Browse content similar to The Terminal. Check below for episodes and series from the same categories and more!
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-TANNOY: -'Announcing the arrival of flight 9435 from Beijing. | 0:00:38 | 0:00:43 | |
'Customer service representative, please report to gate C.' | 0:00:43 | 0:00:46 | |
-What's the purpose of your visit? -Business or pleasure? | 0:01:06 | 0:01:10 | |
What is the purpose of your visit? Business or pleasure? | 0:01:10 | 0:01:13 | |
-Just visiting. Shopping. -Plaisir. | 0:01:13 | 0:01:15 | |
-It's pleasure. -Business. | 0:01:15 | 0:01:17 | |
How long will you be staying in the United States? | 0:01:17 | 0:01:20 | |
Could I see your return ticket, please? | 0:01:20 | 0:01:24 | |
-Business or pleasure? -One month. | 0:01:24 | 0:01:26 | |
Enjoy your stay. Next. | 0:01:26 | 0:01:29 | |
-Stand by. He's fishing. -'Copy that.' | 0:01:39 | 0:01:41 | |
See this bunch of Mickey Mouse sweatshirts down here? | 0:01:41 | 0:01:45 | |
Tour from China connecting to Orlando. | 0:01:45 | 0:01:48 | |
When did you last see Chinese tourists going to DisneyWorld, | 0:01:48 | 0:01:52 | |
-not one had a camera? -Possible forged documents on ten and 11. | 0:01:52 | 0:01:57 | |
SHOUTING IN CHINESE | 0:01:57 | 0:02:00 | |
Sir? Sir? Passport? | 0:02:04 | 0:02:07 | |
Thank you. | 0:02:08 | 0:02:11 | |
Welcome, Mr...Navorski. | 0:02:12 | 0:02:14 | |
-Purpose of your visit? -HE SPEAKS RUSSIAN | 0:02:14 | 0:02:18 | |
Business or pleasure? | 0:02:18 | 0:02:21 | |
Englise me...no good. | 0:02:21 | 0:02:24 | |
Sir, I have an IBIS hit on six. | 0:02:34 | 0:02:37 | |
Mr Navorski, please follow me. | 0:02:38 | 0:02:41 | |
All right, Mr Navorski, we would like you to wait right here, please? | 0:02:49 | 0:02:53 | |
What exactly are you doing in the United States, Mr Navorski? | 0:03:10 | 0:03:14 | |
STRONG EUROPEAN ACCENT Yellow taxi cab, please. | 0:03:19 | 0:03:22 | |
Take me to Ra...mada Inn. | 0:03:22 | 0:03:25 | |
161 Lexington. | 0:03:25 | 0:03:28 | |
You're staying at the Ramada Inn? | 0:03:32 | 0:03:34 | |
Keep the change. | 0:03:34 | 0:03:36 | |
Do you know anyone in New York? | 0:03:36 | 0:03:39 | |
Yes. | 0:03:39 | 0:03:41 | |
Who? | 0:03:41 | 0:03:43 | |
Yes. | 0:03:43 | 0:03:45 | |
Who? | 0:03:45 | 0:03:47 | |
-Yes. -No, do you know anyone in New York? | 0:03:47 | 0:03:51 | |
-Yes. Yes. -Who? -Yes. | 0:03:51 | 0:03:54 | |
161. | 0:03:59 | 0:04:02 | |
Lex... OK, Mr Navorski, I'm gonna need to see your return ticket, please. | 0:04:02 | 0:04:06 | |
No, your return ticket. | 0:04:06 | 0:04:09 | |
-Your... -Oh, yes. | 0:04:09 | 0:04:11 | |
-Ah. -SCREAMING | 0:04:11 | 0:04:13 | |
Now this is just a standard procedure. | 0:04:13 | 0:04:17 | |
I'm gonna need the passport also. | 0:04:18 | 0:04:21 | |
-Oh. -No, no, no. -Thank you. | 0:04:21 | 0:04:24 | |
No, Mr Navorski. | 0:04:24 | 0:04:26 | |
That. Passport. | 0:04:26 | 0:04:30 | |
That. | 0:04:31 | 0:04:34 | |
Mr Navorski, sorry to keep you waiting. How are you? Frank Dixon. | 0:04:40 | 0:04:44 | |
I'm the director of Customs and Border Protection here at JFK. | 0:04:44 | 0:04:48 | |
Which means that I help people with their immigration problems. | 0:04:48 | 0:04:52 | |
Now, we're looking for an interpreter. Do we have one? | 0:04:52 | 0:04:56 | |
OK. But I understand that you speak a little English. | 0:04:56 | 0:04:59 | |
-Yes. -You do? -Yes. -OK. | 0:04:59 | 0:05:01 | |
-Yes. -Good. I hope you don't mind if I eat while we talk. | 0:05:01 | 0:05:05 | |
I have bad news. Your country has suspended all travelling privileges | 0:05:05 | 0:05:09 | |
on passports issued by your government. And our State Department | 0:05:09 | 0:05:13 | |
has revoked the visa that allowed you to into the United States. | 0:05:13 | 0:05:17 | |
That's it in a nutshell, basically. | 0:05:17 | 0:05:20 | |
It seems while you were in the air, | 0:05:20 | 0:05:22 | |
there was a military coup in your country. Now, most of the dead | 0:05:22 | 0:05:26 | |
were the presidential guard, attacked in the middle of the night. | 0:05:26 | 0:05:30 | |
There were few civilian casualties. I'm sure your family's fine. | 0:05:30 | 0:05:35 | |
Mr Navorski, your country was annexed from the inside. | 0:05:36 | 0:05:39 | |
Republic of Krakozhia is under new leadership. | 0:05:39 | 0:05:42 | |
Krakozhia! Krakozhia. | 0:05:42 | 0:05:45 | |
-Krakozhia. -Right. I don't think, er... | 0:05:47 | 0:05:50 | |
I don't think he gets it. OK. Er, let me...let me... OK. | 0:05:50 | 0:05:54 | |
Look, imagine that these potato chips are Krakozhia, OK? | 0:05:54 | 0:05:58 | |
-Er, Kra...kozhia. -Krakozhia. | 0:05:58 | 0:06:02 | |
-Yes. -Krakozhia. OK. | 0:06:02 | 0:06:04 | |
-So the potato chips are Krakozhia, OK? -OK. | 0:06:04 | 0:06:08 | |
-And this apple - -Big Apple. Big Apple. | 0:06:08 | 0:06:11 | |
..Big Apple represents the Liberty rebels, OK? | 0:06:11 | 0:06:15 | |
No more Krakozhia. OK? New government. | 0:06:18 | 0:06:22 | |
Revolution! You understand? | 0:06:22 | 0:06:25 | |
All the flights in and out of your country are suspended indefinitely. | 0:06:25 | 0:06:29 | |
The new government has sealed all the borders so your passport | 0:06:29 | 0:06:33 | |
is not valid. So currently, you are a citizen of nowhere. | 0:06:33 | 0:06:36 | |
Even if we could get you new papers, we couldn't process them until US | 0:06:36 | 0:06:40 | |
recognises your country's new diplomatic reclassification. | 0:06:40 | 0:06:44 | |
You don't qualify for asylum, refugee status, | 0:06:44 | 0:06:47 | |
temporary protective status, humanitarian parole, | 0:06:47 | 0:06:50 | |
non-immigration work, travel or diplomatic visas. | 0:06:50 | 0:06:54 | |
You are, at this time, simply... | 0:06:54 | 0:06:56 | |
..unacceptable. | 0:06:57 | 0:06:59 | |
-Unacceptable. -Unacceptable. | 0:06:59 | 0:07:02 | |
Unacceptable. Big Apple tour include Brooklyn Bridge, | 0:07:02 | 0:07:07 | |
Empire State, Broadway show, Cats. | 0:07:07 | 0:07:10 | |
Well, I got more bad news for you, Mr Navorski. Cats has closed. | 0:07:10 | 0:07:14 | |
OK. Now I go...New York City. | 0:07:14 | 0:07:16 | |
-Thank you. -No, Mr Navorski, look, | 0:07:16 | 0:07:20 | |
-I cannot allow you to enter the United States. -Krakozhia. | 0:07:20 | 0:07:24 | |
-We can't allow you to go home. -You don't really have a home. | 0:07:24 | 0:07:28 | |
Technically it doesn't exist. It's like a... Twilight Zone. | 0:07:28 | 0:07:32 | |
-Ever see that show? -Yes. -Did you get that show? -Yes. | 0:07:32 | 0:07:35 | |
Nightmare at 30,000 feet, Zanti Misfits. | 0:07:35 | 0:07:38 | |
Zanti Misfits is Outer Limits, sir. | 0:07:38 | 0:07:41 | |
-Is it? It's not important. Anyway - -Where do I buy the Nike shoes? | 0:07:41 | 0:07:45 | |
OK, Mr Navorski, come here. Walk with me. | 0:07:45 | 0:07:48 | |
Here's my dilemma, you have no legal right to enter the United States | 0:07:48 | 0:07:52 | |
and I have no legal right to detain you. | 0:07:52 | 0:07:55 | |
-You have fallen through a small crack in the system. -Crack? | 0:07:55 | 0:07:59 | |
Yes, until we get this sorted out, I have no choice but to allow you | 0:07:59 | 0:08:03 | |
to enter the international transit lounge. I'll sign a release form | 0:08:03 | 0:08:07 | |
-that will make you a free man. -Free? -Free. -Free. | 0:08:07 | 0:08:10 | |
Free to go anywhere you like within the confines | 0:08:10 | 0:08:13 | |
of the international transit lounge. | 0:08:13 | 0:08:16 | |
-OK? -OK. | 0:08:16 | 0:08:18 | |
OK. OK. OK. OK. | 0:08:18 | 0:08:22 | |
I'm sure that Uncle Sam will have this all sorted out by tomorrow | 0:08:22 | 0:08:26 | |
-and welcome to the United States. Almost. -Thank you. | 0:08:26 | 0:08:30 | |
OK, thanks. | 0:08:30 | 0:08:32 | |
OK. | 0:08:49 | 0:08:51 | |
Now, Mr Navorski, | 0:08:51 | 0:08:54 | |
Mr Navorski. Mr Navorski! This is the international transit lounge. | 0:08:54 | 0:08:59 | |
You're free to wait here. These are food vouchers. You can use them | 0:08:59 | 0:09:03 | |
up in the food court. Your Krakozhian money is no good here. | 0:09:03 | 0:09:07 | |
This is a 15-minute pre-paid calling card. You may call home if you like. | 0:09:07 | 0:09:11 | |
This, in case we need to contact you, is a pager. | 0:09:11 | 0:09:15 | |
You must keep this with you at all times. | 0:09:15 | 0:09:18 | |
Here is an ID badge for you to get into CBP. | 0:09:19 | 0:09:23 | |
Beyond those doors... Er, Mr Navorski, Mr Navorski, | 0:09:23 | 0:09:27 | |
I need you to look at them. Beyond those doors is American soil. | 0:09:27 | 0:09:31 | |
Mr Dixon wants to make it very clear to you | 0:09:31 | 0:09:34 | |
that you are not to enter through those doors. | 0:09:34 | 0:09:37 | |
You are not to leave this building. America is closed. | 0:09:37 | 0:09:40 | |
America closed. America closed. | 0:09:40 | 0:09:44 | |
What... What I do? | 0:09:44 | 0:09:46 | |
There's only one thing you can do here, Mr Navorski. | 0:09:46 | 0:09:49 | |
Shop. | 0:09:49 | 0:09:52 | |
# FANFARE OF PATRIOTIC MUSIC | 0:09:56 | 0:09:59 | |
-TV: -'..International communities try to make inroads | 0:10:04 | 0:10:07 | |
'to a peaceful resolution. Meanwhile a troubled populous has to wonder | 0:10:07 | 0:10:11 | |
-'if they will ever find political stability...' -Krakozhia. Oh. | 0:10:11 | 0:10:15 | |
Krakozhia. Oh. | 0:10:15 | 0:10:17 | |
"And next this hour..." | 0:10:17 | 0:10:20 | |
Hey. Hey. | 0:10:20 | 0:10:22 | |
'..Have been taken hostage. We're also hearing now that | 0:10:26 | 0:10:30 | |
-'the Vice President was killed along with four cabinet members.' -HE SHOUTS | 0:10:30 | 0:10:34 | |
'By dawn, rebel leaders had surrounded state houses. | 0:10:34 | 0:10:38 | |
'In a symbolic gesture, | 0:10:38 | 0:10:41 | |
'the national flag of Krakozhia was torn down.' | 0:10:41 | 0:10:44 | |
Listen. Please. Listen. | 0:11:09 | 0:11:11 | |
Televiso! | 0:11:11 | 0:11:14 | |
Krakozhia. Krakozhia! | 0:11:14 | 0:11:17 | |
Televiso. Televiso. | 0:11:32 | 0:11:35 | |
Please, televiso. | 0:11:35 | 0:11:37 | |
'This from our overseas bureau. Last night a military coup | 0:11:37 | 0:11:41 | |
'overthrew the government of Krakozhia. | 0:11:41 | 0:11:44 | |
'Bombing and gunfire were heard through the night. | 0:11:44 | 0:11:48 | |
'We are told the president and his top aides have been taken hostage.' | 0:11:48 | 0:11:52 | |
Bonjour, monsieur. You are a Red Carpet Club member? | 0:11:52 | 0:11:56 | |
-There has been... -I need to see your boarding pass | 0:11:56 | 0:12:00 | |
and club card, sir? | 0:12:00 | 0:12:02 | |
-I'm sorry, this is a private lounge. -HE SHOUTS | 0:12:02 | 0:12:06 | |
The public lounge is downstairs. | 0:12:06 | 0:12:09 | |
SPEAKS RUSSIAN | 0:12:10 | 0:12:13 | |
-Please... -Watch it! -Please. | 0:12:48 | 0:12:51 | |
Please. Telephone. | 0:12:51 | 0:12:53 | |
Telephone. | 0:12:53 | 0:12:55 | |
Telephone? | 0:12:55 | 0:12:57 | |
Please. Please. | 0:12:59 | 0:13:01 | |
Please, please. | 0:13:01 | 0:13:03 | |
-TANNOY: -'Welcome to JFK International airport. | 0:13:29 | 0:13:32 | |
'For security reasons, please keep your luggage with you at all times. | 0:13:32 | 0:13:37 | |
'Unattended luggage will be removed for inspection | 0:13:37 | 0:13:40 | |
'and may be destroyed.' | 0:13:40 | 0:13:42 | |
HE SPEAKS RUSSIAN | 0:13:45 | 0:13:48 | |
CRACKING / RIPPING | 0:13:53 | 0:13:56 | |
Oh, my God. Oh, my God! | 0:13:56 | 0:13:58 | |
You broke my bag! I got this in Paris! It's my favourite bag! | 0:13:58 | 0:14:03 | |
I can't believe you just broke my bag! | 0:14:03 | 0:14:06 | |
Mom! Dad! He broke my bag. | 0:14:06 | 0:14:09 | |
Food. Food. | 0:14:18 | 0:14:20 | |
-Excuse me. -Please. -Stop it, stop it. | 0:14:20 | 0:14:22 | |
-Do you have an appointment? -Er. | 0:14:22 | 0:14:25 | |
Sorry, I don't let anyone to look | 0:14:25 | 0:14:28 | |
at my trash without an appointment. | 0:14:28 | 0:14:30 | |
-Er... -I have an opening next Tuesday. -Tuesday! | 0:14:30 | 0:14:34 | |
Monday, Tuesday, Wed-nez-day. Tuesday? | 0:14:34 | 0:14:37 | |
Tuesday is a good time for you to come back and get lost, OK? Goodbye. | 0:14:37 | 0:14:42 | |
Sorry. | 0:14:42 | 0:14:44 | |
Tuesday. | 0:14:44 | 0:14:47 | |
Gaaagh. | 0:16:40 | 0:16:42 | |
HE SIGHS | 0:17:34 | 0:17:36 | |
ENGINE ROARS | 0:17:36 | 0:17:38 | |
Don't shoot! | 0:17:38 | 0:17:40 | |
-She sleeps 12, Frank. -Yeah. | 0:17:47 | 0:17:50 | |
Has 120-volt generator, wet bar, gas range. | 0:17:50 | 0:17:54 | |
-She looks amazing. -She's my dream. My gold at the end of the rainbow. | 0:17:54 | 0:17:58 | |
She's a beautiful boat and I hope you get her soon. You've earned her. | 0:17:58 | 0:18:03 | |
-Thank you, Frank. -You have. -Actually, I bought her yesterday. | 0:18:03 | 0:18:07 | |
Oh, come on. Congratulations. | 0:18:07 | 0:18:10 | |
Frank, I'm nominating you to take my place. | 0:18:10 | 0:18:13 | |
Starting today, you will assume the duties of Acting Field Commissioner, | 0:18:13 | 0:18:17 | |
until you get approval from Washington. | 0:18:17 | 0:18:20 | |
-Really? -Uh-huh. -I don't know what to say. | 0:18:20 | 0:18:23 | |
-Jesus. Richard, is this real? -Oh, it's real, Frank, it's real. | 0:18:23 | 0:18:27 | |
Don't you stand there pretending to be surprised. | 0:18:27 | 0:18:30 | |
-Oh. -You've been waiting for me to retire or drop dead for years. | 0:18:30 | 0:18:34 | |
-No, I haven't been waiting for you to retire. -BOTH LAUGH | 0:18:34 | 0:18:38 | |
It's all right, Frank. | 0:18:38 | 0:18:40 | |
My retirement will become official the day you get sworn in. | 0:18:40 | 0:18:44 | |
You've waited a long time for this, Frank. | 0:18:46 | 0:18:49 | |
-I have. -Just be careful about the inspection process. | 0:18:49 | 0:18:53 | |
-Yeah? -I will. | 0:18:53 | 0:18:55 | |
I've been here for 17 years so... | 0:18:55 | 0:18:57 | |
Frank, we're talking about the Field Commissioner position. | 0:18:57 | 0:19:01 | |
People are gonna look to you for leadership. To set an example. | 0:19:01 | 0:19:05 | |
What are you saying? | 0:19:06 | 0:19:08 | |
I'm saying the job is yours to lose. | 0:19:11 | 0:19:13 | |
Get the Colombians asylum hearings. Run backgrounds on the Chinese | 0:19:13 | 0:19:17 | |
before deporting and call the parents of the Long Island kids. | 0:19:17 | 0:19:21 | |
-Tell them it was a bad idea to let them go to Jamaica. -Yes, sir. | 0:19:21 | 0:19:25 | |
Come on, everybody. We've got South America and Madrid on the tarmac. | 0:19:25 | 0:19:29 | |
I want them out of here in half an hour. | 0:19:29 | 0:19:32 | |
Mr Thurman, | 0:19:34 | 0:19:36 | |
there is a man walking around the terminal in a bathrobe. | 0:19:36 | 0:19:40 | |
I know, sir. You put him there. | 0:19:40 | 0:19:44 | |
Have a nice stay. Next! | 0:20:03 | 0:20:06 | |
-I need...visa. -Where's your green form? | 0:20:10 | 0:20:13 | |
I can't do anything without your green entry form. Go to the wall. | 0:20:13 | 0:20:17 | |
Next! | 0:20:17 | 0:20:20 | |
Sir... | 0:20:20 | 0:20:23 | |
..the light-green form. | 0:20:26 | 0:20:28 | |
# I love | 0:20:31 | 0:20:33 | |
# New York | 0:20:33 | 0:20:35 | |
# I love | 0:20:35 | 0:20:36 | |
# New York | 0:20:36 | 0:20:37 | |
# I... | 0:20:39 | 0:20:41 | |
# Love New York | 0:20:41 | 0:20:43 | |
# I love New York... # | 0:20:46 | 0:20:49 | |
Light green. | 0:20:53 | 0:20:55 | |
You cannot get into New York without a visa. You cannot get a visa | 0:20:57 | 0:21:01 | |
without a passport and you cannot get a new passport | 0:21:01 | 0:21:05 | |
without a country. There's nothing we can do. | 0:21:05 | 0:21:08 | |
But I give you light green. | 0:21:09 | 0:21:11 | |
I'm sorry but you've wasted an entire day. | 0:21:11 | 0:21:14 | |
At this time, you are simply... | 0:21:14 | 0:21:17 | |
Unacceptable. | 0:21:17 | 0:21:19 | |
-Yes. -Unacceptable. | 0:21:19 | 0:21:21 | |
Why is he still here? | 0:21:22 | 0:21:25 | |
You released him, sir. You put him there. | 0:21:25 | 0:21:28 | |
Why the hell doesn't he walk out the doors? Why doesn't he try to escape? | 0:21:28 | 0:21:32 | |
Sir, you told him to wait. | 0:21:33 | 0:21:36 | |
But I didn't think he'd actually do it. | 0:21:36 | 0:21:39 | |
I mean, he's...he's in a crack. Who the hell waits in a crack? | 0:21:40 | 0:21:44 | |
No news from the State Department but we can deport him in a few days. | 0:21:44 | 0:21:49 | |
It could be a few days, a week, two weeks, a month. | 0:21:49 | 0:21:52 | |
Who knows what this guy is thinking, what Gulag he escaped from. | 0:21:52 | 0:21:56 | |
Everything he does comes back to me. | 0:21:59 | 0:22:02 | |
-Shall I bring him back to holding, sir? -No, I'll show him the door. | 0:22:02 | 0:22:06 | |
Hello. | 0:22:06 | 0:22:09 | |
Hello. | 0:22:11 | 0:22:13 | |
-Do you have an appointment? -Yes, yes. Yes, 9.30. | 0:22:13 | 0:22:17 | |
Food document in trash. | 0:22:17 | 0:22:19 | |
-Tuesday! -Tuesday, I hate Tuesday. | 0:22:19 | 0:22:22 | |
Excuse me. | 0:22:22 | 0:22:24 | |
HE MUTTERS IN RUSSIAN | 0:22:32 | 0:22:35 | |
Airports are tricky places, Mr Navorski. | 0:22:50 | 0:22:53 | |
I'm about to tell you something, | 0:22:54 | 0:22:56 | |
something that you can never repeat to anyone. Do you understand? | 0:22:56 | 0:23:00 | |
-It's a secret. -Secret. | 0:23:00 | 0:23:03 | |
Yes, a secret. At 12 o'clock today, | 0:23:03 | 0:23:06 | |
the guards at those doors are going to leave their posts. | 0:23:06 | 0:23:10 | |
And the replacements are going to be five minutes late. | 0:23:10 | 0:23:14 | |
-Late. Late, five min... -Yes, late five minutes. | 0:23:14 | 0:23:17 | |
At 12 o'clock, just today, just this once. | 0:23:17 | 0:23:20 | |
No-one is going to be watching those doors | 0:23:20 | 0:23:23 | |
and no-one is going to be watching you. | 0:23:23 | 0:23:26 | |
So America not closed? | 0:23:26 | 0:23:28 | |
No, America, for five minutes, is open. | 0:23:28 | 0:23:32 | |
Have a nice life, Mr Navorski. | 0:23:32 | 0:23:34 | |
Oh. | 0:23:37 | 0:23:39 | |
Catch and release. Sometimes you land a small fish, | 0:23:44 | 0:23:48 | |
you unhook him carefully and you set him free | 0:23:48 | 0:23:51 | |
so somebody else can have the pleasure of catching him. All right. | 0:23:51 | 0:23:56 | |
All right, here we go. | 0:23:57 | 0:24:00 | |
OK, call them up. | 0:24:00 | 0:24:02 | |
Jenson, clear the doors. | 0:24:03 | 0:24:05 | |
Right, go, go, go. Get out. All right, there's the door. | 0:24:08 | 0:24:12 | |
All right, here we go. | 0:24:13 | 0:24:16 | |
-Here we go. -Now, where is he? -There he is. -That's not him. | 0:24:16 | 0:24:20 | |
-Are you sure? -Yeah. There he is. OK. | 0:24:20 | 0:24:22 | |
All right, Viktor, here we go. | 0:24:22 | 0:24:26 | |
Wh-Wh-What's so complicated? | 0:24:43 | 0:24:45 | |
Exit, Viktor. Couple of minutes, you'll be someone else's problem. | 0:24:45 | 0:24:50 | |
He wants to make sure no-one is watching. | 0:24:50 | 0:24:52 | |
I told him nobody would be watching. Come on. All right, here we go. | 0:24:52 | 0:24:56 | |
-This is it. -Call the airport police. -Port Authority's on its way. | 0:24:56 | 0:25:00 | |
Excuse me. | 0:25:00 | 0:25:03 | |
BUZZING | 0:25:09 | 0:25:11 | |
BUZZING | 0:25:20 | 0:25:23 | |
You got it. There we go. Ah! | 0:25:23 | 0:25:26 | |
He's gotta get a running start, I guess. Come on, Viktor, just leave. | 0:25:26 | 0:25:30 | |
Just leave. Leave. Leave. | 0:25:30 | 0:25:33 | |
What are you doing? What's he doing? Why is he kneeling? Is he praying? | 0:25:33 | 0:25:37 | |
-He's tying... -Do they pray at noon? | 0:25:37 | 0:25:39 | |
BUZZING | 0:25:39 | 0:25:41 | |
Come on, leave. Get the cameras. | 0:25:44 | 0:25:47 | |
Where is he? Where is he? | 0:25:55 | 0:25:59 | |
-Left, to the left. -No, he was just at the door. -Just go a little left. | 0:26:03 | 0:26:07 | |
All right, all right. | 0:26:07 | 0:26:10 | |
I'll wait. | 0:26:17 | 0:26:19 | |
What are you looking at? Go back to work. Thank you. | 0:26:26 | 0:26:29 | |
Aaaargh! | 0:26:34 | 0:26:36 | |
Oh, God. Oh, shit. | 0:26:36 | 0:26:39 | |
What? | 0:26:40 | 0:26:42 | |
-Oh, God. -This belongs to you? | 0:26:45 | 0:26:48 | |
-Oh, thank you. -Please, please. -Oh, shit. | 0:26:48 | 0:26:51 | |
See. The...wet floor and that you, right there. | 0:26:53 | 0:26:57 | |
I'm so late. Buenos Aires, I just can't remember the gate. | 0:26:57 | 0:27:01 | |
Gate... 24. | 0:27:01 | 0:27:04 | |
-You sure? -Yes. | 0:27:04 | 0:27:07 | |
Thanks. | 0:27:07 | 0:27:09 | |
Wait. Wait, wait. | 0:27:12 | 0:27:15 | |
For you. Payless Shoes. | 0:27:15 | 0:27:18 | |
Second floor. Sensible heels. | 0:27:18 | 0:27:20 | |
-Hi, baby. -Come here, you. | 0:27:31 | 0:27:34 | |
'I think he CIA. | 0:27:40 | 0:27:43 | |
'The CIA put him here to spy on us.' | 0:27:43 | 0:27:46 | |
You don't know what you're talking about. He doesn't speak English. | 0:27:46 | 0:27:50 | |
If he could not speak, this guy, if he can't speak English, how could | 0:27:50 | 0:27:54 | |
he have a meeting with a beautiful woman? A flight attendant. | 0:27:54 | 0:27:58 | |
-She's CIA, too? -No, she look like a Russian. | 0:27:58 | 0:28:02 | |
KGB. She gave him heel off her shoes | 0:28:02 | 0:28:04 | |
and he gave her a piece of the paper. | 0:28:04 | 0:28:08 | |
-What was it, microfilm? -A coupon from Payless Shoes. | 0:28:08 | 0:28:12 | |
It must be some kind of code. | 0:28:12 | 0:28:15 | |
Buddy, I think you've been spending too much time inhaling | 0:28:15 | 0:28:18 | |
-them cleaning products. -I'm warning you guys, you watch yourself. | 0:28:18 | 0:28:22 | |
This guy is here for a reason and I think the reason is us. | 0:28:22 | 0:28:27 | |
Excuse me, buddy. | 0:28:46 | 0:28:49 | |
What's going on? | 0:29:08 | 0:29:10 | |
It's Navorski. He's figured out the quarters. | 0:29:10 | 0:29:15 | |
Good afternoon, welcome to Burger King. May I take your order? | 0:29:37 | 0:29:41 | |
Keep the change. | 0:29:43 | 0:29:45 | |
Excuse me. | 0:30:05 | 0:30:07 | |
Come on, boys, here. Here. | 0:30:07 | 0:30:10 | |
OK, OK. OK, go. | 0:30:10 | 0:30:12 | |
Go. Go. | 0:30:12 | 0:30:15 | |
Go, go, go. | 0:30:15 | 0:30:17 | |
Good, good, good. Thank you, thank you. | 0:30:17 | 0:30:20 | |
Thank you, thank you, bye-bye. | 0:30:20 | 0:30:22 | |
Welcome to Burger King, may I take your or... | 0:30:37 | 0:30:41 | |
# FANFARE OF PATRIOTIC MUSIC | 0:30:51 | 0:30:54 | |
Crisis... Crisis? Krakozhia. Krakozhia. | 0:31:07 | 0:31:11 | |
'Now that heavy fighting has subsided, | 0:31:11 | 0:31:15 | |
'both sides have dug in deep for the long winter ahead.' | 0:31:15 | 0:31:19 | |
-Krakozhia. U...N. -'Meanwhile the people suffer the consequences.' | 0:31:19 | 0:31:23 | |
Water and food... Food. Food. | 0:31:23 | 0:31:26 | |
Peace in Krakozhia! | 0:31:28 | 0:31:31 | |
HE SHOUTS | 0:31:31 | 0:31:33 | |
HE MUTTERS IN RUSSIAN | 0:31:48 | 0:31:50 | |
New York. | 0:31:50 | 0:31:52 | |
"The story... | 0:31:52 | 0:31:55 | |
"of Broadway is the..." | 0:31:55 | 0:31:58 | |
"The cast of... | 0:32:02 | 0:32:05 | |
"comedy hit | 0:32:05 | 0:32:07 | |
"Friends, | 0:32:07 | 0:32:09 | |
"which is set in New York." | 0:32:09 | 0:32:12 | |
Friends. Friends. | 0:32:13 | 0:32:18 | |
-'Due to heavy snowfall, all flights have been cancelled.' -ALL GROAN | 0:32:25 | 0:32:30 | |
..Newtown is 61 today. | 0:32:39 | 0:32:43 | |
It's a miracle... | 0:32:43 | 0:32:45 | |
miracable... | 0:32:45 | 0:32:47 | |
conjoined twins separated today. | 0:32:47 | 0:32:49 | |
Chances of survival - | 0:32:49 | 0:32:52 | |
50-50. 50-50. | 0:32:52 | 0:32:55 | |
Next. | 0:32:58 | 0:33:00 | |
Let me ask you something, Mr Navorski, | 0:33:01 | 0:33:04 | |
why do you wait every day when I've told you there is nothing I can do? | 0:33:04 | 0:33:08 | |
Your visa will not arrive until your country | 0:33:08 | 0:33:11 | |
is recognised by the United States. | 0:33:11 | 0:33:13 | |
You have two stamp. | 0:33:13 | 0:33:16 | |
One red, one green. | 0:33:16 | 0:33:19 | |
So? | 0:33:19 | 0:33:21 | |
So I have a chance to go to New York, 50-50. | 0:33:21 | 0:33:25 | |
SHE LAUGHS | 0:33:25 | 0:33:27 | |
Yes. A beautiful way to look at it | 0:33:27 | 0:33:29 | |
but America doesn't work that way. | 0:33:29 | 0:33:32 | |
As Acting Field Commissioner, I've created a new position here at JFK. | 0:33:46 | 0:33:50 | |
Transportation liaison for passenger assistance. | 0:33:50 | 0:33:54 | |
Er, sir, what would that person do? | 0:33:54 | 0:33:58 | |
Agh! | 0:34:01 | 0:34:03 | |
Thank you, I'll take it from here. | 0:34:03 | 0:34:06 | |
I'm transportation liaison, | 0:34:08 | 0:34:10 | |
in charge of passenger assistance. | 0:34:10 | 0:34:13 | |
No carts, no quarters. No quarters, no food. | 0:34:19 | 0:34:22 | |
A few days before he barrels through those doors in violation | 0:34:22 | 0:34:26 | |
of section 214. Then he's somebody else's problem. | 0:34:26 | 0:34:29 | |
Why don't we tag him in violation of section 214 and then ship him off? | 0:34:29 | 0:34:34 | |
He has to break the law by leaving. | 0:34:34 | 0:34:36 | |
I won't lie to get rid of somebody like Navorski. | 0:34:36 | 0:34:39 | |
-Sorry, buddy. -Honey. | 0:35:13 | 0:35:16 | |
Put it down. Put it down. | 0:35:37 | 0:35:40 | |
Put it down. | 0:35:40 | 0:35:42 | |
You try to take my mop, you try to take my floor. | 0:35:44 | 0:35:47 | |
It's my job. Stay off my floor. | 0:35:47 | 0:35:51 | |
Stay away from my mop. If you touch it again, I kill you. | 0:35:51 | 0:35:55 | |
Hey. I'm Enrique Cruz. | 0:36:08 | 0:36:11 | |
We need to talk. | 0:36:13 | 0:36:15 | |
-I want to make a deal with you. -What... What deal? | 0:36:19 | 0:36:23 | |
I need information on CBP Officer Torres. | 0:36:23 | 0:36:26 | |
You feed me information about her and I'll feed you. | 0:36:26 | 0:36:30 | |
-What do you want to know? -You see her every day. -Yes. | 0:36:30 | 0:36:33 | |
I wanna know what... what makes her knees weak. | 0:36:33 | 0:36:37 | |
What makes her...blood boil, | 0:36:37 | 0:36:40 | |
her body tingle. She's a wild stallion, you'll help me break her. | 0:36:40 | 0:36:46 | |
I'm... | 0:36:46 | 0:36:48 | |
I'm her man of mystery. | 0:36:48 | 0:36:50 | |
-Officer Torres is wild stallion. -Her name is Delores. | 0:36:50 | 0:36:54 | |
-Yes. -So, you help me to win her heart and...you'll never go hungry again. | 0:36:54 | 0:36:58 | |
I do this. | 0:36:59 | 0:37:02 | |
-Really? -Yes. -Promise? -Yes. | 0:37:02 | 0:37:04 | |
OK, thank you. | 0:37:04 | 0:37:07 | |
What mean wild stallion? | 0:37:07 | 0:37:10 | |
Officer Torres... | 0:37:14 | 0:37:17 | |
-Yes. -..my friend say you are sta... -Mr Navorski. -..stallion. | 0:37:17 | 0:37:22 | |
-A what? -Stallion, like a horse. | 0:37:22 | 0:37:24 | |
Stand behind the yellow line. | 0:37:24 | 0:37:27 | |
-It's beautiful horse. -Who said that? | 0:37:27 | 0:37:30 | |
-You like food? My friend drive food. -Mr Navorski, behind the yellow line. | 0:37:30 | 0:37:34 | |
-I will help you once you wait your turn. -I'll get...light green. | 0:37:34 | 0:37:38 | |
-Light green form, please. -I'll be back. -OK. | 0:37:38 | 0:37:41 | |
She say...one thing... | 0:37:44 | 0:37:47 | |
-..very important. -What? | 0:37:49 | 0:37:51 | |
What did she tell you? | 0:37:51 | 0:37:54 | |
-You don't like it? Something wrong with the salad. -It need... | 0:37:55 | 0:37:59 | |
-gorchitsa. -What? -Moo..stard. | 0:37:59 | 0:38:02 | |
-Mustard? -Yeah! Please. -Yeah. -Please. | 0:38:02 | 0:38:05 | |
Thank you. | 0:38:08 | 0:38:10 | |
Officer Torres, you like the films? Movies? | 0:38:18 | 0:38:22 | |
-Not so much. -The Rockets? | 0:38:22 | 0:38:25 | |
-Can't afford it. -What do you like? | 0:38:25 | 0:38:28 | |
Conventions. | 0:38:28 | 0:38:30 | |
-Conventions? What is? -Conventions. | 0:38:30 | 0:38:34 | |
Conventions. | 0:38:34 | 0:38:36 | |
This is, like, secret place you go? | 0:38:37 | 0:38:40 | |
So she go to these conventions dressed as Yeoman...Rand. | 0:38:40 | 0:38:45 | |
-Yeoman Rand. -She's a Trekkie. | 0:38:45 | 0:38:48 | |
Yes, favourite episode is Doomsday Ma...chine. | 0:38:48 | 0:38:51 | |
Oh! | 0:38:51 | 0:38:53 | |
Now, listen, Viktor, | 0:38:55 | 0:38:58 | |
-you can ask her something that is very important. -Hmmm, OK. | 0:38:58 | 0:39:02 | |
-I wait. -Enjoy your visit. | 0:39:09 | 0:39:12 | |
Next. | 0:39:14 | 0:39:16 | |
Officer Torres. | 0:39:18 | 0:39:20 | |
-Mr Navorski. -You... You have choose. | 0:39:21 | 0:39:24 | |
Man with money | 0:39:24 | 0:39:27 | |
or man with...love? | 0:39:27 | 0:39:30 | |
What is choose? | 0:39:33 | 0:39:36 | |
-So she had a boyfriend? -Hmmm. | 0:39:40 | 0:39:42 | |
For how long? | 0:39:42 | 0:39:45 | |
Two years? What happened? | 0:39:45 | 0:39:47 | |
-Eat shit. -What? | 0:39:48 | 0:39:51 | |
-Eat shit. -Eat shit? | 0:39:51 | 0:39:54 | |
Echit, echit, echit. | 0:39:55 | 0:39:58 | |
Try to repeat exactly what she said. | 0:39:58 | 0:40:00 | |
-Echit, she catch him. -Oh, he cheats! -Yes, yes, yes. | 0:40:00 | 0:40:05 | |
What we call crascoch, we say crascoch. | 0:40:05 | 0:40:08 | |
-One man, two womans. -Uh-huh. | 0:40:08 | 0:40:11 | |
So. | 0:40:11 | 0:40:13 | |
Crowded, you know? | 0:40:13 | 0:40:16 | |
-OK. He cheats. -Hmmm. | 0:40:16 | 0:40:19 | |
We say cheats not shit. Cheat. | 0:40:19 | 0:40:22 | |
-Enrique, you no shit. -No cheat. | 0:40:22 | 0:40:25 | |
-No shit. -Yeah, yeah, I won't, | 0:40:25 | 0:40:27 | |
I won't, I won't cheat. Not shit. | 0:40:27 | 0:40:30 | |
She's a nice girl. She won't take your shitting. | 0:40:30 | 0:40:33 | |
Next. | 0:40:37 | 0:40:39 | |
Officer Torres, | 0:40:39 | 0:40:41 | |
have you been ever in the love? | 0:40:41 | 0:40:44 | |
Enough, Viktor. Who is it? | 0:40:44 | 0:40:48 | |
-Who is telling you to ask me these things? -Oh, it's a man of misery. | 0:40:48 | 0:40:53 | |
M-Misery? | 0:40:54 | 0:40:57 | |
Mystery? | 0:40:57 | 0:40:59 | |
No, no, misery. Man of misery. | 0:40:59 | 0:41:01 | |
Oh, he so sick, he so in love. | 0:41:01 | 0:41:04 | |
-But what did she say? -She did say... | 0:41:06 | 0:41:09 | |
"Next! Next!" | 0:41:09 | 0:41:11 | |
Now she say, "Please, come." | 0:41:11 | 0:41:13 | |
BEEPING | 0:41:13 | 0:41:15 | |
-Wait. -Ow! Ow! -What? | 0:41:15 | 0:41:18 | |
Ow! Oh. Oh! Oh! I coming. | 0:41:18 | 0:41:21 | |
No, wait, Viktor. Viktor, just tell me more. | 0:41:21 | 0:41:25 | |
-Hey, th... -I coming! I coming! | 0:41:25 | 0:41:28 | |
Please, please. Please. | 0:41:28 | 0:41:31 | |
-Viktor. Beeping. -Yes, we beeped you. | 0:41:46 | 0:41:50 | |
-So I come. -We have an idea. | 0:41:50 | 0:41:52 | |
OK, would you like something to eat? You look like you're starving. | 0:41:52 | 0:41:57 | |
Oh, no. No food. I stuffed. | 0:41:57 | 0:41:59 | |
OK, all right. Thanks. | 0:42:00 | 0:42:03 | |
-Thank you. -So, Mr Navorski, | 0:42:03 | 0:42:06 | |
-I have some very, very good news for you. -What? | 0:42:06 | 0:42:09 | |
-I think that I've figured out a way to get you out of this airport. -Oh. | 0:42:10 | 0:42:14 | |
Well, | 0:42:14 | 0:42:16 | |
we have laws here that protect aliens who have a credible fear | 0:42:16 | 0:42:20 | |
of returning to their own country. | 0:42:20 | 0:42:23 | |
If we can establish this fear with you, then the CBP | 0:42:23 | 0:42:27 | |
will be forced to begin expedited removal procedures, | 0:42:27 | 0:42:30 | |
bring you to an immigration judge | 0:42:30 | 0:42:33 | |
-and let you plead your case for asylum. -Asylum? | 0:42:33 | 0:42:37 | |
Hmm, asylum. Unfortunately, | 0:42:37 | 0:42:40 | |
the courts are so backed up with asylum cases | 0:42:40 | 0:42:43 | |
that the soonest you'd get before a judge would be six months from now. | 0:42:43 | 0:42:48 | |
Yes, and we would have no choice | 0:42:48 | 0:42:50 | |
but to let you go for those six months. | 0:42:50 | 0:42:54 | |
It's the law. You'd be released. | 0:42:54 | 0:42:56 | |
You would be free to wait in New York until your court date. | 0:42:56 | 0:43:00 | |
But, believe it or not, most people, they never show up before the judge. | 0:43:00 | 0:43:05 | |
So I go New York City? | 0:43:05 | 0:43:08 | |
Uh-huh. You can go to New York City tonight. | 0:43:08 | 0:43:12 | |
But you only get to go if we can establish a credible fear. | 0:43:12 | 0:43:16 | |
-Fear? -Hmm-mmm. Fear. -Fear. -Fear. -Fear. -Fear. | 0:43:16 | 0:43:20 | |
-From what? -Well, that's the best part. | 0:43:20 | 0:43:24 | |
It doesn't matter what you're afraid of. It's all the same to Uncle Sam. | 0:43:24 | 0:43:28 | |
I'm going to ask you one question, Viktor. | 0:43:28 | 0:43:31 | |
If you give me the correct answer, I can get you out of here tonight. | 0:43:31 | 0:43:35 | |
-So, I answer one question... -Hmm. | 0:43:37 | 0:43:39 | |
-..go to New York City... -Uh-huh. | 0:43:39 | 0:43:42 | |
-..tonight. -Tonight. -Tonight. -Tonight. -Tonight. | 0:43:42 | 0:43:46 | |
Hmmm. | 0:43:47 | 0:43:49 | |
THEY LAUGH OK! | 0:43:49 | 0:43:51 | |
OK, all right. | 0:43:51 | 0:43:54 | |
Do you, at this time, have any fear of returning to your own country? | 0:43:54 | 0:43:58 | |
No. | 0:43:58 | 0:44:00 | |
OK. Let me try it again. | 0:44:03 | 0:44:07 | |
Your country's at war, Viktor. | 0:44:07 | 0:44:09 | |
-Yes, yes, war. -There are men in the streets with guns. | 0:44:09 | 0:44:12 | |
-Political persecution! -Yes, yes, it's terrible. | 0:44:12 | 0:44:16 | |
Horrible. God only knows what could happen, right? | 0:44:16 | 0:44:19 | |
Innocent people are torn from their beds and thrown into jail. | 0:44:19 | 0:44:23 | |
-On Tuesdays. -So you're afraid? -From what? | 0:44:23 | 0:44:27 | |
Krakozhia. | 0:44:27 | 0:44:29 | |
You're afraid of Krakozhia. | 0:44:29 | 0:44:31 | |
-Krakozhia? -Hmmm-mmm. | 0:44:31 | 0:44:33 | |
No, no, I'm not afraid from Krakozhia. | 0:44:33 | 0:44:37 | |
-I'm a little afraid of this room. HE LAUGHS -OK. | 0:44:37 | 0:44:41 | |
I'm talking about bombs, I'm talking about human dignity, | 0:44:41 | 0:44:46 | |
Viktor, don't be afraid to tell me that you're afraid of Krakozhia. | 0:44:46 | 0:44:50 | |
Is home. | 0:44:51 | 0:44:53 | |
I am not afraid from my home. | 0:44:53 | 0:44:56 | |
So? | 0:44:58 | 0:45:00 | |
I go to New York City now? | 0:45:00 | 0:45:02 | |
-No. -No? | 0:45:04 | 0:45:06 | |
OK. | 0:45:06 | 0:45:08 | |
-OK, I'm a... I'm a... -No. | 0:45:08 | 0:45:11 | |
I'm afraid from ghosts. | 0:45:11 | 0:45:13 | |
-Thanks very much. -I'm afraid from... | 0:45:13 | 0:45:16 | |
Thanks a lot. Thanks, Viktor. | 0:45:16 | 0:45:19 | |
-I'm afraid from wolf men. Er, afraid from sharks. -Thanks, thanks a lot. | 0:45:19 | 0:45:23 | |
HE LAUGHS | 0:45:29 | 0:45:32 | |
Why you do this? | 0:45:33 | 0:45:35 | |
Nobody read the sign in America. | 0:45:36 | 0:45:39 | |
This is the only fun I have. | 0:45:40 | 0:45:43 | |
A barbecue? That's why I'm not going to see you? | 0:45:43 | 0:45:46 | |
Let me get this straight. I change my schedule to meet you, | 0:45:46 | 0:45:50 | |
I take four back-to-back flights, | 0:45:50 | 0:45:52 | |
fly 27 hours straight, literally, around the world | 0:45:52 | 0:45:56 | |
and know you're telling me you're gonna spend the 4th of July | 0:45:56 | 0:46:00 | |
with your wife?! The woman hates fireworks! | 0:46:00 | 0:46:04 | |
Don't lie to me, OK? | 0:46:04 | 0:46:06 | |
I know for a fact you took her to Rome last weekend. | 0:46:06 | 0:46:10 | |
Because you flew United, Max. | 0:46:10 | 0:46:12 | |
Also... | 0:46:14 | 0:46:16 | |
You making a habit out of listening to other people's conversations? | 0:46:30 | 0:46:34 | |
No, I try to call home. | 0:46:35 | 0:46:38 | |
So...then... | 0:46:38 | 0:46:41 | |
-You know why men are such assholes? -No. | 0:46:42 | 0:46:45 | |
Because they're all liars. | 0:46:49 | 0:46:52 | |
Wait. Wait! Wait, wait, wait! | 0:46:52 | 0:46:54 | |
Wait, wait, wait! Wet floor. Wet. Please. | 0:46:54 | 0:46:58 | |
-Don't be hurt. -How can I not be? He's married. | 0:46:58 | 0:47:01 | |
-One man, two womans, crowded. -Wanna know what the worst part is? | 0:47:01 | 0:47:05 | |
I never asked him to leave his wife. I encouraged him to get counselling. | 0:47:05 | 0:47:09 | |
I mean, what kind of sick person am I? | 0:47:09 | 0:47:12 | |
I'm rooting for the home team. | 0:47:12 | 0:47:15 | |
I just wish the sex wasn't so amazing. | 0:47:19 | 0:47:22 | |
Oh. HE LAUGHS | 0:47:22 | 0:47:24 | |
-OK. -Very amazing. -All right then. Bye-bye. | 0:47:24 | 0:47:28 | |
You know, sometimes in the mornings... | 0:47:28 | 0:47:31 | |
..I just stare at him over room service. | 0:47:32 | 0:47:35 | |
Watch him do the crossword puzzle. | 0:47:35 | 0:47:38 | |
I start to think that maybe... | 0:47:39 | 0:47:42 | |
..maybe this could happen. | 0:47:43 | 0:47:45 | |
That we belong together. | 0:47:45 | 0:47:47 | |
Er... | 0:47:48 | 0:47:51 | |
this...man... | 0:47:51 | 0:47:53 | |
..has you... | 0:47:54 | 0:47:56 | |
why he need... | 0:47:56 | 0:47:58 | |
asshole? | 0:47:58 | 0:48:00 | |
This is my problem. | 0:48:00 | 0:48:03 | |
I always see men the way I wanna see them. | 0:48:03 | 0:48:06 | |
Do I know you from some place? | 0:48:11 | 0:48:13 | |
Sensible heels, Payless Shoes, | 0:48:13 | 0:48:17 | |
second floor. SHE LAUGHS | 0:48:17 | 0:48:19 | |
Oh. | 0:48:20 | 0:48:22 | |
You headed for home? | 0:48:22 | 0:48:24 | |
Er, | 0:48:24 | 0:48:26 | |
no, no, I am... | 0:48:26 | 0:48:28 | |
I am delayed, | 0:48:28 | 0:48:30 | |
er, long time. | 0:48:30 | 0:48:33 | |
I hate it when they delay flights. What do you do? | 0:48:33 | 0:48:36 | |
Oh, I...go... | 0:48:36 | 0:48:39 | |
from one building to another building. | 0:48:39 | 0:48:42 | |
I have...beeper. | 0:48:42 | 0:48:45 | |
Oh, contractors. | 0:48:45 | 0:48:47 | |
You guys travel as much as we do. | 0:48:47 | 0:48:50 | |
Sorry about that. Thank you very much. What's BH? | 0:48:51 | 0:48:56 | |
In English, | 0:48:56 | 0:48:58 | |
Viktor Navorski. | 0:48:58 | 0:49:01 | |
In English, Amelia Warren. | 0:49:01 | 0:49:04 | |
Amelia Warren. | 0:49:04 | 0:49:06 | |
-Yeah. -Nice to meet you. -You too. | 0:49:06 | 0:49:08 | |
Nice to see you again. | 0:49:08 | 0:49:11 | |
OK. | 0:49:11 | 0:49:13 | |
Do you like Italian food? | 0:49:13 | 0:49:15 | |
I know, it's late and you've probably got other plans | 0:49:15 | 0:49:19 | |
but if you'd like to grab some dinner, we can run and catch a cab. | 0:49:19 | 0:49:23 | |
I know a place that has the greatest cannelloni. | 0:49:23 | 0:49:26 | |
Er, no, I-I-I... I can't. | 0:49:26 | 0:49:30 | |
-You married? -No, no. -Girlfriend? | 0:49:30 | 0:49:33 | |
No. I... | 0:49:34 | 0:49:36 | |
I can't go out...with you. | 0:49:36 | 0:49:40 | |
God. | 0:49:42 | 0:49:44 | |
I am so... I am so sorry. | 0:49:44 | 0:49:47 | |
I am so sorry. I must come off like a complete nut job or something. | 0:49:47 | 0:49:51 | |
-No. -I didn't wanna eat alone. Ever done that? | 0:49:51 | 0:49:54 | |
Wet floor! Wet, wet floor. No, I... | 0:49:54 | 0:49:57 | |
-No, you don't have to explain. It's fine. -No, please, I... | 0:49:57 | 0:50:01 | |
Nadia, | 0:50:05 | 0:50:08 | |
in New York restaurant, | 0:50:08 | 0:50:10 | |
what cost is cantaloni? | 0:50:10 | 0:50:13 | |
I don't know. Maybe 15? | 0:50:13 | 0:50:15 | |
-Dollars? -20. | 0:50:15 | 0:50:17 | |
-Two people, 40. -Oh. | 0:50:17 | 0:50:20 | |
Two people, 40? | 0:50:20 | 0:50:22 | |
Two people, 40. | 0:50:29 | 0:50:32 | |
I... I help you. | 0:50:38 | 0:50:41 | |
I'm so sorry, sir, the position has already been filled. | 0:50:41 | 0:50:46 | |
-Do you live nearby? -Yes, yes. | 0:50:51 | 0:50:54 | |
Gate 67. | 0:50:54 | 0:50:56 | |
Because we are very particular about punctual... | 0:50:56 | 0:50:59 | |
-Did you say gate 67? -Gate 67. SHE LAUGHS | 0:50:59 | 0:51:02 | |
-ALL LAUGH -You gotta be kidding. | 0:51:04 | 0:51:07 | |
You gotta help me help you. I don't see a social security number. | 0:51:08 | 0:51:12 | |
Mailing address? A phone number? | 0:51:12 | 0:51:15 | |
-Telephone? You need? -Yeah. -I get, I get. I get phone. | 0:51:15 | 0:51:18 | |
I get... I get phone. | 0:51:20 | 0:51:22 | |
051... | 0:51:31 | 0:51:34 | |
1226. | 0:51:34 | 0:51:36 | |
All right, and when's the best time to reach you? | 0:51:36 | 0:51:39 | |
Now. | 0:51:39 | 0:51:42 | |
PHONE RINGS | 0:52:08 | 0:52:10 | |
-Hello? -'Hi, Mr Navorski?' | 0:52:12 | 0:52:15 | |
Yes, this is Mr Navorski. Who calls? | 0:52:15 | 0:52:18 | |
-'It's Cliff, the manager of the Discovery Store.' -Oh! | 0:52:18 | 0:52:22 | |
-'How's it going?' -Good. -Is this a good time? | 0:52:22 | 0:52:25 | |
I wait for your call the whole day. | 0:52:25 | 0:52:27 | |
-Yeah, unfortunately I gotta tell you that the position's been filled. -Oh? | 0:52:27 | 0:52:32 | |
Yeah, could you go sit some place else? | 0:52:32 | 0:52:35 | |
-Yeah, I go to the bathroom now. -Good. -Thank you. -All right. | 0:52:35 | 0:52:39 | |
-Thank you. -OK. | 0:52:39 | 0:52:41 | |
WOMAN SCREAMS | 0:52:42 | 0:52:44 | |
Oh! HE LAUGHS | 0:54:01 | 0:54:03 | |
Who is this? Who are you? | 0:54:05 | 0:54:08 | |
There's no-one here for another two weeks. He isn't one of my guys. | 0:54:08 | 0:54:12 | |
Look at this cornicing. | 0:54:17 | 0:54:19 | |
This is good work. | 0:54:19 | 0:54:21 | |
Must be Harry's crew. | 0:54:21 | 0:54:24 | |
-You with Harry's crew? -Does Harry think he's running this job? -I go. | 0:54:24 | 0:54:28 | |
-Go? Go where? -Gate 67. | 0:54:28 | 0:54:30 | |
67? We're ten months away from 67. | 0:54:30 | 0:54:33 | |
He's gotta be Harry's, if he's not mine and he's not yours. | 0:54:33 | 0:54:37 | |
Trying to make me look bad. I gotta slow that prick down. | 0:54:37 | 0:54:40 | |
-What's your name? -Viktor Navorski. | 0:54:40 | 0:54:43 | |
Bobby, pull him off Harry's crew, put him on mine. | 0:54:44 | 0:54:48 | |
You start 6:30 Monday morning. | 0:54:48 | 0:54:49 | |
You... You give me job? | 0:54:49 | 0:54:52 | |
6:30? Yes, boss. | 0:54:54 | 0:54:56 | |
-We have lobster ravioli from Al Italia. -Good. | 0:55:34 | 0:55:37 | |
We have caviar from Russian Aeroflot. | 0:55:37 | 0:55:40 | |
-OK, OK, bring it. -Hey, Viktor! -Hello. | 0:55:40 | 0:55:44 | |
Look, the man without a country. Come on in, | 0:55:44 | 0:55:48 | |
-welcome. -I see this. | 0:55:48 | 0:55:50 | |
You did well. | 0:55:50 | 0:55:53 | |
-Have a seat. -Here? -Here. | 0:55:53 | 0:55:55 | |
-Sit down. -Hey, who invited him? | 0:55:55 | 0:55:58 | |
-I did. We needed a fourth, right? -I'm not going to play with him. | 0:55:58 | 0:56:02 | |
-Oh, Gupta, relax, would you? He ain't a spy. -How do you know? | 0:56:02 | 0:56:07 | |
He could be recording everything we say. | 0:56:07 | 0:56:10 | |
A wire in his shirt. A microphone up in his ass. | 0:56:10 | 0:56:14 | |
I'm not going to lose my job. | 0:56:14 | 0:56:17 | |
Fine. Will you feel better | 0:56:17 | 0:56:20 | |
-if we X-rayed him? -Yes. | 0:56:20 | 0:56:22 | |
Close your eyes. | 0:56:22 | 0:56:25 | |
OK, so you are clean. | 0:56:35 | 0:56:38 | |
-Good, let's play cards. -I will...have money. Friday. | 0:56:38 | 0:56:41 | |
Don't worry, we don't play for cash, | 0:56:41 | 0:56:43 | |
we play for unclaimed items from the lost and found. | 0:56:43 | 0:56:47 | |
You'll be amazed at what people leave at airports. Come. | 0:56:47 | 0:56:50 | |
I have two nines and two nines. | 0:56:50 | 0:56:53 | |
-Oh! -Four nines. Thank you. | 0:56:53 | 0:56:56 | |
-Wow. -Careful, careful. | 0:56:56 | 0:56:58 | |
Wait, wait. Hey, we have a question for you, Viktor. | 0:56:58 | 0:57:02 | |
Yeah, we're just curious. | 0:57:02 | 0:57:04 | |
-What is in the can? -Oh, this? | 0:57:04 | 0:57:07 | |
-We saw the X-ray. -We know there's no nuts in there. | 0:57:07 | 0:57:11 | |
No, nuts in there. | 0:57:11 | 0:57:14 | |
This is jazz. | 0:57:14 | 0:57:16 | |
-Jazz? -Jazz, yes. | 0:57:16 | 0:57:19 | |
-Jazz? -Yes. | 0:57:19 | 0:57:21 | |
-HE LAUGHS -You sure it's jazz in there, Viktor? | 0:57:21 | 0:57:25 | |
-Check again, it might be the blues. -Maybe some salsa. | 0:57:25 | 0:57:28 | |
-Maybe Stevie Wonder. -No, it's jazz. | 0:57:28 | 0:57:30 | |
OK, guys, OK, for tonight's grand prize, | 0:57:30 | 0:57:33 | |
we have... | 0:57:33 | 0:57:36 | |
-Show them, Gupta. -Oh. I found this upstairs. | 0:57:36 | 0:57:39 | |
Virgin Air, first class lounge. | 0:57:39 | 0:57:42 | |
There you go. | 0:57:42 | 0:57:44 | |
And they belong to? | 0:57:44 | 0:57:47 | |
-Cher. -Cher? | 0:57:47 | 0:57:49 | |
As in Cher? | 0:57:49 | 0:57:52 | |
-Yeah. -Cher, I checked it out. There were witnesses. | 0:57:52 | 0:57:55 | |
Those are Cher's panties. Ready? | 0:57:55 | 0:57:58 | |
-Hurry up. -So, we...share the panties? | 0:57:58 | 0:58:01 | |
-No, no, no. -Not if I win. Come on. -Wait a second. | 0:58:01 | 0:58:05 | |
HE MUMBLES | 0:58:12 | 0:58:14 | |
Viktor? | 0:58:19 | 0:58:21 | |
-Hi. -Oh. | 0:58:21 | 0:58:23 | |
-How... Oh! -Please, please, please. | 0:58:23 | 0:58:26 | |
-How are you? -Good, good. | 0:58:26 | 0:58:28 | |
I am so sorry about what happened last time, asking you out. | 0:58:28 | 0:58:32 | |
I'm so used to guys grabbing my ass at 30,000 feet that when I meet | 0:58:32 | 0:58:36 | |
someone who keeps his hands in his pockets, I don't know how to react. | 0:58:36 | 0:58:40 | |
-Oh. -Let's just start over, huh? -Yes, OK. | 0:58:40 | 0:58:43 | |
-Are you coming or going? -I don't know. Both. -Tell me about it. | 0:58:43 | 0:58:48 | |
-Napoleon? -Yeah. Yeah, I read a lot of history books. | 0:58:48 | 0:58:52 | |
They're long and cheap and usually about men killing each other. | 0:58:52 | 0:58:55 | |
1,200 pages for 9.99, you can't beat that. | 0:58:55 | 0:58:58 | |
-No, but Napoleon? -Yeah, he's one of my favourites. | 0:58:58 | 0:59:02 | |
-Do you know what saved Napoleon's life? -No. | 0:59:02 | 0:59:05 | |
-His ego. -Ego? -Yeah. | 0:59:05 | 0:59:08 | |
After he loses the battle of Waterloo, Napoleon isolates himself | 0:59:08 | 0:59:12 | |
on the tiny island of Saint Helena. Now, no-one knows exactly | 0:59:12 | 0:59:16 | |
what happens next but the version I like goes like this... | 0:59:16 | 0:59:20 | |
He's very depressed and he decides to take his own life. | 0:59:20 | 0:59:23 | |
But Napoleon believes himself to be of such super-human strength | 0:59:23 | 0:59:27 | |
that he takes six times the amount of poison needed to do the job. | 0:59:27 | 0:59:32 | |
I mean, his stomach is so full up with poison that his body rejects it | 0:59:32 | 0:59:36 | |
and he doesn't die. See? | 0:59:36 | 0:59:38 | |
Ego saved his life. | 0:59:38 | 0:59:41 | |
-Maybe he need glasses. -Glasses? | 0:59:41 | 0:59:44 | |
So to read words on bottle. Poison. | 0:59:44 | 0:59:48 | |
You know, it's funny you should say that. | 0:59:49 | 0:59:52 | |
Rumour has it that Napoleon was far-sighted. There you go. | 0:59:52 | 0:59:56 | |
-There you go. -There you go. -There you go. | 0:59:56 | 0:59:58 | |
Viktor, I think we're rewriting history right here. | 0:59:58 | 1:00:02 | |
Why don't we talk about it over lunch? | 1:00:02 | 1:00:06 | |
I can't believe it. I just asked you out again. I just did it again. | 1:00:06 | 1:00:10 | |
SHE LAUGHS | 1:00:10 | 1:00:12 | |
Just stay away from me, Viktor, OK? I'm sick. | 1:00:12 | 1:00:15 | |
-I don't have the ability to be alone for five seconds. -OK. | 1:00:15 | 1:00:19 | |
-OK what? -OK. | 1:00:19 | 1:00:22 | |
Lunch, with you. | 1:00:22 | 1:00:25 | |
-You'll have lunch with me? -Yes! | 1:00:25 | 1:00:28 | |
You're not running for a flight or... | 1:00:28 | 1:00:31 | |
I wait. BEEPING | 1:00:31 | 1:00:33 | |
-Oh. -Oh. -It's me. | 1:00:33 | 1:00:36 | |
-You, yes. -I'm sorry. I just got paged. | 1:00:36 | 1:00:39 | |
You work? | 1:00:39 | 1:00:42 | |
No. | 1:00:42 | 1:00:44 | |
Ah. Trio. Crowded. | 1:00:44 | 1:00:47 | |
Stay away from me, Viktor. | 1:00:47 | 1:00:50 | |
I'm... I have a serious problem. | 1:00:50 | 1:00:52 | |
I'm as bad as Napoleon. I just keep ingesting these poisonous men | 1:00:52 | 1:00:56 | |
until I make myself sick. | 1:00:56 | 1:00:59 | |
You're not sick, Amelia, no. | 1:00:59 | 1:01:01 | |
-No? -No, you little...far-sighted. | 1:01:01 | 1:01:05 | |
I have to go. | 1:01:06 | 1:01:09 | |
I have to stay. | 1:01:09 | 1:01:11 | |
-Story of my life. -Oh, me too. | 1:01:11 | 1:01:14 | |
Your CBP inspection's in three days. | 1:01:29 | 1:01:31 | |
The FBI and Homeland Security will tour the airport at 9am | 1:01:31 | 1:01:35 | |
and spend two hours observing these offices before your interview. | 1:01:35 | 1:01:39 | |
How much does Navorski make? | 1:01:39 | 1:01:42 | |
Sir? | 1:01:42 | 1:01:44 | |
How much does he make? How much are they paying him? | 1:01:44 | 1:01:47 | |
-I believe they are paying him cash under the table, sir. -I know that. | 1:01:49 | 1:01:53 | |
-How much? -19 an hour. | 1:01:53 | 1:01:56 | |
Unbelievable. | 1:01:56 | 1:01:58 | |
Do you know that's more than I make? | 1:01:58 | 1:02:01 | |
It's New York City construction. | 1:02:01 | 1:02:03 | |
Do you know, one of my own men came up to me the other day, | 1:02:03 | 1:02:07 | |
asked me if I wanted to join the big pool. Look at him. | 1:02:07 | 1:02:10 | |
Place a bet on when Navorski was going to leave this airport. | 1:02:10 | 1:02:14 | |
Have you heard about this? | 1:02:14 | 1:02:17 | |
I have January 3rd. | 1:02:18 | 1:02:20 | |
Bring him in. | 1:02:23 | 1:02:26 | |
Jake, he has no nationality, OK? No country. | 1:02:26 | 1:02:29 | |
So, automatically, he's a national security risk, | 1:02:29 | 1:02:33 | |
according to my interpretation of section 212. | 1:02:33 | 1:02:36 | |
All I'm asking is you put him in | 1:02:36 | 1:02:38 | |
a federal detention centre and run a clearance. | 1:02:38 | 1:02:41 | |
Well, what about a federal prison? | 1:02:41 | 1:02:44 | |
Well, what about another airport? | 1:02:45 | 1:02:47 | |
Hello? Hello? | 1:02:47 | 1:02:50 | |
Goddamn it. | 1:02:50 | 1:02:52 | |
Country's detaining so many people there's no goddamn room anywhere. | 1:02:52 | 1:02:57 | |
-You try the FBI? -Yes, I tried the FBI! | 1:02:57 | 1:03:00 | |
-I've tried everybody. Nobody will take him. -Want me to bring him back? | 1:03:00 | 1:03:04 | |
No. From now on, Navorski lives here. | 1:03:04 | 1:03:07 | |
The people who are coming here today will be observing me, | 1:03:16 | 1:03:20 | |
inspecting me. | 1:03:20 | 1:03:23 | |
Most of all, they will be looking at the way that this airport is run. | 1:03:23 | 1:03:27 | |
So let's show them why this is | 1:03:27 | 1:03:29 | |
the number-one airport in the United States. | 1:03:29 | 1:03:32 | |
We process about... 600 planes a day, | 1:03:32 | 1:03:35 | |
with a processing time of 37 minutes per plane, | 1:03:35 | 1:03:38 | |
about 60 seconds per passenger. | 1:03:38 | 1:03:40 | |
Have you brought into the country any foodstuffs? | 1:03:40 | 1:03:43 | |
We keep it as clean as possible. | 1:03:43 | 1:03:45 | |
-Import export. -What do you import? -That's a lot of walnuts. | 1:03:45 | 1:03:49 | |
Um, yeah, yeah, my mother-in-law loves these things. | 1:03:49 | 1:03:53 | |
-Every time I go to Brazil, she makes me bring her a bag. -Mother-in-law? | 1:03:53 | 1:03:57 | |
Mind if I try one? | 1:03:57 | 1:04:00 | |
-How did you know those weren't for his mother-in-law? -If he's married, | 1:04:08 | 1:04:13 | |
where's his ring? If he's divorced, who talks to their mother-in-law? | 1:04:13 | 1:04:17 | |
-ALL LAUGH -I'm sorry, I mean, but really? | 1:04:17 | 1:04:20 | |
-No offence to mother-in-laws. -Sir? -Yeah. | 1:04:20 | 1:04:22 | |
Sir, we have a situation upstairs. | 1:04:24 | 1:04:27 | |
-It's gonna have to wait. -It won't. | 1:04:27 | 1:04:30 | |
When the 9:12 from Toronto landed, they found four prescriptions | 1:04:30 | 1:04:33 | |
without an MPL. They tried to take the pills away and he went nuts. | 1:04:33 | 1:04:37 | |
-There he is. -No, no, no. Sir, calm down. | 1:04:37 | 1:04:40 | |
ALL SHOUT | 1:04:40 | 1:04:42 | |
OK, OK, we're here to help you. | 1:04:45 | 1:04:48 | |
-Where's he from? -Russia. The interpreter will be here in an hour. | 1:04:48 | 1:04:52 | |
-We've gotta find somebody to talk to this guy. -I have an idea, sir. | 1:04:52 | 1:04:57 | |
Viktor? | 1:04:59 | 1:05:01 | |
Viktor? | 1:05:02 | 1:05:04 | |
-Hello. -Oh. | 1:05:04 | 1:05:06 | |
I need your help. | 1:05:06 | 1:05:08 | |
His name is Milodragovich. He may not speak exactly your dialect | 1:05:11 | 1:05:15 | |
-but I need you translate and help me out of a jam. -I help you why? | 1:05:15 | 1:05:19 | |
Because I don't want anybody to get hurt, Viktor. This guy's very upset. | 1:05:19 | 1:05:23 | |
Talk, calm him down. Do that, I'll let you back in the terminal. | 1:05:23 | 1:05:27 | |
-No red stamp. Green for New York. -OK, yes. -You say yes? | 1:05:27 | 1:05:31 | |
-Yes! -Yes. | 1:05:31 | 1:05:33 | |
OK, OK, OK. Mr Milodragovich, we have somebody here to talk to you. | 1:05:33 | 1:05:37 | |
Somebody to talk to you. Go ahead. | 1:05:37 | 1:05:39 | |
HE SPEAKS RUSSIAN | 1:05:39 | 1:05:41 | |
HE SPEAKS RUSSIAN | 1:05:47 | 1:05:49 | |
So? | 1:05:55 | 1:05:58 | |
OK, tell him in order | 1:05:58 | 1:06:00 | |
to export medicines from this country, | 1:06:00 | 1:06:03 | |
he needs to have the proper form. | 1:06:03 | 1:06:05 | |
He needs to have a medicinal purchase licence. | 1:06:05 | 1:06:09 | |
OK, you understand me, Viktor? | 1:06:09 | 1:06:11 | |
HE TRANSLATES | 1:06:11 | 1:06:13 | |
He... He say he bring the medicine for his father. | 1:06:32 | 1:06:37 | |
-ALL: -Whoa, whoa, whoa. | 1:06:37 | 1:06:39 | |
This why he go to Canada. | 1:06:42 | 1:06:45 | |
-This why, medicine. -OK, it doesn't matter. | 1:06:45 | 1:06:48 | |
His plane landed in the United States, he needs the right forms. | 1:06:48 | 1:06:52 | |
He did not know he needed document. No-one said to him he need document. | 1:07:04 | 1:07:08 | |
I'm saying it to him. He needs the form | 1:07:08 | 1:07:11 | |
signed by the hospital treating his father and a doctor in Canada. | 1:07:11 | 1:07:15 | |
These medicines have to stay in the United States now that they're here. | 1:07:15 | 1:07:19 | |
He... He... | 1:07:34 | 1:07:37 | |
-He's begging you. -I know, I can see that he's begging. | 1:07:37 | 1:07:40 | |
I can see that. | 1:07:40 | 1:07:43 | |
I'm sorry, sir. | 1:07:45 | 1:07:47 | |
You'll have to take a flight in the morning. | 1:07:47 | 1:07:50 | |
The medicine stays here. | 1:07:50 | 1:07:52 | |
I'm sorry. | 1:07:52 | 1:07:55 | |
Set him down! | 1:07:59 | 1:08:01 | |
All right, all right. Thank you, Viktor, good job. Let's go. | 1:08:04 | 1:08:09 | |
Calm down... | 1:08:09 | 1:08:12 | |
Whoa, whoa. Oh, hey! Goat! | 1:08:14 | 1:08:17 | |
-What? -Goat, goat. | 1:08:17 | 1:08:20 | |
The medicine is for goat. | 1:08:20 | 1:08:23 | |
-Goat? -Yes, yes. | 1:08:23 | 1:08:25 | |
Medicine is for goat. Goat. HE BLEATS | 1:08:25 | 1:08:29 | |
-He said that? -Yes. | 1:08:30 | 1:08:33 | |
He say...we not under... | 1:08:33 | 1:08:35 | |
I not understand for goat. | 1:08:35 | 1:08:39 | |
Wait, what are you saying? You mis... You misunderstood him? | 1:08:39 | 1:08:42 | |
-That the medicine is not for his dying father? -No. | 1:08:42 | 1:08:45 | |
The... The... | 1:08:45 | 1:08:47 | |
Krakozhian name for father... | 1:08:47 | 1:08:50 | |
sound like goat. | 1:08:50 | 1:08:52 | |
I make...mistake. HE LAUGHS | 1:08:53 | 1:08:56 | |
HE SOBS | 1:08:59 | 1:09:01 | |
Why are you doing this, Viktor? | 1:09:02 | 1:09:05 | |
Medicine is for...goat. | 1:09:05 | 1:09:08 | |
-No, it's not. -Yes. -No, it's not. | 1:09:08 | 1:09:10 | |
-Yes. -No. -Yes. -No. -Yes. -No. -Yes. -No. | 1:09:10 | 1:09:13 | |
-You read the blue immigration form. -Blue? -Yeah. | 1:09:13 | 1:09:16 | |
-Blue? -That says if it's an animal, he doesn't need a medicinal purchase... | 1:09:16 | 1:09:21 | |
-No. -You know it. Then he can bring the drugs in. Very good. | 1:09:21 | 1:09:25 | |
Why are you doing this? Huh? | 1:09:27 | 1:09:30 | |
You don't know him. You don't know the rules. | 1:09:30 | 1:09:33 | |
Look at me. | 1:09:33 | 1:09:35 | |
I was gonna help you. | 1:09:35 | 1:09:38 | |
-Now, I want you to ask him... -He say - no! | 1:09:38 | 1:09:41 | |
Not you. I want you to ask him. I wanna hear him say it. | 1:09:41 | 1:09:46 | |
I wanna hear him say who the medicine is for. | 1:09:46 | 1:09:49 | |
Please, who the medicine is for. | 1:09:49 | 1:09:52 | |
Answer him, Mr Milodragovich. Who are the pills for? | 1:10:02 | 1:10:05 | |
OK, the pills stay, he goes. That's it. | 1:10:12 | 1:10:15 | |
-Come on now. -Let's go. | 1:10:15 | 1:10:17 | |
-Easy. Take it easy now, come on. -Goat. | 1:10:17 | 1:10:21 | |
It is for goat. | 1:10:21 | 1:10:24 | |
It is for goat. | 1:10:25 | 1:10:27 | |
Medicine for goat. Medicine for goat. | 1:10:28 | 1:10:31 | |
Give him the pills. | 1:10:32 | 1:10:35 | |
Medicine for goat. | 1:10:37 | 1:10:39 | |
Medicine, medicine. | 1:10:40 | 1:10:42 | |
No, no. | 1:10:43 | 1:10:45 | |
BOTH SPEAK RUSSIAN | 1:10:45 | 1:10:47 | |
Come on, now. | 1:10:52 | 1:10:54 | |
He loved that goat. | 1:10:54 | 1:10:57 | |
Do you think this is a game, huh? | 1:10:57 | 1:10:59 | |
Do you think I need an excuse to put you back in that cell? | 1:10:59 | 1:11:04 | |
Go to war with me and you go to war with the United States of America. | 1:11:04 | 1:11:08 | |
You'll know why people of Krakozhia wait for cheap toilet paper | 1:11:08 | 1:11:12 | |
while Uncle Sam wipes his ass with Charmin two-ply. | 1:11:12 | 1:11:16 | |
'There was 20 men. | 1:11:23 | 1:11:25 | |
'Immigration gun was drawn.' | 1:11:25 | 1:11:28 | |
The Dixon was ready to fire, | 1:11:28 | 1:11:31 | |
to kill the little man with the pills. | 1:11:31 | 1:11:34 | |
But then someone walks into the room | 1:11:34 | 1:11:38 | |
and stand in front of this man. | 1:11:38 | 1:11:40 | |
"Put the guns away." | 1:11:40 | 1:11:43 | |
-The man said, "Nobody will die today." -Who? | 1:11:43 | 1:11:48 | |
Who was it that saved him? | 1:11:48 | 1:11:50 | |
ALL: Yeah, tell us who it was. | 1:11:50 | 1:11:52 | |
Navorski, Viktor. | 1:11:58 | 1:12:01 | |
The goat! Navorski! | 1:12:01 | 1:12:03 | |
Doesn't look good, Frank. | 1:12:29 | 1:12:32 | |
I was just following the rules. | 1:12:32 | 1:12:34 | |
Sometimes you have to ignore the rules, ignore the numbers, | 1:12:34 | 1:12:38 | |
-concentrate on the people. -People, yeah, I know. -Compassion, Frank. | 1:12:38 | 1:12:42 | |
That's the foundation of this country. | 1:12:42 | 1:12:45 | |
You could learn something from Navorski. | 1:12:45 | 1:12:48 | |
Cheer up, it's not over yet. | 1:12:50 | 1:12:53 | |
-Is that for me? -Yes, yes. | 1:13:18 | 1:13:21 | |
He is a... | 1:13:21 | 1:13:23 | |
Virgin Isles sail fish. | 1:13:23 | 1:13:25 | |
For you. | 1:13:25 | 1:13:27 | |
For you. | 1:13:27 | 1:13:29 | |
For wall. | 1:13:29 | 1:13:31 | |
This is for wall. | 1:13:33 | 1:13:35 | |
Why do you wanna go to New York, Viktor? | 1:13:41 | 1:13:43 | |
And what's in the can of peanuts? | 1:13:43 | 1:13:46 | |
A promise. | 1:13:47 | 1:13:50 | |
-A promise? -Yes. | 1:13:50 | 1:13:53 | |
-In a can? -Yes, promise. | 1:13:53 | 1:13:55 | |
Let me make you a promise, Viktor. | 1:13:57 | 1:13:59 | |
And this is a promise that comes from a man who is stuck here, | 1:13:59 | 1:14:03 | |
a man who may be stuck here for the next ten years. | 1:14:03 | 1:14:07 | |
From now on, | 1:14:07 | 1:14:09 | |
you and I are partners. | 1:14:09 | 1:14:12 | |
If I stay, | 1:14:12 | 1:14:15 | |
you stay. | 1:14:15 | 1:14:17 | |
You will not set one foot in New York City. | 1:14:17 | 1:14:21 | |
Not a single toe | 1:14:21 | 1:14:23 | |
in the United States of America. | 1:14:23 | 1:14:25 | |
Do you understand what I am saying to you? | 1:14:25 | 1:14:29 | |
Yeah. | 1:14:29 | 1:14:31 | |
You don't like fish. | 1:14:33 | 1:14:35 | |
Ever feel like you're just living in an airport? | 1:14:55 | 1:14:58 | |
You know, we don't have to do this, Viktor. | 1:15:05 | 1:15:08 | |
I can ship you out. I can mail you anywhere in the United States. | 1:15:08 | 1:15:12 | |
-What about my food cart. He can hide inside and we'll drive out. -No. | 1:15:12 | 1:15:16 | |
-I can't do this. -I thought you said you wanted us to help you. | 1:15:16 | 1:15:20 | |
-I do. -What's the name? -Amelia Warren. | 1:15:20 | 1:15:22 | |
-I thought we were looking for a way out. -Here. | 1:15:22 | 1:15:25 | |
You be careful. Those flight attendants ain't like regular women. | 1:15:25 | 1:15:29 | |
Flying between those time zones messes with their biological clock | 1:15:29 | 1:15:33 | |
-or something. Always ready for sex. -I found something. | 1:15:33 | 1:15:36 | |
-Shhh. -I am leaving. | 1:15:36 | 1:15:39 | |
-They will come for us. -Gupta, relax. Just got out and watch the door. | 1:15:39 | 1:15:44 | |
You go in jail, not me. | 1:15:44 | 1:15:46 | |
You know what, forget it. | 1:15:46 | 1:15:49 | |
-Just keep looking. -Warren? -Yes. | 1:15:49 | 1:15:51 | |
Amelia Jane Warren? | 1:15:51 | 1:15:54 | |
-Jane? -Yeah. | 1:15:54 | 1:15:56 | |
Oh, way to go, Viktor, first class. | 1:15:57 | 1:16:00 | |
-When she come back? -Er, three weeks. | 1:16:00 | 1:16:03 | |
Oh. | 1:16:40 | 1:16:42 | |
Amelia, | 1:16:42 | 1:16:44 | |
would you like to get eat to bite? | 1:16:44 | 1:16:47 | |
Bite to eat? | 1:16:47 | 1:16:49 | |
Cantaloni? | 1:16:49 | 1:16:52 | |
Bite to eat? | 1:17:00 | 1:17:02 | |
Bite to eat. | 1:17:03 | 1:17:06 | |
Bite to eat. | 1:17:06 | 1:17:09 | |
Eat to bite? Eat to bite. | 1:17:11 | 1:17:14 | |
Bite to eat. Bite to eat. Bite to eat, bite to eat. | 1:17:15 | 1:17:21 | |
Bite to eat, bite to eat, bite to eat, bite to eat, bite to eat. | 1:17:21 | 1:17:25 | |
Bite to eat, bite to eat, bite to eat, bite to eat, bite to eat. | 1:17:25 | 1:17:29 | |
Gupta, | 1:17:33 | 1:17:35 | |
you been ever married? | 1:17:35 | 1:17:38 | |
-What did you say? -You been ever married? | 1:17:38 | 1:17:41 | |
I had a wife and two kids in India. | 1:17:42 | 1:17:44 | |
I left them there 23 years ago. | 1:17:44 | 1:17:47 | |
Why? | 1:17:47 | 1:17:49 | |
I had a small tobacco shop in Madras. | 1:17:49 | 1:17:53 | |
Made just enough money to survive. | 1:17:53 | 1:17:56 | |
One day, this policeman comes in | 1:17:56 | 1:17:58 | |
and tells me I owe him some tax. | 1:17:58 | 1:18:01 | |
I said, "OK. This is karma." So I pay him. | 1:18:01 | 1:18:04 | |
But the next day, the same policeman come. | 1:18:04 | 1:18:08 | |
And kept coming and kept coming and I'm paying and I'm paying | 1:18:08 | 1:18:12 | |
and paying him and paying him and finally, on the fifth day, | 1:18:12 | 1:18:16 | |
I take a knife and I stab him in his chest. | 1:18:16 | 1:18:19 | |
-You killed policeman? -No, | 1:18:19 | 1:18:22 | |
I just missed his heart. When they tried to arrest me, I just run away. | 1:18:22 | 1:18:27 | |
So you never go home? | 1:18:27 | 1:18:30 | |
Oh, if I go home, I go into jail for seven years. | 1:18:30 | 1:18:35 | |
What if United States catch you? They deport you. | 1:18:37 | 1:18:42 | |
As long as I keep my floor clean, keep my head down, | 1:18:43 | 1:18:47 | |
they have no reason to deport me, | 1:18:47 | 1:18:50 | |
they have no reason to notice a man like me. | 1:18:50 | 1:18:53 | |
-TANNOY: -"United Airlines flight 2793 | 1:18:53 | 1:18:56 | |
from Rome, Italy, is now arriving | 1:18:56 | 1:18:59 | |
at gate C43." | 1:18:59 | 1:19:01 | |
-Hey. -Sorry. | 1:19:08 | 1:19:10 | |
It's wet, wet. | 1:19:15 | 1:19:18 | |
-Hey! -Will you watch where you're going? | 1:19:22 | 1:19:25 | |
Watch out! | 1:19:25 | 1:19:28 | |
-Oh! -Oh. | 1:19:28 | 1:19:30 | |
-Amelia. -Viktor. Sorry. | 1:19:30 | 1:19:34 | |
I'm sorry. He nearly killed me. | 1:19:34 | 1:19:37 | |
-Are you OK? -I'm fine, I'm fine. | 1:19:37 | 1:19:39 | |
-Lovely suit. -Oh, oh, Hugo Boss.. | 1:19:41 | 1:19:44 | |
On sale, 149.99. | 1:19:44 | 1:19:47 | |
That's a bargain. | 1:19:47 | 1:19:49 | |
-Napoleon? -Yes, yes, and Josephine. | 1:19:49 | 1:19:53 | |
You know what Napoleon gave Josephine on their wedding day? | 1:19:53 | 1:19:57 | |
Amelia... | 1:19:57 | 1:19:59 | |
would you like...to have... eat to bite? | 1:19:59 | 1:20:03 | |
Food, today? | 1:20:03 | 1:20:05 | |
-You're asking me out for dinner? -Yes. -Yeah, sure. | 1:20:05 | 1:20:09 | |
-What time? -Dinner time. | 1:20:09 | 1:20:12 | |
-Where do you wanna go? -Er, I know place. | 1:20:12 | 1:20:16 | |
Do you have an appointment? | 1:20:25 | 1:20:28 | |
Navorski. | 1:20:28 | 1:20:30 | |
This way, please. | 1:20:30 | 1:20:33 | |
Thank you. | 1:20:40 | 1:20:42 | |
I didn't know they had a patio up here. | 1:20:44 | 1:20:47 | |
Very nice. | 1:20:47 | 1:20:49 | |
Good night. | 1:21:08 | 1:21:10 | |
-Please, please, please. Please, please. -Sure. | 1:21:14 | 1:21:18 | |
Tonight we have cannellonis or chicken. | 1:21:18 | 1:21:21 | |
-Cannelloni, please. -Cannelloni. | 1:21:21 | 1:21:23 | |
-Sorry. -Thank you. | 1:21:23 | 1:21:26 | |
-For you, sir? -Er, same. | 1:21:26 | 1:21:29 | |
That's a great, great choice. | 1:21:29 | 1:21:32 | |
Let me see. | 1:21:46 | 1:21:49 | |
Enjoy. | 1:21:49 | 1:21:51 | |
-Did you know the croissant was invented in Romania? -Really? | 1:21:51 | 1:21:55 | |
OK... | 1:21:55 | 1:21:57 | |
It's 1742 and the Turks invade Bucharest, | 1:21:57 | 1:22:01 | |
making a surprise attack under the cover of night. | 1:22:01 | 1:22:04 | |
But, the town bakers... | 1:22:04 | 1:22:07 | |
-BEEPING -Sorry. | 1:22:07 | 1:22:09 | |
-So, the bakers? -Oh. | 1:22:26 | 1:22:28 | |
Oh, never mind. It's a dumb story. | 1:22:28 | 1:22:31 | |
-No, please. -I'm sorry, Viktor. | 1:22:31 | 1:22:34 | |
Nobody really cares where the croissant was invented. | 1:22:34 | 1:22:38 | |
I bet the Romanians themselves don't really give a shit. | 1:22:38 | 1:22:42 | |
I care. Is histories, is truth. | 1:22:42 | 1:22:46 | |
I'm 39 years old. | 1:22:46 | 1:22:48 | |
-No. -Yeah. -No. | 1:22:48 | 1:22:52 | |
-That's the truth. -You are not. -Hmm. | 1:22:52 | 1:22:54 | |
I tell everybody I'm 33 and most men I've dated think I'm 27. | 1:22:54 | 1:22:58 | |
-Oh. -No, I'm 39. | 1:22:58 | 1:23:01 | |
So, I was 39 once. | 1:23:03 | 1:23:05 | |
I was 18 years old when I started working for the airlines. | 1:23:05 | 1:23:09 | |
I've been doing this over 20 years. | 1:23:09 | 1:23:12 | |
And now there's no more pretending. | 1:23:12 | 1:23:14 | |
This is it. It's why my address book is alphabetical by city | 1:23:14 | 1:23:18 | |
-and my pager will always go off during dinner. -BEEPING | 1:23:18 | 1:23:22 | |
You can switch...off pager. | 1:23:25 | 1:23:28 | |
I wish I could. | 1:23:28 | 1:23:31 | |
I've been waiting for a phone call for seven years. | 1:23:31 | 1:23:34 | |
I know it's coming, Viktor, that's why I can't break it off. | 1:23:34 | 1:23:38 | |
It's why I live out of hotels and have my little suitcase packed, | 1:23:38 | 1:23:42 | |
ready to go, just in case he wants to meet me for the weekend. | 1:23:42 | 1:23:46 | |
Yeah, | 1:23:46 | 1:23:49 | |
I've been waiting my whole life. | 1:23:49 | 1:23:51 | |
-Just don't know what the hell for. -PAGER VIBRATES | 1:23:54 | 1:23:59 | |
I'm so sorry. | 1:24:00 | 1:24:02 | |
I live here. | 1:24:19 | 1:24:22 | |
-What? -I live here, in terminal. Gate 67. | 1:24:23 | 1:24:26 | |
-You live at the airport? -Yes, day and night. Is home, like you. | 1:24:27 | 1:24:32 | |
They tell me to wait, so I wait. | 1:24:32 | 1:24:35 | |
All frequent fliers feel the same way you do, Viktor. | 1:24:35 | 1:24:39 | |
-Everybody's waiting. -No. -Everybody. For a flight, a meeting. | 1:24:39 | 1:24:42 | |
-No, I don't wait for flight or meeting. -What are you waiting for? | 1:24:42 | 1:24:47 | |
BEEPING | 1:24:47 | 1:24:49 | |
Is OK. I understand. | 1:24:50 | 1:24:53 | |
I have an idea. | 1:24:57 | 1:24:59 | |
-Come here. -What? What you do? | 1:24:59 | 1:25:02 | |
HE GASPS Are you sure? | 1:25:03 | 1:25:06 | |
-BEEPING -More than anything, I'm sure of this, Viktor. Ready? | 1:25:06 | 1:25:09 | |
BOTH LAUGH | 1:25:16 | 1:25:18 | |
So...when do you...come back? | 1:25:25 | 1:25:28 | |
13 days. How about you? | 1:25:28 | 1:25:31 | |
I will be here. | 1:25:31 | 1:25:33 | |
But... what if your schedule changes? | 1:25:33 | 1:25:37 | |
-Maybe we should exchange phone numbers. -No. | 1:25:37 | 1:25:40 | |
I will be here. | 1:25:40 | 1:25:42 | |
You know what Napoleon give | 1:25:42 | 1:25:44 | |
to Josephine when he went Bavaria? | 1:25:44 | 1:25:47 | |
Tell me. | 1:25:47 | 1:25:50 | |
-Come on, tell me. -I will show you. | 1:25:50 | 1:25:53 | |
13 days from now. | 1:25:53 | 1:25:56 | |
-What's he doing? -I can't ask. I'm supposed to tell him what to do. | 1:27:02 | 1:27:07 | |
If I ask, I'll look like an idiot. | 1:27:07 | 1:27:09 | |
Look. | 1:27:17 | 1:27:20 | |
HE SPEAKS SPANISH | 1:27:20 | 1:27:22 | |
I'm sorry. Sorry. Please, you've gotta do this for me. | 1:27:25 | 1:27:29 | |
I promise you're gonna get really fat with all the food | 1:27:29 | 1:27:33 | |
I'm gonna give you. It will be the last thing I ask you to do. | 1:27:33 | 1:27:37 | |
He waits for you to answer, at Sbarro. | 1:27:56 | 1:28:00 | |
I have to work. | 1:28:04 | 1:28:06 | |
He will wait. | 1:28:06 | 1:28:09 | |
CHEERING | 1:28:48 | 1:28:50 | |
LAUGHS | 1:28:58 | 1:29:00 | |
-How was your flight? -Good. | 1:29:09 | 1:29:11 | |
Thanks. | 1:29:11 | 1:29:14 | |
-Something wrong? -You're gonna have to come with us, ma'am. | 1:29:19 | 1:29:23 | |
-You gotta be kidding. I come through twice a month. -Please follow me. | 1:29:23 | 1:29:27 | |
-SHE SIGHS -I'm supposed to be meeting somebody. | 1:29:27 | 1:29:30 | |
'In my line of work there are three things that matter.' | 1:29:51 | 1:29:55 | |
The person, the document | 1:29:55 | 1:29:58 | |
and the story. | 1:29:58 | 1:30:00 | |
Find the truth of one and you find the truth of all three. | 1:30:02 | 1:30:06 | |
I need your help finding the truth. | 1:30:06 | 1:30:08 | |
Do you know a man named Viktor Navorski? | 1:30:10 | 1:30:13 | |
Yes. | 1:30:13 | 1:30:15 | |
Do you know why he's here and where he's from? | 1:30:15 | 1:30:18 | |
No, we're...we're just friends. | 1:30:18 | 1:30:20 | |
Have you noticed that he... hides a can | 1:30:20 | 1:30:23 | |
-of Planters dry-roasted peanuts in his bag? -So? | 1:30:23 | 1:30:28 | |
What do you make of that? | 1:30:28 | 1:30:30 | |
-SHE LAUGHS -I'd make peanut butter, I guess. | 1:30:30 | 1:30:34 | |
HE LAUGHS | 1:30:34 | 1:30:36 | |
We know that he's planning to go to the Ramada Inn on Lexington. | 1:30:36 | 1:30:40 | |
Has he told you why he's here? | 1:30:40 | 1:30:42 | |
-No. -Has he told you where he lives? | 1:30:42 | 1:30:45 | |
No, we just met at the airport. | 1:30:45 | 1:30:47 | |
All I know is that he's a building contractor living out of a suitcase. | 1:30:47 | 1:30:51 | |
-That's it. -He's a contractor? | 1:30:51 | 1:30:54 | |
-Yeah. -That's what he says? | 1:30:54 | 1:30:57 | |
Hmmm. | 1:30:57 | 1:30:59 | |
Amelia, | 1:30:59 | 1:31:01 | |
I'm just curious. | 1:31:01 | 1:31:03 | |
You are the kind of woman who can get any guy she wants... | 1:31:03 | 1:31:08 | |
..why Viktor Navorski? | 1:31:10 | 1:31:13 | |
That's something a guy like you... | 1:31:13 | 1:31:16 | |
could never understand. | 1:31:16 | 1:31:18 | |
I guess you missed your flight again. | 1:31:39 | 1:31:42 | |
Or maybe you have a really bad travel agent. | 1:31:42 | 1:31:46 | |
-Please, please, sit. -It's OK, Viktor. | 1:31:46 | 1:31:49 | |
All men lie. At least you're not very good at it. | 1:31:49 | 1:31:52 | |
-I did not lie. -You told me you were delayed. | 1:31:52 | 1:31:56 | |
You never said it was for nine months! | 1:31:56 | 1:31:59 | |
-Maybe you see the man the way you want to. -So what am I seeing? | 1:31:59 | 1:32:03 | |
Who are you? | 1:32:03 | 1:32:05 | |
-I... -Unacceptable? -Yes. | 1:32:06 | 1:32:10 | |
You wanna hear the funny part? | 1:32:10 | 1:32:13 | |
I broke up with him. | 1:32:13 | 1:32:15 | |
I was coming here to tell you that he's out of my life. I'm free. | 1:32:15 | 1:32:19 | |
I got tired of waiting. | 1:32:19 | 1:32:22 | |
At least we had that in common. | 1:32:22 | 1:32:24 | |
Amelia, you know what Napoleon gave to Josephine | 1:32:27 | 1:32:32 | |
when he went Bavaria? | 1:32:32 | 1:32:34 | |
No. | 1:32:34 | 1:32:37 | |
I show you. | 1:32:37 | 1:32:40 | |
Please. Please. | 1:32:44 | 1:32:46 | |
Sit, please. | 1:32:50 | 1:32:52 | |
That was the gift, | 1:33:02 | 1:33:04 | |
Napoleon to Josephine. | 1:33:04 | 1:33:07 | |
One thousand fountains. | 1:33:07 | 1:33:10 | |
You built this for me? | 1:33:10 | 1:33:12 | |
Yes. Sit. | 1:33:12 | 1:33:14 | |
Sit, sit. Don't get wet. | 1:33:14 | 1:33:17 | |
Come on. | 1:33:26 | 1:33:28 | |
HE MUTTERS | 1:33:28 | 1:33:30 | |
It don't work. | 1:33:31 | 1:33:33 | |
It should shoot...big water... up to ceiling. | 1:33:33 | 1:33:38 | |
Just tell me the truth. | 1:33:38 | 1:33:41 | |
Did you escape from an institution? | 1:33:41 | 1:33:44 | |
Huh? | 1:33:46 | 1:33:48 | |
Are you a criminal? | 1:33:48 | 1:33:50 | |
You're living here, Viktor. | 1:33:52 | 1:33:54 | |
You're living at gate 67, I just wanna know why. | 1:33:54 | 1:33:58 | |
I show you. | 1:33:58 | 1:34:00 | |
My father. | 1:34:11 | 1:34:13 | |
Please tell me your father isn't in that peanut can. | 1:34:13 | 1:34:17 | |
This is jazz. | 1:34:23 | 1:34:26 | |
My father, Demitri Navorski, | 1:34:32 | 1:34:35 | |
see this photograph | 1:34:35 | 1:34:37 | |
in Hungarian newspaper, 1958. | 1:34:37 | 1:34:40 | |
He say he look at it there for seven days. | 1:34:40 | 1:34:43 | |
-Monday, Tuesday, Wednesday... -Who are they? | 1:34:43 | 1:34:46 | |
Count Basie, Dizzy Gillespie, Thelonius Monk, Sonny Rollins, | 1:34:46 | 1:34:51 | |
Art Blakey, Max Kaminsky. | 1:34:51 | 1:34:53 | |
57 of them altogether. | 1:34:53 | 1:34:56 | |
After looking at photograph, for seven days, my father, his idea, | 1:34:56 | 1:35:00 | |
he begin to write letters to clubs in New York, Lickety Split, Sugar Bowl. | 1:35:00 | 1:35:05 | |
He asked the nuns to write English, hundreds of letters. | 1:35:05 | 1:35:10 | |
And then he wait. | 1:35:10 | 1:35:12 | |
He'd wait month, week, | 1:35:12 | 1:35:15 | |
year. | 1:35:15 | 1:35:17 | |
My father wait 40 year. | 1:35:17 | 1:35:20 | |
And they all sign names. | 1:35:23 | 1:35:26 | |
One by one. | 1:35:28 | 1:35:31 | |
They all write their name | 1:35:46 | 1:35:49 | |
and send to my father. | 1:35:49 | 1:35:51 | |
All but not one. | 1:35:56 | 1:35:59 | |
Benny Golson. | 1:35:59 | 1:36:02 | |
Saxophone. | 1:36:05 | 1:36:08 | |
My father died before Benny Golson | 1:36:08 | 1:36:11 | |
write his name and send to my father. | 1:36:11 | 1:36:14 | |
So I'm making promise, I keep promise. | 1:36:14 | 1:36:17 | |
I...promise I will go to New York, | 1:36:20 | 1:36:24 | |
find Benny Golson, get him write name | 1:36:24 | 1:36:26 | |
to put in can. | 1:36:26 | 1:36:29 | |
You've lived here all this time so you could do this for your father? | 1:36:29 | 1:36:33 | |
Maybe I think he'd do it for me. | 1:36:33 | 1:36:36 | |
You say you are... | 1:36:41 | 1:36:43 | |
waiting for something. | 1:36:43 | 1:36:46 | |
I say to you, "Yes, yes." | 1:36:46 | 1:36:48 | |
We all wait. | 1:36:48 | 1:36:51 | |
What are you waiting for? | 1:36:52 | 1:36:55 | |
You. | 1:36:56 | 1:36:58 | |
I wait for you. | 1:36:58 | 1:37:01 | |
What? | 1:37:55 | 1:37:58 | |
The war is over. | 1:38:01 | 1:38:03 | |
SINGING IN RUSSIAN | 1:38:04 | 1:38:06 | |
SINGING / CHEERING | 1:38:20 | 1:38:23 | |
All right, everybody, let's raise our glasses. | 1:38:33 | 1:38:36 | |
-Let's have a toast to my friend Viktor, the goat. -HE BAAS | 1:38:36 | 1:38:40 | |
-ALL BAA -May he never lose his country again. | 1:38:40 | 1:38:44 | |
Krakozhia! | 1:38:44 | 1:38:46 | |
Amelia! Amelia, you... you here early. | 1:38:46 | 1:38:50 | |
Amelia, oh, peace, peace. Peace, the war. | 1:38:50 | 1:38:54 | |
The war. Please, come, come, see. The war in Krakozhia's over. | 1:38:54 | 1:38:58 | |
Peace! The war is over. | 1:38:58 | 1:39:00 | |
-You know my friend? -Yes. -He works in Washington. -Yes. | 1:39:04 | 1:39:08 | |
He has a lot of connections. Here. It's a pass, Viktor. | 1:39:08 | 1:39:11 | |
A one-day travel emergency visa with your name on it. | 1:39:11 | 1:39:15 | |
-Visa? -Yes! -From your friend? | 1:39:15 | 1:39:18 | |
Yes! Just go to New York, find that last name and put it in the can. | 1:39:18 | 1:39:22 | |
-I go New York? -Yes! -I go New York! ALL CHEER | 1:39:22 | 1:39:26 | |
I go New York. | 1:39:31 | 1:39:33 | |
Amelia, you come with. You come with me to New York. | 1:39:33 | 1:39:37 | |
Your friend do this for me. | 1:39:39 | 1:39:42 | |
Why he do this for me? | 1:39:42 | 1:39:45 | |
He did it for me. | 1:39:46 | 1:39:49 | |
I told you to stay away from me, Viktor. | 1:39:49 | 1:39:53 | |
But you didn't understand, I think you were confused. | 1:39:53 | 1:39:57 | |
No, I confused about everything. Not confused...not this, not this. | 1:39:57 | 1:40:01 | |
I'm sorry. I'm running late. | 1:40:02 | 1:40:05 | |
Amelia, why? | 1:40:05 | 1:40:07 | |
Why you go? Why you go? | 1:40:07 | 1:40:10 | |
You know what Napoleon gave Josephine as a wedding present? | 1:40:10 | 1:40:14 | |
It was a gold locket and on the inside... | 1:40:14 | 1:40:18 | |
he made an inscription. | 1:40:18 | 1:40:20 | |
"Destiny." | 1:40:22 | 1:40:25 | |
Destiny. | 1:40:27 | 1:40:30 | |
"..Rejoice in the streets as well as in their local taverns." | 1:40:33 | 1:40:37 | |
-Hey, baby. -Hey. | 1:40:44 | 1:40:46 | |
I missed you. | 1:40:46 | 1:40:49 | |
Come on. | 1:40:51 | 1:40:53 | |
Next. | 1:41:06 | 1:41:08 | |
Viktor. | 1:41:08 | 1:41:10 | |
Hello, Delores. | 1:41:11 | 1:41:14 | |
Here I am today. | 1:41:14 | 1:41:16 | |
What do you have here? | 1:41:16 | 1:41:18 | |
What do you have here? | 1:41:22 | 1:41:24 | |
Oh, no, it's not signed. | 1:41:33 | 1:41:36 | |
What? | 1:41:36 | 1:41:39 | |
It's a one-day emergency travel visa. | 1:41:39 | 1:41:42 | |
To validate authenticity it must be signed by the supervising officer. | 1:41:42 | 1:41:47 | |
-Dixon? -Yes. | 1:41:47 | 1:41:50 | |
Dixon. | 1:41:50 | 1:41:53 | |
The... The war in my country is... is over. | 1:41:56 | 1:42:00 | |
Yeah, I know. | 1:42:00 | 1:42:03 | |
Congratulations. | 1:42:03 | 1:42:05 | |
It's strange, isn't it, Viktor? | 1:42:05 | 1:42:08 | |
When you wait so long for one thing, | 1:42:08 | 1:42:11 | |
one tiny moment. | 1:42:11 | 1:42:13 | |
I had that moment today, too. | 1:42:13 | 1:42:16 | |
See this badge? | 1:42:16 | 1:42:18 | |
This badge means that I was made CBP Field Commissioner. | 1:42:18 | 1:42:22 | |
My authority over the security of this airport is absolute. | 1:42:22 | 1:42:27 | |
Your ticket and your passport. | 1:42:28 | 1:42:32 | |
It's time for you to go home. | 1:42:34 | 1:42:37 | |
Officer Waylin, can you please show Mr Navorski into the terminal | 1:42:39 | 1:42:43 | |
and make sure that he does not miss his flight. | 1:42:43 | 1:42:46 | |
Goodbye, Viktor, and good luck. | 1:42:46 | 1:42:49 | |
I think I want to go New York City. | 1:42:58 | 1:43:01 | |
Don't make this difficult, Viktor. | 1:43:02 | 1:43:05 | |
I'm no more unacceptable. | 1:43:05 | 1:43:08 | |
-I told you, this is over. -I go. | 1:43:08 | 1:43:10 | |
New York. | 1:43:10 | 1:43:12 | |
Are you sure you wanna do that? | 1:43:13 | 1:43:16 | |
I go New York City. | 1:43:16 | 1:43:19 | |
Now. | 1:43:19 | 1:43:21 | |
Part of my job as Field Commissioner | 1:43:23 | 1:43:26 | |
is to get rid of undesirables. And there are quite a few. | 1:43:26 | 1:43:30 | |
Like this guy, Joe Mulroy. I think you know him. | 1:43:30 | 1:43:33 | |
Joe's been here for about 20 years | 1:43:33 | 1:43:35 | |
but he's been running an after-hours poker game, bringing in liquor, | 1:43:35 | 1:43:39 | |
marijuana. Poor guy's gonna lose his pension and I think he has kids. | 1:43:39 | 1:43:43 | |
Yeah. And then there's this guy, Enrique Cruz. | 1:43:43 | 1:43:47 | |
I think you also know Enrique. Enrique, as it turns out, | 1:43:47 | 1:43:51 | |
has let people into the food preparation area. | 1:43:51 | 1:43:54 | |
Major security breach. Poor guy. I think he's a newlywed | 1:43:54 | 1:43:58 | |
but I'm gonna have to let him go. | 1:43:58 | 1:44:00 | |
And then there's Gupta Rajan. He's a janitor. | 1:44:00 | 1:44:04 | |
But, as it turns out, he's wanted for assaulting a police officer | 1:44:04 | 1:44:08 | |
back in India in 1979. | 1:44:08 | 1:44:10 | |
I'll have to deport him. | 1:44:10 | 1:44:13 | |
I will go home. | 1:44:13 | 1:44:15 | |
-I'm sorry, what did you say? -I will go home. | 1:44:15 | 1:44:18 | |
Leave them alone, I will go. | 1:44:19 | 1:44:21 | |
-Today? -Yes. -If you don't get on that plane, Viktor, | 1:44:21 | 1:44:25 | |
-they're all gone. -Yes. | 1:44:25 | 1:44:28 | |
-Do you understand? -Yes. -OK. Good. | 1:44:28 | 1:44:30 | |
-I don't believe he just... -Viktor, you don't have to do this. | 1:44:44 | 1:44:47 | |
-You can fight these guys. -I owe you so much, please let me help you. | 1:44:47 | 1:44:52 | |
This is your friend talking. We're your friends. We're your family now. | 1:44:52 | 1:44:56 | |
Gupta, | 1:45:00 | 1:45:03 | |
-goodbye. -You tried to fool us. | 1:45:03 | 1:45:06 | |
You make us to think you would walk out those doors, | 1:45:06 | 1:45:10 | |
that you'd fight. Why don't you fight? | 1:45:10 | 1:45:13 | |
The war is over. | 1:45:13 | 1:45:16 | |
Then go. Get lost. | 1:45:16 | 1:45:18 | |
Get lost! Go home and tell them you never made it. | 1:45:18 | 1:45:22 | |
You come this close to America | 1:45:22 | 1:45:26 | |
but you don't have the courage | 1:45:26 | 1:45:28 | |
to go from here to here. | 1:45:28 | 1:45:31 | |
You are a coward. | 1:45:31 | 1:45:33 | |
The plane is on time. | 1:45:33 | 1:45:36 | |
You are a coward. You are a coward! | 1:45:36 | 1:45:41 | |
-You make me... -Gupta, what's wrong with you, man? | 1:45:41 | 1:45:44 | |
Settle down. | 1:45:44 | 1:45:47 | |
Been looking all around, I mean... | 1:45:47 | 1:45:49 | |
Look at me. | 1:45:52 | 1:45:54 | |
Come on, look at me. | 1:45:54 | 1:45:57 | |
-HE SIGHS -There's something You should know. | 1:45:58 | 1:46:02 | |
HE WHISTLES | 1:46:03 | 1:46:05 | |
-TANNOY: -'Ladies and gentlemen, United Airlines flight 866 | 1:46:05 | 1:46:10 | |
'to Krakozhia has landed and is now taxiing to the gate. | 1:46:10 | 1:46:14 | |
'For those passengers holding tickets for flight 866 to Krakozhia, | 1:46:14 | 1:46:17 | |
'we expect to depart on schedule.' | 1:46:17 | 1:46:20 | |
Gupta. | 1:46:46 | 1:46:47 | |
Gupta! | 1:46:59 | 1:47:01 | |
SIRENS WAIL | 1:47:29 | 1:47:31 | |
I'm going home! | 1:47:31 | 1:47:34 | |
Get lost! | 1:47:37 | 1:47:40 | |
-TANNOY: -'Attention. Flight 866 | 1:47:51 | 1:47:54 | |
'is delayed until further notice.' | 1:47:54 | 1:47:56 | |
Do you have an appointment? | 1:48:05 | 1:48:08 | |
Somebody tell me what the hell is going on down there?! | 1:48:09 | 1:48:13 | |
We're right behind you. | 1:48:14 | 1:48:17 | |
Viktor's leaving. | 1:48:21 | 1:48:23 | |
-Monica, Viktor's leaving. -I know, he's going home. | 1:48:37 | 1:48:41 | |
He's going for the front door, | 1:48:41 | 1:48:43 | |
-he's going out to the city. -What? Oh, my... | 1:48:43 | 1:48:46 | |
ALL SHOUT / CHEER | 1:48:46 | 1:48:49 | |
No, I'm good. | 1:48:54 | 1:48:56 | |
On behalf of Discovery Store, I wanna give you this squishy. | 1:48:56 | 1:49:00 | |
-Digital camera. -I don't know where you're going | 1:49:00 | 1:49:03 | |
but these will keep your feet warm. | 1:49:03 | 1:49:05 | |
-OK, everybody in position? -We're here. -Secure the door. | 1:49:14 | 1:49:18 | |
I'm sorry, Viktor. | 1:49:28 | 1:49:31 | |
Take him, Judge. | 1:49:34 | 1:49:36 | |
Hold it, Viktor. | 1:49:36 | 1:49:38 | |
Take it easy. | 1:49:38 | 1:49:41 | |
You see those doors? | 1:49:41 | 1:49:43 | |
Those are the entry doors to New York City, | 1:49:43 | 1:49:46 | |
to the United States of America. Turn around. | 1:49:46 | 1:49:49 | |
It's snowing in the city and... you're gonna need that. | 1:49:59 | 1:50:04 | |
Good luck. | 1:50:06 | 1:50:08 | |
Oh, no. Oh, no. | 1:50:08 | 1:50:10 | |
Oh, no, oh, no, oh, no. No, no. | 1:50:10 | 1:50:13 | |
-I'm gonna miss you. -Try not to get stuck wherever you're going. | 1:50:13 | 1:50:17 | |
Arrest him! Arrest him! God! | 1:50:17 | 1:50:19 | |
Damn it! | 1:50:19 | 1:50:22 | |
Taxi! | 1:51:04 | 1:51:07 | |
Where you go? | 1:51:58 | 1:52:00 | |
161 Lexington. | 1:52:00 | 1:52:02 | |
Please take the Van Wyke Expressway to Queensborough Bridge, | 1:52:02 | 1:52:06 | |
-it's faster. -Where are you from? | 1:52:06 | 1:52:08 | |
-Krakozhia, Viktor Navorski. -I'm Goran, Albania. | 1:52:08 | 1:52:12 | |
-When did you come to New York? -Oh! | 1:52:12 | 1:52:15 | |
Thursday. | 1:52:16 | 1:52:18 | |
Sir, do you want us to signal red, block the south exit | 1:52:24 | 1:52:28 | |
and have AP sweep every vehicle? | 1:52:28 | 1:52:30 | |
Sir? | 1:52:30 | 1:52:33 | |
5:30 from Tokyo just landed. | 1:52:37 | 1:52:39 | |
Got two planes on the tarmac, Barcelona on approach. | 1:52:39 | 1:52:43 | |
The night is young and 1,500 people are headed our way. | 1:52:43 | 1:52:46 | |
Everybody inside. | 1:52:48 | 1:52:50 | |
Everybody inside. Come on. | 1:52:51 | 1:52:54 | |
Let's go. | 1:52:54 | 1:52:56 | |
HORNS BEEP | 1:53:01 | 1:53:03 | |
Are you checking in, sir? | 1:53:22 | 1:53:25 | |
No, no, I don't check in, I... | 1:53:25 | 1:53:27 | |
-I want to go to this place, please? -Lobby Lounge is around the corner. | 1:53:27 | 1:53:32 | |
Happy-hour specials and live music every night. Do you like jazz? | 1:53:32 | 1:53:36 | |
Er, let's do Killer Joe. It worked all right last night so... Yes? | 1:53:51 | 1:53:55 | |
You are Benny Golson? | 1:53:55 | 1:53:57 | |
Yes, I am. | 1:53:57 | 1:54:00 | |
Benny Golson, I am Viktor Navorski, | 1:54:00 | 1:54:02 | |
I am from Krakozhia. | 1:54:02 | 1:54:05 | |
My father, Demitri Navorski was | 1:54:05 | 1:54:08 | |
-a great, great fan of your music. -Oh, a jazz fan? Fantastic. | 1:54:08 | 1:54:12 | |
Would you... | 1:54:12 | 1:54:15 | |
sign your name, please? | 1:54:15 | 1:54:17 | |
-PIANO STARTS -Can I do it a little later? We have to get started now. | 1:54:17 | 1:54:21 | |
-Oh, I will wait. -OK. | 1:54:21 | 1:54:24 | |
OK. | 1:54:24 | 1:54:26 | |
Taxi! Taxi! | 1:55:26 | 1:55:29 | |
Where you wanna go? | 1:55:49 | 1:55:51 | |
I am going home. | 1:55:55 | 1:55:57 |