. | 0:42:59 | 0:43:00 | |
Chin down to your left. | 0:43:07 | 0:43:10 | |
You look beautiful, Celia. | 0:43:12 | 0:43:14 | |
CAMERA SHUTTER CLICKS | 0:43:17 | 0:43:18 | |
OK. | 0:43:20 | 0:43:22 | |
We're away. | 0:43:22 | 0:43:24 | |
BLUES MUSIC | 0:43:24 | 0:43:27 | |
I used to be in a band in the '70s. One day, for a laugh... | 0:43:31 | 0:43:36 | |
Thank you. | 0:43:39 | 0:43:41 | |
# Yeah she's 36 in the bust | 0:43:52 | 0:43:54 | |
# 28 in the waist | 0:43:54 | 0:43:57 | |
# 44 in the hips She got a real crazy legs | 0:43:57 | 0:44:01 | |
# It upsets me baby | 0:44:01 | 0:44:03 | |
# Yes, you upsets me, baby... # | 0:44:03 | 0:44:07 | |
Come on, Sugden. It's your own time you're wasting. | 0:44:08 | 0:44:12 | |
I was his junior school teacher. | 0:44:12 | 0:44:14 | |
Oh, Jessie! | 0:44:16 | 0:44:18 | |
What did I say about relaxing him?! | 0:44:18 | 0:44:20 | |
What did she say about relaxing him? | 0:44:20 | 0:44:24 | |
# You upsets me, baby Yes! | 0:44:25 | 0:44:29 | |
# You upsets me, baby | 0:44:29 | 0:44:31 | |
# Like being hit By a falling tree, woman | 0:44:32 | 0:44:35 | |
# Woman what you do to me | 0:44:35 | 0:44:38 | |
# Well I try to describe her | 0:44:40 | 0:44:42 | |
# It's hard to stop | 0:44:42 | 0:44:44 | |
# I better stop now | 0:44:44 | 0:44:46 | |
# Because I got a weak heart | 0:44:46 | 0:44:48 | |
# You upsets me... # | 0:44:48 | 0:44:50 | |
Cup of tea, girls? | 0:44:50 | 0:44:52 | |
# Well, you upsets me, baby | 0:44:52 | 0:44:54 | |
# Well, like being hit By a falling tree | 0:44:55 | 0:44:58 | |
# Woman, what you do to me... # | 0:44:58 | 0:45:01 | |
SHE PLAYS TWO DISCORDANT NOTES | 0:45:01 | 0:45:03 | |
There's no E-flat in "Jerusalem". | 0:45:03 | 0:45:05 | |
I'd be disappointed if they look at me fingers! | 0:45:05 | 0:45:07 | |
Oh! All right? | 0:45:42 | 0:45:45 | |
Are you doing this one? | 0:45:47 | 0:45:50 | |
What's your name? | 0:45:52 | 0:45:54 | |
-Ruth. -Ruth. | 0:45:54 | 0:45:55 | |
I'm Lawrence. Photographer. | 0:45:56 | 0:45:58 | |
One minute. | 0:46:03 | 0:46:04 | |
# Yeah! # | 0:46:04 | 0:46:05 | |
BLUES INSTRUMENTAL | 0:46:05 | 0:46:08 | |
Lawrence? Lawrence, who's next? | 0:46:12 | 0:46:15 | |
Ruth. | 0:46:15 | 0:46:16 | |
-Ruth?! -Ruth?! -Ruth?! No! | 0:46:16 | 0:46:18 | |
No, wait. Lawrence! | 0:46:18 | 0:46:20 | |
Right. Let's do it. | 0:46:35 | 0:46:38 | |
# Well, I try to describe her | 0:46:50 | 0:46:53 | |
# It's hard to stop... # | 0:46:53 | 0:46:55 | |
Could I have...um, well, you know, some privacy? | 0:46:55 | 0:46:59 | |
No-ho-ho! | 0:46:59 | 0:47:00 | |
Off! | 0:47:01 | 0:47:02 | |
ALL: Off, off, off...! | 0:47:02 | 0:47:05 | |
ALL CONTINUE CHANTING "OFF" | 0:47:05 | 0:47:08 | |
ALL: Off! THEY LAUGH | 0:47:08 | 0:47:10 | |
THEY CLAP | 0:47:10 | 0:47:11 | |
# We wish you a merry Christmas | 0:47:16 | 0:47:18 | |
# And a happy New Year. # | 0:47:18 | 0:47:21 | |
CHRIS BLOWS A RASPBERRY AND THEY ALL LAUGH | 0:47:21 | 0:47:23 | |
NOISY CHATTER | 0:47:32 | 0:47:34 | |
THEY ALL STOP TALKING | 0:47:36 | 0:47:39 | |
Congratulations. | 0:47:39 | 0:47:42 | |
It's a calendar. | 0:47:42 | 0:47:44 | |
Yes. Black and white with just one colour. | 0:47:52 | 0:47:56 | |
I don't know, er, 300... | 0:47:56 | 0:47:58 | |
400... | 0:47:59 | 0:48:01 | |
No, 500 copies. | 0:48:01 | 0:48:04 | |
So how much would that be? | 0:48:04 | 0:48:06 | |
Thank you. Get back to you. | 0:48:11 | 0:48:15 | |
-It's never that much. -It bloody is. | 0:48:15 | 0:48:16 | |
We're looking for sponsorship, and my husband always used your products, you see? | 0:48:18 | 0:48:23 | |
He worked for the National Park. | 0:48:23 | 0:48:26 | |
John Clarke? | 0:48:26 | 0:48:27 | |
-Yes, that's right. He died of leukaemia. -Aye, I know. | 0:48:27 | 0:48:32 | |
-I'm sorry. -Thank you. | 0:48:32 | 0:48:34 | |
What do you need sponsorship for? | 0:48:34 | 0:48:37 | |
OK, um... | 0:48:37 | 0:48:39 | |
Right, we're getting there. | 0:48:45 | 0:48:47 | |
But the sunflower needs to leap out at you. More yellow. | 0:48:47 | 0:48:50 | |
Quiet! Look, you can't all be July. | 0:48:50 | 0:48:53 | |
It's my birthday in July. | 0:48:53 | 0:48:55 | |
My divorce came through in March. I'd like to be September. | 0:48:55 | 0:48:58 | |
-Marie. -I'm not disturbing you, am I? | 0:49:10 | 0:49:12 | |
I was just passing. | 0:49:12 | 0:49:14 | |
Oh, I bought, um... | 0:49:14 | 0:49:16 | |
They're nothing much. | 0:49:17 | 0:49:19 | |
Marie, they're lovely. Come on in. | 0:49:19 | 0:49:21 | |
I never felt I really knew John. | 0:49:28 | 0:49:31 | |
He worked for the National Park, didn't he? | 0:49:31 | 0:49:33 | |
Mmm. | 0:49:33 | 0:49:35 | |
I just wanted to say, Annie, if there's anything... | 0:49:36 | 0:49:40 | |
These are beautiful. What are they? Gerberas? Gorgeous. | 0:49:40 | 0:49:43 | |
You should get away for a bit. Have a holiday. Get out of Knapely. | 0:49:44 | 0:49:49 | |
You trying to get rid of me? | 0:49:49 | 0:49:52 | |
No! No! I just... | 0:49:52 | 0:49:53 | |
-I feel I have to say something, Annie. But... -More tea? | 0:49:53 | 0:49:57 | |
No, no. | 0:49:58 | 0:49:59 | |
I do know how difficult things must be for you at the moment, how you must be feeling. | 0:50:02 | 0:50:07 | |
Do you? | 0:50:08 | 0:50:10 | |
Oh, dear. | 0:50:10 | 0:50:11 | |
Do you think John would have approved of this, Annie? Really? | 0:50:13 | 0:50:17 | |
You didn't know John, you say... | 0:50:17 | 0:50:20 | |
No, but I know that he was a good man, a decent man. | 0:50:20 | 0:50:23 | |
If your concern is for the reputation of Knapely WI... | 0:50:24 | 0:50:28 | |
-No, that's not what I'm saying. -Well, I think it is, Marie. | 0:50:28 | 0:50:32 | |
The WI is about doing good. | 0:50:32 | 0:50:35 | |
And I think we have to ask ourselves what does more good - | 0:50:35 | 0:50:39 | |
knowing slightly more about broccoli one week than we did the last, | 0:50:39 | 0:50:43 | |
or providing some comfort for someone in the worst hours of their life? | 0:50:43 | 0:50:46 | |
Because that's what it's like, sweetheart. | 0:50:46 | 0:50:49 | |
And, no, I don't think you do know how I feel. | 0:50:49 | 0:50:53 | |
'Annie!' | 0:50:55 | 0:50:56 | |
Re-sult! | 0:50:58 | 0:50:59 | |
Oh! | 0:50:59 | 0:51:01 | |
Oh, hello, Marie. | 0:51:01 | 0:51:02 | |
Sorry, were, were you...? | 0:51:02 | 0:51:05 | |
I don't know. Marie, had you finished? | 0:51:05 | 0:51:08 | |
You wanna put a penny in with those. | 0:51:08 | 0:51:10 | |
They last longer. | 0:51:10 | 0:51:12 | |
Chris. | 0:51:12 | 0:51:14 | |
(What was that about?) | 0:51:14 | 0:51:16 | |
Don't ask. What's the result? | 0:51:16 | 0:51:19 | |
I've got us a sponsor. | 0:51:19 | 0:51:20 | |
-What?! -CHRIS BLOWS A RASPBERRY | 0:51:20 | 0:51:22 | |
..to those boring old farts at Carmichael's Seeds. Say hello to the lovely people at Jennings. | 0:51:22 | 0:51:27 | |
-The beer? -All our printing costs and a press launch. -But the beer people? | 0:51:27 | 0:51:31 | |
-All we have to do is put their little logo at the bottom of each page. -No, but... | 0:51:31 | 0:51:36 | |
..The seed company made sense cos, you know, John loved flowers. | 0:51:36 | 0:51:39 | |
But he never drank beer, Chris. | 0:51:39 | 0:51:41 | |
-You know that. -It's not about the beer, Annie. | 0:51:41 | 0:51:44 | |
It's about their money. | 0:51:44 | 0:51:45 | |
MOBILE PHONE RINGS | 0:51:45 | 0:51:47 | |
There it is. | 0:51:57 | 0:51:58 | |
Have a look. | 0:51:58 | 0:51:59 | |
Oh. It's beautiful. | 0:51:59 | 0:52:02 | |
Hello, is this the Skipton News? Could I speak to your publicity person, please? | 0:52:09 | 0:52:13 | |
I want to make an announcement. | 0:52:14 | 0:52:16 | |
Madam Chairman, can I just... Sorry. | 0:52:16 | 0:52:18 | |
Madam Chairman, I'm sorry. Sorry. | 0:52:18 | 0:52:22 | |
-Er... It's Knapely. -Sorry? | 0:52:22 | 0:52:24 | |
-In Yorkshire. -Oh. Charming. | 0:52:24 | 0:52:26 | |
Listen. I'm sorry to bother you in the middle of conference, but there's | 0:52:26 | 0:52:30 | |
an issue come up at my WI which I feel duty-bound to inform you of. | 0:52:30 | 0:52:34 | |
Well, you'll have to be brief. This way. | 0:52:34 | 0:52:36 | |
Bastard! | 0:52:40 | 0:52:42 | |
She wouldn't have done it deliberately. | 0:52:42 | 0:52:45 | |
-The absolute - and I hate to use the word... -Well, don't then. | 0:52:45 | 0:52:48 | |
It might have just slipped out. | 0:52:48 | 0:52:50 | |
Oh, yes, to Brenda Mooney. | 0:52:50 | 0:52:52 | |
Who happens to be Madam Chairman of the National WI Federation. | 0:52:52 | 0:52:55 | |
-We could just... -I mean, Marie has deliberately poured poison down there. | 0:52:55 | 0:53:00 | |
-Well, we'll just... -We'll do what, Ruth? -Just... -Please tell me! | 0:53:00 | 0:53:05 | |
Seeing as 500 calendars are being printed as we speak. | 0:53:05 | 0:53:08 | |
If we can't use the name Women's Institute, we just don't use it. | 0:53:08 | 0:53:12 | |
If it's not the Women's Institute, it's just a load of | 0:53:12 | 0:53:14 | |
middle-aged women mysteriously standing naked behind fruitcakes. | 0:53:14 | 0:53:18 | |
Oh, my God! It would look like pornography! | 0:53:22 | 0:53:25 | |
THEY ALL LAUGH | 0:53:26 | 0:53:27 | |
But I don't know what's on the order form. | 0:53:31 | 0:53:33 | |
It's under the tin can where the bent nail used to be. | 0:53:33 | 0:53:37 | |
You're gonna have to sort this one out on your own, sweetheart. | 0:53:37 | 0:53:40 | |
Why? | 0:53:40 | 0:53:42 | |
-Where the hell are you? -Tell you later. | 0:53:42 | 0:53:45 | |
I'll be back tonight for the press conference. Bye! | 0:53:45 | 0:53:48 | |
Chris Harper and Annie Clarke from Knapely to see Brenda Mooney. | 0:53:52 | 0:53:56 | |
-Are you official delegates? -No. -Yes, from Knapely. -Yes, from Knapely. | 0:53:56 | 0:54:00 | |
And you're here to do an open spot? | 0:54:00 | 0:54:02 | |
-Yep. -Right. Follow me. | 0:54:02 | 0:54:04 | |
We're in. | 0:54:04 | 0:54:06 | |
What's an open spot? Sounds painful. | 0:54:08 | 0:54:11 | |
-I don't know. -Very last minute. You have to go on straightaway. | 0:54:11 | 0:54:14 | |
-On where? -Don't know. | 0:54:14 | 0:54:16 | |
-Which WI are you? -We're from Knapely. There are lots of them. | 0:54:18 | 0:54:22 | |
Ooh. There are, aren't there. | 0:54:22 | 0:54:24 | |
Um. Brenda... | 0:54:26 | 0:54:27 | |
Sorry, Madam Chairperson... | 0:54:27 | 0:54:29 | |
-"Conference" please. -Sorry? I beg your pardon? | 0:54:29 | 0:54:33 | |
Address the whole conference, please. | 0:54:33 | 0:54:35 | |
The final open spot of the morning is the delegate from Knappely. | 0:54:49 | 0:54:53 | |
Knapely. | 0:54:53 | 0:54:55 | |
Knapely. | 0:54:55 | 0:54:56 | |
I... | 0:55:01 | 0:55:03 | |
-Er...we... -SHE SIGHS | 0:55:03 | 0:55:06 | |
We... We wanted to come...to... | 0:55:06 | 0:55:09 | |
..ask approval from... | 0:55:10 | 0:55:12 | |
..well, from you all. | 0:55:14 | 0:55:16 | |
We-we want to do a WI calendar | 0:55:18 | 0:55:23 | |
which raises enough money to...buy...um... | 0:55:23 | 0:55:28 | |
a chair or a seat, a sofa, | 0:55:28 | 0:55:32 | |
or, um...well, anything, really. | 0:55:32 | 0:55:35 | |
CHRIS MOUTHS | 0:55:38 | 0:55:40 | |
(Sorry.) | 0:55:41 | 0:55:43 | |
OK, so. | 0:55:50 | 0:55:52 | |
The thing is here, | 0:55:52 | 0:55:54 | |
is that the hospital local to us in Knapely is where my John... | 0:55:54 | 0:55:58 | |
..Where... | 0:56:02 | 0:56:03 | |
..my husband... | 0:56:07 | 0:56:08 | |
Thank you. Knapely, best of luck with the settee. | 0:56:16 | 0:56:19 | |
No, no, no. Just hold on. Just hold on a minute with your red light. | 0:56:19 | 0:56:22 | |
Does the other member from Knapely want to say something? | 0:56:22 | 0:56:25 | |
Yes, because she's about to commit heresy. | 0:56:25 | 0:56:29 | |
Hello. | 0:56:29 | 0:56:32 | |
Here we go. | 0:56:32 | 0:56:34 | |
(Oh, God.) | 0:56:34 | 0:56:36 | |
Look, I hate plum jam. | 0:56:36 | 0:56:38 | |
TITTERING | 0:56:38 | 0:56:40 | |
I only joined the WI to make my mother happy. I do, I hate plum jam. | 0:56:41 | 0:56:46 | |
I'm crap at cakes, I can't make sponge. | 0:56:46 | 0:56:49 | |
In fact, seeing as it's unlikely that George Clooney would actually come to Skipton to do a talk | 0:56:49 | 0:56:54 | |
on what it was like to be in ER, there seems very little reason for me to actually stay in the WI. | 0:56:54 | 0:57:00 | |
Except suddenly... | 0:57:00 | 0:57:02 | |
suddenly I want to raise money in memory of a man I loved, | 0:57:02 | 0:57:07 | |
and to do that I'm prepared to take me clothes off for a WI calendar, and if you can't give us ten minutes | 0:57:07 | 0:57:12 | |
of your time, Madam Chairman, well then, frankly, guys, I'm going to do it without council approval. | 0:57:12 | 0:57:17 | |
Because there are some things that are more important than council approval. | 0:57:17 | 0:57:23 | |
A-a-and if it means that we get closer to killing off this | 0:57:23 | 0:57:27 | |
shitty, cheating, sly, conniving bloody disease | 0:57:27 | 0:57:33 | |
that cancer is, God, I tell you, I'd run round Skipton market naked, smeared in plum jam, wearing | 0:57:33 | 0:57:38 | |
nothing but a knitted tea cosy on me head and singing Jerusalem. | 0:57:38 | 0:57:43 | |
TITTERING | 0:57:43 | 0:57:44 | |
Let's break. | 0:57:56 | 0:57:58 | |
Ten minutes. | 0:57:58 | 0:58:00 | |
We don't do nudity. | 0:58:14 | 0:58:16 | |
But we DO do charity. | 0:58:17 | 0:58:19 | |
Can I assume this is a local fundraiser and you're not gonna be making too big a hoo-ha out of it? | 0:58:19 | 0:58:24 | |
In which case, it's a branch matter, and I can leave any decision in the hands of your branch president. | 0:58:24 | 0:58:32 | |
-Thank you. -Thank you. | 0:58:32 | 0:58:33 | |
Oh. Sod it. Go on, then. | 0:58:40 | 0:58:42 | |
-Evening News? -Yep. -Morning Herald? -Done. -Did you invite the Gazette journalist? -Yes. | 0:58:54 | 0:58:58 | |
-Actually, so did I. We'll have two of them, then. -Here we go. | 0:58:58 | 0:59:02 | |
Thank you. Keep the change. | 0:59:02 | 0:59:04 | |
Oh, my God! It's half past. | 0:59:06 | 0:59:08 | |
Come on. The girls will have done half the press conference by now. | 0:59:08 | 0:59:12 | |
Right, where are we? | 0:59:12 | 0:59:13 | |
I think it's down here. Come on. | 0:59:13 | 0:59:15 | |
How many press releases did I send out? | 0:59:30 | 0:59:33 | |
How many sodding press releases?! | 0:59:33 | 0:59:35 | |
Bloody local paper! | 0:59:36 | 0:59:39 | |
What bigger than this has happened in Knapely tonight? Don't tell me. | 0:59:39 | 0:59:42 | |
Someone's grown a U-shaped marrow(!) | 0:59:42 | 0:59:44 | |
We're going to lose money, aren't we? | 0:59:48 | 0:59:50 | |
Not only are we not going to raise it, we're actually going to lose it. | 0:59:52 | 0:59:56 | |
I suppose we did promise it wouldn't be a big hoo-ha. | 0:59:57 | 1:00:02 | |
We tried. | 1:00:02 | 1:00:03 | |
At least you made that speech. | 1:00:04 | 1:00:06 | |
Yeah. Well, it's not enough, Annie. | 1:00:06 | 1:00:10 | |
I'd rather not have tried than have to face Marie and say "Oh, no. | 1:00:13 | 1:00:17 | |
"Actually, yes, you were right. It was another one of Chris's ideas." | 1:00:17 | 1:00:21 | |
And what's worse - and this is a good one - | 1:00:23 | 1:00:26 | |
To add insult to injury, I took me clothes off and no-one was interested. | 1:00:26 | 1:00:30 | |
You after the WI thing? | 1:00:30 | 1:00:32 | |
-Yes. -Had to spill over. They're in t'ballroom. | 1:00:32 | 1:00:36 | |
..giving the game away to say we did have the odd glass of wine. Oh, here they are! | 1:00:44 | 1:00:48 | |
APPLAUSE | 1:00:48 | 1:00:50 | |
EXCITED CHATTER | 1:00:58 | 1:01:00 | |
JOURNALISTS SHOUT QUESTIONS | 1:01:24 | 1:01:26 | |
Sorry? Um. Well, John our... | 1:01:53 | 1:01:58 | |
A CROWD CALLS OUT QUESTIONS | 1:02:03 | 1:02:06 | |
Ooh! Ooh! | 1:02:07 | 1:02:08 | |
You're nude in the Telegraph, dear. | 1:02:14 | 1:02:16 | |
Oh. Can you pass the bacon? | 1:02:19 | 1:02:20 | |
Open up, Maya, love, will ya? | 1:02:42 | 1:02:44 | |
I have, Mum. We're full. | 1:02:44 | 1:02:46 | |
One minute the dressing gown was on, and the next it was just me and the hat. | 1:02:56 | 1:03:02 | |
I'm here in the Yorkshire village of Knapely, where the local WI have not only been raising money, | 1:03:02 | 1:03:07 | |
but raising eyebrows by stripping for a charity calendar. | 1:03:07 | 1:03:10 | |
I'm thinking of taking it up professionally. | 1:03:10 | 1:03:13 | |
What's your family think? | 1:03:13 | 1:03:14 | |
-I was worried that my daughter would be embarrassed. -Mum! -But she talked me into it. | 1:03:14 | 1:03:19 | |
Any magazine offers? | 1:03:19 | 1:03:21 | |
It's his village, is Knapely. | 1:03:22 | 1:03:24 | |
House he grew up in was in Embsay Lane. | 1:03:24 | 1:03:26 | |
And that church up there is where we got married. | 1:03:26 | 1:03:29 | |
Hiya, Jessie! | 1:03:29 | 1:03:30 | |
Sorry. Sorry. | 1:03:31 | 1:03:33 | |
Miss September. | 1:03:33 | 1:03:34 | |
It's done me the world of good. | 1:03:34 | 1:03:36 | |
So, Chris, what gave you the idea? | 1:03:40 | 1:03:43 | |
-DOORBELL RINGS -Oh, excuse me. | 1:03:43 | 1:03:46 | |
Hello, dear. I brought my journalists to meet your journalists. | 1:03:48 | 1:03:52 | |
-Hello. -CAMERA SHUTTERS CLICK RAPIDLY | 1:03:52 | 1:03:55 | |
..To, er, to develop ideas and to have them... | 1:03:55 | 1:03:59 | |
You know, after all, the WI is about education and empowerment of women. | 1:03:59 | 1:04:05 | |
It's not just jam and Jerusalem, you know? | 1:04:05 | 1:04:07 | |
The WI nude calendar? | 1:04:07 | 1:04:10 | |
No, love, sorry. | 1:04:10 | 1:04:12 | |
But I definitely sent you a batch of 50. Look. | 1:04:12 | 1:04:16 | |
Look, Minstergate Bookshop, York. | 1:04:16 | 1:04:18 | |
-50. -And I got 'em, love, | 1:04:18 | 1:04:20 | |
and I put 'em out at nine o'clock, and at ten past nine we'd sold out. | 1:04:20 | 1:04:25 | |
Thanks very much. Thank you! | 1:04:28 | 1:04:30 | |
Annie! Annie! | 1:04:32 | 1:04:36 | |
We've got to order more calendars! | 1:04:38 | 1:04:40 | |
We're down to the last 25. | 1:04:40 | 1:04:42 | |
-What is it? -They were waiting for me. | 1:04:45 | 1:04:49 | |
-Who? -When I got back. | 1:04:49 | 1:04:51 | |
Oh... | 1:04:59 | 1:05:01 | |
God. | 1:05:01 | 1:05:02 | |
Read this, Chris. | 1:05:04 | 1:05:05 | |
It's happened to them, just like it's happened to me. | 1:05:12 | 1:05:16 | |
I'm going to help them. | 1:05:16 | 1:05:18 | |
"And your photo made me smile for the first time in 15 months. | 1:05:22 | 1:05:27 | |
"Now I smile whenever I see the calendar. | 1:05:27 | 1:05:31 | |
"Thank you, girls, for your bravery and beauty. | 1:05:31 | 1:05:35 | |
"Best wishes, Vera Mason." | 1:05:35 | 1:05:37 | |
"It reminded me so of Eileen. | 1:05:37 | 1:05:40 | |
"You seemed to have the same spirit she had. | 1:05:40 | 1:05:43 | |
"I know she would have howled with laughter at your photographs. | 1:05:43 | 1:05:47 | |
"Thank you again. | 1:05:47 | 1:05:49 | |
"Looking forward to the next." | 1:05:49 | 1:05:51 | |
"I'm currently in the high security wing of Her Majesty's Prison Barlinnie in Scotland, | 1:05:54 | 1:05:59 | |
"and was mightily impressed by the sheer size of your... " | 1:05:59 | 1:06:03 | |
'..has been speaking to the instigator of the world's first nude WI calendar - Chris Harper.' | 1:06:12 | 1:06:18 | |
CHEERING AND THEN CLAPPING | 1:06:19 | 1:06:20 | |
'So tell us how it all came about, cos you wouldn't normally associate the WI with nudity. | 1:06:20 | 1:06:25 | |
'No, no, the usual image of the WI calendar is of plums and jam and country views. | 1:06:25 | 1:06:31 | |
'But we thought if glamour photographers can do it on a beach | 1:06:31 | 1:06:34 | |
'in Bangkok, we can do it in a church hall near Skipton.' | 1:06:34 | 1:06:38 | |
CHEERING AND LAUGHTER | 1:06:38 | 1:06:39 | |
-Fantastic. -'How are you feeling? | 1:06:43 | 1:06:45 | |
'We feel fabulous!' | 1:06:45 | 1:06:47 | |
I was trying to get in there. | 1:06:49 | 1:06:51 | |
'Middle age didn't put them off stripping off, | 1:06:53 | 1:06:55 | |
'and now these women are hogging the headlines across the north. | 1:06:55 | 1:06:58 | |
'Chris Harper's behind it all. Rather than fall back on the usual twee landscape scenes, | 1:06:58 | 1:07:04 | |
'she talked her friends into posing nude for their local WI calendar. | 1:07:04 | 1:07:08 | |
'Not quite the jam and Jerusalem the ladies are usually known for. | 1:07:08 | 1:07:11 | |
'Chris says their husbands will never look at their wives in the same way again. | 1:07:11 | 1:07:16 | |
'Neither will the other members of this quiet little Dales community.' | 1:07:16 | 1:07:20 | |
-Where you going? -It's Thursday. | 1:08:11 | 1:08:13 | |
But you just got back from the conference. | 1:08:13 | 1:08:16 | |
Eddie, I've got a surprise for you. | 1:08:16 | 1:08:17 | |
I've had it. | 1:08:17 | 1:08:19 | |
I got it when someone turned round in t'petrol queue and said, | 1:08:20 | 1:08:23 | |
"Isn't this tart with her tits out your wife?" | 1:08:23 | 1:08:27 | |
Eddie. | 1:08:32 | 1:08:34 | |
Eddie, I didn't do it just to... I just... Eddie! | 1:08:37 | 1:08:40 | |
Burston wedding today. | 1:08:47 | 1:08:49 | |
-Morning, Jem. -I'm Gaz. | 1:08:49 | 1:08:52 | |
And we've got another order. | 1:08:52 | 1:08:53 | |
It's a massive order, Chris. | 1:08:53 | 1:08:56 | |
Guy's coming round at 4.30. | 1:08:56 | 1:08:58 | |
Got a meeting. | 1:08:58 | 1:09:00 | |
-When are you back? -Later. Bye! | 1:09:00 | 1:09:02 | |
When later? | 1:09:02 | 1:09:04 | |
Anyone seen Jem? | 1:09:05 | 1:09:07 | |
Normally more than one of you, is there? | 1:09:11 | 1:09:13 | |
Aye. Sorry. | 1:09:15 | 1:09:16 | |
But, er, my wife - | 1:09:17 | 1:09:20 | |
she's a bit busy at the moment. | 1:09:20 | 1:09:22 | |
-Kids? -No. | 1:09:22 | 1:09:24 | |
It's some WI calendar thing she's organised. | 1:09:25 | 1:09:29 | |
She's on a chat show. | 1:09:29 | 1:09:31 | |
Not the calendar? The nude one? | 1:09:31 | 1:09:32 | |
Aye. | 1:09:33 | 1:09:35 | |
We just bought one. My wife came home. | 1:09:35 | 1:09:37 | |
Seriously, it's fantastic. | 1:09:37 | 1:09:39 | |
I'll tell her. | 1:09:39 | 1:09:42 | |
So, I've bought flowers off Mr... | 1:09:43 | 1:09:46 | |
Come on, then, which one is she? | 1:09:46 | 1:09:48 | |
January. | 1:09:49 | 1:09:52 | |
Suppose you're getting sick of all this, are you? | 1:09:52 | 1:09:54 | |
Oi, give us some of that. | 1:09:59 | 1:10:02 | |
I thought I'd find you here. | 1:10:08 | 1:10:10 | |
You all right? | 1:10:10 | 1:10:11 | |
You got any money? | 1:10:13 | 1:10:15 | |
What IS funny, between you and me, some of the blokes... | 1:10:16 | 1:10:20 | |
Frank - his wife would hardly undress in front of him before. | 1:10:20 | 1:10:25 | |
And now, apparently, | 1:10:25 | 1:10:27 | |
you know... | 1:10:27 | 1:10:29 | |
Well, it's not had that effect in our bedroom, I can tell ya. | 1:10:33 | 1:10:36 | |
Hardly see her. | 1:10:36 | 1:10:38 | |
Sorry, I can't resist this. | 1:10:40 | 1:10:42 | |
Mr January. | 1:10:42 | 1:10:44 | |
You don't mind, do you? | 1:10:44 | 1:10:46 | |
Aye. As long as I don't have to take me clothes off. | 1:10:46 | 1:10:49 | |
# I will not cease from mental fight... # MOBILE PHONE RINGS | 1:10:53 | 1:10:59 | |
# Nor shall my sword sleep in my hand | 1:10:59 | 1:11:05 | |
# Till we have built Jerusalem... # | 1:11:05 | 1:11:10 | |
I'll tell ya. It's unbelievable. | 1:11:10 | 1:11:13 | |
Well, for the last two hours, I have been exchanging phone calls... | 1:11:13 | 1:11:18 | |
..with Hollywood. | 1:11:19 | 1:11:20 | |
What, the real one? | 1:11:20 | 1:11:22 | |
No, Celia. The chocolate one. | 1:11:22 | 1:11:24 | |
-Yes, the real one. -From who? | 1:11:24 | 1:11:27 | |
From the studio of a show with a man whose name I've forgotten. | 1:11:27 | 1:11:32 | |
-They're not coming all the way from America? -No. | 1:11:32 | 1:11:35 | |
They're going to do it on the phone? | 1:11:35 | 1:11:38 | |
No. They only do face-to-face interviews. | 1:11:38 | 1:11:42 | |
If they won't come here and won't do it on the phone, how are they...? Oh, my God. | 1:11:42 | 1:11:47 | |
We're going to Hollywood. Sssssh! | 1:11:47 | 1:11:52 | |
(You're joking!) | 1:11:53 | 1:11:55 | |
Reynoldson, with a Y. | 1:11:56 | 1:11:59 | |
..Oh, he's there. | 1:12:01 | 1:12:03 | |
..Oh, please. Could you put me through to his room? | 1:12:03 | 1:12:06 | |
..Eddie? | 1:12:12 | 1:12:13 | |
DISTANT GIGGLING | 1:12:19 | 1:12:23 | |
-MIMICS ADULT: -Your toilet was broken, but, er, but I've fixed it now. | 1:12:23 | 1:12:29 | |
All right, lads? | 1:12:31 | 1:12:33 | |
-Can I help you, Officer? -You can put that joint out for a start. | 1:12:35 | 1:12:38 | |
-Hollywood? -It's not for fun. | 1:12:45 | 1:12:48 | |
It's really important. | 1:12:48 | 1:12:49 | |
I mean, if we get on the telly in America, it's fantastic publicity. | 1:12:49 | 1:12:54 | |
Just imagine - the whole of America. | 1:12:54 | 1:12:56 | |
What about our business, Chris? | 1:12:58 | 1:13:01 | |
Or is that not important? | 1:13:01 | 1:13:02 | |
PHONE RINGS | 1:13:10 | 1:13:12 | |
Can you get that? | 1:13:12 | 1:13:14 | |
I'm in a meeting. | 1:13:17 | 1:13:19 | |
Hello. Flower Power. | 1:13:19 | 1:13:21 | |
It won't be anything serious. | 1:13:25 | 1:13:27 | |
He'll be all right. | 1:13:27 | 1:13:29 | |
-They're not charging him. -Oh, thank God. | 1:13:29 | 1:13:32 | |
Is it not illegal then? | 1:13:32 | 1:13:34 | |
Well, cannabis is, but they tend not to worry too much about oregano. | 1:13:34 | 1:13:38 | |
Right... | 1:13:38 | 1:13:40 | |
Right... | 1:13:40 | 1:13:43 | |
Jem, you stupid... You stupid... | 1:13:43 | 1:13:46 | |
Thanks, Mum. | 1:13:46 | 1:13:48 | |
-Jem... -It's all right, I'll go. We've already had a little father and son. | 1:13:48 | 1:13:52 | |
-Anyway, you've got to sign something before we can go. -Right. | 1:13:52 | 1:13:56 | |
-Jem! -Would you like to come this way? | 1:13:56 | 1:13:59 | |
Yes, all right. | 1:13:59 | 1:14:01 | |
Oh, thanks. | 1:14:01 | 1:14:03 | |
Thanks very much. Good night. | 1:14:14 | 1:14:16 | |
Where is it? Where the hell is it? | 1:14:18 | 1:14:20 | |
Ah, passport! | 1:14:20 | 1:14:23 | |
I'm hoping they'll let me in with a few calendars. | 1:14:24 | 1:14:27 | |
After we've been on American telly, we might be able to shift a few. | 1:14:27 | 1:14:30 | |
Oh, no, wait a minute. The holidays are all different there, aren't they? | 1:14:30 | 1:14:34 | |
Well, maybe we'll have to do a reprint. You know, the American version. | 1:14:34 | 1:14:39 | |
So... | 1:14:39 | 1:14:41 | |
Your son's been arrested. | 1:14:41 | 1:14:43 | |
Yes, I know. | 1:14:45 | 1:14:47 | |
And released, Annie, with 10g of oregano. | 1:14:47 | 1:14:49 | |
The only thing that'd be dangerous in is a quiche. | 1:14:49 | 1:14:53 | |
But he thought it was drugs, Chris. | 1:14:53 | 1:14:55 | |
Do you want to stay? | 1:14:57 | 1:15:00 | |
Find out why? | 1:15:00 | 1:15:01 | |
Yes, I do, obviously, but... | 1:15:04 | 1:15:07 | |
The woman in the studio contacted ME, Annie. I'm the one who... | 1:15:10 | 1:15:14 | |
Chris, Chris, we can cope. | 1:15:14 | 1:15:17 | |
We're big girls. | 1:15:17 | 1:15:19 | |
Particularly Celia. | 1:15:19 | 1:15:23 | |
Hello. I was wondering if you could quote me for some carpets. | 1:15:55 | 1:16:01 | |
You do sell carpets? | 1:16:03 | 1:16:06 | |
You are the owner of a carpet warehouse? | 1:16:06 | 1:16:08 | |
-Sorry. I'm with someone. -I know. | 1:16:08 | 1:16:11 | |
My husband. | 1:16:11 | 1:16:13 | |
I just came to Ilkley to see what I wasn't as good as. | 1:16:16 | 1:16:21 | |
OK. Well, you've done that now. | 1:16:23 | 1:16:25 | |
He told me you were the manager | 1:16:27 | 1:16:29 | |
of a carpet warehouse. | 1:16:29 | 1:16:31 | |
He told me you were dead. | 1:16:31 | 1:16:33 | |
I think maybe I have been. | 1:16:36 | 1:16:39 | |
You are looking good, baby. | 1:16:39 | 1:16:42 | |
Sorry? | 1:16:42 | 1:16:44 | |
Which one of us are you talking about, Eddie? | 1:16:44 | 1:16:47 | |
The one that makes a tart of herself by taking her clothes off, or me? | 1:16:47 | 1:16:50 | |
Sod off! Eddie? | 1:16:52 | 1:16:54 | |
No, no. You stay and enjoy yourselves. | 1:16:54 | 1:16:58 | |
I'm off to Hollywood. | 1:16:58 | 1:16:59 | |
Eddie? | 1:17:03 | 1:17:04 | |
Sorry I'm late! Frank was so slow. | 1:17:08 | 1:17:12 | |
Bloody hell, Celia! How many frocks? | 1:17:12 | 1:17:15 | |
..or you'll be flooded out. | 1:17:15 | 1:17:16 | |
And if anything goes wrong, phone your Auntie Sophie. | 1:17:16 | 1:17:19 | |
-You going to say "Don't do anything I wouldn't do"? -You already have, Mam. | 1:17:22 | 1:17:26 | |
Right, everyone. Has everyone got a ticket? | 1:17:26 | 1:17:28 | |
-ALL: Yes. -A passport? -ALL: Yes. | 1:17:28 | 1:17:33 | |
A lying snake for a husband? | 1:17:33 | 1:17:34 | |
No? Only me there, then. | 1:17:35 | 1:17:38 | |
Let's go! | 1:17:38 | 1:17:39 | |
Hollywood, please, on your shiniest plane. | 1:17:44 | 1:17:47 | |
Sorry, ladies. You've come to the wrong desk. | 1:17:52 | 1:17:54 | |
ALL: What?! | 1:17:54 | 1:17:56 | |
I have asked four people. Each said we could check in for the flight to Los Angeles at any desks. | 1:17:59 | 1:18:04 | |
We have queued for 20 minutes in the only queue, | 1:18:04 | 1:18:08 | |
and we were directed to your desk by your representative. | 1:18:08 | 1:18:11 | |
Where PRECISELY have we gone wrong? | 1:18:11 | 1:18:13 | |
There was no need to queue, madam. You're all flying upper class. | 1:18:13 | 1:18:17 | |
You've been upgraded. | 1:18:17 | 1:18:18 | |
-We're going first class! -First class?! | 1:18:18 | 1:18:23 | |
I can check you in here if you like. | 1:18:23 | 1:18:25 | |
Thank you, dear. What a nice girl. I knew she was a nice girl. | 1:18:25 | 1:18:29 | |
Celia, press the white button on the right. | 1:18:33 | 1:18:36 | |
-I am doing! -On the right. The white one. Bye-bye! | 1:18:39 | 1:18:41 | |
Cheerio. | 1:18:41 | 1:18:43 | |
-I'm going right under you, Celia. -Fantastic. | 1:18:43 | 1:18:46 | |
I got my foot stuck now. Ow! | 1:18:50 | 1:18:51 | |
Where are we, Cora? | 1:20:04 | 1:20:07 | |
-This is Sunset Strip! -No?! | 1:20:07 | 1:20:10 | |
# Ride the pony | 1:20:10 | 1:20:13 | |
# Get on your pony and ride | 1:20:13 | 1:20:16 | |
# Whoo yeah... # | 1:20:16 | 1:20:17 | |
-Cheerio, gals. I'll see you later. -What are you doing? -I'm Superman. | 1:20:17 | 1:20:21 | |
-I'm going up. -Be careful! -It's lovely. Come up. | 1:20:21 | 1:20:25 | |
# ..Hey hey now Hey | 1:20:25 | 1:20:28 | |
# Keep on riding... # | 1:20:28 | 1:20:30 | |
Hollywood! We're here! | 1:20:30 | 1:20:32 | |
Get down! Stop messing about. | 1:20:32 | 1:20:34 | |
Good afternoon, ladies. | 1:20:48 | 1:20:51 | |
Thank you, Ashley, I'll handle this. Good afternoon. Welcome to Los Angeles. | 1:20:51 | 1:20:55 | |
-ALL: Thank you. -It's our first time here. -Is that right? | 1:20:55 | 1:20:58 | |
Yeah. Clarke. | 1:20:58 | 1:21:00 | |
-The name's Clarke. -Mrs Clarke. | 1:21:00 | 1:21:02 | |
Or should I call you Miss February? | 1:21:02 | 1:21:05 | |
-I saw your picture in the paper this morning. -In an American paper? | 1:21:05 | 1:21:11 | |
Thank you, ma'am. | 1:21:11 | 1:21:14 | |
-Now, I'll just talk you through the facilities, OK? -Thanks. | 1:21:14 | 1:21:18 | |
Now, there are two televisions, one on each end, | 1:21:18 | 1:21:22 | |
both of which have cable TV, Internet access and movies on demand. | 1:21:22 | 1:21:26 | |
Now, there's also a full bar here, but if you need anything special, | 1:21:26 | 1:21:30 | |
don't hesitate to call downstairs and we'll... | 1:21:30 | 1:21:33 | |
Is everything OK, ma'am? | 1:21:33 | 1:21:36 | |
No, it's fine. It's just I'm a bit tired. I'd like to go to my room now, really. | 1:21:36 | 1:21:40 | |
This is the hotel's master suite, ma'am. | 1:21:40 | 1:21:42 | |
This is your room. | 1:21:42 | 1:21:45 | |
Come on, I'll show you downstairs. It's beautiful. | 1:21:49 | 1:21:52 | |
# You got a smile so bright | 1:21:58 | 1:22:01 | |
# You know you could've been... # | 1:22:01 | 1:22:03 | |
Have you been in your bathroom? | 1:22:03 | 1:22:05 | |
Me too! I'm in the bath! | 1:22:05 | 1:22:07 | |
And the bubbles, they're Christian Dior. The bath bubbles! | 1:22:07 | 1:22:10 | |
-They're Christian Dior! -Do you think they'll charge us for it? | 1:22:10 | 1:22:14 | |
I hope not! | 1:22:14 | 1:22:16 | |
# ..You know You could've been a broom | 1:22:16 | 1:22:21 | |
# The way you smell so sweet | 1:22:21 | 1:22:23 | |
# You know you could have been Some perfume | 1:22:24 | 1:22:27 | |
# Well, you could've been anything | 1:22:28 | 1:22:31 | |
# That you wanted to | 1:22:31 | 1:22:33 | |
# And I can tell | 1:22:33 | 1:22:36 | |
# The way you do the things you do The way you do, oh baby | 1:22:36 | 1:22:40 | |
# The way you do the way you do As fruity as you are... # | 1:22:40 | 1:22:44 | |
Oh, yes. Nice. | 1:22:44 | 1:22:47 | |
Good. And then into the limo. | 1:22:47 | 1:22:49 | |
Into the limo. | 1:22:49 | 1:22:51 | |
That's very good. No, it's great. | 1:22:51 | 1:22:53 | |
-Let me have a shot with you and the girls. -No, no! We gotta go. | 1:22:53 | 1:22:58 | |
-Give him a kiss. Put your arm round him. -British women are taking me hostage! | 1:22:58 | 1:23:01 | |
-We're not going to let you go. -I hate that. -EXCITED CHATTER | 1:23:01 | 1:23:06 | |
Right... | 1:23:06 | 1:23:07 | |
-What are we doing first, then, eh? -ALL: Chris! | 1:23:10 | 1:23:13 | |
-Chris. I can't believe it! -You look gorgeous! | 1:23:13 | 1:23:19 | |
I'm very excited! | 1:23:20 | 1:23:22 | |
THEY TALK OVER EACH OTHER | 1:23:22 | 1:23:29 | |
Looking lovely! | 1:23:43 | 1:23:45 | |
That's fantastic! | 1:23:45 | 1:23:47 | |
OK! | 1:23:47 | 1:23:49 | |
Great, ladies! OK, we got another section coming up. | 1:23:49 | 1:23:53 | |
-Hey! -Bye-bye. -Hold it, guys. | 1:23:54 | 1:23:57 | |
Ladies, please! | 1:23:57 | 1:23:59 | |
We got a whole new section to do here! Come on. | 1:23:59 | 1:24:02 | |
Come on, ladies! | 1:24:02 | 1:24:04 | |
It's four pages, Annie. The cover page, and then four pages about how I don't give him sex any more. | 1:24:18 | 1:24:24 | |
I just had to get away. I mean, the press will be all over it by now. | 1:24:25 | 1:24:29 | |
So Rod's having to deal with all that on his own, then, is he? | 1:24:29 | 1:24:33 | |
Well, him and Jem. | 1:24:33 | 1:24:36 | |
Slightly out of character, don't you think, for Rod, saying all that? | 1:24:38 | 1:24:44 | |
Did he get tricked into it? | 1:24:44 | 1:24:46 | |
Did you stay to find out? | 1:24:48 | 1:24:49 | |
Or by that time, was there a taxi waiting? | 1:24:51 | 1:24:53 | |
-Are you all right? -Yeah. I'm fine. | 1:24:55 | 1:24:59 | |
Annie, Chris, this is Frank, Scott and John. | 1:24:59 | 1:25:02 | |
They're in a band called Anthrax. | 1:25:02 | 1:25:04 | |
Hello. Heard so much about you. We're really impressed with what you're doing. | 1:25:04 | 1:25:09 | |
-It's a great story. -We haven't heard anything about you. -I have. -I have! | 1:25:09 | 1:25:14 | |
Have you had a think about that, then? | 1:25:14 | 1:25:18 | |
Yes. | 1:25:18 | 1:25:19 | |
Well, yes. It would be in that ballpark, yes. | 1:25:19 | 1:25:22 | |
Well, you know what? Let me talk with my associates, and I'll get back to you. | 1:25:24 | 1:25:28 | |
OK. Bye. | 1:25:28 | 1:25:30 | |
Thank you. Who was that on the phone? | 1:25:30 | 1:25:32 | |
-Very exciting. -Who? -Very exciting. | 1:25:32 | 1:25:34 | |
I'll tell you in make-up. | 1:25:34 | 1:25:36 | |
We're dead close to a deal. Oh, look, that's him. By the way, is it Lee-no or Leno? | 1:25:36 | 1:25:40 | |
-We've gotta get it right. -Leno. | 1:25:40 | 1:25:43 | |
-Are you sure? -No, I think it's Lee-no. | 1:25:43 | 1:25:45 | |
Leno. | 1:25:45 | 1:25:47 | |
Not only will they sponsor the calendar in America to the tune of 30,000, but guess who'll be | 1:25:47 | 1:25:52 | |
-filming in the studio next to the one we shoot the advert in? -What? | 1:25:52 | 1:25:57 | |
-Guess who's filming in the studio next to the one we're going to shoot the advert in? -Advert? | 1:25:57 | 1:26:03 | |
Well, they sponsor us, we do their advert for washing powder. Ker-ching! That's how it works. | 1:26:03 | 1:26:07 | |
George Clooney. | 1:26:07 | 1:26:10 | |
Can I have it straight like Jennifer Aniston? | 1:26:10 | 1:26:13 | |
You know, in Friends. | 1:26:13 | 1:26:15 | |
Why would I dye just part of my head? | 1:26:15 | 1:26:17 | |
It doesn't make any sense. | 1:26:17 | 1:26:19 | |
'I do not dye my hair. | 1:26:19 | 1:26:22 | |
'You may have heard about my first guests. | 1:26:22 | 1:26:23 | |
'They went from living a quiet, peaceful life in a small British' | 1:26:23 | 1:26:27 | |
town to becoming nude calendar girls. | 1:26:27 | 1:26:30 | |
They're here tonight to tell us the story. This is the calendar. | 1:26:30 | 1:26:33 | |
Please welcome, from Knapely, England, the Calendar Girls. | 1:26:33 | 1:26:36 | |
Let's bring them out. | 1:26:36 | 1:26:39 | |
APPLAUSE AND CHEERS | 1:26:39 | 1:26:41 | |
Hello, girls. How are you? | 1:26:41 | 1:26:43 | |
How are you? Good to see you. Everybody's here. Have a seat. | 1:26:44 | 1:26:47 | |
Just sit anywhere. | 1:26:50 | 1:26:52 | |
I'm curious. Have you girls been strippers all your lives? | 1:26:52 | 1:26:55 | |
We're not strippers! | 1:26:55 | 1:26:58 | |
'Did you get drunk beforehand? | 1:26:58 | 1:27:00 | |
'It was no big deal, you know. We've all got the same bits. | 1:27:00 | 1:27:04 | |
The same bits? | 1:27:04 | 1:27:06 | |
'Yes. They're just different sizes.' | 1:27:06 | 1:27:10 | |
Can I have some of them rice things? | 1:27:10 | 1:27:13 | |
-It's called sushi. -I know. | 1:27:13 | 1:27:15 | |
'It's all suggestive. | 1:27:15 | 1:27:18 | |
'I could make a few suggestions. | 1:27:18 | 1:27:20 | |
'Well, ladies, it's fascinating. | 1:27:20 | 1:27:22 | |
'Good luck with your work. And, please, if you would just try to encourage more women to get naked... | 1:27:22 | 1:27:29 | |
'Thank you very much, the ladies of Knapely.' | 1:27:29 | 1:27:32 | |
INDISTINCT CHATTER | 1:27:32 | 1:27:35 | |
We do have to work some kind of order out when we're asked questions, | 1:27:35 | 1:27:39 | |
cos far too much of that you couldn't hear because everybody was talking. | 1:27:39 | 1:27:43 | |
Annie? | 1:27:43 | 1:27:45 | |
Annie? | 1:27:45 | 1:27:46 | |
What are you doing? | 1:27:48 | 1:27:51 | |
You missed it. | 1:27:51 | 1:27:52 | |
We were just on television, the whole reason we came here. | 1:27:54 | 1:27:57 | |
I thought that was to get AWAY from the press. | 1:27:57 | 1:28:00 | |
Hello? | 1:28:22 | 1:28:23 | |
Hello? | 1:28:25 | 1:28:27 | |
Is there anyone there? | 1:28:28 | 1:28:30 | |
Ah, there they are! | 1:28:35 | 1:28:38 | |
Yes, yes, yes, yes, yes! | 1:28:38 | 1:28:40 | |
Welcome, ladies. How are we today? | 1:28:40 | 1:28:43 | |
-Fine. -Fantastic. Fabulendo. | 1:28:43 | 1:28:46 | |
My name is Danny. I'm the director. | 1:28:46 | 1:28:48 | |
And which one of you is Chris? | 1:28:48 | 1:28:51 | |
You're Chris. Hi. | 1:28:52 | 1:28:54 | |
Exciting. Yeah, yeah. | 1:28:56 | 1:28:59 | |
OK, now, just to let you know, | 1:28:59 | 1:29:01 | |
what I've done is cleared the studio of excess men. | 1:29:01 | 1:29:05 | |
That's a shame. | 1:29:05 | 1:29:07 | |
I didn't want you walking around naked in front of a bunch of guys you didn't know. | 1:29:07 | 1:29:11 | |
Sorry? | 1:29:11 | 1:29:14 | |
We're doing the washing powder, right, hanging the washing on the line. | 1:29:14 | 1:29:18 | |
And naked behind. | 1:29:20 | 1:29:22 | |
I mean, there's not a problem with that, is there? | 1:29:22 | 1:29:25 | |
It is what you girls do, isn't it? | 1:29:25 | 1:29:28 | |
-Yeah. -Yes. Great. | 1:29:31 | 1:29:34 | |
Not now. I'm working. | 1:29:52 | 1:29:54 | |
Go, go, go. | 1:29:54 | 1:29:57 | |
Great! Beautiful! I love this! | 1:29:57 | 1:30:00 | |
Ladies, the time...is now. | 1:30:02 | 1:30:06 | |
Roxanne, Carol, | 1:30:09 | 1:30:10 | |
-hi. -Nice to see you. -Nice to see you. | 1:30:10 | 1:30:14 | |
-What do you think? -It's great. | 1:30:14 | 1:30:16 | |
-BELL RINGS -Thank you very much. Is the agency happy? -We are. -Thank you. | 1:30:18 | 1:30:23 | |
Annie! | 1:30:25 | 1:30:27 | |
We'll be just a moment. Annie! | 1:30:27 | 1:30:31 | |
Annie? | 1:30:35 | 1:30:36 | |
Look, Annie, this is for the calendar. | 1:30:36 | 1:30:38 | |
We just do this, we get the calendar out in America... | 1:30:38 | 1:30:42 | |
Look, are you gonna talk to me? | 1:30:44 | 1:30:46 | |
-I need a shower. -What? -Was it down here? | 1:30:46 | 1:30:50 | |
I feel dirty. | 1:30:50 | 1:30:51 | |
-Your washing powder made me feel dirty. -MY washing powder? | 1:30:51 | 1:30:55 | |
Down here. | 1:30:55 | 1:30:57 | |
I get it. I see. | 1:30:58 | 1:31:01 | |
This is cos I've organised it, right? | 1:31:01 | 1:31:03 | |
Because I've made a success of getting us a sponsor | 1:31:03 | 1:31:07 | |
and taken this out of being... | 1:31:07 | 1:31:09 | |
We're not just raising money for a relatives' room any more, are we? | 1:31:09 | 1:31:12 | |
-Damn you! -We're taking on the bloody disease. -Red light's on, Chris! | 1:31:12 | 1:31:15 | |
You can't stand it, can you? | 1:31:15 | 1:31:18 | |
You cannot stand that I've made this calendar a success. | 1:31:18 | 1:31:21 | |
No, see, Chris, what's happened is this calendar's made YOU a success. | 1:31:21 | 1:31:26 | |
What's that supposed to mean? | 1:31:29 | 1:31:31 | |
-Where are we? -Annie, what is that supposed to mean? | 1:31:31 | 1:31:35 | |
Don't ask me what it means, Chris! | 1:31:35 | 1:31:37 | |
When you're standing in the middle of a cardboard street talking about meeting George Clooney. | 1:31:37 | 1:31:42 | |
What's with all these letters, then, eh, Annie? | 1:31:42 | 1:31:44 | |
All this bloody Florence Nightingale, this agony aunt? | 1:31:44 | 1:31:48 | |
Doesn't that smack just a little bit of being a star? | 1:31:48 | 1:31:50 | |
You know, loads of people lose their partners to this disease. They don't all get fan mail. | 1:31:50 | 1:31:57 | |
Doesn't that make you a little bit of a success, a very successful bereaved woman? | 1:31:57 | 1:32:01 | |
A celebrity widow? | 1:32:01 | 1:32:03 | |
St Annie of Knapely? | 1:32:03 | 1:32:05 | |
Eh?! | 1:32:05 | 1:32:07 | |
-Eh?! -I'm not a saint, | 1:32:07 | 1:32:11 | |
because I'd rob every penny from this calendar if it would buy me just one more hour with him. | 1:32:11 | 1:32:17 | |
You've still got yours, | 1:32:19 | 1:32:21 | |
and you're in Hollywood! | 1:32:21 | 1:32:23 | |
Oh, Lord! | 1:33:43 | 1:33:45 | |
It's Thursday. Come on. | 1:33:45 | 1:33:47 | |
We've gotta get in there. | 1:33:47 | 1:33:50 | |
Are you coming? | 1:33:50 | 1:33:51 | |
Hello, love. | 1:34:07 | 1:34:09 | |
# Build it here | 1:34:12 | 1:34:16 | |
# Among the dark satanic mills... | 1:34:16 | 1:34:21 | |
# Give me my bow of burnished gold... # | 1:34:21 | 1:34:27 | |
How's Jem? | 1:34:46 | 1:34:49 | |
He made a quiche on Tuesday. | 1:34:49 | 1:34:51 | |
We've been stoned ever since. | 1:34:51 | 1:34:52 | |
Don't worry, Chris. He'll be all right. | 1:34:57 | 1:34:59 | |
Look, Rod... | 1:35:04 | 1:35:07 | |
-I'm sorry. -You don't have to apologise. | 1:35:07 | 1:35:09 | |
I do have to apologise. Everything you said in the paper was true, wasn't it? | 1:35:09 | 1:35:13 | |
-I didn't know he was a journalist. -This isn't the point. | 1:35:15 | 1:35:18 | |
I mean, you still said it. | 1:35:19 | 1:35:21 | |
Just why didn't you say it to me? | 1:35:21 | 1:35:23 | |
Why didn't you just, I don't know, shout out, "What the bloody hell do you think..." | 1:35:23 | 1:35:27 | |
I know you'd have liked me to. | 1:35:27 | 1:35:29 | |
It'd suit your Hollywood story a bit more if I'd been "No bloody wife of mine!" But I've not because... | 1:35:29 | 1:35:35 | |
I actually think it's brilliant what you've done. | 1:35:35 | 1:35:38 | |
That's why I've stood behind you, and I've told your son to get over it and be proud, | 1:35:40 | 1:35:45 | |
because I actually wanted you to have all this. | 1:35:45 | 1:35:48 | |
(Thank you.) | 1:35:52 | 1:35:54 | |
Now, do me a bloody favour, get back in that hall and sort out whatever's gone wrong with Annie. | 1:35:55 | 1:36:00 | |
I don't know what to say to her. | 1:36:02 | 1:36:05 | |
She's your oldest friend, Chris. | 1:36:05 | 1:36:06 | |
You don't have to say anything. | 1:36:06 | 1:36:09 | |
EXCITED CHATTER | 1:36:13 | 1:36:16 | |
Sorry. Ladies, ladies! | 1:36:16 | 1:36:18 | |
Would you, um... Ladies, please. | 1:36:18 | 1:36:20 | |
Since we've stopped, as it happens, | 1:36:20 | 1:36:24 | |
today we've finally been sent the first figures for the sales of our calendar. | 1:36:24 | 1:36:29 | |
Come on. Where is it? | 1:36:29 | 1:36:31 | |
Right, thank you. | 1:36:31 | 1:36:33 | |
It says here, in this letter from... | 1:36:33 | 1:36:36 | |
Leukaemia Research Fund, | 1:36:36 | 1:36:39 | |
that we've so far raised... | 1:36:39 | 1:36:42 | |
£286,000. | 1:36:42 | 1:36:47 | |
WOMEN GASP | 1:36:47 | 1:36:49 | |
So a big round of applause to all of us for making it such a success. | 1:36:49 | 1:36:54 | |
We can get that sofa in the leather, then. | 1:36:54 | 1:36:57 | |
PIANO PLAYS: "Jerusalem" | 1:37:00 | 1:37:03 | |
# And did those feet In ancient times | 1:37:10 | 1:37:16 | |
# Walk upon England's... # | 1:37:16 | 1:37:18 | |
I've put our names down for next month's speakers. | 1:37:18 | 1:37:20 | |
"Chris and Annie - What We Learned In Hollywood." | 1:37:22 | 1:37:26 | |
You're lying. I know for a fact, | 1:37:26 | 1:37:28 | |
-Colin Petley's coming from Keighley with his collection of tea towels. -Be still, my beating heart(!) | 1:37:28 | 1:37:34 | |
THEY CHUCKLE | 1:37:34 | 1:37:37 | |
Anyone fancy some chips? | 1:38:37 | 1:38:39 | |
-Oh, yes! -Good idea! | 1:38:39 | 1:38:41 | |
I'm starving! | 1:38:41 | 1:38:43 | |
Subtitles by Red Bee Media Ltd | 1:40:24 | 1:40:27 |