
Browse content similar to The Lives of the Saints. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
'It all starts with Roadrunner, speeding from birth. | 0:00:11 | 0:00:15 | |
'Shot out that womb like a rocket. | 0:00:16 | 0:00:19 | |
'Runner's mum was aristocracy, the London Borough of Haringey's queen of sulphate. | 0:00:39 | 0:00:46 | |
'That's why Runner ran. He ran betting slips, wishes on wings. | 0:00:46 | 0:00:51 | |
'And he never stopped. The club, to the bookies, the track and back. | 0:00:51 | 0:00:56 | |
'Always running, always in circles. | 0:00:56 | 0:00:59 | |
'He ran for anyone who paid - the good ones, the bad ones | 0:01:16 | 0:01:21 | |
'and the sad ones, too.' | 0:01:21 | 0:01:23 | |
Hey, Roadrunner, my man. You backed that pony for me? | 0:01:47 | 0:01:51 | |
I ain't nobody's man. | 0:01:51 | 0:01:53 | |
'And somehow, Runner made everything spin for all of us - the butchers, the bakers, the candlestick makers. | 0:01:53 | 0:01:59 | |
'He was the clockwork spring what kept our world turning.' | 0:01:59 | 0:02:03 | |
HEAVY BREATHING | 0:02:03 | 0:02:06 | |
Flog it. Jerk it. | 0:02:09 | 0:02:12 | |
Beat it. | 0:02:12 | 0:02:14 | |
Jack it. | 0:02:15 | 0:02:16 | |
My arm's killing me, Mr Karva. KNOCKING | 0:02:16 | 0:02:20 | |
I'll be down in a minute, for Christ's sake! | 0:02:20 | 0:02:24 | |
Aargh! Bash the bishop! | 0:02:24 | 0:02:26 | |
-Choke the chicken. -You've got to relax. | 0:02:28 | 0:02:32 | |
Pull the porker. | 0:02:34 | 0:02:36 | |
Stroke the beak! | 0:02:36 | 0:02:38 | |
Aaargh! | 0:02:39 | 0:02:41 | |
Poor little Fritz. | 0:02:41 | 0:02:44 | |
Ahh... | 0:02:44 | 0:02:46 | |
Poor Charlie. | 0:02:46 | 0:02:48 | |
Little John Thomas... | 0:02:48 | 0:02:50 | |
-..all black and blue. -It won't work if you don't relax. | 0:02:50 | 0:02:54 | |
Relax?! How can I relax? | 0:02:54 | 0:02:57 | |
With all I've got on my mind! | 0:02:57 | 0:03:00 | |
I've got business across the road. | 0:03:02 | 0:03:05 | |
Sorry. Hiya. | 0:03:17 | 0:03:19 | |
-BRAKES SCREECH -Hey! Hail Caesar, innit? | 0:03:25 | 0:03:29 | |
Arsehole! | 0:03:29 | 0:03:31 | |
You owe me! You looter! | 0:03:37 | 0:03:40 | |
You cheater! You reptile! | 0:03:40 | 0:03:43 | |
-Here - pot that! -No! Ow! | 0:03:43 | 0:03:46 | |
Pot this! You're fired! | 0:03:46 | 0:03:48 | |
-Mr Karva... -What does it say here, huh? What does it say? | 0:03:48 | 0:03:53 | |
-Does it say "cunt"? -Mr Karva, please... Ah! | 0:03:53 | 0:03:57 | |
-You're kapowed! -Mr Karva, I... | 0:03:58 | 0:04:01 | |
Hey, Runner. Right on time. Come on in, come on in. | 0:04:13 | 0:04:17 | |
We're having a party! A bash! A binge! A bender! | 0:04:17 | 0:04:22 | |
A romping, rollicking frolic! A knees up! | 0:04:22 | 0:04:26 | |
-How's your father hi-jinks! -Yes! I'm winning, innit! | 0:04:26 | 0:04:30 | |
-I've won a fuckin' Rolex. -Hope he placed it before the off. | 0:04:30 | 0:04:34 | |
Of course he placed it. Nice one. Fixed rate, Runner? | 0:04:34 | 0:04:39 | |
Ha ha. On a percentage. | 0:04:39 | 0:04:42 | |
Percentage? You put my son on a percentage? | 0:04:42 | 0:04:47 | |
Only kidding! | 0:04:58 | 0:05:01 | |
Nice "I'm the prince", huh? | 0:05:02 | 0:05:04 | |
-He put you on a fixed rate, is that right? -A percentage, Mr Karva. | 0:05:05 | 0:05:10 | |
-No favours. -Ah, no favours, hm? | 0:05:10 | 0:05:14 | |
How long has it been since you stood still, Runner? What happen when you stop? | 0:05:15 | 0:05:22 | |
-He'll drown, won't you, Runner? -Oi! It's your bed time, Emilio. Fuck off up the sleepy hill. | 0:05:22 | 0:05:28 | |
It's OK, Dad. He's on a percentage. It was a joke. | 0:05:31 | 0:05:35 | |
If that's what my son says, that's what my son says. | 0:05:40 | 0:05:45 | |
A percentage it is, eh? | 0:05:46 | 0:05:48 | |
You be a good boy, eh? Go and score off them pirates up at Stroud Green, eh? | 0:05:48 | 0:05:55 | |
Go on, you go. | 0:05:55 | 0:05:57 | |
HEARTY LAUGH | 0:05:58 | 0:06:00 | |
'That night he was running for Mr Karva. An emergency mission to an all-night pharmacy. | 0:06:19 | 0:06:25 | |
'Mikey lived across the Arsenal side of the park in Stroud Green. | 0:06:26 | 0:06:30 | |
'Mikey's a bespoke chemist. Nothing he couldn't sort you out with. | 0:06:30 | 0:06:35 | |
'Reds, blues, greens. Technicolor. | 0:06:35 | 0:06:38 | |
'So Runner ran.' | 0:06:39 | 0:06:41 | |
BREATHING HEAVILY | 0:06:56 | 0:06:58 | |
AAH! Jesus, man! I broke my leg! | 0:07:11 | 0:07:15 | |
I broke my fucking leg! | 0:07:15 | 0:07:17 | |
This is my living! This is what I do. | 0:07:17 | 0:07:20 | |
Fuck you! You're gonna die, man! | 0:07:20 | 0:07:23 | |
I'm gonna kill you good 'til the breath leaves you! | 0:07:23 | 0:07:27 | |
You're going, man. Say bye-bye, you little freak! | 0:07:27 | 0:07:31 | |
I ain't running. | 0:07:43 | 0:07:46 | |
I stopped, innit. | 0:07:58 | 0:08:00 | |
-Stole it out the dragon's mouth. -Oh, that's disgusting, that is. | 0:08:15 | 0:08:19 | |
-You think I'm a bit weak in the head, dontcha? -Yeah. A bit. | 0:08:19 | 0:08:24 | |
Runner? | 0:08:34 | 0:08:35 | |
It's Runner. | 0:08:35 | 0:08:38 | |
Othello, it's Runner! | 0:08:39 | 0:08:42 | |
-Othello! Runner just went in your flat. -What are you on about? | 0:08:45 | 0:08:50 | |
Runner just dumped something in your flat! | 0:08:53 | 0:08:57 | |
-Did you leave the door open? -No, of course not! -Runner? | 0:09:07 | 0:09:11 | |
Runner? | 0:09:26 | 0:09:28 | |
I swear, I definitely saw him. | 0:09:28 | 0:09:30 | |
MUFFLED SOUND What was that? | 0:09:30 | 0:09:33 | |
For fuck's sake! | 0:09:42 | 0:09:44 | |
Hello? | 0:09:49 | 0:09:51 | |
You want me to come down with you? | 0:10:04 | 0:10:06 | |
-You need a hand down there, Othello? -What's going on? | 0:10:12 | 0:10:16 | |
What happened to you? | 0:10:33 | 0:10:35 | |
Where did you come from? | 0:10:38 | 0:10:41 | |
Do you speak English? | 0:10:55 | 0:10:57 | |
What is it? | 0:11:03 | 0:11:05 | |
It's a kid. | 0:11:18 | 0:11:20 | |
It's just a kid. | 0:11:24 | 0:11:27 | |
You're gonna be all right. You're safe now. | 0:11:35 | 0:11:39 | |
-He's probably got diseases. -Othello, that's our bed. | 0:11:39 | 0:11:43 | |
-Probably one of those Gyppo kids. -He's run away from somewhere. Call the Social. -Stitch him up? | 0:11:43 | 0:11:49 | |
-Make him one of them banana boys? -What does he keep doing that thing with his fingers for? | 0:11:49 | 0:11:55 | |
He's trying to talk. | 0:11:55 | 0:11:57 | |
He belongs to someone. | 0:11:57 | 0:12:00 | |
-He's staying here. -You're not thinking straight! | 0:12:01 | 0:12:05 | |
Get me a pen. He's trying to tell me something. | 0:12:09 | 0:12:14 | |
FAINT WHISPER | 0:12:19 | 0:12:21 | |
You sleep now. You rest. | 0:12:59 | 0:13:02 | |
Hey! | 0:13:09 | 0:13:11 | |
Wake up. Look at this. | 0:13:12 | 0:13:15 | |
All this stuff locked away in his head. Wants to tell someone, but there's no one there. Makes me sick. | 0:13:16 | 0:13:22 | |
-It don't mean nothing. It's just letters. -It ain't! | 0:13:22 | 0:13:26 | |
-All right, what does it mean?! What is "it" trying to tell you? -I don't know, but I gotta find out. | 0:13:26 | 0:13:32 | |
It was Roadrunner who dumped him. | 0:13:32 | 0:13:35 | |
Where is he? | 0:13:41 | 0:13:43 | |
Maybe it's like...you know when you're at school and A is 1 and B is 2 and stuff? | 0:13:44 | 0:13:50 | |
-Like in Mr Oldfield's Maths? -Mr Collier. | 0:13:50 | 0:13:54 | |
Mr Collier did Maths. Mr Oldfield did English or Music or some shit. | 0:13:54 | 0:13:59 | |
-Mr Collier did Geography. -Yeah. -He wasn't even at the same school. He was at the convent. | 0:13:59 | 0:14:05 | |
-Yeah, Mr Collier used to come over to ours on Mondays. -You were sniffing round them ponces up William Ellis'. | 0:14:05 | 0:14:13 | |
-I never. -All right. What's the capital of Iceland, then? | 0:14:13 | 0:14:17 | |
-What?! No one knows that. -See? That proves it. | 0:14:17 | 0:14:21 | |
We should have cut your hair off and rolled you in tar and feathers. | 0:14:21 | 0:14:25 | |
Go on, you tell us. What is it, then? Go on. See, you wouldn't know. | 0:14:26 | 0:14:30 | |
-You was never at school. You was offloading your dad's stinking cabbages. -Stepdad, right? | 0:14:30 | 0:14:36 | |
And I never did no shit work for no one. | 0:14:36 | 0:14:40 | |
I was never no organ grinder's monkey, no oily rag. | 0:14:41 | 0:14:45 | |
Look at these hands, eh? Look at these nails. Do they look like I ever touched that shit? | 0:14:45 | 0:14:51 | |
-Strictly white fucking collar, that's me. -All right. | 0:14:51 | 0:14:55 | |
Where is he? What's the time? | 0:14:55 | 0:14:57 | |
-Eight nines? -Now what? -Go on, quick - eight nine? -Eight nines are... -72. | 0:14:58 | 0:15:04 | |
Seven eights? You was offloading groceries. Seven eights? | 0:15:04 | 0:15:08 | |
Get out. Come on! | 0:15:08 | 0:15:11 | |
Fifty-fucking-six. Six sevens? | 0:15:14 | 0:15:16 | |
OK. | 0:15:18 | 0:15:19 | |
Forty...forty-nine! | 0:15:19 | 0:15:21 | |
Forty-fucking-nine! | 0:15:21 | 0:15:23 | |
I'll fucking show her. | 0:15:28 | 0:15:30 | |
Here it is, Tina. | 0:15:44 | 0:15:46 | |
Aaron's rod. | 0:15:46 | 0:15:48 | |
The man root. | 0:15:48 | 0:15:50 | |
The real meat and two veg. | 0:15:51 | 0:15:53 | |
-This donkey want a good thrashing. -It ain't never gonna work if you keep wanting it so bad. | 0:15:55 | 0:16:01 | |
Boys? | 0:16:04 | 0:16:06 | |
Give us your cock, then. | 0:16:07 | 0:16:09 | |
-It's 42. -What? -Six sevens is 42. | 0:16:09 | 0:16:14 | |
Fuck off! | 0:16:16 | 0:16:18 | |
There he is. | 0:16:24 | 0:16:26 | |
Christ. What happened to him? | 0:16:28 | 0:16:30 | |
-You falling to bits, mate? -Leave him alone. He's got things in his head. | 0:16:42 | 0:16:48 | |
What you doing, leaving kids on my doorstep for? Trying to make me and Tina a happy family? | 0:16:58 | 0:17:04 | |
-How is he? -He's sleeping. Like a baby. Where did you find him? | 0:17:04 | 0:17:08 | |
-He's a little angel that fell out of his nest in Heaven, I reckon. -Little angel? | 0:17:08 | 0:17:14 | |
-You turning nonce on us, Runner? He's just some kid. -Has he started talking yet? | 0:17:14 | 0:17:20 | |
-Yeah. That baby babble means nothing. -He wrote it all down, see. | 0:17:20 | 0:17:24 | |
Baby babble what means nothing, but you wrote it all down, innit? | 0:17:24 | 0:17:29 | |
He was trying to say something. I couldn't get it. | 0:17:29 | 0:17:33 | |
What did he tell you? | 0:17:33 | 0:17:35 | |
-He got to you, didn't he? -Yeah. | 0:17:35 | 0:17:38 | |
But you know what it is. | 0:17:38 | 0:17:40 | |
So what is it? What's he saying? | 0:17:41 | 0:17:44 | |
It's not words, man. | 0:17:46 | 0:17:48 | |
It's something else. | 0:17:48 | 0:17:50 | |
Christella? | 0:17:52 | 0:17:54 | |
Coffee. | 0:17:55 | 0:17:56 | |
You promised to leave the day to us humans, Dad. | 0:17:56 | 0:18:00 | |
You're looking tired. | 0:18:16 | 0:18:18 | |
You been playing Mummies and Daddies with that piece of old slag from the hairdresser, eh? | 0:18:18 | 0:18:25 | |
And you... | 0:18:31 | 0:18:33 | |
..you persona non NOT A FUCKING THING NEVER! | 0:18:34 | 0:18:40 | |
Where you be when I need you?! Huh? | 0:18:40 | 0:18:43 | |
Roadrunner, I never seen you so still. | 0:18:43 | 0:18:47 | |
I can focus on you and everything. What's the matter, huh? | 0:18:47 | 0:18:51 | |
Batteries run down? Hm? | 0:18:52 | 0:18:55 | |
I don't run no more. | 0:19:03 | 0:19:05 | |
He don't run no more! Roadrunner...quit running. | 0:19:07 | 0:19:11 | |
All right. | 0:19:13 | 0:19:15 | |
All right. | 0:19:16 | 0:19:18 | |
What is it, huh? | 0:19:20 | 0:19:22 | |
Something new? | 0:19:22 | 0:19:24 | |
Something I haven't heard of? Huh? | 0:19:24 | 0:19:27 | |
A scheme. | 0:19:28 | 0:19:30 | |
Where's my cut? HUH?! | 0:19:31 | 0:19:34 | |
AARGH! | 0:19:34 | 0:19:35 | |
Hey, Roadrunner, what's the matter? Huh? Why you not play? Huh? | 0:19:37 | 0:19:42 | |
What happened to the good old bad old days? | 0:19:42 | 0:19:47 | |
I need time. I need time to think, Mr Karva. | 0:19:49 | 0:19:54 | |
KARVA SIGHS | 0:19:54 | 0:19:56 | |
Time ran out ahead of you, Runner. | 0:19:57 | 0:20:00 | |
You is on the Stygian ferry. One-way ticket, hm? | 0:20:00 | 0:20:05 | |
Yeah! | 0:20:05 | 0:20:06 | |
Like I thought. Too much grazing. | 0:20:06 | 0:20:09 | |
You're going to need the complete check-up, Runner. | 0:20:09 | 0:20:13 | |
Say bye-bye to the little man, huh? | 0:20:13 | 0:20:16 | |
Bye-bye, little man. | 0:20:18 | 0:20:20 | |
We're gonna stick some terrible things in your bones, Runner. | 0:20:26 | 0:20:30 | |
That make you go...scared? | 0:20:30 | 0:20:34 | |
-I ain't running no more. -That's not what I asked! | 0:20:34 | 0:20:38 | |
Dad! We don't need this, Dad! | 0:20:38 | 0:20:41 | |
What is it with you and him, huh? Engaged? | 0:20:41 | 0:20:45 | |
We've got to keep the peace. No peace, no profits. | 0:20:45 | 0:20:48 | |
No, it's the rules. | 0:20:48 | 0:20:51 | |
Trespassers will be persecuted. | 0:20:51 | 0:20:54 | |
If you know why the rabbit won't run for me, you got to tell me. | 0:20:54 | 0:20:58 | |
I don't know a thing. | 0:21:00 | 0:21:02 | |
Tell him what he said, Runner. | 0:21:03 | 0:21:06 | |
-Tell him what he said that made you stop. -That little angel's a gift. | 0:21:06 | 0:21:11 | |
What we've been looking for. | 0:21:11 | 0:21:14 | |
Nothing else matters. | 0:21:15 | 0:21:18 | |
What's he talking about? | 0:21:19 | 0:21:21 | |
-Othello copied it all down. -No, man...! | 0:21:21 | 0:21:24 | |
Let's see this. What's this writing? | 0:21:25 | 0:21:29 | |
-This homework... -It's private. | 0:21:29 | 0:21:32 | |
Not if I say it isn't. | 0:21:32 | 0:21:34 | |
You gotta read the Holy Highway Code. | 0:21:34 | 0:21:38 | |
I can't say no to you. | 0:21:45 | 0:21:47 | |
You little star of the line, you. | 0:21:47 | 0:21:51 | |
But business is business. | 0:21:55 | 0:21:57 | |
Little angel, he said. Why call him a little angel? | 0:22:18 | 0:22:22 | |
-It's just how Runner talks, innit? -"What we've been looking for". | 0:22:23 | 0:22:28 | |
-What does that mean, Othello? -Dunno. | 0:22:28 | 0:22:31 | |
-All right. -Hey-hey! | 0:22:33 | 0:22:35 | |
It was what Runner was looking for. | 0:22:35 | 0:22:38 | |
-He stopped running. Now he can think proper. Now he's happy. -For now. | 0:22:39 | 0:22:44 | |
-Why? What do you think your old man's gonna do to him? -Ah, nothing. | 0:22:44 | 0:22:48 | |
He's just messing, ain't he? | 0:22:48 | 0:22:51 | |
Won't run a message. Won't run a parcel. | 0:22:57 | 0:23:01 | |
Won't even run a mild temperature. | 0:23:01 | 0:23:04 | |
Well, we'll see about that. I'm gonna make you sweat. | 0:23:06 | 0:23:09 | |
Make you sweat blood. We've got to guess what is happening to you, | 0:23:09 | 0:23:15 | |
why you stop running. It's against nature. | 0:23:17 | 0:23:20 | |
-HE SNIFFS -What's cooking, Doc? -Rabbit stew! | 0:23:23 | 0:23:27 | |
Oh ho! Rabbit stew! Rabbit stew! | 0:23:27 | 0:23:31 | |
Get me outta here! Sorry Smarty can't stay for the party. | 0:23:31 | 0:23:35 | |
Ha ha! I know. Funny. | 0:23:35 | 0:23:37 | |
Hey, Runner, you smell something cooking? Huh? | 0:23:38 | 0:23:42 | |
Hey, Runner, that's your foot. | 0:23:44 | 0:23:47 | |
That's you. | 0:23:49 | 0:23:51 | |
You can't see it, Runner. You can't feel it, but it's bad. | 0:23:51 | 0:23:56 | |
All right. Now you're gonna tell me everything. | 0:23:59 | 0:24:04 | |
No more fucking comedy joke. | 0:24:05 | 0:24:07 | |
This is it, Runner. This is the end. You don't exist any more! | 0:24:07 | 0:24:12 | |
Going nicely. Here come the pain, Runner. It's real bad. | 0:24:13 | 0:24:18 | |
Here come the pain. | 0:24:19 | 0:24:21 | |
Aaaargh! | 0:24:21 | 0:24:23 | |
Get me another tin. | 0:24:29 | 0:24:32 | |
Uh-uh. | 0:24:33 | 0:24:34 | |
You're going all Looney Tunes on me. | 0:24:40 | 0:24:43 | |
What can be worth it, Runner? | 0:24:43 | 0:24:46 | |
Huh? | 0:24:46 | 0:24:47 | |
What can be worth all this...mess and pain? | 0:24:48 | 0:24:52 | |
If you got the perfect... rosy future of your dreams, | 0:24:55 | 0:24:59 | |
-if you got the future you wanted... -And that's what you've got? | 0:25:02 | 0:25:06 | |
Nothing in this world will make you give it up. Would it? | 0:25:06 | 0:25:11 | |
All right. | 0:25:16 | 0:25:18 | |
This is just your first appointment. | 0:25:19 | 0:25:22 | |
Now fuck off! | 0:25:22 | 0:25:24 | |
Here you go. | 0:25:50 | 0:25:52 | |
He's staring at me! | 0:25:55 | 0:25:57 | |
-Let him. -There's something weird about him. | 0:25:57 | 0:26:01 | |
-Go on, piss off, you! -Oi! | 0:26:01 | 0:26:04 | |
Leave him alone. | 0:26:04 | 0:26:06 | |
He's probably like Chucky or Damien. | 0:26:06 | 0:26:09 | |
Here you are. | 0:26:11 | 0:26:13 | |
He doesn't want it. | 0:26:14 | 0:26:16 | |
Mmm, come on, try some. | 0:26:16 | 0:26:19 | |
It's nice. | 0:26:19 | 0:26:21 | |
What's the matter with you? It's good meat. | 0:26:21 | 0:26:24 | |
-Mmm. -Mmm, tasty. You'd like it. | 0:26:24 | 0:26:28 | |
-BOTH: Mmmm! -It's nice! | 0:26:31 | 0:26:34 | |
Maybe he don't eat meat. Here. Try a piece of that. | 0:26:34 | 0:26:38 | |
OK... | 0:26:40 | 0:26:41 | |
He likes it! He's eating it! | 0:26:46 | 0:26:49 | |
He shouldn't be here. He should be in a home or something. | 0:26:55 | 0:27:00 | |
Turn it up. Turn the telly up. | 0:27:12 | 0:27:14 | |
RACING COMMENTARY CONTINUES | 0:27:18 | 0:27:20 | |
'Zipster's breathing down his neck. He's taken him! | 0:27:20 | 0:27:24 | |
'He's a little shaken and it's turned into a two-horse race. | 0:27:24 | 0:27:28 | |
-'Zipster's inspired.' -Zipster. | 0:27:28 | 0:27:31 | |
Zipster wins. | 0:27:33 | 0:27:35 | |
-'Zipster's in control. There's half a length in it.' -It's Nostradamus! He can tell the future! | 0:27:35 | 0:27:42 | |
We're going to be rich. We're going to be fucking rich! | 0:27:42 | 0:27:45 | |
FAINTEST WHISPER | 0:27:48 | 0:27:50 | |
'That little sprite knew the numbers, the names, the winners, before they came up. | 0:27:54 | 0:28:00 | |
'He was living half an hour in the future. He was ahead of the game | 0:28:00 | 0:28:05 | |
'and he made me lift my head out of the mud and shit. | 0:28:05 | 0:28:08 | |
'He gave me what was always owed me. Me, Othello. | 0:28:08 | 0:28:12 | |
'Prince of Tottenham.' | 0:28:12 | 0:28:15 | |
Come on. You like it. You've got to be clean, mate. It's civilisation. No more jungle. | 0:28:28 | 0:28:33 | |
Right. Rinse him down. | 0:28:36 | 0:28:38 | |
-He's going to turn into a prune. Come on, boys, out. -Mummy's here(!) | 0:28:43 | 0:28:48 | |
Right, you. Let's get you dry. | 0:28:51 | 0:28:54 | |
Come on, stand up. | 0:28:54 | 0:28:56 | |
Oh... | 0:29:00 | 0:29:01 | |
You're just a little pixie, aren't you? Hm? | 0:29:07 | 0:29:10 | |
-What about that? -It's not right. | 0:29:10 | 0:29:13 | |
-Too boy band. -All right. There. -Nah. | 0:29:14 | 0:29:17 | |
-It's too...mumsy. -He's got to look smart! -That makes him look like a little bender. | 0:29:17 | 0:29:24 | |
Here, try this. | 0:29:25 | 0:29:27 | |
No, that's lary. It's a bit black. | 0:29:28 | 0:29:31 | |
Right. | 0:29:31 | 0:29:33 | |
There. | 0:29:35 | 0:29:36 | |
Style! Class, aintcha? | 0:29:36 | 0:29:39 | |
Yeah. Style. | 0:29:39 | 0:29:42 | |
HORN TOOTS | 0:29:58 | 0:29:59 | |
Oh, wow! | 0:30:00 | 0:30:02 | |
Give me a cigar. The king's. The best. | 0:30:27 | 0:30:30 | |
A cigar for the gent. | 0:30:30 | 0:30:33 | |
On tick, I suppose? | 0:30:34 | 0:30:36 | |
Yeah. Why not? | 0:30:36 | 0:30:38 | |
Yeah. Why not? | 0:30:38 | 0:30:40 | |
-No reason I can think of. You? -Not right now. | 0:30:42 | 0:30:45 | |
-I'm having a bit of a celebration, bit of a bash, a bender. -Oh, yeah? | 0:30:49 | 0:30:54 | |
-Family do. -Yeah. | 0:30:54 | 0:30:56 | |
Family do. | 0:30:56 | 0:30:58 | |
We're having a party, innit! | 0:31:51 | 0:31:53 | |
Family do. | 0:31:56 | 0:31:58 | |
Me and my boy. | 0:31:58 | 0:32:00 | |
We're gonna have bresaola and that Efes beer. | 0:32:00 | 0:32:04 | |
Do you want an ice cream? | 0:32:05 | 0:32:07 | |
Which one? That one? Do you want that one? You can have anything. Anything at all. Christella? | 0:32:07 | 0:32:13 | |
Put some chops on the fire, would you? | 0:32:15 | 0:32:18 | |
-I finish here. I have Mr Karva's dinner to take. -Just get it going for us. | 0:32:19 | 0:32:25 | |
I finish. | 0:32:25 | 0:32:27 | |
You are embarrassing me. | 0:32:34 | 0:32:36 | |
What is this child who you are dressing up? | 0:32:37 | 0:32:41 | |
He's my boy. | 0:32:42 | 0:32:44 | |
Family business. | 0:32:45 | 0:32:48 | |
You poor little fellow. | 0:32:48 | 0:32:51 | |
Little Christmas tree angel at the top. | 0:32:51 | 0:32:55 | |
He was in rags and he stank. | 0:32:55 | 0:32:58 | |
Look at him now. | 0:32:58 | 0:33:00 | |
Hey, you. The Mario Brothers. Chops on the fire. Breathe, move! | 0:33:01 | 0:33:06 | |
Saddam, tomato and pepper - go! I'll get my boy an ice cream. | 0:33:06 | 0:33:10 | |
-Oh! -Othello! | 0:33:17 | 0:33:19 | |
Get away from him! | 0:33:26 | 0:33:28 | |
Keep back! | 0:33:28 | 0:33:31 | |
It's all right. You'll be all right. | 0:33:37 | 0:33:39 | |
My little baby, so long ago, | 0:34:55 | 0:34:58 | |
did not take even one breath. | 0:34:59 | 0:35:01 | |
The angels take him back the same day. | 0:35:03 | 0:35:07 | |
No one know. | 0:35:08 | 0:35:10 | |
No one know about my poor little baby, Michali. | 0:35:11 | 0:35:15 | |
And how I hide his little body away. | 0:35:16 | 0:35:19 | |
Jesus Christ, our Saviour, | 0:35:54 | 0:35:57 | |
knows of your sorrow. | 0:35:57 | 0:36:00 | |
He hears you. | 0:36:01 | 0:36:03 | |
And He forgives you your sins. | 0:36:05 | 0:36:07 | |
I don't come to confess. | 0:36:08 | 0:36:11 | |
I come to give thanks. | 0:36:12 | 0:36:14 | |
Today my sin will be unmade. | 0:36:16 | 0:36:19 | |
We cannot uncrucify Our Lord. We can only pray for forgiveness. | 0:36:21 | 0:36:26 | |
No! | 0:36:26 | 0:36:27 | |
He has promised. | 0:36:27 | 0:36:29 | |
Can you believe this? The angel has come to me and he has speak in my head. | 0:36:30 | 0:36:37 | |
What angel? | 0:36:39 | 0:36:41 | |
The angel that has promised to give me back my son. | 0:36:42 | 0:36:46 | |
WHISPERS: Where is he? | 0:37:09 | 0:37:12 | |
Where is my boy? | 0:37:12 | 0:37:14 | |
Unmake this sin for me! | 0:37:17 | 0:37:19 | |
Michali? | 0:37:32 | 0:37:33 | |
Michali! | 0:37:36 | 0:37:38 | |
My son. | 0:37:42 | 0:37:44 | |
KARVA MUTTERING TO HIMSELF | 0:37:46 | 0:37:48 | |
He's dropping for this Nimrod thing | 0:37:49 | 0:37:53 | |
to jam the sky! | 0:37:53 | 0:37:55 | |
Come near. | 0:37:57 | 0:37:59 | |
Come to me, my little dolly mop. | 0:37:59 | 0:38:02 | |
Argh! You wanna watch?! | 0:38:05 | 0:38:07 | |
You gotta pay. | 0:38:07 | 0:38:09 | |
Confetti, Mr Karva. Every one a straight winner. Skint. Boracic. | 0:38:12 | 0:38:17 | |
It's not just us. Every bookie to Stoke fucking Newington's bust! That ain't right. Enemy action. | 0:38:17 | 0:38:24 | |
Relax. I've got to relax. | 0:38:26 | 0:38:29 | |
-It's that weird kid. -What kid? | 0:38:30 | 0:38:33 | |
The freak. It's him what's doing it. I've seen him do it. Othello's little friend. | 0:38:33 | 0:38:39 | |
Othello's little friend? | 0:38:39 | 0:38:41 | |
Like fairyland, right? | 0:38:59 | 0:39:01 | |
All my life I've been hoping for a number like this. My very own personal luck. | 0:39:01 | 0:39:07 | |
And so... | 0:39:19 | 0:39:21 | |
..the prodigal's magic carpet is headed east. | 0:39:21 | 0:39:25 | |
Over the lea | 0:39:25 | 0:39:27 | |
and far away. | 0:39:27 | 0:39:29 | |
The kid. The freak. | 0:40:13 | 0:40:16 | |
Lucky charm, huh? | 0:40:17 | 0:40:19 | |
But there ain't no Santa Claus, innit? Huh? | 0:40:20 | 0:40:25 | |
RACE BELL | 0:40:25 | 0:40:27 | |
Come on! | 0:40:44 | 0:40:46 | |
Come on! | 0:40:51 | 0:40:53 | |
-Go! -Come on! | 0:40:59 | 0:41:01 | |
CROWD YELL | 0:41:01 | 0:41:03 | |
That's right, Dad. You're well keelhauled. | 0:41:07 | 0:41:11 | |
Mutiny on the fucking Bounty. | 0:41:11 | 0:41:13 | |
Hey... | 0:41:40 | 0:41:41 | |
Not psyching me out, Dad? | 0:41:51 | 0:41:53 | |
-Ah, you drown all your cares away, huh? -No cares left to drown. | 0:41:55 | 0:42:00 | |
Look at me. Mr Easy. | 0:42:00 | 0:42:02 | |
I've never been so uncoiled. | 0:42:02 | 0:42:05 | |
That's nice. | 0:42:05 | 0:42:07 | |
Here you go. Load it up. | 0:42:12 | 0:42:14 | |
X-O-X. | 0:42:15 | 0:42:16 | |
That, uh, kid. | 0:42:24 | 0:42:26 | |
The angel. | 0:42:26 | 0:42:28 | |
Freak. | 0:42:28 | 0:42:30 | |
You don't believe that stuff, huh? | 0:42:32 | 0:42:34 | |
Triple X. | 0:42:35 | 0:42:37 | |
MACHINE PAYS OUT | 0:42:41 | 0:42:43 | |
How do you do it? | 0:42:43 | 0:42:45 | |
It's A, B, C, innit? | 0:42:49 | 0:42:52 | |
No sweat, no guesswork. | 0:42:52 | 0:42:54 | |
The future is spread out before me like a roll of lino. | 0:42:54 | 0:42:59 | |
I can even do it without the kid now. | 0:42:59 | 0:43:02 | |
You know, we should amalgamate. Huh? | 0:43:05 | 0:43:07 | |
Father and son, together. | 0:43:07 | 0:43:10 | |
Your talent, my territories. | 0:43:11 | 0:43:14 | |
Landlord and shepherd, united. | 0:43:15 | 0:43:17 | |
It ain't the winning no more. | 0:43:17 | 0:43:20 | |
I just like to see them wheels lock, the ball fall in the slot. | 0:43:20 | 0:43:24 | |
I just like to see it happen. Over and over. | 0:43:24 | 0:43:28 | |
Well, see... | 0:43:28 | 0:43:30 | |
I got plans. | 0:43:30 | 0:43:32 | |
The City. | 0:43:32 | 0:43:34 | |
The Stock Exchange. | 0:43:34 | 0:43:37 | |
The pink paper. | 0:43:37 | 0:43:39 | |
Not a few quid down the wrong end of the Piccadilly line. | 0:43:39 | 0:43:43 | |
-What do you know about big business? -It's a marketplace! | 0:43:44 | 0:43:48 | |
I was fucking born in one! No difference. | 0:43:48 | 0:43:51 | |
I don't need a partner. | 0:43:51 | 0:43:54 | |
I've got a partner. | 0:43:55 | 0:43:57 | |
I'm asking. | 0:44:04 | 0:44:06 | |
A father is asking a son. | 0:44:07 | 0:44:10 | |
Pleading. | 0:44:10 | 0:44:12 | |
You and me. | 0:44:12 | 0:44:14 | |
Together. | 0:44:14 | 0:44:16 | |
Serious stuff. | 0:44:16 | 0:44:19 | |
Show me it. | 0:44:21 | 0:44:23 | |
Where is this fortune-telling kid? Let me see him. | 0:44:23 | 0:44:28 | |
I hear you scrub him and clothe him and feed him. | 0:44:31 | 0:44:36 | |
Like a father. Huh? | 0:44:36 | 0:44:38 | |
Well, sometimes sons turn against their father. | 0:44:39 | 0:44:45 | |
That is hard to believe and hurtful, but they do. | 0:44:46 | 0:44:50 | |
And then the sons need to be taught a lesson. | 0:44:51 | 0:44:55 | |
Taught where they stand, where they belong | 0:44:55 | 0:44:59 | |
In the pack. | 0:44:59 | 0:45:01 | |
It won't last. | 0:45:11 | 0:45:13 | |
The body of Christ. | 0:45:27 | 0:45:29 | |
-The body of Christ. -Amen. | 0:45:32 | 0:45:35 | |
-The body of Christ. -LOUD BELCH | 0:45:38 | 0:45:41 | |
My son, he's so thirsty. | 0:45:44 | 0:45:47 | |
Can you believe now? | 0:45:47 | 0:45:50 | |
My son is alive. | 0:45:50 | 0:45:52 | |
No, no! Father, no! | 0:46:00 | 0:46:02 | |
No, please! You do not understand! | 0:46:02 | 0:46:05 | |
He is hungry for God! He is hungry for God! | 0:46:05 | 0:46:09 | |
To serve God. | 0:46:12 | 0:46:14 | |
HAMMERING ON DOOR | 0:46:14 | 0:46:17 | |
Michali, ssh. Are you all right? | 0:46:21 | 0:46:24 | |
Are you OK? Come, Michali. Come, Michali. | 0:46:25 | 0:46:30 | |
SAYS PRAYER TO HIMSELF | 0:46:30 | 0:46:32 | |
MUSIC PLAYS: "I, Yi, Yi, Yi, Yi, I Like You Very Much" - Carmen Miranda | 0:48:23 | 0:48:28 | |
How you hated the cold water when you were small. | 0:48:39 | 0:48:43 | |
But now you are grown and you know it is good for you. | 0:48:44 | 0:48:48 | |
We wash all the bad things away like this. | 0:48:49 | 0:48:54 | |
We have become the children of God, | 0:48:55 | 0:48:58 | |
Our Father in Heaven. | 0:48:58 | 0:49:00 | |
You are what you eat and I have eaten nothing! | 0:49:13 | 0:49:17 | |
Where's Christella? Where's my dinner? I'm hungry! | 0:49:18 | 0:49:22 | |
No Runner, no food, everyone goin' fucking mad! | 0:49:22 | 0:49:26 | |
You like to eat, hmm? | 0:49:26 | 0:49:28 | |
You want the shish or the doner? | 0:49:28 | 0:49:31 | |
The dolmathes? I bring you anything you want. | 0:49:31 | 0:49:34 | |
Hey, Christella! What have you got there, huh? | 0:49:34 | 0:49:38 | |
What's that lump of dough? | 0:49:38 | 0:49:40 | |
He's my son. | 0:49:40 | 0:49:42 | |
-Your son? -HE LAUGHS | 0:49:42 | 0:49:45 | |
You? The frozen waste of Antarctica? | 0:49:46 | 0:49:50 | |
I am bad, but God is good and he has returned my son to me. | 0:49:50 | 0:49:55 | |
The little Christmas tree fairy, | 0:49:55 | 0:49:57 | |
he tell me in my head, "Here is your son." | 0:49:57 | 0:50:00 | |
Angels. Fairy... | 0:50:00 | 0:50:03 | |
I'm hungry! | 0:50:03 | 0:50:06 | |
-You born-again hag... -My son is hungry. Always. | 0:50:06 | 0:50:09 | |
What do you say, Christella? If I stick him, he fly round the room like a fat balloon! | 0:50:09 | 0:50:15 | |
No, Mr Karva, no! He's more than a Mr Karva dinner. | 0:50:15 | 0:50:18 | |
He's more than my fear. | 0:50:18 | 0:50:21 | |
See, I'm happy. I can smile now. | 0:50:21 | 0:50:23 | |
You smile? | 0:50:26 | 0:50:28 | |
You smile... | 0:50:28 | 0:50:30 | |
Huh? | 0:50:30 | 0:50:32 | |
All this winning is freeing me up. It's like there's things I don't need no more. | 0:50:42 | 0:50:47 | |
Like it's time to chuck the ballast overboard, d'you know what I mean? | 0:50:47 | 0:50:51 | |
Gamble? | 0:50:51 | 0:50:53 | |
You don't like 'em, do you? | 0:50:59 | 0:51:01 | |
What? | 0:51:01 | 0:51:03 | |
Cigars. | 0:51:03 | 0:51:05 | |
You don't like 'em. Gamble? | 0:51:06 | 0:51:09 | |
Yeah, I do. I smoke 'em all the time. | 0:51:09 | 0:51:12 | |
What do you want, Emilio? | 0:51:17 | 0:51:19 | |
What? | 0:51:21 | 0:51:23 | |
What...do you want? | 0:51:28 | 0:51:30 | |
I don't know. | 0:51:34 | 0:51:36 | |
The usual. | 0:51:36 | 0:51:38 | |
Women. Cigars. | 0:51:39 | 0:51:41 | |
That ain't you, is it? | 0:51:41 | 0:51:43 | |
It never was. | 0:51:43 | 0:51:45 | |
When I was a kid, I used to get to sleep on dreams of machines, right? | 0:51:46 | 0:51:51 | |
Like little bits of moving things working round together, all perfect. | 0:51:51 | 0:51:55 | |
Clockwork. | 0:51:55 | 0:51:57 | |
What do you...go to bed... dreaming about? | 0:51:57 | 0:52:01 | |
You've got to respect yourself. | 0:52:10 | 0:52:12 | |
You know? | 0:52:12 | 0:52:14 | |
You've got to think what in your deep heart is this big passion what you always wanted. | 0:52:14 | 0:52:20 | |
What's the future you're too scared to wish for? | 0:52:20 | 0:52:23 | |
Well... | 0:52:23 | 0:52:25 | |
What is it? | 0:52:25 | 0:52:27 | |
I don't know. | 0:52:28 | 0:52:30 | |
You don't belong here, mate. | 0:52:34 | 0:52:37 | |
You never did. It ain't your place. | 0:52:38 | 0:52:41 | |
It never was. | 0:52:41 | 0:52:43 | |
I'm letting you go, mate. | 0:52:48 | 0:52:50 | |
-Go and get happy, man. Go home. -But, Othello... -No. | 0:52:50 | 0:52:54 | |
That's it. That is the last cut you get from me. | 0:52:58 | 0:53:02 | |
You're on your own. Go on, piss off! | 0:53:02 | 0:53:05 | |
Do you want to be the whipping boy all your life? I'm doing you a favour, mate. | 0:53:05 | 0:53:10 | |
Go on! | 0:53:12 | 0:53:14 | |
-GREEK MUSIC PLAYS -Hummus! Tzatziki! | 0:54:03 | 0:54:07 | |
Bresaola! Kielbasa! | 0:54:07 | 0:54:10 | |
You got a bit of lamb chop. Got a bit of meat, huh? | 0:54:10 | 0:54:14 | |
We're having a party, a bash, | 0:54:14 | 0:54:17 | |
a binge, a bender! | 0:54:17 | 0:54:19 | |
Yeah, we've got to eat, | 0:54:20 | 0:54:23 | |
for we build our home on the bones of the dead. | 0:54:23 | 0:54:28 | |
So fire up the meat! | 0:54:28 | 0:54:31 | |
I want some food! | 0:54:31 | 0:54:33 | |
I want a party, I want a bit of fun! | 0:54:33 | 0:54:36 | |
I want things like they was. | 0:54:40 | 0:54:43 | |
I want things like they was. | 0:54:50 | 0:54:54 | |
Before my son turn my life to ashes in the mouth. | 0:54:55 | 0:55:02 | |
Before his good luck arrive. | 0:55:03 | 0:55:06 | |
Angels is your territory. | 0:55:08 | 0:55:11 | |
Ain't it, Father? | 0:55:11 | 0:55:14 | |
Our Lord's messengers. | 0:55:15 | 0:55:18 | |
There to guard and inspire us. | 0:55:18 | 0:55:21 | |
Hallelujah! | 0:55:22 | 0:55:24 | |
And Othello... | 0:55:24 | 0:55:26 | |
He don't want to share his little angel | 0:55:27 | 0:55:31 | |
with his dear old... | 0:55:31 | 0:55:34 | |
poor old dad. | 0:55:34 | 0:55:36 | |
I don't believe there is an angel. | 0:55:39 | 0:55:41 | |
Not here. | 0:55:42 | 0:55:44 | |
Not in this place. | 0:55:45 | 0:55:48 | |
Oh, there is. | 0:55:48 | 0:55:50 | |
I seen it. | 0:55:50 | 0:55:52 | |
With these heathen... | 0:55:53 | 0:55:56 | |
bloodshot orbs of mine. | 0:55:56 | 0:55:58 | |
Now you listen to me, priest. | 0:56:01 | 0:56:04 | |
It's your religion. | 0:56:05 | 0:56:07 | |
It's your angel. | 0:56:08 | 0:56:11 | |
You'll sort it. | 0:56:12 | 0:56:15 | |
A woman I know...came to see me. | 0:56:58 | 0:57:01 | |
A devout, a good woman. | 0:57:02 | 0:57:05 | |
She told me...a strange thing. | 0:57:05 | 0:57:09 | |
Every week, people tell me strange things. | 0:57:09 | 0:57:13 | |
Winged guardians seeing them safely home at night. | 0:57:14 | 0:57:18 | |
An aunt saved by a prayer. | 0:57:18 | 0:57:20 | |
A child's miraculous recovery. | 0:57:20 | 0:57:23 | |
But this particular woman was different. | 0:57:24 | 0:57:27 | |
The others always want my endorsement. | 0:57:30 | 0:57:33 | |
Do you understand what I'm saying to you? | 0:57:35 | 0:57:39 | |
In the end, it's always me that provides the faith. | 0:57:39 | 0:57:45 | |
This woman just wanted to tell a tale. | 0:57:47 | 0:57:50 | |
A statement of fact. | 0:57:51 | 0:57:53 | |
She told me... | 0:57:55 | 0:57:57 | |
..that an angel... | 0:57:59 | 0:58:01 | |
had returned her lost son to her. | 0:58:01 | 0:58:04 | |
And she said this angel... | 0:58:07 | 0:58:09 | |
..was a friend of yours. | 0:58:10 | 0:58:13 | |
I don't know what you're on about, Father. | 0:58:21 | 0:58:24 | |
Now, if you want to double your money, make a little for the church fund, | 0:58:27 | 0:58:32 | |
it's a dead cert. | 0:58:32 | 0:58:35 | |
God's angels... they don't gamble. | 0:58:42 | 0:58:46 | |
It ain't gambling. | 0:58:46 | 0:58:48 | |
He knows the winners 100% every time. | 0:58:48 | 0:58:52 | |
Does he? | 0:58:53 | 0:58:55 | |
He tells the future. | 0:58:55 | 0:58:58 | |
Then he serves it up to you on a plate. | 0:58:58 | 0:59:00 | |
And it's the rosiest future, what you always wanted. | 0:59:00 | 0:59:04 | |
That's my business partner in there, Father. | 0:59:08 | 0:59:12 | |
Exclusive. | 0:59:13 | 0:59:15 | |
I want to see him. | 0:59:20 | 0:59:22 | |
Please. | 0:59:24 | 0:59:26 | |
I want to see this business partner of yours. | 0:59:32 | 0:59:35 | |
The name's Daniel. | 1:00:08 | 1:00:11 | |
I spoke to the lady. | 1:00:13 | 1:00:15 | |
Miss Christella? | 1:00:15 | 1:00:17 | |
BOY WHISPERS What's that? | 1:00:19 | 1:00:22 | |
CONTINUES WHISPERING | 1:00:33 | 1:00:36 | |
What's that you're saying? | 1:00:37 | 1:00:39 | |
What are you saying? | 1:00:39 | 1:00:41 | |
What language are you speaking? | 1:00:41 | 1:00:45 | |
Where do you come from? | 1:00:47 | 1:00:49 | |
What's your name? | 1:00:53 | 1:00:55 | |
Do you have a name? | 1:00:56 | 1:00:59 | |
DISTANT SIREN | 1:01:10 | 1:01:12 | |
SIGHS DEEPLY | 1:02:04 | 1:02:06 | |
'One morning, the sun came up | 1:03:07 | 1:03:09 | |
'and it was a different world. | 1:03:09 | 1:03:11 | |
'The sky was clean. The streets were paved in gold. | 1:03:11 | 1:03:16 | |
'The air made your heart dance. | 1:03:16 | 1:03:19 | |
'That kid, that little godsend, | 1:03:21 | 1:03:24 | |
'gone and dreamed up a heaven for every one of us. | 1:03:24 | 1:03:28 | |
'Me, Christella, Runner. | 1:03:28 | 1:03:30 | |
'Even Father Daniel. | 1:03:30 | 1:03:33 | |
'We all got our slice of paradise cake. | 1:03:33 | 1:03:36 | |
'We was all on that opiate tide together, | 1:03:36 | 1:03:39 | |
'drifting out on that sea of tranquillity. | 1:03:39 | 1:03:43 | |
'And it was wonderful.' | 1:03:43 | 1:03:45 | |
INAUDIBLE | 1:04:09 | 1:04:11 | |
DISTANT SIRENS | 1:04:50 | 1:04:53 | |
All alone? | 1:05:04 | 1:05:06 | |
THUNDER RUMBLES | 1:05:06 | 1:05:08 | |
Every paradise...got its serpent. | 1:05:12 | 1:05:15 | |
You know what I think? | 1:05:27 | 1:05:29 | |
I think that, uh... | 1:05:32 | 1:05:34 | |
that little oracle that Runner found... | 1:05:34 | 1:05:38 | |
..is an angel. | 1:05:39 | 1:05:41 | |
That's what I think. | 1:05:42 | 1:05:44 | |
You see, I would like to meet it. | 1:05:52 | 1:05:54 | |
That little weakling. | 1:05:55 | 1:05:57 | |
Get him to look me in the eye, | 1:05:58 | 1:06:01 | |
make me like a kid again. | 1:06:01 | 1:06:03 | |
Lovely. | 1:06:04 | 1:06:06 | |
You see, then I get rid of all this... | 1:06:09 | 1:06:12 | |
rough stuff, | 1:06:12 | 1:06:14 | |
all the...fat in the fire. | 1:06:14 | 1:06:18 | |
See the back of them days. | 1:06:18 | 1:06:20 | |
Become a changed man. | 1:06:22 | 1:06:25 | |
Turn the leaf, eat the pie. | 1:06:26 | 1:06:29 | |
Ah, to see the future... | 1:06:30 | 1:06:32 | |
A vista of untroubled beauty, | 1:06:33 | 1:06:36 | |
stretching out ahead of you. | 1:06:36 | 1:06:38 | |
That's what I want. | 1:06:41 | 1:06:43 | |
But I can't have it. | 1:06:45 | 1:06:48 | |
It's denied me. | 1:06:48 | 1:06:50 | |
You just got to see Othello. | 1:06:53 | 1:06:55 | |
KARVA CHUCKLES | 1:06:55 | 1:06:57 | |
Easier said than done these days. | 1:06:57 | 1:07:00 | |
You can't imagine what it's like to be an outsider. | 1:07:00 | 1:07:04 | |
Which is what I have become. | 1:07:06 | 1:07:09 | |
It's cold out there. | 1:07:10 | 1:07:12 | |
You're his dad. | 1:07:17 | 1:07:19 | |
Yeah... | 1:07:19 | 1:07:20 | |
He cut that string. | 1:07:23 | 1:07:25 | |
Heart to heart, it was. | 1:07:26 | 1:07:29 | |
He left mine bleeding. | 1:07:30 | 1:07:32 | |
See? | 1:07:35 | 1:07:37 | |
I would give anything for an interview... | 1:07:39 | 1:07:43 | |
..with that little angel. | 1:07:44 | 1:07:47 | |
You piece of shit, come on, work. | 1:08:24 | 1:08:27 | |
Oi, this is fucked, mate! | 1:08:29 | 1:08:32 | |
JINGLE PLAYS | 1:08:34 | 1:08:36 | |
Where is he? | 1:09:01 | 1:09:03 | |
-We've been turned over. -Where is he?! | 1:09:03 | 1:09:05 | |
I thought he was with you! He's always with you! | 1:09:05 | 1:09:09 | |
They've thieved our lucky mascot! | 1:09:09 | 1:09:11 | |
He isn't a lucky mascot and he isn't an angel. He's just a kid! | 1:09:11 | 1:09:16 | |
-What the fuck would you know? You never liked him anyway! -That isn't fair! | 1:09:16 | 1:09:22 | |
It's over. This is it. | 1:09:23 | 1:09:25 | |
We're coming down off that happy hour. | 1:09:25 | 1:09:28 | |
Now the chuck horrors, the sweats start. | 1:09:28 | 1:09:32 | |
The detox. I'm finished! | 1:09:32 | 1:09:34 | |
He's just a kid. | 1:09:36 | 1:09:38 | |
Fuck! | 1:09:39 | 1:09:41 | |
Argh! | 1:09:42 | 1:09:44 | |
Do it for me too. | 1:11:09 | 1:11:11 | |
Hey, what are you doing? | 1:11:40 | 1:11:42 | |
-I need a few things. You know me. -You're not going nowhere. Where are you going? Come back! -Oi! | 1:11:42 | 1:11:48 | |
-Stop it, stop it! All right, take it, go on. -I want some cigars an' all. | 1:11:48 | 1:11:52 | |
-No problem, no problem. -Them Kings. The best ones. -All right. | 1:11:52 | 1:11:56 | |
-Now! -Cigars for the gent. | 1:11:58 | 1:12:00 | |
Yeah. Cigars for the gent. | 1:12:01 | 1:12:04 | |
Where is it? | 1:12:46 | 1:12:48 | |
Are you sure about this, Mr Karva? | 1:12:49 | 1:12:51 | |
Show me it. | 1:12:53 | 1:12:55 | |
All the things they say about it... | 1:13:03 | 1:13:05 | |
Fairy stories, yeah? | 1:13:06 | 1:13:09 | |
Why don't you find out, Mr Karva? | 1:13:11 | 1:13:14 | |
I just want everyone back in line. That's all. | 1:13:16 | 1:13:20 | |
Looks sick. | 1:13:34 | 1:13:36 | |
Maybe we should just take it to a hospital. | 1:13:36 | 1:13:39 | |
Are you scared? | 1:13:40 | 1:13:42 | |
Take a look. | 1:13:45 | 1:13:47 | |
Have a peep at your future. | 1:13:49 | 1:13:51 | |
Gives you anything you want. | 1:13:52 | 1:13:54 | |
Anything. | 1:13:56 | 1:13:58 | |
He wouldn't do it for me. | 1:14:03 | 1:14:05 | |
It wouldn't work, would it? | 1:14:08 | 1:14:10 | |
KARVA SIGHS | 1:14:13 | 1:14:15 | |
My name is Karva. | 1:14:33 | 1:14:35 | |
Mr Karva. | 1:14:36 | 1:14:38 | |
BOY WHISPERS | 1:14:40 | 1:14:42 | |
What's that you said? | 1:14:43 | 1:14:46 | |
WHISPERING CONTINUES | 1:14:47 | 1:14:49 | |
Go on then. | 1:14:49 | 1:14:51 | |
Give us the number. | 1:14:52 | 1:14:54 | |
The winner. | 1:14:54 | 1:14:56 | |
The dead cert. | 1:14:56 | 1:14:59 | |
Come on, puppet head... | 1:15:00 | 1:15:02 | |
Speak. | 1:15:02 | 1:15:04 | |
All right... | 1:15:09 | 1:15:11 | |
I can wait. | 1:15:11 | 1:15:13 | |
I can wait for the sure-fire system. | 1:15:14 | 1:15:17 | |
I've got patience. | 1:15:17 | 1:15:19 | |
I'm here... | 1:15:24 | 1:15:26 | |
you freak. | 1:15:26 | 1:15:29 | |
I count. | 1:15:30 | 1:15:32 | |
Don't treat me like a little bit of nothing. | 1:15:32 | 1:15:35 | |
I count. | 1:15:35 | 1:15:37 | |
SAY SOMETHING! | 1:15:39 | 1:15:42 | |
I'm here! | 1:15:42 | 1:15:44 | |
Mr Karva! In front of you! I count! | 1:15:44 | 1:15:48 | |
What gave you the right to take over, huh? | 1:15:49 | 1:15:52 | |
What gave you the right to take over like that? | 1:15:52 | 1:15:56 | |
What... | 1:15:56 | 1:15:57 | |
What a nonsense! | 1:15:57 | 1:15:59 | |
What's the blabber, huh? | 1:15:59 | 1:16:02 | |
You want to tell me something. | 1:16:02 | 1:16:04 | |
But I'm not here, am I, huh? Because I'm just nothing! | 1:16:04 | 1:16:10 | |
What gave you the right to turn a son against a father? | 1:16:10 | 1:16:14 | |
This hand's for peace. | 1:16:14 | 1:16:18 | |
BOY WHISPERS | 1:16:18 | 1:16:21 | |
SIGHS LOUDLY | 1:16:34 | 1:16:36 | |
Where is Aaron's rod? | 1:16:42 | 1:16:45 | |
Let me out! | 1:16:45 | 1:16:47 | |
Where is Aaron's rod? | 1:16:49 | 1:16:51 | |
Where's the daddy? | 1:16:51 | 1:16:53 | |
Huh? | 1:16:53 | 1:16:55 | |
Where's Mr Happy? | 1:16:55 | 1:16:58 | |
I don't want it! | 1:16:58 | 1:17:00 | |
Let me out! Let me out! | 1:17:00 | 1:17:03 | |
Ah, ah, ah! | 1:17:03 | 1:17:05 | |
I'm like the nightmare you ain't even dreamed yet. | 1:17:10 | 1:17:14 | |
Ugh! | 1:17:14 | 1:17:15 | |
Ugh! | 1:17:18 | 1:17:20 | |
Agh! Ugh! | 1:17:20 | 1:17:22 | |
Agh! Agh! | 1:17:22 | 1:17:24 | |
-There's different planets in the sky now. -Agh! Agh! Aagh! | 1:17:24 | 1:17:28 | |
Agh! Agh! Ugh! | 1:17:29 | 1:17:31 | |
Make it good. | 1:17:41 | 1:17:43 | |
Make it epic. | 1:17:46 | 1:17:49 | |
Ugh! | 1:17:50 | 1:17:52 | |
Aagh! | 1:17:52 | 1:17:54 | |
Aaagh! | 1:17:54 | 1:17:56 | |
Why you not eat your food tonight, Michali? | 1:18:07 | 1:18:10 | |
You must eat to be big and strong. | 1:18:10 | 1:18:12 | |
Try some baklava. Hmm? | 1:18:13 | 1:18:15 | |
What is it, my son? | 1:18:16 | 1:18:19 | |
Where are you going? | 1:18:21 | 1:18:24 | |
Oh... | 1:18:28 | 1:18:30 | |
Don't leave me. Don't go! | 1:18:30 | 1:18:32 | |
-My son! My son! -Let him go, Christella. -No! | 1:18:32 | 1:18:36 | |
No! Don't go! | 1:18:36 | 1:18:39 | |
He ain't yours. | 1:18:40 | 1:18:42 | |
Just remembered he was someone else's son. | 1:18:45 | 1:18:48 | |
SHE SOBS | 1:18:48 | 1:18:50 | |
-# I, yi, yi -I, yi, yi | 1:18:51 | 1:18:54 | |
# I, yi, yi, yi... | 1:18:54 | 1:18:56 | |
# I, yi, yi, yi, yi I like you very much | 1:18:56 | 1:19:00 | |
# I, yi, yi, yi, yi I think you're grand | 1:19:00 | 1:19:04 | |
# Why, why, why is it that when I feel your touch | 1:19:04 | 1:19:08 | |
# My heart starts to beat, to beat the band? | 1:19:08 | 1:19:12 | |
# I, yi, yi, yi I'd like you to hold me tight | 1:19:12 | 1:19:15 | |
# You are too, too, too, too divine | 1:19:15 | 1:19:18 | |
# If you want to be in someone's arms tonight | 1:19:18 | 1:19:22 | |
# Just be sure the arms you're in are mine | 1:19:22 | 1:19:25 | |
# Oh, I like your lips and I like your eyes | 1:19:25 | 1:19:28 | |
# You do like my hips to hypnotise you? | 1:19:28 | 1:19:33 | |
# See, see, see, see, see the moon above | 1:19:33 | 1:19:37 | |
# Way, way, way, way up in the blue | 1:19:37 | 1:19:40 | |
# Si, si, si, senor, I think I fall in love | 1:19:40 | 1:19:44 | |
# And when I fall, I think I fall for you | 1:19:44 | 1:19:47 | |
-# I, yi, yi, yi -I, yi | 1:19:47 | 1:19:49 | |
-# Si, si, si, si -Si, si | 1:19:49 | 1:19:51 | |
-# I, yi, yi, yi can see, see, see -See, see, see | 1:19:51 | 1:19:54 | |
# That you're for me! # | 1:19:54 | 1:19:56 | |
CHEERING AND APPLAUSE | 1:19:56 | 1:19:58 | |
Someone to see you. | 1:20:13 | 1:20:15 | |
A young man. | 1:20:15 | 1:20:18 | |
I saw the show, Father. You were good. | 1:20:28 | 1:20:31 | |
-What's wrong, Father? -Ah! Please... No! No, that's not what I want. | 1:20:32 | 1:20:37 | |
It doesn't matter. | 1:20:37 | 1:20:39 | |
Aagh! | 1:20:39 | 1:20:40 | |
Ugh! Ugh! | 1:20:40 | 1:20:42 | |
SHE SOBS | 1:20:56 | 1:20:58 | |
DISTANT SIREN | 1:21:14 | 1:21:16 | |
"The club, the rooms above and the bar, I leave to my good son Othello." | 1:21:25 | 1:21:29 | |
He was a good man, was Mr Karva, an honourable man. | 1:21:29 | 1:21:33 | |
Dad... | 1:21:34 | 1:21:36 | |
Dad! | 1:21:37 | 1:21:38 | |
Keep it quiet. There's more. | 1:21:38 | 1:21:41 | |
"To Tina, my masseuse, I leave the fruit machine takings on every other Friday." What a generous man! | 1:21:41 | 1:21:47 | |
What? | 1:21:47 | 1:21:48 | |
Generous? | 1:21:49 | 1:21:52 | |
I don't hear so good these days. | 1:21:52 | 1:21:54 | |
-I wish I WAS dead. -I thought you'd cashed in. | 1:21:54 | 1:21:58 | |
You fraud! | 1:21:58 | 1:22:00 | |
It's nice to know you cared, son. I just wanted it to work on me as well. | 1:22:00 | 1:22:05 | |
I wanted a rosy future too. | 1:22:05 | 1:22:08 | |
I wanted to be happy! Look at me! | 1:22:08 | 1:22:12 | |
Thieved everything we had. | 1:22:12 | 1:22:15 | |
Made me cry like a baby. | 1:22:15 | 1:22:17 | |
-I wanted my mum. -Someone should teach you a lesson. | 1:22:18 | 1:22:23 | |
Tina! Tina! | 1:23:09 | 1:23:11 | |
-KNOCKS ON DOOR -Tina, open up, will you? | 1:23:11 | 1:23:14 | |
Hey, Tina! | 1:23:16 | 1:23:18 | |
Othello, Prince of Tottenham? | 1:23:33 | 1:23:36 | |
You see, I've got it. | 1:23:38 | 1:23:40 | |
The big passion beating from my heart. | 1:23:41 | 1:23:44 | |
The future I was too scared to wish for. I've got everything. | 1:23:44 | 1:23:48 | |
Yeah? | 1:23:48 | 1:23:50 | |
You're the same loser. | 1:23:51 | 1:23:53 | |
Now you understand. | 1:23:56 | 1:23:58 | |
What, you think I won't? | 1:23:59 | 1:24:01 | |
You think I can't? | 1:24:01 | 1:24:03 | |
I'll fucking show you! | 1:24:03 | 1:24:06 | |
I've got the gear. | 1:24:06 | 1:24:09 | |
I've got the cigar. | 1:24:09 | 1:24:11 | |
What's missing? | 1:24:11 | 1:24:13 | |
I'll give you a clue. | 1:24:14 | 1:24:16 | |
You send her to me. | 1:24:16 | 1:24:19 | |
You send Tina to me. | 1:24:20 | 1:24:22 | |
Bang! | 1:24:22 | 1:24:24 | |
The next one goes off. | 1:24:24 | 1:24:26 | |
You want to gamble, Othello of Tottenham? The chancer, the joker. | 1:24:26 | 1:24:32 | |
You send her. | 1:24:32 | 1:24:34 | |
I'll be waiting. | 1:24:34 | 1:24:36 | |
You was right. | 1:25:14 | 1:25:16 | |
I was always unloading Dad's stinking cabbage and stuff. | 1:25:24 | 1:25:28 | |
I was the organ-grinder's monkey. | 1:25:30 | 1:25:33 | |
No. Not you. | 1:25:36 | 1:25:39 | |
Yeah. | 1:25:40 | 1:25:42 | |
You knew. | 1:25:42 | 1:25:44 | |
I didn't care though, did I? | 1:25:45 | 1:25:48 | |
That's what I love about you. | 1:25:52 | 1:25:55 | |
You knew us all. | 1:26:01 | 1:26:03 | |
Me, Emilio... | 1:26:03 | 1:26:05 | |
Emilio was easy. | 1:26:05 | 1:26:07 | |
Yeah. | 1:26:10 | 1:26:12 | |
He'd do anything for you, wouldn't he? | 1:26:12 | 1:26:15 | |
I'll go alone now. | 1:26:27 | 1:26:30 | |
-If he touches you... -It's nothing to do with you. | 1:26:30 | 1:26:33 | |
Go home and wait for me. | 1:26:40 | 1:26:42 | |
You want to play mummies and daddies? | 1:27:17 | 1:27:20 | |
I can make you... | 1:27:21 | 1:27:24 | |
-I can make you get into bed and everything. -Yeah, I know. | 1:27:25 | 1:27:29 | |
Stop looking at my dad's things! | 1:27:34 | 1:27:36 | |
He'd be angry if he knew. | 1:27:37 | 1:27:39 | |
He isn't here no more, Emilio. | 1:27:40 | 1:27:43 | |
-< WHISPERING -Shut up! | 1:27:44 | 1:27:46 | |
Shut up! Always crying and crying! Shut up! | 1:27:46 | 1:27:50 | |
He's just a little boy. | 1:27:55 | 1:27:57 | |
He cries all the time. | 1:27:58 | 1:28:00 | |
I give him things. | 1:28:02 | 1:28:04 | |
Watermelon, chips, anything. He won't eat! | 1:28:04 | 1:28:07 | |
-Let me see him. -No. | 1:28:07 | 1:28:09 | |
No. | 1:28:11 | 1:28:13 | |
You'll steal him away. You'll take him away. | 1:28:13 | 1:28:16 | |
No, little boys need to be looked after. I'm not going to steal him away. | 1:28:16 | 1:28:21 | |
You promise? | 1:28:24 | 1:28:26 | |
Yeah, I cross my heart, hope to die. | 1:28:26 | 1:28:28 | |
Now put that silly thing away. | 1:28:30 | 1:28:33 | |
HE WHIMPERS | 1:28:57 | 1:28:59 | |
He's sick. He's sick, Emilio, really sick. | 1:29:02 | 1:29:05 | |
We'll have to take him to a special doctor. Help me take him there. | 1:29:05 | 1:29:09 | |
It's not my fault. | 1:29:09 | 1:29:12 | |
It's not! | 1:29:12 | 1:29:14 | |
-I'm not bad. -Don't worry. Everything's going to be all right. Come on. | 1:29:14 | 1:29:19 | |
There you go. | 1:29:19 | 1:29:21 | |
OK? | 1:29:21 | 1:29:23 | |
That's it. | 1:29:23 | 1:29:26 | |
He'll be all right? | 1:29:27 | 1:29:29 | |
He'll be all right, won't he? | 1:29:29 | 1:29:32 | |
Yeah. | 1:29:32 | 1:29:33 | |
LOUD RATTLING | 1:29:35 | 1:29:37 | |
That's a good boy. That's it. | 1:29:47 | 1:29:50 | |
Good girl, Tina. | 1:29:54 | 1:29:56 | |
Hand him over, Emilio. | 1:30:05 | 1:30:07 | |
Othello, back off. | 1:30:07 | 1:30:09 | |
You said it would be all right. You said... | 1:30:09 | 1:30:12 | |
Emilio... | 1:30:12 | 1:30:14 | |
Put it down. | 1:30:14 | 1:30:16 | |
-Just let him go! -He's mine! | 1:30:18 | 1:30:20 | |
He's just a little boy, remember, Emilio? | 1:30:20 | 1:30:23 | |
He's just a sick child who needs to see a doctor. | 1:30:23 | 1:30:27 | |
No, he can't. | 1:30:27 | 1:30:29 | |
LAUGHTER | 1:30:29 | 1:30:32 | |
-The kid comes with me. -You can't take him away from me! | 1:30:33 | 1:30:37 | |
You know what's got to happen. | 1:30:37 | 1:30:39 | |
That little demon has got to go back where he came from, huh? | 1:30:40 | 1:30:45 | |
Stay away! Stay back! | 1:30:45 | 1:30:47 | |
Bring him to Daddy, huh? | 1:30:50 | 1:30:53 | |
No! | 1:30:55 | 1:30:58 | |
No! | 1:31:09 | 1:31:11 | |
Oh... | 1:31:15 | 1:31:16 | |
'No-one said nothing. | 1:31:52 | 1:31:54 | |
'No-one ever said nothing about either of 'em again. | 1:31:54 | 1:31:58 | |
'It's like it never happened. | 1:31:59 | 1:32:01 | |
'Like it was a dream. | 1:32:01 | 1:32:03 | |
'I'm thinking back and I find I learnt a few things. | 1:32:05 | 1:32:09 | |
'Yeah, me - Othello. | 1:32:09 | 1:32:12 | |
'I know that bloodstains become shrines become sickness. | 1:32:14 | 1:32:18 | |
'I know this street is here because someone just like me once walked through the grass and made a track. | 1:32:20 | 1:32:26 | |
'And I know that this is all there is. | 1:32:27 | 1:32:30 | |
'No choirs of angels, no divine light. | 1:32:31 | 1:32:35 | |
'No eternity. | 1:32:35 | 1:32:37 | |
'It's just us. | 1:32:38 | 1:32:40 | |
'The last time I saw Runner, he was headed across the park, | 1:32:44 | 1:32:48 | |
'making a track east.' | 1:32:48 | 1:32:51 | |
# Well, I hope that some day, buddy | 1:33:33 | 1:33:36 | |
# We have peace in our lives | 1:33:36 | 1:33:39 | |
# Together or apart | 1:33:39 | 1:33:42 | |
# Alone or with our wives | 1:33:42 | 1:33:46 | |
# And we can stop our whoring | 1:33:46 | 1:33:49 | |
# And pull the smiles inside | 1:33:49 | 1:33:52 | |
# And light it up forever | 1:33:52 | 1:33:55 | |
# And never go to sleep | 1:33:55 | 1:33:58 | |
# My best unbeaten brother | 1:33:58 | 1:34:01 | |
# This isn't all I see | 1:34:01 | 1:34:04 | |
# Oh, no, I see a darkness | 1:34:11 | 1:34:14 | |
# No, I see a darkness | 1:34:14 | 1:34:17 | |
# No, I see a darkness | 1:34:17 | 1:34:20 | |
# Oh, no, I see a darkness | 1:34:20 | 1:34:23 | |
# Oh, no, I see a darkness | 1:34:23 | 1:34:26 | |
# I see a darkness | 1:34:26 | 1:34:29 | |
# Did you know how much I love you? | 1:34:29 | 1:34:32 | |
# Is there hope that somehow you | 1:34:32 | 1:34:35 | |
# Can save me from this darkness? # | 1:34:35 | 1:34:39 |