
Browse content similar to Raising Helen. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
MUSIC: "Stand back" by Joan Osborne | 0:00:18 | 0:00:21 | |
# I need a Ken doll pilot with a sexy smile | 0:00:28 | 0:00:31 | |
# And a flying limousine | 0:00:31 | 0:00:33 | |
# To pick me up, go the extra mile | 0:00:33 | 0:00:35 | |
# And deliver me to the scene | 0:00:35 | 0:00:37 | |
# I need five more hours in the average day | 0:00:37 | 0:00:39 | |
# One to get the work done, four to play | 0:00:39 | 0:00:41 | |
# Be a devil and angel, you know what I mean? | 0:00:41 | 0:00:45 | |
# Stand back | 0:00:45 | 0:00:48 | |
# Out of my way | 0:00:48 | 0:00:49 | |
# Stand back | 0:00:49 | 0:00:51 | |
# You're crowding my day | 0:00:51 | 0:00:54 | |
# No time for good manners | 0:00:54 | 0:00:56 | |
# Do what I say | 0:00:56 | 0:00:58 | |
# If you're not here to help | 0:00:58 | 0:01:00 | |
# Then you're just in the way | 0:01:00 | 0:01:02 | |
# The road is littered with the faint of heart | 0:01:02 | 0:01:04 | |
# The fools who fell from stress | 0:01:04 | 0:01:07 | |
# It's a fact of life that you can't catch up | 0:01:07 | 0:01:09 | |
# Better learn how to love the mess | 0:01:09 | 0:01:11 | |
# So I'll just kick back, ignore the noise | 0:01:11 | 0:01:13 | |
# Have my way with the pretty boys | 0:01:13 | 0:01:15 | |
# What I dream at night don't even try to guess | 0:01:15 | 0:01:18 | |
# Stand back | 0:01:18 | 0:01:20 | |
# Stand back | 0:01:20 | 0:01:21 | |
# Out of my way | 0:01:21 | 0:01:23 | |
-# Stand back -Stand back | 0:01:23 | 0:01:25 | |
# You're crowding my day | 0:01:25 | 0:01:27 | |
# Now this is my time to step up to the mike | 0:01:27 | 0:01:30 | |
# Like rock'n'roll lightning | 0:01:30 | 0:01:33 | |
# I'm ready to strike | 0:01:33 | 0:01:35 | |
-# Stand back -Stand back | 0:01:35 | 0:01:38 | |
# Oh | 0:01:38 | 0:01:39 | |
-# Stand back -Stand back | 0:01:39 | 0:01:41 | |
# Stand back. # | 0:01:41 | 0:01:43 | |
What do we got here? One, two, three, four. | 0:01:50 | 0:01:53 | |
Four beautiful ladies. Come on. | 0:01:53 | 0:01:55 | |
Caesar, let 'em in. | 0:01:55 | 0:01:57 | |
Nice. Not you. Too random. | 0:01:57 | 0:02:00 | |
Hey, Tinka. What are you doing? | 0:02:00 | 0:02:02 | |
I'm waiting for you. | 0:02:02 | 0:02:04 | |
Oh, no. You can't become a supermodel waiting in the middle of a line. | 0:02:04 | 0:02:07 | |
Follow me. | 0:02:07 | 0:02:08 | |
Evening, Jimmy. This is Tinka. | 0:02:10 | 0:02:12 | |
She's with you? | 0:02:12 | 0:02:13 | |
Are you kidding? I'm with her. She's the next big thing. Look at her. | 0:02:13 | 0:02:17 | |
Well, that may be, but she's not on the list. | 0:02:17 | 0:02:19 | |
Oh, let me see that. | 0:02:19 | 0:02:22 | |
Look at that. | 0:02:23 | 0:02:24 | |
She is now, stud. Come on. | 0:02:24 | 0:02:27 | |
Let 'em in. | 0:02:27 | 0:02:28 | |
So, that's how it works. | 0:02:28 | 0:02:30 | |
Who was she? > | 0:02:30 | 0:02:31 | |
Hey, what about us, stud? > | 0:02:31 | 0:02:32 | |
< We've been waiting for an hour. | 0:02:32 | 0:02:35 | |
HORN HONKS | 0:02:35 | 0:02:37 | |
MUSIC: "If You Walk Away" by Fefe Dobson | 0:02:37 | 0:02:40 | |
# The books I've read | 0:02:40 | 0:02:42 | |
# And this heart of mine | 0:02:42 | 0:02:44 | |
# I've booked ahead to the other side... # | 0:02:44 | 0:02:47 | |
Hey, Rufus. | 0:02:47 | 0:02:48 | |
- Hey. - What's happening? | 0:02:49 | 0:02:52 | |
That's what's happening. Who is she? | 0:02:52 | 0:02:55 | |
Close your mouth, Rufus. It's Tinka. | 0:02:55 | 0:02:57 | |
Everybody knows Tinka. | 0:02:57 | 0:02:58 | |
Well, I'll give her a shout-out. | 0:02:58 | 0:03:00 | |
(OVER PA) Hey, that girl on stage with the serious moves is Tinka. | 0:03:00 | 0:03:05 | |
Dominique Modelling Agency. Good morning. | 0:03:12 | 0:03:15 | |
No, Caitlin's not in this early. | 0:03:15 | 0:03:18 | |
I'll connect you to her voice mail. | 0:03:18 | 0:03:20 | |
- Hey, Lacey. - Good morning. | 0:03:20 | 0:03:21 | |
Good morning. Two calls from Paris, one from Milan, | 0:03:21 | 0:03:24 | |
and both need you to call back right now. | 0:03:24 | 0:03:27 | |
Ouch! Come here, Shelby. Sweetie, don't kick Mommy. | 0:03:27 | 0:03:29 | |
You brought Shelby again. Dominique's gonna kill you. | 0:03:29 | 0:03:32 | |
She's getting picked up at 7:30. Shh! | 0:03:32 | 0:03:35 | |
Watch out. | 0:03:35 | 0:03:36 | |
- Sweetie, you want to color? - Yeah, with markers. | 0:03:36 | 0:03:39 | |
PHONE RINGS | 0:03:39 | 0:03:41 | |
Dominique Modelling Agency, good morning. | 0:03:41 | 0:03:45 | |
OK, you can send your picture and resume. | 0:03:45 | 0:03:48 | |
Thank you. | 0:03:49 | 0:03:50 | |
PHONE RINGS | 0:03:50 | 0:03:51 | |
Dominique Modelling Agency, good morning. | 0:03:51 | 0:03:54 | |
No, Dominique's not in yet. | 0:03:54 | 0:03:55 | |
Can I give you her assistant Helen? Thank you. | 0:03:55 | 0:03:58 | |
Hello, it's Helen. Hi. | 0:03:59 | 0:04:01 | |
Oh, bonjour, Didier. | 0:04:01 | 0:04:04 | |
Non, non, uh... | 0:04:04 | 0:04:05 | |
OK, Jean Paul, so let's go over who you booked for that shoot again. | 0:04:07 | 0:04:10 | |
Yeah, just to be sure. Varusha, Sigrid Olafsson, Malak, Tinka... | 0:04:10 | 0:04:15 | |
Tinka? | 0:04:15 | 0:04:16 | |
I don't have a Tinka. Who is Tinka? | 0:04:16 | 0:04:19 | |
Morning, Lacey. | 0:04:20 | 0:04:22 | |
Is that the new one? Let me see. | 0:04:22 | 0:04:23 | |
< Dominique's here. | 0:04:23 | 0:04:25 | |
You smell funny. What is it? Baby powder? | 0:04:25 | 0:04:27 | |
- You need to sign these, please. - Who are you? | 0:04:27 | 0:04:29 | |
Mary. I'm the new intern. | 0:04:29 | 0:04:30 | |
Hope you're here long enough for me to remember your name. | 0:04:30 | 0:04:33 | |
Du kannst den Fotografen nicht warten lassen. | 0:04:33 | 0:04:34 | |
- Dominique's Modelle kommen nie spat. | 0:04:34 | 0:04:36 | |
- Shh, shh! | 0:04:36 | 0:04:37 | |
Dominique, here are the gentlemen for the Lola ad. | 0:04:37 | 0:04:40 | |
Hm. | 0:04:40 | 0:04:41 | |
"Every man." Well, they're not every man. Do better. | 0:04:42 | 0:04:45 | |
I demand to have her first. Let me speak to Dominique right now. | 0:04:45 | 0:04:48 | |
I need the list for the shoot. Yes. | 0:04:48 | 0:04:51 | |
You've heard about Tinka, have you? | 0:04:51 | 0:04:53 | |
If you want her, she's gonna cost you double, you know? | 0:04:53 | 0:04:55 | |
She's very popular. (Who's Tinka?) | 0:04:55 | 0:04:57 | |
Good. We got a deal. Bye. | 0:05:01 | 0:05:04 | |
I love new clients. | 0:05:04 | 0:05:06 | |
Thank you. | 0:05:06 | 0:05:08 | |
Caitlin. | 0:05:08 | 0:05:09 | |
No, no. He looks like a model. | 0:05:10 | 0:05:12 | |
No, he's just too beautiful. | 0:05:12 | 0:05:14 | |
We need a, you know, everyman. A bloke. | 0:05:14 | 0:05:17 | |
- A really, you know, nice... - Dominique. | 0:05:17 | 0:05:20 | |
You see? That's a bloke. | 0:05:23 | 0:05:25 | |
Excuse me. You with the water, what's your name? | 0:05:25 | 0:05:30 | |
Gary Hagelnick. | 0:05:30 | 0:05:31 | |
Um...Cia! | 0:05:31 | 0:05:33 | |
Would you photograph him, please? | 0:05:34 | 0:05:36 | |
Vieni qua, facciamolo. | 0:05:36 | 0:05:38 | |
I don't do naked...anymore. | 0:05:38 | 0:05:40 | |
Scusa. | 0:05:40 | 0:05:42 | |
Take some test shots. I think he's our Lola guy. | 0:05:42 | 0:05:44 | |
- Lindsay's going to love it. - I'm so late. | 0:05:44 | 0:05:47 | |
- Have fun with your sisters tonight. - Mm-hmm. | 0:05:47 | 0:05:50 | |
- I'll call you on my way back. - OK. | 0:05:50 | 0:05:53 | |
# Happy birthday to you | 0:06:08 | 0:06:12 | |
# Happy birthday to you | 0:06:12 | 0:06:15 | |
# Happy birthday, dear Mom... # | 0:06:15 | 0:06:18 | |
DOORBELL RINGS | 0:06:18 | 0:06:19 | |
Aunt Helen's here! | 0:06:19 | 0:06:20 | |
Aunt Helen's here! | 0:06:20 | 0:06:21 | |
Hang on. Hang on. | 0:06:21 | 0:06:24 | |
Hi. How are you? | 0:06:25 | 0:06:27 | |
- Oh, I'm so glad you're here. - Happy birthday. | 0:06:27 | 0:06:29 | |
- And you smell good. - Thanks. Here. | 0:06:29 | 0:06:31 | |
- Hey, Aunt Helen. - Yah! Oh! | 0:06:31 | 0:06:34 | |
Dad, are you really taking Mom to Atlantic City? | 0:06:36 | 0:06:39 | |
Yes, I am. | 0:06:39 | 0:06:40 | |
Aunt Helen, look what I got. | 0:06:40 | 0:06:42 | |
Your first fake ID. | 0:06:42 | 0:06:43 | |
Congratulations, "Mrs Gonzales"? | 0:06:43 | 0:06:47 | |
It's the only name they had. | 0:06:47 | 0:06:48 | |
I'm gonna show her my new turtle. | 0:06:48 | 0:06:50 | |
Hey-ho. CHEERING | 0:06:50 | 0:06:52 | |
Sorry I'm late. I've just been working my... | 0:06:52 | 0:06:55 | |
- What were you two...? - Oh, nothing. | 0:06:55 | 0:06:56 | |
Talking? Talking? | 0:06:56 | 0:06:58 | |
- No, no. - Just catching up. | 0:06:58 | 0:07:00 | |
Do you want something to eat? Are you hungry? | 0:07:00 | 0:07:03 | |
No. I'm fine. I ate. I am stuffed. I ate an apple on the way here. | 0:07:03 | 0:07:07 | |
Sorry, Jenny. | 0:07:08 | 0:07:09 | |
OK. So. And... | 0:07:10 | 0:07:11 | |
# ..Happy birthday to you. # | 0:07:11 | 0:07:16 | |
OK, make a wish, honey. | 0:07:16 | 0:07:18 | |
CHEERING | 0:07:20 | 0:07:23 | |
They couldn't put all the candles on or else the smoke alarm would go off. | 0:07:23 | 0:07:28 | |
I love this. Thank you. | 0:07:28 | 0:07:29 | |
You're welcome. | 0:07:29 | 0:07:30 | |
OK, who's this? | 0:07:32 | 0:07:34 | |
- This is Jenny? - Yes. | 0:07:34 | 0:07:36 | |
And I wonder what it is. It must be... | 0:07:36 | 0:07:38 | |
Both: Pot pourri. | 0:07:38 | 0:07:40 | |
No. You're all wrong. | 0:07:40 | 0:07:43 | |
It's not pot pourri. It's a make-your-own pot pourri kit. | 0:07:44 | 0:07:48 | |
Oh, it's great. I love it. Thank you so much. Who's next? | 0:07:48 | 0:07:52 | |
Oh, me, me, me, me, me. | 0:07:52 | 0:07:54 | |
Me, me, me, me, me. | 0:07:54 | 0:07:55 | |
Oh, yay. Oh, yay. Oh, yay. | 0:07:55 | 0:07:57 | |
"Lindsay, just remember... | 0:07:57 | 0:07:59 | |
"You're never too old to Dance around in your underwear." | 0:07:59 | 0:08:03 | |
No way. | 0:08:03 | 0:08:05 | |
Oh. Oh, my gosh! | 0:08:05 | 0:08:07 | |
Oh, my gosh. Look. | 0:08:07 | 0:08:08 | |
Oh, no! Devo! | 0:08:08 | 0:08:11 | |
Oh! You got the hats! Where did you find these? | 0:08:11 | 0:08:13 | |
I couldn't believe it. Online. | 0:08:14 | 0:08:15 | |
Of all places. Bored at work. | 0:08:15 | 0:08:17 | |
- Remember this? - Yeah, I do. | 0:08:17 | 0:08:19 | |
I remember you kind of looked like fire hydrants. | 0:08:19 | 0:08:22 | |
Remember the moves? Do I remember the moves? | 0:08:22 | 0:08:24 | |
Just see if you can keep up. Come on. | 0:08:24 | 0:08:26 | |
MUSIC: "Whip It" by Devo | 0:08:26 | 0:08:29 | |
# Crack that whip | 0:08:29 | 0:08:32 | |
# Give the past the slip | 0:08:32 | 0:08:35 | |
# Step on a crack... # | 0:08:35 | 0:08:37 | |
Come on, honey. | 0:08:37 | 0:08:39 | |
Oh, no, no, no. Oh, look at you go. | 0:08:39 | 0:08:41 | |
- Let's whip it good. - Oh, gosh, no. | 0:08:41 | 0:08:42 | |
BOTH: # When a problem comes along you must whip it | 0:08:42 | 0:08:45 | |
# If the cream sits out too long, you must whip it | 0:08:45 | 0:08:48 | |
# When something's going wrong | 0:08:48 | 0:08:50 | |
BOTH: # You must whip it | 0:08:50 | 0:08:52 | |
# Now whip it | 0:08:52 | 0:08:54 | |
# Into shape | 0:08:54 | 0:08:55 | |
# It's not too late | 0:08:55 | 0:08:57 | |
# To whip it | 0:08:57 | 0:08:58 | |
# Whip it good | 0:08:58 | 0:08:59 | |
# When a good time comes around You must whip it | 0:09:01 | 0:09:04 | |
# You will never live it down Unless you whip it | 0:09:04 | 0:09:07 | |
# No-one gets their way... # | 0:09:07 | 0:09:09 | |
Good shot, Mom! | 0:09:09 | 0:09:12 | |
Good shot, Mom. | 0:09:12 | 0:09:13 | |
OK, step out. Holy Toledo. Huh? | 0:09:18 | 0:09:20 | |
What is going on? | 0:09:20 | 0:09:22 | |
Jen, our little sister has grown up and turned into a Dance-club tramp. | 0:09:22 | 0:09:28 | |
Please! You should talk. You had your fun. | 0:09:29 | 0:09:32 | |
Yeah. That was fun, but I was never a size 2, you traitor. | 0:09:32 | 0:09:35 | |
Hey, we would have won if we'd played Horse. | 0:09:35 | 0:09:39 | |
Audrey, Henry, no video games until you clean up the den. | 0:09:39 | 0:09:41 | |
BOTH: Mom! | 0:09:41 | 0:09:42 | |
HE NEIGHS | 0:09:42 | 0:09:44 | |
- Oh, honey. - Night, Mom. Night, Dad. | 0:09:46 | 0:09:48 | |
Buddy, you're looking good out there. | 0:09:48 | 0:09:50 | |
The coach said I can play in every game. | 0:09:50 | 0:09:52 | |
- That's great. - Good night, everybody. | 0:09:52 | 0:09:54 | |
No, the birthday girl should not be doing the dishes. | 0:09:54 | 0:09:57 | |
I agree. | 0:09:57 | 0:09:58 | |
I'll change my shirt, come back and take over, OK? | 0:09:58 | 0:10:00 | |
OK. | 0:10:00 | 0:10:01 | |
You guys are such a Pottery Barn catalogue. | 0:10:01 | 0:10:04 | |
- How did that happen? - Whoo! | 0:10:04 | 0:10:07 | |
It's like they've never seen a dress before. | 0:10:07 | 0:10:10 | |
Um...they just haven't seen half of a dress. | 0:10:10 | 0:10:14 | |
You know what you were saying about the Pottery Barn catalogue? | 0:10:14 | 0:10:17 | |
You know how you get there? | 0:10:17 | 0:10:19 | |
You meet the nice guy, you get married, | 0:10:19 | 0:10:23 | |
and you get to experience... | 0:10:23 | 0:10:25 | |
BOTH: The miracle of life. | 0:10:25 | 0:10:28 | |
- Oh. Oh. - Oops. | 0:10:33 | 0:10:36 | |
Well, I don't know why I bother talking to you two. | 0:10:36 | 0:10:39 | |
Oh, no, no. Hello in there. | 0:10:39 | 0:10:40 | |
Will I be seeing you in four months? | 0:10:40 | 0:10:43 | |
Yes, I will. I hope you like pot pourri. | 0:10:43 | 0:10:46 | |
"Yes, I do." And I hope you like Tupperware parties. | 0:10:46 | 0:10:50 | |
And lots of flowers. Lots of... | 0:10:50 | 0:10:53 | |
It's true as well. I do, I love 'em. | 0:10:53 | 0:10:57 | |
I love flowers. | 0:10:57 | 0:10:59 | |
# I wanna feel what love is | 0:11:00 | 0:11:04 | |
# I wanna know | 0:11:04 | 0:11:06 | |
# And I want you to show me | 0:11:06 | 0:11:08 | |
# I wanna feel it, I wanna feel what love is | 0:11:08 | 0:11:12 | |
# I wanna feel what love is | 0:11:12 | 0:11:14 | |
# Ooh, baby. # | 0:11:14 | 0:11:15 | |
Thank you, guys. | 0:11:15 | 0:11:17 | |
All right, all right. Thank you. That was great. | 0:11:17 | 0:11:20 | |
Helen and Devon. That's enough. | 0:11:20 | 0:11:23 | |
Keep it down. I got neighbours. | 0:11:23 | 0:11:26 | |
I don't know any of them, but I got them. | 0:11:26 | 0:11:29 | |
What are you wearing? | 0:11:29 | 0:11:30 | |
I don't know. Whatever they put on me. | 0:11:30 | 0:11:33 | |
You took these from the photo shoot? | 0:11:33 | 0:11:34 | |
You're not supposed to take the clothes, you model. | 0:11:34 | 0:11:37 | |
Oh, right. So I guess I should take 'em off. | 0:11:37 | 0:11:40 | |
I'll help you. | 0:11:40 | 0:11:42 | |
POPPING | 0:11:42 | 0:11:44 | |
- What is this? - Oh, bubble wrap. | 0:11:44 | 0:11:47 | |
HELEN LAUGHS | 0:11:47 | 0:11:48 | |
The photographer wanted me to look more buff. | 0:11:48 | 0:11:51 | |
Ooh. | 0:11:51 | 0:11:52 | |
POPPING CONTINUES | 0:11:52 | 0:11:55 | |
- Hey. - Mm. | 0:11:56 | 0:11:58 | |
POPPING INTENSIFIES | 0:12:00 | 0:12:01 | |
MUSIC: "Extraordinary" by Liz Phair | 0:12:01 | 0:12:04 | |
# If you ever get to know me | 0:12:06 | 0:12:10 | |
# I am extraordinary... # | 0:12:10 | 0:12:14 | |
- All set, Ms. Rosenthal. - Oh, finally. | 0:12:14 | 0:12:16 | |
Come on in. Thank you for waiting. | 0:12:16 | 0:12:18 | |
Any minute. Any minute. | 0:12:18 | 0:12:19 | |
- Don't make me call for a pizza. - Any minute. | 0:12:19 | 0:12:22 | |
CAITLIN: Hey! | 0:12:22 | 0:12:23 | |
Hi. | 0:12:23 | 0:12:24 | |
Hi. How are you? | 0:12:24 | 0:12:26 | |
Hi. What is this? Sunday brunch gridlock? | 0:12:26 | 0:12:28 | |
Oh, I know. They just keep on telling us, | 0:12:28 | 0:12:29 | |
"any minute now," like it's a mantra. | 0:12:29 | 0:12:31 | |
Can we wait like normal patient adults? | 0:12:31 | 0:12:33 | |
ALL: No. | 0:12:33 | 0:12:34 | |
Christopher. Hi. | 0:12:34 | 0:12:36 | |
You're among friends. PHONE RINGS | 0:12:38 | 0:12:39 | |
I would like a bellini, please. | 0:12:39 | 0:12:41 | |
Bellini. | 0:12:41 | 0:12:42 | |
Oh, yes. Bellini. Bellini. | 0:12:42 | 0:12:44 | |
It's my sister. | 0:12:46 | 0:12:47 | |
Jenny, can I call you back? | 0:12:48 | 0:12:50 | |
Jenny... Acceptable guys at 12 o'clock. | 0:12:53 | 0:12:55 | |
Jenny, slow down. I can't hear you. | 0:12:55 | 0:12:58 | |
< Are they looking at you or me? | 0:12:58 | 0:12:59 | |
What? | 0:13:00 | 0:13:01 | |
Oh, no. | 0:13:04 | 0:13:05 | |
Oh, no, Jenny. | 0:13:05 | 0:13:08 | |
Helen, what's the matter? | 0:13:08 | 0:13:09 | |
Look at Helen. | 0:13:09 | 0:13:10 | |
Jenny... | 0:13:10 | 0:13:12 | |
Helen, what happened? | 0:13:12 | 0:13:14 | |
Hello. What is it? Honey, what happened? | 0:13:17 | 0:13:20 | |
..What? | 0:13:21 | 0:13:22 | |
Are you sure? | 0:13:22 | 0:13:25 | |
MAN: Jumped the centre divider and he slammed into them. | 0:13:31 | 0:13:34 | |
They didn't have time to react. | 0:13:34 | 0:13:35 | |
That's what the police think. I'm sorry, Ed. | 0:13:35 | 0:13:38 | |
WOMAN: I remember when they bought this house. | 0:13:38 | 0:13:41 | |
So what happens now with the kids? | 0:13:41 | 0:13:42 | |
Do the kids have any grandparents? | 0:13:42 | 0:13:45 | |
Yes. Paul's parents came from Miami. | 0:13:45 | 0:13:49 | |
They just barely made it today, so... | 0:13:49 | 0:13:51 | |
I'm so sorry. | 0:13:51 | 0:13:52 | |
I'm so, so sorry about your aunt and uncle. | 0:13:58 | 0:14:01 | |
Thank you. Yeah, thank you. | 0:14:01 | 0:14:03 | |
Reverend Hallin spoke so beautifully. | 0:14:33 | 0:14:35 | |
Thanks again, sweetie. | 0:14:38 | 0:14:40 | |
RATTLING | 0:14:47 | 0:14:49 | |
I'm so sorry. | 0:15:13 | 0:15:16 | |
So sorry for your loss, Jenny. I know, sweetheart. | 0:15:16 | 0:15:19 | |
I know. | 0:15:19 | 0:15:21 | |
It smells like Mommy in here. | 0:15:24 | 0:15:27 | |
JENNY: Guys. | 0:15:33 | 0:15:34 | |
A lot of people are waiting to pay their respects. | 0:15:44 | 0:15:46 | |
I'm sure they'd appreciate it if you all came downstairs. | 0:15:46 | 0:15:49 | |
We are gonna get through this. | 0:16:10 | 0:16:13 | |
All right? | 0:16:13 | 0:16:15 | |
Hey, do you mind going to the market for me | 0:16:18 | 0:16:20 | |
and getting some blue party napkins? | 0:16:20 | 0:16:23 | |
Now? I mean, can't we use something else? | 0:16:24 | 0:16:27 | |
Helen... | 0:16:29 | 0:16:31 | |
I've planned the funeral and I've... | 0:16:31 | 0:16:33 | |
I've made the food, and I've taken responsibility | 0:16:33 | 0:16:36 | |
for three very scared children. | 0:16:36 | 0:16:39 | |
All I'm asking you for is four packages of blue, | 0:16:39 | 0:16:42 | |
three-ply dinner napkins with the seashell design, | 0:16:42 | 0:16:45 | |
so that people don't remember our sister and her husband | 0:16:45 | 0:16:49 | |
with paper towelling on their...on their laps. | 0:16:49 | 0:16:54 | |
All right. | 0:16:56 | 0:16:58 | |
DOORBELL RINGS | 0:17:06 | 0:17:07 | |
Terribly sorry. Thank you. | 0:17:07 | 0:17:09 | |
Hi, I'm Wanda from next door. | 0:17:09 | 0:17:11 | |
If you need anything, my phone number's on the casserole. | 0:17:11 | 0:17:13 | |
Thank you. And I'm Rudy from across the street. | 0:17:13 | 0:17:16 | |
I also wanted to pay my condolences. | 0:17:16 | 0:17:18 | |
Everyone loved Lindsay and Paul. | 0:17:18 | 0:17:20 | |
DOORBELL RINGS | 0:17:20 | 0:17:22 | |
SIGHS | 0:17:22 | 0:17:24 | |
DOORBELL RINGS | 0:17:24 | 0:17:27 | |
Ball goes up... Oh, all right. | 0:17:27 | 0:17:29 | |
Come on through and give your brother a bounce pass. | 0:17:29 | 0:17:31 | |
There you go. Get it up. Yes! | 0:17:31 | 0:17:33 | |
Very good. OK. Now you give Sarah a bounce pass. | 0:17:33 | 0:17:36 | |
Come on, Sarah. Come on. Come on, sweetie. | 0:17:36 | 0:17:39 | |
MAN: "Section 5. | 0:17:39 | 0:17:41 | |
"Custody and care of the Davis children. | 0:17:41 | 0:17:44 | |
"An account and trust has been set up at Maplewood Savings Bank, | 0:17:46 | 0:17:49 | |
"in the names of Audrey, Henry and Sarah Davis." | 0:17:49 | 0:17:53 | |
"This bank also holds the mortgage | 0:17:53 | 0:17:55 | |
"on the Davis property at 207 Oak Street." | 0:17:55 | 0:17:58 | |
Yes, Larry, and that mortgage is quite large. | 0:17:58 | 0:18:00 | |
We do need to talk about that also. | 0:18:00 | 0:18:03 | |
We will. | 0:18:03 | 0:18:04 | |
"With regard to custody of Audrey, Henry and Sarah, | 0:18:04 | 0:18:08 | |
"we hereby appoint sole guardianship of all three children, | 0:18:08 | 0:18:11 | |
"imbuing her with all legal rights and responsibilities | 0:18:11 | 0:18:14 | |
"that guardianship entails, | 0:18:14 | 0:18:16 | |
"to Helen Harris." | 0:18:16 | 0:18:19 | |
What? | 0:18:20 | 0:18:23 | |
What? It's not a mistake. > | 0:18:23 | 0:18:25 | |
I prepared this for them myself. | 0:18:25 | 0:18:27 | |
They were very clear. Helen Harris. | 0:18:27 | 0:18:31 | |
Jenny should have them. | 0:18:38 | 0:18:40 | |
I... She's got kids. I... | 0:18:40 | 0:18:43 | |
She's got the mom haircut. She's supermom. | 0:18:43 | 0:18:48 | |
She left a letter for each of you explaining her decision. | 0:18:48 | 0:18:52 | |
You know I handled your mother's will. | 0:18:55 | 0:18:58 | |
Lindsay and Paul's was equally specific. | 0:18:58 | 0:19:01 | |
Good lord, Lindsay. | 0:19:08 | 0:19:11 | |
Can I read yours? | 0:19:11 | 0:19:13 | |
Helen. | 0:19:13 | 0:19:16 | |
Are there any contingencies? Yes. | 0:19:16 | 0:19:18 | |
If Helen is either unable | 0:19:18 | 0:19:20 | |
or unwilling to care for the children, | 0:19:20 | 0:19:22 | |
then you, Jenny, are thusly appointed. | 0:19:22 | 0:19:24 | |
< OK, finally, some reason. | 0:19:24 | 0:19:27 | |
< Thank you. | 0:19:27 | 0:19:29 | |
God, why didn't you start with that? | 0:19:29 | 0:19:31 | |
Can you imagine Helen raising three kids? | 0:19:31 | 0:19:35 | |
When should I tell them? | 0:19:40 | 0:19:42 | |
As soon as possible. | 0:19:42 | 0:19:44 | |
- Are you sure? - Yep. | 0:19:47 | 0:19:50 | |
But we all thought... | 0:19:50 | 0:19:52 | |
Nope. | 0:19:52 | 0:19:54 | |
It's gonna be hard to take care of us if you're dead, too. | 0:19:54 | 0:19:58 | |
This? | 0:20:00 | 0:20:02 | |
Won't kill me for years. | 0:20:02 | 0:20:04 | |
Who's gonna take me to school? | 0:20:04 | 0:20:08 | |
I guess I am. | 0:20:08 | 0:20:10 | |
And make me chicken fingers? Me. | 0:20:10 | 0:20:12 | |
And give me a bath? Me. | 0:20:12 | 0:20:15 | |
And check my nose boogies for infections? | 0:20:15 | 0:20:18 | |
We'll find someone else to do that last thing. | 0:20:18 | 0:20:22 | |
Come here. | 0:20:22 | 0:20:25 | |
All we gotta do is stick together. | 0:20:25 | 0:20:28 | |
Everything's gonna be OK. | 0:20:28 | 0:20:31 | |
Thanks for trying, Aunt Helen, but it's not gonna be OK. | 0:20:31 | 0:20:35 | |
Come on, Sarah. It's time for your bath. | 0:20:35 | 0:20:38 | |
Come on, Henry. | 0:20:38 | 0:20:41 | |
Good idea. Great. | 0:20:41 | 0:20:43 | |
Uh...you guys do that | 0:20:43 | 0:20:45 | |
while Aunt Helen is gonna go out and check the lawn. | 0:20:45 | 0:20:49 | |
Is Aunt Helen older than you, Audrey? | 0:20:51 | 0:20:54 | |
AUDREY WHISPERS: Get farther down. | 0:21:01 | 0:21:03 | |
Is she playing hide-and-go-seek? | 0:21:03 | 0:21:06 | |
AUDREY: I don't think so. | 0:21:06 | 0:21:09 | |
HENRY: We are in deep shit. | 0:21:09 | 0:21:11 | |
HELEN: I love New York pizza. | 0:21:12 | 0:21:16 | |
Aunt Helen, can we go to the Statue of Liberty tomorrow? | 0:21:16 | 0:21:19 | |
No, because we won't be here... | 0:21:19 | 0:21:22 | |
Where's Henry? He said he'd be right back. | 0:21:22 | 0:21:25 | |
I go to the bathroom for five seconds and he's gone? | 0:21:25 | 0:21:28 | |
With mustard. Here it is. I didn't want mustard. | 0:21:28 | 0:21:31 | |
You don't want mustard? No. | 0:21:31 | 0:21:33 | |
All right. No mustard. | 0:21:33 | 0:21:34 | |
There he is. Henry! | 0:21:34 | 0:21:37 | |
OK? Who's gonna pay for this? Aunt Helen. | 0:21:37 | 0:21:40 | |
You can't do that. You can't just leave. | 0:21:40 | 0:21:42 | |
I hate pizza. I wanted a hot dog. | 0:21:42 | 0:21:44 | |
Can you pay Aaron, please? I'm Aaron. | 0:21:44 | 0:21:46 | |
Hi, Aaron. I like that he's making new friends. | 0:21:46 | 0:21:49 | |
It's lovely. AARON: Look me up! | 0:21:49 | 0:21:51 | |
The next time you want something like a hot dog, you tell me, OK, | 0:21:51 | 0:21:54 | |
and we'll all go together. OK. | 0:21:54 | 0:21:56 | |
Where are we going to dinner? This is dinner. | 0:21:56 | 0:22:00 | |
SARAH: Gee, Mommy never let pizza be our whole dinner. | 0:22:00 | 0:22:03 | |
HENRY: And Dad always said not to eat and walk at the same time. | 0:22:03 | 0:22:06 | |
AUDREY: Well, they're not here to yell at us, so it doesn't matter. | 0:22:06 | 0:22:10 | |
HENRY: How many beds do you have in your apartment, Aunt Helen? | 0:22:10 | 0:22:12 | |
SARAH: Aunt Helen! HELEN LAUGHS | 0:22:12 | 0:22:15 | |
Audrey, your knee. Stop! | 0:22:15 | 0:22:18 | |
Hey, guys. Shh! | 0:22:18 | 0:22:21 | |
I'm telling you, if we don't go to sleep right now, | 0:22:22 | 0:22:25 | |
Sleepless Sally gets really upset | 0:22:25 | 0:22:27 | |
when the kids aren't going to sleep. | 0:22:27 | 0:22:29 | |
Where's Sarah? Sarah? | 0:22:29 | 0:22:31 | |
I'm right down here. | 0:22:31 | 0:22:34 | |
Henry's feet stink. Phew! | 0:22:34 | 0:22:36 | |
HENRY: But I'm a man. AUDREY: Give Aunt Helen a whiff. | 0:22:36 | 0:22:39 | |
I don't want to smell your feet. | 0:22:39 | 0:22:43 | |
Ew! I can smell them from here. | 0:22:43 | 0:22:45 | |
Ew! Henry! Oh, my goodness. | 0:22:45 | 0:22:48 | |
You need to wash your feet not once a week. | 0:22:48 | 0:22:52 | |
HENRY: Good night, all. | 0:22:52 | 0:22:53 | |
Audrey, get out of the bathroom. | 0:22:53 | 0:22:57 | |
Fire, fire. | 0:22:57 | 0:23:00 | |
Aunt Helen? | 0:23:00 | 0:23:02 | |
Why are we going back? This was great. | 0:23:02 | 0:23:04 | |
We should spend more time here. | 0:23:04 | 0:23:06 | |
More time? Yeah. | 0:23:06 | 0:23:08 | |
We can move here. | 0:23:08 | 0:23:09 | |
We can't sleep every night in a stinky-feet bed. | 0:23:12 | 0:23:14 | |
We'll move to another apartment. It's a huge city. | 0:23:14 | 0:23:17 | |
You'll be closer to your job and everything. | 0:23:17 | 0:23:20 | |
You love your job. What about Henry and Sarah? | 0:23:20 | 0:23:22 | |
What about them? They've got school. | 0:23:22 | 0:23:24 | |
They have friends. You guys grew up in that neighbourhood. | 0:23:24 | 0:23:27 | |
That's why. It's a sad neighbourhood now. | 0:23:27 | 0:23:29 | |
Everywhere we go there, we think of Mom and Dad. | 0:23:29 | 0:23:32 | |
The kids treat me differently. | 0:23:32 | 0:23:34 | |
We will discuss this later. | 0:23:34 | 0:23:35 | |
Please think about it, Aunt Helen. | 0:23:35 | 0:23:37 | |
OK, we got a train to catch. Let's go. | 0:23:37 | 0:23:41 | |
HELEN: Henry, stop brushing your teeth. | 0:23:41 | 0:23:43 | |
They're gonna fall out. | 0:23:43 | 0:23:45 | |
I can't get hippo in the bag. Oh, give it to me. | 0:23:47 | 0:23:51 | |
OK. | 0:23:53 | 0:23:55 | |
There. He's in the bag. Are you happy now? | 0:23:56 | 0:24:00 | |
HELEN: Henry! | 0:24:00 | 0:24:01 | |
Now, the only thing to do would be to tell Aunt Jenny. | 0:24:01 | 0:24:04 | |
Thinking about it, Audrey. I will think about it. | 0:24:04 | 0:24:06 | |
Tell her we voted. | 0:24:06 | 0:24:08 | |
I'll think about it, Audrey. | 0:24:08 | 0:24:11 | |
I understand the children's feelings, | 0:24:11 | 0:24:13 | |
but that's not part of the plan. | 0:24:13 | 0:24:15 | |
That's your plan, Jenny. | 0:24:15 | 0:24:16 | |
All right, well, what about the idea | 0:24:16 | 0:24:18 | |
of not selling Lindsay's house? | 0:24:18 | 0:24:20 | |
I know you guys offered to pay the mortgage, but it's enormous. | 0:24:20 | 0:24:23 | |
I spoke to the bank, and the mortgage is too much for us. | 0:24:23 | 0:24:27 | |
All right. Besides being my idea, | 0:24:27 | 0:24:29 | |
what's wrong with moving down the block? | 0:24:29 | 0:24:31 | |
I mean, I think the calm of the familiar is better | 0:24:31 | 0:24:35 | |
than the overwhelming hustle-bustle of the city. | 0:24:35 | 0:24:38 | |
Guys, can you please keep the colouring on the eggs and not each other? | 0:24:38 | 0:24:42 | |
Oh, no, no, no. No. | 0:24:42 | 0:24:44 | |
Jenny, Sarah thinks that Hippo's parents are on vacation, | 0:24:44 | 0:24:47 | |
that they're coming back. | 0:24:47 | 0:24:49 | |
Henry walks around like a zombie and draws skeletons. | 0:24:49 | 0:24:53 | |
Audrey is my only ally. | 0:24:53 | 0:24:55 | |
You really have to watch her. | 0:24:55 | 0:24:56 | |
Look, they're not happy. And they've told me themselves. | 0:24:56 | 0:24:59 | |
They're not gonna be happy anywhere right now. | 0:24:59 | 0:25:01 | |
OK, OK. Wait. Wait. Let us talk for a minute. | 0:25:01 | 0:25:05 | |
Wait till you see what the Easter Bunny brings. | 0:25:05 | 0:25:07 | |
He's gonna bring lots more eggs. | 0:25:07 | 0:25:08 | |
The Easter Bunny's not coming. | 0:25:08 | 0:25:10 | |
The Easter Bunny joined 50 Cent. | 0:25:10 | 0:25:12 | |
AUDREY: Why are you being a brat? | 0:25:12 | 0:25:14 | |
HENRY: You're a brat. | 0:25:14 | 0:25:16 | |
Helen is right. A change might do them some good. | 0:25:16 | 0:25:20 | |
And if it doesn't work out, they can always move back here to Jersey. | 0:25:20 | 0:25:22 | |
AUDREY: Ew, you got some in my hair. | 0:25:22 | 0:25:25 | |
SARAH: You know what? You know what? | 0:25:25 | 0:25:28 | |
Oh, no. You're not very good at this, Aunt Helen. | 0:25:28 | 0:25:32 | |
SARAH: Stop it! | 0:25:32 | 0:25:35 | |
Irwin's after ya! | 0:25:35 | 0:25:37 | |
Turtles carry diseases. Sarah, please. | 0:25:37 | 0:25:41 | |
We have to find an apartment. | 0:25:41 | 0:25:44 | |
We need to help Aunt Helen. | 0:25:44 | 0:25:47 | |
OK? By being quiet. | 0:25:47 | 0:25:49 | |
Stop it. | 0:26:06 | 0:26:08 | |
Stop. | 0:26:10 | 0:26:11 | |
HELEN CLICKS HER PEN | 0:26:17 | 0:26:19 | |
HELEN: No. | 0:26:38 | 0:26:40 | |
Chelsea? No. | 0:26:40 | 0:26:42 | |
You know, I hear there's some pretty decent stuff in Queens. | 0:26:42 | 0:26:45 | |
No. We are not bridge-and-tunnel people. | 0:26:45 | 0:26:49 | |
We are Manhattan people. | 0:26:49 | 0:26:51 | |
Oh, wow! | 0:26:52 | 0:26:54 | |
Four bedrooms. Close to Central Park. | 0:26:54 | 0:26:57 | |
The owner wants it rented quickly, so he's asking | 0:26:57 | 0:26:59 | |
What is very reasonable for a New York apartment. | 0:26:59 | 0:27:01 | |
Only 9,000 a month. | 0:27:01 | 0:27:04 | |
MUSIC: "Whose Life Am I In" By Shedaisy | 0:27:04 | 0:27:07 | |
# I feel like an android living in a polaroid | 0:27:07 | 0:27:10 | |
# Just another reject It gets a little seasick | 0:27:10 | 0:27:12 | |
# Whose life am I in? | 0:27:12 | 0:27:16 | |
# Feels like deja vu Don't know what to do | 0:27:17 | 0:27:19 | |
# Point my finger to the sky | 0:27:19 | 0:27:21 | |
# And finally ask the question why | 0:27:21 | 0:27:23 | |
# Whose life am I in? | 0:27:23 | 0:27:26 | |
# Whose life am I in? | 0:27:26 | 0:27:30 | |
# Whose life am I in? # | 0:27:30 | 0:27:34 | |
That's the girl looking at 4b. | 0:27:35 | 0:27:37 | |
Ha ha! Whoa! | 0:27:39 | 0:27:41 | |
THEY SQUEAL | 0:27:41 | 0:27:43 | |
-One bathroom. That's it? -Yeah, well, | 0:27:43 | 0:27:46 | |
I'll put you on a waiting list if a two opens up. | 0:27:46 | 0:27:47 | |
And look at this - flower power, huh? | 0:27:47 | 0:27:50 | |
So I guess Audrey can have the back room. | 0:27:51 | 0:27:53 | |
And Henry and Sarah can share the middle one. | 0:27:53 | 0:27:56 | |
And I'll just sleep on a pull-out couch. | 0:27:56 | 0:27:58 | |
Wow, graffiti. | 0:27:58 | 0:27:59 | |
Oh, sure, there's plenty of room for a pull-out couch here. | 0:27:59 | 0:28:02 | |
Look, you got a nice view. | 0:28:02 | 0:28:03 | |
So, in the ad it said something about a visual security system. | 0:28:03 | 0:28:07 | |
How does that work? Oh, when somebody buzzes, | 0:28:07 | 0:28:09 | |
you stick your head out the window and you look down. | 0:28:09 | 0:28:11 | |
That's the visual part. And then you yell for them to come up or not. | 0:28:11 | 0:28:14 | |
That's the security part. | 0:28:14 | 0:28:16 | |
Here's your keys. Welcome to the Astoria Arms. | 0:28:16 | 0:28:19 | |
I am only available between 8.30 and 9.00 in the morning | 0:28:19 | 0:28:22 | |
because I have a life. | 0:28:22 | 0:28:24 | |
So... | 0:28:26 | 0:28:29 | |
Home! | 0:28:29 | 0:28:30 | |
SARAH: Yay! | 0:28:30 | 0:28:32 | |
MUSIC: "Chori Chori Gori Se" | 0:28:34 | 0:28:36 | |
JENNY: I ordered the pizza. It should be here in 30 minutes. | 0:28:40 | 0:28:44 | |
ED: Yay! | 0:28:44 | 0:28:45 | |
Um... | 0:28:45 | 0:28:47 | |
Know what? I bet this is lead paint. | 0:28:47 | 0:28:51 | |
Guys. Guys, guys. | 0:28:51 | 0:28:53 | |
Don't chew on the windowsills, all right? | 0:28:53 | 0:28:57 | |
Yeah. Stick to the table legs, like I taught you. | 0:28:57 | 0:29:01 | |
ED: OK, come on, guys. Let's go, let's go. | 0:29:01 | 0:29:02 | |
Sometime today. Into the bedroom. | 0:29:02 | 0:29:04 | |
This window is also painted shut. | 0:29:04 | 0:29:06 | |
You know, I mean, for 1,200 a month, | 0:29:06 | 0:29:08 | |
you'd think you'd have windows that open. | 0:29:08 | 0:29:11 | |
I want this bed. Look, for the tenth time, | 0:29:11 | 0:29:14 | |
in the old house, I had this bed and you had that bed. | 0:29:14 | 0:29:18 | |
But I want this bed. That's it! Hippo goes out the window. | 0:29:18 | 0:29:23 | |
Followed by Irwin! JENNY: Guys! | 0:29:23 | 0:29:26 | |
Stop fighting. He pinches her all the time, and hard. | 0:29:26 | 0:29:30 | |
It's hard. I know. | 0:29:30 | 0:29:32 | |
Thank you. | 0:29:33 | 0:29:35 | |
So, it's not that bad, right, Jen? | 0:29:37 | 0:29:39 | |
No. | 0:29:39 | 0:29:41 | |
Hi. | 0:29:45 | 0:29:46 | |
Hi. I'm Nilma Prasad. I live across the hall. | 0:29:46 | 0:29:48 | |
Here's some samosas that we made for you. | 0:29:48 | 0:29:50 | |
Oh. So that would make you my neighbour. | 0:29:50 | 0:29:53 | |
This is my neighbour, my friendly neighbour, Jenny. | 0:29:53 | 0:29:56 | |
Noma, I'm Helen. No, I'm Nilma. | 0:29:56 | 0:29:58 | |
I'm Helen. That's Jenny. | 0:29:58 | 0:29:59 | |
I snagged this one in the hallway screaming. | 0:29:59 | 0:30:01 | |
It's OK, Flora. Mr Costello's deaf. I'm not. | 0:30:01 | 0:30:05 | |
NILMA SPEAKS HINDI | 0:30:05 | 0:30:06 | |
So I see you have kids, too, so maybe a play date sometime? | 0:30:06 | 0:30:11 | |
Oh! Oh, my goodness, that would be wonderful. | 0:30:11 | 0:30:15 | |
Oh, great. | 0:30:15 | 0:30:17 | |
I'm Jenny, Helen's sister. Hello. | 0:30:17 | 0:30:20 | |
Can I ask you a special favour? Yes. | 0:30:20 | 0:30:24 | |
Helen is new at being a mom. | 0:30:24 | 0:30:27 | |
Uh-oh. | 0:30:27 | 0:30:28 | |
Exactly. These aren't her kids? | 0:30:28 | 0:30:30 | |
Our sister passed. | 0:30:30 | 0:30:31 | |
Oh, I'm so sorry. Bless her. | 0:30:31 | 0:30:34 | |
So, Nilma, if you could from time to time... | 0:30:34 | 0:30:36 | |
Oh, absolutely. | 0:30:36 | 0:30:37 | |
And if they... Which they will, no? | 0:30:37 | 0:30:40 | |
You could... No problem. | 0:30:40 | 0:30:42 | |
That's all I'm asking. OK, say no more, please. | 0:30:42 | 0:30:44 | |
Thank you so much. OK, no problem. | 0:30:44 | 0:30:47 | |
Just mommy talk. | 0:30:48 | 0:30:49 | |
Oh, right. | 0:30:49 | 0:30:51 | |
So, Helen, where have you decided to send the kids to school? | 0:30:51 | 0:30:55 | |
Got it covered. | 0:30:59 | 0:31:01 | |
It's just a middle school, | 0:31:05 | 0:31:07 | |
and you'll have to be separated, | 0:31:07 | 0:31:09 | |
all three of you. SARAH: No! | 0:31:09 | 0:31:10 | |
I know. I vote against separation. | 0:31:10 | 0:31:12 | |
You know, maybe we should find a school | 0:31:12 | 0:31:14 | |
with less policemen everywhere. | 0:31:14 | 0:31:16 | |
Audrey. Hi. Let's go. | 0:31:17 | 0:31:20 | |
Come on, guys. This cab's gonna be about 100. | 0:31:20 | 0:31:22 | |
Oh, that girl is fine. > | 0:31:22 | 0:31:24 | |
Hi. Yeah, she's pretty. | 0:31:24 | 0:31:27 | |
Nice, Audrey. Thanks for making my life a lot easier(!) | 0:31:27 | 0:31:32 | |
AUDREY: I don't like school, anyway. | 0:31:36 | 0:31:38 | |
I mean, I'll just drop out and get a job. | 0:31:38 | 0:31:41 | |
SARAH: I like school. I wanna go to school. I want to. | 0:31:41 | 0:31:43 | |
HENRY: Aunt Helen, you promised you'd find us a school. | 0:31:43 | 0:31:46 | |
HELEN: Oh, God help me. | 0:31:46 | 0:31:48 | |
CHURCH BELL RINGS | 0:31:48 | 0:31:50 | |
HELEN: Slow down. Stop. | 0:31:53 | 0:31:57 | |
That was fast. Kids. | 0:31:57 | 0:31:59 | |
Lisa, stop dragging your sweater. | 0:32:02 | 0:32:05 | |
CHILDREN SING | 0:32:05 | 0:32:07 | |
# This little light of mine | 0:32:10 | 0:32:14 | |
# I'm gonna let it shine | 0:32:14 | 0:32:16 | |
# Let it shine, let it shine | 0:32:16 | 0:32:19 | |
# Let it shine | 0:32:19 | 0:32:21 | |
# This little light of mine | 0:32:23 | 0:32:26 | |
# I'm gonna let it shine | 0:32:26 | 0:32:29 | |
# This little light of mine | 0:32:29 | 0:32:32 | |
# I'm gonna let it shine | 0:32:32 | 0:32:35 | |
# This little light of mine | 0:32:35 | 0:32:38 | |
# I'm gonna let it shine | 0:32:38 | 0:32:40 | |
# Let it shine, let it shine | 0:32:40 | 0:32:43 | |
# Let it shine | 0:32:43 | 0:32:46 | |
# Let it shine, let it shine | 0:32:46 | 0:32:49 | |
# Let it shine | 0:32:49 | 0:32:52 | |
# Let it shine | 0:32:52 | 0:32:56 | |
# Let it shine | 0:32:56 | 0:33:00 | |
# Let it shine. # | 0:33:00 | 0:33:11 | |
I mean, Lutheranism has been in our family | 0:33:11 | 0:33:13 | |
for as long as Lutheran people have been around. | 0:33:13 | 0:33:17 | |
Being a Lutheran is the greatest. I mean, right, kids? | 0:33:17 | 0:33:20 | |
Hippo wants to be a Lutheran, too. | 0:33:20 | 0:33:23 | |
Hippo is a Lutheran. | 0:33:23 | 0:33:27 | |
I knew that God told us to move here | 0:33:27 | 0:33:28 | |
so that we could attend your fine school. | 0:33:28 | 0:33:32 | |
A good, solid education taught our Lutheran way is the best way. | 0:33:32 | 0:33:35 | |
I mean, isn't that right, father? Pastor. | 0:33:35 | 0:33:38 | |
- Father Pastor. - Pastor Parker. | 0:33:38 | 0:33:42 | |
Right. | 0:33:42 | 0:33:43 | |
Thank you for that fine testimonial. | 0:33:45 | 0:33:49 | |
Hallelujah. | 0:33:49 | 0:33:50 | |
Hallelujah. | 0:33:50 | 0:33:52 | |
Well. I'm just gonna need | 0:33:52 | 0:33:54 | |
the kids' transcripts and blood tests, and they're in. | 0:33:54 | 0:33:57 | |
Blood tests? Make sure they're really Lutheran. | 0:33:57 | 0:34:00 | |
You'd be surprised how many non-Lutherans try to sneak in. | 0:34:00 | 0:34:04 | |
I'm sure. Um, problem. | 0:34:04 | 0:34:08 | |
They're all haemophiliacs. | 0:34:08 | 0:34:11 | |
All three of them. | 0:34:11 | 0:34:13 | |
(Can't take blood. Shh. | 0:34:13 | 0:34:15 | |
(They're sensitive.) It's a joke. | 0:34:15 | 0:34:17 | |
Why would I joke about haemophilia? | 0:34:17 | 0:34:20 | |
There's no blood test. That's the joke. | 0:34:20 | 0:34:23 | |
Oh. | 0:34:23 | 0:34:24 | |
You don't have to be Lutheran to go here. It's Queens. | 0:34:24 | 0:34:26 | |
There's, like, 50 Lutheran kids in the whole neighbourhood. | 0:34:26 | 0:34:29 | |
Shall we take a look around? | 0:34:29 | 0:34:30 | |
So we have space available. Can you handle the tuition? | 0:34:30 | 0:34:33 | |
HELEN: Not a problem. SARAH: Tetherball! | 0:34:33 | 0:34:36 | |
Oh, yay! | 0:34:36 | 0:34:38 | |
Henry, we have basketball courts, gym down there. | 0:34:38 | 0:34:41 | |
Saint Barbara's believes in basketball. | 0:34:41 | 0:34:42 | |
Oh. | 0:34:42 | 0:34:43 | |
So what's the Lutheran take on the afterlife? | 0:34:43 | 0:34:45 | |
Pretty much the standard heaven, hell, purgatory thing? | 0:34:45 | 0:34:49 | |
Yeah, pretty much. Old-school around here. | 0:34:49 | 0:34:50 | |
HELEN: Hey, so you wanna go see the basketball courts? | 0:34:50 | 0:34:53 | |
No, I'm gonna go play tetherball. Oh, OK. | 0:34:53 | 0:34:56 | |
Play hard! OK. | 0:34:56 | 0:34:57 | |
Pastor Dan. | 0:34:57 | 0:34:59 | |
Hello. | 0:35:00 | 0:35:02 | |
Excuse me. | 0:35:02 | 0:35:04 | |
Mrs Fricker, I know what you got there. | 0:35:04 | 0:35:06 | |
I made you some special brownies. | 0:35:06 | 0:35:09 | |
Wow. You, uh... I'm gonna... | 0:35:09 | 0:35:11 | |
He gets a lot of brownies. | 0:35:11 | 0:35:13 | |
I see that. | 0:35:13 | 0:35:15 | |
Mm. Better than last time. | 0:35:15 | 0:35:18 | |
Hi, I'm Phyllis Shore. Helen Harris. | 0:35:18 | 0:35:20 | |
This is my daughter Lisa. Hi, Lisa. | 0:35:20 | 0:35:22 | |
Will you be joining us at Saint Barbara's? I hope so. | 0:35:22 | 0:35:26 | |
Thank you. I'll see you Sunday. OK. Bye-bye. | 0:35:26 | 0:35:29 | |
See you Sunday night at vespers. See you at vespers. | 0:35:29 | 0:35:31 | |
See you at vespers. | 0:35:31 | 0:35:33 | |
You know what vespers is? | 0:35:33 | 0:35:36 | |
Some kind of scooter? | 0:35:37 | 0:35:39 | |
Close enough. | 0:35:39 | 0:35:41 | |
HELEN: We got ten minutes. You don't want to be late for your first day of school. | 0:35:45 | 0:35:49 | |
Audrey. | 0:35:49 | 0:35:51 | |
Please get out of the bathroom. AUDREY: I'm not in there. | 0:35:51 | 0:35:54 | |
I can't do it. I don't remember how. | 0:35:54 | 0:35:58 | |
Sweetie. | 0:36:02 | 0:36:04 | |
I don't remember how. What's the matter? | 0:36:04 | 0:36:07 | |
Your shoes? Here, let me help you. | 0:36:07 | 0:36:10 | |
No! No! | 0:36:10 | 0:36:12 | |
Sarah, sweetheart, we have to go to school. | 0:36:12 | 0:36:15 | |
OK? Let me help you. No, no! | 0:36:15 | 0:36:18 | |
That's not how. You don't know how. | 0:36:18 | 0:36:21 | |
Sweetheart, are you nervous about today? | 0:36:21 | 0:36:23 | |
I mean, it's a big day at school. | 0:36:23 | 0:36:26 | |
Mom was teaching her how to tie her shoelaces just before... | 0:36:26 | 0:36:29 | |
Oh. | 0:36:32 | 0:36:33 | |
Right. | 0:36:33 | 0:36:35 | |
And I guess she had a special way of tying them. | 0:36:35 | 0:36:39 | |
Well, your mom and I were probably taught the same way. | 0:36:40 | 0:36:44 | |
Let me think. Something about... | 0:36:45 | 0:36:48 | |
Bunnies. | 0:36:48 | 0:36:50 | |
Bunnies. | 0:36:50 | 0:36:51 | |
Right. Bunny ears. | 0:36:51 | 0:36:55 | |
You make two bunny ears... | 0:36:57 | 0:37:00 | |
Bunny goes around the tree, | 0:37:00 | 0:37:03 | |
into the burrow, | 0:37:03 | 0:37:05 | |
pull tight. | 0:37:05 | 0:37:08 | |
Yeah. Yeah. | 0:37:08 | 0:37:11 | |
Hurry up, hurry up. When will you be home from work? | 0:37:17 | 0:37:19 | |
By dinnertime. Audrey's in charge, so listen to her, OK? | 0:37:19 | 0:37:22 | |
I don't wanna listen to her. | 0:37:22 | 0:37:23 | |
Pastor Dan. Pastor Dan. | 0:37:23 | 0:37:27 | |
Well, it's the four Lutherans. Here we are. | 0:37:27 | 0:37:29 | |
Here you are. Pastor Wells, | 0:37:29 | 0:37:30 | |
would you please show Henry and Audrey to the homeroom? | 0:37:30 | 0:37:33 | |
Sure. | 0:37:33 | 0:37:34 | |
Hello, Audrey. Bye. | 0:37:34 | 0:37:35 | |
Bye. Pay attention! Sit up straight. | 0:37:35 | 0:37:37 | |
Good morning. Wait, what about lunch? | 0:37:37 | 0:37:40 | |
- Eat it, it's healthy. - I meant, we don't have any. | 0:37:40 | 0:37:43 | |
Oh! Right. I'll take care of it. | 0:37:43 | 0:37:47 | |
Bye. | 0:37:47 | 0:37:48 | |
Can you break a 20? Always got change in the collection plate. | 0:37:49 | 0:37:54 | |
And kindergarten? Right over here. | 0:37:54 | 0:37:56 | |
Oh, wow, look. It's a juggling pastor, Sarah. | 0:37:56 | 0:37:59 | |
Hello, welcome. Mrs Lagambina. | 0:37:59 | 0:38:04 | |
Helen Harris. This is Sarah. Hello, Sarah. | 0:38:04 | 0:38:07 | |
Look at all this fun stuff. You've got markers | 0:38:07 | 0:38:09 | |
and crayons, colouring books, and all the nice people. | 0:38:09 | 0:38:12 | |
Hi. You're gonna have such a good time. | 0:38:12 | 0:38:14 | |
MRS LAGAMBINA: We were all drawing our favourite animal. | 0:38:14 | 0:38:17 | |
Lily was drawing a cat. | 0:38:17 | 0:38:19 | |
Sarah, do you want some crayons? | 0:38:20 | 0:38:23 | |
Oh, no, not those. Those are the teacher's markers. | 0:38:23 | 0:38:26 | |
You'd better put your sweater on. It's chilly outside. | 0:38:26 | 0:38:29 | |
OK, that was funny. Sorry, Sarah. | 0:38:29 | 0:38:35 | |
You could've just told me. | 0:38:36 | 0:38:38 | |
More fun this way. | 0:38:38 | 0:38:40 | |
MRS LAGAMBINA: Who's this? | 0:38:40 | 0:38:41 | |
SARAH: Hippo. Everybody, meet Hippo. | 0:38:41 | 0:38:43 | |
CHATTER | 0:38:43 | 0:38:45 | |
Hi, Lacey. Hey. | 0:38:45 | 0:38:48 | |
Helen. | 0:38:48 | 0:38:50 | |
I told you I'd make it back. Good. Sit down, sweetie. | 0:38:50 | 0:38:55 | |
Who's that? That's the intern. | 0:38:55 | 0:38:57 | |
Move over, intern. Caitlin, move. | 0:38:57 | 0:39:00 | |
OK, good. Now, what about the Armani deal? | 0:39:00 | 0:39:04 | |
Is that gonna be completed in my lifetime? | 0:39:04 | 0:39:06 | |
Tom made it happen this morning, | 0:39:06 | 0:39:08 | |
and you're all set for your trip to Miami. | 0:39:08 | 0:39:09 | |
Good. You're gonna love it there. | 0:39:09 | 0:39:12 | |
Me? | 0:39:12 | 0:39:13 | |
Well, yes. You're back, I need you. | 0:39:13 | 0:39:15 | |
Oh, Dominique, I... | 0:39:16 | 0:39:18 | |
I can't just pick up and leave for a week right now. | 0:39:18 | 0:39:21 | |
Why? | 0:39:21 | 0:39:23 | |
(I have...) | 0:39:23 | 0:39:24 | |
Oh. The babies. Hm. | 0:39:24 | 0:39:27 | |
All right, who wants to take this little mummy's place | 0:39:27 | 0:39:30 | |
on a first-class trip to Miami? | 0:39:30 | 0:39:33 | |
Caitlin. You're on. Helen will tell you what to bring. | 0:39:33 | 0:39:36 | |
Don't wear any of those midriff-baring outfits. It's so last year. | 0:39:36 | 0:39:40 | |
And I want my luggage Federal Expressed ahead of time. | 0:39:40 | 0:39:42 | |
Right, that's it. Lacey, who am I having lunch with today? | 0:39:42 | 0:39:46 | |
- Was it Vogue or Elle or...? - Vogue at Cipriani. | 0:39:46 | 0:39:49 | |
OK. Good. | 0:39:49 | 0:39:51 | |
Good to have you back, sweetie. | 0:39:51 | 0:39:52 | |
We'll go over everything else at the fashion show tonight. | 0:39:52 | 0:39:55 | |
Tonight? | 0:39:55 | 0:39:56 | |
Unless, of course, you've got a brownie meeting or something. | 0:39:56 | 0:39:59 | |
Oh, no, no, no. I'll be there. | 0:39:59 | 0:40:01 | |
Good. | 0:40:01 | 0:40:03 | |
Hola. MAN: Sweetheart, over here. | 0:40:15 | 0:40:17 | |
- Hi. - Who's your date? | 0:40:17 | 0:40:18 | |
His name is Pate. MAN: Big smile. | 0:40:18 | 0:40:20 | |
MAN: Thank you, ladies and gentlemen. | 0:40:20 | 0:40:21 | |
Please take your seats. The show's about to begin. | 0:40:21 | 0:40:22 | |
That's Martina, the supermodel, sitting next to Dominique. | 0:40:22 | 0:40:25 | |
Who are the ladies on the end? | 0:40:25 | 0:40:27 | |
Those are the agents we're trying to steal her from. | 0:40:27 | 0:40:29 | |
Hello. You have a lovely agency. Yes. | 0:40:29 | 0:40:32 | |
I think we should have lunch. | 0:40:32 | 0:40:34 | |
Take the houselights out and go cue one. | 0:40:34 | 0:40:36 | |
- Hi, Teddy. - Hi. Kids, don't touch the runway lights. | 0:40:36 | 0:40:40 | |
Excuse me. Pardon me. Thanks. | 0:40:41 | 0:40:44 | |
Hey, hi. AUDREY: Front row seats! | 0:40:44 | 0:40:46 | |
- What's all this? - There's no room. | 0:40:46 | 0:40:48 | |
HELEN: Can you squash down just a little bit more? | 0:40:48 | 0:40:50 | |
- Don't these children live in Queens? - I know. | 0:40:50 | 0:40:52 | |
I know. I couldn't find anybody to watch them. | 0:40:52 | 0:40:54 | |
But don't worry, you won't even know they're here. | 0:40:54 | 0:40:56 | |
I'm here to work. | 0:40:56 | 0:40:58 | |
This child's wearing pajamas. | 0:40:58 | 0:41:00 | |
SARAH: Aunt Helen, I'm hungry. | 0:41:01 | 0:41:04 | |
- Well, you should've eaten your hamburger. - It had onions. | 0:41:04 | 0:41:08 | |
OK. Take care of her a sec. I'll be right back. | 0:41:08 | 0:41:11 | |
Keep an eye on her. You're going? | 0:41:11 | 0:41:13 | |
Keep an eye on Sarah. | 0:41:17 | 0:41:19 | |
Hey, partner. Working on your lingerie merit badge? | 0:41:27 | 0:41:30 | |
I'm a buyer from victoria's Secret. | 0:41:30 | 0:41:31 | |
You're with Helen and you should go back to your seat. | 0:41:31 | 0:41:34 | |
Yeah. Go for teddy. | 0:41:34 | 0:41:36 | |
Does my nose boogie look green? | 0:41:37 | 0:41:41 | |
Yes, as a matter of fact, it does. | 0:41:41 | 0:41:43 | |
Sort of Prada green. Not their best collection. Put it back inside. | 0:41:43 | 0:41:47 | |
MUSIC: "Fashion" by David Bowie | 0:41:50 | 0:41:52 | |
CHEERING AND APPLAUSE | 0:41:52 | 0:41:54 | |
Ooh, look, a doggy! Yes. Watch the lovely doggy. | 0:41:58 | 0:42:02 | |
Hello, doggy. | 0:42:04 | 0:42:06 | |
Oh, my... | 0:42:08 | 0:42:09 | |
Come here, doggy. | 0:42:09 | 0:42:11 | |
Oh! | 0:42:11 | 0:42:13 | |
Are you all right? Model down. I repeat, we have a model down. | 0:42:15 | 0:42:19 | |
Oh, no. Sarah, what are you doing? Are you OK? | 0:42:19 | 0:42:22 | |
- What happened? - Everything's OK. | 0:42:22 | 0:42:25 | |
All set. The limo's downstairs. | 0:42:42 | 0:42:44 | |
- Martina. Welcome to our agency. - Thanks. I'm so excited. | 0:42:44 | 0:42:48 | |
You can be effusive on the way in the limo. | 0:42:48 | 0:42:50 | |
Go on, off you go. | 0:42:50 | 0:42:51 | |
So we should be at Coney Island in about an hour. | 0:42:51 | 0:42:54 | |
PHONE RINGS | 0:42:54 | 0:42:57 | |
Excuse me. This is Helen. | 0:42:57 | 0:42:59 | |
- Hi, it's Dan. - Dan. What's wrong? | 0:42:59 | 0:43:03 | |
Uh, nothing is wrong. | 0:43:03 | 0:43:05 | |
We just...we have a little situation with Sarah down here. | 0:43:05 | 0:43:08 | |
- I think you should come to school. - Come there now? | 0:43:08 | 0:43:11 | |
It's a little difficult to get to school right now. | 0:43:11 | 0:43:14 | |
I'm working. Is she OK? | 0:43:14 | 0:43:17 | |
Helen. Give me the phone. | 0:43:17 | 0:43:20 | |
Yeah. Hi. | 0:43:20 | 0:43:22 | |
We'll be right there. OK. | 0:43:22 | 0:43:25 | |
Are you sure? No problem. | 0:43:25 | 0:43:27 | |
Thank you. We have plenty of time. | 0:43:27 | 0:43:29 | |
I know how it is. I have a four-year-old. | 0:43:29 | 0:43:33 | |
Then I couldn't find the burrow for the bunny. | 0:43:36 | 0:43:39 | |
I hate it when that happens. Me too. | 0:43:39 | 0:43:42 | |
You guys want to do my makeup? | 0:43:42 | 0:43:44 | |
GIRLS: Yeah. | 0:43:44 | 0:43:45 | |
Can I be a princess? Yeah. You're pretty. | 0:43:45 | 0:43:49 | |
OK. | 0:43:49 | 0:43:51 | |
Sarah, you don't have to learn to tie your shoes right now. | 0:43:51 | 0:43:54 | |
When you're ready to tie your shoes, you will. | 0:43:54 | 0:43:57 | |
That's right. Shoe-tying's tough. | 0:43:57 | 0:43:59 | |
Why do you think Jesus wore sandals? | 0:43:59 | 0:44:01 | |
See ya. HELEN: Thanks, Pastor Dan. | 0:44:03 | 0:44:06 | |
Do I look pretty? Yeah! | 0:44:06 | 0:44:09 | |
So, you wanna go play? Everything's gonna be fine. | 0:44:09 | 0:44:13 | |
GIRL: A little bit of green up here. | 0:44:13 | 0:44:15 | |
Stop! | 0:44:17 | 0:44:19 | |
Are those permanent? | 0:44:21 | 0:44:24 | |
It's OK, it happens to me all the time. | 0:44:24 | 0:44:26 | |
It'll come off in a couple of days. | 0:44:26 | 0:44:28 | |
Sorry, Helen. | 0:44:34 | 0:44:36 | |
It's not working. | 0:44:36 | 0:44:37 | |
I understand. | 0:44:42 | 0:44:44 | |
Um... | 0:44:44 | 0:44:46 | |
I'm sorry, Dominique. | 0:44:48 | 0:44:50 | |
Thank you so much for everything. | 0:44:50 | 0:44:52 | |
I'll collect my things. | 0:44:54 | 0:44:56 | |
JAZZ MUSIC | 0:45:03 | 0:45:05 | |
MAN: Hey! Stop that racket. | 0:45:10 | 0:45:12 | |
LAUGHTER ON TV | 0:45:12 | 0:45:14 | |
Are you all right, Aunt Helen? You've been watching reruns all day. | 0:45:14 | 0:45:18 | |
Reruns are the culture of the unemployed. | 0:45:18 | 0:45:21 | |
KNOCKING | 0:45:23 | 0:45:25 | |
Hey, I'll get it. I have no life. | 0:45:25 | 0:45:28 | |
KNOCKING | 0:45:31 | 0:45:33 | |
Cable guy. | 0:45:36 | 0:45:38 | |
It's the Exorcist! | 0:45:39 | 0:45:41 | |
Hi. Hi. | 0:45:53 | 0:45:54 | |
Sorry about Martina. | 0:45:54 | 0:45:57 | |
So I brought you comfort food - Chunky Monkey. | 0:45:57 | 0:46:01 | |
Would you like to come in? Pastor Dan. | 0:46:01 | 0:46:04 | |
Hey, kids. | 0:46:04 | 0:46:06 | |
How did he get past the visual security system? | 0:46:06 | 0:46:10 | |
Who cares? Now we can watch MTV. | 0:46:10 | 0:46:12 | |
It's funny how one moment I'm living my life, | 0:46:12 | 0:46:16 | |
not really in touch with the fact that | 0:46:16 | 0:46:17 | |
I'm sharing this planet with permanent pens, | 0:46:17 | 0:46:21 | |
and the next moment, one such pen has made, shall we say, | 0:46:21 | 0:46:24 | |
an indelible impact on my career. | 0:46:24 | 0:46:26 | |
- Hey, Helen. - A black mark on my record, | 0:46:26 | 0:46:28 | |
- X'd out my future... - Helen. | 0:46:28 | 0:46:31 | |
..and, in short, my career is dead. | 0:46:31 | 0:46:34 | |
Like your turtle. | 0:46:34 | 0:46:36 | |
What? | 0:46:36 | 0:46:38 | |
Turtle's dead. | 0:46:38 | 0:46:40 | |
Oh, no. | 0:46:40 | 0:46:42 | |
Oh, Irwin, no. | 0:46:42 | 0:46:44 | |
May he rest in peace... Oh, shut up. | 0:46:44 | 0:46:48 | |
You don't understand. This is Henry's turtle. | 0:46:48 | 0:46:50 | |
It's his friend. He's... | 0:46:50 | 0:46:53 | |
He can't be dead. | 0:46:53 | 0:46:55 | |
Oh, he's dead. | 0:46:55 | 0:46:57 | |
We need to find a body double now. | 0:46:57 | 0:47:00 | |
Here. | 0:47:03 | 0:47:06 | |
What about the empty bowl? | 0:47:06 | 0:47:08 | |
I'll hide it. | 0:47:08 | 0:47:09 | |
Um...uh... | 0:47:09 | 0:47:13 | |
Ki...kids! | 0:47:13 | 0:47:16 | |
We're gonna go get butterscotch | 0:47:16 | 0:47:19 | |
and chocolate syrup for the ice cream. | 0:47:19 | 0:47:21 | |
You stay put and watch television. | 0:47:21 | 0:47:25 | |
And don't come in the kitchen. I just waxed the floors. | 0:47:25 | 0:47:28 | |
- Irwin's long-lost brother. - Yeah. | 0:47:30 | 0:47:32 | |
Thanks for doing this. You're my saviour. | 0:47:32 | 0:47:35 | |
I mean... I know what you mean. | 0:47:35 | 0:47:38 | |
So, how are things going? | 0:47:38 | 0:47:40 | |
Fine. Hm? | 0:47:40 | 0:47:43 | |
Fine. Just fine? | 0:47:43 | 0:47:45 | |
Yeah. What do you mean? Well, it's just that | 0:47:45 | 0:47:48 | |
I've noticed Audrey spending too much time with the boys. | 0:47:48 | 0:47:51 | |
You know, that's normal for what she's going through, | 0:47:51 | 0:47:54 | |
you know, look for that attention, | 0:47:54 | 0:47:55 | |
but some of these kids are not exactly angels, you know what I mean? | 0:47:55 | 0:47:58 | |
They're 15. It's teenage stuff. | 0:47:58 | 0:48:00 | |
It's harmless. No, it's not really harmless, | 0:48:00 | 0:48:02 | |
cos one of these punks - his name's BZ - | 0:48:02 | 0:48:04 | |
I'm about to kick his butt outta school. | 0:48:04 | 0:48:06 | |
Let's just get upstairs before Henry finds the bowl. | 0:48:06 | 0:48:08 | |
Yeah, Henry. You said the kid likes basketball. | 0:48:08 | 0:48:11 | |
He never, ever picks up a ball. | 0:48:11 | 0:48:12 | |
I know. I've noticed that. | 0:48:12 | 0:48:14 | |
The thing with Sarah and the shoes the other day, that's not the first time... | 0:48:14 | 0:48:17 | |
Hey, what do you expect, Dan? | 0:48:17 | 0:48:20 | |
They've lost their parents, they've moved to a new city, | 0:48:20 | 0:48:23 | |
changed schools, changed religions. | 0:48:23 | 0:48:25 | |
Well, let's talk about some things you could do at home. | 0:48:25 | 0:48:29 | |
You want to know what I've been doing at home? | 0:48:29 | 0:48:31 | |
I've been doing the best I can. | 0:48:31 | 0:48:34 | |
Do you have any idea what this has done to my life? | 0:48:34 | 0:48:38 | |
Hey, Helen, do you have any idea what it's done to theirs? | 0:48:38 | 0:48:41 | |
Hey, Pastor Dan, Mr Self-righteous, | 0:48:43 | 0:48:45 | |
I'm hanging on by a thread here. | 0:48:45 | 0:48:48 | |
I lost my sister, my social life, | 0:48:48 | 0:48:50 | |
my disposable income, | 0:48:50 | 0:48:52 | |
my ability to fit into a size 2, | 0:48:52 | 0:48:54 | |
and this just in - my job. | 0:48:54 | 0:48:57 | |
Pretty much the only two things that haven't disappeared | 0:48:57 | 0:48:59 | |
are my nicotine fits and the few pounds | 0:48:59 | 0:49:01 | |
that have recently taken up residence on my ass. | 0:49:01 | 0:49:04 | |
So forgive me if I'm not too thrilled about being lectured, | 0:49:04 | 0:49:08 | |
in Queens, | 0:49:08 | 0:49:09 | |
about being a lousy legal guardian to three kids | 0:49:09 | 0:49:11 | |
who maybe shouldn't have been given to me in the first place. | 0:49:11 | 0:49:14 | |
Well, they weren't given to you. | 0:49:14 | 0:49:16 | |
They were entrusted to you by their mother, who... | 0:49:16 | 0:49:18 | |
Don't you talk about Lindsay! | 0:49:18 | 0:49:20 | |
Don't you dare talk about Lindsay! | 0:49:20 | 0:49:22 | |
You didn't know her. | 0:49:22 | 0:49:24 | |
Give me the turtle. | 0:49:24 | 0:49:25 | |
That was out of line. I'm sorry. | 0:49:25 | 0:49:27 | |
Dan, give me the damn turtle. | 0:49:27 | 0:49:29 | |
Helen... | 0:49:31 | 0:49:33 | |
Helen. | 0:49:33 | 0:49:34 | |
Hey, Helen. | 0:49:34 | 0:49:36 | |
MUSIC: "Destiny" by Zero 7 | 0:49:58 | 0:50:00 | |
Dominique's is quite an impressive background. | 0:50:04 | 0:50:07 | |
- But three children? - Oh, they are great kids. | 0:50:07 | 0:50:10 | |
They pretty much take care of themselves. | 0:50:10 | 0:50:11 | |
We love children. We're thinking about adopting. | 0:50:11 | 0:50:14 | |
But there'd be a lot of travelling involved and very little notice. | 0:50:14 | 0:50:17 | |
I love travelling. | 0:50:17 | 0:50:20 | |
But would they be long trips? | 0:50:20 | 0:50:22 | |
But I'm not on the Mommy track. | 0:50:22 | 0:50:25 | |
We'll be in touch. | 0:50:32 | 0:50:34 | |
THEY ARGUE | 0:50:34 | 0:50:37 | |
SPORTS ON RADIO | 0:50:37 | 0:50:39 | |
Irwin, you're not looking yourself. | 0:50:47 | 0:50:50 | |
OK, Sarah's asleep. Go to bed now | 0:50:50 | 0:50:52 | |
and make sure if she needs anything, | 0:50:52 | 0:50:54 | |
you can get it for her. | 0:50:54 | 0:50:55 | |
I see no party. There is no party. That's right. | 0:51:03 | 0:51:07 | |
DANCE MUSIC | 0:51:07 | 0:51:09 | |
Whoa! | 0:51:22 | 0:51:24 | |
Yeah. Hi. | 0:51:27 | 0:51:30 | |
Hi. | 0:51:30 | 0:51:32 | |
Hey, everyone, this is my Aunt Helen. | 0:51:32 | 0:51:35 | |
BOY: She don't look like no aunt I ever had. | 0:51:35 | 0:51:38 | |
What are you...? What is this? What is this? | 0:51:39 | 0:51:43 | |
I thought you wanted to meet my friends. | 0:51:43 | 0:51:46 | |
This is BZ. He's a DJ. This is his mix. | 0:51:46 | 0:51:50 | |
Whassup, Mommy? | 0:51:50 | 0:51:52 | |
Whassup? | 0:51:52 | 0:51:53 | |
You got a phat crib. | 0:51:53 | 0:51:57 | |
Thank you. PHONE RINGS | 0:51:57 | 0:51:59 | |
Um... Oh, there's my phone ringing in my phat crib. | 0:51:59 | 0:52:03 | |
TURNS MUSIC UP | 0:52:07 | 0:52:10 | |
Hello. | 0:52:10 | 0:52:11 | |
I'm calling to remind you | 0:52:11 | 0:52:13 | |
to come over for Mother's Day. | 0:52:13 | 0:52:15 | |
Jenny, do you think that's still such a good idea? | 0:52:17 | 0:52:19 | |
I mean, I don't know if the kids are... | 0:52:19 | 0:52:21 | |
'It'll be fine.' | 0:52:21 | 0:52:22 | |
And we're still gonna do the letter thing? | 0:52:22 | 0:52:24 | |
Sure. I'll show you mine if you show me yours. | 0:52:24 | 0:52:27 | |
- What's that noise? - Audrey has company. | 0:52:27 | 0:52:30 | |
On a school night? You better make them leave. | 0:52:30 | 0:52:34 | |
- What do I say? - You say, "go home." | 0:52:36 | 0:52:40 | |
OK, but what if they ask why? | 0:52:40 | 0:52:42 | |
You say, "because I said so." | 0:52:42 | 0:52:45 | |
Hi. Can we turn the music down? | 0:52:48 | 0:52:50 | |
Hey, guys. Let's turn the music down a little bit. | 0:52:50 | 0:52:54 | |
Please? Thank you. | 0:52:54 | 0:52:56 | |
This "crib" is closing. | 0:52:56 | 0:52:59 | |
And I think it's time for all y'all to go. | 0:52:59 | 0:53:03 | |
Why? | 0:53:03 | 0:53:04 | |
Because I said so. | 0:53:07 | 0:53:09 | |
GIRL LAUGHS | 0:53:09 | 0:53:10 | |
I'll tell you what, | 0:53:10 | 0:53:12 | |
we'll be gone before you know it. | 0:53:12 | 0:53:14 | |
Bianca! All right. | 0:53:14 | 0:53:16 | |
TURNS MUSIC UP | 0:53:16 | 0:53:19 | |
Jenny, I don't know if they're quite ready to go home just yet. | 0:53:19 | 0:53:23 | |
Helen, get Nilma now. | 0:53:23 | 0:53:25 | |
OK. I'm ready. | 0:53:25 | 0:53:27 | |
SHE SHOUTS Nilma, a bat? | 0:53:27 | 0:53:30 | |
Helen said wrap it up! | 0:53:30 | 0:53:32 | |
You get out of here, you ugly little... | 0:53:32 | 0:53:34 | |
Bimbo girl. | 0:53:34 | 0:53:37 | |
What do you think this is? | 0:53:37 | 0:53:39 | |
And you, falling asleep. You get out. | 0:53:39 | 0:53:41 | |
Party's over. Elevator leaving. | 0:53:41 | 0:53:43 | |
Hey, you. This is not a slumber party. | 0:53:43 | 0:53:45 | |
Get out! Get out, you. Get out, Snoop Doggies. | 0:53:45 | 0:53:49 | |
You, get out of here. No. | 0:53:49 | 0:53:50 | |
I said get out. Chill out, Miss Rambo. | 0:53:50 | 0:53:53 | |
- I'm trying to get my stuff. - Get out, little hooligan. Get out. | 0:53:53 | 0:53:57 | |
Yo, BZ, let's get outta here. > Great party. | 0:53:57 | 0:54:00 | |
NILMA: Baggy-pant little diaper-boy, go home to Mama. | 0:54:01 | 0:54:05 | |
I'm serious! You get out of here! | 0:54:05 | 0:54:07 | |
I said go! Get out of here! | 0:54:09 | 0:54:10 | |
Back home with your baggy pants and your diapers. | 0:54:10 | 0:54:14 | |
Go home, naughty boy. | 0:54:14 | 0:54:16 | |
Good night, Helen. | 0:54:18 | 0:54:20 | |
What is the matter with you? | 0:54:20 | 0:54:23 | |
Don't you remember what it's like to be young? | 0:54:24 | 0:54:27 | |
Of course I remember. | 0:54:30 | 0:54:32 | |
It was last Wednesday! | 0:54:32 | 0:54:34 | |
Hi. | 0:54:43 | 0:54:45 | |
Can I ask you a question? | 0:54:47 | 0:54:49 | |
What was Lindsay thinking? | 0:54:51 | 0:54:54 | |
So, listen, don't worry about it. | 0:55:03 | 0:55:04 | |
They'll appreciate it when they're older. | 0:55:04 | 0:55:07 | |
I know. I just hate being hated. | 0:55:07 | 0:55:09 | |
I love it. | 0:55:09 | 0:55:12 | |
I don't have that relationship... You do. | 0:55:12 | 0:55:15 | |
You know, you can tell me all your problems, really. | 0:55:15 | 0:55:18 | |
I'm a solver. | 0:55:18 | 0:55:20 | |
I once got an axle-grease stain out of silk. | 0:55:20 | 0:55:23 | |
OK, solver, can you find me a job | 0:55:23 | 0:55:25 | |
close to home with decent pay? | 0:55:25 | 0:55:28 | |
And a dental plan for the cavity triplets? | 0:55:28 | 0:55:31 | |
My husband - Ravi. | 0:55:31 | 0:55:33 | |
Do you know where I can find a Ravi Prasad? | 0:55:40 | 0:55:42 | |
Yeah, he's inside. | 0:55:42 | 0:55:44 | |
You'll see, we're like one big family here. | 0:55:45 | 0:55:48 | |
Now, the owner, Mr Massey, nice guy, very fair, | 0:55:48 | 0:55:50 | |
but he's picky about who he hires. | 0:55:50 | 0:55:52 | |
Hey, Ralphy, any takers on that lime-green baby? | 0:55:52 | 0:55:54 | |
You wise guy. | 0:55:54 | 0:55:56 | |
I still got five bucks says you'll sell it. You're on. | 0:55:56 | 0:56:00 | |
We got stuck with this lime-green Lincoln. | 0:56:00 | 0:56:02 | |
Been here for months. Mr Massey's offering a ham | 0:56:02 | 0:56:05 | |
to the first person who can sell it. | 0:56:05 | 0:56:06 | |
A ham? Oh, yeah. | 0:56:06 | 0:56:08 | |
Guys are big on free meats around here. | 0:56:08 | 0:56:11 | |
Now, listen. Mr Massey's a little nervous. | 0:56:11 | 0:56:14 | |
He acted in his first on-camera TV commercial today. | 0:56:14 | 0:56:18 | |
And see me, Mickey Massey, a name you can trust. | 0:56:18 | 0:56:20 | |
Uh... Yeah, I forgot to point. | 0:56:20 | 0:56:23 | |
You want a deal on a previously owned car? | 0:56:23 | 0:56:25 | |
Well, come... Charlie! Charlie! | 0:56:25 | 0:56:29 | |
It's me. Yeah. Commercial. | 0:56:29 | 0:56:32 | |
KNOCKING | 0:56:32 | 0:56:33 | |
'You want a deal on a previously owned car? | 0:56:33 | 0:56:34 | |
'Then come to Massey Motors...' Come in. | 0:56:34 | 0:56:37 | |
Thank you. | 0:56:37 | 0:56:38 | |
< 'Yeah, I pointed the wrong way again.' | 0:56:38 | 0:56:39 | |
Hi, I'm Helen. | 0:56:39 | 0:56:41 | |
Sit. I'll be with you in a second. Just sit. | 0:56:41 | 0:56:44 | |
'..to give you the best deal in town.' | 0:56:44 | 0:56:45 | |
Remember - Massey means trust. | 0:56:45 | 0:56:48 | |
- What'd you think of that? - I believe it. | 0:56:51 | 0:56:54 | |
Don't. "Massey" doesn't mean trust. | 0:56:54 | 0:56:57 | |
It means "hillside" in French. I can't do dishonest. | 0:56:57 | 0:57:01 | |
Ravi, we're reshooting that commercial. | 0:57:02 | 0:57:05 | |
Honest. We need an honest commercial, Ravi. All right? | 0:57:05 | 0:57:09 | |
I'm sorry. Ms Helen Harris. OK. Yes. | 0:57:09 | 0:57:12 | |
How long did you work as a secretary? | 0:57:12 | 0:57:15 | |
Actually, I wasn't a secretary. As it states right there, | 0:57:15 | 0:57:17 | |
I was an executive assistant to Dominique Courier, | 0:57:17 | 0:57:20 | |
and I had a promise of promotion to agent. | 0:57:20 | 0:57:23 | |
OK. > | 0:57:23 | 0:57:24 | |
You seem like a nice girl, Helen. | 0:57:24 | 0:57:26 | |
And you're a friend of Ravi and Nilma's. | 0:57:26 | 0:57:29 | |
All right, we're looking for a receptionist. | 0:57:29 | 0:57:32 | |
The pay is 17.50 an hour, the hours are 9:00 to 5:00. | 0:57:32 | 0:57:35 | |
So, how does that suit you, hm? | 0:57:35 | 0:57:37 | |
I always thought I could have a career in used cars one day. | 0:57:37 | 0:57:40 | |
We don't sell used cars. Previously owned | 0:57:40 | 0:57:43 | |
- or prior-owned cars. - Prior-owned. | 0:57:43 | 0:57:46 | |
Now, you just have to pass one little test, OK? | 0:57:46 | 0:57:51 | |
FEEDBACK | 0:57:55 | 0:57:57 | |
Ravi to parts. | 0:57:57 | 0:58:00 | |
Ravi to parts. | 0:58:00 | 0:58:02 | |
LOUDER: Ravi to parts. Ravi to parts. | 0:58:04 | 0:58:08 | |
Ralphy to the showroom. | 0:58:08 | 0:58:11 | |
Ralphy to the showroom. | 0:58:11 | 0:58:13 | |
Yeah? | 0:58:18 | 0:58:20 | |
Helen to payroll. | 0:58:22 | 0:58:23 | |
Hello. | 0:58:38 | 0:58:40 | |
Oh! Ha ha ha ha! Oh! | 0:58:47 | 0:58:51 | |
She made the cover! I know this girl. I know her. | 0:58:51 | 0:58:56 | |
She looks beautiful. So how many copies do you want? | 0:58:56 | 0:58:59 | |
None. | 0:59:02 | 0:59:04 | |
Oh, good! Get your hands washed, guys. | 0:59:25 | 0:59:28 | |
Hey, you, look, look, look. Hello, hello. | 0:59:28 | 0:59:30 | |
Hello, sweetie. Mwah! Happy Mother's Day. | 0:59:30 | 0:59:33 | |
HELEN: Hi. Happy Mother's Day. | 0:59:33 | 0:59:36 | |
You! Aunt Jenny, hey. | 0:59:36 | 0:59:38 | |
Oh, gosh. Everybody, please sit down. | 0:59:38 | 0:59:40 | |
All right. We're going to eat right away. | 0:59:40 | 0:59:43 | |
So, um, did you remember to bring your letter? | 0:59:43 | 0:59:49 | |
Oh, of course I did. Mm-hmm. Oh. | 0:59:49 | 0:59:52 | |
Not until you show me yours. | 0:59:52 | 0:59:53 | |
Well, why don't we just do it after dinner? | 0:59:53 | 0:59:56 | |
DOG BARKS Stay! | 0:59:57 | 0:59:59 | |
WHIMPERS | 0:59:59 | 1:00:01 | |
What happened with the train? Was there a delay? | 1:00:01 | 1:00:04 | |
No, no. Audrey was making samosas at Nilma's, | 1:00:04 | 1:00:07 | |
so we caught the next train. Mm-hmm. Just one? | 1:00:07 | 1:00:11 | |
Well, they were hungry, so they ate them on the way. | 1:00:11 | 1:00:14 | |
Huh. | 1:00:14 | 1:00:16 | |
Can I help you with something, Jenny? | 1:00:16 | 1:00:18 | |
You know what? I've got everything organised. | 1:00:18 | 1:00:21 | |
Ooh. Ooh. | 1:00:21 | 1:00:23 | |
Sweetie, what did Mommy say about kicking | 1:00:23 | 1:00:25 | |
when she's having a conversation? | 1:00:25 | 1:00:26 | |
You need to wait until she's finished. | 1:00:26 | 1:00:29 | |
Thank you very much. | 1:00:29 | 1:00:31 | |
Did you just boss around the unborn? | 1:00:31 | 1:00:34 | |
It's never too early to start learning manners. | 1:00:35 | 1:00:39 | |
OK, kids. We're ready. | 1:00:39 | 1:00:42 | |
Whoa! | 1:00:43 | 1:00:46 | |
Wow! | 1:00:46 | 1:00:48 | |
Oh, my gosh. JENNY: Look at that. Hey, guys. | 1:00:48 | 1:00:50 | |
Holy cow. Yeah. | 1:00:50 | 1:00:53 | |
Oliver, did you wash your hands? | 1:00:53 | 1:00:54 | |
Everything tastes great, honey. | 1:00:54 | 1:00:56 | |
You shouldn't have had to cook on Mother's Day. | 1:00:56 | 1:00:58 | |
You know I don't mind. | 1:00:58 | 1:01:00 | |
Being a mom is the greatest job on earth. | 1:01:00 | 1:01:04 | |
I know your mom felt that way. | 1:01:05 | 1:01:07 | |
Jenny. What? | 1:01:09 | 1:01:11 | |
We all love her. We miss her. | 1:01:11 | 1:01:13 | |
We can mention her. Can't we? | 1:01:13 | 1:01:16 | |
I don't like to. | 1:01:16 | 1:01:18 | |
SARAH: Me neither. | 1:01:20 | 1:01:23 | |
You know, would you kids like to talk about what you've been reading? | 1:01:27 | 1:01:29 | |
Harry Potter. Harry Potter. | 1:01:29 | 1:01:32 | |
Stuff by Shank 54. | 1:01:32 | 1:01:34 | |
Huh. That sounds interesting. Who's that? | 1:01:34 | 1:01:37 | |
He writes poems... on the side of our building. | 1:01:37 | 1:01:40 | |
With spray paint at 4:00 in the morning. | 1:01:40 | 1:01:42 | |
Sometimes I help when I can't sleep | 1:01:42 | 1:01:44 | |
because Aunt Helen's on a date | 1:01:44 | 1:01:45 | |
or Audrey's on the internet talking dirty | 1:01:45 | 1:01:49 | |
or Sarah's crying because we forgot to feed her again. | 1:01:49 | 1:01:51 | |
Henry! What? | 1:01:51 | 1:01:53 | |
Jenny, no. | 1:01:55 | 1:01:58 | |
Henry, what are you talking about? | 1:01:58 | 1:02:01 | |
Is this some kind of joke? | 1:02:01 | 1:02:03 | |
I don't know why you keep saying things like this. | 1:02:03 | 1:02:06 | |
It's not funny! | 1:02:06 | 1:02:08 | |
- I thought it was funny. - Thank you. | 1:02:08 | 1:02:10 | |
Henry was making all of that up, Jenny. | 1:02:10 | 1:02:13 | |
Jenny, what are you doing? | 1:02:13 | 1:02:15 | |
"When a problem comes along you must whip it..." Give me my letter. | 1:02:15 | 1:02:17 | |
"..before the cream..." | 1:02:17 | 1:02:19 | |
Jenny, give me my letter. That's it? | 1:02:19 | 1:02:21 | |
That's all she left behind to explain why she chose you? | 1:02:21 | 1:02:24 | |
The lyrics to Whip It?! It makes sense to me. | 1:02:24 | 1:02:27 | |
What is it with you two and that song? | 1:02:27 | 1:02:30 | |
It's ridiculous. I don't get it. | 1:02:30 | 1:02:32 | |
Exactly! What are you saying? | 1:02:32 | 1:02:34 | |
That that's the point? That I'm no fun? | 1:02:34 | 1:02:37 | |
That I don't get things? That I never make jokes? | 1:02:37 | 1:02:41 | |
Show me your letter. | 1:02:41 | 1:02:43 | |
No! | 1:02:43 | 1:02:45 | |
No? No? What do you mean, no? | 1:02:45 | 1:02:47 | |
We said you would read my letter and I would read yours. | 1:02:47 | 1:02:50 | |
This is not a letter. | 1:02:50 | 1:02:53 | |
These are lyrics. Nonsensical lyrics. | 1:02:53 | 1:02:56 | |
This is not a letter! If this was a letter, | 1:02:56 | 1:02:58 | |
you could read my letter, but this is not a letter! | 1:02:58 | 1:03:02 | |
HELEN: Not a letter? | 1:03:02 | 1:03:04 | |
What? You are a smug, | 1:03:04 | 1:03:09 | |
bitter, colossal bitch! | 1:03:09 | 1:03:12 | |
DOG WHIMPERS OK. Guys. | 1:03:12 | 1:03:15 | |
I think this is a good time to take Origami for a walk. | 1:03:15 | 1:03:19 | |
No, we'll miss the fight. | 1:03:19 | 1:03:21 | |
If you're finished, I think I'd like to serve dessert. | 1:03:21 | 1:03:24 | |
HELEN: You don't want to help me. | 1:03:26 | 1:03:28 | |
You just want to judge me. | 1:03:28 | 1:03:29 | |
Um, let's all go into the living room | 1:03:29 | 1:03:31 | |
and listen to Jasmine play the piano with one arm. | 1:03:31 | 1:03:34 | |
You just want to prove that you're a better mother than me | 1:03:34 | 1:03:37 | |
and that Lindsay was wrong. | 1:03:37 | 1:03:38 | |
Why would I need to prove that? | 1:03:38 | 1:03:40 | |
Of course I'm a better mother than you! | 1:03:40 | 1:03:42 | |
I've been doing it forever. But does that matter? No. | 1:03:42 | 1:03:45 | |
She still chose you over me. | 1:03:45 | 1:03:47 | |
Exactly! SHE chose, Jenny. Not me. | 1:03:47 | 1:03:50 | |
I had no control over it. | 1:03:50 | 1:03:53 | |
You're angry with me because of a decision that she made for me. | 1:03:53 | 1:03:58 | |
# Merrily, merrily, merrily, merrily | 1:03:58 | 1:04:00 | |
# Life is but... # | 1:04:00 | 1:04:01 | |
I am giving up everything for these kids, | 1:04:01 | 1:04:04 | |
and you have no idea what that's like. | 1:04:04 | 1:04:06 | |
I don't know what it's like? | 1:04:06 | 1:04:08 | |
How do you think I got this way? | 1:04:08 | 1:04:10 | |
Whatever this way is that's so particularly unfun and funny. | 1:04:10 | 1:04:14 | |
Who changed your diapers? Oh, don't start with that. | 1:04:14 | 1:04:17 | |
Mom died when I was 7. | 1:04:17 | 1:04:19 | |
Who fed you? Who baby-sat you? | 1:04:19 | 1:04:23 | |
Lindsay was there, too. | 1:04:23 | 1:04:24 | |
Lindsay was in New York, trying to be a dancer, | 1:04:24 | 1:04:26 | |
and I was at home not having a normal childhood | 1:04:26 | 1:04:29 | |
cos I was too busy being your mommy. | 1:04:29 | 1:04:31 | |
And you're...tra-la-la Helen. | 1:04:31 | 1:04:34 | |
So...free. | 1:04:35 | 1:04:39 | |
Miss Party-party- all-night-long, | 1:04:39 | 1:04:41 | |
and I never ever got to feel like that, ever. | 1:04:41 | 1:04:45 | |
Not once. | 1:04:47 | 1:04:50 | |
I don't want to fight anymore. > | 1:04:54 | 1:04:56 | |
Happy mother's day. | 1:05:00 | 1:05:02 | |
WHISTLE | 1:05:10 | 1:05:12 | |
42 - foul. | 1:05:12 | 1:05:14 | |
Flagrant! | 1:05:14 | 1:05:16 | |
'One minute left.' | 1:05:16 | 1:05:17 | |
Maybe I can come see you DJ sometime. | 1:05:17 | 1:05:19 | |
I don't know, Miss Audrey. | 1:05:19 | 1:05:20 | |
I'm not spinning no kids' birthday parties, you know? | 1:05:20 | 1:05:24 | |
- You got a fake ID? - Of course. | 1:05:24 | 1:05:26 | |
'Nurse Wilson says he's OK.' | 1:05:28 | 1:05:30 | |
When is Henry gonna play, Aunt Helen? | 1:05:31 | 1:05:34 | |
Uh... | 1:05:34 | 1:05:37 | |
Hey, coach! | 1:05:37 | 1:05:38 | |
This isn't the NBA finals. | 1:05:38 | 1:05:40 | |
What happens to "everybody plays"? Why don't you put Henry in? | 1:05:40 | 1:05:43 | |
3, 2, 1. | 1:05:43 | 1:05:46 | |
And Saint Barbara's wins. | 1:05:46 | 1:05:48 | |
- Excuse me. - Yes? | 1:05:51 | 1:05:52 | |
Hi. Excuse me. | 1:05:52 | 1:05:54 | |
What is your problem? Aunt Helen, please. | 1:05:54 | 1:05:56 | |
He could be one of your best players. | 1:05:56 | 1:05:58 | |
He doesn't want to play, so you need to square that away with him. | 1:05:58 | 1:06:03 | |
You're the coach. | 1:06:03 | 1:06:04 | |
< Just forget about it. | 1:06:04 | 1:06:06 | |
I'm gonna go change. | 1:06:06 | 1:06:08 | |
I'm sorry that I yelled at you, Dan, | 1:06:09 | 1:06:12 | |
But I've been battling with the kids, | 1:06:12 | 1:06:14 | |
I'm fighting with my sister, | 1:06:14 | 1:06:16 | |
and we're too stubborn to talk to each other. | 1:06:16 | 1:06:19 | |
I guess I'm just...edgy. | 1:06:19 | 1:06:22 | |
Hey, nobody ever said it was gonna be easy. Right? | 1:06:22 | 1:06:25 | |
Yeah, try doing it on your own. | 1:06:26 | 1:06:29 | |
We got a lot of people around here who do. | 1:06:29 | 1:06:31 | |
Matt Higgins' mom, she took a pay cut. | 1:06:31 | 1:06:33 | |
She works out of her house. | 1:06:33 | 1:06:35 | |
Tommy Meyer's dad is with the kids all day long, then he works at night. | 1:06:35 | 1:06:39 | |
I mean, it's tough, but it can be done. | 1:06:39 | 1:06:41 | |
- Hey, you know what you need? - A nanny? But I can't afford one. | 1:06:41 | 1:06:46 | |
You need some fun. I'm just the man to provide it. | 1:06:46 | 1:06:49 | |
What are you doing on Sunday? | 1:06:49 | 1:06:51 | |
- Going to church, of course. - Yeah, right. | 1:06:51 | 1:06:55 | |
Nice try. | 1:06:55 | 1:06:57 | |
You and the kids. Sunday afternoon. | 1:06:57 | 1:06:59 | |
What do you have in mind? | 1:06:59 | 1:07:02 | |
Today we're at the Central Park Zoo, where every spring a prayer is said, | 1:07:03 | 1:07:07 | |
blessing the animals and the newborn babies. | 1:07:07 | 1:07:10 | |
REPORTER: Pastor? | 1:07:10 | 1:07:12 | |
Dear Lord, we humbly ask that you bless these animals | 1:07:12 | 1:07:15 | |
and all your creatures throughout the world. | 1:07:15 | 1:07:18 | |
Blessed are you, Lord. Amen. | 1:07:18 | 1:07:20 | |
OK, who wants a private tour of the zoo, huh? | 1:07:24 | 1:07:27 | |
SARAH: Yeah! All right, Pastor Dan! | 1:07:27 | 1:07:30 | |
MUSIC: "At the Zoo" by Simon and Garfunkel | 1:07:30 | 1:07:33 | |
# I do believe it | 1:07:34 | 1:07:37 | |
# I do believe it's true | 1:07:37 | 1:07:40 | |
# Mm-hm-hm | 1:07:40 | 1:07:44 | |
# Mm-hm-hm | 1:07:44 | 1:07:46 | |
# Whoa-oh | 1:07:46 | 1:07:49 | |
# Mm-hm-hm | 1:07:49 | 1:07:51 | |
# It's a light and tumble journey | 1:07:51 | 1:07:54 | |
# From the East Side to the Park | 1:07:54 | 1:07:57 | |
# Just a fine and fancy ramble to the zoo | 1:07:57 | 1:08:02 | |
# But you can take a crosstown bus | 1:08:02 | 1:08:06 | |
# If it's raining or it's cold | 1:08:06 | 1:08:08 | |
# And the animals will love it If you do | 1:08:08 | 1:08:14 | |
# If you do | 1:08:14 | 1:08:17 | |
# Something tells me | 1:08:17 | 1:08:18 | |
# It's all happening at the zoo. # | 1:08:18 | 1:08:21 | |
We had a really great time. | 1:08:21 | 1:08:23 | |
I did, too. I'm glad you guys came. | 1:08:23 | 1:08:25 | |
- Thanks again, Pastor Dan. - Sure. | 1:08:25 | 1:08:27 | |
Hey, hey, hey, hey! | 1:08:27 | 1:08:28 | |
Thank you, Pastor Dan. Loved the sea lions. | 1:08:28 | 1:08:31 | |
Henry, give that back to her. | 1:08:31 | 1:08:33 | |
Don't do that. That's not nice. | 1:08:33 | 1:08:36 | |
He is so bad sometimes. | 1:08:36 | 1:08:37 | |
They're cute, though. | 1:08:37 | 1:08:38 | |
I'm not very good at this, so I'm just gonna ask. | 1:08:38 | 1:08:41 | |
You want to go out with me sometime? | 1:08:41 | 1:08:43 | |
What? | 1:08:43 | 1:08:44 | |
You and me, on a date. | 1:08:44 | 1:08:46 | |
Oh, no. I made you abandon your vows? | 1:08:46 | 1:08:49 | |
I know you think that I'm probably worth it, and I'm not. | 1:08:49 | 1:08:53 | |
Go back to God. I can't be responsible for this. | 1:08:53 | 1:08:56 | |
Hey, Helen. I'm a pastor. | 1:08:56 | 1:08:59 | |
I'm a Lutheran minister. I can date. | 1:08:59 | 1:09:02 | |
I can get married, have kids, watch dirty movies. | 1:09:02 | 1:09:05 | |
- Oh, really? - Yeah. | 1:09:05 | 1:09:07 | |
Ok, I can't watch dirty movies, but we're pushing for it. | 1:09:07 | 1:09:10 | |
So, you know... What do you say? | 1:09:10 | 1:09:13 | |
I'm really flattered, Dan, but I... | 1:09:13 | 1:09:16 | |
I can't. | 1:09:16 | 1:09:17 | |
I'm sorry. | 1:09:17 | 1:09:19 | |
I had a great day, though, today. | 1:09:19 | 1:09:22 | |
OK. | 1:09:25 | 1:09:27 | |
Pastor Dan just asked me out. | 1:09:27 | 1:09:29 | |
AUDREY: That is so weird. | 1:09:29 | 1:09:30 | |
I can hear you. I'm still right here, OK? | 1:09:30 | 1:09:34 | |
Go! Go inside and do that. | 1:09:34 | 1:09:37 | |
Huh! Way to go, Pastor Dan. | 1:09:37 | 1:09:40 | |
The guy on stilts was a great gimmick. | 1:09:44 | 1:09:46 | |
It beats balloons and bunting. | 1:09:46 | 1:09:48 | |
Thank you so much. | 1:09:48 | 1:09:50 | |
There are a couple of customers wandering outside. | 1:09:50 | 1:09:53 | |
Focus the wanderers. | 1:09:53 | 1:09:55 | |
(HELEN) Sales associate to the parking lot, please. | 1:09:55 | 1:09:58 | |
Sales associate to the parking lot. | 1:09:58 | 1:10:01 | |
Sales associate? | 1:10:03 | 1:10:05 | |
Leo! The guy on stilts is looking down my shirt. | 1:10:05 | 1:10:08 | |
Hey! Mini-me! Watch I don't break your kneecaps. | 1:10:12 | 1:10:15 | |
Think you can reach them? > | 1:10:15 | 1:10:17 | |
Hi, Helen Harris. Welcome to Massey Motors. | 1:10:17 | 1:10:19 | |
- Leo Dileo. - Pleasure. | 1:10:19 | 1:10:21 | |
- Ahem! - And that's Renee DeCarlo. | 1:10:21 | 1:10:24 | |
- Hi, Renee. - Hi. | 1:10:24 | 1:10:25 | |
All right, let's see If we can find you something you like. Follow me. | 1:10:25 | 1:10:30 | |
You know, I bought a lot of used cars, but... | 1:10:30 | 1:10:32 | |
Previously owned. | 1:10:32 | 1:10:34 | |
We got a nice silver Volvo there. | 1:10:34 | 1:10:36 | |
It's a great family car, if you have family. | 1:10:36 | 1:10:38 | |
- Just a rich bachelor. - That's what I thought. | 1:10:38 | 1:10:41 | |
You don't want this one. Oh, wow! | 1:10:41 | 1:10:43 | |
Oh, I forgot we had this baby. | 1:10:43 | 1:10:46 | |
I think I know why. It looks like a jukebox. | 1:10:46 | 1:10:48 | |
Oh, only a handful of these were made. | 1:10:48 | 1:10:51 | |
Earmarked for special customers only. | 1:10:51 | 1:10:53 | |
Like in the old days When guys like Elvis Presley and Frank Sinatra | 1:10:53 | 1:10:58 | |
used to special-order their cars right from the factory. | 1:10:58 | 1:11:01 | |
You're kidding. | 1:11:03 | 1:11:04 | |
Sir, three things we don't joke about - Elvis, Sinatra, and Lincolns. | 1:11:04 | 1:11:11 | |
But, like I said, for special customers only. | 1:11:11 | 1:11:14 | |
Honey, I own every hot dog stand in Rockaway. | 1:11:14 | 1:11:18 | |
Not the beach, but, still, I can afford to pay well over sticker for this, and cash. | 1:11:18 | 1:11:23 | |
It's getting a little windy. Are you sure it's all right? | 1:11:23 | 1:11:26 | |
- Yeah, it's OK. - OK. You sure? | 1:11:26 | 1:11:27 | |
You want a deal on a previously owned car? Then come to Massey Motors, | 1:11:27 | 1:11:30 | |
where you can see me, Mickey Massey. It's a... | 1:11:30 | 1:11:33 | |
- Ohh! - Mickey, mickey. | 1:11:33 | 1:11:35 | |
You're not gonna believe it! She sold it. | 1:11:35 | 1:11:37 | |
Bye, Leo. Drive safely. | 1:11:43 | 1:11:46 | |
She gets a ham. | 1:11:48 | 1:11:49 | |
Aah! Ha ha ha ha! | 1:11:51 | 1:11:53 | |
Yes, I did. | 1:11:53 | 1:11:54 | |
Hey, kids. I'm home. | 1:11:54 | 1:11:57 | |
Do we have mustard? | 1:11:57 | 1:11:59 | |
I don't know. Why? | 1:11:59 | 1:12:00 | |
Because we got ham. | 1:12:00 | 1:12:03 | |
I sold a car! | 1:12:03 | 1:12:05 | |
Yay, Aunt Helen! | 1:12:05 | 1:12:07 | |
Go long, Henry, go long! | 1:12:07 | 1:12:09 | |
SCREAMING | 1:12:09 | 1:12:13 | |
- And she takes him down. - Who's got the pigskin now? | 1:12:13 | 1:12:16 | |
I don't know. | 1:12:16 | 1:12:18 | |
OK. | 1:12:23 | 1:12:26 | |
Hey! What's up? | 1:12:26 | 1:12:28 | |
Hippo's mommy and daddy are still on vacation. | 1:12:28 | 1:12:31 | |
We're gonna go slice the ham. | 1:12:37 | 1:12:39 | |
I'm the man, I should slice the ham. | 1:12:39 | 1:12:41 | |
You're no man. | 1:12:41 | 1:12:43 | |
They've been gone a long time. | 1:12:43 | 1:12:45 | |
That's because they went really far away. | 1:12:45 | 1:12:48 | |
Where did they go? | 1:12:48 | 1:12:50 | |
Honey? Sarah, where did they go? | 1:12:54 | 1:12:57 | |
Heaven. | 1:12:58 | 1:13:00 | |
That's right, sweetie. That's right. | 1:13:02 | 1:13:06 | |
And now there's no-one to give him a birthday party. | 1:13:06 | 1:13:10 | |
When's Hippo's birthday? | 1:13:11 | 1:13:13 | |
Now. | 1:13:13 | 1:13:14 | |
Now? | 1:13:14 | 1:13:16 | |
Say "Hippo." | 1:13:18 | 1:13:20 | |
ALL: Hippo! | 1:13:20 | 1:13:22 | |
- It's a keeper. - Oh, great. | 1:13:22 | 1:13:26 | |
Vince, thanks again for doing this on such short notice. | 1:13:26 | 1:13:29 | |
You're sure hanging out with a new crowd these days. | 1:13:29 | 1:13:31 | |
Well, tonight is a very special night. | 1:13:31 | 1:13:33 | |
- You see, it's Hippo's... - Ooh, excuse me. | 1:13:33 | 1:13:36 | |
The VIPs. Excuse me. | 1:13:36 | 1:13:37 | |
Hey, Vince. We're here to celebrate. | 1:13:42 | 1:13:44 | |
Devon just got the new Polo campaign. | 1:13:44 | 1:13:46 | |
Yeah, he's the Ralph Lauren underwear guy. | 1:13:46 | 1:13:48 | |
VINCE: Congratulations. | 1:13:48 | 1:13:49 | |
Hey, Devon. Congrats. | 1:13:49 | 1:13:52 | |
- Are you ready for your dessert? - Yes, please. | 1:13:52 | 1:13:55 | |
Can I get you coffee or tea? | 1:13:55 | 1:13:57 | |
Ooh, can I get a cappuccino, please? | 1:13:57 | 1:14:00 | |
Decaf. And I'll have a real one. | 1:14:00 | 1:14:02 | |
- OK. - And I'll have a Singapore Sling. | 1:14:02 | 1:14:05 | |
Hey, Jerome. Excuse me, Jerome. | 1:14:06 | 1:14:09 | |
Hi. Do you think you could sing Happy Birthday? | 1:14:09 | 1:14:12 | |
Who's the birthday kid? | 1:14:12 | 1:14:13 | |
Actually, it's Hippo's birthday. | 1:14:13 | 1:14:16 | |
- You want me to sing to a hippo? - Yeah. | 1:14:18 | 1:14:21 | |
- I'll take care of it. - Thank you. | 1:14:21 | 1:14:24 | |
All right. What have we got? Ooh, skulls. | 1:14:25 | 1:14:28 | |
Another round of double-cherry Shirley Temples. | 1:14:28 | 1:14:31 | |
Oh, no, no. At 12.50 a pop, I don't think so. | 1:14:31 | 1:14:35 | |
And this is for you, Helen. | 1:14:35 | 1:14:36 | |
Compliments of the gentleman right over there. | 1:14:36 | 1:14:39 | |
(Thank you.) | 1:14:48 | 1:14:49 | |
Ok, here we go. Oh, wow. | 1:14:54 | 1:14:57 | |
For the hippo. | 1:14:58 | 1:15:00 | |
JEROME BEATBOXES | 1:15:00 | 1:15:02 | |
RAPS: Happy birthday | 1:15:02 | 1:15:04 | |
Happy birthday | 1:15:04 | 1:15:05 | |
Happy birthday to you | 1:15:05 | 1:15:09 | |
Aw, yeah. | 1:15:09 | 1:15:10 | |
Happy birthday to you | 1:15:10 | 1:15:13 | |
Hip-pa-pa-hip-pa-pa-hippo | 1:15:13 | 1:15:15 | |
Happy... | 1:15:15 | 1:15:16 | |
HE BEATBOXES | 1:15:16 | 1:15:18 | |
Birthday... | 1:15:19 | 1:15:20 | |
To... | 1:15:20 | 1:15:22 | |
..You. | 1:15:25 | 1:15:27 | |
ALL: Yay! | 1:15:27 | 1:15:29 | |
Yay! Blow out the candle. | 1:15:29 | 1:15:31 | |
ALL: Yay! | 1:15:31 | 1:15:33 | |
- Wait, Nilma! - Everybody get in the car. | 1:15:33 | 1:15:36 | |
Wait! I forgot the money for their lunch. | 1:15:36 | 1:15:38 | |
No, no. I packed lunch. | 1:15:38 | 1:15:40 | |
If they want to buy a book or something... | 1:15:40 | 1:15:42 | |
You relax. You're a free woman. | 1:15:42 | 1:15:43 | |
Have fun. We should be back at 5:00 from the museum. | 1:15:43 | 1:15:45 | |
OK. Have fun. | 1:15:45 | 1:15:47 | |
Hi, Helen. You want to play some dominoes | 1:15:47 | 1:15:50 | |
with me and Artie over sandwiches? | 1:15:50 | 1:15:52 | |
Oh, no. I got so much I have to do. Thank you. | 1:15:52 | 1:15:55 | |
Well, maybe another time. | 1:15:55 | 1:15:58 | |
PLAYS JAZZ TUNE | 1:15:58 | 1:16:00 | |
BELL PEALS | 1:16:03 | 1:16:04 | |
- Helen! - Hey! | 1:16:15 | 1:16:17 | |
Oh! HELEN LAUGHS | 1:16:19 | 1:16:20 | |
I'm... I'm fine. I was just, um... | 1:16:20 | 1:16:23 | |
Trying to see if you had the nerve to drop in on me? | 1:16:23 | 1:16:26 | |
After you gave me the Heisman? | 1:16:26 | 1:16:28 | |
What? | 1:16:28 | 1:16:29 | |
Heisman? Whoa, back off! | 1:16:29 | 1:16:31 | |
Oh. I know, but... | 1:16:31 | 1:16:33 | |
Are you free? | 1:16:33 | 1:16:35 | |
- What? - Are you free? | 1:16:35 | 1:16:38 | |
No. Actually, I'm not. | 1:16:38 | 1:16:41 | |
I got a lunch date. | 1:16:41 | 1:16:43 | |
You can come with me, though. | 1:16:45 | 1:16:47 | |
MUSIC "Get Ready For This" by 2 Unlimited | 1:16:47 | 1:16:50 | |
Pastor Dan, the holy goalie, just checked Father Rodriguez. | 1:16:54 | 1:16:58 | |
# Y'all ready for this? # | 1:17:03 | 1:17:06 | |
We have a guest referee with us today, ladies and gentlemen. | 1:17:06 | 1:17:10 | |
He's a ten-year veteran of the Ice-capades, Mr Scotty Buttons. | 1:17:10 | 1:17:13 | |
ORGAN PLAYS | 1:17:13 | 1:17:15 | |
We got your back. | 1:17:15 | 1:17:17 | |
Score is still six to six. | 1:17:17 | 1:17:20 | |
Goal by Rabbi Levine. | 1:17:34 | 1:17:38 | |
ORGAN MUSIC: "Hava Nagila" | 1:17:38 | 1:17:40 | |
Yeah! | 1:17:44 | 1:17:45 | |
Join us next week when the Clergy of the Cloth take on the Storming Mormons. | 1:17:45 | 1:17:50 | |
There were literally four people living in a shoebox apartment, | 1:17:50 | 1:17:54 | |
cos they couldn't make the rent. | 1:17:54 | 1:17:56 | |
- It's so expensive. It's ridiculous. - Yeah. | 1:17:56 | 1:18:00 | |
Thank you. | 1:18:00 | 1:18:01 | |
I had a really wonderful time. | 1:18:03 | 1:18:04 | |
Dan. | 1:18:06 | 1:18:07 | |
I'm sorry. It's a little weird, don't you think? | 1:18:10 | 1:18:14 | |
What, because I'm a pastor? | 1:18:14 | 1:18:16 | |
Well, you know, I usually get the freaky women who are turned on by it | 1:18:16 | 1:18:20 | |
or the guilt-ridden ones who can't get over it. | 1:18:20 | 1:18:25 | |
You don't think I'm sexy? | 1:18:25 | 1:18:26 | |
- Cos I'm not a party-hoppin'... - Oh, I didn't say that. | 1:18:26 | 1:18:30 | |
...club kind of guy. | 1:18:30 | 1:18:32 | |
Oh, stop it. | 1:18:32 | 1:18:34 | |
Let me tell you something. | 1:18:34 | 1:18:36 | |
I got news for you, little lady. | 1:18:37 | 1:18:40 | |
I'm sexy. | 1:18:40 | 1:18:42 | |
Yeah. I'm a sexy man of God, | 1:18:42 | 1:18:46 | |
and I know it. | 1:18:46 | 1:18:48 | |
Hold it. | 1:18:54 | 1:18:56 | |
Now, that was kinda sexy. | 1:18:57 | 1:19:00 | |
Um, Nilma, have you met the Principal of our school? | 1:19:20 | 1:19:25 | |
- Hi. - Hi. | 1:19:25 | 1:19:27 | |
Hi. | 1:19:27 | 1:19:28 | |
- I gotta go. Thank you. - Yeah. Thank you. | 1:19:28 | 1:19:32 | |
So, uh... I guess we're all getting As. | 1:19:33 | 1:19:37 | |
ALL: Yeah! All right, ok! | 1:19:37 | 1:19:40 | |
Go, Helen! Go, Helen! | 1:19:40 | 1:19:43 | |
MUSIC: "Sweetest Pain" by Haylie Duff | 1:19:43 | 1:19:45 | |
# I'm a fool for you, baby, a fool for your love | 1:19:45 | 1:19:49 | |
# I'm just a fool for you, baby | 1:19:49 | 1:19:51 | |
# There's something about us | 1:19:51 | 1:19:52 | |
# I'm just a fool for you, baby | 1:19:52 | 1:19:55 | |
# And nothing's gonna change | 1:19:55 | 1:19:59 | |
# And maybe it's my sweetest pain | 1:19:59 | 1:20:03 | |
# My sweetest pain | 1:20:03 | 1:20:05 | |
# Fool for you, baby It's driving me nuts | 1:20:05 | 1:20:08 | |
# Uh-uh-uh-uh | 1:20:08 | 1:20:10 | |
# Uh-uh-uh-uh-uh. # | 1:20:10 | 1:20:13 | |
It's really not that big of a deal, Dan. | 1:20:18 | 1:20:20 | |
Hey, she was caught making out with BZ. | 1:20:20 | 1:20:23 | |
Ok, not so good. | 1:20:23 | 1:20:25 | |
While cutting class. | 1:20:25 | 1:20:28 | |
Also not so good. | 1:20:28 | 1:20:29 | |
In the balcony in my church. | 1:20:29 | 1:20:30 | |
How can I come down on her for something we were caught doing a few days ago? | 1:20:30 | 1:20:35 | |
Because you're the adult and she's the child. | 1:20:35 | 1:20:38 | |
She's gotta know you're serious. Kids need boundaries. You know that. | 1:20:38 | 1:20:42 | |
But, Aunt Helen, it's a big deal that a senior asked me to the prom. | 1:20:42 | 1:20:48 | |
I mean, what do you want me to do, find another senior? | 1:20:48 | 1:20:50 | |
Yes. | 1:20:50 | 1:20:53 | |
Audrey, I want to treat you like an adult, | 1:20:53 | 1:20:55 | |
but I do not want you to go to the prom with BZ. | 1:20:55 | 1:20:59 | |
If you go with him, I'll be very disappointed. | 1:20:59 | 1:21:02 | |
- OK. - OK. | 1:21:05 | 1:21:07 | |
So, will you help me find a dress? | 1:21:07 | 1:21:09 | |
Yes, I'll find you a dress. | 1:21:09 | 1:21:11 | |
OK. | 1:21:11 | 1:21:13 | |
In the balcony of the church? | 1:21:13 | 1:21:15 | |
It seemed like a good idea at the time. | 1:21:15 | 1:21:17 | |
- You are so going to hell. - Hey! | 1:21:17 | 1:21:21 | |
Spider! | 1:21:21 | 1:21:23 | |
OK. Cradle. | 1:21:24 | 1:21:27 | |
All right, guys, shoot. | 1:21:31 | 1:21:34 | |
Whoo! | 1:21:34 | 1:21:36 | |
Ok. Hit the showers. | 1:21:36 | 1:21:38 | |
Henry, pick up the balls. | 1:21:39 | 1:21:42 | |
Hey! Give me one of those. Come on. | 1:21:44 | 1:21:47 | |
Let's go. | 1:21:52 | 1:21:53 | |
Take a shot. | 1:21:53 | 1:21:55 | |
Come on. You gotta get fired up for your game. | 1:21:56 | 1:21:59 | |
I am. Can't you tell? | 1:21:59 | 1:22:01 | |
Yahoo(!) | 1:22:01 | 1:22:03 | |
Oh, Henry. | 1:22:04 | 1:22:06 | |
OK. Henry? | 1:22:06 | 1:22:09 | |
Let's talk. | 1:22:09 | 1:22:11 | |
You used to love to play sports. | 1:22:11 | 1:22:13 | |
Sit down. | 1:22:13 | 1:22:16 | |
You and your dad used to play basketball | 1:22:18 | 1:22:20 | |
till it was too dark to even see the hoop. | 1:22:20 | 1:22:23 | |
Even when I missed, he'd always count it. | 1:22:23 | 1:22:25 | |
He called it "giving me the benefit of the dark." | 1:22:25 | 1:22:28 | |
- It's OK to smile about it. - No, it's not. | 1:22:32 | 1:22:36 | |
- And it's OK to play sports. - No. | 1:22:36 | 1:22:39 | |
- Why? - Because he can't play any more. | 1:22:39 | 1:22:42 | |
Because everyone kept saying Mom and Dad are up in heaven | 1:22:42 | 1:22:44 | |
and they're looking down on us always. | 1:22:44 | 1:22:46 | |
Well, if he is, I'm not gonna make him feel bad about not playing. | 1:22:46 | 1:22:50 | |
Like if you're having a good time without him, you're rubbing it in? | 1:22:50 | 1:22:55 | |
Yeah. | 1:22:55 | 1:22:56 | |
Henry. The only thing sadder than them not being here | 1:22:56 | 1:23:00 | |
is knowing that by not being here, | 1:23:00 | 1:23:02 | |
you're not doing what you love. | 1:23:02 | 1:23:04 | |
They want you to be happy. | 1:23:04 | 1:23:06 | |
But then it's like I'm just forgetting them. | 1:23:06 | 1:23:09 | |
No, it's not. No. | 1:23:09 | 1:23:12 | |
Cos every time you smile, | 1:23:12 | 1:23:15 | |
or laugh, | 1:23:15 | 1:23:18 | |
or enjoy your life, | 1:23:18 | 1:23:21 | |
it makes their dreams come true. | 1:23:21 | 1:23:23 | |
Besides, if they are looking down, | 1:23:25 | 1:23:27 | |
you really want them to be stuck watching a lousy game? | 1:23:27 | 1:23:30 | |
No. My dad hates a lousy game. | 1:23:30 | 1:23:34 | |
Ooh... | 1:23:43 | 1:23:45 | |
Come on. | 1:23:45 | 1:23:47 | |
Yeah! | 1:23:49 | 1:23:51 | |
Yes. I am the senior class treasurer. And I just... | 1:23:51 | 1:23:55 | |
I want to say that I'm very honoured | 1:23:55 | 1:23:57 | |
to be taking Audrey to my prom tonight. | 1:23:57 | 1:23:59 | |
I want you to know that. | 1:23:59 | 1:24:01 | |
Thank you. | 1:24:01 | 1:24:03 | |
Breathe. | 1:24:03 | 1:24:05 | |
Hey. Take a look. I got a wig on. | 1:24:05 | 1:24:07 | |
AUDREY: I'm gonna come out now. | 1:24:09 | 1:24:11 | |
How do I look? | 1:24:13 | 1:24:16 | |
You look just like your mother. | 1:24:18 | 1:24:20 | |
Thank you, Peter. | 1:24:24 | 1:24:27 | |
OK, we're gonna go. | 1:24:27 | 1:24:29 | |
Wait, wait, wait, wait! I want to... We have to have a picture. | 1:24:29 | 1:24:33 | |
OK, get closer. Smile. | 1:24:33 | 1:24:35 | |
All right, welcome to the senior prom, | 1:24:39 | 1:24:42 | |
Bridges of Friendship. Coming up next, ladies' choice. | 1:24:42 | 1:24:45 | |
I hear there's actually some punch in the vodka. | 1:24:45 | 1:24:48 | |
DJ: Guys, your choice later. | 1:24:48 | 1:24:51 | |
Who is it? | 1:24:53 | 1:24:54 | |
Er...Prom King. | 1:24:54 | 1:24:56 | |
HELEN GIGGLES | 1:24:56 | 1:24:59 | |
Hey, I thought we could have our own little prom. | 1:24:59 | 1:25:01 | |
Where's the little kids at? They're sleeping. | 1:25:01 | 1:25:05 | |
Doesn't the Principal have to police the prom? | 1:25:05 | 1:25:08 | |
Don't worry. Lagambina's looking out for Audrey. | 1:25:08 | 1:25:10 | |
What is this? | 1:25:12 | 1:25:15 | |
MUSIC: "Feels Like Rain" by John Hiatt | 1:25:15 | 1:25:18 | |
# Down here the river | 1:25:18 | 1:25:21 | |
# Meets the sea | 1:25:21 | 1:25:24 | |
# And in the sticky heat I feel you | 1:25:30 | 1:25:34 | |
# Open up to me | 1:25:34 | 1:25:38 | |
# Love comes out of nowhere... # | 1:25:42 | 1:25:46 | |
PHONE RINGS | 1:25:46 | 1:25:48 | |
- I should get it. - OK. | 1:25:53 | 1:25:55 | |
Hello. Hello? | 1:26:01 | 1:26:03 | |
TURNS MUSIC DOWN | 1:26:03 | 1:26:05 | |
What? | 1:26:05 | 1:26:08 | |
Uh...What? I-I'm sorry. | 1:26:08 | 1:26:11 | |
Can you hear me now? Yes. This is Mrs Lagambina. | 1:26:11 | 1:26:15 | |
Yeah, hi. | 1:26:15 | 1:26:16 | |
I don't mean to worry you, but Audrey's not here. | 1:26:16 | 1:26:19 | |
She arrived with Peter, but she seems to have gone off with BZ. | 1:26:19 | 1:26:22 | |
Oh! | 1:26:22 | 1:26:25 | |
I understand. Thank you for calling. | 1:26:25 | 1:26:28 | |
Dan. That was the school. Audrey left the prom with BZ. | 1:26:28 | 1:26:33 | |
They overheard some kids saying that BZ was bragging about taking her to a motel. | 1:26:33 | 1:26:38 | |
- What motel? - They wouldn't say. | 1:26:38 | 1:26:41 | |
Ok. They're gonna tell me. Just...come here. | 1:26:41 | 1:26:44 | |
I just...it's just that I knew it. - Don't worry. | 1:26:44 | 1:26:47 | |
I'll call you from the prom. Don't worry. | 1:26:47 | 1:26:49 | |
Audrey! | 1:26:51 | 1:26:52 | |
Ugh! | 1:26:54 | 1:26:56 | |
Ed, do you know that a lot of celebrities are knitting now? | 1:26:56 | 1:27:01 | |
Isn't that interesting? | 1:27:01 | 1:27:02 | |
PHONE RINGS Wow! | 1:27:02 | 1:27:04 | |
Hello. | 1:27:04 | 1:27:05 | |
Ed. It's Helen. | 1:27:05 | 1:27:07 | |
I need Jenny. | 1:27:09 | 1:27:11 | |
It's Helen. | 1:27:12 | 1:27:14 | |
Really? | 1:27:14 | 1:27:16 | |
Hello? | 1:27:19 | 1:27:21 | |
- Hey! - What have you found out? | 1:27:24 | 1:27:26 | |
Thank you. | 1:27:26 | 1:27:28 | |
- So what do you know? - Nothing yet. | 1:27:28 | 1:27:30 | |
Dan's at the gym, seeing if he can get something out of BZ's friends. | 1:27:30 | 1:27:33 | |
No. Thank you for your time. | 1:27:35 | 1:27:37 | |
Jenny, we have called over 20 motels. | 1:27:37 | 1:27:39 | |
BZ has a car, he could be anywhere. | 1:27:39 | 1:27:41 | |
They could be in the middle of Ronkonkoma for all we know. | 1:27:41 | 1:27:45 | |
- Did you let her have a credit card? - No. | 1:27:45 | 1:27:47 | |
OK. What about your credit cards? Check your wallet. | 1:27:47 | 1:27:51 | |
I'm having a banana. | 1:27:51 | 1:27:53 | |
- My Visa's gone. - OK. | 1:28:00 | 1:28:03 | |
I'm gonna call Visa and check your recent activity. | 1:28:04 | 1:28:07 | |
If she's used it, they'll know where. | 1:28:07 | 1:28:09 | |
- Quite the detective. - No, I'm a mom. | 1:28:09 | 1:28:12 | |
I need your help, Nilma! | 1:28:14 | 1:28:17 | |
- Let me at 'em. - No, no. | 1:28:17 | 1:28:18 | |
Could you watch Henry and Sarah, please? I'll explain later. | 1:28:18 | 1:28:21 | |
Ravi, just watch the kids. I'm going to help Helen again, OK? | 1:28:21 | 1:28:25 | |
Look, if you don't tell me, I'm gonna suspend your asses so long, | 1:28:26 | 1:28:29 | |
you're gonna be getting social security when you graduate. | 1:28:29 | 1:28:32 | |
Where are they? | 1:28:32 | 1:28:34 | |
Jenny, I'm sorry you had to come all the way out. | 1:28:37 | 1:28:40 | |
It's all right. It's all right. | 1:28:40 | 1:28:41 | |
MOBILE RINGS | 1:28:41 | 1:28:44 | |
Audrey? | 1:28:44 | 1:28:45 | |
Helen. I know where they are. | 1:28:45 | 1:28:47 | |
Oh, Dan. So do we. We're halfway there. | 1:28:47 | 1:28:49 | |
OK. I'll meet you. | 1:28:49 | 1:28:51 | |
No. This is something I have to do by myself. | 1:28:51 | 1:28:53 | |
I should come with you. 'Dan, please. It's pretty...' | 1:28:53 | 1:28:56 | |
PHONE CUTS OUT Hello? | 1:28:56 | 1:28:59 | |
Hello? | 1:28:59 | 1:29:00 | |
We're getting closer. It's just down the street. | 1:29:04 | 1:29:07 | |
Jenny: There it is! | 1:29:08 | 1:29:10 | |
I don't know. I don't know, lady. | 1:29:18 | 1:29:20 | |
Give me the key. | 1:29:20 | 1:29:21 | |
There's laws against these things. | 1:29:21 | 1:29:23 | |
There's laws against renting rooms to minors. Now give me the key. | 1:29:23 | 1:29:26 | |
- Hey, I don't want any trouble. - Give me the key. | 1:29:26 | 1:29:28 | |
I need that key back. Don't forget it. | 1:29:28 | 1:29:30 | |
What, do you think I want to live here? | 1:29:30 | 1:29:32 | |
I'd rather sleep in a field, you crazy man. Come on. | 1:29:32 | 1:29:35 | |
- Now, he said they're in 205, OK? - OK. | 1:29:35 | 1:29:38 | |
You gotta go in there with both guns blazing. | 1:29:38 | 1:29:41 | |
I know. | 1:29:41 | 1:29:42 | |
- Rip 'em a new one, OK? - I know. I got it. | 1:29:42 | 1:29:44 | |
Take charge and get her outta there. | 1:29:44 | 1:29:46 | |
OK. | 1:29:46 | 1:29:48 | |
(OK, so just say "housekeeping" or something. Get the door open.) | 1:29:49 | 1:29:55 | |
I can't do it. | 1:29:56 | 1:29:58 | |
What? | 1:29:58 | 1:29:59 | |
I can't do this. | 1:29:59 | 1:30:00 | |
I can't go in there. She's gonna hate me. | 1:30:00 | 1:30:02 | |
She's gonna hate you if you don't. | 1:30:02 | 1:30:05 | |
I can't do it. | 1:30:05 | 1:30:07 | |
Jenny, I'm not you, OK? I can't do it. | 1:30:07 | 1:30:10 | |
Please, just... please? | 1:30:14 | 1:30:17 | |
OK. OK. | 1:30:18 | 1:30:20 | |
KNOCKS | 1:30:22 | 1:30:25 | |
Housekeeping. We're already asleep. | 1:30:25 | 1:30:27 | |
Could you come back in the morning, please? | 1:30:27 | 1:30:29 | |
Aunt Jenny? What are you doing here? How did you find... | 1:30:39 | 1:30:41 | |
You have ten seconds to get your things together and get in the car. | 1:30:41 | 1:30:45 | |
Stay! Ten... | 1:30:45 | 1:30:48 | |
You're not my mother, if you haven't noticed. | 1:30:48 | 1:30:50 | |
No. But I love you very much | 1:30:50 | 1:30:52 | |
and I will be your worst nightmare if you don't get in that car now! | 1:30:52 | 1:30:57 | |
Seven, six... But we're not ready to go yet. | 1:30:57 | 1:31:01 | |
Oh, you're not ready? | 1:31:01 | 1:31:03 | |
Well... well, are you ready for this? | 1:31:03 | 1:31:05 | |
I don't think so. Are you ready to be a parent? | 1:31:05 | 1:31:09 | |
I don't think so! | 1:31:09 | 1:31:11 | |
Four, | 1:31:11 | 1:31:13 | |
Three... | 1:31:13 | 1:31:16 | |
Are you happy? You just ruined my entire life. | 1:31:16 | 1:31:19 | |
Well, we'll fix it later. | 1:31:19 | 1:31:22 | |
Two... | 1:31:22 | 1:31:24 | |
You! Chill out, Mommy. | 1:31:25 | 1:31:28 | |
Hey. It's all good. | 1:31:28 | 1:31:30 | |
Don't you talk to me like that. | 1:31:30 | 1:31:32 | |
It's just prom. | 1:31:32 | 1:31:33 | |
You listen to me. | 1:31:33 | 1:31:35 | |
If you ever so much as blink in her direction again, | 1:31:35 | 1:31:39 | |
I can and will bury you so far in the ground | 1:31:39 | 1:31:44 | |
that the heat from the earth's core | 1:31:44 | 1:31:46 | |
will incinerate your sorry ass! | 1:31:46 | 1:31:48 | |
Do you understand me? Yes, ma'am. | 1:31:48 | 1:31:52 | |
By the way, you're not a bad person, | 1:31:56 | 1:32:00 | |
but this is very bad behaviour. | 1:32:00 | 1:32:03 | |
Very bad behaviour. | 1:32:03 | 1:32:06 | |
< AUDREY: Go away! | 1:32:24 | 1:32:25 | |
< I'm never speaking to either of you. | 1:32:25 | 1:32:28 | |
She's gonna be fine. She's gonna be just fine. | 1:32:28 | 1:32:30 | |
It was so nice to meet you. And thank you for your help. | 1:32:32 | 1:32:35 | |
Sure. So. Come here. | 1:32:35 | 1:32:38 | |
So I'll just come pack up the kids in the morning, and, um... | 1:32:41 | 1:32:45 | |
You're doing the right thing. | 1:32:46 | 1:32:49 | |
You are. | 1:32:51 | 1:32:52 | |
OK. | 1:32:52 | 1:32:54 | |
So good night. | 1:32:58 | 1:33:00 | |
Good night, Jenny. | 1:33:01 | 1:33:03 | |
You want me to make you a cup of tea? | 1:33:10 | 1:33:12 | |
No, thanks. | 1:33:15 | 1:33:17 | |
I think it would be best for me if you just go. | 1:33:18 | 1:33:21 | |
Why? | 1:33:22 | 1:33:25 | |
I'm not a mom. | 1:33:25 | 1:33:27 | |
I'm not girlfriend material. I'm not brave. | 1:33:27 | 1:33:32 | |
I'm not anything you need. | 1:33:32 | 1:33:34 | |
Hey, Helen. No, please. | 1:33:34 | 1:33:37 | |
Don't. | 1:33:37 | 1:33:38 | |
Please, Dan. | 1:33:38 | 1:33:41 | |
DOOR OPENS/CLOSES | 1:33:49 | 1:33:53 | |
OK. So, then, if you want to come on Sunday, great, | 1:34:02 | 1:34:05 | |
and you just figure that out. All right. | 1:34:05 | 1:34:07 | |
And then say good-bye to the kids. | 1:34:07 | 1:34:10 | |
Hey. You make sure hippo has a night-light | 1:34:13 | 1:34:17 | |
so he doesn't get scared in the dark, OK? | 1:34:17 | 1:34:19 | |
Henry. Don't worry about it. | 1:34:24 | 1:34:27 | |
OK. | 1:34:28 | 1:34:30 | |
I know you're mad. | 1:34:33 | 1:34:36 | |
I'd be mad, too. | 1:34:36 | 1:34:38 | |
But, really, Audrey, I'm only thinking of you. | 1:34:38 | 1:34:42 | |
I got you guys something. | 1:34:43 | 1:34:44 | |
I thought you might like it. | 1:34:44 | 1:34:47 | |
Oh, that's darling. | 1:34:49 | 1:34:52 | |
OK, say goodbye to Helen. | 1:34:52 | 1:34:54 | |
Ibsen wrote, "not all women are meant to be mothers." | 1:35:23 | 1:35:26 | |
And I have to say I agree with him. | 1:35:26 | 1:35:28 | |
Fashion and family do not mix. | 1:35:28 | 1:35:30 | |
But, you know, there can be exceptions. | 1:35:30 | 1:35:32 | |
Exceptions? | 1:35:32 | 1:35:34 | |
Would you like some tea? No, thank you. | 1:35:36 | 1:35:38 | |
Exceptions like...? | 1:35:38 | 1:35:41 | |
Tinka. | 1:35:41 | 1:35:43 | |
Tinka. | 1:35:43 | 1:35:45 | |
She wants you to be her agent, of all things. | 1:35:45 | 1:35:47 | |
And, as she is one of our biggest earners right now, well... | 1:35:47 | 1:35:52 | |
I want you back. | 1:35:54 | 1:35:56 | |
# "Thinking Over" by Dana Glover | 1:35:57 | 1:35:59 | |
Press on this thing, makes that big boom sound? | 1:35:59 | 1:36:02 | |
Softer. OK? Softer. Thanks. | 1:36:02 | 1:36:05 | |
# And I'm running out of time | 1:36:06 | 1:36:10 | |
# I can feel that it's the season | 1:36:10 | 1:36:14 | |
# It's time to make up my mind | 1:36:14 | 1:36:17 | |
# And I can't really tell you what I'm gonna do | 1:36:17 | 1:36:22 | |
# There are so many thoughts in my head | 1:36:22 | 1:36:26 | |
# There are two roads to walk down | 1:36:26 | 1:36:29 | |
# And one road to choose | 1:36:29 | 1:36:30 | |
# So I'm thinking over the things that you've said | 1:36:30 | 1:36:34 | |
# I'm thinking over the things... # | 1:36:34 | 1:36:37 | |
Hey, Helen. Hey. | 1:36:37 | 1:36:39 | |
You calling it a night, or you want to go eat? | 1:36:39 | 1:36:41 | |
Oh, no, I'm just gonna go home. | 1:36:41 | 1:36:43 | |
# Thinking over | 1:36:43 | 1:36:45 | |
# Thinking over | 1:36:45 | 1:36:47 | |
# Thinking over the things that you've said | 1:36:47 | 1:36:51 | |
# I'm thinking over | 1:36:51 | 1:36:54 | |
# Thinking over | 1:36:54 | 1:36:56 | |
# Thinking over the things | 1:36:56 | 1:37:00 | |
# Am I ready for forever? | 1:37:00 | 1:37:04 | |
# Oh, God, show me a sign | 1:37:04 | 1:37:08 | |
# Cos if we're to be together | 1:37:08 | 1:37:13 | |
# Then it's got to be divine | 1:37:13 | 1:37:16 | |
# And I can't really tell ya | 1:37:16 | 1:37:18 | |
# What I'm gonna do | 1:37:18 | 1:37:21 | |
# Cos there are so many thoughts in my head | 1:37:21 | 1:37:24 | |
# There are two roads to walk down | 1:37:24 | 1:37:27 | |
# And one road to choose | 1:37:27 | 1:37:29 | |
# So I'm thinking over the things that you've said | 1:37:29 | 1:37:33 | |
# I'm thinking over the things | 1:37:33 | 1:37:38 | |
# Thinking over | 1:37:38 | 1:37:40 | |
# Thinking over | 1:37:40 | 1:37:42 | |
# Thinking over the things that you've said | 1:37:42 | 1:37:45 | |
# And I'm thinking over | 1:37:45 | 1:37:48 | |
# Thinking over | 1:37:48 | 1:37:50 | |
# Only you know | 1:37:50 | 1:37:52 | |
# If he's the one for me | 1:37:52 | 1:37:58 | |
# So many thoughts in my head | 1:37:58 | 1:38:02 | |
# There are two roads to walk down | 1:38:02 | 1:38:04 | |
# And one road to choose | 1:38:04 | 1:38:06 | |
# I'm thinking over... # | 1:38:06 | 1:38:10 | |
MAN ON TV: Mm-mm. Smells like sunshine. | 1:38:15 | 1:38:19 | |
Hi, I'm Mickey Massey. | 1:38:19 | 1:38:21 | |
Uh... I've been married for a long time now, | 1:38:21 | 1:38:23 | |
but my wife and I don't have any children, | 1:38:23 | 1:38:25 | |
so my cars became my babies. | 1:38:25 | 1:38:28 | |
I know. That sounds obsessive. | 1:38:28 | 1:38:31 | |
But you don't know the joy I feel | 1:38:31 | 1:38:32 | |
when I find them a good home. | 1:38:32 | 1:38:34 | |
I mean, look at these beauties. What's not to love? | 1:38:34 | 1:38:37 | |
Massey Motors. Come visit us. | 1:38:37 | 1:38:38 | |
I love my cars. And you will, too. | 1:38:38 | 1:38:42 | |
TV: Massey Motors. In Queens. | 1:38:42 | 1:38:45 | |
Now back to the Saturday 6 o'clock movie. | 1:38:46 | 1:38:50 | |
PHONE: Phone call, Mr Massey. | 1:38:55 | 1:38:57 | |
It's your wife. | 1:38:57 | 1:38:59 | |
Thank you. Thank you, Sharon. Hello, Diane. | 1:38:59 | 1:39:01 | |
Oh, please. I look like I always do. | 1:39:01 | 1:39:04 | |
Good night, Tim. Thank you very much. | 1:39:04 | 1:39:07 | |
Sure I will... hold on a minute. | 1:39:07 | 1:39:10 | |
Hi. Helen, you've come back to work. | 1:39:10 | 1:39:12 | |
Oh, no. No. | 1:39:12 | 1:39:14 | |
Mickey, I need to borrow a car desperately. It's an emergency. | 1:39:14 | 1:39:17 | |
Sure. Use one of the test drives. OK. | 1:39:17 | 1:39:20 | |
Hey, you were great on TV. | 1:39:20 | 1:39:22 | |
Oh, sure, I looked great, but did I sell any cars? | 1:39:22 | 1:39:25 | |
I'm sorry. | 1:39:25 | 1:39:26 | |
Eddie, I need this car. | 1:39:26 | 1:39:28 | |
You can't take this car. This is Mr Massey's... | 1:39:28 | 1:39:30 | |
I know, but it's the only one with a full tank of gas. | 1:39:30 | 1:39:32 | |
I have to go. | 1:39:32 | 1:39:34 | |
What movie star did I look like? Well... | 1:39:34 | 1:39:37 | |
PA: Helen, I think you misunderstood. | 1:39:38 | 1:39:41 | |
Ed! Ed, who do we know with a Jaguar? | 1:40:01 | 1:40:04 | |
Could be a celebrity coming to knit with you. > | 1:40:04 | 1:40:07 | |
DOG BARKS Origami, Origami. Shh! | 1:40:07 | 1:40:08 | |
Origami! | 1:40:08 | 1:40:11 | |
Helen. | 1:40:13 | 1:40:14 | |
I'm here for my kids. | 1:40:14 | 1:40:16 | |
OK. I'm listening. | 1:40:16 | 1:40:18 | |
I don't even know who I am any more without them. | 1:40:22 | 1:40:24 | |
I need them and I want them back. | 1:40:24 | 1:40:26 | |
OK, let me see if I've got that. | 1:40:26 | 1:40:29 | |
You need them because you want them, | 1:40:29 | 1:40:33 | |
because you don't know who you are without them. | 1:40:33 | 1:40:37 | |
See, all I'm hearing is "you, you, you." | 1:40:38 | 1:40:42 | |
But this can't be about you. It has to be about them. | 1:40:42 | 1:40:46 | |
But don't you understand? I love those kids. | 1:40:46 | 1:40:49 | |
Whether or not you love them was never the question. | 1:40:49 | 1:40:51 | |
It was whether or not you could raise them. | 1:40:51 | 1:40:55 | |
The power to take the kids back is yours. | 1:40:55 | 1:40:58 | |
This is not a power struggle between you and me. | 1:40:58 | 1:41:01 | |
This is me asking you | 1:41:01 | 1:41:04 | |
to do the right thing for everyone. | 1:41:04 | 1:41:07 | |
The kids aren't packed. | 1:41:07 | 1:41:09 | |
It's too late for them to go anywhere tonight, anyway. | 1:41:09 | 1:41:12 | |
DOG BARKS Ed, can you let Origami out? | 1:41:12 | 1:41:15 | |
Come on. The bases are loaded. Jeter's up. | 1:41:15 | 1:41:19 | |
I'll be right back. | 1:41:20 | 1:41:23 | |
Ed! I mean, don't you hear him? | 1:41:23 | 1:41:27 | |
Hi! | 1:41:27 | 1:41:28 | |
Ohh! Laughs: | 1:41:28 | 1:41:31 | |
Hey, Henry, Audrey. I miss you guys. | 1:41:31 | 1:41:35 | |
You guys heard all that? Yeah, we did. | 1:41:36 | 1:41:39 | |
Hey, you left Irwin back at our place. Why? | 1:41:39 | 1:41:43 | |
It's not really Irwin. | 1:41:43 | 1:41:45 | |
My Irwin had a skull and crossbones | 1:41:45 | 1:41:48 | |
that I drew on his stomach. | 1:41:48 | 1:41:50 | |
Why didn't you say something? | 1:41:50 | 1:41:53 | |
Seemed you didn't want me to know. | 1:41:53 | 1:41:55 | |
Sarah, honey, why don't you go play with turtle | 1:41:55 | 1:41:59 | |
and figure out a name for him? | 1:41:59 | 1:42:01 | |
I just couldn't stand the idea of you | 1:42:04 | 1:42:06 | |
losing something else you cared so much about. | 1:42:06 | 1:42:08 | |
Can I put him in a bowl? | 1:42:08 | 1:42:11 | |
Yeah. | 1:42:14 | 1:42:16 | |
Sarah, you want to help Henry with the turtle? | 1:42:18 | 1:42:22 | |
Can I name him Hippo? | 1:42:24 | 1:42:25 | |
Why do you want to name everything Hippo? | 1:42:25 | 1:42:28 | |
Because I can spell it. | 1:42:28 | 1:42:31 | |
Audrey, sweetie, can you do me a favour | 1:42:31 | 1:42:32 | |
and, uh, get me your wallet? | 1:42:32 | 1:42:35 | |
Why? | 1:42:37 | 1:42:38 | |
Could you just do it, please? | 1:42:38 | 1:42:40 | |
Open it up and give me your fake ID. | 1:42:46 | 1:42:49 | |
Why? | 1:42:50 | 1:42:51 | |
Because I said so, that's why. | 1:42:51 | 1:42:54 | |
I'm not gonna give it to you. I'm not a child. | 1:42:54 | 1:42:59 | |
Yes, you are. | 1:42:59 | 1:43:00 | |
You are a child, Audrey, | 1:43:00 | 1:43:03 | |
and you have a right to a childhood, | 1:43:03 | 1:43:04 | |
and you should fight for it. | 1:43:04 | 1:43:06 | |
But if you won't, then I will. Now, give me your ID. | 1:43:06 | 1:43:09 | |
That was very adult of you. | 1:43:15 | 1:43:18 | |
You tricked me. | 1:43:18 | 1:43:21 | |
I thought you were on my side, but you're just like her! | 1:43:21 | 1:43:23 | |
I hate you. | 1:43:23 | 1:43:25 | |
Do you hear me? I hate you! | 1:43:25 | 1:43:29 | |
Well... | 1:43:30 | 1:43:32 | |
I'm just gonna have to live with that. | 1:43:32 | 1:43:35 | |
Well, we don't have to decide this tonight. | 1:43:52 | 1:43:56 | |
Gasps: Oh, Jenny. What are you doing? | 1:45:23 | 1:45:28 | |
At first I didn't agree with this letter, | 1:45:28 | 1:45:31 | |
but... | 1:45:31 | 1:45:32 | |
Sit down. | 1:45:37 | 1:45:38 | |
No, I think I'll swing. | 1:45:38 | 1:45:40 | |
In fact, you know what they say- | 1:45:40 | 1:45:42 | |
What? It's not over till the fat lady swings. | 1:45:42 | 1:45:46 | |
See? I can make a joke. | 1:45:46 | 1:45:49 | |
"Dear Jenny, | 1:46:04 | 1:46:07 | |
"If you're reading this, you know that I'm gone | 1:46:07 | 1:46:11 | |
"and I asked Helen to be the guardian for the kids. | 1:46:11 | 1:46:15 | |
Lindsay's voice: "And you're probably freaked about it. | 1:46:15 | 1:46:19 | |
"Yes, it's a surprising choice, | 1:46:19 | 1:46:22 | |
"considering that you are the most incredible mother I've ever known. | 1:46:22 | 1:46:27 | |
"If you find this letter odd, | 1:46:30 | 1:46:32 | |
"understand that my always-be-prepared Paul | 1:46:32 | 1:46:37 | |
"convinced me to write it now, while our children are young. | 1:46:37 | 1:46:41 | |
(Sarah makes popping sound) | 1:46:45 | 1:46:47 | |
"You must know from experience | 1:46:52 | 1:46:54 | |
"that when it comes to picking somebody else | 1:46:54 | 1:46:56 | |
"to raise your kids, no-one seems right. | 1:46:56 | 1:47:00 | |
"No-one is you. | 1:47:00 | 1:47:02 | |
(Mouths) | 1:47:05 | 1:47:08 | |
"And so you choose someone who is most like you. | 1:47:08 | 1:47:12 | |
(Mouths) | 1:47:12 | 1:47:15 | |
"Someone that will give the kids a taste of their real mom, | 1:47:15 | 1:47:19 | |
"the mom they lost and never really got to know. | 1:47:19 | 1:47:23 | |
"In so many ways, we are so much alike. | 1:47:23 | 1:47:27 | |
"That's why I chose Helen." | 1:47:29 | 1:47:32 | |
They're all yours. | 1:47:32 | 1:47:35 | |
"Of course, she'll have lots of fights with the kids, | 1:47:35 | 1:47:38 | |
"yet she'll find a way to make up. | 1:47:38 | 1:47:41 | |
Ohh! | 1:47:41 | 1:47:44 | |
Welcome to the mamahood. | 1:47:44 | 1:47:46 | |
"I know sometimes she messes things up | 1:47:46 | 1:47:48 | |
"and makes big mistakes. | 1:47:48 | 1:47:50 | |
"On the other hand, she also makes big comebacks. | 1:47:50 | 1:47:54 | |
"Respect her, Jenny. Give her a shot. | 1:47:54 | 1:47:56 | |
"We're family, and I'm counting on you | 1:47:56 | 1:47:59 | |
"to keep everyone together. | 1:47:59 | 1:48:02 | |
"I know Helen will certainly need some help | 1:48:03 | 1:48:06 | |
"learning how to be a mother to my kids... | 1:48:06 | 1:48:10 | |
"But I've got you for that, | 1:48:11 | 1:48:13 | |
"and who could be better?" | 1:48:13 | 1:48:16 | |
OK. | 1:48:16 | 1:48:18 | |
"After all, you raised Helen. | 1:48:19 | 1:48:23 | |
"You'll teach her how to be a mom. | 1:48:23 | 1:48:25 | |
"Just like you taught her how to tie her shoes. | 1:48:25 | 1:48:29 | |
"I can still hear you telling her: | 1:48:29 | 1:48:32 | |
"The bunny goes around the tree and into the burrow..." | 1:48:32 | 1:48:37 | |
Pull tight. | 1:48:40 | 1:48:41 | |
Yes! HENRY: It's about time, Sarah. | 1:48:44 | 1:48:48 | |
# "Whip It" by Devo | 1:48:48 | 1:48:50 | |
# Before the cream sits out too long, you must whip it | 1:48:50 | 1:48:54 | |
# Now whip it into shape | 1:48:54 | 1:48:57 | |
# Shape it up, get it straight | 1:48:57 | 1:49:00 | |
# Go forward, move ahead | 1:49:00 | 1:49:03 | |
# Try to detect it, it's not too late | 1:49:03 | 1:49:06 | |
# To whip it, whip it good. # | 1:49:06 | 1:49:09 |