Browse content similar to Dan in Real Life. Check below for episodes and series from the same categories and more!
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OK. | 0:01:21 | 0:01:22 | |
Hey. Is this yours? | 0:02:02 | 0:02:04 | |
Dad. | 0:02:04 | 0:02:05 | |
Didn't think so. | 0:02:05 | 0:02:07 | |
MUSIC PLAYING FAINTLY INSIDE | 0:02:08 | 0:02:11 | |
Hey. | 0:02:19 | 0:02:21 | |
Hey! | 0:02:21 | 0:02:22 | |
I was going to do that for you later. | 0:02:22 | 0:02:24 | |
Now you won't have to. | 0:02:24 | 0:02:26 | |
OK. | 0:02:26 | 0:02:27 | |
OK. Are you hungry? Yes. | 0:02:27 | 0:02:30 | |
Cereal? OK. | 0:02:30 | 0:02:31 | |
All right. | 0:02:31 | 0:02:32 | |
Dan: So, the plan. | 0:02:32 | 0:02:34 | |
TEENAGE GIRL: The plan. | 0:02:34 | 0:02:36 | |
Cara, Dad's about to reveal the plan. | 0:02:36 | 0:02:37 | |
I'll pack up the car, | 0:02:37 | 0:02:39 | |
pick you up right after school, | 0:02:39 | 0:02:41 | |
and then we'll drive straight... | 0:02:41 | 0:02:44 | |
through. | 0:02:44 | 0:02:45 | |
YOUNGEST GIRL: Sounds good. | 0:02:45 | 0:02:47 | |
Does not! | 0:02:47 | 0:02:48 | |
What now? Well... | 0:02:48 | 0:02:49 | |
Isn't the whole point that we go to school, | 0:02:49 | 0:02:51 | |
and now you're forcing us to miss school | 0:02:51 | 0:02:53 | |
when we should be, like, in school. | 0:02:53 | 0:02:54 | |
Right? I mean, what about my studies? | 0:02:54 | 0:02:57 | |
Why are you smiling? | 0:02:57 | 0:02:59 | |
I just never thought I'd hear you say, "What about my studies?" | 0:02:59 | 0:03:02 | |
It makes me, like, smile. | 0:03:02 | 0:03:05 | |
I don't want to go. | 0:03:07 | 0:03:08 | |
We do this every year! | 0:03:08 | 0:03:09 | |
Only time we can get the whole family together. | 0:03:09 | 0:03:11 | |
Dad helps Grandma and Grandpa close up the house. Go. | 0:03:11 | 0:03:14 | |
You're destroying my education! | 0:03:14 | 0:03:16 | |
You go change now. DOORBELL RINGS | 0:03:16 | 0:03:18 | |
Yes? Very good column, Sir. | 0:03:19 | 0:03:21 | |
That last bit about curfew is very apt. | 0:03:21 | 0:03:23 | |
And may I also say that yesterday's column on boundary-setting was excellent? | 0:03:23 | 0:03:26 | |
Who are you? | 0:03:26 | 0:03:27 | |
I'm Marty Barasco. Anyway, I would like | 0:03:27 | 0:03:29 | |
to especially thank you for last Friday's column. | 0:03:29 | 0:03:31 | |
It really helped me understand my parents. | 0:03:31 | 0:03:33 | |
OK. | 0:03:33 | 0:03:35 | |
Well, Marty, what else can I do for you? | 0:03:35 | 0:03:38 | |
I'd like to see your daughter, sir, if I could. | 0:03:38 | 0:03:41 | |
Ah. Jane. Jane! | 0:03:41 | 0:03:43 | |
Actually, I'm here for Cara. | 0:03:43 | 0:03:45 | |
Nice to meet you, Marty. Come back in two years. | 0:03:47 | 0:03:51 | |
I don't want to brag, but Mr Schaff says | 0:03:52 | 0:03:55 | |
I'm one of the best drivers in his class and he says I'm highway-ready. | 0:03:55 | 0:03:57 | |
Mr Schaff and I may not agree. Cara, let's go! | 0:03:57 | 0:04:00 | |
So will you let me? We'll see. | 0:04:00 | 0:04:02 | |
3 PM Sharp. Do not be... | 0:04:02 | 0:04:05 | |
Late. You got it. Late! Yes, we do. | 0:04:05 | 0:04:07 | |
FYI, that boy you were really rude to before is my friend Marty, | 0:04:07 | 0:04:11 | |
my lab partner from science class. | 0:04:11 | 0:04:13 | |
We're even doing an extra-credit project together. | 0:04:13 | 0:04:15 | |
Bus. | 0:04:15 | 0:04:17 | |
Whoa, whoa, whoa, whoa, wait! | 0:04:17 | 0:04:19 | |
Come on! Hurry up! | 0:04:19 | 0:04:21 | |
PHONE RINGING | 0:04:58 | 0:05:00 | |
Yeah? | 0:05:03 | 0:05:05 | |
Yeah, Jordy, I e-mailed him half an hour ago. | 0:05:05 | 0:05:07 | |
What? | 0:05:07 | 0:05:09 | |
No way. You're kidding me. | 0:05:09 | 0:05:12 | |
CHUCKLING | 0:05:12 | 0:05:14 | |
That's funny. Ha ha ha! | 0:05:21 | 0:05:22 | |
Where's your sister? | 0:05:22 | 0:05:24 | |
You're late. She went to Yumm's. | 0:05:24 | 0:05:27 | |
Can I drive? | 0:05:27 | 0:05:28 | |
Dad's going to be syndicated. | 0:05:28 | 0:05:30 | |
Not so fast. There are two other columnists being considered, so... | 0:05:30 | 0:05:33 | |
Oh, that's great. Can I drive? | 0:05:33 | 0:05:36 | |
Look, you're a fine driver. | 0:05:41 | 0:05:44 | |
It's just that other hundred million... | 0:05:44 | 0:05:46 | |
If you don't let me, I'll never learn. | 0:05:46 | 0:05:48 | |
But if I let you, you may not live. | 0:05:48 | 0:05:51 | |
ROCK MUSIC BLARING | 0:05:56 | 0:05:58 | |
What was that? What are you doing? | 0:06:25 | 0:06:28 | |
Could you be more embarrassing? | 0:06:28 | 0:06:29 | |
Sorry to interrupt your studies with your friend. | 0:06:29 | 0:06:31 | |
Well, we can't all be monks like you. | 0:06:31 | 0:06:33 | |
By the way, you're grounded. | 0:06:35 | 0:06:36 | |
Oh, I'm grounded? Yep. | 0:06:36 | 0:06:37 | |
Mm-hmm. For how long? | 0:06:37 | 0:06:39 | |
For life. | 0:06:39 | 0:06:40 | |
OLDER DAUGHTER: Dad, come on. | 0:06:40 | 0:06:41 | |
CARA: This is humiliating! Tell me about it. | 0:06:41 | 0:06:43 | |
Dan: OK, you're grounded for a month. | 0:06:43 | 0:06:44 | |
A month?! | 0:06:44 | 0:06:46 | |
But that's worse than forever! | 0:06:46 | 0:06:47 | |
OK, Dad, why? | 0:06:47 | 0:06:50 | |
You lied to me. | 0:06:50 | 0:06:51 | |
Yeah, well, you can't handle the truth. | 0:06:51 | 0:06:53 | |
Maybe you should try me next time. | 0:06:53 | 0:06:54 | |
But...but... Yeah, no, no. | 0:06:54 | 0:06:56 | |
OK, Dad, I... I love Marty. | 0:06:57 | 0:06:59 | |
Dan: Oh, please. | 0:06:59 | 0:07:01 | |
CARA: OK. | 0:07:01 | 0:07:03 | |
Come on. | 0:07:03 | 0:07:04 | |
Dad, Dad, Dad, Dad! | 0:07:04 | 0:07:06 | |
Stop. Will you just listen? Listen. I didn't know right away. | 0:07:06 | 0:07:08 | |
It took me a while. What's a while? | 0:07:08 | 0:07:10 | |
Um, well, I...I've known him for 3 weeks, but I knew in 3 days. | 0:07:10 | 0:07:13 | |
3 days? You can't know in 3 days. | 0:07:13 | 0:07:15 | |
Well, maybe she can. No, no, no! | 0:07:15 | 0:07:18 | |
What you're feeling is not love. | 0:07:18 | 0:07:20 | |
It is young... Yes, it is. | 0:07:20 | 0:07:21 | |
And reckless... I love him, Dad. | 0:07:21 | 0:07:23 | |
And not thought out. No, I love him, Dad... | 0:07:23 | 0:07:24 | |
You may think it's love, but it is not. | 0:07:24 | 0:07:25 | |
No, it's not. No, it's not. | 0:07:25 | 0:07:27 | |
I love him, I love him, I love him, I love him... | 0:07:27 | 0:07:30 | |
NO AUDIO | 0:07:39 | 0:07:41 | |
# I'm not going to say | 0:07:48 | 0:07:50 | |
# Do you ever stop to think along the way | 0:07:52 | 0:07:56 | |
# But, baby, be...# | 0:07:58 | 0:07:59 | |
Dad? You OK? | 0:07:59 | 0:08:01 | |
There goes Jane's college education... | 0:08:01 | 0:08:04 | |
There goes Cara's. | 0:08:04 | 0:08:06 | |
Oh, no. What about mine? | 0:08:06 | 0:08:08 | |
No, you're good. Ah! | 0:08:08 | 0:08:09 | |
No, wait. There it goes. | 0:08:09 | 0:08:11 | |
You can't keep me from Marty. | 0:08:15 | 0:08:17 | |
Dad, let me remind you | 0:08:18 | 0:08:20 | |
That guys are half the world, | 0:08:20 | 0:08:22 | |
and I'll find others. | 0:08:22 | 0:08:24 | |
But know that only Marty gets my heart. | 0:08:26 | 0:08:29 | |
In the car. | 0:08:29 | 0:08:31 | |
I know a really good driver. | 0:08:32 | 0:08:34 | |
No. No. | 0:08:34 | 0:08:37 | |
Here you go. | 0:08:44 | 0:08:47 | |
I think your sisters aren't very happy with me. | 0:08:47 | 0:08:50 | |
Duh! SCOFFS Why do you think? | 0:08:50 | 0:08:53 | |
You're a good father, | 0:08:53 | 0:08:55 | |
but sometimes a bad dad. | 0:08:55 | 0:08:58 | |
Who told you to say that? | 0:08:59 | 0:09:01 | |
No one. | 0:09:01 | 0:09:02 | |
Was it Jane or Cara? You can tell me. | 0:09:02 | 0:09:04 | |
I made it up myself. No, you didn't. | 0:09:04 | 0:09:07 | |
Which one of your sisters told you to say that? | 0:09:07 | 0:09:10 | |
I made it up myself. I'm in the fourth grade. | 0:09:10 | 0:09:12 | |
I can make things up for myself. Jane or Cara? | 0:09:12 | 0:09:15 | |
I made it up myself. I can think of things myself. | 0:09:15 | 0:09:17 | |
Jane or Cara? | 0:09:17 | 0:09:18 | |
I'm in the fourth grade... BOTH: She's in the fourth grade! | 0:09:18 | 0:09:21 | |
# The weight of the world | 0:09:21 | 0:09:24 | |
# And the hurt | 0:09:24 | 0:09:26 | |
# And the dirt | 0:09:26 | 0:09:28 | |
# Can make you disturbed | 0:09:28 | 0:09:31 | |
# But I heard | 0:09:31 | 0:09:33 | |
# But I heard | 0:09:33 | 0:09:37 | |
# When I wrap my arms around you | 0:09:37 | 0:09:40 | |
# Every mistake we made crumbles | 0:09:40 | 0:09:44 | |
# When I wrap my arms around you | 0:09:44 | 0:09:48 | |
# Everything echoes a new song... # | 0:09:48 | 0:09:52 | |
HORN HONKS WOMAN: Oh, they're here! | 0:10:05 | 0:10:07 | |
Oh! | 0:10:07 | 0:10:08 | |
SECOND WOMAN: They're here. Come on, girls. | 0:10:08 | 0:10:10 | |
Well! Nice to see you. | 0:10:10 | 0:10:13 | |
Hey, Dad. | 0:10:15 | 0:10:17 | |
Mmm! | 0:10:17 | 0:10:19 | |
Well, now we're all here. | 0:10:19 | 0:10:21 | |
Mm-hmm. How you doing? | 0:10:21 | 0:10:23 | |
I'm fine. Well, maybe not. | 0:10:23 | 0:10:24 | |
My kids can't stand me. | 0:10:24 | 0:10:26 | |
Well, it just means you're doing something right. | 0:10:26 | 0:10:28 | |
WOMAN: You're gorgeous! | 0:10:28 | 0:10:30 | |
Oh, you're so... Hey, honey. | 0:10:30 | 0:10:33 | |
Look at your girls. They're all grown-up. | 0:10:33 | 0:10:36 | |
No, no, no. They're still very young. | 0:10:36 | 0:10:38 | |
Hey! How are you? | 0:10:38 | 0:10:40 | |
Wow. She's getting big. | 0:10:40 | 0:10:42 | |
And getting bigger every day. | 0:10:42 | 0:10:43 | |
Hey, man. | 0:10:43 | 0:10:45 | |
Hello. | 0:10:47 | 0:10:49 | |
Hey, Eileen. | 0:10:49 | 0:10:51 | |
How are you? | 0:10:51 | 0:10:52 | |
Good to see you. You hit traffic? | 0:10:52 | 0:10:54 | |
Yeah, it wasn't... ah, not too bad. | 0:10:54 | 0:10:56 | |
Hi, sis. I'm so glad you're here. | 0:10:56 | 0:10:57 | |
Who are they? I've never seen these guys in my life. | 0:10:57 | 0:11:00 | |
Hi, Uncle Dan. Say something. | 0:11:00 | 0:11:02 | |
Something. It happened! I knew it! | 0:11:02 | 0:11:04 | |
Way to go. Sounds good. | 0:11:04 | 0:11:06 | |
Help your uncle with his bags. Thanks. | 0:11:06 | 0:11:08 | |
Ohhh... | 0:11:08 | 0:11:10 | |
Honey, you're down here. | 0:11:10 | 0:11:13 | |
Your brother Mitch has a friend coming to visit, so... | 0:11:13 | 0:11:16 | |
I'm in the special room. Yeah. | 0:11:16 | 0:11:18 | |
Mitch: Sorry, bro. That's OK. | 0:11:18 | 0:11:20 | |
TURNS ON DRYER | 0:11:24 | 0:11:26 | |
You sleep tight. You, too. | 0:11:26 | 0:11:29 | |
DRYER CLANGING | 0:11:29 | 0:11:32 | |
WOMAN: Tired? | 0:11:56 | 0:11:57 | |
Morning. | 0:11:57 | 0:11:59 | |
Sleep OK? | 0:11:59 | 0:12:01 | |
Can I get you guys something? | 0:12:02 | 0:12:04 | |
Get a life. | 0:12:04 | 0:12:06 | |
She just needs some space. | 0:12:12 | 0:12:14 | |
That's not what she needs. Yeah. | 0:12:14 | 0:12:16 | |
She does. From the sound of things, you all do. | 0:12:16 | 0:12:19 | |
Yeah. Why don't you go get the papers? | 0:12:19 | 0:12:21 | |
Oh, Mom. | 0:12:21 | 0:12:23 | |
Yeah, go on. | 0:12:23 | 0:12:24 | |
It'll do you good. | 0:12:24 | 0:12:26 | |
Get lost for a little while. | 0:12:26 | 0:12:28 | |
Maybe I should stick around. No. Get lost, Dan. | 0:12:28 | 0:12:31 | |
It's not a request. | 0:12:31 | 0:12:34 | |
# You | 0:12:47 | 0:12:49 | |
# Who replaced | 0:12:49 | 0:12:51 | |
# Every beat THUNDER | 0:12:51 | 0:12:54 | |
# That was false | 0:12:54 | 0:12:56 | |
# And uptight | 0:12:56 | 0:12:59 | |
# Like a metronome | 0:12:59 | 0:13:04 | |
# You | 0:13:07 | 0:13:09 | |
# Should have stayed | 0:13:09 | 0:13:11 | |
# Cos that winter was long | 0:13:11 | 0:13:17 | |
# But by dawn | 0:13:17 | 0:13:19 | |
# You were gone | 0:13:19 | 0:13:21 | |
# I'll | 0:13:23 | 0:13:25 | |
# Be | 0:13:25 | 0:13:27 | |
# OK | 0:13:27 | 0:13:32 | |
# Well, I'll | 0:13:32 | 0:13:35 | |
# Be | 0:13:35 | 0:13:38 | |
# OK... # | 0:13:38 | 0:13:43 | |
Can you help me? | 0:13:51 | 0:13:53 | |
I'll be with you in a minute. | 0:13:53 | 0:13:55 | |
Well, then he went downtown. | 0:13:55 | 0:13:58 | |
Yeah, for coffee. Right. | 0:13:58 | 0:14:01 | |
WOMAN: Hi. | 0:14:05 | 0:14:06 | |
Excuse me. Could you help? | 0:14:06 | 0:14:08 | |
Um... | 0:14:08 | 0:14:10 | |
I guess. | 0:14:10 | 0:14:11 | |
I'm looking for a book, obviously. | 0:14:11 | 0:14:15 | |
Anything in particular? Yes. | 0:14:15 | 0:14:17 | |
Something that can help me deal with, um... | 0:14:17 | 0:14:20 | |
What might be an awkward situation. | 0:14:22 | 0:14:25 | |
Oh, OK. Um... | 0:14:25 | 0:14:27 | |
What...what kind of... | 0:14:27 | 0:14:29 | |
Well, something funny might be nice, | 0:14:29 | 0:14:32 | |
but not necessarily a big "ha ha ha", | 0:14:32 | 0:14:35 | |
Laugh-out-loud funny, you know. | 0:14:35 | 0:14:37 | |
And certainly not "make fun of other people" funny, | 0:14:37 | 0:14:39 | |
But rather something, uh... | 0:14:39 | 0:14:42 | |
Human funny. | 0:14:42 | 0:14:44 | |
OK. | 0:14:44 | 0:14:46 | |
And, uh, if it could sneak up on you, | 0:14:46 | 0:14:50 | |
surprise you, and at the same time | 0:14:50 | 0:14:53 | |
make you think that what you thought | 0:14:53 | 0:14:55 | |
was only right in a wrong kind of way, | 0:14:55 | 0:14:58 | |
but when you're wrong, there's a certain rightness | 0:14:58 | 0:15:01 | |
to your wrongness. | 0:15:01 | 0:15:03 | |
Um... Well, maybe. | 0:15:03 | 0:15:05 | |
What I mean is... heh heh... | 0:15:05 | 0:15:07 | |
Um, but more importantly, I'm... | 0:15:07 | 0:15:10 | |
I'm looking to be swept up. | 0:15:10 | 0:15:12 | |
And at the same time not... | 0:15:14 | 0:15:16 | |
Meaning I...I want to feel | 0:15:16 | 0:15:18 | |
a deep connection to, uh... | 0:15:18 | 0:15:21 | |
something. | 0:15:21 | 0:15:23 | |
Or maybe I don't know what I'm looking for. | 0:15:23 | 0:15:26 | |
Oh, well, in my experience, you rarely find it all in just one book. | 0:15:26 | 0:15:29 | |
Oh. Maybe that's why there are so many. | 0:15:29 | 0:15:31 | |
Hmm. So what do we have? | 0:15:31 | 0:15:33 | |
We have... a smattering, | 0:15:33 | 0:15:36 | |
a sort of a potpourri... | 0:15:36 | 0:15:37 | |
Potpourri? Of possibilities...yeah. | 0:15:37 | 0:15:39 | |
Here we go. We have poetry. | 0:15:39 | 0:15:42 | |
Dickinson, you know, basic stuff. | 0:15:42 | 0:15:44 | |
A little Neruda... Oh. | 0:15:44 | 0:15:46 | |
..is always good. I agree. | 0:15:46 | 0:15:47 | |
Oh, now, this is actually a real page-turner. | 0:15:47 | 0:15:50 | |
"The Life Of Gandhi"? I know, but... | 0:15:50 | 0:15:52 | |
Ah. Nobody has ever been quite so cool | 0:15:52 | 0:15:55 | |
as him. | 0:15:55 | 0:15:57 | |
Um, "Lighthouses," "A Good Man Is Hard To Find." | 0:15:57 | 0:16:00 | |
Oh, for the title alone. | 0:16:00 | 0:16:01 | |
"Anna Karenina." I don't... | 0:16:01 | 0:16:03 | |
Oh, now that's funny. | 0:16:03 | 0:16:05 | |
No. No, actually, no. Funny is here. | 0:16:05 | 0:16:08 | |
Maybe it's not that funny... | 0:16:11 | 0:16:13 | |
No, actually, that's funny. Very funny and true. | 0:16:13 | 0:16:16 | |
Good. OK, good. | 0:16:16 | 0:16:18 | |
But if you could pick only one... | 0:16:18 | 0:16:23 | |
Uh, well, | 0:16:23 | 0:16:24 | |
I would say | 0:16:24 | 0:16:27 | |
that nothing rivals | 0:16:27 | 0:16:29 | |
The Romance Of Fishing. | 0:16:29 | 0:16:31 | |
Ha ha ha ha! | 0:16:31 | 0:16:33 | |
I'm being honest. | 0:16:33 | 0:16:34 | |
I just walked around | 0:16:34 | 0:16:36 | |
and I just grabbed stuff. I just grabbed whatever I could... | 0:16:36 | 0:16:38 | |
MAN: So, ma'am, you were looking for? | 0:16:38 | 0:16:40 | |
Oh, sold. I'm sorry? | 0:16:40 | 0:16:41 | |
I want them all. These were just suggestions... | 0:16:41 | 0:16:44 | |
No, and you'll make sure he gets the commission, please. | 0:16:44 | 0:16:46 | |
He doesn't work here. | 0:16:46 | 0:16:48 | |
Well, he should. | 0:16:48 | 0:16:50 | |
You are...smooth. | 0:16:52 | 0:16:56 | |
I...actually, no, I'm not smooth. | 0:16:56 | 0:16:59 | |
I...well, I'm Dan. | 0:16:59 | 0:17:01 | |
Sorry. | 0:17:01 | 0:17:03 | |
Marie. | 0:17:04 | 0:17:06 | |
Hi. | 0:17:06 | 0:17:09 | |
Hi. | 0:17:09 | 0:17:11 | |
Um, so, Marie, | 0:17:11 | 0:17:13 | |
can I make it up to you? | 0:17:13 | 0:17:16 | |
OK, here is your tea. | 0:17:16 | 0:17:18 | |
Hot. Watch it. | 0:17:18 | 0:17:20 | |
And here is my orange juice. | 0:17:20 | 0:17:21 | |
I bought a muffin, | 0:17:21 | 0:17:23 | |
But I think they gave me | 0:17:23 | 0:17:26 | |
a small planet. | 0:17:26 | 0:17:28 | |
GIGGLES Just put that down. | 0:17:28 | 0:17:30 | |
And I have napkins and utensils. | 0:17:30 | 0:17:33 | |
I'm a big believer in forks. | 0:17:33 | 0:17:35 | |
And you are not, apparently. | 0:17:35 | 0:17:38 | |
So, Dan... Yes? | 0:17:38 | 0:17:40 | |
You were born...? | 0:17:40 | 0:17:42 | |
I was born, | 0:17:42 | 0:17:43 | |
like everybody else. | 0:17:43 | 0:17:45 | |
I grew up, like everybody else. | 0:17:45 | 0:17:47 | |
Good? | 0:17:47 | 0:17:49 | |
Mmm. | 0:17:49 | 0:17:50 | |
Um, OK. What else? | 0:17:52 | 0:17:54 | |
I went to school, and I had a "Bonanza" lunch pail. | 0:17:54 | 0:17:57 | |
This show in the sixties, a TV show. | 0:17:57 | 0:18:00 | |
When I was ten, I wanted to be a magician, | 0:18:00 | 0:18:03 | |
so I used to hold these magic shows | 0:18:03 | 0:18:04 | |
for all the kids in the neighbourhood. | 0:18:04 | 0:18:06 | |
I tried to make a neighbourhood girl levitate. | 0:18:06 | 0:18:09 | |
And she did, but it involved a body cast | 0:18:09 | 0:18:12 | |
and several stitches. | 0:18:12 | 0:18:14 | |
Ha ha ha ha! | 0:18:14 | 0:18:15 | |
Dan: Let me tell you something. | 0:18:28 | 0:18:30 | |
Something I've never... | 0:18:30 | 0:18:31 | |
You're going to laugh... | 0:18:31 | 0:18:33 | |
Something I've never told anybody... GIGGLING | 0:18:33 | 0:18:36 | |
..in my life... | 0:18:36 | 0:18:38 | |
And this is really hard for me to say. | 0:18:38 | 0:18:41 | |
BOTH GIGGLING | 0:18:41 | 0:18:43 | |
And then she got, uh...sick. | 0:18:44 | 0:18:48 | |
And, um, then she was gone. | 0:18:48 | 0:18:51 | |
And, uh... | 0:18:52 | 0:18:55 | |
It's taken a while. | 0:18:56 | 0:18:58 | |
We should probably talk about something else. | 0:19:00 | 0:19:04 | |
So you're telling me that you're one of those widowers | 0:19:04 | 0:19:06 | |
with three daughters, who preys on unsuspecting women in bookstores? | 0:19:06 | 0:19:10 | |
It seems that would be me. | 0:19:10 | 0:19:12 | |
Been there. Really? | 0:19:12 | 0:19:14 | |
CHUCKLES | 0:19:14 | 0:19:16 | |
No, it seems that it's been... | 0:19:18 | 0:19:22 | |
Seriously hard. | 0:19:22 | 0:19:24 | |
No. Um... | 0:19:24 | 0:19:26 | |
No, we're... We're OK now. | 0:19:26 | 0:19:29 | |
We're really OK. | 0:19:29 | 0:19:31 | |
(WHISPERED) You don't have to smile. | 0:19:31 | 0:19:33 | |
Better than the alternative. | 0:19:34 | 0:19:37 | |
PHONE RINGING | 0:19:37 | 0:19:39 | |
Ah. Can you hold? | 0:19:39 | 0:19:41 | |
Mm-hmm. | 0:19:41 | 0:19:42 | |
Excuse me. Mm-hmm. | 0:19:44 | 0:19:45 | |
Hi. No, no. I'm minutes away. | 0:19:45 | 0:19:48 | |
Yes. | 0:19:48 | 0:19:50 | |
Um, I have to go. | 0:19:50 | 0:19:52 | |
Oh, OK. | 0:19:52 | 0:19:54 | |
I just lost track of time. | 0:19:56 | 0:19:59 | |
I wish we could keep talking. | 0:19:59 | 0:20:01 | |
Well, it was nice, and a bit unusual meeting you. | 0:20:01 | 0:20:05 | |
Maybe I can call you sometime? | 0:20:05 | 0:20:07 | |
Oh, that might be awkward. | 0:20:07 | 0:20:09 | |
Because you're in a relationship? Yes, a new one. | 0:20:09 | 0:20:12 | |
Something I would have found out if I hadn't been doing all the talking. | 0:20:12 | 0:20:14 | |
That's true. It's not exactly fair, is it? | 0:20:14 | 0:20:17 | |
I mean, uh... Thank you. | 0:20:17 | 0:20:19 | |
You know all about me and I know nothing about you. | 0:20:19 | 0:20:21 | |
I just...I don't want to go through the rest of my life | 0:20:21 | 0:20:24 | |
wondering about the woman in the bookstore who let me do all the talking. | 0:20:24 | 0:20:27 | |
All we'd be is two people | 0:20:27 | 0:20:29 | |
finishing a conversation. | 0:20:29 | 0:20:31 | |
Um... | 0:20:31 | 0:20:33 | |
OK. No harm in that. | 0:20:33 | 0:20:36 | |
Oh, OK. | 0:20:41 | 0:20:43 | |
Call. | 0:20:45 | 0:20:46 | |
Or don't, but, uh, call. | 0:20:46 | 0:20:49 | |
ENGINE STARTS | 0:20:51 | 0:20:54 | |
Oh, um... KNOCKS ON THE WINDOW Hey, hey, hey. | 0:20:54 | 0:20:56 | |
Just so you know, um, I would even call to say I'm not calling. | 0:20:56 | 0:21:01 | |
Hmm. | 0:21:01 | 0:21:02 | |
CHUCKLES | 0:21:06 | 0:21:08 | |
Um... | 0:21:08 | 0:21:10 | |
OK. | 0:21:11 | 0:21:13 | |
"I'd even call to say I'm not calling"? | 0:21:17 | 0:21:20 | |
Wow. | 0:21:20 | 0:21:22 | |
HONKING | 0:21:22 | 0:21:24 | |
Sorry! Sorry! | 0:21:24 | 0:21:26 | |
POLICE SIREN | 0:21:26 | 0:21:28 | |
SIGHS | 0:21:35 | 0:21:37 | |
I, um, I never do this kind of thing, officer. | 0:21:38 | 0:21:41 | |
I'm usually very...careful. Mm-hmm. | 0:21:41 | 0:21:44 | |
And nobody believes in... | 0:21:44 | 0:21:47 | |
Welcome to Rhode Island. Yeah, OK. | 0:21:47 | 0:21:49 | |
Yeah, it's nice to be here. | 0:21:49 | 0:21:51 | |
PIANO PLAYING | 0:21:51 | 0:21:54 | |
Hey. | 0:21:55 | 0:21:56 | |
Hey. | 0:21:56 | 0:21:58 | |
CHUCKLES What's wrong? | 0:21:58 | 0:22:00 | |
Nobody. | 0:22:00 | 0:22:01 | |
I mean, nothing. | 0:22:01 | 0:22:04 | |
Daddy's back. | 0:22:04 | 0:22:05 | |
Dude, are you all right? | 0:22:10 | 0:22:12 | |
What? Yeah. No, no, no. | 0:22:12 | 0:22:14 | |
I'm good. Really? | 0:22:14 | 0:22:15 | |
Yeah. | 0:22:15 | 0:22:16 | |
Cos you don't seem good. | 0:22:16 | 0:22:19 | |
Well... | 0:22:19 | 0:22:21 | |
The strangest thing. I, um... | 0:22:21 | 0:22:23 | |
Wow. | 0:22:23 | 0:22:25 | |
"Wow" what? | 0:22:25 | 0:22:27 | |
(WHISPERS) I met somebody, | 0:22:29 | 0:22:31 | |
And she's really something. | 0:22:31 | 0:22:32 | |
Hot damn! | 0:22:32 | 0:22:34 | |
CHUCKLES That's beyond huge. | 0:22:34 | 0:22:36 | |
Yeah. You got her number? | 0:22:36 | 0:22:37 | |
Yeah. Are you going to call? | 0:22:37 | 0:22:39 | |
It's complicated. No, it's simple. | 0:22:39 | 0:22:40 | |
You've got to call. | 0:22:40 | 0:22:42 | |
Oh, he just met her. He's probably worried it's too soon. | 0:22:42 | 0:22:44 | |
No, it's never too soon, especially for somebody his age. | 0:22:44 | 0:22:46 | |
SNICKERING Amy, Dan met someone. | 0:22:46 | 0:22:48 | |
Shh. You met someone? | 0:22:48 | 0:22:50 | |
Dan: Hey, shh. | 0:22:50 | 0:22:51 | |
How soon till he can call? | 0:22:51 | 0:22:53 | |
Yeah, I wouldn't know. I haven't been single for years. | 0:22:53 | 0:22:55 | |
You need to... oh, my god. | 0:22:55 | 0:22:56 | |
Uncle Dan met someone? | 0:22:56 | 0:22:58 | |
Uncle Dan met a hottie. | 0:22:58 | 0:22:59 | |
Don't get excited. That is enough. | 0:22:59 | 0:23:01 | |
Jeez. You know what? Let's ask Annie. | 0:23:01 | 0:23:05 | |
What...what does she look like? | 0:23:05 | 0:23:08 | |
She... | 0:23:08 | 0:23:09 | |
What's the, um... | 0:23:09 | 0:23:10 | |
The question? | 0:23:13 | 0:23:15 | |
This is my brother, Dan. | 0:23:15 | 0:23:16 | |
And, uh, he needs your advice. | 0:23:16 | 0:23:18 | |
He met some hottie downtown, | 0:23:18 | 0:23:20 | |
and, um, she's a little shell-shocked. | 0:23:20 | 0:23:22 | |
Yeah, wouldn't you be? Mitch neglects | 0:23:22 | 0:23:24 | |
to mention that in their little weekend away, | 0:23:24 | 0:23:26 | |
she's going to meet our entire family. | 0:23:26 | 0:23:27 | |
I didn't want to scare her off. | 0:23:27 | 0:23:29 | |
Nana: Let's go, everybody. | 0:23:29 | 0:23:31 | |
Let's go. | 0:23:31 | 0:23:33 | |
So...Annie? | 0:23:35 | 0:23:37 | |
It's Anne Marie. | 0:23:37 | 0:23:38 | |
Mitch calls me Annie, | 0:23:38 | 0:23:39 | |
but I'm Marie everywhere else. | 0:23:39 | 0:23:41 | |
Yeah, I have two Marys and a Martha in my exercise class, | 0:23:41 | 0:23:43 | |
so I didn't want to confuse people. | 0:23:43 | 0:23:45 | |
No. That...that would be not good. | 0:23:45 | 0:23:47 | |
I...I prefer Marie. | 0:23:47 | 0:23:50 | |
Nana: Come on, sweetie. All the women are on the porch. | 0:23:50 | 0:23:51 | |
Yeah, girls are out there, guys in here. | 0:23:51 | 0:23:54 | |
Mitch: Come on, Dan. Let's do it. | 0:23:54 | 0:23:56 | |
Perfect. | 0:23:59 | 0:24:00 | |
"Briefest time units." | 0:24:00 | 0:24:02 | |
Four letters. "Milli." | 0:24:02 | 0:24:04 | |
Oh, wait, wait, wait... "Nano." | 0:24:04 | 0:24:05 | |
A-n-o. | 0:24:05 | 0:24:07 | |
Yeah. Great! | 0:24:07 | 0:24:09 | |
Hey, no spying. | 0:24:09 | 0:24:11 | |
You guys are way behind! | 0:24:13 | 0:24:15 | |
That's not helping. | 0:24:15 | 0:24:17 | |
I don't think "Secretive" fits. | 0:24:17 | 0:24:19 | |
Man: No, no, it doesn't fit. "Secretive" doesn't fit. | 0:24:19 | 0:24:21 | |
Let's move on to 12 across. | 0:24:21 | 0:24:22 | |
All right, we're moving on. | 0:24:22 | 0:24:24 | |
So, for you to be interested in someone, | 0:24:24 | 0:24:25 | |
She must be really special, right? Let's get 12 across. | 0:24:25 | 0:24:27 | |
This is what I'm trying to tell you. | 0:24:27 | 0:24:29 | |
It is not going to happen. | 0:24:29 | 0:24:30 | |
She's already dating somebody. | 0:24:30 | 0:24:32 | |
That's none of your problem, bro. | 0:24:32 | 0:24:34 | |
Uh, actually, it kind of is. | 0:24:34 | 0:24:36 | |
Listen up. 15 across, 5 letters..."Pan-fried." | 0:24:36 | 0:24:39 | |
"Pan-fried." Let's go. | 0:24:39 | 0:24:41 | |
"Grill." Dude, is there a rock on her left hand? | 0:24:41 | 0:24:43 | |
Uh, no. Not yet. Then all's fair. | 0:24:43 | 0:24:45 | |
Poppy: All right. Now, focus, people. | 0:24:45 | 0:24:47 | |
"Pan-fried." | 0:24:47 | 0:24:49 | |
"Saute." | 0:24:49 | 0:24:50 | |
Oh, my gosh. Of course it's "Saute." | 0:24:50 | 0:24:52 | |
LAUGHTER | 0:24:52 | 0:24:53 | |
So, uh... | 0:24:53 | 0:24:54 | |
And the word before it, | 0:24:54 | 0:24:56 | |
did we try "Zeitgeist"? | 0:24:56 | 0:24:58 | |
It'd be e-i-t. | 0:24:58 | 0:25:00 | |
Which, I think, then would make "Ozone" work. | 0:25:00 | 0:25:02 | |
Eileen: Oh, lord, we hit the mother load. | 0:25:02 | 0:25:04 | |
LAUGHTER | 0:25:04 | 0:25:06 | |
Wow. | 0:25:06 | 0:25:09 | |
Ten letters..."Anything that can go wrong will." | 0:25:09 | 0:25:12 | |
So... | 0:25:12 | 0:25:13 | |
Dan. Earth to Dan. Come on. We're still at across. | 0:25:13 | 0:25:15 | |
We're not even at down, Dan. We're not even at down here. | 0:25:15 | 0:25:17 | |
Come on. We're dying here, buddy. | 0:25:17 | 0:25:18 | |
ALL CHEERING Come on! | 0:25:18 | 0:25:19 | |
That's it. | 0:25:19 | 0:25:21 | |
We're done. | 0:25:21 | 0:25:23 | |
To the dishes. Congratulations. | 0:25:23 | 0:25:26 | |
Anne Marie! | 0:25:26 | 0:25:28 | |
Let's check it! | 0:25:28 | 0:25:30 | |
What now, boys? Dishes, Dad! | 0:25:30 | 0:25:33 | |
Dan, what happened to you? You were totally useless out there. | 0:25:33 | 0:25:35 | |
Sorry, guys. | 0:25:35 | 0:25:36 | |
Lay off him. He's got a lot on his mind. | 0:25:36 | 0:25:38 | |
Hey, Dad, Mom, | 0:25:38 | 0:25:40 | |
What do you think of... | 0:25:40 | 0:25:42 | |
Well, Mitch, it's too soon to tell. | 0:25:42 | 0:25:44 | |
That being said, she's bright, | 0:25:44 | 0:25:47 | |
Lovely, adorable, | 0:25:47 | 0:25:49 | |
And if you botch this up, we'll keep her | 0:25:49 | 0:25:51 | |
and get rid of you. | 0:25:51 | 0:25:54 | |
Dan, honey, you missed a spot. | 0:25:54 | 0:25:57 | |
Seriously, dude, that girl is smokin', | 0:25:57 | 0:25:59 | |
I'm ready to say, really. | 0:25:59 | 0:26:02 | |
What do you think of her? | 0:26:02 | 0:26:04 | |
Um, she's great. | 0:26:04 | 0:26:07 | |
FOOTSTEPS ASCENDING | 0:26:26 | 0:26:28 | |
Boy: Hey, hey. | 0:26:28 | 0:26:30 | |
Uh... Go, go. | 0:26:30 | 0:26:32 | |
No, no, no. Let's go, Gus. All right. | 0:26:32 | 0:26:34 | |
Can I show you where we are on this map here? | 0:26:34 | 0:26:36 | |
Oh, yes, yes. | 0:26:36 | 0:26:38 | |
Um... | 0:26:38 | 0:26:40 | |
If I had known, I would have never... | 0:26:40 | 0:26:42 | |
Not my brother's girlfriend. | 0:26:42 | 0:26:44 | |
Oh, no, of course not. | 0:26:44 | 0:26:46 | |
And for the record, I never called you a hottie. | 0:26:46 | 0:26:48 | |
Mitch: Whoo! | 0:26:48 | 0:26:49 | |
OK, we are... this is the bay. Ah. | 0:26:49 | 0:26:52 | |
And we're right there. I see. | 0:26:52 | 0:26:54 | |
So what should we do? | 0:26:54 | 0:26:56 | |
It's kind of funny. Maybe we should just tell everyone. | 0:26:56 | 0:26:58 | |
No. No. | 0:26:58 | 0:27:00 | |
No, no, no... | 0:27:00 | 0:27:01 | |
We didn't do anything wrong. | 0:27:01 | 0:27:03 | |
Oh, good. Glad you're getting to know each other. | 0:27:03 | 0:27:05 | |
Yep. Yeah. Just showing her where we are on the map. | 0:27:05 | 0:27:07 | |
Gus: Hey, Uncle Mitch, you're not counting. | 0:27:07 | 0:27:10 | |
OK, OK. Hey. | 0:27:10 | 0:27:12 | |
I know what's going on here with you two. | 0:27:12 | 0:27:14 | |
You're not hiding. | 0:27:17 | 0:27:18 | |
CHUCKLES Go ahead. | 0:27:18 | 0:27:20 | |
1... | 0:27:20 | 0:27:22 | |
2... | 0:27:22 | 0:27:23 | |
Go. OK. Ha ha! | 0:27:23 | 0:27:25 | |
3... | 0:27:25 | 0:27:28 | |
Clay, I know you're in that back closet. | 0:27:28 | 0:27:30 | |
Clay: Oh, come on, man. Ha ha ha! 4... | 0:27:30 | 0:27:33 | |
Do-over! 5... | 0:27:33 | 0:27:35 | |
6. I'm counting to 200. | 0:27:35 | 0:27:37 | |
We see you. Yes, we do. 7... | 0:27:37 | 0:27:39 | |
I'm going to lay down for this whole thing. | 0:27:39 | 0:27:41 | |
8... | 0:27:41 | 0:27:42 | |
SIGHS | 0:27:42 | 0:27:44 | |
Mitch is a great guy... | 0:27:44 | 0:27:45 | |
He is. Yeah, he's fun and, uh, funny. | 0:27:45 | 0:27:48 | |
Uncomplicated in a good way. | 0:27:48 | 0:27:50 | |
Just what I need. He's a great guy. | 0:27:50 | 0:27:52 | |
9... | 0:27:52 | 0:27:54 | |
See, I just ended this long, messy relationship, | 0:27:54 | 0:27:57 | |
and I joined this gym and Mitch was there. | 0:27:57 | 0:28:00 | |
He's a great guy. | 0:28:00 | 0:28:02 | |
You keep saying that. Well, because he is. | 0:28:02 | 0:28:05 | |
Ah. 10. | 0:28:05 | 0:28:07 | |
(RAPIDLY) 11, 12, 13, 14, 15. | 0:28:07 | 0:28:09 | |
So good luck to all of us. | 0:28:09 | 0:28:12 | |
OK. | 0:28:12 | 0:28:14 | |
So a little bird told me you're going to be syndicated. Really? | 0:28:18 | 0:28:21 | |
They're looking at a bunch of columnists. | 0:28:21 | 0:28:23 | |
It's a long shot, at best. | 0:28:23 | 0:28:24 | |
She's amazing. | 0:28:24 | 0:28:26 | |
Name a place, she's either lived there or visited: | 0:28:26 | 0:28:28 | |
Tibet, Chile, Berlin when there was the wall. | 0:28:28 | 0:28:32 | |
Jeez! | 0:28:32 | 0:28:33 | |
Ha ha! | 0:28:33 | 0:28:36 | |
Whoa, whoa! What'd I miss? | 0:28:36 | 0:28:37 | |
Poppy: Well, Mitch certainly made out. | 0:28:37 | 0:28:39 | |
Yep. | 0:28:39 | 0:28:41 | |
What about you? Have you found anyone? | 0:28:41 | 0:28:43 | |
Dad, don't. | 0:28:43 | 0:28:44 | |
Well, come on. You always say that with Suzanne you won the lottery, | 0:28:44 | 0:28:48 | |
And that to try again would feel greedy, | 0:28:48 | 0:28:51 | |
But...it's been 4 years. | 0:28:51 | 0:28:54 | |
Can we just walk, please? | 0:28:54 | 0:28:57 | |
LAUGHTER | 0:29:03 | 0:29:05 | |
I wanted to spare you. | 0:29:06 | 0:29:08 | |
And I never smelled a thing. | 0:29:08 | 0:29:11 | |
LAUGHTER | 0:29:11 | 0:29:12 | |
Somebody please pass the corn. | 0:29:12 | 0:29:14 | |
Marie: That's how we met. | 0:29:14 | 0:29:16 | |
Ah. I got it. | 0:29:16 | 0:29:18 | |
What's your sign? | 0:29:18 | 0:29:19 | |
Scorpio, Libra rising. | 0:29:19 | 0:29:21 | |
Oh, my God. So am I. Really? | 0:29:21 | 0:29:22 | |
Do you have any siblings? Marie: No. | 0:29:22 | 0:29:24 | |
Who wants corn? Any? | 0:29:24 | 0:29:25 | |
Eileen: Tell us something about yourself | 0:29:25 | 0:29:27 | |
few people know, not even Mitch. | 0:29:27 | 0:29:29 | |
I am an... | 0:29:31 | 0:29:33 | |
an accomplished | 0:29:33 | 0:29:35 | |
maker of pancakes. | 0:29:35 | 0:29:37 | |
Talent show. | 0:29:37 | 0:29:38 | |
Talent show, right there. | 0:29:38 | 0:29:40 | |
What would your perfect day be? | 0:29:40 | 0:29:41 | |
Mine would start with Annie, and it would end with... | 0:29:41 | 0:29:42 | |
Mitch, once again, I was not asking you. | 0:29:42 | 0:29:44 | |
Wait. So you were saying? | 0:29:44 | 0:29:45 | |
My perfect day would start with going to a country | 0:29:45 | 0:29:48 | |
where they speak a language I don't know. | 0:29:48 | 0:29:50 | |
New customs, someplace where I'm completely out of my element. | 0:29:50 | 0:29:54 | |
Welcome. I think you've arrived. | 0:29:54 | 0:29:56 | |
LAUGHTER | 0:29:56 | 0:29:58 | |
I just want to say the first time... | 0:29:58 | 0:29:59 | |
The first time that I saw her... | 0:29:59 | 0:30:02 | |
Sweetheart, sweetheart, you don't have to shout. | 0:30:02 | 0:30:05 | |
Well, I...I thought that... | 0:30:05 | 0:30:07 | |
that I just died because there's an angel in the room. | 0:30:07 | 0:30:10 | |
Mmm. Thank you. | 0:30:10 | 0:30:13 | |
That's sweet. | 0:30:16 | 0:30:19 | |
Cara: Are you and Mitch in love? | 0:30:20 | 0:30:22 | |
This corn is like an angel. | 0:30:22 | 0:30:24 | |
CHILDREN TALKING AT ONCE | 0:30:30 | 0:30:33 | |
Dan: Dessert. | 0:30:56 | 0:30:57 | |
Dessert. | 0:30:57 | 0:30:59 | |
Danny, some of us are still eating. | 0:30:59 | 0:31:01 | |
It's getting late. No, it's not. | 0:31:01 | 0:31:03 | |
I'm an only child, too. This is really overwhelming, isn't it? | 0:31:03 | 0:31:05 | |
Have you ever lived your perfect day? | 0:31:05 | 0:31:07 | |
When does a boyfriend become a lover? | 0:31:07 | 0:31:10 | |
OK. | 0:31:10 | 0:31:11 | |
OK, all right, all right. | 0:31:11 | 0:31:12 | |
I think we can stop asking her questions. | 0:31:12 | 0:31:14 | |
You've been grilling her all night. | 0:31:14 | 0:31:16 | |
I'm sorry. Does it feel like we're grilling you? | 0:31:16 | 0:31:17 | |
No, no. Not at all. | 0:31:17 | 0:31:19 | |
Dan: She's just being nice. | 0:31:19 | 0:31:20 | |
No. I love the questions. | 0:31:20 | 0:31:23 | |
Oh, please. Mmm! | 0:31:23 | 0:31:25 | |
On behalf of my family, | 0:31:25 | 0:31:27 | |
I would like to apologize. | 0:31:27 | 0:31:29 | |
None of Mitch's previous girlfriends have ever been subjected | 0:31:29 | 0:31:32 | |
To such in-depth questioning. | 0:31:32 | 0:31:33 | |
Yeah, Dan does have a point. | 0:31:33 | 0:31:35 | |
Dan: Right? | 0:31:35 | 0:31:36 | |
Not the body double. No. | 0:31:36 | 0:31:37 | |
Not the Dancer. Oh, god. | 0:31:37 | 0:31:40 | |
Or the "massage therapist." | 0:31:40 | 0:31:44 | |
None of the flight attendants | 0:31:44 | 0:31:46 | |
From every major and regional airline, | 0:31:46 | 0:31:48 | |
Who've wheeled their carts through this very house. | 0:31:48 | 0:31:50 | |
OK, that's enough. Well, am I wrong? | 0:31:50 | 0:31:52 | |
Come on! | 0:31:52 | 0:31:54 | |
Wow, Dan. | 0:31:57 | 0:31:59 | |
Thank you for pointing that out. | 0:31:59 | 0:32:01 | |
You're the smartest guy I know. | 0:32:01 | 0:32:04 | |
He's right. | 0:32:04 | 0:32:06 | |
It's Annie's turn to ask me whatever... | 0:32:06 | 0:32:09 | |
(QUIETLY) She prefers Marie. | 0:32:09 | 0:32:11 | |
Ask me whatever you want, Marie? | 0:32:12 | 0:32:14 | |
I don't have any questions. | 0:32:14 | 0:32:16 | |
Oh, come on. | 0:32:16 | 0:32:18 | |
CHUCKLES | 0:32:18 | 0:32:20 | |
Mitch said early on that if I'd forgive him his past, | 0:32:20 | 0:32:22 | |
he'd forgive me mine. | 0:32:22 | 0:32:26 | |
Well, that's a stupid thing to do. | 0:32:26 | 0:32:27 | |
Nana: OK, everybody, into the family room. | 0:32:27 | 0:32:29 | |
Kids, come on! | 0:32:29 | 0:32:31 | |
Into the family room. | 0:32:31 | 0:32:34 | |
John, bring the pies, please. | 0:32:39 | 0:32:42 | |
Not you. You'll be doing the dishes alone. | 0:32:47 | 0:32:50 | |
DISTANT CONVERSATION | 0:32:55 | 0:32:58 | |
Cara: Yes, yes, yes! | 0:32:58 | 0:33:00 | |
LAUGHTER AND APPLAUSE | 0:33:00 | 0:33:02 | |
Second word. Second word. | 0:33:06 | 0:33:08 | |
You! You! | 0:33:08 | 0:33:10 | |
Mitch: Hey. | 0:33:10 | 0:33:11 | |
I'm sorry. I was way, way out of line. | 0:33:11 | 0:33:14 | |
No. You're never out of line. You're my brother. | 0:33:14 | 0:33:16 | |
No, I think you'll understand when I tell you... | 0:33:16 | 0:33:19 | |
There's nothing that you could say or do that would upset me. | 0:33:19 | 0:33:20 | |
The woman I met at the bookstore... Can I just say one thing? | 0:33:20 | 0:33:23 | |
When you were talking about my other girls, | 0:33:23 | 0:33:26 | |
I realized something. | 0:33:26 | 0:33:28 | |
What I feel for Marie... | 0:33:30 | 0:33:33 | |
is different. | 0:33:33 | 0:33:34 | |
You know that feeling | 0:33:36 | 0:33:38 | |
in, um, in your... | 0:33:38 | 0:33:40 | |
Heart. Yeah. | 0:33:40 | 0:33:41 | |
When your heart is just... | 0:33:41 | 0:33:43 | |
Pounding? Pounding. | 0:33:43 | 0:33:45 | |
And... Like it's actually outside your ribs? | 0:33:45 | 0:33:47 | |
Yes. | 0:33:47 | 0:33:48 | |
Exposed, vulnerable? | 0:33:48 | 0:33:50 | |
Yeah. But wonderful and awful | 0:33:50 | 0:33:52 | |
and heartsick and alive, all at the same time? | 0:33:52 | 0:33:54 | |
Yes, yes. What do you call that? | 0:33:54 | 0:33:58 | |
CHUCKLES | 0:33:58 | 0:33:59 | |
Uh, love. | 0:33:59 | 0:34:01 | |
You always did have the words. | 0:34:06 | 0:34:07 | |
FAMILY CLAMBERING | 0:34:07 | 0:34:09 | |
Stanford or Berkeley. | 0:34:13 | 0:34:15 | |
Oh, those are great schools. | 0:34:15 | 0:34:16 | |
Maybe University Of Washington | 0:34:16 | 0:34:19 | |
or somewhere closer to home. | 0:34:19 | 0:34:22 | |
Lil, if you have trouble sleeping, you know where to find me. | 0:34:24 | 0:34:28 | |
Dad. | 0:34:28 | 0:34:30 | |
Hey, Uncle Mitch, | 0:34:31 | 0:34:33 | |
are you going in for your good-night kiss? | 0:34:33 | 0:34:34 | |
You bet. | 0:34:34 | 0:34:35 | |
Mom and dad's old "Separate bedrooms | 0:34:35 | 0:34:37 | |
till you're married" rule. | 0:34:37 | 0:34:38 | |
It is kind of high-school. I agree with that rule. | 0:34:38 | 0:34:40 | |
Thank you, Dan. You're welcome. | 0:34:40 | 0:34:42 | |
Amy: Mitch, what are you doing? | 0:34:42 | 0:34:43 | |
Marie brought some books, but I thought | 0:34:43 | 0:34:45 | |
she should read a real book by a real writer. | 0:34:45 | 0:34:47 | |
Dan: Oh, no, no, no. That's not a good idea. | 0:34:47 | 0:34:49 | |
Au contraire. Please don't. | 0:34:49 | 0:34:50 | |
Best book I've ever read. | 0:34:50 | 0:34:51 | |
May be the only book you've ever read. | 0:34:51 | 0:34:53 | |
Mitch: Funny. Be nice. | 0:34:53 | 0:34:54 | |
And if you could sign it, I think that'd be really great. | 0:34:54 | 0:34:56 | |
Nana: Careful. That's a first edition. | 0:34:56 | 0:34:57 | |
It's the only edition, Mom. | 0:34:57 | 0:34:59 | |
Oh, now. Good night. | 0:34:59 | 0:35:00 | |
Good night. | 0:35:00 | 0:35:01 | |
Sleep tight. | 0:35:01 | 0:35:04 | |
Um, I really wish you wouldn't. | 0:35:04 | 0:35:07 | |
"Good luck"? That's it? | 0:35:09 | 0:35:10 | |
OK. We can work with that. | 0:35:10 | 0:35:13 | |
Hi. | 0:35:13 | 0:35:14 | |
Good night. | 0:35:23 | 0:35:24 | |
DRYER CLANGING | 0:35:27 | 0:35:30 | |
SIGHS | 0:35:37 | 0:35:39 | |
Hey. | 0:35:39 | 0:35:40 | |
Say good morning. | 0:35:40 | 0:35:41 | |
Morning. Yeah. | 0:35:41 | 0:35:44 | |
Heh heh! Have fun. | 0:35:44 | 0:35:47 | |
Here you go, sweetheart. There ya go. | 0:35:47 | 0:35:50 | |
Mitch: Marie? | 0:35:50 | 0:35:51 | |
Will you join us, please, beautiful girl? | 0:35:51 | 0:35:53 | |
Hey, Mom? | 0:35:53 | 0:35:55 | |
Yeah, honey? Mom, will you hit that music? | 0:35:55 | 0:35:57 | |
Sure. John, get in. | 0:35:57 | 0:35:58 | |
You need this more than I do. Here he comes. | 0:35:58 | 0:36:00 | |
I got him. Mitch: All right, good. | 0:36:00 | 0:36:01 | |
All right, Dan. Get on over here. | 0:36:01 | 0:36:03 | |
Here we go. Boxer shuffle. | 0:36:03 | 0:36:05 | |
And I want to see those fists up. | 0:36:05 | 0:36:07 | |
3, 2, 1. To the right. | 0:36:08 | 0:36:10 | |
"SEPTEMBER" PLAYING Get a good bounce. 5, 6, 7. | 0:36:10 | 0:36:13 | |
Switch. # Do you remember | 0:36:13 | 0:36:16 | |
Whoo! # The 21st night of September...# | 0:36:16 | 0:36:18 | |
4, 5, 6, 7. | 0:36:18 | 0:36:20 | |
Count it. 1, 2, 3, 4, 5, 6, 7. | 0:36:20 | 0:36:24 | |
You want to take this? Can I? | 0:36:24 | 0:36:26 | |
Yeah, yeah, yeah. OK. | 0:36:26 | 0:36:29 | |
Salsa? | 0:36:29 | 0:36:30 | |
Yeah. | 0:36:30 | 0:36:31 | |
You want to salsa? | 0:36:31 | 0:36:33 | |
The floor is yours, baby. | 0:36:33 | 0:36:35 | |
And left. | 0:36:35 | 0:36:36 | |
And 1, | 0:36:36 | 0:36:38 | |
2... | 0:36:38 | 0:36:39 | |
Dan, now you can see her up front. | 0:36:39 | 0:36:40 | |
Beginners in the middle. Heh heh! | 0:36:40 | 0:36:42 | |
Keep your eyes on Marie. And again in the centre. | 0:36:42 | 0:36:44 | |
And 1, 2, 3, | 0:36:44 | 0:36:48 | |
4, 5... | 0:36:48 | 0:36:50 | |
# Ba de ya | 0:36:50 | 0:36:51 | |
# Never was a cloudy day. # | 0:36:51 | 0:36:53 | |
Let's do the arm a little bit. | 0:36:53 | 0:36:55 | |
All right. | 0:36:55 | 0:36:56 | |
# My thoughts are with you... | 0:36:56 | 0:36:57 | |
1, 2, 3, 4... | 0:36:57 | 0:37:01 | |
# Only blue talk and love | 0:37:01 | 0:37:03 | |
# Remember | 0:37:03 | 0:37:05 | |
# How we know love Was here to stay | 0:37:05 | 0:37:10 | |
# Now December | 0:37:10 | 0:37:12 | |
# Found the love we shared...# | 0:37:12 | 0:37:13 | |
OK, everybody look at Marie for what to do, | 0:37:13 | 0:37:15 | |
Dan what not to do. | 0:37:15 | 0:37:17 | |
(LAUGHTER) | 0:37:17 | 0:37:19 | |
Clay: You are excellent at this. Thank you so much. | 0:37:19 | 0:37:21 | |
You were great. That was great. | 0:37:21 | 0:37:22 | |
Whoo! | 0:37:22 | 0:37:24 | |
(OVERLAPPING CONVERSATIONS) | 0:37:24 | 0:37:27 | |
Clay: Wow. | 0:37:34 | 0:37:36 | |
Now, that's a good stretch. | 0:37:36 | 0:37:38 | |
Hey, maybe you'll try that on me a little later. | 0:37:42 | 0:37:44 | |
LAUGHING | 0:37:55 | 0:37:58 | |
Lilly: Dad? | 0:38:02 | 0:38:04 | |
Lilly, get your sisters to meet me in front. | 0:38:04 | 0:38:06 | |
Now. | 0:38:06 | 0:38:08 | |
Where are you going? Can we come with you? | 0:38:12 | 0:38:15 | |
Can we? Can we? Can we? | 0:38:15 | 0:38:17 | |
Oh, actually my girls are looking | 0:38:17 | 0:38:19 | |
for a little quality alone time with their dad, | 0:38:19 | 0:38:21 | |
but I promise we'll do it another day, | 0:38:21 | 0:38:23 | |
All right? Lil, come on. | 0:38:23 | 0:38:25 | |
Let's go. In the car. | 0:38:25 | 0:38:26 | |
Girls, let's go. | 0:38:26 | 0:38:28 | |
Dad, what is it? | 0:38:28 | 0:38:30 | |
Nana's going to teach me how to knit. | 0:38:30 | 0:38:32 | |
Dan: Cara, let's go. | 0:38:32 | 0:38:33 | |
No. | 0:38:33 | 0:38:35 | |
OK, so what are you waiting for? | 0:38:37 | 0:38:40 | |
Come here. | 0:38:40 | 0:38:42 | |
Right here. | 0:38:42 | 0:38:43 | |
Right here. Oh! | 0:38:43 | 0:38:45 | |
Oh, you're so heavy. | 0:38:45 | 0:38:46 | |
I don't know if I can do it. | 0:38:46 | 0:38:49 | |
All right. Huh? Ha ha ha! | 0:38:49 | 0:38:51 | |
I don't think I... | 0:38:51 | 0:38:53 | |
Dan: Wow. | 0:39:00 | 0:39:02 | |
No, no, no. | 0:39:05 | 0:39:08 | |
This used to be the place | 0:39:08 | 0:39:09 | |
with all the shells | 0:39:09 | 0:39:11 | |
and the paper-mache shark. | 0:39:11 | 0:39:14 | |
Honey, remember you loved the salt water taffy? | 0:39:14 | 0:39:16 | |
When I was 4. Yeah, but...OK. | 0:39:16 | 0:39:19 | |
Stick with me, guys. | 0:39:20 | 0:39:22 | |
Oh, I have an idea! Bowling! | 0:39:22 | 0:39:24 | |
Yeah? All right. Sounds good. | 0:39:24 | 0:39:26 | |
Life is full of disappointment, | 0:39:26 | 0:39:30 | |
big and sometimes even bigger. | 0:39:30 | 0:39:32 | |
So, what's it going to be, | 0:39:32 | 0:39:34 | |
he lighthouse or the railroad museum? Your pick. | 0:39:34 | 0:39:37 | |
Do you know why we have lighthouses? | 0:39:39 | 0:39:41 | |
Because they're neat? | 0:39:41 | 0:39:43 | |
That's right, yes. | 0:39:44 | 0:39:46 | |
And also because they help | 0:39:46 | 0:39:48 | |
when it's dark out. | 0:39:48 | 0:39:50 | |
They help keep boats safe | 0:39:50 | 0:39:52 | |
And keep us from crashing into the rocks | 0:39:52 | 0:39:55 | |
because when you're out there | 0:39:55 | 0:39:57 | |
and you're being tossed back and forth | 0:39:57 | 0:40:00 | |
by those big, dark waves | 0:40:00 | 0:40:02 | |
and you think that you'll never feel land again | 0:40:02 | 0:40:06 | |
and that you can just split into a million pieces | 0:40:06 | 0:40:09 | |
and sink down all the way down... | 0:40:09 | 0:40:12 | |
Deep. | 0:40:12 | 0:40:14 | |
It's the light that keeps us on course. | 0:40:14 | 0:40:18 | |
It's the light. | 0:40:18 | 0:40:19 | |
Lilly: Dad. | 0:40:19 | 0:40:20 | |
Are you OK? | 0:40:20 | 0:40:22 | |
Of course I'm OK... | 0:40:22 | 0:40:25 | |
Honey. | 0:40:25 | 0:40:26 | |
You guys have fun? | 0:40:32 | 0:40:34 | |
No. No. No. | 0:40:34 | 0:40:36 | |
Amy: Kids, where have you been? | 0:40:39 | 0:40:41 | |
I know, I know. I'm... | 0:40:41 | 0:40:43 | |
We looked all over. | 0:40:43 | 0:40:44 | |
You know, for an expert on parenting... | 0:40:44 | 0:40:45 | |
I'm sorry. I wasn't thinking. | 0:40:45 | 0:40:47 | |
Daddy! Hi, buddy. | 0:40:47 | 0:40:49 | |
Great. | 0:40:49 | 0:40:51 | |
Yeah! Yeah! | 0:40:55 | 0:40:56 | |
PANTING | 0:40:56 | 0:40:58 | |
Dan! | 0:40:59 | 0:41:00 | |
She was amazing. You should have seen her. | 0:41:00 | 0:41:02 | |
She killed the last quarter-mile. | 0:41:02 | 0:41:04 | |
It was fast. Was enough? | 0:41:04 | 0:41:06 | |
Yeah, it was like I couldn't catch up. | 0:41:06 | 0:41:07 | |
Even your sweater's beautiful. | 0:41:07 | 0:41:10 | |
Ha ha! | 0:41:10 | 0:41:12 | |
Where'd Dan go? | 0:41:12 | 0:41:14 | |
Mitch: Mom, she moves like a goddess. | 0:41:14 | 0:41:17 | |
She's like a panther. | 0:41:17 | 0:41:19 | |
Just her eyes... | 0:41:19 | 0:41:21 | |
And she's competitive. I just wanted to | 0:41:21 | 0:41:23 | |
pounce on her, you know what I mean? | 0:41:23 | 0:41:25 | |
It's like I wanted to ride her up the beach. | 0:41:25 | 0:41:27 | |
Now, don't do that. | 0:41:27 | 0:41:28 | |
She was like my stallion. | 0:41:28 | 0:41:30 | |
(MITCH CHUCKLING) Oh. | 0:41:30 | 0:41:32 | |
I wanted her to be a part of me, you know? I mean... | 0:41:34 | 0:41:36 | |
Marie! | 0:41:36 | 0:41:37 | |
There's fresh towels up there in the cabinet to the right. | 0:41:37 | 0:41:42 | |
I miss your skin. | 0:41:42 | 0:41:44 | |
I miss your smell. | 0:41:45 | 0:41:47 | |
Mmm. | 0:41:47 | 0:41:49 | |
I miss... I miss your eyes. | 0:41:49 | 0:41:52 | |
GIGGLES | 0:41:52 | 0:41:54 | |
Dad! SNICKERS | 0:41:54 | 0:41:56 | |
I... | 0:41:56 | 0:41:57 | |
You are such a freak! | 0:41:57 | 0:41:58 | |
No, sorry. It's just my loser of a father! | 0:41:58 | 0:42:01 | |
Yeah, he was totally spying. | 0:42:01 | 0:42:04 | |
DOOR SLAMS | 0:42:04 | 0:42:05 | |
KNOCKING | 0:42:07 | 0:42:09 | |
RUNNING WATER Marie: hello? | 0:42:09 | 0:42:10 | |
Hello? We got to talk. | 0:42:10 | 0:42:13 | |
Uh, can it wait? | 0:42:13 | 0:42:15 | |
Is this working for you? | 0:42:15 | 0:42:17 | |
I mean, really working. Be honest. | 0:42:17 | 0:42:19 | |
I'm having a nice time. | 0:42:19 | 0:42:21 | |
A nice time? Yes, I am. | 0:42:21 | 0:42:22 | |
So you're enjoying yourself? | 0:42:22 | 0:42:24 | |
Except for this soap in my eyes. | 0:42:24 | 0:42:26 | |
OK, 'cos you know what? I'm not. | 0:42:26 | 0:42:28 | |
I'm not enjoying myself, and I think | 0:42:28 | 0:42:30 | |
that as two people of principle | 0:42:30 | 0:42:32 | |
that we should have some ground rules, don't you? | 0:42:32 | 0:42:34 | |
Oh, yeah, sure. | 0:42:34 | 0:42:35 | |
OK, sure. | 0:42:35 | 0:42:36 | |
Oh, OK. All right. | 0:42:38 | 0:42:39 | |
That's exactly what I'm talking about. | 0:42:39 | 0:42:41 | |
No, no, no, no. We need to keep our distance. | 0:42:41 | 0:42:43 | |
Just stop. Stay away. | 0:42:43 | 0:42:44 | |
Towel. Stop. OK. | 0:42:44 | 0:42:45 | |
I'm sorry. | 0:42:45 | 0:42:46 | |
Thank you. | 0:42:46 | 0:42:48 | |
And, you know, stop reading my book, OK? | 0:42:48 | 0:42:50 | |
Just stop. Why? | 0:42:50 | 0:42:52 | |
And that salsa thing you do. | 0:42:52 | 0:42:54 | |
What are you talking about? | 0:42:54 | 0:42:56 | |
The salsa dance. This...this thing. | 0:42:56 | 0:42:58 | |
If you could just not do that... | 0:42:58 | 0:43:00 | |
GIGGLING | 0:43:00 | 0:43:01 | |
If you would just stop doing that as a rule, | 0:43:01 | 0:43:03 | |
It would be very helpful to me, | 0:43:03 | 0:43:05 | |
And there are other things you could do, such as not exist. | 0:43:05 | 0:43:07 | |
Oh, thank you. | 0:43:07 | 0:43:08 | |
Not...yeah, I said it. | 0:43:08 | 0:43:10 | |
I said it. I didn't mean it, but I said it. | 0:43:10 | 0:43:12 | |
And you know what else I'm going to do? | 0:43:12 | 0:43:14 | |
I am going to make myself less attractive | 0:43:14 | 0:43:18 | |
so as to not encourage any inappropriate... | 0:43:18 | 0:43:20 | |
Ha ha ha ha! | 0:43:20 | 0:43:22 | |
OK, that's hilarious. But, you know what? I... | 0:43:22 | 0:43:24 | |
Ha ha ha! No. I'm going to stop thinking about you. | 0:43:24 | 0:43:27 | |
Good. I will. | 0:43:27 | 0:43:29 | |
And if I start thinking about you, | 0:43:29 | 0:43:33 | |
which may happen in a moment of...of... | 0:43:33 | 0:43:35 | |
Weakness? Weakness, | 0:43:35 | 0:43:36 | |
I am going to focus all of my thoughts on your flaws. | 0:43:36 | 0:43:39 | |
My flaws? Your flaws. | 0:43:39 | 0:43:41 | |
And they are? | 0:43:41 | 0:43:42 | |
I have no idea, but you can rest assured | 0:43:42 | 0:43:44 | |
that I am going to find... | 0:43:44 | 0:43:46 | |
I'm...I'm in here. | 0:43:46 | 0:43:47 | |
Oh, I'm so sorry. Are you taking a shower? | 0:43:47 | 0:43:49 | |
Yes, I'm taking a shower. Oh. | 0:43:49 | 0:43:51 | |
Well, a little advice... old house, old pipes. | 0:43:51 | 0:43:53 | |
Thank you. Thanks. Yeah. | 0:43:53 | 0:43:55 | |
Um... | 0:43:55 | 0:43:57 | |
Can I talk to you about something? | 0:43:57 | 0:43:59 | |
Sure. | 0:43:59 | 0:44:00 | |
Could we just keep this between us? | 0:44:00 | 0:44:03 | |
It's just...it was... | 0:44:03 | 0:44:05 | |
When you talked to us about your life last night, | 0:44:08 | 0:44:11 | |
you know, the importance of travel and trying new things, | 0:44:11 | 0:44:13 | |
you know, and I just started thinking about amazing, um, | 0:44:13 | 0:44:20 | |
all of that, you know, how much... | 0:44:20 | 0:44:22 | |
You know, that looks like it's ready. | 0:44:22 | 0:44:24 | |
Ah. | 0:44:24 | 0:44:25 | |
Right. Um... | 0:44:25 | 0:44:27 | |
But, just... | 0:44:29 | 0:44:30 | |
Oh, you're... you're still dressed. | 0:44:30 | 0:44:32 | |
Oh, uh... | 0:44:32 | 0:44:34 | |
I'll look away. I'm not going to... I'll look over here. | 0:44:35 | 0:44:37 | |
Anyway, so it just... I just realized, you know, really... | 0:44:37 | 0:44:41 | |
Um... | 0:44:41 | 0:44:43 | |
You know, I've been thinking a lot about what I want to do, | 0:44:43 | 0:44:47 | |
You know, in the future, | 0:44:47 | 0:44:48 | |
like not just for school, but... | 0:44:48 | 0:44:50 | |
I just have to figure out exactly what I want to do with my life. | 0:44:50 | 0:44:53 | |
I mean, I know if I go somewhere new | 0:44:53 | 0:44:55 | |
and, you know, try new things, | 0:44:55 | 0:44:58 | |
but it's just hard to figure out, | 0:44:58 | 0:45:00 | |
you know, your place, like where you should be. | 0:45:00 | 0:45:03 | |
Right. | 0:45:03 | 0:45:04 | |
And to have that experience, you know, | 0:45:04 | 0:45:06 | |
which is, you know, what it's all about, you know? | 0:45:06 | 0:45:11 | |
Right. | 0:45:11 | 0:45:12 | |
But it's also... | 0:45:12 | 0:45:14 | |
I mean, it's also terrifying | 0:45:14 | 0:45:16 | |
realizing what you want | 0:45:16 | 0:45:18 | |
is what you want, you know what I mean? | 0:45:18 | 0:45:21 | |
You know, I think it's so... | 0:45:21 | 0:45:23 | |
It's not... it's interesting | 0:45:23 | 0:45:27 | |
the way that you can end up somewhere... | 0:45:27 | 0:45:29 | |
Shh. | 0:45:29 | 0:45:30 | |
Other than where you, um... | 0:45:30 | 0:45:33 | |
Oh! | 0:45:39 | 0:45:40 | |
GROANS | 0:45:44 | 0:45:46 | |
Lunch! | 0:45:50 | 0:45:52 | |
OVERLAPPING CONVERSATIONS | 0:45:52 | 0:45:54 | |
Mac and cheese. Nothing better. | 0:45:56 | 0:45:58 | |
Adults are in the dining room. | 0:45:58 | 0:46:00 | |
You know, I think I'm going to mix it up | 0:46:00 | 0:46:03 | |
and sit with my peeps. What can I do? | 0:46:03 | 0:46:05 | |
Dan. | 0:46:05 | 0:46:06 | |
Oh, please, just let me be. | 0:46:06 | 0:46:09 | |
Dan: Hey, guys. | 0:46:17 | 0:46:18 | |
Hi, Uncle Dan. Hey. | 0:46:18 | 0:46:20 | |
Hi, Uncle Dan. | 0:46:20 | 0:46:21 | |
Aah! | 0:46:29 | 0:46:31 | |
Hello? | 0:46:44 | 0:46:46 | |
GIGGLING | 0:46:50 | 0:46:52 | |
LILLY GIGGLING | 0:46:52 | 0:46:54 | |
Hi. | 0:46:58 | 0:46:59 | |
Hi. What's going on? | 0:46:59 | 0:47:01 | |
Marie's helping me with something. | 0:47:01 | 0:47:03 | |
We're having no fun at all. | 0:47:03 | 0:47:05 | |
Yeah, I can see that. | 0:47:05 | 0:47:07 | |
How's she doing? | 0:47:07 | 0:47:08 | |
She's amazing. | 0:47:08 | 0:47:10 | |
Bye, Dad. | 0:47:10 | 0:47:11 | |
Bye. | 0:47:11 | 0:47:13 | |
Bye. | 0:47:13 | 0:47:14 | |
Bye. | 0:47:14 | 0:47:16 | |
So, you were saying? | 0:47:17 | 0:47:18 | |
Oh, yeah. And I was trying to make, like, you know... | 0:47:18 | 0:47:22 | |
I'm trying to make, like, a little heart, but, you know, | 0:47:22 | 0:47:25 | |
I didn't know how to even draw a heart, | 0:47:25 | 0:47:27 | |
so I cut it and it came out... | 0:47:27 | 0:47:29 | |
like, it was so... it came out like a... | 0:47:29 | 0:47:32 | |
like a star. | 0:47:32 | 0:47:34 | |
KNOCKING Yeah? | 0:47:34 | 0:47:36 | |
DOOR OPENS Nana: Dan? Hmm? | 0:47:36 | 0:47:37 | |
Hi. Hey. | 0:47:37 | 0:47:39 | |
Honey, you know we're worried about you. | 0:47:39 | 0:47:41 | |
You know that. And with your | 0:47:41 | 0:47:43 | |
behaviour last night and this morning, | 0:47:43 | 0:47:45 | |
we are now officially worried. | 0:47:45 | 0:47:48 | |
Well, thanks. I'm touched, | 0:47:48 | 0:47:50 | |
But I'm...I'm fine. Don't... | 0:47:50 | 0:47:53 | |
We're having a private conversation. | 0:47:53 | 0:47:55 | |
Come on in. No, come on in. This is good. | 0:47:55 | 0:47:58 | |
We'd like to talk to you. Go ahead. I'm all ears. | 0:47:58 | 0:48:01 | |
Well, you know... | 0:48:01 | 0:48:03 | |
You do so much for your girls. | 0:48:03 | 0:48:06 | |
And you do so much for all of us. Right. | 0:48:06 | 0:48:08 | |
What are you doing for yourself? | 0:48:08 | 0:48:10 | |
No, guys... Come on in. | 0:48:10 | 0:48:12 | |
I just want you to think about that. It's fine. | 0:48:12 | 0:48:15 | |
Honey, we'd like to speak with you privately. Stay, please. Go ahead, Mom. | 0:48:15 | 0:48:18 | |
Nana? Yes, honey? | 0:48:18 | 0:48:19 | |
Is this because Uncle Dan's acting so weird? | 0:48:19 | 0:48:20 | |
Yes, it is. Yes, sweetie, but you know, | 0:48:20 | 0:48:22 | |
there's an explanation for all that weirdness. | 0:48:22 | 0:48:24 | |
Please tell us. And I just wanted to talk to you. | 0:48:24 | 0:48:26 | |
Dude, you got to be way backed up, | 0:48:26 | 0:48:28 | |
so I just hope, from time to time, | 0:48:28 | 0:48:30 | |
You are treating yourself to a little... | 0:48:30 | 0:48:31 | |
Oh... Oh, God! | 0:48:31 | 0:48:33 | |
I talked to my urologist about this. That's enough! | 0:48:33 | 0:48:35 | |
Come on! | 0:48:35 | 0:48:36 | |
What are you talking about, man? | 0:48:36 | 0:48:38 | |
Amy: The real question, the one no one will ask is, | 0:48:38 | 0:48:41 | |
will Dan ever find love again? | 0:48:41 | 0:48:43 | |
No, he won't. Howard. | 0:48:43 | 0:48:45 | |
No, I...I'm sorry. You won't. | 0:48:45 | 0:48:47 | |
What I'm saying is, I mean, if you're open to it, love will find you. | 0:48:47 | 0:48:50 | |
Oh... | 0:48:50 | 0:48:52 | |
Hey, people. | 0:48:52 | 0:48:53 | |
And perfect. | 0:48:53 | 0:48:54 | |
LAUGHING | 0:48:54 | 0:48:56 | |
I don't think I was being clear before, | 0:48:56 | 0:48:58 | |
but you got to unclog that drain, you know? | 0:48:58 | 0:49:00 | |
You got to unplug that problem. | 0:49:00 | 0:49:01 | |
I mixed a metaphor there. Yes, you did. | 0:49:01 | 0:49:04 | |
OK, so far what you've missed is | 0:49:04 | 0:49:06 | |
worried, love will find, unclog the drain. | 0:49:06 | 0:49:09 | |
Well, thanks. | 0:49:09 | 0:49:12 | |
That is it. No. | 0:49:12 | 0:49:13 | |
We are done. No, that's not it. | 0:49:13 | 0:49:16 | |
That's not it. | 0:49:16 | 0:49:17 | |
We met Margo Draper's daughter | 0:49:17 | 0:49:20 | |
at the farmer's market. | 0:49:20 | 0:49:22 | |
She asked all about you. | 0:49:22 | 0:49:24 | |
You see, Danny, you got to have a little fun. | 0:49:24 | 0:49:26 | |
Which means that Ruthie Draper is going to pick you up | 0:49:26 | 0:49:30 | |
at 6:00, and you're going to have drinks. | 0:49:30 | 0:49:32 | |
I don't even remember... You're going to go on a date! | 0:49:32 | 0:49:35 | |
No, no, no, no. I'm not going on a date, Mom. | 0:49:35 | 0:49:37 | |
Yes, honey. It's time. | 0:49:37 | 0:49:39 | |
Ruthie "pigface" Draper. | 0:49:39 | 0:49:41 | |
Mitch! | 0:49:41 | 0:49:43 | |
Not pigface Draper. | 0:49:43 | 0:49:45 | |
I'm sorry. That is downright cruel. | 0:49:45 | 0:49:47 | |
Poppy: Nothing cruel about it... | 0:49:47 | 0:49:48 | |
Mom, I don't even remember Ruthie Pigfaced Draper. | 0:49:48 | 0:49:52 | |
I don't want to go! | 0:49:52 | 0:49:53 | |
I don't want to go with the pigface. | 0:49:53 | 0:49:56 | |
He's going. No, I'm not. | 0:49:56 | 0:49:58 | |
It's been decided. | 0:49:58 | 0:50:00 | |
I don't even remember Pigface Draper. | 0:50:00 | 0:50:02 | |
This is a blind date. We will double, OK? | 0:50:02 | 0:50:04 | |
It'll be fun. Right, Marie? | 0:50:04 | 0:50:06 | |
Yes, it... it will be fun. | 0:50:06 | 0:50:09 | |
OINKS | 0:50:09 | 0:50:10 | |
LAUGHTER | 0:50:10 | 0:50:12 | |
That's my girl. | 0:50:12 | 0:50:13 | |
LAUGHTER | 0:50:13 | 0:50:15 | |
Come on. It'll be swine...fine! | 0:50:15 | 0:50:17 | |
Ha ha ha! I'm sorry. | 0:50:17 | 0:50:19 | |
Go hog-wild. | 0:50:19 | 0:50:22 | |
PIANO PLAYING | 0:50:22 | 0:50:24 | |
OVERLAPPING CONVERSATIONS | 0:50:24 | 0:50:26 | |
# Pigface | 0:50:35 | 0:50:36 | |
# Draper There. | 0:50:36 | 0:50:38 | |
# Ruthie, Ruthie | 0:50:38 | 0:50:41 | |
# Pigface. # | 0:50:41 | 0:50:43 | |
All right, all right. | 0:50:43 | 0:50:46 | |
# There's a girl coming over here | 0:50:49 | 0:50:53 | |
# She's on her way right now | 0:50:53 | 0:50:56 | |
# She's driving here to meet Danny | 0:50:58 | 0:51:02 | |
# What's her name | 0:51:04 | 0:51:05 | |
# Ruthie | 0:51:05 | 0:51:07 | |
# Pigface | 0:51:07 | 0:51:08 | |
# Draper | 0:51:08 | 0:51:10 | |
# Ru... | 0:51:11 | 0:51:12 | |
# Ruthie | 0:51:12 | 0:51:13 | |
# She's living in a house of bricks | 0:51:13 | 0:51:15 | |
# Not straw or sticks | 0:51:15 | 0:51:18 | |
LAUGHTER | 0:51:19 | 0:51:21 | |
# I'll be your big bad wolf | 0:51:21 | 0:51:24 | |
# I love your cute curly tail. # | 0:51:25 | 0:51:27 | |
LAUGHTER | 0:51:27 | 0:51:29 | |
All right. | 0:51:31 | 0:51:32 | |
Mitch: Here we go. | 0:51:32 | 0:51:34 | |
# This little piggy went to market | 0:51:34 | 0:51:37 | |
# Oh, yeah | 0:51:37 | 0:51:38 | |
# This little piggy stayed home | 0:51:38 | 0:51:41 | |
# This little piggy had roast beef | 0:51:41 | 0:51:45 | |
# This little piggy had none | 0:51:45 | 0:51:48 | |
# This little piggy had... | 0:51:48 | 0:51:51 | |
# Wee, wee, wee, wee... SNICKERS | 0:51:52 | 0:51:53 | |
# Wee, wee, wee, wee, wee | 0:51:53 | 0:51:55 | |
# All the way home Sing it. # | 0:51:55 | 0:51:57 | |
That's very good. | 0:51:57 | 0:51:59 | |
KNOCKING | 0:51:59 | 0:52:01 | |
Woman: I remember it. | 0:52:01 | 0:52:03 | |
It's really... It's beau...hello! Hi! | 0:52:03 | 0:52:05 | |
Nana: Everybody, this is Ruthie Draper. | 0:52:05 | 0:52:08 | |
You know everybody. Yes. Hi, everyone. | 0:52:08 | 0:52:11 | |
Clay: Nice to see you again, Ruthie. | 0:52:11 | 0:52:13 | |
Hello, Dan. | 0:52:13 | 0:52:14 | |
Hi. | 0:52:14 | 0:52:16 | |
I'd know you anywhere. I mean, you look just the same. | 0:52:16 | 0:52:19 | |
Dan: Ruthie, | 0:52:19 | 0:52:22 | |
You... look great. | 0:52:22 | 0:52:26 | |
LAUGHTER | 0:52:26 | 0:52:27 | |
Funny. No, no, no. So... | 0:52:27 | 0:52:29 | |
Harvard medical, Johns Hopkins. | 0:52:29 | 0:52:32 | |
I mean, you're certainly doing well for yourself, Ruthie. | 0:52:32 | 0:52:33 | |
Yeah, it's impressive. | 0:52:33 | 0:52:35 | |
Must not leave enough time, though, for dating. | 0:52:35 | 0:52:39 | |
There was someone | 0:52:39 | 0:52:41 | |
who was very special in my life, but, um... | 0:52:41 | 0:52:45 | |
He was lost in a freak accident. | 0:52:47 | 0:52:50 | |
I'm so sorry. | 0:52:50 | 0:52:52 | |
Thank you. | 0:52:53 | 0:52:55 | |
What's weird is that | 0:52:55 | 0:52:58 | |
we'd only known each other 3 days. | 0:52:58 | 0:53:00 | |
But it's...you know, how sometimes you just know? | 0:53:00 | 0:53:04 | |
Yes. Yes. | 0:53:04 | 0:53:05 | |
Yes. Absolutely, yes. | 0:53:05 | 0:53:07 | |
Yeah. | 0:53:07 | 0:53:08 | |
So you're a doctor? Yes. | 0:53:08 | 0:53:10 | |
And what's your, um, specialty? | 0:53:10 | 0:53:12 | |
Um, I'm a plastic surgeon. | 0:53:13 | 0:53:16 | |
Oh. Of course you are. Now, no. | 0:53:16 | 0:53:17 | |
I know, I know, I know what you're thinking, | 0:53:17 | 0:53:20 | |
but I work exclusively with burn victims | 0:53:20 | 0:53:22 | |
and children born with facial deformities. | 0:53:22 | 0:53:24 | |
Oh. | 0:53:24 | 0:53:25 | |
She is basically a saint. | 0:53:25 | 0:53:27 | |
GIGGLES No, it's just... | 0:53:27 | 0:53:29 | |
You know, I'm just doing my little bit to help, | 0:53:29 | 0:53:31 | |
I think, just like your brother. | 0:53:31 | 0:53:34 | |
Oh, stop. I'm... | 0:53:34 | 0:53:35 | |
Sometimes when I can't sleep at night, | 0:53:35 | 0:53:38 | |
I go online and I read your past columns. | 0:53:38 | 0:53:41 | |
Have you read Dan? | 0:53:41 | 0:53:43 | |
Only his fiction. | 0:53:43 | 0:53:45 | |
You're in for such a treat. | 0:53:45 | 0:53:47 | |
Really. I mean, what... | 0:53:47 | 0:53:49 | |
What you said... the mother of couch potato? | 0:53:49 | 0:53:52 | |
Mm-hmm. "Hide the remote. | 0:53:52 | 0:53:54 | |
"So what if he has to get up and change the channel? | 0:53:54 | 0:53:56 | |
"At least it's exercise." brilliant! Ha ha! | 0:53:56 | 0:53:58 | |
And the parents of the five picky eaters, | 0:53:58 | 0:54:01 | |
and they had to make individual meals for each kid | 0:54:01 | 0:54:04 | |
and "what are you, a restaurant?" | 0:54:04 | 0:54:06 | |
Right. Brilliant. | 0:54:06 | 0:54:08 | |
She knows your every word. | 0:54:08 | 0:54:09 | |
All I'm saying, all I'm saying is | 0:54:09 | 0:54:10 | |
that I don't have kids, | 0:54:10 | 0:54:13 | |
and I don't have problems. | 0:54:13 | 0:54:15 | |
But it's clear | 0:54:15 | 0:54:17 | |
that if I do one day, | 0:54:17 | 0:54:19 | |
your words will bring me comfort. | 0:54:19 | 0:54:21 | |
"FEVER" ON JUKEBOX | 0:54:25 | 0:54:27 | |
I'm sorry. | 0:54:31 | 0:54:32 | |
I'm just going to have to excuse myself. | 0:54:32 | 0:54:34 | |
I can't help it. | 0:54:34 | 0:54:35 | |
# She said "Daddy, oh, don't you dare | 0:54:35 | 0:54:37 | |
# Give me fever | 0:54:37 | 0:54:39 | |
# With his kisses | 0:54:41 | 0:54:42 | |
# Fever when he holds me tight | 0:54:42 | 0:54:45 | |
# Fever | 0:54:45 | 0:54:46 | |
# I'm his missis...# | 0:54:46 | 0:54:48 | |
Dude, I'm sorry, but any girl that moves like that, | 0:54:48 | 0:54:51 | |
I mean, a guy has got to wonder. | 0:54:51 | 0:54:53 | |
Hey, man. | 0:54:53 | 0:54:54 | |
Oh, no, no, she's cool, really. | 0:54:54 | 0:54:55 | |
You're cool, right? Yeah. Of course. | 0:54:55 | 0:54:57 | |
I'm cool, | 0:54:57 | 0:54:59 | |
But I don't think Dan is interested in her. | 0:54:59 | 0:55:01 | |
He's not? | 0:55:01 | 0:55:03 | |
I'm not? | 0:55:03 | 0:55:05 | |
I don't think you are. | 0:55:05 | 0:55:07 | |
Are you? | 0:55:07 | 0:55:08 | |
# When you kiss them | 0:55:08 | 0:55:09 | |
# Fever if you live and learn | 0:55:09 | 0:55:12 | |
# Fever | 0:55:12 | 0:55:14 | |
# Till you sizzle | 0:55:14 | 0:55:16 | |
# What a lovely way...# | 0:55:16 | 0:55:17 | |
Oh. | 0:55:17 | 0:55:18 | |
Look nice. | 0:55:18 | 0:55:20 | |
Mitch: Ha ha ha! All right! Yeah! | 0:55:20 | 0:55:22 | |
I don't know what it was, | 0:55:22 | 0:55:25 | |
but something was holding him back. | 0:55:25 | 0:55:27 | |
Not anymore. | 0:55:27 | 0:55:29 | |
Mitch: Well, that's a beautiful thing. | 0:55:29 | 0:55:31 | |
"NASTY GIRL" ON JUKEBOX | 0:55:31 | 0:55:34 | |
# That's right pleased to meet you | 0:55:35 | 0:55:37 | |
# Still don't want to tell you my name | 0:55:37 | 0:55:39 | |
# Don't you believe in mystery | 0:55:39 | 0:55:40 | |
# Don't you want to play my game | 0:55:40 | 0:55:43 | |
# I'm looking for a man to love me | 0:55:43 | 0:55:45 | |
# Like I've never been loved before | 0:55:45 | 0:55:46 | |
# I'm looking for a man That'll do it # Mitch: Yeah! | 0:55:46 | 0:55:48 | |
# Even on a limousine floor # | 0:55:48 | 0:55:50 | |
# Tonight I'm living In a fantasy # | 0:55:50 | 0:55:52 | |
OK. # My own little nasty world | 0:55:52 | 0:55:54 | |
# Tonight don't you want to come with me? We're coming. | 0:55:54 | 0:55:56 | |
# Do you think I'm a nasty girl | 0:55:56 | 0:55:58 | |
# Tonight I'm living in a fantasy | 0:55:58 | 0:56:00 | |
# My own little nasty world | 0:56:00 | 0:56:01 | |
# Tonight don't you want to come with me | 0:56:01 | 0:56:03 | |
# Do you think I'm a nasty girl | 0:56:03 | 0:56:05 | |
# I guess I'm just used to sailors | 0:56:05 | 0:56:07 | |
# I think they got water on the brain | 0:56:07 | 0:56:09 | |
# I think they got more water upstairs | 0:56:09 | 0:56:11 | |
# Than they got sugar on a candy cane | 0:56:11 | 0:56:12 | |
# That's right It's been a long time | 0:56:12 | 0:56:14 | |
# Since I had a man that did it real good Ha! | 0:56:14 | 0:56:17 | |
# If you ain't scared Take it out | 0:56:17 | 0:56:18 | |
# I'll do it like A real live nasty girl should | 0:56:18 | 0:56:20 | |
# Tonight I'm living In a fantasy | 0:56:20 | 0:56:22 | |
# My own little nasty world | 0:56:22 | 0:56:24 | |
# Tonight don't you want To come with me | 0:56:24 | 0:56:26 | |
# Do you think I'm a nasty girl | 0:56:26 | 0:56:27 | |
# Tonight I'm living in a fantasy | 0:56:27 | 0:56:29 | |
# My own little nasty world. # Whoo! | 0:56:29 | 0:56:31 | |
# Tonight don't you want to come with me | 0:56:31 | 0:56:33 | |
# Do you think I'm a nasty girl | 0:56:33 | 0:56:35 | |
RUTHIE GIGGLES | 0:56:35 | 0:56:37 | |
Ha ha! | 0:56:37 | 0:56:39 | |
Ha ha! All right. OK. | 0:56:40 | 0:56:43 | |
Home again, home again. | 0:56:43 | 0:56:45 | |
I really love your car. | 0:56:45 | 0:56:47 | |
Oh, thank you. | 0:56:47 | 0:56:48 | |
Bye. Bye. | 0:56:48 | 0:56:49 | |
Nice meeting you, um...uh, Ruth. | 0:56:49 | 0:56:51 | |
Yeah, you, too. Come on, guys. | 0:56:51 | 0:56:53 | |
Actually, Dan and I are going to go for a little drive. | 0:56:53 | 0:56:56 | |
Don't wait up. | 0:56:57 | 0:56:59 | |
CAR DOOR CLOSES | 0:57:00 | 0:57:02 | |
ENGINE STARTS | 0:57:02 | 0:57:04 | |
Clay: Just fantastic. | 0:57:14 | 0:57:15 | |
Mmm. Yeah. | 0:57:15 | 0:57:16 | |
Mitch: I know what the secret ingredient is...love. | 0:57:16 | 0:57:19 | |
Hmm. Better and better with every bite. | 0:57:19 | 0:57:21 | |
Words cannot describe. | 0:57:21 | 0:57:24 | |
Well, how are they? | 0:57:24 | 0:57:25 | |
Dad, they're scrumptious. Mm-hmm. | 0:57:25 | 0:57:27 | |
Truly mouth-watering. | 0:57:27 | 0:57:29 | |
I'm almost on my third stack. | 0:57:29 | 0:57:31 | |
More, please. | 0:57:31 | 0:57:32 | |
Nothing to stop you, right, Gus? Nope. | 0:57:32 | 0:57:34 | |
It's a secret recipe, | 0:57:34 | 0:57:36 | |
But she let me crack the eggs. | 0:57:36 | 0:57:37 | |
Dan: Yeah? | 0:57:37 | 0:57:39 | |
So, uh, how's Captain Lucky doing this morning, huh? | 0:57:39 | 0:57:41 | |
Oh, uh, it was fun. Yeah? | 0:57:41 | 0:57:43 | |
Heard you worked up quite the appetite last night. | 0:57:43 | 0:57:46 | |
Could I have one more there? | 0:57:48 | 0:57:49 | |
Here you go. Thank you. Dan: you know what? Actually, | 0:57:49 | 0:57:51 | |
I am a little hungry. | 0:57:51 | 0:57:53 | |
Mitch: Secret recipe right here. | 0:57:53 | 0:57:54 | |
Thank you. | 0:57:56 | 0:57:57 | |
So, did you uncork? | 0:57:59 | 0:58:01 | |
SLAMS DRAWER | 0:58:02 | 0:58:03 | |
Mitch: Whatever did or did not happen, | 0:58:03 | 0:58:05 | |
no one deserves someone more than you. | 0:58:05 | 0:58:06 | |
There you go. | 0:58:06 | 0:58:08 | |
Gus: Let's go. Football. You promised. Please. | 0:58:08 | 0:58:10 | |
Clay: Coin toss outside. | 0:58:10 | 0:58:12 | |
Lilly: Yummy. | 0:58:17 | 0:58:18 | |
# I've been talking to the wall... # | 0:58:29 | 0:58:30 | |
Go, go, go! | 0:58:30 | 0:58:32 | |
SHOUTING | 0:58:32 | 0:58:35 | |
# How I miss you | 0:58:35 | 0:58:37 | |
# I'm just the mere shadow of my former selfishness | 0:58:37 | 0:58:40 | |
# I crave the silhouette... # | 0:58:40 | 0:58:41 | |
Ho ho! Nice! Nice! | 0:58:41 | 0:58:44 | |
# With only the blue light Of the TV on | 0:58:44 | 0:58:45 | |
# Lip-reading threats And false alarms | 0:58:45 | 0:58:48 | |
# There's a boy somewhere Holding hands with himself | 0:58:48 | 0:58:51 | |
# And a girl in the window On the reeperbarn | 0:58:51 | 0:58:55 | |
# Whenever I put my foot in my mouth and you begin to doubt | 0:58:55 | 0:58:58 | |
# That it's you that I'm dreaming about | 0:58:58 | 0:59:01 | |
# Do I have to draw you a diagram | 0:59:01 | 0:59:03 | |
# All I ever want is just to fall into your human hands. # | 0:59:03 | 0:59:08 | |
Ah! | 0:59:08 | 0:59:09 | |
All right. Line up, line up. Here we go. | 0:59:09 | 0:59:11 | |
Down here. | 0:59:11 | 0:59:13 | |
# All you toy soldiers and scaremongers | 0:59:15 | 0:59:18 | |
# Are you living in this world Sometimes I wonder | 0:59:18 | 0:59:21 | |
# In between saying... # | 0:59:21 | 0:59:22 | |
Go, Marie! | 0:59:22 | 0:59:23 | |
# ...too much and saying | 0:59:23 | 0:59:25 | |
# You've seen it all before Aah! | 0:59:25 | 0:59:27 | |
# Tighter and tighter I hold you tightly | 0:59:27 | 0:59:31 | |
# You know I love you | 0:59:31 | 0:59:33 | |
# More than slightly | 0:59:33 | 0:59:34 | |
# Although I've never said it like this before | 0:59:34 | 0:59:38 | |
# Whenever I put my foot in my mouth... # | 0:59:38 | 0:59:42 | |
Why you're persisting acting like a 15-year-old is beyond me. | 0:59:44 | 0:59:46 | |
I'm filled with reckless desire. | 0:59:46 | 0:59:48 | |
You ought to be filled with greater restraint. | 0:59:48 | 0:59:50 | |
What does that mean? | 0:59:50 | 0:59:52 | |
I think you know what that means. | 0:59:52 | 0:59:53 | |
PHONE RINGING | 0:59:53 | 0:59:56 | |
Dad, could you...? | 0:59:57 | 0:59:59 | |
Oh, yeah. Thanks. | 0:59:59 | 1:00:01 | |
Hello? | 1:00:02 | 1:00:04 | |
No, I'm his dad. | 1:00:04 | 1:00:06 | |
Someone named Jordy for you. | 1:00:07 | 1:00:09 | |
SHOUTING | 1:00:09 | 1:00:10 | |
BELL RINGING | 1:00:10 | 1:00:12 | |
Everybody, everybody! | 1:00:12 | 1:00:15 | |
Dan just got a phone call! | 1:00:15 | 1:00:17 | |
Poppy: And, you know, syndication is everything for a columnist. | 1:00:17 | 1:00:20 | |
OK, all right. Let me explain. | 1:00:20 | 1:00:22 | |
Um... | 1:00:22 | 1:00:23 | |
I've been asked to meet | 1:00:23 | 1:00:25 | |
with the head mucky-mucks | 1:00:25 | 1:00:28 | |
of the Lamson Newspaper Group. | 1:00:28 | 1:00:30 | |
They're driving down tomorrow, | 1:00:30 | 1:00:32 | |
and they are going to sit down | 1:00:32 | 1:00:35 | |
with me. | 1:00:35 | 1:00:36 | |
CHEERING | 1:00:36 | 1:00:39 | |
Maybe you should get the job first, Dan. | 1:00:39 | 1:00:41 | |
Yes, that's true. | 1:00:41 | 1:00:43 | |
Marie! | 1:00:45 | 1:00:47 | |
# Come to me. # | 1:00:47 | 1:00:48 | |
Well? | 1:00:50 | 1:00:51 | |
Wow. Wow. | 1:00:53 | 1:00:56 | |
SIGHS Dad. | 1:00:57 | 1:00:59 | |
CHUCKLES Dad... | 1:00:59 | 1:01:01 | |
Lilly just asked me why you were flirting with Marie. | 1:01:01 | 1:01:04 | |
I wasn't flirting. | 1:01:06 | 1:01:07 | |
Don't worry. I covered for you. | 1:01:07 | 1:01:09 | |
I told her it was nothing. | 1:01:09 | 1:01:11 | |
Because it was. | 1:01:11 | 1:01:13 | |
Dad. | 1:01:13 | 1:01:14 | |
I'm 17, OK? | 1:01:14 | 1:01:16 | |
You were so flirting. | 1:01:16 | 1:01:18 | |
It doesn't matter anyway. | 1:01:19 | 1:01:21 | |
It's not like she's the least bit interested in you. | 1:01:21 | 1:01:23 | |
You need to cool it, OK? | 1:01:23 | 1:01:26 | |
And, um, congratulations. | 1:01:31 | 1:01:34 | |
Thanks. | 1:01:34 | 1:01:36 | |
# My hands are shaking | 1:01:36 | 1:01:38 | |
# From carrying this torch | 1:01:38 | 1:01:40 | |
# From carrying this torch For you | 1:01:40 | 1:01:45 | |
Come on, let's go. | 1:01:45 | 1:01:46 | |
# My lips are bleeding | 1:01:46 | 1:01:48 | |
# From kissing you good-bye | 1:01:48 | 1:01:51 | |
# From kissing you good-bye every night | 1:01:51 | 1:01:56 | |
# My sheets are tearing | 1:01:56 | 1:01:59 | |
# From sleeping in too long | 1:01:59 | 1:02:01 | |
# From sleeping in too long... # Hey! | 1:02:01 | 1:02:03 | |
# With you | 1:02:03 | 1:02:05 | |
# My hands are shaking | 1:02:05 | 1:02:09 | |
# From carrying this torch | 1:02:09 | 1:02:10 | |
# From carrying this torch for you. # | 1:02:10 | 1:02:14 | |
Aah! | 1:02:14 | 1:02:16 | |
Look, he took a bus here. | 1:02:16 | 1:02:18 | |
He has relatives in Boston. Dad. | 1:02:18 | 1:02:21 | |
Dad, he loves me! | 1:02:21 | 1:02:23 | |
OK. | 1:02:24 | 1:02:25 | |
You don't have to worry. | 1:02:25 | 1:02:28 | |
When it comes to sex, | 1:02:28 | 1:02:30 | |
Marty is the one who wants to wait. | 1:02:30 | 1:02:32 | |
What about that sentence is supposed to give me comfort? | 1:02:32 | 1:02:36 | |
Dad, I love him. | 1:02:36 | 1:02:37 | |
I love him. Oh... | 1:02:37 | 1:02:39 | |
I love him, I love him, I love him. | 1:02:39 | 1:02:42 | |
No, you don't. | 1:02:42 | 1:02:43 | |
What we have is true love. | 1:02:43 | 1:02:45 | |
Just because you don't have it | 1:02:45 | 1:02:47 | |
doesn't mean you have to punish us. | 1:02:47 | 1:02:50 | |
Infatuation, | 1:02:50 | 1:02:51 | |
sexual attraction, | 1:02:51 | 1:02:54 | |
is not love. | 1:02:54 | 1:02:55 | |
You don't understand. | 1:02:55 | 1:02:56 | |
CHUCKLING I don't understand? | 1:02:56 | 1:02:58 | |
No. You don't even understand that you don't understand. | 1:02:58 | 1:03:00 | |
What don't I understand, Cara? Please, help me out. | 1:03:00 | 1:03:04 | |
What is it? That it's frustrating you can't be with this person? | 1:03:04 | 1:03:06 | |
That...that there's something keeping you apart, | 1:03:06 | 1:03:09 | |
That there's something about this person you really connect with? | 1:03:09 | 1:03:11 | |
And whenever you're near this person, | 1:03:11 | 1:03:14 | |
you don't know what to say and you say everything | 1:03:14 | 1:03:16 | |
that's in your mind and in your heart. | 1:03:16 | 1:03:18 | |
And you know that if you could just be together, | 1:03:18 | 1:03:20 | |
that this person would help you become the best possible version of yourself? | 1:03:20 | 1:03:24 | |
So Marty can stay? | 1:03:24 | 1:03:26 | |
LAUGHING | 1:03:29 | 1:03:31 | |
I'm sorry. | 1:03:32 | 1:03:34 | |
I'm sorry. | 1:03:36 | 1:03:38 | |
LAUGHING | 1:03:38 | 1:03:41 | |
"Marty can stay"? | 1:03:45 | 1:03:47 | |
Howard is going to drive you to the bus, | 1:03:47 | 1:03:50 | |
We called your aunt. She'll be waitin in Boston. Yes, sir. | 1:03:50 | 1:03:52 | |
Look, I'm not your parent, but I think | 1:03:52 | 1:03:55 | |
you should know love is a dangerous feeling. | 1:03:55 | 1:03:57 | |
No, sir. Are you arguing with me? | 1:03:57 | 1:03:59 | |
No, I'm... | 1:03:59 | 1:04:01 | |
It's just... SPEAKS SPANISH | 1:04:01 | 1:04:05 | |
"Love is not a feeling. It's an ability." | 1:04:06 | 1:04:09 | |
Who told you that? | 1:04:09 | 1:04:10 | |
Made it up, Mr Burns. | 1:04:10 | 1:04:13 | |
DOOR CLOSES | 1:04:15 | 1:04:17 | |
Come say good-bye. | 1:04:17 | 1:04:19 | |
SOBBING | 1:04:21 | 1:04:23 | |
Window. | 1:04:23 | 1:04:24 | |
I miss you so much already. OK, that's it. | 1:04:24 | 1:04:26 | |
Jane: Dad. She'll see him again soon enough. | 1:04:26 | 1:04:29 | |
CRYING No! No! | 1:04:31 | 1:04:34 | |
No! | 1:04:34 | 1:04:35 | |
CRYING | 1:04:38 | 1:04:40 | |
How sweet. | 1:04:40 | 1:04:42 | |
What's sweet? How... how is that sweet? | 1:04:42 | 1:04:44 | |
To be that certain, to feel so much love. | 1:04:47 | 1:04:50 | |
CRYING | 1:04:50 | 1:04:52 | |
Love isn't a feeling. | 1:04:52 | 1:04:54 | |
No? | 1:04:54 | 1:04:56 | |
It's an ability. | 1:04:57 | 1:05:00 | |
Well, if that's true, you have one gifted daughter. | 1:05:02 | 1:05:06 | |
You are a... | 1:05:08 | 1:05:10 | |
a murderer of love! | 1:05:10 | 1:05:13 | |
CRYING | 1:05:15 | 1:05:17 | |
OK, Cara. Next? | 1:05:19 | 1:05:22 | |
Olivia has something with the girls. | 1:05:22 | 1:05:24 | |
Gus will be doing his usual. | 1:05:24 | 1:05:26 | |
Bella is on the fence. Howard and I want to sing. | 1:05:26 | 1:05:29 | |
Jane: Oh, that's nice. | 1:05:29 | 1:05:30 | |
Aunt Eileen? | 1:05:30 | 1:05:32 | |
Dan: Put me down. Oh, really? What's your talent? | 1:05:32 | 1:05:34 | |
Murderer of love. | 1:05:34 | 1:05:35 | |
You were saying? | 1:05:35 | 1:05:38 | |
Eileen: We have something planned for the whole family. | 1:05:38 | 1:05:40 | |
Put us all down. | 1:05:40 | 1:05:42 | |
TAMBOURINE RATTLES | 1:05:42 | 1:05:45 | |
LAUGHTER | 1:05:47 | 1:05:49 | |
Whoo! | 1:05:49 | 1:05:51 | |
Ha! | 1:05:51 | 1:05:52 | |
CHEERING | 1:05:52 | 1:05:54 | |
What's your dad's talent? | 1:05:54 | 1:05:57 | |
Doesn't have one. | 1:05:57 | 1:05:59 | |
He's the only one excused from participating. | 1:05:59 | 1:06:01 | |
Jane: Look. | 1:06:01 | 1:06:03 | |
I give you Bella Wilson. | 1:06:03 | 1:06:04 | |
Poppy: Hey, Bella. Whoo! | 1:06:04 | 1:06:06 | |
Chihuahua | 1:06:06 | 1:06:08 | |
BARKING | 1:06:08 | 1:06:10 | |
You OK? I don't have anything. | 1:06:12 | 1:06:14 | |
Do what you always do. | 1:06:14 | 1:06:16 | |
Marie is not a lip-synch kind of girl. | 1:06:16 | 1:06:18 | |
I got to do something special. | 1:06:18 | 1:06:20 | |
Just...be yourself. | 1:06:20 | 1:06:23 | |
Woof! Woof! | 1:06:27 | 1:06:29 | |
LAUGHTER | 1:06:29 | 1:06:30 | |
That's all. | 1:06:33 | 1:06:34 | |
APPLAUSE AND CHEERING | 1:06:34 | 1:06:36 | |
This is for Marty. | 1:06:42 | 1:06:44 | |
Mmm. | 1:06:44 | 1:06:46 | |
Mm-mmm. | 1:06:46 | 1:06:48 | |
DRUMMING | 1:06:52 | 1:06:55 | |
DRUMMING STOPS | 1:07:02 | 1:07:06 | |
APPLAUSE AND CHEERING | 1:07:06 | 1:07:08 | |
DRUMMING | 1:07:08 | 1:07:09 | |
LAUGHTER AND APPLAUSE | 1:07:15 | 1:07:19 | |
# Andiam, andiam, mio bene | 1:07:19 | 1:07:22 | |
# A ristorar la pene | 1:07:22 | 1:07:25 | |
# A risto... | 1:07:25 | 1:07:27 | |
# Amor | 1:07:27 | 1:07:29 | |
Amy: # Andiam, andiam, mio bene | 1:07:29 | 1:07:31 | |
# A ristorar... | 1:07:31 | 1:07:33 | |
I got an idea. | 1:07:33 | 1:07:35 | |
I'm sure it'll be great. | 1:07:35 | 1:07:36 | |
It could be. | 1:07:36 | 1:07:38 | |
# ..Amor! # | 1:07:38 | 1:07:40 | |
LAUGHTER AND APPLAUSE | 1:07:40 | 1:07:42 | |
Whoo! | 1:07:42 | 1:07:43 | |
Jane: OK, and last but not least, Uncle Mitch. | 1:07:43 | 1:07:46 | |
Uh, someone very wise... my brother... | 1:07:46 | 1:07:50 | |
Once told me that if you... | 1:07:50 | 1:07:52 | |
want to be completely honest, | 1:07:52 | 1:07:55 | |
sing. | 1:07:55 | 1:07:57 | |
By the way, I'd like to introduce my band. | 1:07:57 | 1:08:00 | |
APPLAUSE | 1:08:00 | 1:08:02 | |
I don't believe it. | 1:08:02 | 1:08:03 | |
He hasn't played since she... | 1:08:03 | 1:08:06 | |
PLAYING "Let my love open the door" | 1:08:06 | 1:08:09 | |
# When people keep repeating | 1:08:13 | 1:08:16 | |
# That you'll never fall in love | 1:08:16 | 1:08:19 | |
# When everybody keeps retreating | 1:08:19 | 1:08:22 | |
# And you can't seem to get enough | 1:08:22 | 1:08:25 | |
# Let my love open the door | 1:08:26 | 1:08:29 | |
# Let my love open the door | 1:08:29 | 1:08:33 | |
# Let my love open the door | 1:08:33 | 1:08:36 | |
# To your heart My love open the door # | 1:08:36 | 1:08:39 | |
# Let my love open | 1:08:39 | 1:08:41 | |
# The door | 1:08:41 | 1:08:43 | |
Both: # When everything feels all over | 1:08:43 | 1:08:46 | |
# When everybody seems unkind | 1:08:46 | 1:08:50 | |
# I'll give you a 4-leaf clover | 1:08:50 | 1:08:53 | |
# Take all the worries out of your mind | 1:08:53 | 1:08:57 | |
# I have the only key to your heart | 1:08:58 | 1:09:02 | |
# I can stop you from falling apart | 1:09:02 | 1:09:05 | |
# Release yourself From misery | 1:09:05 | 1:09:08 | |
# Only one thing going to set you free | 1:09:08 | 1:09:12 | |
Both: # And that's my love | 1:09:12 | 1:09:15 | |
# And that's my love | 1:09:15 | 1:09:16 | |
Ah! | 1:09:16 | 1:09:18 | |
# Let my love open the door | 1:09:18 | 1:09:21 | |
# Let my love open the door | 1:09:21 | 1:09:24 | |
# Let my love open the door | 1:09:24 | 1:09:28 | |
# Door # Let my love... | 1:09:28 | 1:09:30 | |
# Let my love open the door # Open the door | 1:09:30 | 1:09:31 | |
# To your heart # Let my love open the door | 1:09:31 | 1:09:33 | |
# Let my love open the door | 1:09:33 | 1:09:35 | |
# To your heart. # | 1:09:35 | 1:09:37 | |
APPLAUSE AND CHEERING | 1:09:37 | 1:09:39 | |
Bravo, baby! | 1:09:39 | 1:09:41 | |
# When tragedy befalls you | 1:09:47 | 1:09:50 | |
# Don't let them bring you down | 1:09:50 | 1:09:54 | |
# Love can cure your problems | 1:09:56 | 1:09:59 | |
(VOICE CRACKING) # You're so lucky that I'm around | 1:09:59 | 1:10:03 | |
# Let my love open the door | 1:10:04 | 1:10:08 | |
# Let my love open the door | 1:10:09 | 1:10:14 | |
# Let my love open the door | 1:10:14 | 1:10:18 | |
# To your heart. # | 1:10:18 | 1:10:21 | |
APPLAUSE | 1:10:22 | 1:10:24 | |
What he said. | 1:10:24 | 1:10:26 | |
Woo hoo! | 1:10:29 | 1:10:31 | |
Whoo! | 1:10:33 | 1:10:34 | |
Clay: Great job, guys. | 1:10:34 | 1:10:37 | |
KNOCKING | 1:10:37 | 1:10:39 | |
(WHISPERED) what was that? | 1:10:46 | 1:10:48 | |
I couldn't... | 1:10:48 | 1:10:49 | |
I couldn't stop myself. | 1:10:49 | 1:10:51 | |
What am I supposed to do now? | 1:10:51 | 1:10:53 | |
Can't do anything. | 1:10:53 | 1:10:55 | |
He's my brother. | 1:10:55 | 1:10:57 | |
Why did you sing for me then? | 1:10:57 | 1:11:00 | |
Because I... | 1:11:00 | 1:11:02 | |
I'm... | 1:11:02 | 1:11:04 | |
Page 92... | 1:11:07 | 1:11:09 | |
"Did I just die because an angel walked into the room?" | 1:11:09 | 1:11:12 | |
Page 148...uh, "I'll forgive you your past if you forgive me mine." | 1:11:12 | 1:11:17 | |
It seems all his best lines were yours. | 1:11:17 | 1:11:20 | |
It's unbearable. | 1:11:23 | 1:11:25 | |
I... | 1:11:25 | 1:11:27 | |
I can't keep pretending. | 1:11:27 | 1:11:29 | |
DOOR OPENS | 1:11:29 | 1:11:32 | |
KNOCKING | 1:11:43 | 1:11:45 | |
Lilly: Dad? | 1:11:45 | 1:11:46 | |
Yeah, peanut? | 1:11:46 | 1:11:48 | |
Will you come up to my room? | 1:11:48 | 1:11:49 | |
I want to show you something I made. | 1:11:49 | 1:11:51 | |
Um, we'll do it tomorrow, OK, sweetie? | 1:11:51 | 1:11:53 | |
I promise. | 1:11:53 | 1:11:55 | |
OK, Dad. | 1:11:57 | 1:11:59 | |
Clay: Oh, God. | 1:12:04 | 1:12:06 | |
MUTTERING | 1:12:10 | 1:12:12 | |
Hey, what's going on? Shh. | 1:12:12 | 1:12:15 | |
My singing. I shouldn't have sang. I know this. | 1:12:20 | 1:12:23 | |
CHUCKLING | 1:12:23 | 1:12:24 | |
It was a bad song. I... | 1:12:24 | 1:12:26 | |
Is she crying or laughing? | 1:12:26 | 1:12:29 | |
No, no. Oh, please. | 1:12:33 | 1:12:35 | |
Mitch: Marie. | 1:12:37 | 1:12:38 | |
ENGINE STARTS | 1:12:38 | 1:12:40 | |
Clay: Here he comes. | 1:12:50 | 1:12:51 | |
Mitch: Mom? | 1:12:51 | 1:12:52 | |
No, no, no. | 1:12:52 | 1:12:53 | |
I just...I don't know what to say to him. | 1:12:53 | 1:12:55 | |
I've never lost a girl. | 1:12:55 | 1:12:57 | |
Poppy: This is a first. | 1:12:57 | 1:12:59 | |
Wow. OK. | 1:12:59 | 1:13:01 | |
OVERLAPPING CONVERSATIONS | 1:13:01 | 1:13:03 | |
Please stop trying to act normal. | 1:13:07 | 1:13:09 | |
Wow. | 1:13:12 | 1:13:13 | |
Said I was a great guy. | 1:13:16 | 1:13:19 | |
She said she loved me a lot. | 1:13:19 | 1:13:22 | |
And then she said... | 1:13:23 | 1:13:25 | |
we should both go find our own true soul mates. | 1:13:26 | 1:13:29 | |
I'm so confused. I don't really know what happened | 1:13:29 | 1:13:32 | |
from yesterday to today that made this happen. | 1:13:32 | 1:13:35 | |
There has to be something, | 1:13:35 | 1:13:37 | |
you know, some reason she... | 1:13:37 | 1:13:39 | |
Why are you looking at me? | 1:13:39 | 1:13:41 | |
Not looking at you. | 1:13:41 | 1:13:42 | |
He's just looking into the vast void that is his future. | 1:13:42 | 1:13:44 | |
You just happen to be there. | 1:13:44 | 1:13:46 | |
SNICKERING Dan, did you have anything to add? | 1:13:46 | 1:13:48 | |
Clay: Yeah. What does the expert have to say? Come on. | 1:13:48 | 1:13:50 | |
Uh... | 1:13:50 | 1:13:52 | |
Nana: Honey, the hard truth is | 1:13:52 | 1:13:55 | |
we all liked her a lot. | 1:13:55 | 1:13:56 | |
Yeah, we really did. | 1:13:56 | 1:13:58 | |
GROANS | 1:13:58 | 1:14:00 | |
This isn't helping. No. | 1:14:01 | 1:14:03 | |
SIGHS | 1:14:03 | 1:14:05 | |
Can somebody think of something fun to do? | 1:14:05 | 1:14:08 | |
OK, OK. Uh... | 1:14:08 | 1:14:09 | |
Oh, OK, OK! Part of the Rat Pack, | 1:14:09 | 1:14:11 | |
Singer. | 1:14:11 | 1:14:12 | |
Dean Martin! Sammy Davis Jr. | 1:14:12 | 1:14:14 | |
Sammy Davis Jr. | 1:14:14 | 1:14:16 | |
Whoo! | 1:14:16 | 1:14:17 | |
Yes! | 1:14:17 | 1:14:19 | |
Your turn, buddy. | 1:14:19 | 1:14:20 | |
Come on. Let's do it. | 1:14:20 | 1:14:21 | |
PHONE RINGING | 1:14:21 | 1:14:23 | |
OK. | 1:14:23 | 1:14:24 | |
Mitch: OK. | 1:14:24 | 1:14:25 | |
Go. Go. | 1:14:25 | 1:14:27 | |
This is a... | 1:14:27 | 1:14:28 | |
Hi, Jordy. | 1:14:28 | 1:14:30 | |
Marie, on phone: You can't talk? | 1:14:30 | 1:14:31 | |
No, but go on. | 1:14:31 | 1:14:32 | |
I had to leave. I know. | 1:14:32 | 1:14:34 | |
Mitch: I own a kite with a key. | 1:14:34 | 1:14:35 | |
Ben Franklin. | 1:14:35 | 1:14:36 | |
But the truth is, um... | 1:14:36 | 1:14:38 | |
Yes? | 1:14:38 | 1:14:39 | |
I didn't get very far. | 1:14:39 | 1:14:41 | |
Beautiful smile, lovely eyes, one-of-a-kind woman. | 1:14:41 | 1:14:43 | |
Marie! | 1:14:43 | 1:14:44 | |
Yes. | 1:14:44 | 1:14:46 | |
Nana: Oh, honey, don't, don't, don't. | 1:14:46 | 1:14:49 | |
Lilly: Dad? | 1:14:55 | 1:14:56 | |
Hey, you. | 1:14:56 | 1:14:58 | |
Can I show you what I made? | 1:14:58 | 1:14:59 | |
First thing when I get back, OK? | 1:14:59 | 1:15:02 | |
(QUIETLY) OK. | 1:15:02 | 1:15:05 | |
You again. | 1:15:16 | 1:15:18 | |
Nice to see you, officer. | 1:15:18 | 1:15:19 | |
How are you today? | 1:15:19 | 1:15:21 | |
You know why I pulled you over? I sure do. | 1:15:21 | 1:15:23 | |
I know what I was doing, | 1:15:23 | 1:15:25 | |
and I know it's all wrong. | 1:15:25 | 1:15:26 | |
This is going to cost you. | 1:15:26 | 1:15:28 | |
Put it on my tab. | 1:15:28 | 1:15:30 | |
What was that? | 1:15:30 | 1:15:31 | |
(QUIETLY) put it on my tab. | 1:15:31 | 1:15:33 | |
CHUCKLES | 1:15:33 | 1:15:35 | |
What are we doing? | 1:16:03 | 1:16:04 | |
It may be wrong... Yes. | 1:16:06 | 1:16:08 | |
But there's a certain rightness to our wrongness, | 1:16:08 | 1:16:10 | |
I think. | 1:16:10 | 1:16:11 | |
I think, um... | 1:16:11 | 1:16:13 | |
We've got to think. I mean, your girls | 1:16:13 | 1:16:15 | |
And how do we... I mean, they're extraordinary and... | 1:16:15 | 1:16:19 | |
What? | 1:16:21 | 1:16:22 | |
I think this is all premature. | 1:16:24 | 1:16:27 | |
Yeah. I do, to. | 1:16:30 | 1:16:32 | |
We don't even know if you can bowl. | 1:16:36 | 1:16:38 | |
CHUCKLES | 1:16:43 | 1:16:45 | |
LAUGHING | 1:16:53 | 1:16:54 | |
Dan: All right. | 1:16:54 | 1:16:56 | |
No, no. Oh, wait. Wait, wait, wait. | 1:16:56 | 1:16:58 | |
No, no, no! You have to line up. Leave me alone. | 1:16:58 | 1:17:00 | |
What? Come on. All right. | 1:17:00 | 1:17:02 | |
No. I'm just watching you. | 1:17:02 | 1:17:04 | |
Get off me! | 1:17:04 | 1:17:05 | |
Good luck. Ready? | 1:17:05 | 1:17:07 | |
Whoo! Oh. Thank you. | 1:17:07 | 1:17:10 | |
Thank you. | 1:17:10 | 1:17:12 | |
MUSIC PLAYS | 1:17:12 | 1:17:13 | |
Like that? | 1:17:14 | 1:17:15 | |
That was a terrible shot, but I love this. Ha ha ha! | 1:17:15 | 1:17:18 | |
Oh, I wouldn't go yet. | 1:17:18 | 1:17:20 | |
PINS FALLING | 1:17:23 | 1:17:25 | |
Two. Not bad. That's good. | 1:17:25 | 1:17:27 | |
You're going to break your arm. | 1:17:33 | 1:17:35 | |
Oh! | 1:17:35 | 1:17:37 | |
LAUGHING | 1:17:37 | 1:17:39 | |
No, no. Don't do it. | 1:17:39 | 1:17:41 | |
Oh, come on, come on, come on! | 1:17:47 | 1:17:49 | |
Yay! | 1:17:49 | 1:17:50 | |
Let's go at the same time. | 1:17:50 | 1:17:52 | |
Come on now. | 1:17:52 | 1:17:53 | |
Yay! Ha ha ha ha! | 1:17:58 | 1:18:01 | |
Lilly: Dad? | 1:18:18 | 1:18:19 | |
Oh, my God. Dad, what are you doing? | 1:18:21 | 1:18:23 | |
Oh. | 1:18:23 | 1:18:24 | |
Mitch: What the hell...Marie? | 1:18:24 | 1:18:25 | |
What the hell's going on? | 1:18:25 | 1:18:27 | |
MUTTERING | 1:18:27 | 1:18:29 | |
I can explain. | 1:18:29 | 1:18:31 | |
Jane: Dad. | 1:18:31 | 1:18:33 | |
You two broke up, right? | 1:18:33 | 1:18:34 | |
Two hours ago. We broke up two hours ago. | 1:18:34 | 1:18:37 | |
I know, I know, I know. Just... | 1:18:37 | 1:18:38 | |
Marie, I thought that you left. | 1:18:38 | 1:18:40 | |
She did. She left, but she just didn't get very far. | 1:18:40 | 1:18:43 | |
What? | 1:18:43 | 1:18:44 | |
Dan: I can... I can explain this. | 1:18:44 | 1:18:45 | |
Yeah, let him explain. | 1:18:45 | 1:18:47 | |
OK. Remember the woman at the bookstore? | 1:18:47 | 1:18:51 | |
Here she is. | 1:18:52 | 1:18:53 | |
You told me to go after her and I didn't. | 1:18:55 | 1:18:57 | |
It wasn't planned, Mitch. | 1:18:57 | 1:18:58 | |
I know how this looks. | 1:18:58 | 1:19:00 | |
Mitch, I also know how it feels. | 1:19:00 | 1:19:02 | |
How does this feel, you son of a bitch?! | 1:19:02 | 1:19:04 | |
Nana: Oh, my God! Oh, my God! | 1:19:04 | 1:19:06 | |
Marie, what happened? | 1:19:06 | 1:19:07 | |
I'm so sorry. | 1:19:07 | 1:19:09 | |
Clay: All right. Everybody take it easy! | 1:19:09 | 1:19:11 | |
Marie: Oh, no. I...I'm sorry. I... | 1:19:11 | 1:19:14 | |
I'm sorry! | 1:19:14 | 1:19:16 | |
Clay: Dan, you all right? | 1:19:16 | 1:19:18 | |
You OK? Marie! | 1:19:18 | 1:19:20 | |
No! Don't go! | 1:19:21 | 1:19:23 | |
I...I don't know what we were thinking. | 1:19:23 | 1:19:25 | |
I'm sorry. | 1:19:27 | 1:19:29 | |
ENGINE STARTS | 1:19:29 | 1:19:30 | |
Don't go. | 1:19:30 | 1:19:32 | |
Dad? Dad! | 1:19:36 | 1:19:38 | |
Dad, what are you... ENGINE STARTS | 1:19:38 | 1:19:40 | |
What are you doing? | 1:19:40 | 1:19:41 | |
Dad! | 1:19:41 | 1:19:43 | |
CRASH | 1:19:43 | 1:19:44 | |
All right. This is your summons for your court appearance. | 1:19:55 | 1:19:57 | |
And one last thing... | 1:19:57 | 1:19:59 | |
You need to surrender your license. | 1:19:59 | 1:20:02 | |
You have guests. | 1:20:15 | 1:20:17 | |
Woman: Oh! Speak of the devil. | 1:20:20 | 1:20:21 | |
Hi. Hi. | 1:20:21 | 1:20:23 | |
Cindy Lamson, | 1:20:23 | 1:20:24 | |
Editor of special features, | 1:20:24 | 1:20:25 | |
Lamson Newspaper Group. Hi. | 1:20:25 | 1:20:26 | |
Jim Lamson, publisher. | 1:20:26 | 1:20:28 | |
Nice to meet you. | 1:20:28 | 1:20:29 | |
We've been sitting here, chatting with your family. | 1:20:29 | 1:20:31 | |
We've especially enjoyed the pleasure | 1:20:31 | 1:20:34 | |
of meeting your lovely daughters. | 1:20:34 | 1:20:36 | |
Jim: Oh. | 1:20:36 | 1:20:37 | |
Hot cider? | 1:20:37 | 1:20:38 | |
Thank you. That looks... | 1:20:38 | 1:20:40 | |
Thank you very much. Yeah. That's great. | 1:20:40 | 1:20:43 | |
Father? Hot cider? | 1:20:45 | 1:20:47 | |
(WHISPERED) Not only are you a murderer of love, | 1:20:47 | 1:20:49 | |
but you're the worst parent ever. | 1:20:49 | 1:20:52 | |
CHUCKLING | 1:20:52 | 1:20:54 | |
Sweet. | 1:20:54 | 1:20:55 | |
Cindy: Well, | 1:20:55 | 1:20:57 | |
as you probably know, | 1:20:57 | 1:20:58 | |
we have met with two other candidates, | 1:20:58 | 1:21:01 | |
but my father and I are confident | 1:21:01 | 1:21:02 | |
that we have saved the best for last. | 1:21:02 | 1:21:05 | |
Uh, girls, you can leave, if you like. | 1:21:06 | 1:21:08 | |
Oh, if it's all right, perhaps they should stay. | 1:21:08 | 1:21:11 | |
I like to keep the family involved. | 1:21:11 | 1:21:13 | |
Oh, Dan here, he knows all about keeping things | 1:21:13 | 1:21:16 | |
in the family, don't you, Dan? | 1:21:16 | 1:21:18 | |
That's why we're so drawn to you. | 1:21:18 | 1:21:20 | |
And what you represent in your column, your moral values. | 1:21:20 | 1:21:23 | |
The personal characteristics that are reflected in your writing, | 1:21:23 | 1:21:26 | |
I think, would be very impressive. | 1:21:26 | 1:21:28 | |
Honesty, trustworthiness. | 1:21:28 | 1:21:29 | |
And we have great plans for your Dad. | 1:21:29 | 1:21:31 | |
What we try to do is | 1:21:31 | 1:21:33 | |
what you keep telling your readers to do. | 1:21:33 | 1:21:35 | |
What's that? | 1:21:35 | 1:21:37 | |
Put family first. Mmm. | 1:21:37 | 1:21:39 | |
OK, OK. Here's the thing. | 1:21:39 | 1:21:42 | |
Somebody hasn't been reading | 1:21:43 | 1:21:45 | |
his own column. | 1:21:45 | 1:21:47 | |
I'm not sure what that means. | 1:21:48 | 1:21:51 | |
Go away. | 1:22:02 | 1:22:03 | |
You're a liar | 1:22:03 | 1:22:05 | |
And a hypocrite. | 1:22:05 | 1:22:06 | |
Cheating with your brother's girlfriend? | 1:22:06 | 1:22:07 | |
Oh, and how long did you know her? | 1:22:07 | 1:22:09 | |
Two moving violations and a collision? | 1:22:09 | 1:22:10 | |
Was that part of the plan? | 1:22:10 | 1:22:13 | |
First of all, | 1:22:13 | 1:22:14 | |
you blew off Lilly. | 1:22:14 | 1:22:15 | |
She's been wanting to show you something she made for you. | 1:22:15 | 1:22:18 | |
But you never showed up. | 1:22:18 | 1:22:20 | |
Hmm. | 1:23:46 | 1:23:48 | |
I really messed up. | 1:23:50 | 1:23:51 | |
No, you didn't. Yeah, I did, Mom. | 1:23:51 | 1:23:54 | |
What I did to Lilly. | 1:23:54 | 1:23:55 | |
Don't forget Mitch... Oh, John. | 1:23:55 | 1:23:57 | |
And those newspaper people. | 1:23:57 | 1:24:00 | |
Admittedly not a good day for you, honey. | 1:24:00 | 1:24:03 | |
SIGHS | 1:24:03 | 1:24:05 | |
If I'd just stayed focused on being their dad. | 1:24:05 | 1:24:07 | |
Oh, please. You know, love is messy. | 1:24:07 | 1:24:10 | |
I should know better. | 1:24:10 | 1:24:12 | |
I hurt my kids. | 1:24:12 | 1:24:14 | |
Go unhurt them. | 1:24:14 | 1:24:16 | |
You know, honey, you've made some mistakes. | 1:24:16 | 1:24:18 | |
Many. So many. | 1:24:18 | 1:24:20 | |
Falling for Marie wasn't one of them. | 1:24:20 | 1:24:23 | |
Can somebody get me another box, please? | 1:24:26 | 1:24:29 | |
Amy: Yep, yep. Coming. | 1:24:29 | 1:24:32 | |
Mitch. | 1:24:34 | 1:24:35 | |
Mitch, I... | 1:24:37 | 1:24:39 | |
If it was anybody else... | 1:24:42 | 1:24:45 | |
I am so... | 1:24:45 | 1:24:48 | |
CAR HORN | 1:24:48 | 1:24:50 | |
Hold that thought. | 1:24:51 | 1:24:53 | |
Hey, beautiful. | 1:24:57 | 1:24:59 | |
ENGINE REVS | 1:25:05 | 1:25:07 | |
KNOCKING | 1:25:11 | 1:25:13 | |
Girls? | 1:25:17 | 1:25:18 | |
I'd like to talk to Lilly alone, if I could. | 1:25:20 | 1:25:23 | |
OK, then all of you. | 1:25:33 | 1:25:36 | |
I know I messed up big-time. | 1:25:46 | 1:25:48 | |
Yep. Yes, you did. | 1:25:48 | 1:25:50 | |
Now... | 1:25:50 | 1:25:52 | |
Mom... | 1:25:52 | 1:25:55 | |
I miss your Mom, | 1:25:55 | 1:25:57 | |
all the time, and I always will. | 1:25:57 | 1:26:00 | |
Mom's gone. | 1:26:00 | 1:26:01 | |
Oh, honey, I see her every day. | 1:26:01 | 1:26:04 | |
I see her in your goodness, Jane, | 1:26:04 | 1:26:07 | |
And...Cara, the passion. | 1:26:07 | 1:26:10 | |
And, Lilly, you have her eyes | 1:26:10 | 1:26:13 | |
And her smile. | 1:26:13 | 1:26:16 | |
So here is what I am going to do. | 1:26:18 | 1:26:20 | |
I am grounding myself for life. | 1:26:20 | 1:26:23 | |
I'm sticking with you. I am going to be with you... | 1:26:23 | 1:26:27 | |
You're with us every day. | 1:26:27 | 1:26:29 | |
I'm not going anywhere. | 1:26:29 | 1:26:31 | |
See, I got a little confused with Marie, | 1:26:31 | 1:26:35 | |
but that is over, OK? | 1:26:35 | 1:26:39 | |
I kind of lost my head... | 1:26:39 | 1:26:43 | |
Got a little stupid because I love her. | 1:26:44 | 1:26:47 | |
That's... | 1:26:47 | 1:26:50 | |
That's not... | 1:26:50 | 1:26:52 | |
I don't love her and that's not what I meant. | 1:26:52 | 1:26:54 | |
I mean, how could I love her? | 1:26:54 | 1:26:56 | |
I've only known her... 3 days. | 1:26:56 | 1:26:58 | |
Yeah... | 1:26:58 | 1:27:00 | |
And how can you know | 1:27:00 | 1:27:02 | |
in 3 days? | 1:27:02 | 1:27:04 | |
I don't know. | 1:27:07 | 1:27:09 | |
Yes, I do. I love her. | 1:27:09 | 1:27:12 | |
I love her. I love her. | 1:27:12 | 1:27:15 | |
I love her. I love... | 1:27:15 | 1:27:18 | |
(WHISPERED) I love her. | 1:27:18 | 1:27:21 | |
Then go get her. | 1:27:23 | 1:27:26 | |
We so prefer her to you. | 1:27:27 | 1:27:29 | |
Go. | 1:27:38 | 1:27:40 | |
Now. | 1:27:43 | 1:27:44 | |
Oh. | 1:27:44 | 1:27:46 | |
Hey. | 1:27:52 | 1:27:53 | |
Nana: Honey, honey, for the road. | 1:27:53 | 1:27:55 | |
What is it? | 1:28:04 | 1:28:06 | |
I can't do it. You must. | 1:28:06 | 1:28:08 | |
I don't have a license. | 1:28:08 | 1:28:09 | |
I'm pretty good with maps. | 1:28:26 | 1:28:29 | |
This is so queer... | 1:28:29 | 1:28:31 | |
But I wouldn't miss it for anything. | 1:28:31 | 1:28:34 | |
ENGINE STARTS | 1:28:34 | 1:28:37 | |
Dan: Dear readers, for most of you, | 1:28:45 | 1:28:47 | |
This is my first column in your paper. | 1:28:47 | 1:28:49 | |
In the future, I will be answering your questions, but today, | 1:28:49 | 1:28:53 | |
I want to break from my usual format | 1:28:53 | 1:28:56 | |
and talk to you about the subject of plans. | 1:28:56 | 1:28:59 | |
Not so much my plan for this column, | 1:28:59 | 1:29:02 | |
more like life plans, how we all make them, | 1:29:02 | 1:29:04 | |
and how we hope that our kids make good, smart, | 1:29:04 | 1:29:07 | |
safe plans of their own. | 1:29:07 | 1:29:10 | |
But if we're really honest with ourselves, | 1:29:11 | 1:29:13 | |
most of the time, our plans don't work out as we'd hoped. | 1:29:13 | 1:29:18 | |
So instead of asking our young people, "What are your plans?" | 1:29:22 | 1:29:25 | |
"What do you plan to do with your life?" | 1:29:25 | 1:29:28 | |
Maybe we should tell them this: | 1:29:28 | 1:29:30 | |
Plan to be surprised. | 1:29:30 | 1:29:34 | |
# The moment has come To face the truth | 1:29:42 | 1:29:46 | |
# I'm wide awake And so are you | 1:29:46 | 1:29:50 | |
# Do you have a clue What this is | 1:29:50 | 1:29:52 | |
# I don't know | 1:29:52 | 1:29:54 | |
# Are you everything that I miss | 1:29:54 | 1:29:56 | |
# I don't hope so | 1:29:56 | 1:29:58 | |
# We'll just have to wait and see | 1:29:58 | 1:30:00 | |
# Wait and see | 1:30:00 | 1:30:01 | |
# If things go right We're meant to be | 1:30:01 | 1:30:05 | |
# The surface is gone | 1:30:05 | 1:30:07 | |
# We scratched it off | 1:30:07 | 1:30:09 | |
# We made some plans And let them go | 1:30:09 | 1:30:13 | |
# Do you have The slightest idea | 1:30:13 | 1:30:15 | |
# No, I don't | 1:30:15 | 1:30:17 | |
# Why the world is bright With you here | 1:30:17 | 1:30:19 | |
# Oh, is that so | 1:30:19 | 1:30:21 | |
# Stay a while And wait and see | 1:30:21 | 1:30:23 | |
# Wait and see | 1:30:23 | 1:30:24 | |
# If things go right We're meant to be | 1:30:24 | 1:30:28 | |
# Oh, what a world This life would be | 1:30:28 | 1:30:32 | |
# Forget all your Technicolour dreams | 1:30:32 | 1:30:35 | |
# Forget what a picture This is how it's meant to be | 1:30:35 | 1:30:41 | |
# Do, do, da, dum Do, do, do, dum | 1:30:51 | 1:30:54 | |
# Do, do, dum, dum Do, do, do, dum | 1:30:54 | 1:30:58 | |
# Do you have the slightest idea # No, I don't | 1:30:58 | 1:31:01 | |
# Why the world is right when you're near | 1:31:01 | 1:31:04 | |
# Is that so | 1:31:04 | 1:31:06 | |
# Stay a while, we'll wait and see | 1:31:06 | 1:31:08 | |
# Wait and see | 1:31:08 | 1:31:09 | |
# If things go right We're meant to be | 1:31:09 | 1:31:13 | |
# Oh what a world This life would be | 1:31:13 | 1:31:16 | |
# Forget all your Technicolour dreams...# | 1:31:16 | 1:31:20 |