It's All Gone Pete Tong


It's All Gone Pete Tong

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THIS PROGRAMME CONTAINS VERY STRONG LANGUAGE

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# "The Aviator" - Michael A McCann

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Thank you, thank you, thank you.

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You are my god. My inspiration, my everything.

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He's on a different level, how he listens to and plays records.

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I think he's very special. Because no other DJ can do that.

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I don't know whether he was honing his talents in another direction,

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but he disappeared from the scene completely. It was depressing.

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He's probably down in South America, still hanging out.

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Probably trying to snort up one of the countries.

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I don't know, he's just... I like to think he's still out there.

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(WAVES CRASHING)

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(GULLS CRY)

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(SPANISH ACCENT) Frankie, tell me about your flip-flop collection.

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I'm a bit of the Imelda Marcos of the flip-flop world.

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Flip-flop is, for me, it's perfection.

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And sometimes if I'm stuck and I can't mix, I can't...

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You know, I'm a creative person. I'm an artist.

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Sometimes I just stare at a flip-flop for hours.

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-I'm not joking. I'm being serious.

-Really?

-Yes, I do.

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Recently, you've been married, so how is it now be an husband?

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-An "ass band"?

-An husband.

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-Oh, husband.

-Husband.

-A husband. Yeah, it's very nice.

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-It's what I've... (AEROPLANE APPROACHES)

-Say hello!

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Hello-o-o-o-o-o-o,

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-Ibiza-a-a-a-a-a!

-Whoo!

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(CHANTING) DJ! DJ! DJ! DJ!

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# "DJs In A Row" - Schwab

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# I used to drink

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# I used to smoke Go and have a dance

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# I used to drink

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# I used to smoke Go and have a dance

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# They're all coming for the rhythm In this crowded room

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# I need some new religion

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# And I need it pretty soon

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# Drink

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# I love to smoke

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# And then a dance

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# I used to cuss

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# I used to fuss

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# But then I danced

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# Pleasure based on comfort Better around the thighs

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# Angels drawn all over dreams Water to my eyes

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# I'm gonna drink

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# And smoke, then dance

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# All night

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# I don't break... dance I don't break... dance

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# I don't break... dance, so come on

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# I said oh no

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# Five DJs in a row, God help us!

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# Come on

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# Oh no! That DJ's got to go

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# Come on, let's go

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# Come!

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# On!

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# Oh!

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# Those DJs

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# They're always scratching

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# Itching

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# To tell ya

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# Ow! #

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This is Pete Tong, you're listening to The Essential Selection.

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I'm sitting across from Frankie Wilde. How are you, Frankie?

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-Alright, Pete.

-11 years in Ibiza playing some of the best clubs.

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-How do you feel about it this year?

-What, mate?

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It's your 11th year playing in Ibiza. You must be thrilled.

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It's been fucking hot, innit, here, the last week? Cor!

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I mean, think about... You're old.

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Like me, you're an old geezer.

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Remember that Martini campaign in the 70s?

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Martini is... dot, dot, dot, dot. Remember that?

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When I was a kid, that wound me up, man, big time.

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Is what? What the fuck is it? What the fuck is Martini?

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But I was young, and I didn't really understand.

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And now I'm mature.

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And I've lived 38 years,

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and I can confidently say,

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Ibiza is... dot, dot, dot, dot.

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Know what I mean? That's really nice.

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It's nice to be able to feel that.

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There's spunk everywhere on this island. Everyone's done it.

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They've been free with it. They haven't done it to make babies.

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They've fucking swung out and spun a bit out.

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It's hit a plant, and that's grown.

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Wall, and there's vines and ivy and shit. It's all spunk.

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Look at this lot out here. Look at them. They all love it.

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They fucking love it. Oi! Who out there likes to fucking party?

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-(ALL) Yeah!

-I can't hear you!

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Who out there likes to fucking party?

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-Who likes to fucking party?

-Yeah!

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-# "Plastic Dreams" - Jaydee

-(ALL CHEER)

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'Frankie was one of the best.'

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'He had his very own style, his own momentum with the crowd.'

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I don't think anyone else did it his way.

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He's a showman as much as he is a musician.

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'He controlled the crowd musically and physically.'

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'He was a born natural behind the turntable. There's no doubt.'

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I was jealous of that. I always had to try a bit harder.

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(MIXES SONGS)

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-# Let me hear you say yeah! #

-(ALL) Yeah!

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Frankie Wilde... (SPEAKS SPANISH)

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Super, super, super loco.

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(SPEAKS FOREIGN LANGUAGE)

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# "Back To Basics" - Shapeshifters

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# Oh, so long together

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# I forgot how you make me feel

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# Tired of each other

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# We're drifting further afield...

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'Frankie was cruising along, doing his thing,

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getting all the attention he needed. Then he met Max.'

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No. Hey, tell him it's like a wasp just stung my clit, yeah.

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I don't give a fuck if he's religious. Tell him.

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Fuck him. Bye. Anyway...

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A bit of a tosser. Not my sort of person,

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but absolutely took him to the next level.

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(BOTH GIGGLE)

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# Bring it back to basics

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# You and I... I love you, Max!

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# ..will make it right

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# Take it back #

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'Max first brought Frankie to my attention.'

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'I knew he had what it took behind the decks.'

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It turned out that Frankie really understood

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the music production side. Knew his way around a studio.

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Oi! Do you think we're making a jazz album?

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I was in the middle of going all the fucking way.

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Should we swap them over for some brushes? A little... Yeah?

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Start fucking hitting those drums. Start banging those drums

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like you bang your fucking sister! Clear, Siegfried?

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That's, erm, that's the first one.

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So I signed him straight away.

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And Frankie delivered.

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# "Rise Again" - Frankie Wilde

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'It was massive. It came out of car windows, in the supermarket.'

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Even my grandmother would whistle that tune

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when I went to see her in the nursing home.

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'Frankie met Sonya when they were on the video shoot to Rise Again.'

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Oh, man. Everybody knew she'd been about. But he seemed to like that.

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I mean, that was his thing. You know, I mean, even I'd had a go.

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15-love.

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You know how Paul Newman's got his salad dressings and that?

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-So, why not Frankie Wilde hummus?

-That's a good idea, Frankie.

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People come to the gigs and say, "Fuck, great set, Frankie."

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I'll say, "Cheers. Want some hummus?"

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-You know, just as a thing.

-Yeah.

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-Quite a good name for an album.

-How's that?

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Frankie Wilde, Hummus.

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-What, call my album Hummus?

-Yeah.

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-I don't think so.

-I've got good ideas. You should listen to me.

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If I've got a hummus brand and my album's called Hummus,

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-it's getting a bit much.

-It's a good name.

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-And change my name to Frankie Hummus?

-No, it sounds good. Yeah.

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'People tolerated her because she was Frankie's wife,

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partying with everyone else.'

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I didn't like her. I didn't think she was good for him.

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-I fucking hate you.

-I fucking hate you.

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And did I fuck her? Ohh! (CHUCKLES)

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Whoo!

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Yeah, I fucked her. (CHUCKLES)

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Legend has it that Frank's problems started quite undramatically.

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The simplest thing kicked it off.

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Years and years of noise was the basis of the problem.

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'But the very beginnings of it, in his life, started very plainly.'

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(TV PLAYS)

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(HIGH-PITCHED RINGING)

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(HIGH-PITCHED RINGING CONTINUES)

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(HIGH-PITCHED RINGING CONTINUES)

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(SPANISH GUITAR STYLE MUSIC)

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(HIGH-PITCHED RINGING)

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(SPANISH GUITAR STYLE MUSIC)

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(HIGH-PITCHED RINGING)

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(VOLUME INCREASES / HIGH-PITCHED RINGING)

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'Frankie's problem was a common problem amongst DJs.

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'An occupational hazard working in clubs.'

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The noise just takes its toll.

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(DANCE MUSIC BLARES)

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Someone like Frankie, having a problem like that,

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I thought, "This geezer's gonna go. He'll lose it."

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And he did lose it. I watched him lose it, slowly but surely.

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(PANTS)

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(COOING)

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(COOING)

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(PANTS)

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(COOS / SNORTS)

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(SNARLS)

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Fucking come on, then!

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(HUMS)

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Hah! (SNIFFS) Ah!

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(WHEEZES)

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(COUGHS)

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(PANTS)

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(COUGHS)

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(BURPS)

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We could have the Spanish look, I like this colour for the water.

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Perhaps maybe that one, Japanese.

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Frankie.

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Morning, honey. Oh, Frankie!

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(HIGH-PITCHED RINGING / MUFFLED SPEECH)

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Come here. I want to ask you something.

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# "Moonlight Sonata" - Graham Massey

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-Morning.

-Morning. Oh.

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You alright? Erm.

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-If we go for the Spanish look,...

-(HIGH-PITCHED RINGING)

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(MUFFLED SPEECH)

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It's for the garden.

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-A bit of both!

-OK. A little bit of both.

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-We can do that.

-Yeah.

-(MOTOR WHIRS)

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-Fuck! Fucking hell!

-(LAUGHS)

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(HIGH-PITCHED RINGING / MUFFLED LAUGHTER)

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Ahh!

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You alright? (GROANS)

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'His hearing was fucked.'

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'But he tried to keep working and plough through.'

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Put the horse blinkers on. Ignore the problem, and it'll go away.

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You know, always works for me.

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(STOPS PLAYING GUITAR)

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(GUITAR WAILS)

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(GUITAR ROARS)

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(HIGH-PITCHED RINGING)

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'Can you tell us what's happening with the new album?'

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(HIGH-PITCHED RINGING)

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Have I got a spot? Have I?

0:17:190:17:21

-No.

-It's fine.

-You're perfect. You're perfect.

0:17:210:17:24

Your fans are curious about the new album. They have to know.

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It's good. It's going really well.

0:17:280:17:31

Been bending the sound sort of. I've been forging it.

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-Erm,... with a lyrical smelter.

-Mmm-hmm.

0:17:360:17:41

Yeah.

0:17:410:17:43

-Not as beautiful as you.

-Thank you.

0:17:450:17:48

And I got these two, erm, like, Austrian mates who, erm,

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are stoking the fires.

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Everybody should have at least two Austrian mates.

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Everybody should have at least two.

0:18:000:18:03

-When can we expect the new album to come out?

-Soon. Ish.

0:18:030:18:08

(SINGS SCALES)

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# When the clouds are filled

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# With your fantasy

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# Rain it down on me, on me!

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# When the whirlwind says

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# That's it's time to say

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# Whirl it down on me, whirl it down on me

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# I am

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# Fantasy

0:18:270:18:29

# Fantasy

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# Words like nightmares, daggers staring

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# Witches brewing, eyes are glaring! #

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Oi. Can I have a word? Can I have a word?

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What's this? Yeah. It's good?

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I took a call before, a couple of hours ago.

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I forgot to mention it, but I need to...

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The album people, they want the lyrics for the sleeve.

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I just need you to write them down. We can pop them off. Get them off

0:18:540:18:58

-and we don't have to worry about it.

-No, no, we never write them down.

0:18:580:19:02

That's it.

0:19:050:19:07

What else did you sing after that?

0:19:090:19:11

< Frankie.

0:19:120:19:14

Frank.

0:19:160:19:18

-Frank!

-What?

0:19:180:19:21

-Have you got a condom?

-Hey?

-Have you got a condom?

0:19:210:19:25

No, I'm not gonna fuck her. I'm knackered. I'm gonna have a nosh.

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# "Need To Feel Loved" - Reflekt ft Delline Bass

0:19:290:19:33

(CROWD CHANTS) Frankie! Frankie! Frankie!

0:19:460:19:50

(CHANTING CONTINUES)

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'Well, denial is a river in Frank, and it runs deep.'

0:20:160:20:20

'And his sets were... shambolic on times.'

0:20:200:20:25

Clearly, could only be the work of a man... who couldn't hear.

0:20:250:20:29

# "Musak" - Trisco

0:20:300:20:33

(MIXES MUSIC OUT OF SYNCH)

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# "Electronika" - Vada

0:21:010:21:06

Whoo!

0:21:090:21:11

It wasn't pretty, but, you know,

0:21:140:21:17

for me, for someone that has gone through something like that,

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to still get up there and give it a go is a big thing.

0:21:210:21:24

(CROWD BOOS / CHANTS) Off! Off! Off! Off!

0:21:240:21:30

(CHANTING CONTINUES)

0:21:350:21:38

# "Up & Down" - Scent

0:21:390:21:42

(RECORD SCRATCHES) Yaaaah!

0:22:150:22:17

(ALL CHEER)

0:22:220:22:25

Yah! (ELECTRIC CRACKLING)

0:22:250:22:27

Yaaaarh!

0:22:270:22:30

Let go, fuckers!

0:22:320:22:35

Fuckers! (GRUNTS)

0:22:360:22:39

# "Richter Scale Madness" - And You Will Know Us By The Trail Of Dead

0:22:390:22:43

(LAUGHS)

0:22:440:22:47

Yaaarh!

0:22:470:22:49

Fucking fuckers!

0:22:490:22:52

# OK, this is a song about killing everybody

0:22:520:22:54

# Let's all sing along now

0:22:540:22:56

# Dream machine

0:23:070:23:09

# John and exene

0:23:090:23:11

# Smear campaign and a SWAT team

0:23:110:23:13

# Let's have a feudal lord

0:23:190:23:21

# Let's have a facist regime... #

0:23:210:23:23

(PANTS)

0:23:230:23:26

(INDISTINCT CHATTER)

0:23:280:23:32

..because they dangle when they're cold.

0:23:320:23:35

Yeah. Now, listen very carefully, OK?

0:23:350:23:39

It's very important. This is very important. I have cancer, OK?

0:23:390:23:43

And I'm very delicate. So they have to be very gentle.

0:23:430:23:48

-Ciao. Hey, Frank.

-Alright?

-How are you?

-Alright.

0:23:480:23:52

-Attaboy.

-How you doing?

-Good, good. Motherfucker.

0:23:520:23:56

Listen, I had that dream again. I was sucking my own cock.

0:23:560:23:59

But this time, I don't have a huge cock. I have a normal-sized cock.

0:23:590:24:04

No spine. My spine disappears. So my head, it just flops down onto my...

0:24:040:24:09

-Anyway...

-You alright?

-Yeah. Sit down, sit down, sit down.

0:24:090:24:13

Look, I was just talking to the label

0:24:130:24:17

and they'd like to see a couple of tracks.

0:24:170:24:21

Erm, the label would like a couple of tracks, Frank.

0:24:220:24:25

-It's coming. It's coming.

-Yeah.

-The tracks are coming, man, relax.

0:24:250:24:30

-Don't worry, it's fine. It's alright.

-I saw your show last night.

0:24:300:24:34

-I really fucked up last night, man.

-Yeah.

0:24:340:24:37

-I picked the wrong set.

-It stunk. It stunk like shit, Frank.

0:24:370:24:41

-It stunk like you shit your pants.

-Eh?

-And you sat in it for a week.

0:24:410:24:46

Then you shit yourself again. That's how fucking bad it stunk.

0:24:460:24:49

-It was shit, yeah?

-It was shit, Frank, it was shit.

0:24:490:24:53

The fucking monitors at that place.

0:24:530:24:55

I'm fucking mixing my heart out. I can't hear a fucking thing!

0:24:550:24:59

Have words with them, get this sorted out, otherwise blow that place out.

0:24:590:25:03

-I couldn't hear a fucking thing.

-Right. You might be deaf, Frank.

0:25:030:25:07

-What's that?

-You could be deaf, Frank.

0:25:070:25:10

-What you saying?

-You are deaf.

-Can't hear you, Max.

0:25:100:25:13

You're fucking deaf, asshole!

0:25:130:25:16

Who the fuck you fooling, Frank?

0:25:160:25:19

Eh? You're talking like a 95-year-old war vet.

0:25:190:25:22

Frank, you need professional help.

0:25:220:25:25

I'm thinking about getting some professional help.

0:25:260:25:31

Yeah.

0:25:320:25:34

Yeah.

0:25:340:25:36

Fuck it.

0:25:440:25:46

# "It's Over" - Beta Band

0:25:460:25:49

# Who could find him, the side-winding Indian?

0:26:050:26:09

# Why do they miss him, the overpaid simpleton?

0:26:090:26:13

-# She jumped in the river...

-Come in, Frank.

0:26:130:26:15

# ..of the tears that I cry

0:26:150:26:17

# Those are left alone are left outside...

0:26:170:26:19

FRANK!

0:26:190:26:21

# ..where did you run to?

0:26:210:26:23

# I only asked your name, never meant to hurt you

0:26:230:26:26

# She wrote me a letter on the back of the road

0:26:260:26:30

# I was travelling away... (LOW HUMMING)

0:26:300:26:33

(HUMMING VOLUME INCREASES DRAMATICALLY)

0:26:370:26:40

# Please reassure me that I'm doing alright

0:26:430:26:46

# No more calls on the telephone

0:26:460:26:49

# She's been turned off and I'm all alone

0:26:490:26:53

# She's been switched off inside my head

0:26:530:26:56

# An imaginary friend

0:26:560:26:58

# Sitting by my bed

0:26:580:27:01

# Taking pictures of my soul

0:27:010:27:03

# All the angles no-one could know

0:27:030:27:06

# I thought an eagle was seeing through my eyes

0:27:060:27:11

# I thought everybody turning into spies

0:27:110:27:14

# Reassures the only aim of my life

0:27:140:27:17

# Please reassure me that I'm doing alright

0:27:170:27:21

# No more calls on the telephone

0:27:210:27:24

# She's been turned off and I'm all alone

0:27:240:27:28

(INSTRUMENTAL)

0:27:280:27:31

# So alone, so alone

0:27:340:27:37

# So, so, so alone #

0:27:370:27:41

I don't want you to panic, Frank.

0:27:470:27:50

I've got some bad news for you. You're going deaf. Completely deaf.

0:27:500:27:55

As you know, your right ear is completely shot.

0:27:580:28:02

Your left ear, that's this one, has got 20 percent left.

0:28:020:28:06

You were born with little holes in them

0:28:060:28:09

and slowly the fluid pressure is dropping.

0:28:090:28:12

Can't you plug it up with some ear putty or something?

0:28:120:28:15

The ear organism is too sensitive and delicate. Surgery doesn't work.

0:28:150:28:20

Cochlear implant doesn't work. Stop exposing yourself to so much noise.

0:28:200:28:25

-What do you mean by that?

-It means that

0:28:250:28:28

if you listen to absolute silence, your ears will last a bit longer.

0:28:280:28:32

They're crumbling as we speak.

0:28:320:28:35

Stop the drugs. Stop the drinking. Go to bed at a decent hour.

0:28:350:28:41

We can give you a hearing aid temporarily,

0:28:410:28:43

but that damages the ear further.

0:28:430:28:46

-Speak up.

-These are the facts, Frank.

0:28:460:28:49

These are the facts, Frank. We can't change them.

0:28:490:28:52

You are deaf, man.

0:28:520:28:54

You are a deaf man.

0:28:540:28:57

Oi, oi, oi! This is costing me 2,000 fucking euros an hour.

0:28:570:29:01

Chuck me a fucking bone!

0:29:010:29:03

This is your hearing aid, Frank. Use it only when you have to.

0:29:030:29:08

Only when you have to.

0:29:080:29:10

-Only when I have to.

-Right.

0:29:100:29:13

Only when you have to.

0:29:130:29:15

Got that? No exceptions.

0:29:150:29:18

# "Cloud Watch" - Lol Hammond

0:29:180:29:21

Can you keep on gigging?

0:29:230:29:26

Frankie?

0:29:260:29:27

Can you keep on gigging?

0:29:270:29:30

Can you keep on gigging?

0:29:310:29:33

I love them both, you know?

0:29:370:29:40

I love hearing, and I love DJing.

0:29:420:29:44

I was thinking this morning maybe I should write a book.

0:29:480:29:52

That's a brilliant idea.

0:29:520:29:56

That might take years, though, so...

0:29:560:29:58

Perhaps, like, a pamphlet. A sort of brochure thing.

0:29:580:30:02

Frankie, I...

0:30:020:30:04

I want to tell you that whatever your decision

0:30:050:30:09

I will support it wholeheartedly.

0:30:090:30:11

You, and me, and little Kingie.

0:30:110:30:14

That's all that matters to me.

0:30:140:30:17

Deaf, dumb or blind, baby, we will get through this.

0:30:180:30:22

It's brilliant to almost hear that.

0:30:230:30:26

'Fair play to the guy.'

0:30:260:30:28

'I have no idea what I would have done in that situation.'

0:30:280:30:32

I mean, there he is. He's between a rock and, you know, another rock.

0:30:320:30:38

Which is harder and bigger.

0:30:380:30:41

(SIGHS)

0:30:510:30:53

(PANTS)

0:31:250:31:28

(COOING)

0:31:290:31:32

(COOS)

0:31:330:31:36

Hi.

0:31:370:31:38

(BABBLES)

0:31:380:31:41

I'm actually thinking about giving it a bit of a break.

0:31:410:31:45

Blagh! (BABBLES ANGRILY)

0:31:450:31:47

Of course I fucking love you!

0:31:470:31:50

How can you say that?

0:31:500:31:52

I just think we don't necessarily bring out the best in each other.

0:31:520:31:57

-(COOS)

-Not always the best thing for me.

0:31:570:32:00

It's my problem. It's not your problem.

0:32:000:32:03

You know what I mean? Why can't we just be mates for a little bit?

0:32:030:32:07

-I could just give you a ring every few weeks, you know?

-(COOS)

0:32:070:32:10

Just make it a little bit more casual. Couldn't we do that?

0:32:100:32:14

(GROWLS MENACINGLY / ROARS)

0:32:140:32:18

(GROWLS / BABBLES)

0:32:200:32:23

(GROWLS)

0:32:230:32:24

(GRUNTS)

0:32:240:32:27

Oh!

0:32:270:32:28

(BABBLES ANGRILY)

0:32:300:32:32

You're fucking hooked! (BABBLES)

0:32:320:32:35

(HUMS LULLABY)

0:32:370:32:39

(COOS)

0:32:390:32:42

-(DANCE MUSIC)

-# I am

0:32:420:32:45

# I am

0:32:460:32:48

# I am

0:32:500:32:52

# Fantasy

0:32:520:32:55

(MUSIC DROWNED OUT BY LOUD HUMMING)

0:32:580:33:01

(MUSIC RESUMES)

0:33:010:33:03

(LOUD HUMMING)

0:33:070:33:09

(LOUD HUMMING)

0:33:100:33:13

# Fantasy #

0:33:130:33:15

It sounds like the caca.

0:33:220:33:24

No.

0:33:240:33:27

Is Frank there?

0:33:270:33:29

Is this Frank standing in front of me?

0:33:290:33:32

No, this is a drunken baboon drooling on the mix board.

0:33:320:33:37

What in all of the heavens are you on, Frank?

0:33:370:33:41

Scheise!

0:33:410:33:42

Are you fucking deaf or something?

0:33:460:33:48

What's your fucking problem?

0:33:510:33:53

They would laugh you out of Austria.

0:33:560:33:59

I can hear them laughing now.

0:33:590:34:02

Where is Frankie fucking Wilde, Frankie?

0:34:030:34:06

Is he fucking gone?

0:34:060:34:09

And the fucking, "Go away. Stay, stay, stay," huh?

0:34:090:34:13

So you're deaf?

0:34:290:34:31

You're deaf?

0:34:330:34:36

Almost.

0:34:380:34:40

Fuck! (YELLS)

0:34:400:34:43

This is like all the terrors and the horrors of the world

0:34:430:34:47

raining down on your skull.

0:34:470:34:49

Last three months, it's really rapidly accelerated.

0:34:530:34:57

But I've got... I've got this.

0:34:570:34:59

And I really thought I could do this job, man.

0:34:590:35:03

I'll show you.

0:35:030:35:06

Hello, Mr Drum! Drummer!

0:35:060:35:09

(DANCE MUSIC PLAYS)

0:35:100:35:12

The left ear, there's still a little bit left.

0:35:120:35:16

And this little fella is a fucking lifeline, man.

0:35:160:35:20

But I can use it only when I have to.

0:35:200:35:23

Long as I'm careful, I can hear more.

0:35:230:35:26

(FEEDBACK / CRASHING)

0:35:310:35:34

(GUITAR WAILS)

0:35:340:35:37

(GUITAR WAILS)

0:35:420:35:44

(GROANS)

0:35:480:35:50

Was passiert?

0:35:570:36:00

-What?

-What has happened?

-What?

0:36:000:36:03

Oh, no. Oh, no.

0:36:040:36:07

(SILENCE)

0:36:070:36:09

(CLATTERS)

0:36:490:36:52

(SILENCE)

0:36:520:36:54

# "Troubles" - Beta Band

0:37:040:37:07

# It's about time that we fell in love

0:37:120:37:15

# You know that I've been trying

0:37:150:37:18

# It's about time that we had a laugh

0:37:180:37:21

# You know that I've been crying

0:37:210:37:24

# Too many people, too many troubles

0:37:250:37:28

# Too many mouths are lying

0:37:280:37:31

# If everybody laughed for just one day

0:37:310:37:34

-# You know that'd make me happy...

-'He was stone-fucking deaf.'

0:37:340:37:38

'There's not much you can do as a DJ if you can't hear.'

0:37:380:37:42

Generally the field of music, other than the obvious example,

0:37:420:37:48

has been dominated by people who can hear.

0:37:480:37:52

He was never gonna hear again. It was... It was as simple as that.

0:37:520:37:56

It was... gone.

0:37:560:37:59

# Too many troubles, too many troubles

0:37:590:38:03

# Don't know why we live so long

0:38:030:38:06

# Too many troubles, too many troubles

0:38:060:38:09

# It's time for us to live and laugh, and laugh

0:38:090:38:13

# And laugh, and laugh, and laugh, and laugh, and laugh, and laugh...

0:38:130:38:17

-(GENERAL CHATTER)

-Frankie!

0:38:170:38:19

# It's about time that I said hello

0:38:220:38:25

# To all those lonely people

0:38:250:38:27

# When I was at the back who could never talk back

0:38:270:38:31

# Through all the tears and sadness

0:38:310:38:35

# You never really know who's there beside you

0:38:350:38:38

# Who will be your comfort

0:38:380:38:40

If everybody laughed for just one day

0:38:400:38:44

# You know that'd make you happy

0:38:440:38:47

# Too many troubles, too many troubles

0:38:470:38:51

# Don't know how we live so long

0:38:510:38:54

# Too many troubles, too many troubles

0:38:540:38:56

# It's time for us to live and laugh

0:38:560:39:00

# And laugh, and laugh, and laugh

0:39:000:39:03

# And laugh, and laugh, and laugh, and laugh, and laugh

0:39:030:39:07

# And laugh, and laugh, and laugh, and laugh #

0:39:070:39:10

(WIND WHISTLES)

0:39:100:39:13

(YELLS)

0:39:200:39:22

(CONTINUES TO YELL)

0:39:240:39:27

(VOICE GOES HOARSE)

0:39:270:39:30

(HISSES)

0:39:300:39:32

(TV PLAYS)

0:39:370:39:40

Hey, you alright, Frankie?

0:39:480:39:50

Alright?

0:39:500:39:52

Oi.

0:39:520:39:53

Blink!

0:39:530:39:56

-Alright, mate.

-Alright?

-Alright.

0:39:560:40:00

Good game?

0:40:000:40:03

-Is it a good game?

-Yeah, it's alright. Pretty good.

0:40:030:40:07

It's decent.

0:40:070:40:09

Sonya in? Sonya in?

0:40:120:40:16

Yeah, she's here. She's upstairs.

0:40:160:40:19

-She's packing, mate.

-She alright?

0:40:190:40:21

She's leaving you, Frank. She's leaving you.

0:40:210:40:24

For me.

0:40:240:40:26

-Get in there!

-Did you see that?

-Fucking hell!

0:40:310:40:35

Fucking, how was that one, eh?

0:40:350:40:37

Ter-fucking-rific!

0:40:370:40:39

Phwoar!

0:40:390:40:41

-Brilliant, wasn't it?

-Want a line?

-Not right now, thanks.

0:40:410:40:45

Frankie.

0:40:490:40:52

(COUGHS)

0:40:540:40:56

-You alright?

-Yeah.

-(CHUCKLES)

0:41:010:41:04

I'm leaving you.

0:41:090:41:12

I'm gonna take the tiger. That's mine.

0:41:130:41:16

And I want those ones, obviously, because they're mine.

0:41:160:41:20

And you can have the sculpture that your mother bought us.

0:41:200:41:23

Aren't you upset, Frankie?

0:41:260:41:29

Do you wanna say anything to me? Anything at all?

0:41:300:41:33

(THUNKS)

0:41:340:41:36

(THUNKS)

0:41:400:41:42

Frankie!

0:41:530:41:55

Where the fuck's the album, Frank?

0:42:050:42:08

Where the fuck is the album, Frank?!

0:42:100:42:13

Where the fuck is the album?!

0:42:150:42:18

(GROANS)

0:42:190:42:21

It smells like shit in here, Frank. What the fuck's happened to you?

0:42:290:42:34

What the fuck happened to you, Frank?

0:42:340:42:37

I don't know what this is. I don't.

0:42:370:42:39

This is bullshit, Frank. This isn't how you take on things, huh?

0:42:390:42:43

(SIGHS) Listen.

0:42:430:42:45

Maybe this isn't the worst thing in the world. Take some time off.

0:42:470:42:52

Go in the sun for fuck's sakes, huh?

0:42:520:42:55

Huh? Eat a lot of fruit, get some fucking vitamins in you.

0:42:550:42:59

Vegetables and greens and shit. I can't...

0:42:590:43:02

You know, there's...

0:43:020:43:05

I was reading yesterday, there's a fish, it's called a zebra fish.

0:43:050:43:09

Has little hairs on it.

0:43:090:43:12

And somehow, they can implant that, erm,...

0:43:120:43:15

(SIGHS) I don't know.

0:43:160:43:19

It's too fucking hot.

0:43:190:43:23

It's always too fucking hot.

0:43:230:43:26

I can't help you.

0:43:280:43:30

I don't know how to... I don't know how to fucking help.

0:43:300:43:35

I don't want to help you. I can't help you.

0:43:350:43:38

'I didn't want a deaf DJ on the label.'

0:43:390:43:45

'I didn't want the company to be touched with the deaf stamp.'

0:43:450:43:49

Business is tough and sometimes you have to make awkward decisions.

0:43:490:43:53

And I've made harder decisions than dropping the deaf DJ.

0:43:530:43:57

# "Parlez Moi D'Amour" - Lucienne Boyer

0:43:570:44:00

(COOING)

0:44:510:44:53

(COOING CONTINUES)

0:44:560:44:58

'Frank locks himself up, didn't come out of his villa for a long time.'

0:44:580:45:02

'His theory was he'd get his hearing back by having complete silence.'

0:45:020:45:06

'He wanted to rest his ears.'

0:45:060:45:08

'He hired people to bring in supplies for him to the villa.'

0:45:080:45:11

The only accounts we have of Frank during this period

0:45:110:45:14

come from various drug dealers. He was in a very dark place.

0:45:140:45:18

(MUSIC CONTINUES)

0:45:180:45:21

(PUFFS)

0:45:240:45:26

(GASPS)

0:45:340:45:36

# "More Intensity" - Pete Tong and Chris Cox

0:46:530:46:57

(SIZZLES)

0:47:060:47:09

(GRUNTS)

0:47:330:47:35

Aaaaarh!

0:47:450:47:48

(FEEBLE SPLASH)

0:47:480:47:51

(SIZZLING CONTINUES)

0:47:510:47:53

(PANTS)

0:48:300:48:32

(WIND WHISTLES)

0:48:470:48:49

(TOILET FLUSHES)

0:49:050:49:08

(COOING)

0:49:080:49:10

(COOS)

0:49:130:49:16

(GROWLS)

0:49:220:49:24

(BABBLES FURIOUSLY)

0:49:250:49:28

(CACKLES)

0:49:320:49:34

(GROWLS)

0:49:340:49:36

(PUNK MUSIC)

0:49:360:49:40

(BABBLES)

0:49:420:49:45

(GRUMBLES)

0:49:460:49:49

Eh?

0:49:530:49:55

-(GROANS)

-(MUSIC STOPS)

0:50:010:50:04

(COOS)

0:50:040:50:06

-(CHUCKLES)

-(GUN CLICKS)

-(COOS)

0:50:070:50:11

(BABBLES / COOS)

0:50:110:50:15

(BABBLES)

0:50:150:50:17

I love you too.

0:50:170:50:19

(GASPS / WHIMPERS)

0:50:200:50:22

(REVERBERATING GUNSHOT)

0:50:450:50:47

Where is Frankie Wilde today?

0:50:470:50:50

Well, I haven't... I haven't talked to him in almost a year now.

0:50:500:50:55

Erm, I've heard some stories.

0:50:550:50:57

This guy supposedly saw him in New York wearing a garbage bag for a hat

0:50:570:51:02

and shoeboxes on his feet.

0:51:020:51:04

And he... And he had a rock

0:51:040:51:07

and he was trying to eat it like a sandwich.

0:51:070:51:10

I don't think Frankie would do that. He looked like a bum.

0:51:100:51:15

He always looked like a bum. He had a special bond with the homeless.

0:51:150:51:19

# "Al Sharp" - Beta Band

0:51:190:51:23

# Is it because I'm beside myself with love

0:51:430:51:47

# That I can say these things to you, honey?

0:51:470:51:52

(WIND CHIME JINGLES) Hello?

0:51:520:51:55

# Or is it because I'm beside myself with guilt? #

0:51:550:51:59

Hola!

0:51:590:52:01

Hello? Hello.

0:52:010:52:04

Is this where you come if you want to learn how to read lips?

0:52:050:52:10

Of course. You want to learn?

0:52:100:52:12

I've got no idea what you're saying, darling.

0:52:140:52:18

I can't hear anything. This is the place, yeah?

0:52:190:52:22

They look like a couple of cunts.

0:52:320:52:36

I don't know how to lip read.

0:52:440:52:47

Maybe you should write something down.

0:52:470:52:51

I can't hear you. I can't read lips.

0:52:510:52:53

We need to get started. Maybe write something down.

0:52:530:52:56

Temper, temper.

0:53:150:53:18

Watch.

0:53:180:53:20

Concentrate.

0:53:200:53:22

Watch my lips.

0:53:230:53:26

Watch.

0:53:260:53:28

Lips.

0:53:280:53:30

Tongue.

0:53:340:53:36

Jaw.

0:53:380:53:40

One's facial expression.

0:53:410:53:44

Gesture.

0:53:440:53:47

Lip reading... is about seeing,

0:53:470:53:51

feeling.

0:53:510:53:53

(SILENCE)

0:53:530:53:56

Fill in the blanks, Frank.

0:54:010:54:04

# "Learning To Lip-Read" - Graham Massey

0:54:070:54:12

Sta.

0:54:170:54:19

Step-dad. (GIGGLES)

0:54:190:54:22

Hu.

0:54:240:54:25

Husband.

0:54:250:54:27

Wa.

0:54:290:54:30

The quick... brown... fox.

0:54:330:54:37

-The.

-The.

0:54:370:54:40

-Quick.

-Quick.

0:54:400:54:42

-(MOUTHS)

-Brown.

0:54:420:54:44

-(MOUTHS)

-Fox.

0:54:440:54:47

(MOUTHS)

0:54:470:54:49

Over... the lazy... dog.

0:54:490:54:52

Faster.

0:54:520:54:54

The quick brown fox

0:54:540:54:57

jumps over the lazy dog.

0:54:570:54:59

Good! Good!

0:54:590:55:02

-Fucking good.

-Great!

0:55:030:55:06

They all speak English here.

0:55:080:55:11

Don't worry.

0:55:110:55:13

Scotch neat, please, mate!

0:55:190:55:21

Double scotch neat.

0:55:220:55:25

-Is that OK?

-It's very good.

0:55:260:55:29

-We'll see what he comes back with.

-(LAUGHS)

0:55:290:55:32

To my lips.

0:55:360:55:38

Cheers.

0:55:380:55:41

You and me got the same hobby.

0:55:480:55:50

Another one?

0:55:540:55:56

(COUGHS)

0:55:560:55:59

What can I get you?

0:55:590:56:01

Erm,... scotch neat, please.

0:56:020:56:06

Double scotch again.

0:56:070:56:09

In England, it means "fuck off". Very similar gesture.

0:56:100:56:14

Fuck off.

0:56:140:56:17

-Double.

-Double fuck off.

0:56:170:56:20

Waiter!

0:56:200:56:21

Double scotch, please, mate.

0:56:220:56:25

(SILENCE)

0:56:260:56:29

No, more.

0:56:380:56:41

What do you want to drink to? Do you want to drink to something?

0:56:430:56:46

(MOUTHS)

0:56:460:56:49

Who's Simon?

0:56:490:56:51

Silence.

0:56:510:56:53

-Who is he?

-Not Simon, silence.

0:56:530:56:56

-Are you finished with him?

-Good.

-Great.

0:56:560:57:00

-(RADIO PLAYS DANCE MUSIC)

-(SPEAKS SPANISH)

0:57:070:57:11

Comprende?

0:57:160:57:18

(LAUGHS)

0:57:190:57:21

(LAUGHS)

0:57:380:57:40

(SPEAKS SPANISH)

0:57:450:57:48

I know what I could do. I know what I could do.

0:57:550:57:59

Fuck the DJ lark.

0:57:590:58:01

You know on TV, you got a little ugly bird, bottom right-hand corner,

0:58:010:58:05

doing all this business? I could do that.

0:58:050:58:08

I could be a cool little fucker in the corner of the box.

0:58:080:58:11

I could. Think positively.

0:58:110:58:15

Yeah. "Are you going down to Pacha tonight?" "Oh, no, mate."

0:58:150:58:19

"No, I'm staying in. Frankie Wilde's at the bottom corner

0:58:190:58:23

of the TV tonight doing the fucking hand jive. It'll be brilliant."

0:58:230:58:27

You finished?

0:58:330:58:36

You finished?

0:58:410:58:43

There's nothing wrong with being deaf. I'm deaf.

0:58:450:58:50

Trust your other senses.

0:58:500:58:53

Your sight, your smell and touch.

0:58:530:58:55

Just relax.

0:58:550:58:58

It will come.

0:58:580:59:00

It just takes time.

0:59:000:59:02

It will come.

0:59:020:59:04

(FLAMENCO MUSIC)

0:59:040:59:08

(MUSIC CONTINUES)

0:59:410:59:43

-Hey!

-(SINGS IN SPANISH)

0:59:561:00:00

(FLAMENCO MUSIC CONTINUES)

1:00:001:00:02

(DANCE MUSIC)

1:00:341:00:38

(MUSIC WINDS DOWN)

1:02:161:02:18

(DANCE MUSIC PLAYS)

1:02:561:02:59

(HEAVY BASS)

1:03:041:03:07

(DANCE MUSIC WITH PROMINENT BASS LINE)

1:03:101:03:15

(HEAVY BASS)

1:03:181:03:20

(DANCE MUSIC WITH PROMINENT BASS LINE)

1:03:221:03:25

(HEAVY BASS)

1:03:291:03:32

(DANCE MUSIC WITH PROMINENT BASS LINE)

1:03:321:03:35

(GUITAR MUSIC)

1:03:361:03:40

(MOUTHS)

1:03:401:03:42

Well, Frank's system was ingenious, and with the weight of his sight,

1:03:561:04:00

he proclaims that he began to see a rhythm in everything,

1:04:001:04:04

a pattern in the visual world around him. You know, could see music.

1:04:041:04:08

(SQUEALS)

1:04:521:04:54

'Frankie had worked with this all his life and then he realised

1:05:281:05:33

he was able to piece together those sets that he used to do.'

1:05:331:05:38

And hey, presto, you know, four to the floor, returneth.

1:05:381:05:43

(MIXES DANCE MUSIC)

1:05:431:05:46

(MUSIC STOPS)

1:06:131:06:14

I once stole 500 quid from your wallet, in the studio.

1:06:291:06:34

Well, it's only money, eh? No big deal.

1:06:341:06:39

It was me who stuck that scaff bar through the windscreen of your Merc.

1:06:391:06:42

It wasn't that Asian kid.

1:06:421:06:44

Well, he's probably out now anyway so no harm done.

1:06:441:06:49

I shagged Twila.

1:06:501:06:53

For three years.

1:06:561:06:59

But cos you're a mate, yeah,...

1:07:131:07:16

..I only ever made love to her bum.

1:07:171:07:21

She doesn't like it in the bum.

1:07:221:07:25

Have a listen to this.

1:07:251:07:28

Tell me what you think. Yeah?

1:07:281:07:30

(BANGING)

1:07:391:07:41

Open the door! Frank! Frank! Open the fucking door!

1:07:431:07:47

Open the door! Frank! Frank! Open the fucking door!

1:07:471:07:52

Do you want some more coffee?

1:07:521:07:55

Frank! Frank! Open the door. Open the fucking door.

1:07:571:08:00

-So?

-Oh, Frank. Oh, God!

1:08:001:08:02

-Yeah?

-Oh, God, it's good. Fucking good.

1:08:021:08:05

-It's good?

-OK, it's fucking hot.

1:08:051:08:08

First off, did you...? Who's this?

1:08:081:08:11

-Max, this is Penelope. Penelope, this is Max.

-Hi, Max.

1:08:111:08:15

Hi.

1:08:151:08:17

(MOUTHS)

1:08:171:08:19

Forget it. Look.

1:08:191:08:21

-Did you mix this?

-Yeah.

1:08:211:08:24

-Did you produce this?

-Yeah.

-Oh, fuck.

1:08:241:08:27

Fuck it, Frank. It's gold. Fucking gold.

1:08:281:08:31

-(GRUNTS) It's beautiful.

-Tell me! I haven't heard it.

1:08:311:08:35

Gets in your chest. Never heard nothing like it.

1:08:351:08:38

Hurh! Like a fucking heart.

1:08:381:08:41

It changed... What do you mean you haven't heard it? What do you mean?

1:08:411:08:46

-Well, I haven't heard it.

-Why?

1:08:461:08:49

I'm completely deaf, Max.

1:08:521:08:55

Completely?

1:08:581:09:00

Yeah.

1:09:001:09:03

Nothing.

1:09:031:09:05

To the handicapped.

1:09:061:09:09

# "You Can't Hurry Love" - The Concretes

1:09:091:09:12

# Oh, do you hear me say

1:09:121:09:15

-# Do you hear me say now...

-Sorry.

1:09:151:09:18

# And oh...

1:09:181:09:21

The first time I heard Hear No Evil, I was like, you know, whatever.

1:09:211:09:27

But then Max told me Frankie's story.

1:09:271:09:31

'And the penny dropped.'

1:09:311:09:34

# You can't hurry love

1:09:341:09:37

# You can't hurry love...

1:09:411:09:44

'People love a good tragedy.'

1:09:461:09:49

People love handicaps, frankly.

1:09:491:09:51

It gets them emotional, you know.

1:09:511:09:55

So I'll get on that deaf train with a wheelchair ramp. No problem.

1:09:551:09:59

First-class ticket, please.

1:09:591:10:02

# ..done mine

1:10:021:10:04

# Oooooh, but you can't hurry love

1:10:041:10:07

# Oooooh, you can't hurry love

1:10:111:10:14

# Boy

1:10:171:10:19

# Do you hear me say

1:10:191:10:21

# Do you hear me say now

1:10:211:10:24

# Love #

1:10:241:10:26

'I don't see why we should limit ourselves to deaf people, really.'

1:10:261:10:30

I don't want to reveal too much either about where we're going.

1:10:301:10:34

But it's gonna be big. It's gonna be big, and it's gonna be handicapped.

1:10:341:10:38

Imagine all the deaf people, all the deaf people in the world.

1:10:381:10:42

They need a fucking hero. They don't have a fucking hero. No deaf hero.

1:10:421:10:46

It's you, Frank. You're, like, the fucking link.

1:10:461:10:50

You're drawing all the deaf kids that are screaming, with no hearing.

1:10:501:10:54

They're yelling out. Who's gonna listen? Not other fucking deaf kids.

1:10:541:10:58

They can't hear, huh? You. You're the fucking voice, eh?

1:10:581:11:02

And wait. Wait. You're gonna love this.

1:11:021:11:05

Huh? Huh?

1:11:051:11:08

Can you hear me? "No, I can't, Max. Are you trying to make me money?"

1:11:081:11:12

Yes. I'm making you money. OK. Huh? Fuck, look.

1:11:121:11:15

That is just the fucking beginning.

1:11:151:11:18

(INSTRUMENTAL # "YOU CAN'T HURRY LOVE")

1:11:201:11:25

(RATTLES)

1:11:261:11:28

I wouldn't put my name to any old product.

1:11:341:11:38

If I could describe it as bad speed in a can.

1:11:381:11:41

We've all had bad speed, haven't we?

1:11:411:11:44

I'm just gonna have a sip. I can't resist. Oh, fuck. Wow.

1:11:441:11:49

He made disabilities cool.

1:11:501:11:53

What's with the fucking ear?

1:11:541:11:56

The ear, that represents your deafness, OK.

1:11:561:12:01

Deaf people hate their ears, see. Don't they? See?

1:12:011:12:04

It's symbolic. You'll smash it. The deaf kids will go fucking nuts.

1:12:041:12:07

Don't hit the ear. I'll put some glass on that

1:12:071:12:10

and turn that into a table.

1:12:101:12:13

It's wank. I'm sucking deaf cock for you, mate.

1:12:131:12:17

And... (GAGS) I'm fucking choking on it.

1:12:171:12:20

Alright, first off, you're sucking showbiz cock.

1:12:201:12:23

Look, this is gonna be good money. This is all about cash.

1:12:231:12:27

Shitloads of cash. Better than that,

1:12:271:12:29

Sonya can't get her grubby fingers on this money, understand?

1:12:291:12:33

-This is Sonya-free cash.

-He's not a whore!

1:12:331:12:36

Look, Frank, OK?

1:12:411:12:43

You're not giving me any fucking positive feedback.

1:12:431:12:47

You know what fucking bothers me?

1:12:471:12:49

The fact that you think art just fucking happens. It's just free.

1:12:491:12:53

These people just took out time from their day to come here

1:12:531:12:57

and do shit for nothing. You gotta realise you're a fucking hero.

1:12:571:13:01

That's what the yellow's about. You make fun of me and that jacket.

1:13:011:13:04

I picked it! Deaf kids worldwide will see that yellow.

1:13:041:13:07

They'll buy that jacket.

1:13:071:13:10

Two, maybe 300. They'll run around, proudly deaf,

1:13:101:13:13

-all yellow, fluorescently deaf...

-(SILENCE)

1:13:131:13:17

(REPORTERS SHOUT)

1:13:211:13:23

-Sit down.

-Charlize Bondo!

1:13:301:13:33

Charlize Bondo! Ibiza Beat.

1:13:331:13:35

Frankie, can you really DJ as a deaf man? How is that possible?

1:13:351:13:39

-(ALL MURMUR)

-They murmuring?

-Yeah, quite a bit.

1:13:401:13:44

I'm an honest man. I can tell you

1:13:441:13:47

that this album was made...

1:13:471:13:49

..completely without the aid of me ears.

1:13:511:13:54

And at Pacha next week,

1:13:541:13:56

I'll be DJing as a deaf man.

1:13:561:13:59

And if you don't believe me,...

1:13:591:14:03

you know, fuck you.

1:14:041:14:06

Because I've got nothing,

1:14:061:14:09

nothing to prove

1:14:091:14:12

-to you sluts at all.

-OK. OK.

-(ALL GROAN)

1:14:121:14:16

Role model.

1:14:161:14:18

-Nothing.

-Wait a minute. OK, role model.

1:14:181:14:21

Listen. Listen to me. No. No.

1:14:211:14:23

He loves sluts. Frank loves sluts.

1:14:231:14:26

Now, I think what he's trying to say is,

1:14:261:14:29

even though he feels he has nothing to prove to you,

1:14:291:14:33

he'd be happy to prove, erm, anything you want, to you.

1:14:331:14:38

It's important that we all realise

1:14:381:14:41

that this is a major comeback from a rock.

1:14:411:14:44

You know, what he's accomplished in the last few months is astonishing.

1:14:441:14:48

He'll be at the Pacha nightclub. You can come down

1:14:481:14:52

and watch him mix yourself. And watch the miracle happen, OK?

1:14:521:14:57

Because, you know, I realise that there are doubters in this room,

1:14:571:15:01

which fucks me up.

1:15:011:15:03

Because, you know, why would someone pretend to be deaf?

1:15:031:15:07

I mean, that's retarded.

1:15:071:15:09

It's not like he's fucking benefiting from this.

1:15:091:15:12

It's a fucking obstacle.

1:15:121:15:15

He can't hear. Your mom's a cunt. Nothing. Zero. Blank.

1:15:151:15:18

This man, what he's done, fucking...

1:15:181:15:21

It gets me in my fucking heart, what he's done.

1:15:211:15:24

And you, you come down here, and you put on this big fucking show

1:15:241:15:28

-like he's gonna make shit up!

-Hey, hey, hey. Relax. Relax, man.

1:15:281:15:32

Alright. Next question.

1:15:321:15:35

-(ALL SHOUT)

-One more! One more!

1:15:351:15:39

# "Can You Hear Me Now" - Double Funk ft Paul Kaye

1:15:391:15:43

I thought it was amazing, you know, that somebody that's deaf

1:15:481:15:52

can actually... can actually, you know, be a DJ.

1:15:521:15:56

-Frankie Wilde, good luck.

-Good luck.

1:15:561:15:58

I think that guy is so fantastic.

1:15:581:16:01

He has a gift that no-one else has. And somehow, he is gonna do it.

1:16:011:16:05

# "Messa da Requiem" - Riccardo Muti/La Scala Milan

1:16:051:16:10

(SPEAKS SPANISH)

1:16:111:16:14

(ALL CHANT) Frankie! Frankie! Frankie! Frankie!

1:16:181:16:21

'The vibe that night was incredible.'

1:16:291:16:32

All the memories had come back.

1:16:321:16:35

He'd hit the depths then he was just back.

1:16:351:16:39

Pacha, Frankie Wilde, comeback. Take this. Check this out.

1:16:531:16:57

I've never seen an atmosphere like it. It was amazing.

1:16:571:17:00

(ALL CHANT) Frankie! Frankie! Frankie! Frankie!

1:17:001:17:04

Frankie! Frankie! Frankie! Frankie!

1:17:041:17:08

Frankie! Frankie! Frankie!

1:17:081:17:11

Frankie! Frankie! Frankie! Frankie!

1:17:111:17:15

Frankie! Frankie!

1:17:151:17:17

Frankie! Frankie! Frankie!

1:17:171:17:21

(MESSA DA REQUIEM CONTINUES)

1:17:211:17:23

# "Rock Your Body, Rock" - Ferry Corsten

1:17:541:17:59

(MIXES MUSIC)

1:18:121:18:15

(HEAVY BASS)

1:18:241:18:27

# I wanna rock, I wanna rock your body #

1:18:361:18:40

(ALL CHEER)

1:18:431:18:45

He probably never thought he'd ever feel that again.

1:18:581:19:02

To come back and actually feel that and more, it was a great experience.

1:19:021:19:07

'Everybody there shared the same experience. It was really special.'

1:19:071:19:11

'It was what dance music's about.'

1:19:111:19:14

(MIXES MUSIC)

1:19:151:19:17

# "Musak" - Trisco

1:19:171:19:20

He had club land sparking big time.

1:19:211:19:23

He took the roof off. It was like he was an even better DJ as a deaf man

1:19:341:19:38

than he'd been before. It was incredible.

1:19:381:19:42

Frankie! Frankie! We won it! Listen!

1:19:491:19:53

Fuck! We're the fucking champions! We got the fucking award! Mwah!

1:19:531:19:58

This is it. This is our... fucking moment!

1:19:581:20:01

(GURGLES) There's nothing... I can't... Fuck.

1:20:011:20:05

What do you wanna do, buy the moon? We'll buy the moon!

1:20:051:20:08

You don't understand, it's huge. Hold on.

1:20:081:20:11

(INHALES)

1:20:111:20:14

(EXHALES)

1:20:151:20:18

They're gonna come in. 15 minutes. They all wanna talk to you.

1:20:181:20:21

15 minutes. 15 minutes, Frank. This is the big moment.

1:20:211:20:25

15 minutes. That's all they need. Tomorrow, big press conference.

1:20:251:20:29

That's what we're gonna do. Very important.

1:20:291:20:32

-You have to watch.

-Max?

-What? What?

1:20:321:20:35

-Can you do me a favour, mate?

-Anything. Anything.

1:20:351:20:38

-Leave us alone for ten minutes?

-No. See, you're not listening.

1:20:381:20:42

OK, listen. Look at my lips. They come in for 15 minutes of your life.

1:20:421:20:46

-15 minutes. 15 fucking minutes.

-Shhh.

1:20:461:20:49

Frank. No, no, no, no. Frank, no.

1:20:491:20:52

-Shh.

-No. Frank. Frank, 15 minutes.

1:20:521:20:54

(SILENCE)

1:20:541:20:57

Ten minutes.

1:20:571:21:00

Alright.

1:21:011:21:03

(MUTTERS) Sure. Yeah. Fucking sure. What the fuck do I know?

1:21:051:21:09

OK, alright. Calm down. OK, you're getting in. Don't worry.

1:21:251:21:29

You I used to like. Alright. You could do with some cheering up.

1:21:291:21:32

Alright. OK. Hold on. OK.

1:21:321:21:35

Frankie?

1:21:371:21:39

# "Music For A Found Harmonium" - The Penguin Cafe Orchestra

1:21:391:21:42

Frankie!

1:21:421:21:44

Jesus Christ.

1:21:551:21:57

Frankie!

1:22:081:22:10

Frank! Fuck.

1:22:151:22:17

It was like a flat line.

1:23:071:23:10

It was...

1:23:101:23:12

Still, to this day, I'm...

1:23:131:23:16

That was it, gone. Frankie Wilde, bye-bye. Gone.

1:23:171:23:21

Everybody was like that, holding the baby.

1:23:211:23:24

(MUSIC FOR A FOUND HARMONIUM CONTINUES)

1:23:241:23:27

'I've heard a story that he's running a record shop in Oxford.'

1:23:501:23:54

There's a story that he went to Fiji and then died of syphilis.

1:23:541:23:58

But nobody knows. You know, I don't know where he is.

1:23:581:24:02

He was another deaf guy with a deaf guy's needs.

1:24:021:24:06

And he went off to... a quiet place.

1:24:061:24:10

Although, I suppose that wouldn't make much difference.

1:24:101:24:13

# "Good Vibrations" - Beach Boys

1:24:131:24:16

# I... I love the colourful clothes she wears

1:24:161:24:20

# And the way the sunlight plays upon her hair

1:24:201:24:25

# I hear the sound of a gentle word

1:24:271:24:32

# On the wind that lifts her perfume through the air

1:24:321:24:37

# I'm picking up good vibrations

1:24:401:24:43

# She's giving me excitations

1:24:431:24:47

-# I'm picking up good vibrations

-# Oom bop bop, good vibrations

1:24:471:24:50

-# She's giving me excitations

-# Oom bop bop, excitations

1:24:501:24:53

-# Good, good, good

-# Oom bop bop

-# Good vibrations

1:24:531:24:57

-# She's giving me excitations

-# Oom bop bop, excitations

1:24:571:25:00

-# Good, good, good, good vibrations

-# Oom bop bop

1:25:001:25:03

-# She's giving me excitations

-# Oom bop bop, excitations

1:25:031:25:06

# Close my eyes

1:25:061:25:08

# She's somehow closer now

1:25:081:25:11

# Softly smile, I know she must be kind

1:25:121:25:16

# When I look in her eyes

1:25:181:25:23

# She goes with me to a blossom world

1:25:231:25:28

# I'm picking up good vibrations

1:25:301:25:34

# She's giving me excitations #

1:25:341:25:37

# "Need To Feel Loved" - Reflekt # Come and catch a fire

1:25:371:25:41

# Don't let me fade away

1:25:411:25:45

# Come and catch a fire, baby

1:25:451:25:48

# Don't let me fade away

1:25:481:25:51

# Come and catch a feeling

1:25:531:25:55

# It's electrifying me

1:25:551:25:59

# With eyes wide open

1:26:001:26:03

# I'm dreaming

1:26:031:26:06

# Breathe for me, baby

1:26:071:26:10

# Don't wake before I'm down

1:26:101:26:13

# Free falling, baby

1:26:151:26:17

# Don't wake before I'm down

1:26:171:26:21

# Come and touch me, baby

1:26:221:26:25

# I need to be loved

1:26:251:26:28

# Come and hold me, baby

1:26:281:26:33

# I need to feel loved

1:26:331:26:36

# I'm in love, in love, in love

1:26:361:26:39

# I'm in love, in love, in love

1:26:391:26:43

# I'm in love

1:26:431:26:46

# I'm in love

1:26:461:26:48

# I'm in love, in love, in love

1:26:501:26:54

# I'm in love, in love, in love

1:26:551:26:58

# I'm in love

1:26:591:27:01

# I'm in love

1:27:011:27:04

# Come and touch me, baby

1:27:061:27:09

# I need to be loved

1:27:091:27:13

# Come and hold me, baby

1:27:131:27:17

# I need to feel loved

1:27:171:27:20

# I need to feel loved

1:27:201:27:24

# I need to feel loved

1:27:241:27:28

# I need to feel loved

1:27:281:27:32

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