
Browse content similar to Adventureland. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
This film contains very strong language | 0:00:02 | 0:00:10 | |
# "Bastards Of Young" - The Replacements | 0:00:10 | 0:00:13 | |
# God, what a mess | 0:00:13 | 0:00:16 | |
# On the ladder of success | 0:00:16 | 0:00:19 | |
# Where you take one step and miss the whole first rung | 0:00:19 | 0:00:24 | |
# Dreams unfulfilled | 0:00:24 | 0:00:28 | |
# Graduate unskilled | 0:00:28 | 0:00:30 | |
# It beats picking cotton and waitin' to be forgotten | 0:00:30 | 0:00:35 | |
# We are the sons of no-one | 0:00:35 | 0:00:39 | |
# Bastards of the young | 0:00:39 | 0:00:42 | |
# We are the sons of no-one | 0:00:42 | 0:00:46 | |
# Bastards of the young | 0:00:46 | 0:00:49 | |
# The daughters and the sons... # | 0:00:49 | 0:00:52 | |
(CHATTER / LAUGHTER) | 0:00:52 | 0:00:54 | |
Hey. Want to get out of here? | 0:01:02 | 0:01:05 | |
What a rager, huh? | 0:01:07 | 0:01:08 | |
Yeah. Yeah... | 0:01:08 | 0:01:11 | |
Isn't it weird that all this... | 0:01:13 | 0:01:16 | |
This all happened at the end of the semester? | 0:01:16 | 0:01:18 | |
You and me? | 0:01:18 | 0:01:20 | |
James... | 0:01:20 | 0:01:22 | |
I don't think I can see you any more. | 0:01:23 | 0:01:26 | |
You don't... | 0:01:26 | 0:01:28 | |
What do you mean? | 0:01:28 | 0:01:30 | |
Sorry. | 0:01:32 | 0:01:34 | |
Women are mercurial, man. | 0:01:39 | 0:01:41 | |
-You did just start dating last week. -It was 11 days ago. | 0:01:41 | 0:01:44 | |
You didn't tell her about the scarlet V, did you? | 0:01:43 | 0:01:46 | |
-That has nothing to do with it. -Ah, Christ! | 0:01:46 | 0:01:49 | |
Brennan! You did. You promised me. | 0:01:49 | 0:01:51 | |
I don't lie to people who I care about. | 0:01:51 | 0:01:53 | |
Yes, but you could have just left it out of the narrative. | 0:01:53 | 0:01:56 | |
You don't want "Virgin" to be your signifier. | 0:01:56 | 0:01:58 | |
-He takes one semiotics class. -Drink up. | 0:01:58 | 0:02:01 | |
You need to bed down the next lonely, plain-looking, | 0:02:01 | 0:02:05 | |
insecure depressive who throws herself at you and get it over with. | 0:02:05 | 0:02:09 | |
I know most people have low standards. | 0:02:09 | 0:02:11 | |
I guess I'm different. | 0:02:11 | 0:02:13 | |
Well, you know what? | 0:02:13 | 0:02:16 | |
We'll find you a girl. All right? When we're on the continent. | 0:02:16 | 0:02:19 | |
Here's to sexually permissive cultures. | 0:02:19 | 0:02:22 | |
Yes, focus on Europe. | 0:02:22 | 0:02:24 | |
It will be a transformative experience. | 0:02:24 | 0:02:27 | |
(ALL) Graduate! | 0:02:27 | 0:02:28 | |
So, I researched more youth hostels and the median cost | 0:02:30 | 0:02:33 | |
is a little higher than I expected. About 7.68 more. | 0:02:33 | 0:02:36 | |
Multiplied by the 42 days is 322.56. | 0:02:36 | 0:02:40 | |
Bill, do you want to take this? | 0:02:40 | 0:02:42 | |
Excuse me, can you get me a refill? That's an Old Fashioned. | 0:02:42 | 0:02:45 | |
So with the 368 I have from Grandpa's trust fund, | 0:02:45 | 0:02:48 | |
plus the 900 you guys are already giving me, thank you, | 0:02:48 | 0:02:52 | |
I do need an additional 279.11. | 0:02:52 | 0:02:56 | |
James, we didn't want to spoil your graduation. | 0:02:56 | 0:03:01 | |
But your father has been transferred to a different department. | 0:03:01 | 0:03:05 | |
Really? | 0:03:05 | 0:03:07 | |
Is that a... Is that bad? | 0:03:07 | 0:03:09 | |
Yes, we're making considerably less. | 0:03:10 | 0:03:13 | |
Because this trip was, erm, my graduation present, so... | 0:03:13 | 0:03:17 | |
Sweetie, I am so sorry about this trip. | 0:03:17 | 0:03:20 | |
But I am afraid we just can't afford it. | 0:03:20 | 0:03:23 | |
You could still help me with rent next year, right? | 0:03:23 | 0:03:26 | |
-James, you're not listening to me. -Here you go, sir. | 0:03:26 | 0:03:29 | |
There. Thank you very much. | 0:03:29 | 0:03:32 | |
Listen. | 0:03:32 | 0:03:33 | |
Here's to you, kiddo, happy graduation. | 0:03:33 | 0:03:36 | |
What am I to do about Grad school? Columbia's holding a spot. | 0:03:36 | 0:03:39 | |
If you end up deciding that's what you want to do, | 0:03:39 | 0:03:42 | |
obviously you'll have to get a job. | 0:03:42 | 0:03:44 | |
A summer job? | 0:03:45 | 0:03:46 | |
Summer in Pittsburgh. That's fucking harsh. | 0:03:46 | 0:03:49 | |
It's a nightmare. | 0:03:49 | 0:03:50 | |
They don't like people like me where I'm from. We're romantics. | 0:03:50 | 0:03:53 | |
I read poetry for pleasure. | 0:03:53 | 0:03:55 | |
Yeah, well, don't worry about it, all right? | 0:03:55 | 0:03:57 | |
With my dad's connections, we'll get a great deal on an apartment. | 0:03:57 | 0:04:01 | |
And, hey, I'll float you for the first few months. | 0:04:01 | 0:04:04 | |
-Yeah? -Yeah. | 0:04:04 | 0:04:05 | |
-Thank you so much. -Don't worry about it. | 0:04:05 | 0:04:08 | |
What are you doing? Our parents are there. | 0:04:08 | 0:04:10 | |
What? Them? They're clueless. | 0:04:10 | 0:04:13 | |
Fuck, this is good weed. | 0:04:14 | 0:04:16 | |
Speaking of which... | 0:04:16 | 0:04:18 | |
I just want you to know you'll be with me in spirit this summer. | 0:04:18 | 0:04:21 | |
Hey, put that away. | 0:04:21 | 0:04:22 | |
-Take it, take it, take it. -No. OK. | 0:04:22 | 0:04:25 | |
Look, James. | 0:04:25 | 0:04:27 | |
I know things suck right now, all right? | 0:04:27 | 0:04:29 | |
But look at it this way. | 0:04:29 | 0:04:30 | |
In a few short months you'll be with me in New York City. | 0:04:30 | 0:04:34 | |
The greatest fucking city in the world. | 0:04:34 | 0:04:36 | |
Like we always talked about, man. | 0:04:36 | 0:04:38 | |
Living the adventure together. | 0:04:38 | 0:04:40 | |
Quit worrying, Brennan. That's what the weed is for. | 0:04:40 | 0:04:44 | |
Bill, for God's sakes, pay attention. | 0:04:47 | 0:04:49 | |
All right, I'm just trying to drive. | 0:04:49 | 0:04:51 | |
# "Here She Comes Now" - The Velvet Underground | 0:04:51 | 0:04:54 | |
# Here she ever comes now now | 0:05:12 | 0:05:15 | |
# She ever comes now now | 0:05:15 | 0:05:17 | |
# She ever comes now | 0:05:17 | 0:05:20 | |
# Here she ever comes now now | 0:05:20 | 0:05:23 | |
# She ever comes now now | 0:05:23 | 0:05:25 | |
# She ever comes now | 0:05:25 | 0:05:28 | |
# Oh, oh, it look so good | 0:05:28 | 0:05:32 | |
# Oh, oh, she's made out of wood | 0:05:32 | 0:05:35 | |
# Just look and see | 0:05:35 | 0:05:38 | |
# Now, she ever comes now now | 0:05:48 | 0:05:52 | |
# She ever comes now now | 0:05:52 | 0:05:54 | |
# She ever comes now | 0:05:53 | 0:05:56 | |
# Now, she ever comes now now | 0:05:56 | 0:06:00 | |
# She ever comes now now | 0:06:00 | 0:06:02 | |
# She ever comes now | 0:06:02 | 0:06:04 | |
# Oh, oh, it look so good | 0:06:04 | 0:06:08 | |
# Oh, oh, she's made out of wood | 0:06:08 | 0:06:12 | |
# Just look and see # | 0:06:12 | 0:06:15 | |
I really haven't had that many jobs per se. | 0:06:16 | 0:06:19 | |
Here are my academic records and extra-curricular activities. | 0:06:19 | 0:06:22 | |
I wrote for the Gordian Knot, a literary journal in college. | 0:06:22 | 0:06:26 | |
In math I got a 770 on the SATs. | 0:06:26 | 0:06:28 | |
So I assume I'd be good at tabulating cheques. | 0:06:28 | 0:06:30 | |
These the only jobs you ever had? | 0:06:30 | 0:06:32 | |
No, I also spent several years taking care of a neighbour's lawn, | 0:06:32 | 0:06:35 | |
I have their letter of recommendation here. | 0:06:35 | 0:06:38 | |
-Fill this out, I'll call you if anything comes up. -OK. | 0:06:38 | 0:06:42 | |
No, I've never actually driven an asphalt mixer per se, | 0:06:42 | 0:06:45 | |
but I did once drive my friend's van to Wisconsin | 0:06:45 | 0:06:47 | |
on a pretty lengthy road trip. Yeah. So - | 0:06:47 | 0:06:51 | |
Is there any way I could take lesso-? | 0:06:51 | 0:06:52 | |
They hung up. | 0:06:52 | 0:06:53 | |
What am I supposed to do? I'm not even qualified for manual labour. | 0:06:53 | 0:06:57 | |
The only place I can get a job is with Frigo. | 0:06:57 | 0:06:59 | |
In Adventureland? | 0:06:59 | 0:07:00 | |
You got a concussion on the teacup ride there when you were six. | 0:07:00 | 0:07:03 | |
-You can do better. -There's nothing. | 0:07:03 | 0:07:05 | |
I majored in Comparative Literature and Renaissance Studies. | 0:07:05 | 0:07:08 | |
Unless someone needs to restore a fresco I'm screwed. | 0:07:08 | 0:07:11 | |
For God's sakes, Bill. | 0:07:11 | 0:07:12 | |
-Nad attack! -Frigo, Frigo. Hey, get off me. | 0:07:17 | 0:07:20 | |
-Brennan, come here. -Frigo, stop. OK... | 0:07:20 | 0:07:22 | |
-There's a lawnmower. -Ow! | 0:07:22 | 0:07:26 | |
-Yes! -Ah, Frigo! | 0:07:26 | 0:07:27 | |
Oh, Brennan. (LAUGHS) | 0:07:27 | 0:07:29 | |
(GIRLS SCREAM ON RIDE) | 0:07:35 | 0:07:38 | |
Right here, sir, right here. | 0:07:39 | 0:07:42 | |
Have a fun-tastic time. | 0:07:42 | 0:07:44 | |
I don't have much work experience per se. | 0:07:45 | 0:07:48 | |
-(RADIO COMMS) -I'm sorry. | 0:07:48 | 0:07:50 | |
Bobby? | 0:07:53 | 0:07:55 | |
-You just... You gotta press it. -Oh, they're gone. | 0:07:57 | 0:08:00 | |
This is James. He's applying for a games job. | 0:08:00 | 0:08:03 | |
-Games! Oh, great. -Er - | 0:08:03 | 0:08:05 | |
Let's get you set up. | 0:08:05 | 0:08:07 | |
Actually, I'd prefer a rides job if it's still open. | 0:08:07 | 0:08:09 | |
You look more like a games guy. | 0:08:09 | 0:08:11 | |
-Plus I already got out the games application. -No, I just - | 0:08:11 | 0:08:14 | |
My name is Bobby. OK, rules. | 0:08:14 | 0:08:17 | |
No freebies. | 0:08:17 | 0:08:19 | |
No free turns for your friends. | 0:08:19 | 0:08:21 | |
No free upgrades. | 0:08:21 | 0:08:23 | |
No free food. | 0:08:23 | 0:08:24 | |
-Just nothing is free? -Everybody has to pay for everything. | 0:08:24 | 0:08:27 | |
More importantly, working in games, no-one ever wins a giant-ass panda. | 0:08:27 | 0:08:32 | |
We don't have that many left. | 0:08:32 | 0:08:34 | |
Cool? Can you hand me a t-shirt, please? | 0:08:33 | 0:08:36 | |
I have a resume, I don't know if you want to take a look at it. | 0:08:36 | 0:08:40 | |
James, am I pronouncing that right? James? | 0:08:40 | 0:08:44 | |
By accepting this T-shirt, you are... | 0:08:44 | 0:08:46 | |
Hired. | 0:08:46 | 0:08:47 | |
-Usually more of a ceremonial thing with the t-shirt. -Sorry. | 0:08:47 | 0:08:51 | |
OK, new guy, let's get this over with. | 0:08:51 | 0:08:53 | |
Here we are at the first of many shitty games. | 0:09:01 | 0:09:04 | |
This one is inexplicably called the Flighing Dutchman. | 0:09:04 | 0:09:07 | |
Even more inexplicable is how they decided to spell it. | 0:09:07 | 0:09:11 | |
Hey, Jerry. | 0:09:11 | 0:09:13 | |
1 buys five rings. If a ring lands on one of the red bottles, | 0:09:13 | 0:09:17 | |
-they win a giant-ass panda. -That is a giant-ass panda. | 0:09:17 | 0:09:21 | |
It's the best prize in the park. | 0:09:21 | 0:09:22 | |
That's because this game is unwinnable. | 0:09:22 | 0:09:25 | |
Observe. Drop a ring from three inches away. | 0:09:25 | 0:09:28 | |
So nobody ever wins? | 0:09:28 | 0:09:30 | |
If someone wins a giant-ass panda on your watch, | 0:09:30 | 0:09:32 | |
you should just go home cos you're fired. | 0:09:32 | 0:09:35 | |
The object of the game is to knock the hat off with a soft ball. | 0:09:35 | 0:09:38 | |
Except, as you'll see, half the hats are glued on. | 0:09:38 | 0:09:43 | |
-Really? -Yeah. | 0:09:43 | 0:09:45 | |
We pay little Malaysian kids 10 cents a day to make these toys, | 0:09:45 | 0:09:48 | |
we can't just give them away. | 0:09:48 | 0:09:50 | |
You get a five minute bathroom break every two hours. | 0:09:50 | 0:09:53 | |
I recommend saving a few up in case you have to go number two. | 0:09:53 | 0:09:57 | |
Brennan. They got you working on games? | 0:09:57 | 0:09:59 | |
What a pussy! You're such a pussy! | 0:09:59 | 0:10:02 | |
You know that demented person? | 0:10:02 | 0:10:04 | |
Yeah, he used to be my best friend. Then I turned four. | 0:10:04 | 0:10:07 | |
If you stand directly below the hoop | 0:10:07 | 0:10:09 | |
you'll see it's been hammered into an oval shape. | 0:10:09 | 0:10:12 | |
From back there you can't tell. | 0:10:12 | 0:10:14 | |
Jesus, that's so wrong. | 0:10:14 | 0:10:17 | |
Criminal abuse of the laws of perspective. | 0:10:17 | 0:10:20 | |
-People are getting ripped off. -Yeah, Trotsky. Let's get you a booth. | 0:10:20 | 0:10:23 | |
Your life must be utter shit or you wouldn't be here. | 0:10:23 | 0:10:26 | |
I was going to Europe but my family has money problems. | 0:10:26 | 0:10:28 | |
Wait until your parents make you pay rent. | 0:10:28 | 0:10:30 | |
My dad even makes me pay utilities. | 0:10:30 | 0:10:33 | |
I don't want popcorn! | 0:10:33 | 0:10:35 | |
# "Modern Love" - David Bowie | 0:10:35 | 0:10:36 | |
# I catch a paper boy But things don't really change | 0:10:36 | 0:10:41 | |
# I'm standing in the wind | 0:10:41 | 0:10:43 | |
# But I never wave bye-bye | 0:10:43 | 0:10:45 | |
# But I try | 0:10:49 | 0:10:51 | |
# I try... # | 0:10:52 | 0:10:54 | |
Hey, litter bug, in the clown mouth. | 0:10:55 | 0:10:57 | |
(BELL RINGS) OK, we have a winner. | 0:10:57 | 0:11:02 | |
It's the purple horse. | 0:11:02 | 0:11:04 | |
Green is in second, Yellow is third. Congratulations. | 0:11:04 | 0:11:07 | |
Here you go. | 0:11:07 | 0:11:09 | |
You can have that. | 0:11:09 | 0:11:11 | |
-Hey, James? -Yeah. | 0:11:11 | 0:11:14 | |
Think you could maybe take it up a notch? | 0:11:14 | 0:11:17 | |
Yeah, maybe I'm not the right guy to run this game. | 0:11:17 | 0:11:19 | |
I think I should probably be on the rides. | 0:11:19 | 0:11:22 | |
No, no, no. | 0:11:22 | 0:11:23 | |
You're more of a game guy. | 0:11:23 | 0:11:25 | |
You're very gamey. | 0:11:25 | 0:11:27 | |
Yeah, yeah, OK. | 0:11:27 | 0:11:28 | |
Have you ever seen a horse race? Have you heard one on the radio? | 0:11:28 | 0:11:32 | |
Harness racing or the normal kind? | 0:11:32 | 0:11:34 | |
That's a good question. | 0:11:34 | 0:11:36 | |
It doesn't really matter. | 0:11:36 | 0:11:37 | |
The Kentucky Derby, have you seen that? | 0:11:37 | 0:11:40 | |
How they announce it on the radio. | 0:11:39 | 0:11:41 | |
-Yay, 100, 200, 200, going... -That's an auction. | 0:11:41 | 0:11:45 | |
So don't, yeah, just get into it. | 0:11:45 | 0:11:47 | |
Make it a show, a performance, you know what I mean? | 0:11:47 | 0:11:50 | |
Let's take it to a 10. | 0:11:50 | 0:11:52 | |
I've got faith in you, man. | 0:11:52 | 0:11:54 | |
Thank you. | 0:11:54 | 0:11:55 | |
-Take it to a 10. I like that. -OK. | 0:11:55 | 0:11:58 | |
Ladies and gentlemen, put down your mint juleps. | 0:12:01 | 0:12:05 | |
Horses are all at the starting gate. | 0:12:04 | 0:12:07 | |
OK, and they're off. | 0:12:07 | 0:12:08 | |
Red bolts out of the gate, an early lead. | 0:12:08 | 0:12:10 | |
Look out, here comes Green challenging from the outside lane. | 0:12:10 | 0:12:14 | |
Green runs well on a muddy track, | 0:12:14 | 0:12:15 | |
so today's conditions give him a slight edge. | 0:12:15 | 0:12:18 | |
Yellow is dead last. What a disappointment | 0:12:18 | 0:12:20 | |
after Yellow's strong showing in Saratoga last spring. | 0:12:20 | 0:12:23 | |
Wait, look out, out of nowhere Orange breaks ahead | 0:12:23 | 0:12:26 | |
and in the backstretch it's Orange and Green. | 0:12:26 | 0:12:29 | |
Orange takes it by a nose. Green places and Red shows. | 0:12:28 | 0:12:31 | |
Please come to the window to collect your winnings. | 0:12:31 | 0:12:34 | |
-What window? -Huh? | 0:12:34 | 0:12:36 | |
There's a window? | 0:12:36 | 0:12:37 | |
No. Here you go. | 0:12:37 | 0:12:39 | |
Congratulations, sir. | 0:12:41 | 0:12:42 | |
# Gets me to the church on time | 0:12:42 | 0:12:46 | |
# Church on time | 0:12:46 | 0:12:47 | |
# Terrifies me | 0:12:47 | 0:12:48 | |
# Church on time | 0:12:48 | 0:12:50 | |
# Makes me party | 0:12:49 | 0:12:51 | |
# Church on time... # | 0:12:51 | 0:12:52 | |
I'm new. | 0:12:52 | 0:12:53 | |
"Our original initiative rapidly got tangled up in the sale of arms | 0:12:53 | 0:12:58 | |
"and the sale of arms got tangled up..." | 0:12:58 | 0:13:00 | |
Why don't you call one of your old friends? | 0:13:02 | 0:13:04 | |
Heard Danny's back in town. Pat. | 0:13:04 | 0:13:08 | |
And tell them I work as a carny? No, thank you. | 0:13:08 | 0:13:12 | |
-Yo, guy. -Yeah? | 0:13:13 | 0:13:15 | |
-Give me five. -OK. | 0:13:15 | 0:13:17 | |
Hey. I heard some big fat lady fell off the paratrooper. | 0:13:20 | 0:13:23 | |
Really, I didn't hear, was she OK? | 0:13:23 | 0:13:25 | |
I don't know. | 0:13:25 | 0:13:27 | |
-Hey, you know what, give me ten. -OK. | 0:13:27 | 0:13:30 | |
You know what, make it 15. | 0:13:30 | 0:13:32 | |
Yeah, I heard she was this big fat slob of a woman. | 0:13:32 | 0:13:37 | |
Hey, he won, check it out. Way to go! | 0:13:37 | 0:13:41 | |
Oh, we got a winner! | 0:13:41 | 0:13:42 | |
OK, sir, actually I saw you... | 0:13:42 | 0:13:45 | |
..holding him over the bottles. That's cheating. | 0:13:44 | 0:13:47 | |
No, he won fair and square. You gotta give him a prize. | 0:13:47 | 0:13:50 | |
-I saw him throw it. -Thank you, sir. | 0:13:50 | 0:13:53 | |
Guys, fellas, I could lose my job. | 0:13:53 | 0:13:56 | |
This faggot's trying to rip off a kid. | 0:13:56 | 0:14:00 | |
Why don't you give the kid a fucking panda. | 0:14:00 | 0:14:02 | |
Here you go, here's your panda. | 0:14:05 | 0:14:07 | |
Yeah, thanks. | 0:14:07 | 0:14:08 | |
Here you go, Dom. He's just a little kid. | 0:14:08 | 0:14:12 | |
Am I going to get in trouble? | 0:14:12 | 0:14:14 | |
No-one is supposed to lose a giant-ass panda. | 0:14:14 | 0:14:16 | |
Is it worth getting knifed over? | 0:14:16 | 0:14:19 | |
Hi, I'm James Brennan, I just started. | 0:14:19 | 0:14:21 | |
Em. Nice to meet you. | 0:14:21 | 0:14:24 | |
Sucks you're going to lose your job your second day, James. | 0:14:24 | 0:14:28 | |
No. Shit. I... I need this job. | 0:14:28 | 0:14:32 | |
I'm kidding. | 0:14:32 | 0:14:34 | |
You're OK. I'll tell Bobby you lost the panda at knifepoint. | 0:14:34 | 0:14:37 | |
Yo, Connell, rock on! | 0:14:37 | 0:14:41 | |
-Who's that? -Connell. He's the maintenance guy. | 0:14:44 | 0:14:47 | |
Hey, Joel. | 0:14:53 | 0:14:54 | |
Is that a pipe? | 0:14:54 | 0:14:56 | |
Yeah, I know. | 0:14:56 | 0:14:58 | |
It's a revolting affectation but it relaxes me. | 0:14:58 | 0:15:01 | |
Hey, Joel. | 0:15:01 | 0:15:03 | |
-Hi. -Hi. | 0:15:02 | 0:15:04 | |
You guys want some of this? | 0:15:04 | 0:15:06 | |
I bagged it from Paulette. | 0:15:06 | 0:15:08 | |
Cuban rum. | 0:15:08 | 0:15:15 | |
Think somebody was trying to write "Satan lives" on the wall | 0:15:15 | 0:15:18 | |
but they spelt it "satin lives". | 0:15:18 | 0:15:20 | |
One of those textile worshipping cults no doubt. | 0:15:20 | 0:15:23 | |
-That's very funny. -Yeah. | 0:15:23 | 0:15:25 | |
Lou Reed? I like the tee, Em. | 0:15:25 | 0:15:27 | |
-You know about Connell and Lou, right? -No, don't know about them. | 0:15:27 | 0:15:31 | |
Time out, guys. | 0:15:31 | 0:15:33 | |
-Guys, he doesn't know the legend. -Connell once jammed with Lou Reed. | 0:15:33 | 0:15:36 | |
-Really? Lou Reed? -THE Lou Reed. | 0:15:36 | 0:15:39 | |
-Connell is, like, a real musician? -Yeah. | 0:15:39 | 0:15:42 | |
He's got his own band, it's awesome. | 0:15:42 | 0:15:44 | |
-He has gotta get pussy with it. -He's married, you perv. | 0:15:44 | 0:15:47 | |
Nice pipe, Grandpa. | 0:15:47 | 0:15:50 | |
Oh, my God. | 0:15:50 | 0:15:52 | |
That was a whole corn dog. | 0:15:52 | 0:15:54 | |
I'm sorry, Joel, my brother is such a douche. | 0:15:54 | 0:15:56 | |
-(CAR HORN) -That's us. Let's go, panty stain. | 0:15:56 | 0:15:59 | |
Panty stain. That's me. Good night everybody. | 0:15:59 | 0:16:02 | |
Hey, I could give you a ride if you want? | 0:16:02 | 0:16:04 | |
Really? Frigo, I got a ride. Really? | 0:16:04 | 0:16:07 | |
-What? -Yeah. -Thank you so much. | 0:16:07 | 0:16:09 | |
I got a ride. You can go. Good night. | 0:16:09 | 0:16:11 | |
-You got a ride? -Yes. | 0:16:11 | 0:16:13 | |
All right. Then why don't you ride this? | 0:16:13 | 0:16:15 | |
-Oh, my God! -Frigo! -Holy shit. | 0:16:15 | 0:16:18 | |
-All right, I'll see you! -What the hell was that? | 0:16:18 | 0:16:20 | |
It's just my life. | 0:16:20 | 0:16:22 | |
# "I Don't Want To Know If You're Lonely" - Husker Du | 0:16:25 | 0:16:28 | |
# I'm curious to know exactly how you are | 0:16:36 | 0:16:41 | |
# I keep my distance But that distance is too far | 0:16:41 | 0:16:46 | |
# It reassures me just to know that you're OK | 0:16:46 | 0:16:51 | |
# But I don't want to go on needing me this way | 0:16:51 | 0:16:55 | |
# And I | 0:16:55 | 0:16:56 | |
# Don't want to know if you are lonely # | 0:16:56 | 0:17:01 | |
-Here, have some rum. -Thanks. | 0:17:01 | 0:17:04 | |
Oh, shit. Sorry, my mother. She's very nosy. | 0:17:04 | 0:17:08 | |
She used to read my journals. I had to start writing in Italian. | 0:17:08 | 0:17:12 | |
I took Italian for a year. Went through an opera. OK, she's gone. | 0:17:11 | 0:17:16 | |
So Joel told me that you're going to Columbia Grad School. | 0:17:17 | 0:17:20 | |
-Yeah. -Wow. | 0:17:20 | 0:17:23 | |
-I'm at NYU right now. -Really? | 0:17:23 | 0:17:26 | |
That's cool, maybe I'll run into you on the streets of NYC. | 0:17:26 | 0:17:31 | |
-What are you studying? -Journalism. | 0:17:31 | 0:17:33 | |
I want to be a travel essayist, | 0:17:33 | 0:17:35 | |
but I want to report on the real state of the world. | 0:17:35 | 0:17:38 | |
Like Charles Dickens wrote what you might call travel books, | 0:17:38 | 0:17:41 | |
but he visited prisons and mental asylums. | 0:17:41 | 0:17:44 | |
-That's cool. -Is it? | 0:17:46 | 0:17:48 | |
-Yeah. -OK. | 0:17:48 | 0:17:49 | |
No, it is. | 0:17:49 | 0:17:51 | |
Why do you have to go to Grad school for that? | 0:17:51 | 0:17:54 | |
That's a valid question. | 0:17:54 | 0:17:57 | |
Actually, journalism is like this old boys' network. | 0:17:56 | 0:18:00 | |
You need the right connections, it's Ivy League, very exclusive. | 0:18:00 | 0:18:05 | |
I think my mother would rather I intern at some Fortune 500 company. | 0:18:05 | 0:18:09 | |
-Fuck that, right? -Yeah. | 0:18:10 | 0:18:13 | |
Yeah. | 0:18:15 | 0:18:17 | |
I got to go. I have to meet a friend. | 0:18:17 | 0:18:20 | |
-OK, thanks for the ride. -Sure. | 0:18:20 | 0:18:23 | |
I heard you jammed with Lou Reed. | 0:18:56 | 0:18:59 | |
-Don't believe everything you hear. -OK. | 0:18:59 | 0:19:03 | |
I'll tell you about it some time. | 0:19:03 | 0:19:05 | |
So, where does your band play? | 0:19:06 | 0:19:08 | |
Usual shitholes around town. | 0:19:08 | 0:19:11 | |
Need better musicians. | 0:19:11 | 0:19:13 | |
-Gonna start a new band out in LA. -Los Angeles? | 0:19:13 | 0:19:16 | |
Yeah, it's gonna be cool. Going this winter. | 0:19:16 | 0:19:18 | |
-Jesus. -Nasty. | 0:19:20 | 0:19:22 | |
You'll get better at avoiding that. | 0:19:22 | 0:19:24 | |
Hey, guys. | 0:19:29 | 0:19:31 | |
A party at my house tonight, my dad's out of town. | 0:19:31 | 0:19:34 | |
I'm invited? | 0:19:34 | 0:19:36 | |
Yep. | 0:19:36 | 0:19:37 | |
-That's why I'm telling you. Connell? -You kiddies have fun. | 0:19:37 | 0:19:42 | |
She's cool, right? | 0:19:45 | 0:19:48 | |
You're just smearing that around. | 0:19:48 | 0:19:49 | |
I'm a virgin at table games so go easy on me. | 0:19:51 | 0:19:54 | |
We're having a ping-pong tournament. | 0:19:54 | 0:19:57 | |
-Hey. -Hey. | 0:19:57 | 0:19:58 | |
Nice digs. | 0:19:58 | 0:20:00 | |
Kind of begs the question, why are you working at Adventureland? | 0:19:59 | 0:20:03 | |
Well, my dad's a lawyer. | 0:20:03 | 0:20:05 | |
It's been his lifelong dream | 0:20:05 | 0:20:07 | |
for his daughter to work at Adventureland. | 0:20:07 | 0:20:09 | |
High hopes. | 0:20:09 | 0:20:10 | |
Also gets me out of the house. | 0:20:10 | 0:20:13 | |
So we can drink your parents' booze? | 0:20:13 | 0:20:15 | |
-Absolutely. -Awesome. | 0:20:15 | 0:20:18 | |
Don't touch me. | 0:20:18 | 0:20:19 | |
Hey, I actually brought something for the party. | 0:20:19 | 0:20:22 | |
-What is that? -It's a joint. | 0:20:25 | 0:20:28 | |
Oh, crooked. | 0:20:28 | 0:20:29 | |
Bobby is weird, I had to get the extra key for the bathroom. | 0:20:30 | 0:20:34 | |
I went back, opened the door, and there were all these pictures | 0:20:34 | 0:20:38 | |
of him and Paulette naked. | 0:20:38 | 0:20:41 | |
I'm gonna go for a swim. | 0:20:47 | 0:20:50 | |
Anybody care to join me? | 0:20:50 | 0:20:52 | |
OK. | 0:20:56 | 0:20:58 | |
Come on. | 0:21:03 | 0:21:04 | |
Is anybody else coming in here? Just us? | 0:21:04 | 0:21:08 | |
Yeah, OK. | 0:21:08 | 0:21:10 | |
-See? It's not so bad. -No, it's OK. | 0:21:18 | 0:21:21 | |
Do you have any more of that pot? | 0:21:29 | 0:21:32 | |
Yeah, at home, why? | 0:21:32 | 0:21:35 | |
-We should make pot cookies. -OK. -That would be so fun. | 0:21:35 | 0:21:38 | |
-Have you done that? -I have not. | 0:21:38 | 0:21:40 | |
-I've had cookies. -Right. | 0:21:40 | 0:21:42 | |
-My connections have all dried up. -Your connections have dried up? | 0:21:42 | 0:21:45 | |
You think I have ties to the underworld? I have five joints. | 0:21:45 | 0:21:48 | |
You think I'm gonna put out a hit on somebody? | 0:21:48 | 0:21:51 | |
-Yeah. -Yeah. | 0:21:51 | 0:21:52 | |
Whoo! Oh, my God. | 0:21:59 | 0:22:01 | |
I got you. It's only two feet, so I can handle it. | 0:22:02 | 0:22:06 | |
I'm going to get a drink. Want one? | 0:22:13 | 0:22:15 | |
-Coming? -Yeah. | 0:22:23 | 0:22:26 | |
Erm... | 0:22:27 | 0:22:29 | |
-Yeah, I'll meet you inside. -OK. | 0:22:29 | 0:22:33 | |
I'll meet you inside. | 0:22:33 | 0:22:34 | |
-OK. -OK. | 0:22:34 | 0:22:35 | |
Shit. | 0:22:37 | 0:22:38 | |
Boner! | 0:22:41 | 0:22:42 | |
You got a boner. | 0:22:42 | 0:22:43 | |
Brennan's got a boner. | 0:22:43 | 0:22:45 | |
Thanks. | 0:22:52 | 0:22:53 | |
I like your records. Eno, Replacements, Big Star. | 0:22:53 | 0:22:57 | |
Hey, give me your underwear. | 0:22:57 | 0:22:59 | |
I'll throw them in the dryer for you. | 0:22:59 | 0:23:02 | |
-Promise you'll get them back. -Yeah. | 0:23:02 | 0:23:04 | |
Thank you. | 0:23:09 | 0:23:11 | |
Who's that? | 0:23:20 | 0:23:22 | |
It's my step mom. | 0:23:22 | 0:23:23 | |
I don't think there's any pictures of my mom in here. | 0:23:26 | 0:23:29 | |
-She died two years ago. -Really? | 0:23:29 | 0:23:31 | |
I'm sorry. | 0:23:33 | 0:23:35 | |
My dad remarried last year. That's Francy. | 0:23:35 | 0:23:39 | |
-See that unholy abomination on her head? -Yeah. | 0:23:39 | 0:23:42 | |
-It's a wig. -Is it? | 0:23:42 | 0:23:45 | |
She had a nervous breakdown when her first husband divorced her. | 0:23:45 | 0:23:49 | |
Lost all her hair. | 0:23:49 | 0:23:51 | |
I would feel bad if she wasn't such a status-obsessed witch. | 0:23:51 | 0:23:55 | |
I'm buzzed. You? | 0:23:58 | 0:24:00 | |
Yeah, kind of. | 0:24:00 | 0:24:02 | |
-What was that? -What was what? | 0:24:14 | 0:24:17 | |
-You want to go see what they're doing? -Yes. | 0:24:17 | 0:24:20 | |
-(FRIGO) -I think I drank, like, a whole bottle of vodka. | 0:24:25 | 0:24:27 | |
You were drinking vermouth. Disgusting. | 0:24:27 | 0:24:30 | |
It's a type of vodka. | 0:24:30 | 0:24:32 | |
OK? | 0:24:35 | 0:24:36 | |
Frigo? What are you doing? | 0:24:37 | 0:24:39 | |
OK. | 0:24:39 | 0:24:40 | |
Good night. | 0:24:40 | 0:24:41 | |
(PHONE RINGS) | 0:24:42 | 0:24:44 | |
Hello? | 0:24:48 | 0:24:50 | |
Hey. No. | 0:24:51 | 0:24:54 | |
Actually, party broke up pretty early. | 0:24:53 | 0:24:56 | |
I'm in here. | 0:25:05 | 0:25:07 | |
# "Taste of Cindy" (acoustic version) - The Jesus And Mary Chain | 0:25:09 | 0:25:13 | |
So, do we have, like, five minutes? | 0:25:22 | 0:25:26 | |
No. | 0:25:26 | 0:25:28 | |
There's not much point in wasting time, though. | 0:25:31 | 0:25:34 | |
Lisa P is back. | 0:26:16 | 0:26:18 | |
-Lisa P is back. -Lisa P? Did you hear that? | 0:26:18 | 0:26:20 | |
Lisa P is back. Lisa P is back. | 0:26:20 | 0:26:25 | |
-Brennan, Brennan, Lisa P is back. -Who's Lisa P? | 0:26:25 | 0:26:28 | |
Holy mother of crap, who's Lisa P? | 0:26:28 | 0:26:30 | |
That's Lisa P. | 0:26:30 | 0:26:32 | |
# "Tops" - Rolling Stones | 0:26:32 | 0:26:34 | |
# Have you ever heard those opening lines? | 0:26:38 | 0:26:43 | |
# You should leave this small town way behind | 0:26:43 | 0:26:49 | |
# I'll be your partner | 0:26:49 | 0:26:52 | |
# Show you the steps | 0:26:52 | 0:26:54 | |
# With me behind your tasting... # | 0:26:54 | 0:26:57 | |
Oh my God, look at the shape of her ass. | 0:26:57 | 0:27:01 | |
It's a platonic ideal. | 0:27:01 | 0:27:02 | |
That ass is a higher truth. | 0:27:02 | 0:27:03 | |
Look at that little portal of light just below the crotch. | 0:27:03 | 0:27:08 | |
Right where the thigh meets the pudendum. | 0:27:08 | 0:27:10 | |
The pudendum? Are you pre-med? | 0:27:10 | 0:27:12 | |
I'm telling you, I've had dreams about that diamond-shaped portal. | 0:27:12 | 0:27:15 | |
-She's coming over, man, be cool. -OK, I'll try to hold it together. | 0:27:15 | 0:27:19 | |
-Hey, Lisa. Hey, Kelly. -Hey, Joel. | 0:27:19 | 0:27:22 | |
So, I didn't expect you to be back here. | 0:27:22 | 0:27:24 | |
I had my whole summer mapped out. | 0:27:24 | 0:27:27 | |
Laying out by the pool by day, dancing by night. | 0:27:27 | 0:27:30 | |
My dad got injured on a job and he's laid up so I got to help out. | 0:27:30 | 0:27:35 | |
Sorry to hear that. My mom has shingles. | 0:27:35 | 0:27:39 | |
Oh. | 0:27:39 | 0:27:40 | |
Well, I got to go run the Musik-Express, | 0:27:40 | 0:27:43 | |
I don't want Paulette bitching on my first day. | 0:27:43 | 0:27:47 | |
-I'm Lisa. -James. | 0:27:47 | 0:27:49 | |
I heard you lost a giant-ass panda at knifepoint. | 0:27:49 | 0:27:52 | |
Did you? Guess my legend precedes me. | 0:27:52 | 0:27:55 | |
What? | 0:27:55 | 0:27:57 | |
It was nice to meet you. | 0:27:57 | 0:27:59 | |
Nice to meet you too, James. | 0:27:59 | 0:28:02 | |
Bye, Lisa. Bye, Kelly. | 0:28:02 | 0:28:04 | |
Little more than 40 per cent of these fish are dead. | 0:28:05 | 0:28:08 | |
I'm amazed how tiny my pay cheque is, I've been working doubles. | 0:28:08 | 0:28:11 | |
We are doing the work of pathetic, lazy morons. | 0:28:11 | 0:28:13 | |
# "Rock Me Amadeus" - Falco | 0:28:13 | 0:28:15 | |
Jesus fucking Christ, they play this song like 20 times a day. | 0:28:15 | 0:28:18 | |
Fucking sadists. | 0:28:18 | 0:28:20 | |
Fucking sadists! | 0:28:20 | 0:28:21 | |
Hey. | 0:28:25 | 0:28:27 | |
Hey, I made you a tape. These are my favourite bummer songs. | 0:28:27 | 0:28:30 | |
Truly miserable, pit of despair songs. I think you'll love it. | 0:28:30 | 0:28:33 | |
-Cool. -Yeah. | 0:28:33 | 0:28:34 | |
-Hey, you want to get a drink or something? -Sure. | 0:28:34 | 0:28:38 | |
# I've got a fever of 103 | 0:28:45 | 0:28:49 | |
# Come on, baby, do you do more than dance? | 0:28:49 | 0:28:53 | |
# I'm hot-blooded, hot-blooded... # | 0:28:53 | 0:28:56 | |
Hey, I, erm, feel like I should tell you. | 0:29:07 | 0:29:10 | |
Tell me what? | 0:29:10 | 0:29:13 | |
Yeah, I had my heart broken recently. Is that...? I don't know. | 0:29:13 | 0:29:18 | |
I just thought I should... tell you. | 0:29:18 | 0:29:21 | |
-That sucks. -Yeah. | 0:29:21 | 0:29:23 | |
-Who broke your heart? -A girl at school. | 0:29:23 | 0:29:26 | |
It was typical. | 0:29:26 | 0:29:27 | |
Actually I think there was something there, | 0:29:27 | 0:29:30 | |
I think we actually had potential. I don't know, I think she... | 0:29:30 | 0:29:34 | |
I think she was afraid. | 0:29:34 | 0:29:36 | |
Afraid of what? | 0:29:36 | 0:29:37 | |
I don't know, of it being good or something. | 0:29:37 | 0:29:39 | |
Was the sex good? | 0:29:39 | 0:29:42 | |
She was very sexy. | 0:29:42 | 0:29:44 | |
-You been with a lot of girls? -Mm-hmm. Yep. | 0:29:44 | 0:29:48 | |
Are we talking about, like, intercourse specifically? | 0:29:48 | 0:29:52 | |
Yeah. | 0:29:53 | 0:29:56 | |
In that case, there are actually a few times that I... | 0:29:56 | 0:30:00 | |
Yeah, a few times I could have done that. But it wasn't exactly right. | 0:30:00 | 0:30:04 | |
So you're telling me you're a virgin? | 0:30:04 | 0:30:07 | |
-There were circumstances. -Oh, my God. | 0:30:07 | 0:30:10 | |
No! I will tell... OK. | 0:30:10 | 0:30:12 | |
All right, in junior year I was dating a girl, Betsy Cooke. | 0:30:12 | 0:30:15 | |
Betsy was kind of like... a prude actually. | 0:30:15 | 0:30:19 | |
One day I was reading Shakespeare | 0:30:19 | 0:30:21 | |
and I realised I don't really love this person. | 0:30:21 | 0:30:25 | |
It was one of the sonnets. | 0:30:25 | 0:30:29 | |
"Being your slave, what should I do | 0:30:29 | 0:30:31 | |
"but tend upon the hours and times of your desires?" | 0:30:31 | 0:30:34 | |
And I realised I don't want to tend to Betsy's hours or her times. | 0:30:34 | 0:30:39 | |
That doesn't matter. | 0:30:39 | 0:30:41 | |
I drove to Betsy's house and I was about to tell her | 0:30:41 | 0:30:44 | |
and that's the night she said she wanted to have sex. | 0:30:44 | 0:30:46 | |
It was the same night. | 0:30:46 | 0:30:48 | |
You didn't just fuck her anyway? | 0:30:48 | 0:30:50 | |
Huh? | 0:30:51 | 0:30:52 | |
No. | 0:30:53 | 0:30:54 | |
So what about you? | 0:30:57 | 0:31:00 | |
And intercourse. | 0:31:00 | 0:31:02 | |
-Can you stop saying intercourse? -Sure. | 0:31:02 | 0:31:05 | |
I don't know, there were guys in high school. | 0:31:05 | 0:31:07 | |
And there were other ones. | 0:31:07 | 0:31:11 | |
Were you in love with any of them? | 0:31:11 | 0:31:13 | |
No. | 0:31:13 | 0:31:14 | |
-Hell, no. -Gotcha. | 0:31:14 | 0:31:16 | |
Oh, hey, it's Connell. Hey, Connell. | 0:31:18 | 0:31:21 | |
-Jimbo. -Hey, you know this place? | 0:31:21 | 0:31:23 | |
Yeah, everybody knows this is my joint. | 0:31:23 | 0:31:27 | |
These guys work at the park. This is Ronnie. | 0:31:27 | 0:31:29 | |
-Nice to meet you. -Hi. -Hey. | 0:31:29 | 0:31:32 | |
We're going to meet some friends in the back. | 0:31:32 | 0:31:35 | |
Cool. | 0:31:35 | 0:31:36 | |
My nephew! | 0:31:39 | 0:31:40 | |
Was that Connell's wife? She's really pretty. | 0:31:45 | 0:31:47 | |
Yeah, she is. | 0:31:47 | 0:31:49 | |
She works at that lame disco, Razzmatazz. | 0:31:49 | 0:31:54 | |
-It's kind of sad. -I've never been there. | 0:31:54 | 0:31:56 | |
I mean their marriage is sad. He didn't want it, but he's trapped. | 0:31:56 | 0:32:00 | |
Are you sure you want to go? | 0:32:07 | 0:32:08 | |
The band is really awful. | 0:32:08 | 0:32:10 | |
-Yeah, I just needed some air. -OK. | 0:32:10 | 0:32:13 | |
# "Pale Blue Eyes" - The Velvet Underground | 0:32:14 | 0:32:18 | |
# Sometimes I feel so happy | 0:32:21 | 0:32:24 | |
# Sometimes I feel so sad | 0:32:27 | 0:32:29 | |
# Sometimes I feel so happy | 0:32:33 | 0:32:35 | |
# But mostly you just make me mad | 0:32:37 | 0:32:41 | |
# Baby, you just make me mad | 0:32:43 | 0:32:46 | |
# Linger on | 0:32:50 | 0:32:54 | |
# Your pale blue eyes | 0:32:55 | 0:32:57 | |
# Linger on | 0:33:01 | 0:33:05 | |
# Your pale blue eyes... # Hey, can we go somewhere? | 0:33:06 | 0:33:10 | |
Yeah. | 0:33:10 | 0:33:11 | |
# Thought of you as my mountain-top | 0:33:15 | 0:33:18 | |
# Thought of you as my peak | 0:33:20 | 0:33:23 | |
# Thought of you as everything | 0:33:26 | 0:33:29 | |
# I've had but couldn't keep | 0:33:30 | 0:33:34 | |
Hey. # I've had but couldn't keep | 0:33:35 | 0:33:39 | |
# Linger on | 0:33:43 | 0:33:47 | |
# Your pale blue eyes... # | 0:33:48 | 0:33:52 | |
-You made out with her? -Yeah. | 0:33:58 | 0:34:00 | |
I just kissed her, I don't know what came over me, it was incredible. | 0:34:00 | 0:34:05 | |
Cool, man. | 0:34:05 | 0:34:07 | |
How was that? | 0:34:07 | 0:34:09 | |
It was fantastic. | 0:34:09 | 0:34:10 | |
She's like... perfect. | 0:34:10 | 0:34:13 | |
-Good for you, man. -Yeah. | 0:34:13 | 0:34:16 | |
I got to open my booth. | 0:34:16 | 0:34:18 | |
# "Rock Me Amadeus" - Falco | 0:34:21 | 0:34:24 | |
Do you have an ice-pick I can jam into my ears? | 0:34:30 | 0:34:32 | |
-I can't listen to this song anymore. -I don't, but... | 0:34:32 | 0:34:35 | |
..I have this. | 0:34:37 | 0:34:39 | |
-Be cool with that. -OK, thanks. | 0:34:39 | 0:34:42 | |
-On a date last night? -Wouldn't call it a date. | 0:34:45 | 0:34:48 | |
Not into Em? | 0:34:48 | 0:34:50 | |
No, she's great. | 0:34:51 | 0:34:52 | |
I don't know if I'm ready for a girlfriend yet. | 0:34:52 | 0:34:55 | |
I'm getting over a broken heart. | 0:34:55 | 0:34:57 | |
Hope you didn't tell her that. | 0:34:57 | 0:34:59 | |
Erm, why? | 0:34:59 | 0:35:01 | |
You told her that, didn't you? | 0:35:02 | 0:35:05 | |
James, no girl wants to hear about some other chick you're hard up for. | 0:35:05 | 0:35:08 | |
-Right. They don't? -They don't. | 0:35:08 | 0:35:11 | |
I'm not saying never be vulnerable with a girl. | 0:35:11 | 0:35:14 | |
I'm just saying don't play that card first. | 0:35:14 | 0:35:18 | |
Wait, it's a card? | 0:35:18 | 0:35:20 | |
Like a card? | 0:35:20 | 0:35:21 | |
There's a science to it. | 0:35:21 | 0:35:23 | |
You're probably pretty good at science. | 0:35:23 | 0:35:26 | |
That works now. | 0:35:26 | 0:35:27 | |
OK. | 0:35:27 | 0:35:29 | |
-(JOEL) -OK, observe. | 0:35:29 | 0:35:32 | |
Two options. | 0:35:32 | 0:35:33 | |
I can play it safe, pick them off from back here, | 0:35:33 | 0:35:36 | |
or could rush into the breach, guns ablazing, | 0:35:36 | 0:35:40 | |
make a run for the cortex and bombs away. | 0:35:40 | 0:35:43 | |
"Audentis fortuna iuvat." | 0:35:45 | 0:35:47 | |
"Fortune favours the bold." Virgil said that. | 0:35:47 | 0:35:50 | |
I'm sure Virgil had Bionic Mutant in mind. | 0:35:50 | 0:35:53 | |
-I'm going to go punch out. -All right, bye. | 0:35:53 | 0:35:55 | |
-Your turn, man. -OK, but I'm not very good at this. | 0:35:55 | 0:35:58 | |
-Hi. -Hi. | 0:36:01 | 0:36:03 | |
I really want to see you tonight. | 0:36:03 | 0:36:05 | |
-Tonight? -Yeah. | 0:36:05 | 0:36:08 | |
Unless you've got something else going on. | 0:36:08 | 0:36:11 | |
You're doing really good. | 0:36:12 | 0:36:14 | |
< I jump when he jumps just instinctively. | 0:36:15 | 0:36:18 | |
Where do you want to go? | 0:36:18 | 0:36:19 | |
Not the back seat of your car. | 0:36:19 | 0:36:21 | |
We can go to my mom's. | 0:36:21 | 0:36:24 | |
-Hey, James. -Yeah? | 0:36:29 | 0:36:32 | |
Whoa, bonus round. | 0:36:34 | 0:36:36 | |
Kudos. | 0:36:36 | 0:36:37 | |
I heard you might have some weed. | 0:36:38 | 0:36:40 | |
Yeah, I have a stash. | 0:36:41 | 0:36:43 | |
You like the ganja? | 0:36:43 | 0:36:45 | |
Sometimes. | 0:36:47 | 0:36:48 | |
Beer? | 0:36:50 | 0:36:52 | |
Erm, got anything stronger? | 0:36:52 | 0:36:55 | |
Yeah. | 0:36:55 | 0:36:57 | |
# "So It Goes" - Nick Lowe | 0:36:57 | 0:37:00 | |
What excuse do you give your mother for coming down here so late? | 0:37:02 | 0:37:07 | |
Got to pump some midnight iron? | 0:37:07 | 0:37:09 | |
Sometimes I come here to practise. | 0:37:09 | 0:37:13 | |
Give Ronnie a break. | 0:37:13 | 0:37:16 | |
You still hot for your wife? What's the sex like? | 0:37:15 | 0:37:20 | |
Why would you say that? | 0:37:20 | 0:37:23 | |
Don't be mean. | 0:37:23 | 0:37:25 | |
-Jeez, you're sensitive. -No, I'm serious. | 0:37:25 | 0:37:30 | |
When we're together we're good to each other. | 0:37:30 | 0:37:33 | |
Let's not ruin it. | 0:37:33 | 0:37:35 | |
So, how's your dad? | 0:37:42 | 0:37:44 | |
Since he can't work he's been so fucked up. | 0:37:45 | 0:37:48 | |
Stays in bed a lot. | 0:37:49 | 0:37:52 | |
Won't see anyone. | 0:37:52 | 0:37:54 | |
-Men are prideful creatures. -Exactly. | 0:37:54 | 0:37:58 | |
Do you believe in God? | 0:38:01 | 0:38:04 | |
Erm... Wow. | 0:38:04 | 0:38:06 | |
Theology doesn't come up a lot around here. | 0:38:06 | 0:38:09 | |
You see someone you love in pain you think about that stuff. | 0:38:09 | 0:38:12 | |
I believe in love. | 0:38:12 | 0:38:16 | |
I mean, I think that love is very transferable. | 0:38:17 | 0:38:20 | |
I mean transformable. | 0:38:20 | 0:38:22 | |
I think love makes things transform. | 0:38:22 | 0:38:25 | |
I'm majorly high. | 0:38:28 | 0:38:30 | |
Shit. | 0:38:30 | 0:38:32 | |
Shit, yeah, me too. | 0:38:32 | 0:38:34 | |
-(LAUGHS) -Having dinner with my parents. | 0:38:34 | 0:38:36 | |
Somebody's hungry. | 0:38:40 | 0:38:42 | |
James, I read that Pitt has some journalism courses. | 0:38:42 | 0:38:44 | |
-Is that so? -Oh, yeah? | 0:38:44 | 0:38:48 | |
Yeah, I was just thinking that it might make physical sense | 0:38:48 | 0:38:53 | |
for you to stay close to home for a while. | 0:38:53 | 0:38:56 | |
And they have these broadcasting internships on Mister Rogers. | 0:38:56 | 0:39:00 | |
I get to intern on a kids' show? With marionettes? | 0:39:00 | 0:39:03 | |
I thought you wanted me to go to an Ivy League school, | 0:39:03 | 0:39:06 | |
like the one I've been accepted to. | 0:39:06 | 0:39:07 | |
I am just trying to be pragmatic. | 0:39:07 | 0:39:10 | |
They're hand puppets. Not marionettes. | 0:39:10 | 0:39:14 | |
On Mister Rogers. | 0:39:14 | 0:39:16 | |
Like, "Royal greetings. I am King Friday." | 0:39:16 | 0:39:20 | |
That's a terrible impression. | 0:39:20 | 0:39:22 | |
James, what is wrong with you? | 0:39:22 | 0:39:24 | |
We, the people, in order to have a more perfect union say, | 0:39:24 | 0:39:28 | |
"Let's party!" | 0:39:28 | 0:39:30 | |
Hey! Jugglers, fireworks. | 0:39:30 | 0:39:33 | |
Mr Fabulous's incredible performing canines tonight. | 0:39:33 | 0:39:37 | |
Hey, kid. In the clown mouth. Come on. Be a pal. | 0:39:37 | 0:39:41 | |
-Thanks, buddy. -Eat it! | 0:39:41 | 0:39:43 | |
Son of a bitch! | 0:39:43 | 0:39:46 | |
Get him, get him. | 0:39:46 | 0:39:48 | |
-Come here! -Be careful. | 0:39:48 | 0:39:51 | |
Yay, all right! | 0:39:51 | 0:39:54 | |
I don't even celebrate 4th July. I celebrate Bastille Day. | 0:39:56 | 0:40:00 | |
That's why Bastille Day is going to be a blast for me. | 0:40:00 | 0:40:03 | |
# "Don't Dream It's Over" - Crowded House | 0:40:03 | 0:40:06 | |
# There is freedom within | 0:40:08 | 0:40:11 | |
# There is freedom without | 0:40:11 | 0:40:13 | |
# Try to catch the deluge in a paper cup | 0:40:13 | 0:40:17 | |
# There's a battle ahead | 0:40:19 | 0:40:23 | |
# Many battles are lost | 0:40:22 | 0:40:24 | |
# But you never see the end of the road while you're travelling with me | 0:40:24 | 0:40:30 | |
# Hey now, hey now | 0:40:30 | 0:40:32 | |
# Don't dream it's over | 0:40:32 | 0:40:35 | |
# Hey now, hey now | 0:40:35 | 0:40:38 | |
# When the world comes in | 0:40:38 | 0:40:41 | |
# They come, they come | 0:40:41 | 0:40:44 | |
# To build a wall between us | 0:40:44 | 0:40:47 | |
# We know that they won't win... # | 0:40:47 | 0:40:51 | |
(KNOCK ON WINDOW) Whoa! | 0:40:51 | 0:40:54 | |
Park's closed, Em. | 0:40:54 | 0:40:55 | |
-Yeah, you scared the hell out of us. -Rich, it's me, James. | 0:40:55 | 0:40:59 | |
-Park's closed, James. -We'll leave soon, OK? | 0:40:58 | 0:41:01 | |
-Better leave now, the park's closed. -Better leave now. | 0:41:01 | 0:41:04 | |
-OK, here we go. -Thanks, Rich. | 0:41:04 | 0:41:06 | |
# Hey now, hey now Don't dream it's over | 0:41:05 | 0:41:09 | |
# Hey now, hey now | 0:41:09 | 0:41:12 | |
# When the world comes in | 0:41:12 | 0:41:15 | |
# They come, they come... # | 0:41:15 | 0:41:18 | |
I think you're so beautiful. | 0:41:19 | 0:41:21 | |
(DOOR OPENS) | 0:41:21 | 0:41:23 | |
(INDISTINCT CONVERSATION) | 0:41:23 | 0:41:25 | |
Yeah, but a fountain's a fountain. | 0:41:26 | 0:41:28 | |
-Hey, kids. -Hey, what's going on? | 0:41:28 | 0:41:31 | |
It's my friend James, Dad. | 0:41:31 | 0:41:34 | |
Nice to meet you, sir. | 0:41:34 | 0:41:36 | |
-Nice to meet you, James. -You too. | 0:41:37 | 0:41:39 | |
Hi, James. Nice to meet you. | 0:41:39 | 0:41:42 | |
Nice to meet you. | 0:41:42 | 0:41:44 | |
I'm going to go do some work before bed. | 0:41:44 | 0:41:48 | |
-Good night. -Night. -Good night. | 0:41:48 | 0:41:50 | |
Good night, party-pooper. | 0:41:50 | 0:41:53 | |
So... | 0:41:54 | 0:41:56 | |
It was a lovely party at the Melnicks'. | 0:41:56 | 0:41:59 | |
Their daughter Lori is lovely. | 0:41:59 | 0:42:01 | |
She said you two used to be best friends. | 0:42:01 | 0:42:03 | |
She used to sleep over in junior high. | 0:42:03 | 0:42:07 | |
Did you know that she is at law school at Northwestern? | 0:42:07 | 0:42:11 | |
Lori Melnick, she once violated our cat Gypsy with a ballpoint pen. | 0:42:13 | 0:42:19 | |
Emily, that's enough, young lady. | 0:42:19 | 0:42:21 | |
See you later. | 0:42:23 | 0:42:25 | |
Sy. | 0:42:25 | 0:42:26 | |
I can't believe my dad wants to be with that. | 0:42:35 | 0:42:38 | |
Do you want to hear something fucked up? | 0:42:43 | 0:42:47 | |
When my mom first started getting really sick, | 0:42:47 | 0:42:52 | |
my dad starts going to Temple. | 0:42:52 | 0:42:54 | |
He's never been serious about his faith. | 0:42:54 | 0:42:57 | |
But he decided to buddy up to God, | 0:42:57 | 0:43:02 | |
like he thought it was going to help save my mom. | 0:43:02 | 0:43:06 | |
And that's where he met Francy. | 0:43:06 | 0:43:08 | |
My mom loses her hair in chemo. | 0:43:11 | 0:43:15 | |
And my dad starts fucking a bald woman. | 0:43:15 | 0:43:20 | |
It's just weird. | 0:43:20 | 0:43:22 | |
I'll take you home. | 0:43:26 | 0:43:27 | |
# "Let The Music Play" - Shannon | 0:43:32 | 0:43:34 | |
# We started dancing and love put us into a groove | 0:43:34 | 0:43:38 | |
# As soon as we started to move | 0:43:38 | 0:43:42 | |
# The music played while our bodies displayed for the dance... # | 0:43:44 | 0:43:49 | |
-It's nice when Paulette's got the day off. -Mm-hmm. | 0:43:50 | 0:43:53 | |
Put that disco station on. | 0:43:53 | 0:43:55 | |
Hey, you know I'm a one-man woman, so... | 0:43:55 | 0:44:00 | |
Huh? | 0:44:02 | 0:44:03 | |
-Hey, Bobby, I'm on break. -All right, let's see how you did. | 0:44:05 | 0:44:10 | |
(PHONE RINGS) | 0:44:10 | 0:44:12 | |
Hey, babe. | 0:44:14 | 0:44:15 | |
How's it... Hello? | 0:44:15 | 0:44:18 | |
Yeah, he's right here. (It's your mother.) | 0:44:18 | 0:44:23 | |
Sorry. | 0:44:23 | 0:44:24 | |
Hey, Ma. | 0:44:25 | 0:44:27 | |
No, Ma, listen. The pilot light, it's supposed to be on. | 0:44:27 | 0:44:32 | |
No, the place is not going to blow. Ma. | 0:44:32 | 0:44:36 | |
I'll be right there. Got to go. | 0:44:36 | 0:44:39 | |
-Jimbo, can I ask you something? -Yeah. | 0:44:39 | 0:44:42 | |
You got one of those little baby joints on you? | 0:44:43 | 0:44:46 | |
-I do. -Let's go. | 0:44:46 | 0:44:48 | |
Is your mom OK? | 0:45:00 | 0:45:01 | |
Yeah, she's a little dramatic, my mom. | 0:45:01 | 0:45:04 | |
Kind of nutty since my dad skipped out. | 0:45:04 | 0:45:07 | |
Where'd he go? | 0:45:07 | 0:45:08 | |
Er... I don't know. Left a long time ago. This is cool. | 0:45:08 | 0:45:12 | |
Yeah, Lou Reed. | 0:45:12 | 0:45:14 | |
Oh, yeah. | 0:45:14 | 0:45:15 | |
"Satellite of Love". | 0:45:15 | 0:45:16 | |
Of course, I know it. | 0:45:16 | 0:45:19 | |
You got to tell me your Lou Reed story. | 0:45:22 | 0:45:24 | |
-He's a real hero to me. -(LAUGHS) | 0:45:24 | 0:45:27 | |
How's it going with Em? | 0:45:27 | 0:45:29 | |
Erm, it's going... | 0:45:31 | 0:45:34 | |
She's... | 0:45:34 | 0:45:36 | |
I think I'm in love with her. | 0:45:37 | 0:45:39 | |
# Soon it will be filled with parking cars | 0:45:39 | 0:45:44 | |
# I watched it for a little while | 0:45:46 | 0:45:50 | |
# I love to watch things on TV | 0:45:50 | 0:45:52 | |
This will just take a second, Jimbo. | 0:45:52 | 0:45:54 | |
Don't finish that joint. | 0:45:54 | 0:45:56 | |
# Satellite of love | 0:45:57 | 0:46:00 | |
# Satellite of love | 0:46:01 | 0:46:03 | |
# Satellite of love... # | 0:46:05 | 0:46:09 | |
I was with your boyfriend earlier. He's in love with you. | 0:46:11 | 0:46:15 | |
What? | 0:46:15 | 0:46:16 | |
He said, I quote, "I think I'm in love with her." | 0:46:16 | 0:46:20 | |
Right. | 0:46:22 | 0:46:23 | |
Hey. Are you going to Razzmatazz tonight? | 0:46:31 | 0:46:33 | |
It's Two-For-Tuesday. You get two for the price of one. | 0:46:33 | 0:46:37 | |
# I want action tonight | 0:46:37 | 0:46:40 | |
# Satisfaction all right | 0:46:39 | 0:46:43 | |
(MUFFLED ARGUING DOWNSTAIRS) | 0:46:48 | 0:46:52 | |
# Tonight I'm gonna hit the streets and cruise | 0:46:52 | 0:46:55 | |
# Down the main strip and check it out | 0:46:55 | 0:46:58 | |
# With those schoolgirls a-hanging around | 0:46:58 | 0:47:01 | |
# Now I'm a sucker for a pretty face | 0:47:01 | 0:47:04 | |
-(FRANCY) -You have to do something. Something has to change. | 0:47:06 | 0:47:09 | |
You know she works at that trashy park just to embarrass us. | 0:47:09 | 0:47:12 | |
# "Point Of No Return" - Expose | 0:47:12 | 0:47:16 | |
# Common love | 0:47:16 | 0:47:18 | |
# Seems just like a dream | 0:47:18 | 0:47:20 | |
# It's no mystery to me | 0:47:20 | 0:47:23 | |
# Fill me within | 0:47:24 | 0:47:26 | |
# When we're together | 0:47:26 | 0:47:28 | |
# Oh, baby, can't you see? | 0:47:28 | 0:47:31 | |
# I | 0:47:31 | 0:47:33 | |
# I'd like to feel the passion | 0:47:33 | 0:47:36 | |
# To the point of no return | 0:47:36 | 0:47:39 | |
# I will be... # | 0:47:39 | 0:47:41 | |
What are you majoring in? | 0:47:41 | 0:47:44 | |
Russian Literature and Slavic Languages. | 0:47:44 | 0:47:46 | |
Oh, wow. | 0:47:46 | 0:47:48 | |
-That's really interesting. -Yeah. | 0:47:48 | 0:47:50 | |
What career track is that? | 0:47:50 | 0:47:53 | |
Cabbie, hot-dog vendor, marijuana delivery guy. | 0:47:53 | 0:47:56 | |
The world is my oyster. | 0:47:56 | 0:47:58 | |
-You kids need another round? -Thanks, Ronnie, we're fine. | 0:48:00 | 0:48:03 | |
-Actually, we'll take two more. -I'll have two. | 0:48:03 | 0:48:07 | |
Joel, you can have one. | 0:48:07 | 0:48:08 | |
-What the hell are you gonna stop? -Two-For-Tuesday. | 0:48:08 | 0:48:11 | |
# "Obsession" - Animotion | 0:48:11 | 0:48:13 | |
I love this song! Come on, let's dance. Let's dance. | 0:48:13 | 0:48:17 | |
Come on. | 0:48:17 | 0:48:18 | |
Come on. | 0:48:20 | 0:48:22 | |
OK. | 0:48:22 | 0:48:23 | |
# You are an obsession... # | 0:48:25 | 0:48:28 | |
Here. | 0:48:28 | 0:48:29 | |
Ready? | 0:48:29 | 0:48:30 | |
Stay with me. | 0:48:30 | 0:48:32 | |
# Unopened at your feet | 0:48:32 | 0:48:34 | |
# There's no balance... # | 0:48:34 | 0:48:36 | |
-You like that? -Yes. | 0:48:36 | 0:48:38 | |
Marcy Feingold, ninth grade, taught me that one. | 0:48:38 | 0:48:41 | |
-Good one. -Thanks a lot. | 0:48:41 | 0:48:43 | |
-Nice moves, Brennan. -Thanks. | 0:48:44 | 0:48:47 | |
Razzmatazz! | 0:48:48 | 0:48:51 | |
Come on, Razzmatazz, we're hungry. | 0:48:51 | 0:48:54 | |
But we love you more. | 0:48:54 | 0:48:57 | |
It knows. | 0:48:57 | 0:48:58 | |
Oh, my God. Are you OK? | 0:49:00 | 0:49:02 | |
Razzmatazz. | 0:49:03 | 0:49:05 | |
-Come on. -Whoa. | 0:49:05 | 0:49:07 | |
All right. There you go. | 0:49:07 | 0:49:09 | |
-You're so strongish. -I'll take that. | 0:49:09 | 0:49:14 | |
(KISSING) | 0:49:14 | 0:49:16 | |
I'm so surprised I'm making out with you. | 0:49:20 | 0:49:22 | |
Me, too. | 0:49:22 | 0:49:24 | |
I think you're incredible. | 0:49:34 | 0:49:36 | |
There's a lot of shit in my life. | 0:49:40 | 0:49:44 | |
I'm not ready for this. | 0:49:45 | 0:49:47 | |
-I need to take things slow. -OK. | 0:49:47 | 0:49:50 | |
I'm sorry. | 0:49:53 | 0:49:54 | |
Hey. | 0:50:06 | 0:50:07 | |
Let me help you with that. | 0:50:08 | 0:50:10 | |
I got it. | 0:50:10 | 0:50:11 | |
That is ugly. | 0:50:12 | 0:50:14 | |
Thanks. | 0:50:15 | 0:50:16 | |
-Hey, so how's your dad? -He's hanging in there. | 0:50:18 | 0:50:21 | |
So still not working? | 0:50:21 | 0:50:24 | |
No. | 0:50:24 | 0:50:26 | |
"The Musik-Express!" | 0:50:26 | 0:50:29 | |
-These rides are safe, right? -Supposedly. | 0:50:30 | 0:50:33 | |
I wouldn't mess around on any of them. | 0:50:33 | 0:50:36 | |
Last summer there was this drunk idiot | 0:50:36 | 0:50:38 | |
goofing around on the Comet Buster, trying to kick his buddy. | 0:50:38 | 0:50:42 | |
They found his Reebok in the parking lot. | 0:50:42 | 0:50:45 | |
-With his foot in it. -Lisa, we're partners today. | 0:50:45 | 0:50:49 | |
Great(!) | 0:50:49 | 0:50:50 | |
So it's official. My friend Boomer hooked me up with a job | 0:50:52 | 0:50:54 | |
at the Mercedes dealership on Route 30. I get a car right away. | 0:50:54 | 0:50:58 | |
Payments deducted from my cheque. | 0:50:58 | 0:51:01 | |
I'm going to go for a 560. | 0:51:01 | 0:51:03 | |
Convertible, gold, leather interior. | 0:51:03 | 0:51:05 | |
I'm even going to get a compact disc player. | 0:51:05 | 0:51:08 | |
-It's gonna be insane. -To the max. | 0:51:08 | 0:51:11 | |
So you want to see Judas Priest at Civic Arena? | 0:51:11 | 0:51:14 | |
My friend Fitzy got me floor seats. | 0:51:14 | 0:51:17 | |
That's OK. | 0:51:17 | 0:51:18 | |
Take Boomer. | 0:51:18 | 0:51:20 | |
And go get the hose, there's dried puke down there. | 0:51:20 | 0:51:23 | |
You don't like Priest? | 0:51:23 | 0:51:25 | |
-I'm busy that night. -I didn't tell you what night. | 0:51:25 | 0:51:27 | |
-James. -Hmm? | 0:51:30 | 0:51:32 | |
-You and I should go out tonight. -I get it. | 0:51:32 | 0:51:35 | |
That's a funny one. | 0:51:35 | 0:51:37 | |
Face! Douche. | 0:51:37 | 0:51:39 | |
-Just let me know when. -Yeah. | 0:51:39 | 0:51:43 | |
Pete, dried puke. | 0:51:43 | 0:51:44 | |
I'm serious. | 0:51:52 | 0:51:54 | |
I wouldn't mind going out with a nice guy for a change. | 0:51:54 | 0:51:57 | |
Cool. Yeah. That would be very cool. | 0:51:57 | 0:52:00 | |
Come on, man. | 0:52:00 | 0:52:02 | |
Want to push a button? | 0:52:02 | 0:52:04 | |
No, I'm on games only. OK, which one? | 0:52:04 | 0:52:08 | |
OK. | 0:52:08 | 0:52:09 | |
(CLANKING) | 0:52:09 | 0:52:12 | |
Shit, shit. | 0:52:12 | 0:52:13 | |
Wow. | 0:52:13 | 0:52:14 | |
You fucked this up perfectly. | 0:52:14 | 0:52:17 | |
-I know, I work on games. -I'm impressed. | 0:52:17 | 0:52:19 | |
I know I shouldn't have even been here. | 0:52:19 | 0:52:23 | |
Connell, I need to ask you something. | 0:52:23 | 0:52:25 | |
Hand me the crescent wrench, would you? | 0:52:25 | 0:52:28 | |
So, Lisa P just asked me if I wanted to go out with her some time. | 0:52:28 | 0:52:32 | |
-Lisa P? -Yeah. | 0:52:32 | 0:52:34 | |
It's insane. I think she might have been just trying to piss off Pete | 0:52:34 | 0:52:37 | |
but can you imagine any universe | 0:52:37 | 0:52:39 | |
where she would get with a guy like me? | 0:52:39 | 0:52:41 | |
She asked you out? | 0:52:40 | 0:52:42 | |
You're a fucking idiot if you don't go, it's Lisa P. | 0:52:42 | 0:52:45 | |
Hold this, would you? | 0:52:45 | 0:52:47 | |
That girl's a virgin. You believe that? | 0:52:47 | 0:52:50 | |
Huh! In this day and age. You'd think... | 0:52:50 | 0:52:52 | |
She's a Catholic girl. | 0:52:52 | 0:52:55 | |
They usually won't let you screw them, | 0:52:55 | 0:52:57 | |
but what they will let you do... | 0:52:57 | 0:52:59 | |
But what about Em? | 0:52:59 | 0:53:01 | |
Are you... getting all your needs met by her? | 0:53:01 | 0:53:05 | |
We're taking it slow. | 0:53:08 | 0:53:09 | |
Right. | 0:53:10 | 0:53:12 | |
Right. OK, here's the thing. | 0:53:12 | 0:53:14 | |
Every time you meet a beautiful woman, | 0:53:14 | 0:53:17 | |
don't you imagine what she'd look like underneath you, naked? | 0:53:17 | 0:53:22 | |
What? No. No. | 0:53:22 | 0:53:25 | |
Like Lisa P. It's like every cell in your body is on fire. | 0:53:24 | 0:53:28 | |
It's a little hyperbolic, but I see where you're going. | 0:53:27 | 0:53:30 | |
That's the way we're wired. It sucks, but it's a fact of nature. | 0:53:30 | 0:53:36 | |
It's also tragic. | 0:53:36 | 0:53:38 | |
My feelings for Em are... vast. | 0:53:40 | 0:53:44 | |
James, imagine it. | 0:53:44 | 0:53:46 | |
Lisa P. | 0:53:46 | 0:53:48 | |
I know. Lisa P! | 0:53:50 | 0:53:52 | |
I know. | 0:53:54 | 0:53:55 | |
Hey. | 0:54:09 | 0:54:10 | |
Hey. | 0:54:11 | 0:54:12 | |
I brought you this. | 0:54:12 | 0:54:13 | |
It's one of my favourite authors. Gogol. Russian. | 0:54:13 | 0:54:17 | |
He lost his mind. Burnt the only copy of his final book, | 0:54:17 | 0:54:20 | |
died a week later of self-starvation. | 0:54:20 | 0:54:22 | |
-Aww. Thank you. -Yeah. | 0:54:25 | 0:54:29 | |
Hey, do you maybe want to go see a shitty movie or something some time? | 0:54:33 | 0:54:39 | |
Yeah, I... Just, you know... I did something kind of stupid. | 0:54:39 | 0:54:43 | |
I... I told my brother that we made out. | 0:54:43 | 0:54:47 | |
-That's bad? -No, no. | 0:54:47 | 0:54:50 | |
But he told my parents. | 0:54:51 | 0:54:53 | |
We're Catholic. | 0:54:57 | 0:54:58 | |
Pete told my parents that you're Jewish. | 0:54:59 | 0:55:01 | |
Oh. But... | 0:55:01 | 0:55:04 | |
But I'm an atheist. | 0:55:05 | 0:55:06 | |
More of a pragmatic nihilist, I guess, | 0:55:06 | 0:55:08 | |
or an existential pagan, if you will - | 0:55:08 | 0:55:11 | |
Yeah, but my parents are really strict. | 0:55:10 | 0:55:15 | |
I'm sorry. | 0:55:16 | 0:55:18 | |
Still a good book. | 0:55:19 | 0:55:22 | |
I'm sorry. | 0:55:22 | 0:55:23 | |
-Hey, Joel. -Hey. | 0:55:28 | 0:55:30 | |
How did it go with Sue? | 0:55:31 | 0:55:34 | |
Not so good. | 0:55:36 | 0:55:37 | |
Hey, Em, come on, don't say anything. | 0:55:37 | 0:55:41 | |
Come on, worse things have happened to the Jews. | 0:55:41 | 0:55:43 | |
Fuck that. | 0:55:43 | 0:55:46 | |
You don't deserve to date Joel. | 0:55:46 | 0:55:47 | |
You're an anti-Semitic asshole. | 0:55:47 | 0:55:49 | |
What, do you hate gay people too? Do you support apartheid? | 0:55:49 | 0:55:53 | |
You are not my friend. | 0:55:53 | 0:55:55 | |
Bam. Child's play. | 0:55:58 | 0:56:01 | |
Look, you can't tell anybody, but I'm going out with Lisa P tonight. | 0:56:03 | 0:56:06 | |
You're what? | 0:56:06 | 0:56:07 | |
This morning she asked me if I wanted to hang out. | 0:56:07 | 0:56:10 | |
What happened? I thought you were crazy about Em. | 0:56:10 | 0:56:14 | |
I am. | 0:56:14 | 0:56:15 | |
But I don't know if she necessarily wants something kind of serious. | 0:56:15 | 0:56:20 | |
Joel, we're men, we're wired to meet our needs. | 0:56:20 | 0:56:23 | |
I get it, it's a biological imperative. | 0:56:23 | 0:56:26 | |
You can't tell anybody, but I have a date tonight. With Lisa P. | 0:56:25 | 0:56:30 | |
What? | 0:56:30 | 0:56:32 | |
I should give you a double sack whack for telling a lie like that. | 0:56:32 | 0:56:35 | |
OK, don't believe me. | 0:56:35 | 0:56:37 | |
-Where are you going? -The Velvet Touch. | 0:56:38 | 0:56:41 | |
Thanks. | 0:56:46 | 0:56:47 | |
How's the wine? | 0:56:52 | 0:56:53 | |
Oh. | 0:56:53 | 0:56:55 | |
-It's good. -Yeah. | 0:56:58 | 0:57:00 | |
Erm... | 0:57:03 | 0:57:04 | |
I just... | 0:57:05 | 0:57:06 | |
-..need to tell you something. -Huh? | 0:57:07 | 0:57:10 | |
Is it cool if we don't tell a lot of people about tonight? | 0:57:10 | 0:57:14 | |
Because I think there's someone at the park who may have a thing for me | 0:57:14 | 0:57:17 | |
and I don't want her to feel bad. | 0:57:17 | 0:57:19 | |
-You mean Em? -Yeah. | 0:57:19 | 0:57:22 | |
Uh-huh. | 0:57:23 | 0:57:24 | |
So you like working at the park? | 0:57:24 | 0:57:27 | |
Yeah, I think it could be character-building. | 0:57:27 | 0:57:30 | |
-I've made a lot of friends. -You and Connell seem pretty tight. | 0:57:30 | 0:57:33 | |
I like him. He's interesting, he's like a poetic soul - | 0:57:33 | 0:57:36 | |
That guy's got some problems. | 0:57:36 | 0:57:38 | |
What do you mean? | 0:57:38 | 0:57:41 | |
Last summer he was having this thing with this girl from the snack bar. | 0:57:41 | 0:57:45 | |
He used to take her to his mother's basement to have sex with her. | 0:57:45 | 0:57:48 | |
His mother's basement. How gross is that? | 0:57:48 | 0:57:52 | |
But he's married, right? | 0:57:52 | 0:57:54 | |
-Didn't stop him from hitting on me. -Wow. | 0:57:54 | 0:57:58 | |
(KNOCK ON WINDOW) | 0:57:58 | 0:57:59 | |
Is that Frigo? | 0:58:03 | 0:58:04 | |
Yeah. It is Frigo. I... I wonder what he's doing here. | 0:58:04 | 0:58:09 | |
I should say hi, I've known him since... | 0:58:09 | 0:58:11 | |
Excuse me. | 0:58:11 | 0:58:13 | |
-Son of a bitch, it's Lisa P! -What are you doing? | 0:58:14 | 0:58:17 | |
I'm sorry, I thought you were full of shit. There she is! | 0:58:17 | 0:58:21 | |
Can you get me naked pictures? | 0:58:21 | 0:58:22 | |
Get out of here, you can't tell anybody. | 0:58:22 | 0:58:24 | |
All right, relax, Brennan. | 0:58:24 | 0:58:26 | |
What's it worth to you? | 0:58:27 | 0:58:28 | |
You're shaking me down. | 0:58:28 | 0:58:30 | |
Yeah. | 0:58:30 | 0:58:32 | |
I hate you with such great fervour. | 0:58:32 | 0:58:35 | |
-Ow! -Thanks, Brennan. | 0:58:37 | 0:58:38 | |
(YELLS) | 0:58:38 | 0:58:40 | |
Sorry about that. What a coincidence. | 0:58:42 | 0:58:45 | |
Frigo was out to rent a video, saw us through the window. | 0:58:45 | 0:58:48 | |
-Wow. -Yeah. | 0:58:48 | 0:58:50 | |
And here we are. I wonder how the fondue is tonight. | 0:58:50 | 0:58:53 | |
I want to visit every continent, every country, really. | 0:58:55 | 0:58:59 | |
Charles Dickens actually wrote these really interesting travel pieces. | 0:58:59 | 0:59:03 | |
But he visited prisons - | 0:59:03 | 0:59:04 | |
Would you rather have a sailboat or a speedboat? | 0:59:04 | 0:59:07 | |
-Gee, I guess - -I think sail boats are like way more cooler. You know? | 0:59:08 | 0:59:13 | |
Like more classic. | 0:59:13 | 0:59:15 | |
Though I bet speedboats would be a lot more fun. | 0:59:17 | 0:59:20 | |
What were you saying? | 0:59:20 | 0:59:22 | |
-Oh, just babbling. -Oh. (CHUCKLES) | 0:59:22 | 0:59:27 | |
I just need to get normal before I go inside. Put on some perfume. | 0:59:28 | 0:59:33 | |
Cover the smell. | 0:59:33 | 0:59:34 | |
I was going to suggest some more perfume. | 0:59:34 | 0:59:38 | |
Shoot, my brush. | 0:59:38 | 0:59:39 | |
-Jesus, what the hell is this? -That yours? | 0:59:41 | 0:59:45 | |
-No, I guess it's my dad's. -Here. | 0:59:45 | 0:59:48 | |
Pull over here. | 0:59:48 | 0:59:50 | |
Can you smell the pot? | 0:59:57 | 0:59:59 | |
Erm... | 0:59:59 | 1:00:01 | |
You smell amazing. | 1:00:05 | 1:00:07 | |
Thanks for tonight. | 1:00:08 | 1:00:10 | |
-It was fun. -Yeah. | 1:00:10 | 1:00:12 | |
Yeah, it was. | 1:00:13 | 1:00:15 | |
Mmm... fondue. | 1:00:26 | 1:00:28 | |
-Oh, God. -Tiger! | 1:00:36 | 1:00:38 | |
Sorry. | 1:00:40 | 1:00:41 | |
-Another time. -Yeah? | 1:00:43 | 1:00:46 | |
-Night. -Good night. | 1:00:58 | 1:01:00 | |
Hey. | 1:01:34 | 1:01:35 | |
-Hey. -I missed your call last night. Sorry about that. | 1:01:37 | 1:01:39 | |
I was out with some old high-school buddies. | 1:01:39 | 1:01:43 | |
-Sounds fun. -It was. We got caught up reminiscing. | 1:01:43 | 1:01:46 | |
I was out pretty late. What were you calling about? | 1:01:46 | 1:01:51 | |
Calling to say sorry. | 1:01:50 | 1:01:52 | |
I felt like I was kind of a jerk the other night. | 1:01:52 | 1:01:55 | |
Oh. OK. Sorry. Yeah, me too. | 1:01:55 | 1:01:58 | |
I was drunk. | 1:01:59 | 1:02:01 | |
And I brought you something. | 1:02:01 | 1:02:03 | |
-This bag? -Mm-hmm. What's inside the bag? | 1:02:05 | 1:02:10 | |
-Is it a couple of joints? -I think so. Pot cookies. | 1:02:10 | 1:02:14 | |
-You follow through. -I do. | 1:02:14 | 1:02:16 | |
Cool. This'll be fun. | 1:02:16 | 1:02:18 | |
Let's do it. | 1:02:18 | 1:02:20 | |
I'm only having half, OK? | 1:02:20 | 1:02:21 | |
Walnuts? You want to see me go into anaphylactic shock? | 1:02:21 | 1:02:25 | |
Fuck. | 1:02:25 | 1:02:26 | |
Homemade? | 1:02:26 | 1:02:28 | |
Brennan! You gonna eat the other half? | 1:02:28 | 1:02:30 | |
Mm-hmm. Sorry. | 1:02:30 | 1:02:32 | |
# "Just Like Heaven" - The Cure | 1:02:32 | 1:02:34 | |
# Spinning on that dizzy edge | 1:02:34 | 1:02:37 | |
# I kissed her face and kissed her head | 1:02:37 | 1:02:40 | |
# And dreamed of all the different ways I had to make her glow | 1:02:40 | 1:02:46 | |
# "Why are you so far away," she said | 1:02:46 | 1:02:50 | |
# "Why won't you ever know that I'm in love with you?" | 1:02:50 | 1:02:55 | |
# "That I'm in love with you" | 1:02:55 | 1:02:57 | |
# You | 1:02:59 | 1:03:00 | |
# Soft and only | 1:03:00 | 1:03:02 | |
# You, lost and lonely | 1:03:02 | 1:03:05 | |
# You, strange as angels | 1:03:05 | 1:03:08 | |
# Dancing in the deepest oceans | 1:03:08 | 1:03:11 | |
# Twisting in the water You're just like a dream... # | 1:03:11 | 1:03:14 | |
And what a race we have today, ladies and gentlemen. Boy! | 1:03:14 | 1:03:17 | |
And nobody is in the lead. | 1:03:17 | 1:03:19 | |
What is so mind-boggling about this particular race | 1:03:19 | 1:03:21 | |
is how evenly matched these particular competitors are. | 1:03:21 | 1:03:25 | |
And Yellow is dead last. I don't think Yellow has moved once. | 1:03:25 | 1:03:29 | |
A fall from grace for the once great stallion, Yellow. | 1:03:29 | 1:03:33 | |
Yellow has inseminated over 1,000 foals in his lifetime, | 1:03:33 | 1:03:36 | |
which might explain his current exhaustion. | 1:03:36 | 1:03:38 | |
And you won, number nine. Here you go. Great job. | 1:03:41 | 1:03:45 | |
Hey, Bobby. | 1:03:45 | 1:03:47 | |
Brennan. | 1:03:47 | 1:03:48 | |
-What are you doing? -Hmm? | 1:03:48 | 1:03:51 | |
-You been toking up? -What? | 1:03:51 | 1:03:52 | |
-You been drinking drugs? -No! | 1:03:52 | 1:03:55 | |
Your eyes are red. Have you been crying? | 1:03:55 | 1:03:57 | |
Maybe a little bit. Before. But... | 1:03:57 | 1:04:01 | |
No, Bobby, I'm feeling sick because I ate a bad corn dog. | 1:04:00 | 1:04:05 | |
-Why don't you go to Hats Off To Larry and collect some balls? -OK. | 1:04:05 | 1:04:10 | |
Tell you what. I'll take over this. | 1:04:10 | 1:04:13 | |
Thanks. You all right? | 1:04:16 | 1:04:18 | |
-Thank you. -All right. | 1:04:17 | 1:04:19 | |
This is how we met. | 1:04:19 | 1:04:20 | |
-(BELL RINGS) -And they're off. | 1:04:20 | 1:04:23 | |
In the lead is Green five. Green five in the lead. | 1:04:23 | 1:04:25 | |
Green five, green five in the lead. And there you are. | 1:04:25 | 1:04:28 | |
Green five. Green! You really got it going on! | 1:04:28 | 1:04:31 | |
Green, you know what you're doing! | 1:04:31 | 1:04:34 | |
Green, you got it, green! | 1:04:34 | 1:04:36 | |
You won! | 1:04:36 | 1:04:37 | |
Pass that down to her. Loser, pass that down. Thank you. | 1:04:38 | 1:04:42 | |
(LAUGHTER) | 1:04:43 | 1:04:45 | |
I get some balls? | 1:04:48 | 1:04:50 | |
You're going to have to get more balls. | 1:04:50 | 1:04:52 | |
Customer is always right. | 1:04:52 | 1:04:54 | |
I hit that thing dead on. | 1:05:00 | 1:05:02 | |
Yet he still retains his chapeau. | 1:05:02 | 1:05:04 | |
Whoa, come on. | 1:05:05 | 1:05:06 | |
What the fuck? It's glued on, motherfucking thing. | 1:05:12 | 1:05:15 | |
It's not worth it. | 1:05:14 | 1:05:16 | |
We have a winner. Congratulations. | 1:05:16 | 1:05:18 | |
The fucking thing is glued on? His hat is glued on? | 1:05:18 | 1:05:22 | |
-What is so fucking funny? -(ANOTHER MAN REPEATS) | 1:05:22 | 1:05:25 | |
I don't know. | 1:05:25 | 1:05:26 | |
-Oh, my God! -What the fuck? | 1:05:27 | 1:05:30 | |
Not so funny now, is it? | 1:05:30 | 1:05:31 | |
You can't do shit like that. You punch him in the face? | 1:05:31 | 1:05:34 | |
-Back off, slut - -Don't fucking touch her, man. | 1:05:34 | 1:05:38 | |
What are you going to do, faggot? | 1:05:38 | 1:05:40 | |
Oh, fuck. | 1:05:44 | 1:05:45 | |
You're fucking dead. | 1:05:46 | 1:05:48 | |
You jerk! | 1:05:48 | 1:05:50 | |
# Breaking the law, breaking the law | 1:05:51 | 1:05:54 | |
# Breaking the law, breaking the law | 1:05:54 | 1:05:56 | |
# Breaking the law, breaking the law | 1:05:57 | 1:06:00 | |
# Breaking the law, breaking the law... # | 1:06:00 | 1:06:03 | |
-The option of the flute? -Option of the flute? | 1:06:10 | 1:06:14 | |
People are trying to kill me. | 1:06:14 | 1:06:17 | |
(BANGING ON DOOR) | 1:06:17 | 1:06:18 | |
Get the fuck out, motherfucker! | 1:06:18 | 1:06:21 | |
Get out of my doorway, motherfucker. | 1:06:24 | 1:06:26 | |
Give me a reason. Just give me a fucking reason! | 1:06:26 | 1:06:28 | |
You don't know what I'm capable of! Come on! Please! | 1:06:28 | 1:06:31 | |
You don't know what I'm capable of! | 1:06:33 | 1:06:35 | |
Bastard. | 1:06:41 | 1:06:42 | |
-Thanks, Bobby. -No problem. | 1:06:42 | 1:06:44 | |
-I'm going to take the back. -Yeah, go. | 1:06:44 | 1:06:46 | |
Now I think of it, the flute is actually more expensive. | 1:06:46 | 1:06:49 | |
You should have seen Brennan wail on that greaseball. | 1:06:49 | 1:06:52 | |
I can't believe you hit someone. How did you do it? Like this? | 1:06:52 | 1:06:56 | |
This guy was huge. Brennan was like one hit, and just dropped him. | 1:06:56 | 1:06:59 | |
I can't believe they call that a hit. | 1:06:59 | 1:07:01 | |
Then his buddy started chasing him all around the park. | 1:07:01 | 1:07:04 | |
-Then he went in Bobby's office. -That's more like the son of a bitch. | 1:07:04 | 1:07:07 | |
Bobby kicked the door down and came out all psycho with a bat. | 1:07:07 | 1:07:10 | |
All his buddies just go, "OK". | 1:07:10 | 1:07:12 | |
-Where's the guy? Was he ever - -They left him on the pavement. | 1:07:12 | 1:07:15 | |
-I got his girlfriend's number. -(LAUGHTER) | 1:07:15 | 1:07:17 | |
Where are you taking me? | 1:07:19 | 1:07:21 | |
-Never been to this place before? -No. | 1:07:21 | 1:07:25 | |
Think you might be the coolest... | 1:07:30 | 1:07:35 | |
..and cutest guy I've ever met. | 1:07:35 | 1:07:37 | |
Really? | 1:07:37 | 1:07:38 | |
I mean, I'm really high, but... | 1:07:40 | 1:07:42 | |
I don't want to lose you. | 1:08:07 | 1:08:09 | |
Forget to refrigerate these? | 1:08:33 | 1:08:35 | |
Yeah. | 1:08:35 | 1:08:37 | |
-When did they get in? Yesterday? -Mm-hmm. | 1:08:37 | 1:08:39 | |
-What time? -In the morning. | 1:08:39 | 1:08:41 | |
-They smell weird? -Yeah. | 1:08:45 | 1:08:47 | |
-I think that's normal, though. -Yeah. | 1:08:47 | 1:08:49 | |
Duffy! | 1:08:49 | 1:08:52 | |
Fry these up. | 1:08:52 | 1:08:53 | |
Hey, Brennan, I want to talk to you. Want to pick up some extra shifts? | 1:08:53 | 1:08:57 | |
-Sure. -Good. | 1:08:57 | 1:08:58 | |
-Because Joel quit. -What? | 1:08:58 | 1:09:00 | |
-He's passed on. -He moved on, honey. | 1:09:00 | 1:09:03 | |
He didn't pass on, he moved on. | 1:09:03 | 1:09:05 | |
I know, I heard you. | 1:09:08 | 1:09:10 | |
What are you doing here? | 1:09:15 | 1:09:18 | |
You didn't call me back. | 1:09:18 | 1:09:20 | |
I can't abide the humiliation of you seeing the inside of my house, | 1:09:20 | 1:09:23 | |
the vile plastic slip covers, the art-fair paintings. | 1:09:23 | 1:09:26 | |
It's really messy. Go round back, I'll meet you. | 1:09:26 | 1:09:30 | |
Hey, Jeffrey, turn off the fucking lawnmower. | 1:09:33 | 1:09:38 | |
Fine! | 1:09:38 | 1:09:39 | |
Trying to have a conversation here. | 1:09:39 | 1:09:41 | |
-Fuck off, fuck face. -Nimrod. | 1:09:43 | 1:09:45 | |
Hate you, asshole. | 1:09:45 | 1:09:47 | |
Is it because of Sue? | 1:09:47 | 1:09:50 | |
-What? -Why you quit. | 1:09:50 | 1:09:52 | |
Because, Joel, you're a great guy and she doesn't deserve you. | 1:09:51 | 1:09:55 | |
James, look at me. | 1:09:55 | 1:09:58 | |
Not a good looking guy and I'm poor. | 1:09:58 | 1:10:01 | |
Girls aren't gonna go near me | 1:10:01 | 1:10:02 | |
when there's these fucking yuppies around. | 1:10:02 | 1:10:04 | |
It's ridiculous, not all women are like that. | 1:10:04 | 1:10:07 | |
Em isn't like that. | 1:10:07 | 1:10:08 | |
-Em? -Yeah. | 1:10:08 | 1:10:09 | |
You don't even appreciate what you have. | 1:10:12 | 1:10:14 | |
You're chasing after Lisa P when you have this incredible, | 1:10:14 | 1:10:17 | |
beautiful girl right fucking there. | 1:10:17 | 1:10:20 | |
Fuck this. | 1:10:23 | 1:10:25 | |
Don't do that. | 1:10:38 | 1:10:40 | |
Thought you were off today. | 1:10:46 | 1:10:49 | |
I need to tell you something. | 1:10:49 | 1:10:51 | |
Last week I went on a date with Lisa P. | 1:10:54 | 1:10:58 | |
She asked me out. It was nothing. | 1:10:58 | 1:11:01 | |
We kissed a little bit at the end of the date. | 1:11:01 | 1:11:04 | |
I... I felt her breast a little bit, but nothing else. | 1:11:04 | 1:11:08 | |
Right. No intercourse? | 1:11:08 | 1:11:11 | |
No. No intercourse. | 1:11:11 | 1:11:14 | |
Look, I'm sorry, it's just you and I never talked about being exclusive | 1:11:14 | 1:11:18 | |
and I don't want to see her again. | 1:11:18 | 1:11:20 | |
You're the one I... | 1:11:20 | 1:11:22 | |
Look, we'll both be in New York soon and I want to hang out with you. | 1:11:24 | 1:11:28 | |
I want to get to know you better, | 1:11:28 | 1:11:29 | |
if you want to get to know me better as well. | 1:11:29 | 1:11:33 | |
James, you don't owe me anything. | 1:11:33 | 1:11:35 | |
I know, but, erm, I want to owe you things. | 1:11:35 | 1:11:39 | |
I'm ready to owe you things. | 1:11:39 | 1:11:41 | |
I really, really care about you. | 1:11:41 | 1:11:44 | |
-Are you mad at me? Because I'm sorry. -No, I'm not mad at you. | 1:11:44 | 1:11:48 | |
Thanks for telling me, that was like... | 1:11:50 | 1:11:54 | |
..really sweet. | 1:11:54 | 1:11:56 | |
Are you crazy? You can't come here. | 1:12:30 | 1:12:32 | |
I just can't do this any more. | 1:12:32 | 1:12:34 | |
I'm starting to really fucking hate myself. | 1:12:34 | 1:12:36 | |
Oh, Christ, my wife probably heard me come in. | 1:12:36 | 1:12:40 | |
I'll - We'll find someplace to talk. I'll make an excuse. | 1:12:40 | 1:12:44 | |
-Park outside my mom's house. OK? -OK. | 1:12:44 | 1:12:46 | |
-(FRIGO) -Brennan. | 1:12:50 | 1:12:51 | |
Yo, Brennan. | 1:12:51 | 1:12:52 | |
Come here. | 1:12:52 | 1:12:54 | |
Brennan, you've got to hear this. | 1:12:54 | 1:12:56 | |
Tell him what you told me. | 1:12:56 | 1:12:58 | |
I ate too many circus peanuts. | 1:12:58 | 1:13:00 | |
What? Not that, retard, the other thing, about Em. | 1:13:00 | 1:13:03 | |
Frigo, shut up. What thing about Em? | 1:13:02 | 1:13:05 | |
I saw Em and Connell in his car. | 1:13:05 | 1:13:08 | |
What were they doing in the car? | 1:13:09 | 1:13:11 | |
They were doing push-ups in his car. | 1:13:11 | 1:13:13 | |
-Didn't have any pants on. -No pants. | 1:13:13 | 1:13:15 | |
Naked push-ups, retard. They were fucking! | 1:13:15 | 1:13:18 | |
Shut up. When did you see this? | 1:13:18 | 1:13:21 | |
-Like a while ago, a while ago. -Just a couple of weeks ago, right? | 1:13:21 | 1:13:25 | |
(PHONE RINGS) | 1:13:25 | 1:13:28 | |
Hello? | 1:13:32 | 1:13:33 | |
Mr Lewin, it's James. Is Emily there? | 1:13:33 | 1:13:35 | |
She said she was with you. She said she was going to meet you. | 1:13:35 | 1:13:40 | |
Oh, yeah. | 1:13:40 | 1:13:42 | |
I think we got our wires crossed. | 1:13:42 | 1:13:46 | |
Bye. | 1:13:46 | 1:13:47 | |
What he say? | 1:13:50 | 1:13:52 | |
Can you get your mother's car? | 1:13:54 | 1:13:56 | |
I got the keys. Push me out. | 1:13:57 | 1:14:00 | |
I don't want to drink. | 1:14:17 | 1:14:20 | |
James went out with Lisa P last week. | 1:14:25 | 1:14:28 | |
-I know. -You know? | 1:14:28 | 1:14:30 | |
-You want me to rat out James? -Right. | 1:14:30 | 1:14:34 | |
Slow down. | 1:14:37 | 1:14:38 | |
-Shit. -It's Em's car. | 1:14:38 | 1:14:41 | |
Let's wait here. | 1:14:41 | 1:14:42 | |
I stole some of my grandma's cough medicine if you want some. | 1:14:47 | 1:14:50 | |
-No. -It's great. | 1:14:50 | 1:14:52 | |
-Please. -OK. | 1:14:52 | 1:14:54 | |
Can you sit down, please? Just for a second. | 1:14:54 | 1:14:57 | |
-Look, you want to end this? -Yes. | 1:15:02 | 1:15:05 | |
I got a hockey stick in the back if you want to smash the windows. | 1:15:07 | 1:15:10 | |
-Shut the fuck up, OK? -OK... Trying to help. | 1:15:10 | 1:15:13 | |
Oh, shit. | 1:15:13 | 1:15:14 | |
What are you doing here? | 1:15:26 | 1:15:27 | |
Are you and Connell like... | 1:15:29 | 1:15:31 | |
It started in like... I didn't know you when it... | 1:15:34 | 1:15:37 | |
How did you - What are you - | 1:15:40 | 1:15:42 | |
How did you find me here? | 1:15:42 | 1:15:44 | |
Lisa P told me that Connell used to take another girl here last summer. | 1:15:44 | 1:15:49 | |
To his mother's basement. | 1:15:49 | 1:15:51 | |
Right. | 1:15:51 | 1:15:52 | |
I just, like, don't understand how you could do this. | 1:15:54 | 1:15:59 | |
I came here to... | 1:15:59 | 1:16:01 | |
I know, I know I fucked up too. | 1:16:03 | 1:16:05 | |
I fucked up one time and I fucking told you about it. | 1:16:05 | 1:16:08 | |
You think I'm, like, some fucking pathetic idiot or something. | 1:16:08 | 1:16:12 | |
You're not a fucking idiot, I'm a fucking idiot. | 1:16:12 | 1:16:15 | |
Yeah, that's right. | 1:16:16 | 1:16:18 | |
(ENGINE STARTS) | 1:16:26 | 1:16:27 | |
-Shit. -(TYRES SCREECH) | 1:16:28 | 1:16:31 | |
(GIRLS SCREAM) | 1:16:35 | 1:16:37 | |
Woohoo! I'm the champion! | 1:16:42 | 1:16:46 | |
Victor goes the spoils. | 1:16:46 | 1:16:48 | |
There you go. | 1:16:48 | 1:16:49 | |
What? What is this? | 1:16:49 | 1:16:51 | |
Is it a banana? | 1:16:51 | 1:16:53 | |
It's a banana with eyes. | 1:16:53 | 1:16:56 | |
I'd watch my mouth if I were you, carnival boy. | 1:16:56 | 1:16:59 | |
Hey. | 1:17:19 | 1:17:21 | |
What's up? | 1:17:22 | 1:17:23 | |
(POP MUSIC) | 1:17:23 | 1:17:26 | |
Whoa. I mean, whoa. | 1:17:27 | 1:17:30 | |
I actually feel sorry for them. | 1:17:31 | 1:17:34 | |
Like sneaking around and lying to everybody. | 1:17:34 | 1:17:38 | |
That's, like, so pathetic. | 1:17:38 | 1:17:40 | |
-He's a married man. -I know. I know. | 1:17:40 | 1:17:43 | |
Hey, Lisa. | 1:17:45 | 1:17:46 | |
You can't, like, tell anybody about this. Ever. | 1:17:46 | 1:17:49 | |
Of course. | 1:17:49 | 1:17:51 | |
I would never. | 1:17:53 | 1:17:55 | |
Thanks. | 1:18:10 | 1:18:11 | |
Hi, Em, what's up? | 1:18:13 | 1:18:15 | |
Loving life, you know. | 1:18:16 | 1:18:17 | |
You know I play the drums. | 1:18:17 | 1:18:19 | |
I did this killer drum solo at the high school talent show once. | 1:18:19 | 1:18:23 | |
Played "Limelight" by Rush. | 1:18:23 | 1:18:25 | |
(MIMICS DRUM SOLO) | 1:18:26 | 1:18:28 | |
# Living on a lighted stage | 1:18:30 | 1:18:33 | |
# Approaches the unreal | 1:18:33 | 1:18:35 | |
# For those who think and feel | 1:18:35 | 1:18:37 | |
# And touch with some reality beyond the blah blah blah... # | 1:18:37 | 1:18:42 | |
(MIMICS DRUM SOLO) | 1:18:42 | 1:18:44 | |
Good night, Adventureland! | 1:18:46 | 1:18:48 | |
What the fuck was that? | 1:18:48 | 1:18:50 | |
You like musicians, right? | 1:18:50 | 1:18:52 | |
Hey, honey. | 1:19:02 | 1:19:04 | |
I'm running out of googly eyes. | 1:19:04 | 1:19:06 | |
-Yeah, me too. But I found these. So I've just been... -Oh! | 1:19:06 | 1:19:10 | |
-Hey. -Hey, Em. What's up? | 1:19:12 | 1:19:14 | |
Er, I quit. | 1:19:16 | 1:19:18 | |
See you. | 1:19:18 | 1:19:19 | |
Tommy, is there something wrong with this car? | 1:19:25 | 1:19:27 | |
Have your father check it. It's making a squeaky sound. | 1:19:27 | 1:19:30 | |
I don't know what the problem is. | 1:19:30 | 1:19:32 | |
(TYRES SCREECH) | 1:19:32 | 1:19:33 | |
-Move your car, shithead! -(CAR HORN) | 1:19:33 | 1:19:36 | |
"Shake a leg and come aboard the SS Adventureland." | 1:19:41 | 1:19:44 | |
I'm not friends with anybody. How the hell would I know? > | 1:19:44 | 1:19:47 | |
I don't know. No way. > | 1:19:47 | 1:19:50 | |
-Em? Em Lewin? -Yes, yes, yes. Can you believe that? | 1:19:50 | 1:19:52 | |
Em has been sleeping with Connell all summer. | 1:19:52 | 1:19:55 | |
-I'm telling you, man. -Connell is a freaking god. | 1:19:55 | 1:19:59 | |
Hey, Lisa. | 1:20:07 | 1:20:08 | |
-Hey. -Hi. | 1:20:08 | 1:20:11 | |
Look, I don't know what to say, | 1:20:11 | 1:20:13 | |
but everyone is talking about Em and Connell. | 1:20:13 | 1:20:17 | |
Kelly has got such a big effing mouth. | 1:20:17 | 1:20:19 | |
I'm sorry, cos I gave you my word. | 1:20:19 | 1:20:22 | |
We were just so wasted that night. | 1:20:21 | 1:20:25 | |
You know I can't hide nothing from Kel. | 1:20:25 | 1:20:27 | |
Are you mad at me? | 1:20:29 | 1:20:31 | |
Well, yeah, Connell is going to freak out. | 1:20:31 | 1:20:34 | |
And Em quit. | 1:20:34 | 1:20:35 | |
I feel bad for Connell. | 1:20:35 | 1:20:37 | |
I have a hard time feeling sorry for Em. | 1:20:37 | 1:20:41 | |
-Guys can't help themselves. -He's the married one. | 1:20:41 | 1:20:44 | |
-Em is a homewrecker. -He's cheating on his wife. | 1:20:44 | 1:20:46 | |
I can't believe you're defending her. | 1:20:46 | 1:20:48 | |
Because guys can be shitty and women can't? | 1:20:48 | 1:20:51 | |
Whoa. | 1:20:52 | 1:20:54 | |
"The Musik-Express!" | 1:20:53 | 1:20:56 | |
# "Rock Me Amadeus" - Falco | 1:20:56 | 1:20:58 | |
It's fun, it's more like dancing than exercising. | 1:21:08 | 1:21:11 | |
I have a blast. I try to get him to go but he won't. | 1:21:11 | 1:21:13 | |
You're not doing it right. | 1:21:13 | 1:21:15 | |
-I don't like lifting my knees that high. -I've noticed. | 1:21:15 | 1:21:18 | |
Emily. | 1:21:20 | 1:21:22 | |
You know the Ostrows and the Waldsteins. | 1:21:22 | 1:21:25 | |
Hi. | 1:21:25 | 1:21:26 | |
Can I get anyone a refresher? | 1:21:30 | 1:21:33 | |
Francy, these pieces, I love them. So great. | 1:21:34 | 1:21:39 | |
Oh, those, I love those. I think they are so fun. | 1:21:39 | 1:21:42 | |
You're so artsy. | 1:21:41 | 1:21:43 | |
I love what you've done with the house. | 1:21:43 | 1:21:45 | |
Thank you. | 1:21:45 | 1:21:47 | |
It's... clean. | 1:21:47 | 1:21:49 | |
I thought the house was a lot nicer the way my mom used to have it. | 1:21:49 | 1:21:52 | |
It's pretty barfarific, if you ask me. | 1:21:52 | 1:21:55 | |
Is that some kind of joke? | 1:21:57 | 1:21:59 | |
No. | 1:21:59 | 1:22:02 | |
It's not. | 1:22:01 | 1:22:03 | |
I think you owe me an apology right now. | 1:22:04 | 1:22:07 | |
I don't owe you shit. | 1:22:08 | 1:22:10 | |
All right, OK, give me the drink. | 1:22:10 | 1:22:12 | |
You weren't invited and I don't want you here. | 1:22:12 | 1:22:14 | |
-I wasn't invited. -You weren't invited. | 1:22:14 | 1:22:17 | |
I don't like you coming in here and saying what the hell you want. | 1:22:17 | 1:22:20 | |
I'm sick of your behaviour, you ungrateful little bitch. | 1:22:20 | 1:22:23 | |
-Give me the drink. -OK... | 1:22:23 | 1:22:25 | |
Ouch! Goddamn it. | 1:22:25 | 1:22:27 | |
Emily! Emily! | 1:22:28 | 1:22:31 | |
This has to stop. You cannot say those things. | 1:22:31 | 1:22:33 | |
I can't say what I'm thinking and feeling every fucking day. | 1:22:33 | 1:22:37 | |
-< For God's sake! -I can't force her out. | 1:22:38 | 1:22:42 | |
-Maybe you can. -Maybe I can? | 1:22:41 | 1:22:45 | |
# "Pale Blue Eyes" - The Velvet Underground | 1:22:53 | 1:22:56 | |
# Sometimes I feel so happy | 1:22:59 | 1:23:03 | |
# Sometimes I feel so sad... # | 1:23:05 | 1:23:07 | |
Can I have another? Thanks. | 1:23:07 | 1:23:09 | |
# Sometimes I feel so happy | 1:23:11 | 1:23:14 | |
# But mostly you just make me mad | 1:23:15 | 1:23:19 | |
# Baby, you just make me mad | 1:23:21 | 1:23:25 | |
# Linger on | 1:23:28 | 1:23:32 | |
# Your pale blue eyes | 1:23:33 | 1:23:35 | |
# Linger on | 1:23:39 | 1:23:43 | |
# Your pale blue eyes # | 1:23:44 | 1:23:47 | |
(CAR HORN) | 1:23:47 | 1:23:48 | |
Fuck! | 1:23:50 | 1:23:51 | |
(FOOTSTEPS) | 1:24:01 | 1:24:04 | |
(KNOCK ON ROOF) | 1:24:04 | 1:24:05 | |
James, get out of the car. | 1:24:05 | 1:24:08 | |
Now! | 1:24:08 | 1:24:09 | |
(VOMITS) | 1:24:15 | 1:24:17 | |
God. | 1:24:18 | 1:24:20 | |
Come with me. | 1:24:21 | 1:24:22 | |
You care to explain how Mrs Frigo's rhododendron got here? | 1:24:26 | 1:24:29 | |
Good morning. | 1:24:35 | 1:24:37 | |
What's this, mister? | 1:24:39 | 1:24:42 | |
What the hell is wrong with you? | 1:24:45 | 1:24:47 | |
I think that Adventureland has made you regress or something. | 1:24:47 | 1:24:51 | |
You're quitting that job. | 1:24:51 | 1:24:53 | |
-I never want to go back there again. -Good. | 1:24:53 | 1:24:56 | |
How much have you saved? | 1:24:56 | 1:24:58 | |
1,322. | 1:24:58 | 1:25:01 | |
Give or take. | 1:25:01 | 1:25:02 | |
Well, the front axle is broken, but that might cover the damage. | 1:25:02 | 1:25:06 | |
And you have to pay for Mrs Frigo's rhododendron. | 1:25:06 | 1:25:08 | |
I need every cent for New York. | 1:25:08 | 1:25:10 | |
I'm sorry, you should have thought about that before you went | 1:25:10 | 1:25:13 | |
on this little joyride of yours. | 1:25:13 | 1:25:15 | |
Brennan. I'm back. | 1:25:22 | 1:25:24 | |
Thank God. How are you? | 1:25:24 | 1:25:26 | |
Well, Europe changed me. | 1:25:26 | 1:25:28 | |
It was revelatory. | 1:25:28 | 1:25:31 | |
There I was going from one incredible city to the next. | 1:25:31 | 1:25:34 | |
"The ruins, the cathedrals, the endless art treasures." | 1:25:34 | 1:25:37 | |
"I realised something." | 1:25:37 | 1:25:39 | |
Fuck the old world. | 1:25:39 | 1:25:41 | |
"I want the new world. And I want it now." | 1:25:41 | 1:25:43 | |
What do you mean? | 1:25:43 | 1:25:44 | |
"I'm going to Harvard Business." | 1:25:44 | 1:25:47 | |
You what? You're applying? | 1:25:47 | 1:25:49 | |
No, I'm in, actually. | 1:25:49 | 1:25:51 | |
Strings were pulled. Wheels greased. | 1:25:51 | 1:25:53 | |
Wait, that's in Boston. What about New York and the apartment? | 1:25:53 | 1:25:59 | |
"Yeah, sorry about that, man." | 1:25:59 | 1:26:03 | |
"I can't really help you out there." | 1:26:02 | 1:26:05 | |
Hey. Litterbug. | 1:26:08 | 1:26:11 | |
Hey, in the clown mouth. | 1:26:11 | 1:26:13 | |
These guys. | 1:26:13 | 1:26:14 | |
-Hey, Bobby, Paulette. -Hey, Brennan. | 1:26:14 | 1:26:16 | |
How are you? | 1:26:16 | 1:26:17 | |
You know, we're just - It's the last weekend of the season. | 1:26:17 | 1:26:22 | |
Just getting ready for winter, closing up shop. | 1:26:22 | 1:26:24 | |
Need to turn all the lights off. | 1:26:24 | 1:26:26 | |
Your cheque's in the office. Gonna see you next summer? | 1:26:26 | 1:26:31 | |
-Thank you, Bobby, for everything. -Gonna see you next summer. | 1:26:31 | 1:26:34 | |
Thank you, really. | 1:26:34 | 1:26:35 | |
-> (CONNELL) -We're halfway through our set and I see him. | 1:26:35 | 1:26:38 | |
It's fucking Lou Reed. | 1:26:38 | 1:26:39 | |
-Oh, my. -Holy shit. | 1:26:39 | 1:26:40 | |
I keep thinking I'm about to wake up any second, | 1:26:40 | 1:26:42 | |
he gets up on stage, puts on a guitar | 1:26:42 | 1:26:44 | |
-and we do a whole fucking set of his songs. -Oh, my God. | 1:26:44 | 1:26:47 | |
We do "Vicious", "Shed a Light on Love". | 1:26:47 | 1:26:49 | |
What a pisser. | 1:26:49 | 1:26:50 | |
We do "I'm Waiting for the Man". Hold on one second. | 1:26:50 | 1:26:55 | |
Hey. | 1:26:55 | 1:26:56 | |
-Last paycheque? -Yeah. | 1:26:56 | 1:26:59 | |
So, how's it going? | 1:26:59 | 1:27:01 | |
-Ronnie found out everything. -Sorry. | 1:27:02 | 1:27:05 | |
It was bad. It's blown over now. Mostly. | 1:27:05 | 1:27:09 | |
Did you speak to Em? | 1:27:11 | 1:27:13 | |
Not since she quit. You? | 1:27:13 | 1:27:16 | |
You know the song is called "Satellite of Love" by Lou Reed. | 1:27:21 | 1:27:25 | |
You said "Shed a Light on Love", but it's "Satellite". | 1:27:25 | 1:27:28 | |
-Yeah, it's "Satellite of Love". -It's like Skylab. | 1:27:28 | 1:27:31 | |
Yeah, I know, it's... It's called "Satellite of Love". | 1:27:31 | 1:27:34 | |
Take care of yourself, Brennan. | 1:27:40 | 1:27:43 | |
Yeah, you too. | 1:27:43 | 1:27:44 | |
Where were we? | 1:27:49 | 1:27:50 | |
You were telling us about Lou. | 1:27:50 | 1:27:52 | |
"Satellite of Love". That's what we were talking about. | 1:27:51 | 1:27:54 | |
-It's my favourite one. -It's a good tune. | 1:27:54 | 1:27:56 | |
We've got the Viet Cong, fellas, we got the Viet Cong here. | 1:27:57 | 1:28:00 | |
I need suppressive fire, but I can handle it. | 1:28:00 | 1:28:03 | |
I think I got this under control. | 1:28:02 | 1:28:05 | |
-Your friend Eric boned you, huh? -Yeah. | 1:28:05 | 1:28:08 | |
How are you gonna pull off New York now? | 1:28:08 | 1:28:10 | |
I can't pull it off. | 1:28:10 | 1:28:11 | |
I'm stuck here. | 1:28:11 | 1:28:13 | |
What's the point of being a writer or artist anyway? | 1:28:13 | 1:28:17 | |
Herman Melville wrote fucking Moby Dick. | 1:28:17 | 1:28:19 | |
He was so poor and forgotten by the time he died | 1:28:19 | 1:28:22 | |
that in his obituary they called him Henry Melville. | 1:28:22 | 1:28:25 | |
Like why bother? | 1:28:25 | 1:28:27 | |
They're just gonna forget our fucking names anyway. | 1:28:27 | 1:28:30 | |
> Viet Cong! Viet Cong! I'm coming! | 1:28:30 | 1:28:33 | |
I heard Em went back to New York. | 1:28:33 | 1:28:36 | |
I wish it didn't end like that. I should have... I don't know. | 1:28:36 | 1:28:41 | |
> Get behind me, boom. | 1:28:43 | 1:28:45 | |
I got two. There's one, there's two. | 1:28:45 | 1:28:49 | |
Boom. Boom. | 1:28:49 | 1:28:51 | |
Boom, baby, boom. | 1:28:51 | 1:28:52 | |
Your Herman Melville story, that's bullshit. | 1:29:04 | 1:29:07 | |
It's true, they called him Henry. | 1:29:07 | 1:29:09 | |
No, I mean he wrote a 700-page allegorical novel | 1:29:09 | 1:29:13 | |
about the whaling industry. | 1:29:13 | 1:29:15 | |
I think he was a pretty passionate guy, Joel. | 1:29:15 | 1:29:19 | |
I hope they call me Henry when I die, too. | 1:29:19 | 1:29:22 | |
One can only hope. | 1:29:22 | 1:29:24 | |
Brennan, don't get all drunk and fall asleep. | 1:29:29 | 1:29:32 | |
Why? | 1:29:32 | 1:29:33 | |
Because I'll jack off on your face. | 1:29:33 | 1:29:35 | |
-OK. I'm going to go. -What? | 1:29:35 | 1:29:39 | |
I'll see you around, Frigo. | 1:29:39 | 1:29:42 | |
All right. | 1:29:42 | 1:29:43 | |
Good luck with him. Even. | 1:29:45 | 1:29:48 | |
(LAUGHS) | 1:29:48 | 1:29:49 | |
Good one! | 1:29:49 | 1:29:51 | |
That was nice, Brennan. That was nice. | 1:29:53 | 1:29:56 | |
That must have hurt. | 1:29:58 | 1:29:59 | |
# "Unsatisfied" - The Replacements | 1:30:17 | 1:30:19 | |
# Look me in the eye | 1:30:32 | 1:30:34 | |
# Then tell me that I'm satisfied | 1:30:34 | 1:30:38 | |
# Hey, are you satisfied? | 1:30:42 | 1:30:47 | |
# And it goes | 1:30:48 | 1:30:50 | |
# So slowly on | 1:30:50 | 1:30:55 | |
# Everything I've ever wanted | 1:30:55 | 1:31:00 | |
# Tell me what's wrong | 1:31:00 | 1:31:03 | |
# Look me in the eye and tell me | 1:31:03 | 1:31:07 | |
# That I'm satisfied | 1:31:06 | 1:31:09 | |
# Hey, are you satisfied? # | 1:31:12 | 1:31:15 | |
(THUNDER) | 1:31:15 | 1:31:17 | |
Whoa... | 1:31:29 | 1:31:30 | |
Hi. | 1:31:30 | 1:31:31 | |
I just got off a bus. I'm a New Yorker now. | 1:31:31 | 1:31:35 | |
I assume I should probably buy an umbrella. | 1:31:35 | 1:31:37 | |
I don't think... I can see you. | 1:31:38 | 1:31:42 | |
What? | 1:31:42 | 1:31:43 | |
This summer was... rough. | 1:31:45 | 1:31:49 | |
I did things that I really... really regret. | 1:31:50 | 1:31:55 | |
Me too. | 1:31:55 | 1:31:56 | |
I'm sorry I told Lisa P about you and Connell. | 1:31:58 | 1:32:02 | |
She told the rest of the world. | 1:32:03 | 1:32:06 | |
I'm not going to lie, I was really angry at you, | 1:32:08 | 1:32:10 | |
but you didn't deserve that. | 1:32:10 | 1:32:12 | |
No, James. | 1:32:14 | 1:32:15 | |
I am so sorry... | 1:32:17 | 1:32:19 | |
..for fucking this up. | 1:32:19 | 1:32:21 | |
You were the only good thing that happened this summer. | 1:32:21 | 1:32:24 | |
Wait, Em. | 1:32:28 | 1:32:30 | |
I think I maybe see you a little differently than you see yourself. | 1:32:33 | 1:32:37 | |
I see the person who fucked up, but I also see the person who saved me | 1:32:38 | 1:32:41 | |
from being knifed over a giant-ass panda. | 1:32:41 | 1:32:44 | |
Who introduced me to psychotropic chocolate-chip cookies. | 1:32:44 | 1:32:48 | |
And who stood up for Joel. | 1:32:48 | 1:32:50 | |
Doesn't make apologies for herself. | 1:32:50 | 1:32:54 | |
My theory is you can't just avoid everybody you screw up with. | 1:32:54 | 1:32:59 | |
You should trust me, I'm a New Yorker. | 1:32:59 | 1:33:02 | |
-You are soaking wet. -Yeah. | 1:33:08 | 1:33:10 | |
-Do you have anything else you can wear? -I'll check. | 1:33:10 | 1:33:14 | |
-Do you want some tea? -Yeah. | 1:33:13 | 1:33:16 | |
No. | 1:33:18 | 1:33:19 | |
Everything in here is soaking wet. | 1:33:19 | 1:33:22 | |
-Here. -Thanks. | 1:33:24 | 1:33:26 | |
So you're going to Columbia? | 1:33:28 | 1:33:31 | |
No. No. Maybe next year. No. | 1:33:31 | 1:33:34 | |
Oh. Why? | 1:33:34 | 1:33:36 | |
I wrecked my dad's car and... I lost all my carny money. | 1:33:36 | 1:33:40 | |
So what's the plan? | 1:33:40 | 1:33:42 | |
I'm going to crash at the Y for a week. | 1:33:42 | 1:33:44 | |
I'm going to look for a shitty job and... I don't know. | 1:33:44 | 1:33:48 | |
Give me your shirt. | 1:33:51 | 1:33:53 | |
-I'll get you another shirt. -Thanks. | 1:33:58 | 1:34:00 | |
Hey, Em. | 1:34:03 | 1:34:04 | |
I've really missed you. | 1:34:08 | 1:34:10 | |
You want to wear this? | 1:34:18 | 1:34:20 | |
I... No, no. I never want to see that again. | 1:34:20 | 1:34:24 | |
Why do you have that? Why do you have that stupid shirt? | 1:34:26 | 1:34:29 | |
Is it OK that I did that? | 1:34:35 | 1:34:38 | |
Yeah. | 1:34:38 | 1:34:39 | |
-Are we doing this? -I think so. | 1:35:15 | 1:35:17 | |
OK, we are? OK. | 1:35:17 | 1:35:19 | |
# "Don't Change" - INXS | 1:35:47 | 1:35:50 | |
# I'm standing here on the ground | 1:36:02 | 1:36:06 | |
# The sky above won't fall down | 1:36:07 | 1:36:12 | |
# See no evil in all directions | 1:36:13 | 1:36:17 | |
# Resolution of happiness | 1:36:19 | 1:36:22 | |
# Things have been dark for too long | 1:36:24 | 1:36:29 | |
# Don't change for you | 1:36:30 | 1:36:33 | |
# Don't change a thing | 1:36:33 | 1:36:35 | |
# For me | 1:36:35 | 1:36:37 | |
# Don't change for you | 1:36:38 | 1:36:41 | |
# Don't change a thing | 1:36:41 | 1:36:43 | |
# For me | 1:36:43 | 1:36:45 | |
Do you like adventure? | 1:37:14 | 1:37:16 | |
(BOTH) Adventureland totally rocks. | 1:37:16 | 1:37:19 | |
It's perfect for me, my wife, my family. It's great here, wonderful. | 1:37:20 | 1:37:25 | |
Adventureland is top shelf. | 1:37:25 | 1:37:27 | |
Adventureland. | 1:37:27 | 1:37:28 | |
# Adventureland We're gonna have some fun! | 1:37:28 | 1:37:32 | |
# Adventureland We're gonna have some fun | 1:37:32 | 1:37:35 | |
-It's a fun-tastic time. -# Fun fun... # | 1:37:35 | 1:37:38 | |
Adventureland. | 1:37:38 | 1:37:39 | |
In Pittsburgh, PA. | 1:37:39 | 1:37:41 | |
IMS Subtitles | 1:37:43 | 1:37:45 |