
Browse content similar to Outrageous Fortune. Check below for episodes and series from the same categories and more!
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This film contains strong language. | 0:00:09 | 0:00:13 | |
-OW! All right, that's it! -What's the matter, Marie? What happened? | 0:02:31 | 0:02:35 | |
-She tried to kill me. -Well, isn't that the point? | 0:02:35 | 0:02:38 | |
No, Lauren. This is theatrical fencing - it isn't an autopsy. OK? | 0:02:38 | 0:02:44 | |
All right. | 0:02:44 | 0:02:47 | |
Damn it. I don't even know why we have to do this. | 0:02:47 | 0:02:50 | |
If you want to do Shakespeare, Shakespearian people have duels. | 0:02:50 | 0:02:53 | |
-Not the women. -It's my ambition to play Hamlet. | 0:02:53 | 0:02:57 | |
-Oh, that'll pack 'em in the aisles(!) -Yes. | 0:02:57 | 0:03:00 | |
Paulette. | 0:03:02 | 0:03:04 | |
Ian. | 0:03:07 | 0:03:09 | |
Good. | 0:03:11 | 0:03:12 | |
Lauren. | 0:03:12 | 0:03:13 | |
Excellent. ALL MURMUR | 0:03:20 | 0:03:23 | |
Naomi? | 0:03:23 | 0:03:25 | |
Bitch! | 0:03:27 | 0:03:28 | |
-Lauren. -Hi, George. | 0:03:32 | 0:03:35 | |
-Have dinner with me tonight? -What?! | 0:03:35 | 0:03:37 | |
Say yes. | 0:03:37 | 0:03:39 | |
George! | 0:03:39 | 0:03:41 | |
Say yes. | 0:03:41 | 0:03:43 | |
Why are you acting like this? | 0:03:43 | 0:03:45 | |
Because I want to be with you. | 0:03:45 | 0:03:48 | |
-Well, that's nice! -SHE GIGGLES | 0:03:48 | 0:03:53 | |
This is so funny, George. I thought you were gay. | 0:03:53 | 0:03:56 | |
Oh, I am. | 0:03:56 | 0:03:58 | |
It's just I play so many heterosexual roles that I feel I really need to do some serious research. | 0:03:58 | 0:04:03 | |
Uh-huh... | 0:04:04 | 0:04:06 | |
-And just when you think there's no greater depth to which an actor can sink... -That's nothing. | 0:04:06 | 0:04:12 | |
-Remember Fran? -Fran. | 0:04:12 | 0:04:14 | |
I've got a 50% hearing loss in this ear from him yelling, "Stella!" in bed. | 0:04:14 | 0:04:20 | |
I swore off actors a year ago. | 0:04:20 | 0:04:23 | |
I said, if that's the only sub-species of men available, | 0:04:23 | 0:04:26 | |
I'd rather not date at all. And I haven't. | 0:04:26 | 0:04:29 | |
But there are other things - my work, I perfect my craft... | 0:04:29 | 0:04:33 | |
KORZENOWSKI! | 0:04:33 | 0:04:35 | |
He's taking students! | 0:04:35 | 0:04:37 | |
But where are you gonna get that kind of money? | 0:04:37 | 0:04:40 | |
BUZZES | 0:04:48 | 0:04:50 | |
-'Who is it?' -It's your sister-in-law. | 0:04:50 | 0:04:54 | |
-Hurry up - my feet are falling off. -'Hi, Shirley, glad you finally... | 0:04:54 | 0:04:59 | |
'Wait a minute... Get in front of the camera.' | 0:04:59 | 0:05:03 | |
'I knew it.' | 0:05:08 | 0:05:10 | |
-Come on, Mom - let me in. -'No, we can't afford it.' | 0:05:10 | 0:05:14 | |
Mom, please! | 0:05:14 | 0:05:17 | |
-'Is that my baby?' -Daddy! -'Yes, but she can't come in. | 0:05:17 | 0:05:21 | |
-'She wants a loan.' -Daddy, can I come in, please, please, please? | 0:05:21 | 0:05:25 | |
-Daddy? -'Daniel, what are you...?' LOCK BUZZES | 0:05:25 | 0:05:29 | |
-'We don't know she wants money.' -'Of course she does!' | 0:05:29 | 0:05:32 | |
-'We don't know that. ' -That's right, Mom. | 0:05:32 | 0:05:35 | |
Can't I just drop in to see my parents? | 0:05:35 | 0:05:39 | |
OK, I need 5,000. | 0:05:41 | 0:05:44 | |
-But it's to study with Korzenowski. -PARENTS BICKER | 0:05:44 | 0:05:49 | |
Stanislav Korzenowski. I'll pay you back. | 0:05:49 | 0:05:52 | |
'What did you say?' | 0:05:52 | 0:05:54 | |
-I know I owe you some money. -'You owe us 32,000.' | 0:05:56 | 0:06:00 | |
But it's THE Korzenowski. | 0:06:00 | 0:06:04 | |
'Lauren, we sent you to Yale and London and the institute. | 0:06:04 | 0:06:09 | |
'You have been at this acting thing for years and you haven't earned a dime. You're still a sales girl. | 0:06:09 | 0:06:14 | |
-'Honey, maybe it's time for you to give it up...' -Daddy! | 0:06:14 | 0:06:18 | |
'What did you do? You gave her that money?!' | 0:06:18 | 0:06:21 | |
-'She is our only child.' -'She is sucking us dry!' | 0:06:21 | 0:06:26 | |
Daddy, 5,000. Thank you, Daddy! | 0:06:26 | 0:06:28 | |
-Oh, thank you! -PARENTS CONTINUE BICKERING | 0:06:28 | 0:06:31 | |
-Give me back my fucking quarter! -PHONE CLANGS | 0:06:32 | 0:06:35 | |
Damn! | 0:06:35 | 0:06:38 | |
I'm Lauren Ames. There's my application. | 0:06:50 | 0:06:53 | |
Your board, your pen | 0:06:53 | 0:06:55 | |
and my downpayment. | 0:06:55 | 0:06:57 | |
Keep that for now. You still have to audition. | 0:06:57 | 0:07:00 | |
-Sit down. Mr Korzenowski will call you. -Thank you. | 0:07:00 | 0:07:04 | |
SHE SIGHS | 0:07:06 | 0:07:08 | |
SHE DOES VOCAL EXERCISES You nervous? | 0:07:08 | 0:07:11 | |
-Oh! -Sorry! I'm sorry. -That's OK, I'm... | 0:07:11 | 0:07:15 | |
It's fine. | 0:07:15 | 0:07:18 | |
I guess we're all a little bit... | 0:07:18 | 0:07:20 | |
Right. | 0:07:20 | 0:07:22 | |
Oh, boy - I don't blame you. SHE EXHALES | 0:07:22 | 0:07:25 | |
This is so intense... Shut up! | 0:07:25 | 0:07:28 | |
-I'm sorry. -Holy Mary, isn't there one fucking phone in this town that works?! | 0:07:28 | 0:07:33 | |
You got a phone I can use? | 0:07:35 | 0:07:37 | |
Yeah, this is Sandy Brozinsky. Who's this? | 0:07:46 | 0:07:49 | |
Howie! OK, Howie - | 0:07:49 | 0:07:52 | |
I'm holding this thing that says you're gonna turn off my phone at noon. | 0:07:52 | 0:07:57 | |
I wanna tell you something - I just got outta the hospital. | 0:07:57 | 0:08:00 | |
I get home after two months of intensive care, they wheeled me into my building, I find your thingy | 0:08:00 | 0:08:06 | |
screaming I have until 12 noon today... | 0:08:06 | 0:08:10 | |
Hey, no YOU listen. YOU listen! | 0:08:10 | 0:08:12 | |
I just opened the damn thing and laid eyes on it for the first time. | 0:08:12 | 0:08:15 | |
Was I supposed to have them unhook the life support machine so I could pay my bills?! | 0:08:18 | 0:08:23 | |
Oh, so now I have three... two minutes to write a cheque | 0:08:23 | 0:08:27 | |
and wheel myself down to your office, Howie? | 0:08:27 | 0:08:30 | |
Is that the drill? | 0:08:30 | 0:08:33 | |
La-la-la-la-la-la-la-la la-la-la -la... | 0:08:33 | 0:08:37 | |
24 hours? | 0:08:37 | 0:08:39 | |
24 big ones. | 0:08:39 | 0:08:41 | |
All right, Howie, you're a prince among men. | 0:08:41 | 0:08:45 | |
I mean it. I wanna have your child. Yeah, bye. | 0:08:45 | 0:08:48 | |
La-la-la-la... NO! | 0:08:51 | 0:08:53 | |
Stop! | 0:08:53 | 0:08:55 | |
Please...do not screech at anyone else. | 0:08:55 | 0:09:00 | |
I am trying to prepare for an audition here. Thank you. | 0:09:02 | 0:09:06 | |
Oh, yeah? What for? | 0:09:07 | 0:09:09 | |
-A workshop with Stanislav Korzenowski. -Who's that? | 0:09:09 | 0:09:13 | |
Only one of the great geniuses of the theatre. | 0:09:13 | 0:09:17 | |
-Now if you don't mind... -Hey, maybe I should audition for him too. I'm an actress. | 0:09:17 | 0:09:23 | |
SHE GIGGLES | 0:09:23 | 0:09:25 | |
Hey, I'm a pro. I bet I'm more of a pro than you. | 0:09:25 | 0:09:28 | |
SHE SIGHS | 0:09:28 | 0:09:30 | |
Uh-huh. Well, I just made 2500 bucks doing a movie. | 0:09:30 | 0:09:34 | |
-Yeah! -That's where I've seen you! It has been driving me crazy. | 0:09:34 | 0:09:38 | |
-You saw Ninja Vixens? -I... | 0:09:38 | 0:09:41 | |
uh...must have. | 0:09:41 | 0:09:43 | |
Huh. Well, this whole acting thing's been going pretty good. I mean, it's all just bullshittin', right? | 0:09:43 | 0:09:49 | |
Actors are just bullshitters who get paid. | 0:09:49 | 0:09:53 | |
Where do I sign up? | 0:09:53 | 0:09:55 | |
Just exactly what do you think you're going to do in there? | 0:09:55 | 0:09:59 | |
I dunno, I'll make something up. | 0:09:59 | 0:10:01 | |
You're going in to Stanislav Korzenowski and wing it?! | 0:10:01 | 0:10:06 | |
Jesus, you'd think I was gonna go in and pee on him. | 0:10:06 | 0:10:10 | |
Listen to me... | 0:10:10 | 0:10:12 | |
you do not audition for a man of Korzenowski's reputation | 0:10:12 | 0:10:16 | |
without a prepared classical monologue. That means Shaw, Ibsen, Shakespeare. | 0:10:16 | 0:10:22 | |
I'm doing Ophelia's mad scene. I'm not waltzing in off the street | 0:10:22 | 0:10:26 | |
and saying, "Gee, I think I wanna be an actress!" | 0:10:26 | 0:10:29 | |
You know what I bet? | 0:10:29 | 0:10:31 | |
I bet you haven't been laid in about a year. | 0:10:31 | 0:10:34 | |
Ames...Lauren. | 0:10:38 | 0:10:41 | |
Ah... Yes, I'm coming. I-I... will be coming... | 0:10:41 | 0:10:46 | |
-I-I-I'm ready. I'm... -Quickly. | 0:10:46 | 0:10:49 | |
Have a good mad scene. | 0:10:49 | 0:10:52 | |
It's really great. I just saw it. | 0:10:53 | 0:10:57 | |
I will not only wish you to absorb everything I say, | 0:11:24 | 0:11:28 | |
I will also wish you to keep notes about everything that I say. | 0:11:28 | 0:11:34 | |
And...I will wish to look at those notes. | 0:11:34 | 0:11:38 | |
Now if you say this is like high school, | 0:11:38 | 0:11:42 | |
I do not apologise. | 0:11:42 | 0:11:44 | |
I am not egotist. | 0:11:46 | 0:11:49 | |
But I want to know that you record my ideas. | 0:11:49 | 0:11:52 | |
If you do not, you are gone from the class. | 0:11:52 | 0:11:56 | |
All right, we begin. | 0:11:56 | 0:11:59 | |
We begin with... | 0:11:59 | 0:12:01 | |
vowel groups. | 0:12:01 | 0:12:03 | |
Vowel groups? | 0:12:03 | 0:12:05 | |
Mr Wilder... | 0:12:05 | 0:12:08 | |
..do you know the difference between a Texas deep song | 0:12:11 | 0:12:14 | |
and a Georgia deep song? | 0:12:14 | 0:12:17 | |
Sorry I'm late! They made me fill in one of these dumbass financial aid forms. You want 'em? | 0:12:18 | 0:12:25 | |
I cannot believe...I absolutely cannot believe he let her in. | 0:12:25 | 0:12:29 | |
And on scholarship! | 0:12:29 | 0:12:31 | |
I just bet I know what she did as an audition. | 0:12:31 | 0:12:34 | |
The woman has no training, | 0:12:34 | 0:12:36 | |
no experience... I mean, correct me if I'm wrong. | 0:12:36 | 0:12:39 | |
I really thought if you worked at your craft, just possibly, you'd get to work with one of the greats. | 0:12:39 | 0:12:44 | |
It's 2.95, not 295. | 0:12:44 | 0:12:47 | |
I knew that! | 0:12:47 | 0:12:50 | |
SHE SIGHS | 0:12:50 | 0:12:52 | |
Something's seriously wrong with my life. | 0:12:52 | 0:12:56 | |
Excuse me. | 0:12:56 | 0:12:58 | |
-Are you all right? -Better. | 0:13:00 | 0:13:03 | |
I was just...um... | 0:13:04 | 0:13:07 | |
-Who cares? May I help you? -Yeah. Have you got something in a pumpkin? | 0:13:07 | 0:13:11 | |
The shade pumpkin? | 0:13:11 | 0:13:13 | |
-No, a pumpkin costume. -Oh. -God, I sound like an idiot! | 0:13:13 | 0:13:18 | |
-The reason is that I teach grammar school. -You're a school teacher? | 0:13:18 | 0:13:22 | |
-Uh-huh. -You're not an actor? -God, no. I'd be awful. Why do you ask? | 0:13:22 | 0:13:26 | |
Oh, there's just so many actors who come in here. Please go on. | 0:13:26 | 0:13:30 | |
We're putting on a little pageant and there's a kid in my class | 0:13:30 | 0:13:34 | |
who's very insecure. The other kids pick on him and his mom doesn't sew | 0:13:34 | 0:13:39 | |
and I think it would give him such a boost to have the best costume. | 0:13:39 | 0:13:43 | |
So I thought a professional costumers' would have an incredible pumpkin. | 0:13:43 | 0:13:47 | |
But I can't go more than 50 cos this is coming out of my own pocket. | 0:13:47 | 0:13:52 | |
I'm really sorry, I don't think we have a pumpkin. | 0:13:54 | 0:13:57 | |
What about a squash? | 0:13:57 | 0:14:00 | |
We don't have any vegetables as such. | 0:14:00 | 0:14:04 | |
-I'm sorry. -Well, this is the last place on the list. | 0:14:04 | 0:14:09 | |
But... I'll just throw something together myself. | 0:14:09 | 0:14:14 | |
I really appreciate your time. Thanks. | 0:14:14 | 0:14:16 | |
Um...uh...listen... | 0:14:16 | 0:14:18 | |
-I don't know...maybe someone... maybe -I -could... | 0:14:18 | 0:14:22 | |
I've made a lot of my own costumes. I'm sure it wouldn't be that hard. | 0:14:22 | 0:14:27 | |
If I could help out, I'd...like to. | 0:14:27 | 0:14:30 | |
Oh, that would be fabulous. | 0:14:30 | 0:14:32 | |
I hope you'll forgive me, Lauren. | 0:14:42 | 0:14:45 | |
-What? -I don't usually lunge at women like that. | 0:14:45 | 0:14:49 | |
-Oh! -But you just... | 0:14:49 | 0:14:51 | |
..I just had to kiss you. | 0:14:54 | 0:14:56 | |
I really am sorry and I hope that you'll want to see me again. | 0:14:56 | 0:15:00 | |
-Hmm, where in the world did you come from? -New Mexico, originally. | 0:15:00 | 0:15:05 | |
No, no...I mean, how can a man so delightful as you | 0:15:05 | 0:15:09 | |
be just wandering the streets of New York? | 0:15:09 | 0:15:13 | |
Single! Single! | 0:15:13 | 0:15:15 | |
-Yeah, I can't believe it. -That's not by choice. I'd like to be married. | 0:15:15 | 0:15:18 | |
-This isn't happening. -Why not? | 0:15:20 | 0:15:23 | |
Well, there must be something wrong with you. Don't you have any faults? | 0:15:23 | 0:15:27 | |
I smoke. | 0:15:29 | 0:15:31 | |
You smoke? That's it? Call the police! | 0:15:31 | 0:15:35 | |
No, no, no. It's an addiction. | 0:15:35 | 0:15:38 | |
Colton's Tobacco. New Mexico's finest. | 0:15:38 | 0:15:42 | |
I hope you don't mind. | 0:15:42 | 0:15:44 | |
Well, I'll... struggle through somehow. | 0:15:44 | 0:15:49 | |
HE CHUCKLES Good. Very good. | 0:15:49 | 0:15:52 | |
Because I'd like to see you again. | 0:15:52 | 0:15:55 | |
Tomorrow night. | 0:15:56 | 0:15:58 | |
Well...yes. | 0:16:00 | 0:16:03 | |
Mmm...thank you. | 0:16:12 | 0:16:14 | |
What's this? | 0:16:20 | 0:16:22 | |
"Ooh-ee-ooh-aah-ee-aah-ooh." | 0:16:22 | 0:16:26 | |
-That's what you do in acting class? -Those are vowel groups. | 0:16:26 | 0:16:30 | |
Sorry - wow-ell gr-roups. | 0:16:30 | 0:16:34 | |
-Ooh. -RUSSIAN ACCENT: Ooh, I feel the same way. | 0:16:34 | 0:16:38 | |
Will you please kiss me hard on da lips? | 0:16:38 | 0:16:42 | |
Dat was tender but tasty. | 0:16:44 | 0:16:46 | |
-Bite my face. -OK. | 0:16:46 | 0:16:49 | |
-Aaaagh... -Bite my leg. | 0:16:49 | 0:16:51 | |
Now bite my other leg. | 0:16:51 | 0:16:55 | |
Ooh, I'm sorry. | 0:17:01 | 0:17:03 | |
Oh, my! THAT kind of evening, huh? | 0:17:03 | 0:17:07 | |
Not the kind you're used to. No money changed hands. | 0:17:10 | 0:17:14 | |
A-ka! | 0:17:17 | 0:17:19 | |
A-ka-wa-na-ka! | 0:17:19 | 0:17:22 | |
A-ka-wa-na-ka... No, no, no, no. | 0:17:22 | 0:17:25 | |
Believe, believe! You have killed your father. | 0:17:25 | 0:17:28 | |
You have married your mother. Now, no words. | 0:17:28 | 0:17:31 | |
Remember - now, reveal. | 0:17:31 | 0:17:35 | |
A-a-a-a-a-a-a-a....woo-HO-O-O-O-O! | 0:17:37 | 0:17:42 | |
Here we have a sick sea lion. Go. | 0:17:44 | 0:17:47 | |
-Miss Brozinsky. -OK. | 0:17:49 | 0:17:51 | |
You will now perform for us, also without words, | 0:17:51 | 0:17:55 | |
Hamlet's soliloquy. | 0:17:55 | 0:17:58 | |
Who's that? | 0:18:00 | 0:18:01 | |
Hamlet... | 0:18:01 | 0:18:04 | |
Hamlet. | 0:18:04 | 0:18:07 | |
Shakespeare's tragedy of Hamlet! | 0:18:09 | 0:18:12 | |
Ah. Well... | 0:18:16 | 0:18:18 | |
For her we get the comic book, huh? | 0:18:18 | 0:18:20 | |
SHE MUMBLES INDISTINCTLY | 0:18:30 | 0:18:33 | |
Hey! | 0:18:42 | 0:18:44 | |
Oh, that creep Korzenowski's driving me nuts! | 0:18:44 | 0:18:48 | |
Ooh... | 0:18:48 | 0:18:49 | |
I know what I need! | 0:18:49 | 0:18:52 | |
GRUNTING | 0:19:01 | 0:19:04 | |
Oh, God. Oh, God. Oh, God... | 0:19:04 | 0:19:07 | |
Oh, God... Oh, God... | 0:19:07 | 0:19:10 | |
Oh, Go-o-o-o-o-d! | 0:19:10 | 0:19:13 | |
To die on the stage... | 0:19:21 | 0:19:24 | |
..is perhaps the greatest single challenge an actor can face. | 0:19:26 | 0:19:31 | |
The audience must know, | 0:19:34 | 0:19:37 | |
must absolutely believe, | 0:19:37 | 0:19:39 | |
that the breath, that the very LIFE is going out of your body. | 0:19:39 | 0:19:44 | |
Now... | 0:19:44 | 0:19:46 | |
YOU! | 0:19:46 | 0:19:47 | |
You will die now, please. | 0:19:47 | 0:19:50 | |
No, no...I don't believe you. | 0:19:50 | 0:19:54 | |
Ah. Ah, maintain your focus. | 0:19:54 | 0:19:58 | |
-I don't believe you. Maintain your focus. -Stop! Stop! Stop! | 0:19:58 | 0:20:02 | |
Stop it! Stop it! | 0:20:02 | 0:20:04 | |
Are you all right? | 0:20:07 | 0:20:09 | |
GASPING: Fine... | 0:20:09 | 0:20:11 | |
Perhaps you would like to die for us now, Miss Ames? | 0:20:14 | 0:20:18 | |
You...I think I will shoot. | 0:20:18 | 0:20:23 | |
You will feel the bullet enter your body. | 0:20:25 | 0:20:28 | |
You will lose all muscle control. | 0:20:28 | 0:20:31 | |
You will fall down... | 0:20:31 | 0:20:33 | |
dead. Bang. | 0:20:33 | 0:20:36 | |
This can only be the achievement of years of training. | 0:20:51 | 0:20:57 | |
No other way would we ever see so false a performance, | 0:20:59 | 0:21:05 | |
so mechanical, so thought out, | 0:21:05 | 0:21:09 | |
never for one moment truly felt. | 0:21:09 | 0:21:12 | |
Here you must reach deep inside yourself. | 0:21:13 | 0:21:18 | |
You must go beyond the safety of what you know. | 0:21:18 | 0:21:22 | |
We know you can act, but can you be a person of flesh and blood? | 0:21:22 | 0:21:27 | |
CLOCK CHIMES Ah! Time. | 0:21:27 | 0:21:31 | |
We die again tomorrow. | 0:21:31 | 0:21:33 | |
And, um, please, give me your notebooks, I wish to see them. | 0:21:33 | 0:21:38 | |
-BEEPING HORNS -Hey, you can't park there! | 0:21:42 | 0:21:44 | |
You want the delivery or not? | 0:21:45 | 0:21:47 | |
The man is a Nazi. | 0:21:47 | 0:21:50 | |
I have never been the dumbest in any class before. | 0:21:52 | 0:21:56 | |
I haven't seen you for nine hours. | 0:21:57 | 0:21:59 | |
Taxi! | 0:22:02 | 0:22:04 | |
Taxi! | 0:22:07 | 0:22:10 | |
Mmm. | 0:22:10 | 0:22:11 | |
-You know what today is? -No. | 0:22:11 | 0:22:14 | |
It's our third week anniversary. | 0:22:14 | 0:22:16 | |
-Stop on the next corner. -You got it. | 0:22:16 | 0:22:19 | |
-I think you need some roses. -Oh, no, no, you can't afford any more flowers. -Right here. -No, don't stop. | 0:22:19 | 0:22:25 | |
No, don't stop. ..I know what teachers make. ..Don't stop. | 0:22:25 | 0:22:29 | |
SHE SCREAMS | 0:22:43 | 0:22:45 | |
A crowd has gathered here, traffic is backed up for two blocks, | 0:22:48 | 0:22:51 | |
'Killed in the explosion - the owner of the flower shop, | 0:22:51 | 0:22:55 | |
'and Michael Sanders, a teacher at Holmes Elementary School.' GLASSES SMASH | 0:22:55 | 0:22:59 | |
'Two terrorists groups have claimed responsibility for the blast.' | 0:22:59 | 0:23:02 | |
It's all right, Miss Ames, we've got a positive ID from his wallet. | 0:23:02 | 0:23:07 | |
You don't have to see him. | 0:23:07 | 0:23:10 | |
I want to see him. | 0:23:10 | 0:23:12 | |
I warn you, there's very little left to see, | 0:23:19 | 0:23:23 | |
particularly in the upper body region. | 0:23:23 | 0:23:27 | |
I want to see him. | 0:23:29 | 0:23:31 | |
-I'm very sorry you feel the need to do this. -Just leave me alone with him, please. | 0:23:31 | 0:23:38 | |
CRYING | 0:23:45 | 0:23:48 | |
What are you doing here? | 0:23:55 | 0:23:58 | |
-Me? What the fuck are you doing here? -I beg your pardon, I am in mourning... -Well, so am I! | 0:23:58 | 0:24:04 | |
-..for my lover! -Well, so am I! | 0:24:04 | 0:24:06 | |
-Who? -Michael Sanders. | 0:24:10 | 0:24:12 | |
-LAUREN SCREAMS -No! | 0:24:12 | 0:24:14 | |
-No, you little witch, no! -You bitch! -He loved me! | 0:24:14 | 0:24:19 | |
THEY CONTINUE SHOUTING | 0:24:19 | 0:24:22 | |
Agh! | 0:24:23 | 0:24:25 | |
You! I'm going to break every bone in your body! | 0:24:25 | 0:24:28 | |
-Oh, you are? -I am! | 0:24:28 | 0:24:30 | |
How dare you? How dare you? | 0:24:32 | 0:24:35 | |
SHOUTING CONTINUES | 0:24:37 | 0:24:39 | |
-He loved me! -Oh, loved you! | 0:24:39 | 0:24:42 | |
-Loved YOU! -You're damn right he did. -Oh, that's obscene! | 0:24:42 | 0:24:46 | |
That's reality, baby, because no way that guy gave a shit about you! | 0:24:46 | 0:24:50 | |
I refuse to believe for one second that he would lower himself! | 0:24:50 | 0:24:55 | |
Oh, he lowered himself, all right! | 0:24:55 | 0:24:58 | |
This is all a lie! You are psychotic! | 0:24:58 | 0:25:02 | |
Yes, that's right - I've known from the first time I saw you sleaze into that office. | 0:25:02 | 0:25:07 | |
You lied to that phone man, you lied your way into the class, and you're lying now! | 0:25:07 | 0:25:11 | |
THEY CONTINUE SHOUTING AND SCREAMING | 0:25:11 | 0:25:14 | |
SCREAMING | 0:25:17 | 0:25:19 | |
Well, what the hell...? | 0:25:39 | 0:25:41 | |
-That's not his... -No way, look at that. | 0:25:41 | 0:25:44 | |
-It's too small. -It's a fucking pencil! | 0:25:44 | 0:25:47 | |
-Where's the appendix scar? -And that little mole? | 0:25:47 | 0:25:51 | |
THE SHOUT AND SCREAM IN DELIGHT BOTH: He's alive! | 0:25:51 | 0:25:55 | |
-Wait a minute, wait a minute, this was my idea. -I don't care! | 0:26:00 | 0:26:04 | |
You don't know how to handle this. You can't just walk in and announce this kind of thing. | 0:26:04 | 0:26:09 | |
Thing? What are you talking about? You can't even say it! You can't tell them! | 0:26:09 | 0:26:13 | |
Just what do you think the responseis going to be when you do? | 0:26:13 | 0:26:17 | |
You suggest... | 0:26:20 | 0:26:22 | |
You suggest... | 0:26:22 | 0:26:24 | |
You suggest that on the basis of this little nugget of testimony, | 0:26:28 | 0:26:33 | |
we spend tax dollars on an investigation?! | 0:26:33 | 0:26:36 | |
Have you been listening to us? | 0:26:37 | 0:26:40 | |
The man in the morgue could not possibly be Michael Sanders! | 0:26:40 | 0:26:44 | |
All you have to do is look at his... | 0:26:44 | 0:26:46 | |
If you were to look... | 0:26:47 | 0:26:49 | |
in the region... | 0:26:49 | 0:26:51 | |
If you were to look...down. | 0:26:52 | 0:26:55 | |
HE STIFLES A LAUGH | 0:26:55 | 0:26:57 | |
Michael was not a guy other guys would have made fun of in the locker room. | 0:26:57 | 0:27:02 | |
-I think he's got the big picture now. -I don't think he does. | 0:27:02 | 0:27:06 | |
This guy in the morgue, whoever he is, he's got, um... | 0:27:07 | 0:27:12 | |
Does the phrase "needle dick, the bug fucker" mean anything to you? | 0:27:14 | 0:27:19 | |
-I beg your pardon! -Now, get out of here! Don't come back! | 0:27:21 | 0:27:24 | |
The model of tact and decorum(!) | 0:27:25 | 0:27:28 | |
-Who gives a shit? He wasn't going to help us? -Of course not - you sounded insane! | 0:27:28 | 0:27:33 | |
Oh, it is insane. | 0:27:33 | 0:27:35 | |
If he's alive, where is he? | 0:27:35 | 0:27:37 | |
-He's probably back at my house, wondering where the hell I am! ..Taxi! -Your house?! -Taxi! | 0:27:37 | 0:27:44 | |
-Wait a minute! -Taxi! -Wait just a minute here! -Taxi! | 0:27:44 | 0:27:48 | |
-I don't believe for one minute he's at your apartment. -Oh, boy, are you gonna shit cement? | 0:27:48 | 0:27:54 | |
Taxi! Taxi! | 0:27:54 | 0:27:56 | |
If Michael is anywhere, I assure you he is at my place. | 0:27:56 | 0:28:01 | |
-Taxi! Taxi! -Oh! You believe that? | 0:28:01 | 0:28:04 | |
I believe that he loved me... | 0:28:04 | 0:28:06 | |
that he barely knew you and you're fantasising a relationship | 0:28:06 | 0:28:10 | |
-that's probably an isolated, drunken encounter. -Isolated? Hey, this girl does not have one night stands! | 0:28:10 | 0:28:17 | |
Every guy I have ever slept with - and we are way into double digits - has come back for more. | 0:28:17 | 0:28:22 | |
Every single one. | 0:28:22 | 0:28:24 | |
-You want to hit me, right? -Oh! -OK, give it a try, give it a try, let's go! | 0:28:24 | 0:28:29 | |
-LAUREN LAUGHS -Bob and weave, honey. Bob and weave. | 0:28:29 | 0:28:32 | |
Who dresses you anyway? | 0:28:32 | 0:28:35 | |
Stand still, you little bitch, I'm going to bash your brains out! | 0:28:37 | 0:28:41 | |
THEY CONTINUE SHOUTING AT EACH OTHER | 0:28:43 | 0:28:45 | |
-Talk about dingbats? -They'll lead us right to him. | 0:28:45 | 0:28:50 | |
Nine years of ballet! | 0:28:52 | 0:28:54 | |
You're too weird to hit! | 0:28:54 | 0:28:56 | |
-Taxi! -Taxi! -Taxi! -Taxi! | 0:28:56 | 0:28:58 | |
Taxi! ..Wait! Just a minute! | 0:28:58 | 0:29:01 | |
All right, OK, you insist Michael is at your apartment, I think he's at mine, so we'll go to both. | 0:29:01 | 0:29:08 | |
If he's at your place, which I doubt, I will tell him goodbye. | 0:29:08 | 0:29:12 | |
If on the other hand, he's at mine, you will find a nice biker and compare tattoos. | 0:29:12 | 0:29:17 | |
Oh! | 0:29:24 | 0:29:25 | |
Oh! | 0:29:25 | 0:29:27 | |
You see, he's here. | 0:29:27 | 0:29:30 | |
Now, don't make a scene, try to be adult about this. | 0:29:30 | 0:29:33 | |
MAN SPEAKS IN RUSSIAN | 0:29:37 | 0:29:39 | |
Oh, my God! | 0:29:39 | 0:29:41 | |
Relax, it's just thieves. | 0:29:41 | 0:29:43 | |
Oh! | 0:29:43 | 0:29:44 | |
Russian thieves? | 0:29:44 | 0:29:47 | |
< Ah! | 0:29:47 | 0:29:48 | |
He was here! | 0:29:48 | 0:29:50 | |
They're looking for Michael! | 0:29:52 | 0:29:55 | |
-Let me see! -AH! | 0:29:55 | 0:29:57 | |
ALARM SOUNDS | 0:30:05 | 0:30:07 | |
Hi, Mrs Potter. | 0:30:08 | 0:30:09 | |
-GUNFIRE -Who are these morons? -I don't know! | 0:30:10 | 0:30:14 | |
Stop! Come back! | 0:30:14 | 0:30:15 | |
SQUAWKING | 0:30:17 | 0:30:19 | |
Oh, my... | 0:30:20 | 0:30:21 | |
How'd you get out? Come on! | 0:30:21 | 0:30:24 | |
LAUREN SQUAWKS | 0:30:26 | 0:30:28 | |
DOOR BANGS | 0:30:29 | 0:30:30 | |
-Oh, my God! -THEY DEBATE WHAT TO DO IN A PANIC | 0:30:55 | 0:30:59 | |
These girls are bimbos - they know nothing. | 0:31:32 | 0:31:35 | |
-What do we want them for? -They know he survived. | 0:31:35 | 0:31:38 | |
They may know where he is. We're gonna cover every airport, every bus depot, every train station! | 0:31:38 | 0:31:45 | |
-Oh, my God! -God! | 0:31:52 | 0:31:54 | |
Well, so much for your apartment! You want to try mine? | 0:32:02 | 0:32:06 | |
-Oh! -They've been here! | 0:32:11 | 0:32:14 | |
-Oh, my God! -Wait a minute, nobody's been here. This is normal. | 0:32:14 | 0:32:18 | |
-Come on! Jeez! -Oh, no! | 0:32:18 | 0:32:21 | |
-Michael! -SANDY WHISTLES | 0:32:21 | 0:32:24 | |
Michael! Michael! | 0:32:24 | 0:32:26 | |
Michael! | 0:32:27 | 0:32:28 | |
-He's not here. -I'm going to find him. | 0:32:29 | 0:32:32 | |
-Oh, yeah? -Yeah. -Where? | 0:32:32 | 0:32:34 | |
Well, he could be hiding, he could be hurt, I don't know, but I know that he needs me. | 0:32:34 | 0:32:39 | |
-If you'll excuse me... -Where are you gonna look? His apartment? | 0:32:39 | 0:32:43 | |
-You think he'll be there if someone wants to kill him? -Oh, well, I'm not going to his apartment. | 0:32:43 | 0:32:49 | |
Then where are you going? | 0:32:49 | 0:32:52 | |
Isn't that my business? | 0:32:52 | 0:32:55 | |
OK, look, hold it, OK? | 0:32:55 | 0:32:57 | |
You have an idea, you might as well tell me. | 0:32:57 | 0:33:00 | |
We'll both go and find him and we'll help him out of this, | 0:33:00 | 0:33:03 | |
and then we'll make him choose. | 0:33:03 | 0:33:05 | |
-Choose? -Yeah. | 0:33:05 | 0:33:07 | |
-Between us? -Yeah. | 0:33:07 | 0:33:10 | |
-I doubt that he'll know your name. -Then we're on. | 0:33:11 | 0:33:14 | |
You're so goddamn sure it's gonna be you - what do you care? | 0:33:14 | 0:33:17 | |
I'm confident, yes. | 0:33:18 | 0:33:20 | |
-Well, so am I, so let's go. -Good. -Oh, wait, I gotta fluff. | 0:33:22 | 0:33:27 | |
Could you fluff a little faster? | 0:33:31 | 0:33:33 | |
-What is that? -I got it off a Christmas tree. | 0:33:33 | 0:33:37 | |
You defiled a Christmas tree? | 0:33:37 | 0:33:40 | |
-No-one saw. -What, nothing for the nose? | 0:33:40 | 0:33:44 | |
Oh, Lady Di, explain this to me - the man's afraid for his life, he's not going to stop and buy tobacco. | 0:33:46 | 0:33:52 | |
You obviously didn't spend the kind of time with Michael that I did. | 0:33:52 | 0:33:56 | |
-He couldn't last the day without his Colton's. -I knew that. | 0:33:57 | 0:34:01 | |
-Did you know this is the only place in town that carries them? -I didn't know that. -No, you didn't. | 0:34:01 | 0:34:05 | |
Now, listen... | 0:34:05 | 0:34:07 | |
this time let me handle this. | 0:34:07 | 0:34:09 | |
-Your simplistic exchanges with people become pornographic. -That is a fucking lie. -Need I say more? | 0:34:09 | 0:34:15 | |
Excuse me, sir. | 0:34:15 | 0:34:17 | |
Yeah, I know the guy. | 0:34:17 | 0:34:20 | |
-Have you seen him? Was he here today? -Yeah, maybe. | 0:34:20 | 0:34:24 | |
Maybe not. | 0:34:25 | 0:34:26 | |
When do you think you might arrive at a decision? | 0:34:27 | 0:34:30 | |
Um...over a drink? | 0:34:31 | 0:34:35 | |
Mm-hm. Wouldn't you feel better as a person | 0:34:35 | 0:34:38 | |
just unselfishly helping somebody find out something she really needs to know? | 0:34:38 | 0:34:43 | |
No. How about dinner? | 0:34:44 | 0:34:47 | |
-How about a blowjob? -How about a...? | 0:34:48 | 0:34:50 | |
What did you say? | 0:34:50 | 0:34:52 | |
Right here, right now. Both of us. | 0:34:52 | 0:34:55 | |
Kind of...taking turns. Sss! | 0:34:55 | 0:35:00 | |
-He was in here this afternoon. -This afternoon. You sure it was this afternoon? | 0:35:01 | 0:35:06 | |
-Yeah, right in my lunch break. 1 o'clock. He bought 10 pouches of Colton's. -What else? -Nothing. | 0:35:06 | 0:35:11 | |
He was in a hurry. He used the phone, and then ran out. | 0:35:11 | 0:35:14 | |
He used the phone at one. Is that it? | 0:35:14 | 0:35:16 | |
That's all she wrote, baby. | 0:35:16 | 0:35:18 | |
Here or in the back? | 0:35:21 | 0:35:23 | |
I think I can take care of it from here. | 0:35:23 | 0:35:25 | |
Couple of floozies! | 0:35:28 | 0:35:30 | |
Oh, my God! | 0:35:30 | 0:35:31 | |
-That is the most disgusting... -What's your problem now? | 0:35:31 | 0:35:35 | |
Promising sexual favours?! That sends us back to the dark ages. | 0:35:35 | 0:35:40 | |
-It's something you do not do! -You do if you're lying. Besides, it worked. | 0:35:40 | 0:35:44 | |
-Excuse me, but I must have missed something. How did it work? We're at a dead end! -You'll see. -I'll see. | 0:35:49 | 0:35:56 | |
-Howie Wrinkle, please? -Oh, Howie. | 0:35:56 | 0:35:58 | |
How! Sand. | 0:35:58 | 0:36:00 | |
Great, how about you? | 0:36:00 | 0:36:02 | |
Yeah? How's your fish? | 0:36:02 | 0:36:04 | |
Uhuh. | 0:36:04 | 0:36:06 | |
-What'd the vet say? -What does a diseased fish...? -It's in the bag! | 0:36:06 | 0:36:10 | |
Listen, cutie, seeing as how you're my main man at the phone company, I want to ask you a teensy favour, OK? | 0:36:10 | 0:36:17 | |
Can you tell me what number was called out of Wally Frank's Tobacconist at 1 o'clock today? | 0:36:17 | 0:36:23 | |
-Yeah, yeah, I'll hold. -This is good. | 0:36:23 | 0:36:26 | |
It's probably one of those guys with polyester pants and hips. | 0:36:26 | 0:36:29 | |
-Yeah, I'm here. -Uhuh. | 0:36:29 | 0:36:31 | |
-Good boy. -All right! | 0:36:32 | 0:36:34 | |
That's a cab company, right? | 0:36:36 | 0:36:38 | |
Got it! Oh, you're a catch, How, our kids are going to be gorgeous. | 0:36:38 | 0:36:43 | |
-Mwah! See you! -OK, don't gloat. | 0:36:43 | 0:36:46 | |
Taxi! | 0:36:46 | 0:36:48 | |
Is that all the money you walk around with? | 0:36:59 | 0:37:01 | |
-Where's yours? I thought you were the working pornographic actress. -I went to the Bahamas. | 0:37:01 | 0:37:07 | |
Hi. | 0:37:09 | 0:37:11 | |
Can you help me? I'm such a ditz - I left my tennis racket in one of your cabs today. | 0:37:11 | 0:37:17 | |
I was picked up around 77th and Broadway at 1 o'clock. | 0:37:17 | 0:37:22 | |
-Is there a reward? -Yes. -No. | 0:37:22 | 0:37:25 | |
-CRUNCH -Ooh! Ah! | 0:37:26 | 0:37:28 | |
SMASHING | 0:37:28 | 0:37:31 | |
-What the hell are you gonna teach me? What's wrong with you? -Yo! | 0:37:31 | 0:37:34 | |
Dipstick! There's your man! | 0:37:34 | 0:37:37 | |
What? | 0:37:37 | 0:37:39 | |
Your turn. | 0:37:40 | 0:37:42 | |
Oh, no. | 0:37:42 | 0:37:45 | |
No, I can't talk to him - I went to a private school. | 0:37:45 | 0:37:49 | |
He looks like a prince. He's gonna love you. | 0:37:49 | 0:37:52 | |
Hi... | 0:37:58 | 0:37:59 | |
..I'd like to ask you a few questions about a fare you might have had earlier in the day. | 0:38:00 | 0:38:06 | |
A very attractive Cauca... | 0:38:06 | 0:38:08 | |
Just "person" will do nicely. Why differentiate? | 0:38:11 | 0:38:15 | |
You would have picked him up right outside a little smoke shop. | 0:38:15 | 0:38:19 | |
Does that ring any bells of any kind whatsoever? | 0:38:21 | 0:38:25 | |
Hello. | 0:38:26 | 0:38:28 | |
-Tall dude? -Yes. | 0:38:28 | 0:38:30 | |
-Tweed coat? -Yes, yes. | 0:38:30 | 0:38:32 | |
A tweed coat, right. | 0:38:32 | 0:38:34 | |
I don't remember a thing. | 0:38:34 | 0:38:36 | |
-No, no, you just said a tall dude... -I didn't say nothing. | 0:38:36 | 0:38:40 | |
Oh, come on now, don't give me a big song and dance. | 0:38:40 | 0:38:43 | |
Oh, no! | 0:38:43 | 0:38:46 | |
SHE LAUGHS NERVOUSLY | 0:38:48 | 0:38:50 | |
Yeah. ..Oh, my God. | 0:38:51 | 0:38:53 | |
-He's going to hurt us. -What the hell's the matter with you? Why should he help us? | 0:38:53 | 0:38:58 | |
All right, you tell me, what should I do? | 0:38:58 | 0:39:02 | |
You're an actress - bullshit him! | 0:39:02 | 0:39:05 | |
I don't use my training to tell lies to people. | 0:39:05 | 0:39:10 | |
What do you use it for? | 0:39:10 | 0:39:12 | |
Jeez, it's so simple. | 0:39:12 | 0:39:14 | |
Hey, how'd you like to make a quick 200 bucks? | 0:39:16 | 0:39:19 | |
-Say what? -200 bucks. Cash. To take us to where you took the guy. | 0:39:19 | 0:39:25 | |
Are you out of your mind? | 0:39:30 | 0:39:32 | |
-We don't have 200. -Oh, chill out, would you? | 0:39:32 | 0:39:36 | |
Where are we? We've been going for miles and I haven't seen a single white person on the streets. | 0:39:38 | 0:39:45 | |
There's one. Oops, they got him. | 0:39:45 | 0:39:48 | |
That's not funny. | 0:39:48 | 0:39:50 | |
-Oh, my God! -Are you sure this is it? | 0:40:01 | 0:40:04 | |
Hey, keep your pants on, we're coming right out, OK? | 0:40:06 | 0:40:09 | |
Look, you know and I know I'm never going to get another cab to come out here to Vietnam, Cueball, | 0:40:11 | 0:40:17 | |
so get real, all right? | 0:40:17 | 0:40:20 | |
-All right, I'll give you 300 bucks. 300 bucks just to sit here till we get back. -300? | 0:40:20 | 0:40:26 | |
You're a real pain in the ass, do you know that? | 0:40:27 | 0:40:29 | |
I'll break his neck... | 0:40:29 | 0:40:31 | |
-Beyond belief! You're determined to have us killed, aren't you? -He's not going to kill us! | 0:40:31 | 0:40:37 | |
-Why not? -Because we'll be raped and murdered in this building. -Oh! | 0:40:37 | 0:40:41 | |
Oh! Oh! | 0:40:44 | 0:40:45 | |
Oh, no! | 0:40:45 | 0:40:48 | |
Oh! | 0:40:48 | 0:40:49 | |
-Is that urine on the floor? -It's a little urine. | 0:40:49 | 0:40:53 | |
-Freeze! -Agh! | 0:40:53 | 0:40:55 | |
Oh, my God, he's just a child! | 0:40:55 | 0:40:57 | |
-At least rape's out. -Let me do this. | 0:40:57 | 0:41:00 | |
-Do you really think you should be playing with...? -Shut up! | 0:41:00 | 0:41:04 | |
-Where's your money? Credit cards? -Revoked. Where do you think? | 0:41:04 | 0:41:08 | |
Your bags - throw them over here. | 0:41:08 | 0:41:11 | |
Oh, I love this bag. | 0:41:11 | 0:41:13 | |
BANG! SCREAMING | 0:41:15 | 0:41:18 | |
-I'm not hit! -Oh... | 0:41:22 | 0:41:24 | |
You little... | 0:41:24 | 0:41:26 | |
You little thug! | 0:41:26 | 0:41:28 | |
-I'll be damned. -What? -It's a fake! | 0:41:28 | 0:41:31 | |
-Where'd you get this? -Santa. | 0:41:31 | 0:41:33 | |
Oh, yeah? Well, if you want to see another Christmas, you'll have to help us find someone. | 0:41:33 | 0:41:38 | |
Shh! | 0:41:44 | 0:41:46 | |
Come on, man. Fuck this. | 0:42:03 | 0:42:05 | |
-This was a mistake. -Not any more! | 0:42:05 | 0:42:08 | |
Police! You're under arrest! | 0:42:09 | 0:42:11 | |
Don't even think about it. | 0:42:13 | 0:42:14 | |
Don't even fuckin' think about it or I'll blow your fuckin' nuts off. | 0:42:14 | 0:42:17 | |
Do we understand each other? | 0:42:17 | 0:42:20 | |
OK, turn around. | 0:42:20 | 0:42:22 | |
Face the wall. | 0:42:22 | 0:42:24 | |
Do it. | 0:42:24 | 0:42:25 | |
DO IT, DO IT, DO IT! | 0:42:25 | 0:42:28 | |
OK, frisk 'em. | 0:42:28 | 0:42:30 | |
SHE MOUTHS | 0:42:30 | 0:42:32 | |
Damn. Busted by two broads. | 0:42:35 | 0:42:38 | |
Nice buns, boys. You been working out? | 0:42:38 | 0:42:41 | |
Read 'em their rights. | 0:42:48 | 0:42:50 | |
You have... | 0:42:51 | 0:42:54 | |
the right to remain silent. | 0:42:54 | 0:42:56 | |
But anything you say...can... | 0:42:58 | 0:43:01 | |
and will be used against you. | 0:43:01 | 0:43:03 | |
You, um... | 0:43:03 | 0:43:04 | |
SHE MOUTHS | 0:43:04 | 0:43:06 | |
SHE MOUTHS | 0:43:07 | 0:43:08 | |
Attorney. You have, um, you have the right | 0:43:08 | 0:43:11 | |
to an attorney... | 0:43:11 | 0:43:12 | |
(Shit!) | 0:43:14 | 0:43:15 | |
Yeah, yeah, I heard it, I heard it. | 0:43:15 | 0:43:17 | |
Hey, look, what d'ya want? You got it. Just talk to me. | 0:43:17 | 0:43:19 | |
He's right, we could make you a sweet deal, baby. | 0:43:19 | 0:43:22 | |
Yeah, yeah, yeah, we heard it. | 0:43:22 | 0:43:24 | |
Wait a minute, maybe they can help us find Sanders. | 0:43:24 | 0:43:27 | |
THEY don't know Sanders! | 0:43:27 | 0:43:29 | |
Michael Sanders? The hell you say. He was just here. | 0:43:29 | 0:43:32 | |
He was just here a few hours ago. | 0:43:32 | 0:43:34 | |
Reg fixed him up with a passport. | 0:43:34 | 0:43:35 | |
-Fuck you, Gilroy! -What the fuck you want me to say? | 0:43:35 | 0:43:38 | |
Oh, in the phoney ID business as well, ain't that nice? | 0:43:38 | 0:43:42 | |
What name was the passport under? | 0:43:42 | 0:43:43 | |
I wanna talk to a lawyer. | 0:43:43 | 0:43:45 | |
Oh, yeah? It's gonna be kind of a short conversation. | 0:43:45 | 0:43:48 | |
They'll have to squeegee your brains off the wall. | 0:43:48 | 0:43:51 | |
Yeah, you, um... | 0:43:51 | 0:43:54 | |
you better tell her the name, she's kinda cranky. | 0:43:54 | 0:43:56 | |
Yeah, I got my period. | 0:43:56 | 0:43:58 | |
-John Strauss. -John Strauss. Where'd he go? | 0:44:00 | 0:44:03 | |
Hey, look, he's leaving town, that's all I know. | 0:44:03 | 0:44:06 | |
Look, I'm being real nice here, eh? | 0:44:06 | 0:44:08 | |
Why don't you be nice and, um, open that box on the table? Go on. | 0:44:08 | 0:44:13 | |
-Hey, look. Why don't you just keep it? -You givin' them the money?! | 0:44:20 | 0:44:23 | |
-Forget that we ever met. -Are you sick?! | 0:44:23 | 0:44:25 | |
-Turn around! -Yeah... | 0:44:25 | 0:44:28 | |
happy to. | 0:44:28 | 0:44:30 | |
Well, I hate to give it to you, but that was pretty good! | 0:44:32 | 0:44:35 | |
Yeah, it was, it was! | 0:44:35 | 0:44:36 | |
Yeah, yeah. | 0:44:41 | 0:44:43 | |
Well...a deal's a deal. | 0:44:43 | 0:44:46 | |
And now, my man...we wanna go to the airport. | 0:44:46 | 0:44:50 | |
The airport. | 0:44:53 | 0:44:55 | |
They don't give out passenger lists. | 0:44:57 | 0:44:59 | |
You have to be police or FBI. | 0:44:59 | 0:45:01 | |
You are such a dip. | 0:45:01 | 0:45:02 | |
THIS is all the FBI we need. | 0:45:02 | 0:45:05 | |
His luggage was totally over the weight limit. | 0:45:05 | 0:45:07 | |
-Can you imagine the gall, trying to bribe an airline official? -No! | 0:45:07 | 0:45:11 | |
-He offered me 100 to let it go through. -What a world, I tell you. | 0:45:11 | 0:45:16 | |
Watch...and learn. | 0:45:18 | 0:45:22 | |
-IN FOREIGN ACCENT: -Excuse, please. | 0:45:23 | 0:45:25 | |
I was hoping you would to help me. | 0:45:25 | 0:45:28 | |
Um... | 0:45:28 | 0:45:29 | |
How, how do I to say? | 0:45:31 | 0:45:33 | |
Say it quickly, I'm off in three minutes. | 0:45:33 | 0:45:35 | |
My father is coming here... No, I tell you from the beginning. | 0:45:37 | 0:45:41 | |
My name is Anna. This is my sister Elona. | 0:45:41 | 0:45:45 | |
My half-sister. She does not speak English. | 0:45:45 | 0:45:48 | |
My father, we have not seen him since we was babies, in Prague. | 0:45:48 | 0:45:53 | |
He send us here...in suitcase on train. We are escape, you see? | 0:45:53 | 0:45:58 | |
No, I'm afraid I don't. | 0:45:59 | 0:46:02 | |
Now, we get letter. He escape! | 0:46:02 | 0:46:06 | |
He is here! | 0:46:07 | 0:46:09 | |
But we do not know where, we do not know which plane, | 0:46:09 | 0:46:13 | |
could be any plane, please, you tell us which plane. | 0:46:13 | 0:46:16 | |
-Please... -Absolutely not, I'm sorry. | 0:46:16 | 0:46:19 | |
THEY SPEAK TO EACH OTHER IN "FOREIGN" LANGUAGE | 0:46:23 | 0:46:25 | |
-Nein papa! No papa. -Papa? -Papa! | 0:46:28 | 0:46:32 | |
THEY SOB | 0:46:32 | 0:46:34 | |
Papa! | 0:46:38 | 0:46:40 | |
That was the single biggest crock I have ever had the privilege to hear | 0:46:40 | 0:46:46 | |
in my 19 years with this airline. | 0:46:46 | 0:46:49 | |
I think that deserves something. | 0:46:50 | 0:46:52 | |
-What was the name? -Hee-hee! | 0:46:54 | 0:46:57 | |
Strauss. John Strauss. | 0:46:57 | 0:46:58 | |
John Strauss. | 0:46:58 | 0:47:01 | |
-Here we go. -Uh-huh. | 0:47:04 | 0:47:06 | |
Flight 501 to Albuquerque... | 0:47:06 | 0:47:09 | |
-Looks like you just missed him. -Oh no! | 0:47:09 | 0:47:12 | |
Wait a minute, wait a minute... | 0:47:12 | 0:47:13 | |
He took another line through St Louis and it's delayed. | 0:47:13 | 0:47:17 | |
-If I can put you on our flight 225 through Kansas City you can beat him. -Ah! -Ah! | 0:47:18 | 0:47:23 | |
-It's leaving in one minute. -You get the tickets, I'll hold the plane. -Good, good. | 0:47:23 | 0:47:28 | |
Two tickets to Albuquerque, please. | 0:47:28 | 0:47:30 | |
Oh, thank you! | 0:47:34 | 0:47:36 | |
Hey, what's the hurry? | 0:47:55 | 0:47:57 | |
Officer, those men are bad! | 0:48:01 | 0:48:03 | |
Hold it right there! | 0:48:03 | 0:48:05 | |
SECURITY GATE BLEEPS | 0:48:05 | 0:48:07 | |
I swear, she'll be here any second. | 0:48:15 | 0:48:17 | |
Her IV got caught in the luggage rack. | 0:48:17 | 0:48:20 | |
Sandy, where are you? | 0:48:20 | 0:48:22 | |
She's a sick woman, she's got to get on this plane! | 0:48:22 | 0:48:25 | |
There's a kidney in Kansas City that's not gettin' any fresher! | 0:48:25 | 0:48:27 | |
-Sandy! -Ah! -Please, Sandy. | 0:48:27 | 0:48:32 | |
Hold it there! | 0:48:34 | 0:48:35 | |
Anyone care for some money? | 0:48:35 | 0:48:37 | |
ALL: Money! Money! | 0:48:37 | 0:48:39 | |
SCREAMING AND SHOUTING | 0:48:39 | 0:48:41 | |
Oh my God! | 0:48:43 | 0:48:45 | |
Albuquerque! | 0:48:53 | 0:48:54 | |
I gotta get on that plane! | 0:49:02 | 0:49:03 | |
-You want to apprehend? -'No! They'll pick up surveillance.' | 0:49:43 | 0:49:48 | |
MAN CHATTERS INCESSANTLY | 0:49:49 | 0:49:51 | |
Oh my God! There they are! | 0:49:52 | 0:49:55 | |
Hey, hey, hey! Hey, where you gals runnin' off to? | 0:50:03 | 0:50:06 | |
-Hey! -Bobby, this way! | 0:50:09 | 0:50:12 | |
Ow! | 0:50:18 | 0:50:19 | |
Oh! Oh! Oh! | 0:50:23 | 0:50:26 | |
Oh! | 0:50:29 | 0:50:31 | |
Oh! | 0:50:34 | 0:50:35 | |
Hey, bud! Hey, what d'you think you're...? | 0:50:39 | 0:50:42 | |
Aargh! Do something! | 0:50:49 | 0:50:52 | |
-Ahh! -Ahh! Go! | 0:50:57 | 0:51:00 | |
CROWD GASPS | 0:51:05 | 0:51:06 | |
Oooh.... | 0:51:06 | 0:51:08 | |
And I thought coach was bad! | 0:51:09 | 0:51:11 | |
Yow! Yow! | 0:51:17 | 0:51:19 | |
Panansky! PANANSKY! | 0:51:19 | 0:51:22 | |
Excuse me... | 0:51:22 | 0:51:23 | |
-Sir, has flight 501 arrived? -Yes, ma'am, right there. -Uh-huh, yeah. | 0:51:23 | 0:51:28 | |
-< -Panansky! | 0:51:29 | 0:51:31 | |
Where's he going? | 0:51:37 | 0:51:38 | |
No, no, ladies. You know better than this! | 0:51:39 | 0:51:43 | |
You're right. You're right, of course. Thanks for your help. | 0:51:43 | 0:51:46 | |
Panansky! | 0:51:46 | 0:51:48 | |
Where the hell have you been? | 0:51:48 | 0:51:49 | |
-Ah! Michael! -Michael! | 0:51:53 | 0:51:56 | |
-Oh! -Wait! No, no, wait! | 0:51:57 | 0:51:59 | |
No, no, no! | 0:51:59 | 0:52:00 | |
Oh, yes, OK. | 0:52:02 | 0:52:04 | |
MOTOR STARTS | 0:52:10 | 0:52:12 | |
Hey, stop! | 0:52:13 | 0:52:15 | |
Go through the light, go through the yellow! | 0:52:15 | 0:52:17 | |
TYRES SCREECH, HORN BLARES | 0:52:19 | 0:52:21 | |
-LAUREN: -You can take the bike back. | 0:52:40 | 0:52:42 | |
Michael and I will be spending the night in that motel we passed. | 0:52:42 | 0:52:46 | |
-SANDY: -Dream on! We'll be on a plane to Hawaii! | 0:52:46 | 0:52:50 | |
-I can't believe it. -He's really in there. -Yeah. | 0:52:56 | 0:52:59 | |
-What's the matter? You afraid? -Well, why should I be? | 0:53:01 | 0:53:05 | |
-Then why don't you go rushing into his, into his arms, huh? -Well, why don't you? | 0:53:07 | 0:53:12 | |
It's a long way to come to get bad news. | 0:53:14 | 0:53:16 | |
Yeah. Well... | 0:53:16 | 0:53:20 | |
-Tut! Oh God! -Oh, I know, let me see... -Oh no! | 0:53:25 | 0:53:30 | |
-Argh, rat woman! -Oh, it's not that bad. | 0:53:30 | 0:53:33 | |
-Oh no... -Can we share the mirror? -Oh, Christ! | 0:53:33 | 0:53:37 | |
-What is it? -I would be getting a zit! | 0:53:37 | 0:53:40 | |
I don't see anything. There's nothing there! | 0:53:40 | 0:53:43 | |
-No? -No, you're worse than I am! At least you have eyelashes. | 0:53:43 | 0:53:46 | |
Oh, what d'ya want? You're a natural blonde and you tan, you make me sick! | 0:53:46 | 0:53:50 | |
Natural? Ha ha, you think this is natural? | 0:53:50 | 0:53:52 | |
-"Oh my dear, you too can have this colour!" -No shit? It looks great! | 0:53:52 | 0:53:56 | |
-Thanks, it's just a rinse with a toner. -Yeah? | 0:53:56 | 0:53:58 | |
-You want a tic tac? -Yeah. -I... | 0:53:58 | 0:54:01 | |
Well, I'd say good luck, but... | 0:54:09 | 0:54:12 | |
Yeah. | 0:54:13 | 0:54:14 | |
-Whatever. -Yeah, whatever. | 0:54:16 | 0:54:18 | |
Hello! | 0:54:27 | 0:54:29 | |
Michael, no! | 0:54:31 | 0:54:32 | |
You! | 0:54:34 | 0:54:35 | |
GUNSHOT Ah! | 0:54:37 | 0:54:38 | |
THEY SCREAM, 2ND GUNSHOT Ah! | 0:54:38 | 0:54:40 | |
-Michael! -Michael! | 0:54:47 | 0:54:49 | |
-He's all right. -Oh! Let's get him out of here. | 0:54:52 | 0:54:55 | |
HE GROANS | 0:54:59 | 0:55:01 | |
-Michael? -Michael! -Oh! -Oh! | 0:55:02 | 0:55:05 | |
-Oh! -You're OK, it's just a bump. | 0:55:05 | 0:55:09 | |
-Yeah. -My God. | 0:55:09 | 0:55:11 | |
BOTH: Michael! | 0:55:13 | 0:55:14 | |
We are entitled to an explanation. What is your relationship with this woman? | 0:55:14 | 0:55:17 | |
-Did you make it with her? -Do you even know this person? | 0:55:17 | 0:55:20 | |
That's why you're here? | 0:55:20 | 0:55:21 | |
-Well... -Yeah! -..I know you're in some sort of trouble | 0:55:21 | 0:55:24 | |
-but I'd like to discuss this first, please. -Right now. | 0:55:24 | 0:55:26 | |
-Wait a minute... -Please... -Michael... | 0:55:26 | 0:55:29 | |
Here, darling, let me help you up. | 0:55:29 | 0:55:32 | |
-Ow! -Oh, easy! | 0:55:32 | 0:55:34 | |
-You mean you did this on your own? -Yeah. -Yeah. | 0:55:34 | 0:55:37 | |
There's nobody with you? | 0:55:38 | 0:55:39 | |
-No... -He changed the subject, see how he did that? -Yes you did. | 0:55:40 | 0:55:43 | |
Look here, Michael, there's an issue at stake and you're not going to get out of it. Whoa... | 0:55:43 | 0:55:48 | |
-How did you follow me here? -I... Well, we...we knew you weren't dead in the morgue. | 0:55:48 | 0:55:52 | |
-And you told them? -Of course we told them... -Shit! | 0:55:52 | 0:55:56 | |
Bad idea, huh? | 0:55:56 | 0:55:57 | |
Wait a minute. You mean you wanted to be dead? | 0:55:57 | 0:56:00 | |
It would have been useful. HELICOPTER ENGINE WHIRS | 0:56:00 | 0:56:04 | |
Russell, abort the rendezvous, there's a chopper out there and this could be trouble. | 0:56:06 | 0:56:10 | |
-Get of here, I'll meet you in Tres Cruces. -'Screw 'em, you've got the stuff.' | 0:56:10 | 0:56:14 | |
We don't have the advantage. I'll meet you in Tres Cruces. Acknowledge. | 0:56:14 | 0:56:17 | |
You're the boss. Over and out. Let's go. | 0:56:17 | 0:56:20 | |
You're not a school teacher, are you, Michael? | 0:56:26 | 0:56:28 | |
Michael, what's going on? What's in Tres Cruces? | 0:56:28 | 0:56:31 | |
I'm sorry you heard that. | 0:56:32 | 0:56:33 | |
-Who cares what I heard. What was I to you? -What was I? | 0:56:33 | 0:56:38 | |
Convenient. | 0:56:38 | 0:56:39 | |
Moderately enjoyable. | 0:56:41 | 0:56:43 | |
And largely forgettable. | 0:56:45 | 0:56:46 | |
And a lesson to me not to leave loose ends. | 0:56:46 | 0:56:49 | |
THEY SCREAM | 0:56:50 | 0:56:52 | |
I can't go on. I don't wanna go on. | 0:57:11 | 0:57:15 | |
Oh, Mother told me about men like this. | 0:57:15 | 0:57:18 | |
I hate it when she's right. | 0:57:18 | 0:57:20 | |
Oh, loose ends! That's all I was to him. | 0:57:20 | 0:57:24 | |
-Loose ends! -What are you doing worrying about your love life going to shit? | 0:57:24 | 0:57:28 | |
We're gonna die! | 0:57:28 | 0:57:30 | |
That's comforting! | 0:57:30 | 0:57:32 | |
Who the hell are they? | 0:57:38 | 0:57:39 | |
How am I supposed to know? He's after Michael. | 0:57:39 | 0:57:42 | |
They're the good guys! | 0:57:44 | 0:57:45 | |
THEY SHOUT OUT | 0:57:48 | 0:57:49 | |
-< -Down here! Please help us! -Down here! | 0:57:49 | 0:57:52 | |
Get into the light. He won't go for us if we're in the light. | 0:57:53 | 0:57:56 | |
Keep moving! | 0:57:58 | 0:58:01 | |
Come on, Sandy! | 0:58:05 | 0:58:06 | |
HELICOPTER ENGINE DROWNS SPEECH | 0:58:13 | 0:58:15 | |
He's going to cut us up! | 0:58:25 | 0:58:27 | |
I'll get you! I'll get you! | 0:58:27 | 0:58:30 | |
Come on! | 0:58:44 | 0:58:45 | |
Looks like these ends are going to stay loose a little longer, you big shit head! | 0:58:47 | 0:58:52 | |
Come on, down here! | 0:58:54 | 0:58:56 | |
Hello! | 0:59:08 | 0:59:09 | |
-Weldon?! -Hello! I guess you know Mr Atkins. | 0:59:10 | 0:59:14 | |
Oh my God! | 0:59:16 | 0:59:17 | |
No, it's all right! | 0:59:17 | 0:59:19 | |
We're CIA! | 0:59:20 | 0:59:22 | |
CIA?! | 0:59:23 | 0:59:25 | |
Um, can I offer you ladies coffee or, um, a coke? | 0:59:25 | 0:59:28 | |
BOTH: Weldon! | 0:59:28 | 0:59:29 | |
What is going on? | 0:59:29 | 0:59:31 | |
I'm not authorised to debrief you at... | 0:59:33 | 0:59:36 | |
You're not authorised to debrief ME? | 0:59:36 | 0:59:38 | |
After I saved you from being throttled? Weldon! | 0:59:38 | 0:59:42 | |
HE SIGHS | 0:59:43 | 0:59:45 | |
Who is Michael Sanders? | 0:59:45 | 0:59:46 | |
He was one of our best. Very high clearance, | 0:59:51 | 0:59:55 | |
access to everything, and then... | 0:59:55 | 0:59:57 | |
..we began to suspect that he was a double agent, working for Korzenowski. | 0:59:59 | 1:00:03 | |
Wait a minute, wait a minute. | 1:00:03 | 1:00:05 | |
Korzenowski, our teacher? | 1:00:05 | 1:00:07 | |
Our teacher and, I'm sorry to tell you, | 1:00:07 | 1:00:09 | |
-a key undercover man for the Russians. -Oh please! | 1:00:09 | 1:00:13 | |
The man has a reputation, he was the definitive Lear! | 1:00:13 | 1:00:15 | |
He is the definitive KGB! That's why I was in that class, I was supposed to keep an eye on him, | 1:00:15 | 1:00:20 | |
-see if he and Sanders were in contact. -Huh... | 1:00:20 | 1:00:23 | |
-And they were? -We still don't know how. I never saw them come within a mile of each other. | 1:00:23 | 1:00:28 | |
But somehow, Korzenowski hired him. | 1:00:28 | 1:00:30 | |
What did Michael do? | 1:00:31 | 1:00:32 | |
He stole the prototype of an experimental virus. | 1:00:34 | 1:00:37 | |
It's called floritoxin. | 1:00:37 | 1:00:39 | |
It's, um....an airborne defoliant. | 1:00:39 | 1:00:43 | |
A few drops destroys all vegetation for hundreds and hundreds of square miles. | 1:00:43 | 1:00:48 | |
L-Like grass and trees and the, the whole shop? | 1:00:48 | 1:00:52 | |
As in California. | 1:00:52 | 1:00:54 | |
-Oh my God! -As in the entire wheatbelt. | 1:00:54 | 1:00:57 | |
He would do that? | 1:00:57 | 1:00:59 | |
All he has to do is spill a couple of drops | 1:00:59 | 1:01:02 | |
and the wind'll do the rest. | 1:01:02 | 1:01:04 | |
MICHAEL: Don't try to bargain with me. | 1:01:04 | 1:01:06 | |
I want 20 million cash. | 1:01:06 | 1:01:08 | |
And please don't insult my intelligence by trying to mark it. | 1:01:08 | 1:01:11 | |
All right. Only it's going to take a couple of hours. | 1:01:11 | 1:01:15 | |
Where are you? | 1:01:15 | 1:01:17 | |
LINE GOES DEAD | 1:01:17 | 1:01:19 | |
Don't be ridiculous, Weldon, they're his accomplices, they're professionals! | 1:01:19 | 1:01:23 | |
-No, sir! I believe them. -What?! | 1:01:23 | 1:01:25 | |
You believe that a couple of two-bit actresses could crack down Sanders? | 1:01:25 | 1:01:29 | |
It was a rendezvous, they helped him escape, I was there, remember? | 1:01:29 | 1:01:32 | |
What did we know? He was just some guy we happened to be boffing. | 1:01:32 | 1:01:36 | |
Damn it! I don't boff! I have never boffed. | 1:01:36 | 1:01:39 | |
OK, had sex with. Is that white enough for you? | 1:01:39 | 1:01:43 | |
Move it. | 1:01:43 | 1:01:45 | |
-Sir, if you'll just go over their statements... -That's what I intend to do at Fort Morgan | 1:01:45 | 1:01:49 | |
in an underground cell until we get Sanders' whereabouts. | 1:01:49 | 1:01:52 | |
Want to know his whereabouts? Fine. He said he was going to Tres Cruces, New Mexico. | 1:01:52 | 1:01:56 | |
That's a little bit too easy, isn't it? Get in the van! | 1:01:56 | 1:02:00 | |
OK. OK, here's an idea - | 1:02:00 | 1:02:02 | |
why don't we all go to Tres Cruces and see if Michael is there? | 1:02:02 | 1:02:05 | |
I'll prove it to you. | 1:02:05 | 1:02:06 | |
-Ow! -I know, I know, your head hurts and it's our fault, I understand that, | 1:02:06 | 1:02:11 | |
-but if you'd identified yourself... -You want me to walk up to enemy operatives | 1:02:11 | 1:02:14 | |
-and hand over my card? -Who's an enemy operative? | 1:02:14 | 1:02:17 | |
Steve, why the hell are we slowing down? | 1:02:17 | 1:02:19 | |
Who the hell are you? | 1:02:23 | 1:02:24 | |
Oh! Oh! Oh my God! | 1:02:29 | 1:02:31 | |
Some of us who teach can also do. | 1:02:41 | 1:02:45 | |
-What do you want? -Where is Michael Sanders? | 1:02:46 | 1:02:50 | |
Hey, you should know, you're the ones he's working for. | 1:02:50 | 1:02:54 | |
-Vasili... -Da? -HE SPEAKS RUSSIAN | 1:02:54 | 1:02:58 | |
This is the last time I will ask you. | 1:03:05 | 1:03:08 | |
Where is Michael Sanders? | 1:03:08 | 1:03:10 | |
Ah! Ah! | 1:03:12 | 1:03:14 | |
LAUREN AND SANDY SCREAM | 1:03:15 | 1:03:17 | |
Come on, come on, come on! | 1:03:26 | 1:03:27 | |
I think you'll stay. | 1:03:31 | 1:03:33 | |
I never died better, did I, Teach'? | 1:04:08 | 1:04:10 | |
OK, let's go up, real easy. | 1:04:10 | 1:04:12 | |
Uh-huh... At a boy. | 1:04:12 | 1:04:15 | |
At a boy. Yeah, you're a good actor, but a lousy shot. | 1:04:15 | 1:04:19 | |
Please... Look, we can make bargain. | 1:04:19 | 1:04:22 | |
KGB is very generous. | 1:04:22 | 1:04:24 | |
Oh, stop with the KGB! How dare you defraud the entire New York theatre community! | 1:04:24 | 1:04:29 | |
-Lauren! -I've never... Hi! I've never heard such behaviour in my life. These people are artists. What? | 1:04:29 | 1:04:34 | |
That's not the hot issue here. | 1:04:34 | 1:04:36 | |
No, no... OK, here it comes, Stan. | 1:04:36 | 1:04:40 | |
You're gonna tell us right now what was going on in that class... | 1:04:40 | 1:04:43 | |
or...Sandy's gonna shoot you. | 1:04:43 | 1:04:47 | |
I'll shoot it off, Stan! | 1:04:48 | 1:04:50 | |
-We needed couriers. -How? -Yeah. | 1:04:52 | 1:04:56 | |
Eh...your notebooks. | 1:04:56 | 1:04:59 | |
I left microdot, for him, in yours, | 1:04:59 | 1:05:02 | |
and he sent back reply in yours. | 1:05:02 | 1:05:04 | |
Well, if he stole the toxin for you, why don't you have it? | 1:05:04 | 1:05:08 | |
HE CURSES IN RUSSIAN | 1:05:08 | 1:05:11 | |
-Ah! -SANDY LAUGHS | 1:05:11 | 1:05:14 | |
-He screwed you, too! -Da. Da... He screwed me, too. | 1:05:14 | 1:05:19 | |
Ladies, I admit I've made a big mistake, | 1:05:22 | 1:05:24 | |
but if you just trust me, you can walk away from here right now with full Federal protection - | 1:05:24 | 1:05:29 | |
complete clearance of all conspiracy charges. | 1:05:29 | 1:05:32 | |
I will give you free acting lessons for the rest of your life. | 1:05:32 | 1:05:36 | |
-We'll pay all the expenses you've incurred. -Oh, stop it! | 1:05:37 | 1:05:41 | |
The both of you, you're so full of it! | 1:05:41 | 1:05:43 | |
Come on, let's go. It stinks around here. | 1:05:43 | 1:05:47 | |
Thanks for trying. | 1:05:47 | 1:05:48 | |
-We'll find you! -Not if the coyotes find you first! | 1:05:51 | 1:05:55 | |
Oh! | 1:06:02 | 1:06:03 | |
Please! | 1:06:04 | 1:06:06 | |
Please! Oh! | 1:06:06 | 1:06:08 | |
Blood is on your hands, you putz! | 1:06:08 | 1:06:11 | |
This is the worst day of my life. | 1:06:12 | 1:06:15 | |
-Yeah. -SANDY SIGHS | 1:06:15 | 1:06:18 | |
-We're a couple of chumps, you know? -Oh, we're worse than that! | 1:06:18 | 1:06:21 | |
-OK, yeah. -I can't believe I didn't see it. | 1:06:21 | 1:06:24 | |
I am so humiliated. | 1:06:24 | 1:06:26 | |
-I know. -He hit on us for those notebooks. | 1:06:26 | 1:06:29 | |
"Hit on"?! He got me to pick HIM up. | 1:06:29 | 1:06:32 | |
Don't tell me! I attacked him in a Burger King. | 1:06:32 | 1:06:36 | |
I worked all night on his fucking pumpkin costume! | 1:06:38 | 1:06:41 | |
-For a mythical student, if you will. -No?! | 1:06:42 | 1:06:44 | |
-Yes! -No?! | 1:06:44 | 1:06:46 | |
Hey...I baked cookies for his entire class. | 1:06:46 | 1:06:50 | |
-Oh, no! -Can you see me baking?! | 1:06:50 | 1:06:52 | |
Icing... Icing these little happy faces on every one of them! | 1:06:52 | 1:06:56 | |
Well, I paid 5,000 to study with the KGB. | 1:06:56 | 1:06:59 | |
-The KGB! Oh, my God! -Oh, he trashed me much worse than he trashed you. | 1:06:59 | 1:07:05 | |
-Oh! -Really...Hamlet! How am I gonna know Hamlet? | 1:07:05 | 1:07:08 | |
You really should, if you're going to be an actress. | 1:07:11 | 1:07:14 | |
Oh, pardon me, but, you know, we can't all of us study | 1:07:20 | 1:07:24 | |
at the London school of Shakespearean weirdness, you know? | 1:07:24 | 1:07:27 | |
Some of us had to schlep drinks for a living. | 1:07:27 | 1:07:30 | |
I'm sorry, Sandy. | 1:07:34 | 1:07:36 | |
Oh, God. | 1:07:38 | 1:07:41 | |
SANDY SIGHS | 1:07:41 | 1:07:43 | |
So, where do you want to go now? | 1:07:43 | 1:07:46 | |
I don't know. | 1:07:47 | 1:07:50 | |
They'll be after us. | 1:07:50 | 1:07:53 | |
-But I was thinking... -Yeah...so was I. -What? | 1:07:53 | 1:07:57 | |
That we go find Michael and rip his face off. | 1:07:57 | 1:08:00 | |
-That...and get the toxin back. -ENGINE RUMBLES | 1:08:00 | 1:08:03 | |
-Oh, to hell with the toxin, I just want to rip his face off. -No, we need the toxin. | 1:08:03 | 1:08:08 | |
We don't want the CIA on our backs all our lives. | 1:08:08 | 1:08:11 | |
-Just so long as I get to rip his face off? -I promise we'll rip his face off... | 1:08:13 | 1:08:17 | |
-after we get the toxin. -Hey! | 1:08:17 | 1:08:19 | |
Hello, honey! Hello! | 1:08:19 | 1:08:22 | |
No, no! | 1:08:22 | 1:08:23 | |
-Hey, Stan... -What? | 1:08:33 | 1:08:36 | |
-It looks like you're going to be facing a KGB tribunal. -STAN GROANS | 1:08:36 | 1:08:39 | |
Unless, of course, you'd like to make an arrangement. | 1:08:40 | 1:08:43 | |
Would such an arrangement include... | 1:08:44 | 1:08:47 | |
unlimited expense account? | 1:08:47 | 1:08:50 | |
A condo on the Potomac? | 1:08:51 | 1:08:53 | |
Redskins season tickets...eh? | 1:08:55 | 1:08:58 | |
HORN BLARES | 1:09:00 | 1:09:03 | |
-Aw, nice(!) -Thanks, Humphrey. | 1:09:17 | 1:09:20 | |
-It was sweet of you. -It was my pleasure. | 1:09:20 | 1:09:22 | |
What shall we do first? Get a little sushi, take in a show(?) | 1:09:27 | 1:09:30 | |
MEN WHOOP | 1:09:30 | 1:09:34 | |
THEY WHISTLE | 1:09:40 | 1:09:42 | |
Now why would they do that? | 1:09:42 | 1:09:44 | |
Has there ever been one woman in the history of the world, | 1:09:44 | 1:09:47 | |
who actually said, "Yes, fellas, please, take me now"? | 1:09:47 | 1:09:50 | |
For a bed and a bath, I'd... I'd consider it. | 1:09:50 | 1:09:53 | |
-Bite your tongue. -Hey, turistas! Welcome. | 1:09:53 | 1:09:57 | |
Hey... | 1:09:57 | 1:09:59 | |
you're looking for a guide, right? | 1:09:59 | 1:10:02 | |
A Native Indian, to show you the hidden wonders of this great Chicotakowa nation? | 1:10:02 | 1:10:08 | |
Well, ladies, you have found him. | 1:10:08 | 1:10:10 | |
Special price, today only... | 1:10:10 | 1:10:13 | |
-..20. -I don't want to be the first to break this to you. | 1:10:14 | 1:10:18 | |
-You are not an Indian. -That's a technicality. | 1:10:18 | 1:10:22 | |
I've been a blood brother to the Chicotakowa since 1968. | 1:10:22 | 1:10:26 | |
I got a tan. What do you want for 20?! | 1:10:26 | 1:10:30 | |
Honey, I'm an actress. I love to dress up and pretend - | 1:10:31 | 1:10:35 | |
and the hat is fabulous! But what we need right now is to find a man. | 1:10:35 | 1:10:40 | |
Well, OK. | 1:10:40 | 1:10:42 | |
It's not gonna be that great. I'm a little bombed. | 1:10:42 | 1:10:45 | |
-What?! -And it's still 20! | 1:10:45 | 1:10:49 | |
No! No, no, no... | 1:10:50 | 1:10:52 | |
-We're looking for a specific man. -So we can kill him. | 1:10:52 | 1:10:56 | |
Oh, then you need a witness. | 1:10:56 | 1:10:58 | |
Hey, I'll stand up for you in court - "I saw the whole thing. | 1:10:58 | 1:11:02 | |
"It was an accident." The axe slipped from your hand. | 1:11:02 | 1:11:04 | |
-It's a wonderful scenario. When we find the guy, we'll let you know. -Thanks. | 1:11:04 | 1:11:08 | |
Find him? "Find" as in "locate"? | 1:11:08 | 1:11:12 | |
"Track down"? Hey, now we are rollin'! | 1:11:12 | 1:11:15 | |
We have hit the nail right on the hammer. | 1:11:15 | 1:11:17 | |
I'm a tracker. That's my vocation - a tracker - | 1:11:17 | 1:11:21 | |
a guy who tracks down other guys. | 1:11:21 | 1:11:23 | |
That's my main gig. Genuine Indian shit! | 1:11:23 | 1:11:27 | |
-(What do you think? -He's a bum! -But he might have good instincts.) | 1:11:28 | 1:11:32 | |
-(Shall we ask for references?) -Hey, you want to find this guy or not? | 1:11:32 | 1:11:36 | |
-Ah-ha! Ancient Indian techniques. -Ah, those could be anybody's! | 1:11:40 | 1:11:44 | |
Yeah, they could. | 1:11:44 | 1:11:46 | |
Anybody about 185lb... | 1:11:46 | 1:11:50 | |
dragging his right leg a little, like it's injured. And... | 1:11:50 | 1:11:55 | |
HE SNIFFS ..smoking one-hand-roll Colton's | 1:11:57 | 1:12:01 | |
every three minutes. | 1:12:01 | 1:12:03 | |
Admit it! The man is cool. | 1:12:04 | 1:12:08 | |
-Yeah, come on! -I want you. | 1:12:09 | 1:12:11 | |
I want you, too. | 1:12:11 | 1:12:13 | |
FEMALE LAUGHTER | 1:12:17 | 1:12:20 | |
Oh, my God! | 1:12:20 | 1:12:23 | |
Wow! That is some major ill repute happening there. | 1:12:23 | 1:12:28 | |
-Come on, let's go. -No! Don't try it. | 1:12:28 | 1:12:30 | |
You'll never get past Gert. It's customers only. | 1:12:30 | 1:12:34 | |
Come on, let's get out of here. | 1:12:34 | 1:12:36 | |
Come on! Hey, let's go, will you? | 1:12:36 | 1:12:38 | |
-Come on! -("Customers".) | 1:12:38 | 1:12:41 | |
"Customers"! | 1:12:41 | 1:12:43 | |
-You get his shirt, I'll get his pants. -Ah, come on! You had your chance at me. | 1:12:43 | 1:12:47 | |
-Come on now! Will you stop it? -Oh, I want the hat! | 1:12:47 | 1:12:50 | |
LAUGHTER | 1:12:54 | 1:12:57 | |
Who do you think you're kiddin', huh? | 1:12:57 | 1:12:59 | |
How old are you, boys? | 1:13:01 | 1:13:03 | |
13? 14? | 1:13:03 | 1:13:07 | |
Hell, you're just babies. | 1:13:07 | 1:13:09 | |
Why, you can't even shave yet. | 1:13:09 | 1:13:12 | |
-Your daddy know you're here? -AS A BOY: -Hell, yes! He told us where to come. | 1:13:12 | 1:13:17 | |
-"Come"! Get it? -SANDY SNIGGERS | 1:13:17 | 1:13:19 | |
Ooooh! | 1:13:19 | 1:13:21 | |
-First time? -Oh! | 1:13:21 | 1:13:24 | |
No way! It's HIS first time. | 1:13:24 | 1:13:28 | |
-What d'you tell her that for? -Are you chicken shit, huh? -I've done it plenty! | 1:13:28 | 1:13:31 | |
-You always tell my secrets. I'm gonna get you. -Chicken shit! | 1:13:31 | 1:13:35 | |
Don't do that! That ain't no way to act in a whorehouse. | 1:13:35 | 1:13:37 | |
-Be a man! Be a man! -FOOTSTEPS APPROACH | 1:13:37 | 1:13:40 | |
This is Tina and Maria. Have fun. | 1:13:43 | 1:13:47 | |
Yeah, now tell me how we're gonna get it up(!) | 1:13:50 | 1:13:53 | |
WOMAN MOANS, BED SQUEAKS | 1:14:02 | 1:14:05 | |
-SHEEP BLEATS -Definitely not. | 1:14:09 | 1:14:12 | |
Oo-oo-oh, God! | 1:14:15 | 1:14:18 | |
Oh, God! Oh, God! | 1:14:18 | 1:14:21 | |
-Oh, God... -He's already at "Oh, God! Oh, God!" | 1:14:21 | 1:14:24 | |
-Won't be long now. -Oh, God! Oh, God! | 1:14:24 | 1:14:26 | |
Oh, God! Ooooh, God! BED RATTLES | 1:14:26 | 1:14:29 | |
Oh... GURGLING: Oh...God! | 1:14:29 | 1:14:33 | |
-That was it. -He'll be asleep in three seconds. | 1:14:33 | 1:14:36 | |
Did you ever think you'd be glad that men roll over and pass out? | 1:14:36 | 1:14:39 | |
You've got...! | 1:14:55 | 1:14:57 | |
Have a nice day. | 1:14:59 | 1:15:01 | |
-I've come to a definite conclusion. -What's that? | 1:15:03 | 1:15:05 | |
-You can have him! -HE SIGHS SLEEPILY | 1:15:05 | 1:15:10 | |
God... | 1:15:10 | 1:15:12 | |
Hm? | 1:15:12 | 1:15:14 | |
Aw! HE MURMURS CONTENTEDLY | 1:15:18 | 1:15:21 | |
BOX CLICKS SHUT | 1:15:38 | 1:15:40 | |
Was it good for you, too? | 1:15:41 | 1:15:43 | |
SANDY SCREAMS | 1:15:55 | 1:15:57 | |
MEN WHOOP | 1:15:57 | 1:16:00 | |
-Hey! Ay-ay-ay! -THEY SHOUT | 1:16:01 | 1:16:04 | |
Help me up. | 1:16:14 | 1:16:16 | |
Oh, you guys are the sweetest, | 1:16:21 | 1:16:24 | |
most gorgeous creatures! | 1:16:24 | 1:16:26 | |
-Mwah, mwah! -You're sweet. | 1:16:26 | 1:16:28 | |
Yikes! Andale! Andale! | 1:16:28 | 1:16:30 | |
Hey, vamos! Vamos! | 1:16:30 | 1:16:33 | |
BLADE CLICKS SHUT | 1:16:41 | 1:16:43 | |
ALL: # Ay, ay, ay, ay | 1:16:45 | 1:16:47 | |
# Canta y no llores | 1:16:47 | 1:16:50 | |
# Porque cantando... # | 1:16:50 | 1:16:53 | |
-Hey, guys... -Wait a minute! -Guys! | 1:16:57 | 1:16:59 | |
Wait a minute! We're not supposed to stop. Why are we stopping? | 1:16:59 | 1:17:02 | |
-REPLY DROWNED BY CLATTER -Oh, we have to get to a phone. | 1:17:02 | 1:17:05 | |
-We have to... -A phone. -Oh, my God! | 1:17:05 | 1:17:07 | |
What are you doing here? | 1:17:07 | 1:17:09 | |
Trying to get back to the reservation before one of these guys hits on me for my phone number. | 1:17:09 | 1:17:14 | |
Oh, come on, you don't look so bad! | 1:17:14 | 1:17:16 | |
Except prints don't work for him. He should stick with solids. | 1:17:16 | 1:17:19 | |
-Wait a minute! Did he say... -BOTH: ..phone?! | 1:17:19 | 1:17:23 | |
-Frank! -Leave me alone! -Frank! | 1:17:23 | 1:17:25 | |
-You have to listen. -No, I don't. -Yes, you do! | 1:17:25 | 1:17:28 | |
Ow, ow! | 1:17:28 | 1:17:30 | |
Oh! Oh, I'm sorry, Frank. | 1:17:30 | 1:17:33 | |
-But this is really important. -Oh, leave me alone, just leave me alone! | 1:17:33 | 1:17:37 | |
-We've got to use your phone. -Forget it! | 1:17:37 | 1:17:39 | |
You stiffed me for 20, you leave me in drag, | 1:17:39 | 1:17:42 | |
you've got some maniac with a knife chasing you. | 1:17:42 | 1:17:45 | |
These things do not tempt me to want to team up with you guys. | 1:17:45 | 1:17:49 | |
FRANK MOANS Ah, what's wrong with my head? | 1:17:49 | 1:17:52 | |
-Are you OK? -No! | 1:17:52 | 1:17:55 | |
-I think I'm gettin' sober! -Look... Listen... | 1:17:55 | 1:17:57 | |
Frank, we're not just jerkin' you around. | 1:17:57 | 1:18:00 | |
Some guys are chasing us cos one of them stole a virus that'll destroy all the plants | 1:18:00 | 1:18:04 | |
and all the trees for thousands of miles. We stole it back, so now they're trying to kill us. Get it? | 1:18:04 | 1:18:09 | |
Jesus, the '60s were good to you, weren't they(?) | 1:18:09 | 1:18:12 | |
Frank, that's right, think back to the '60s. | 1:18:13 | 1:18:16 | |
-People did things for each other. -They were wasted. | 1:18:16 | 1:18:20 | |
Listen, Frankie...get us to a telephone, all right? | 1:18:20 | 1:18:23 | |
I swear to you... you'll be showered with money. | 1:18:23 | 1:18:26 | |
Showered with money. | 1:18:26 | 1:18:28 | |
OK, ladies, this is it. | 1:18:32 | 1:18:35 | |
This is it, Frank?! | 1:18:35 | 1:18:37 | |
It's not exactly the hub of the reservation, is it? | 1:18:37 | 1:18:40 | |
-Hey, it's off-season! What do you want? -We want to use the phone. | 1:18:40 | 1:18:43 | |
Hey, five minutes, that's it. | 1:18:43 | 1:18:46 | |
You guys stay more than five minutes, you'll bring down a goddamn tornado. | 1:18:46 | 1:18:51 | |
-We've no intention of staying. -Fine. -I'll call... I must have that blouse! | 1:18:51 | 1:18:55 | |
-That shirt has my name on it! -Oh, I love this! | 1:18:55 | 1:18:58 | |
-I wore one of these when I did Oklahoma. -That will be cute on you. -You think? | 1:18:59 | 1:19:03 | |
-Get a little snakeskin belt, give it a little texture. -That's a good idea. I like this, too. | 1:19:03 | 1:19:08 | |
Hey! Will you come on now? Just take the blouse. | 1:19:08 | 1:19:11 | |
Keep them. You've got to make this phone call. Get on the phone and let's get out of here. | 1:19:11 | 1:19:15 | |
OK, who are we gonna call? | 1:19:15 | 1:19:17 | |
The New York Times, huh? | 1:19:17 | 1:19:18 | |
-No! We'll call the President. -That's really a call he's gonna take(!) | 1:19:19 | 1:19:23 | |
-"Hi, we're two struggling actresses, we're saving the world." Get real! -He was an actor! | 1:19:23 | 1:19:27 | |
OK, the FBI. | 1:19:29 | 1:19:31 | |
We're gonna call the FBI, we're gonna turn this in and save our country. | 1:19:33 | 1:19:37 | |
Do you have a changing room? | 1:19:37 | 1:19:39 | |
This doesn't work. | 1:19:41 | 1:19:42 | |
They must have cut me off. | 1:19:47 | 1:19:48 | |
I owe them a little money. | 1:19:50 | 1:19:51 | |
Don't you know how to deal with those dorks? | 1:19:51 | 1:19:54 | |
-You don't have to pay them anything. -You don't? | 1:19:54 | 1:19:56 | |
-No, all... -No! -What? | 1:19:56 | 1:19:59 | |
No, not that again. | 1:19:59 | 1:20:01 | |
Frank, how do we get to a phone that works? | 1:20:05 | 1:20:08 | |
OK, ladies. This here is Frodo. He'll take real good care of you. | 1:20:08 | 1:20:13 | |
You're going to ride across those hills till you come to a cliff edge. | 1:20:13 | 1:20:16 | |
Don't go off, it's a 700 foot drop. | 1:20:16 | 1:20:18 | |
Now, if you do get down you're gonna come to the rattlesnake area. | 1:20:18 | 1:20:22 | |
Be real careful going through there. | 1:20:22 | 1:20:24 | |
Take a left at the rattlesnakes and you'll come to a dirt road, | 1:20:24 | 1:20:27 | |
take you to the taco stand, they got a phone in there. | 1:20:27 | 1:20:30 | |
It couldn't be just a block and a half at the corner store, Frank? | 1:20:30 | 1:20:33 | |
Not around here. | 1:20:33 | 1:20:35 | |
-Hey, Frank. Thanks. -OK, all right! | 1:20:36 | 1:20:40 | |
-Come on... -We won't forget you. -We'll see you get something out of this. | 1:20:40 | 1:20:44 | |
Sure, I'll be showered with money. Let's get outta here. | 1:20:44 | 1:20:47 | |
Wait, wait, wait! | 1:20:47 | 1:20:48 | |
I don't have the toxin. Wait a minute. | 1:20:48 | 1:20:50 | |
Hold on a second. | 1:20:50 | 1:20:52 | |
-Ah! -Give me the vial. | 1:20:55 | 1:20:58 | |
Slowly. | 1:21:00 | 1:21:01 | |
-Let go of me! -SHE SCREAMS | 1:21:05 | 1:21:07 | |
Whoa! | 1:21:14 | 1:21:15 | |
Asshole! Come on! | 1:21:15 | 1:21:17 | |
Well, of course. | 1:21:17 | 1:21:19 | |
Russell. Boyd. | 1:21:21 | 1:21:23 | |
-Where's the other one? -She got away. | 1:21:24 | 1:21:26 | |
-You'll make yourself useful. -I can't drive a stick-shift. -Get in the back. | 1:21:26 | 1:21:30 | |
GUNFIRE | 1:21:35 | 1:21:37 | |
Let's turn around, OK? | 1:21:43 | 1:21:45 | |
Let's just go...this way. | 1:21:45 | 1:21:47 | |
Holy shit! | 1:21:52 | 1:21:53 | |
Go away. | 1:22:00 | 1:22:01 | |
Frank. | 1:22:02 | 1:22:03 | |
Go away. | 1:22:03 | 1:22:05 | |
What happened? Where's Lauren? | 1:22:05 | 1:22:07 | |
-They took her. -We gotta go find her. | 1:22:07 | 1:22:09 | |
Oh, no. | 1:22:09 | 1:22:11 | |
Frank, I can't track her without you. Now, please, come on. | 1:22:11 | 1:22:14 | |
-You go, I'm busy bleeding! -Frank! | 1:22:14 | 1:22:17 | |
You don't give up, do you? | 1:22:17 | 1:22:18 | |
You think I'm gonna go chasing a pack of psychos for some dumb blonde? | 1:22:18 | 1:22:22 | |
She not dumb. And she's not a blonde. | 1:22:22 | 1:22:25 | |
Well, good luck, lady. | 1:22:25 | 1:22:26 | |
Frank! Frank! | 1:22:26 | 1:22:29 | |
OK, OK. | 1:22:35 | 1:22:37 | |
The truth. | 1:22:37 | 1:22:38 | |
Lauren and I pulled a bank job. | 1:22:39 | 1:22:41 | |
Those guys were Feds and Lauren buried the money. | 1:22:41 | 1:22:43 | |
Spare me, will you? | 1:22:43 | 1:22:45 | |
Well, what about revenge? | 1:22:45 | 1:22:47 | |
These guys trashed your house. Don't you want to get even? | 1:22:47 | 1:22:50 | |
I'm insured, no deductible. | 1:22:50 | 1:22:52 | |
Save your breath. | 1:22:52 | 1:22:54 | |
I'm running out of bullshit, Frank. | 1:22:56 | 1:22:58 | |
They're going to kill her. | 1:22:58 | 1:22:59 | |
I know it's not your problem | 1:22:59 | 1:23:02 | |
but this person and I, we've been through a lot of disgusting things together. | 1:23:02 | 1:23:06 | |
This person and I are... | 1:23:06 | 1:23:08 | |
This person's a friend. | 1:23:11 | 1:23:13 | |
And I don't have that many friends. | 1:23:15 | 1:23:17 | |
I do. | 1:23:23 | 1:23:24 | |
WHOOPING AND YELPING | 1:23:24 | 1:23:27 | |
Hello, Michael. | 1:23:39 | 1:23:40 | |
-This is Atkins. -Hello, Joe. Do you have the money? | 1:23:40 | 1:23:43 | |
Yeah. | 1:23:43 | 1:23:44 | |
It's here. | 1:23:44 | 1:23:46 | |
Fine. Here it is. | 1:23:46 | 1:23:48 | |
You'll get into the chopper and fly to Masa Azul cliffs | 1:23:48 | 1:23:53 | |
at the four fingers. | 1:23:53 | 1:23:55 | |
Don't think about ground support cos I've got lookouts. | 1:23:55 | 1:23:58 | |
Now, if I see a plane, a tank, a chopper other than your chopper, | 1:23:59 | 1:24:03 | |
I'll get very nervous and I'm gonna dump this stuff in the first stiff wind blowing east. | 1:24:03 | 1:24:09 | |
You got it? | 1:24:09 | 1:24:10 | |
You will not land the chopper. | 1:24:12 | 1:24:14 | |
You'll come level with the masa | 1:24:14 | 1:24:15 | |
and you'll lower the money down to me at 5pm exactly. | 1:24:15 | 1:24:20 | |
Now, you're gonna make the exchange. | 1:24:34 | 1:24:36 | |
I knew you wouldn't keep your end of the bargain. | 1:24:36 | 1:24:39 | |
This is your big moment. Don't you want to do it yourself? | 1:24:44 | 1:24:47 | |
Atkins is a crack shot. | 1:24:47 | 1:24:49 | |
Like I said, I'm doing the exchange. | 1:24:50 | 1:24:53 | |
I see somebody. | 1:24:55 | 1:24:57 | |
-It's Lauren. -Now, you want to tell me how much you believe them? | 1:24:57 | 1:25:00 | |
No, don't shoot! | 1:25:00 | 1:25:02 | |
Sir, she's being coerced. | 1:25:02 | 1:25:05 | |
GUNFIRE | 1:25:43 | 1:25:44 | |
-Will you land this damn thing? -He's trying! | 1:25:51 | 1:25:54 | |
Throw down the bag. | 1:26:10 | 1:26:12 | |
Throw it down! | 1:26:13 | 1:26:14 | |
You'll shoot me. | 1:26:14 | 1:26:16 | |
I'm really sorry about this. Ah! GUNFIRE | 1:26:16 | 1:26:19 | |
WHOOPING AND YELPING | 1:26:25 | 1:26:27 | |
GUNFIRE | 1:26:27 | 1:26:29 | |
GUNFIRE | 1:26:32 | 1:26:34 | |
-Argh! -Argh! | 1:26:38 | 1:26:39 | |
Oh! Oh! | 1:26:39 | 1:26:41 | |
Ah! | 1:26:41 | 1:26:42 | |
Aren't you dead, yet? | 1:26:42 | 1:26:44 | |
Not till I play Hamlet. | 1:26:44 | 1:26:46 | |
THEY LAUGH | 1:26:46 | 1:26:49 | |
Boy! | 1:26:52 | 1:26:53 | |
-Aw, you came back. -Sure. | 1:26:53 | 1:26:55 | |
I can't believe it. | 1:26:55 | 1:26:56 | |
And look at you, you made off with the works. | 1:26:56 | 1:26:59 | |
-Yes, I got the toxin and 20 million. -Wow! | 1:26:59 | 1:27:03 | |
This time I... I think I'll hold the money. | 1:27:04 | 1:27:06 | |
You don't mind? | 1:27:06 | 1:27:08 | |
Look, there's Weldon! | 1:27:08 | 1:27:09 | |
Maybe we can hitch a ride with those guys? Hey... | 1:27:09 | 1:27:12 | |
Argh! | 1:27:12 | 1:27:13 | |
Go! Go! | 1:27:15 | 1:27:16 | |
Go where? | 1:27:17 | 1:27:18 | |
Argh! | 1:27:29 | 1:27:31 | |
I...will...never... | 1:27:36 | 1:27:38 | |
date...a man...again. | 1:27:38 | 1:27:42 | |
Sandy. | 1:27:50 | 1:27:51 | |
-Getting laid just isn't worth it. -Oh, Sandy! | 1:27:51 | 1:27:55 | |
Huh? Ah! | 1:27:55 | 1:27:57 | |
Get it! | 1:27:57 | 1:27:59 | |
Pull. | 1:28:06 | 1:28:08 | |
Pull. | 1:28:11 | 1:28:13 | |
Oh! There is no god. | 1:28:13 | 1:28:15 | |
Hey, look! CHEERING | 1:28:22 | 1:28:24 | |
Ah! | 1:28:49 | 1:28:51 | |
Ah! | 1:29:11 | 1:29:12 | |
You son of a bitch. | 1:29:18 | 1:29:20 | |
En guard! | 1:29:21 | 1:29:23 | |
-Yes! -Go! | 1:29:23 | 1:29:26 | |
Ugh! | 1:29:39 | 1:29:40 | |
Where is it? | 1:29:45 | 1:29:46 | |
I don't have it! | 1:29:46 | 1:29:48 | |
I have it. | 1:29:48 | 1:29:49 | |
Let her go. | 1:29:49 | 1:29:51 | |
-Argh! -No! You... | 1:29:51 | 1:29:54 | |
Ah, nuts! | 1:30:05 | 1:30:06 | |
Oh, shit! | 1:30:57 | 1:30:58 | |
Argh! | 1:31:26 | 1:31:29 | |
Nine years of ballet, asshole! | 1:31:29 | 1:31:32 | |
Argh! You did it! You did it! | 1:31:34 | 1:31:37 | |
Woo, woo, woo! | 1:31:37 | 1:31:38 | |
APPLAUSE AND CHEERS | 1:31:40 | 1:31:43 | |
Yeah, yeah, yeah! | 1:31:43 | 1:31:45 | |
APPLAUSE | 1:31:57 | 1:32:00 | |
That is the best Hamlet ever. | 1:32:11 | 1:32:14 | |
Except for mine. | 1:32:16 | 1:32:17 | |
Woo, woo, woo, woo, woo! | 1:32:18 | 1:32:21 | |
Wow. Yeah! | 1:32:21 | 1:32:23 | |
Oh, this is the happiest moment of my life. | 1:32:38 | 1:32:42 | |
They bought that shit! | 1:32:42 | 1:32:44 | |
Shit?! You're calling my Hamlet shit?! | 1:32:44 | 1:32:48 | |
He's a wimp. I mean, he can't make his mind up about anything. | 1:32:48 | 1:32:52 | |
He stands around going, "What'll I do? What'll I do?" | 1:32:52 | 1:32:55 | |
-Give me Romeo or Henry V - now there's a guy I could boff. -Boff? | 1:32:55 | 1:32:59 | |
Oh, we're back to boffing, are we? I see. That's your criteria... | 1:32:59 | 1:33:04 | |
Subtitles by Red Bee Media Ltd | 1:33:11 | 1:33:14 | |
E-mail [email protected] | 1:33:14 | 1:33:17 |