Soul Men

Line	From	To
-Marcus Hooks And The Real Deal, take six. -That's three names.	0:00:02	0:00:04
-You want me to sing the main line? -Oh, yeah, here we go, here we go.	0:00:04	0:00:07
Tonight, we take a musical journey south,	0:00:07	0:00:09
where the legendary soul band Marcus Hooks And The Real Deal	0:00:09	0:00:12
developed their signature sound.	0:00:12	0:00:14
This film contains contains very strong language and adult humour.	0:00:15	0:00:21
They started out singing for pennies on the street corners of Memphis.	0:00:22	0:00:26
TOGETHER: # Pull the string	0:00:27	0:00:29
# And I'll wink at you	0:00:29	0:00:31
# I'm your puppet	0:00:31	0:00:33
# Mm-hmm, yeah	0:00:34	0:00:37
# I'll do funny things	0:00:37	0:00:39
# If you want me to	0:00:39	0:00:40
# I'm your puppet	0:00:40	0:00:43
# I'm yours	0:00:47	0:00:48
# To have and to hold	0:00:48	0:00:52
# Darling, you've got	0:00:52	0:00:54
# Full control	0:00:54	0:00:56
# Of your puppet... #	0:00:56	0:00:57
But by 1972, Marcus Hooks And The Real Deal	0:00:58	0:01:01
had become one of the biggest R&B acts in the world.	0:01:01	0:01:04
# Nothin' like sweet soul music	0:01:04	0:01:07
# To bring us together... #	0:01:07	0:01:09
They played to sell-out houses all over the world.	0:01:09	0:01:12
They'd sold six million records	0:01:12	0:01:14
and influenced a generation of American musicians.	0:01:14	0:01:16
# Dance, to the sweet soul music Yahh! #	0:01:16	0:01:20
But that all ended on July 24, 1977,	0:01:20	0:01:23
when Marcus Hooks began his solo career	0:01:23	0:01:25
with a dramatic concert at New York's Madison Square Garden.	0:01:25	0:01:28
Ladies and gentlemen,	0:01:28	0:01:29
Marcus Hooks.	0:01:29	0:01:32
CHEERING AND APPLAUSE	0:01:32	0:01:34
Marcus.	0:01:40	0:01:41
Ooh-ooh-ooh.	0:01:41	0:01:42
Hey, boy, hi.	0:01:42	0:01:44
Hey, boy, dance.	0:01:44	0:01:46
Yeah.	0:01:46	0:01:47
But while Hooks became a music legend,	0:01:47	0:01:49
the journey took a decidedly different direction	0:01:49	0:01:52
for former band mates Floyd Henderson and Louis Hinds.	0:01:52	0:01:54
Renowned for their signature dance stylings	0:01:56	0:01:58
and their one breakout hit, Walk In The Park,	0:01:58	0:02:01
the duo broke up in 1979.	0:02:01	0:02:03
Citing creative differences	0:02:03	0:02:05
and a desire to pursue separate projects.	0:02:05	0:02:08
-SCREAMING Back off! -Freeze!	0:02:08	0:02:10
Get your hands where I can see them!	0:02:10	0:02:11
Oh. Wait. Wait, wait. It ain't... Ohh!	0:02:11	0:02:13
The gun ain't real! Ow! It ain't real! Ow!	0:02:13	0:02:16
-I'm just broke, God -BLEEP -it!	0:02:16	0:02:17
-I ain't tryin' to hurt no mother... -BLEEP!	0:02:17	0:02:19
-Watch your -BLEEP -damn hands!	0:02:19	0:02:20
-Police mother... -BLEEP -brutality!	0:02:20	0:02:22
While Floyd Henderson...	0:02:22	0:02:24
Come on down to Floyd's Car Wash,	0:02:25	0:02:27
where everything is done by hand.	0:02:27	0:02:29
..combined his showmanship	0:02:29	0:02:31
with an entrepreneur spirit.	0:02:31	0:02:33
And don't forget about Super Soul Sundays,	0:02:33	0:02:35
with a full body wash	0:02:35	0:02:37
to guarantee a free rimjob.	0:02:37	0:02:39
Come on. Get your rimjob.	0:02:42	0:02:44
-SHE MOANS -Come get your rimjob.	0:02:44	0:02:45
Come and get your rimjob!	0:02:45	0:02:47
Whatever happened to the forgotten duo...	0:02:47	0:02:50
The Real Deal?	0:02:50	0:02:52
Baby, turn the navigation on.	0:02:55	0:02:57
I hope we can find this place sometime tonight.	0:02:57	0:03:00
He's going to love it there.	0:03:00	0:03:01
They got Craftmatic adjustable beds,	0:03:01	0:03:03
clap-on lamps.	0:03:03	0:03:05
Y'all better shut up back there, I'm tellin' you.	0:03:05	0:03:07
I'm going to reach back there	0:03:07	0:03:08
and pop one of them little boys upside the head so bad.	0:03:08	0:03:11
I think that's it, Uncle Floyd.	0:03:12	0:03:14
Whoo!	0:03:15	0:03:17
Now, I can't believe I let you talk me into this bullshit.	0:03:17	0:03:19
What you talking about? It's beautiful. You don't like this?	0:03:19	0:03:22
It's a death camp.	0:03:22	0:03:23
Oh, how is it a death camp, Unc?	0:03:23	0:03:26
We got 36 holes of golf.	0:03:26	0:03:28
Three swimming pools.	0:03:28	0:03:29
You know the ratio of women to men here	0:03:29	0:03:31
is 5 to 1, Unc? 5 to 1.	0:03:31	0:03:34
That mean you got 'em everywhere.	0:03:34	0:03:35
You can't even move. There's women...	0:03:35	0:03:37
Every time you look around,	0:03:37	0:03:38
women crawling between your legs, arms, anything.	0:03:38	0:03:40
I mean, damn, Unc. And if you're worried about the business,	0:03:40	0:03:43
I got that.	0:03:43	0:03:44
You taught me everything you know.	0:03:44	0:03:46
Yeah.	0:03:46	0:03:47
Yeah. You know something, son? You're real crafty.	0:03:47	0:03:50
-Appreciate that. -See, first you move into my house.	0:03:50	0:03:53
Then you take over my business.	0:03:53	0:03:54
-Aw, man, I ain't taking... -Oh, yeah.	0:03:54	0:03:56
Then you move me all the way out to the Valley, man,	0:03:56	0:03:57
so can't nobody hear me scream. Right?	0:03:57	0:03:59
Actually, that's why we're moving you here.	0:03:59	0:04:01
So the nurses can hear your ass scream.	0:04:01	0:04:03
You remember you fell on that floor for three days	0:04:03	0:04:05
-and couldn't nobody hear you. -I remember.	0:04:05	0:04:07
Yeah. Now, stop being bitter, man. Enjoy yourself, Unc.	0:04:07	0:04:11
There are your golden years, player.	0:04:11	0:04:13
HE SIGHS	0:04:13	0:04:15
Now, come on in the house and say bye	0:04:15	0:04:16
to Charlene and the kids.	0:04:16	0:04:18
Fuck them kids.	0:04:19	0:04:20
Fuck the kids?	0:04:20	0:04:22
Yeah.	0:04:22	0:04:23
HE SIGHS	0:04:37	0:04:38
-Ohh... -HE GRUNTS	0:04:55	0:04:57
Ohhh! Yeah, baby. Ohh! Ohh!	0:05:04	0:05:06
Ohh! Oh, give it to me. Give it to me nice and hard.	0:05:06	0:05:09
Oh, papi, si. Ooh!	0:05:09	0:05:11
Oh, right there!	0:05:11	0:05:12
Trembling Ohhhhh!	0:05:12	0:05:14
Uhh! Ohh!	0:05:14	0:05:17
Ooh. Don't stop, baby.	0:05:17	0:05:18
No. No.	0:05:18	0:05:20
No, you're not getting away.	0:05:20	0:05:22
Hoo, hoo! Hoo, hoo! Yummy!	0:05:22	0:05:24
Uhh! Uhh! Yeah.	0:05:24	0:05:26
BOTH SCREAM	0:05:26	0:05:28
Aah!	0:05:29	0:05:30
LOUD SNORING	0:05:35	0:05:38
Mmm.	0:05:41	0:05:42
How's the hip?	0:05:46	0:05:48
Fine.	0:05:49	0:05:50
OK.	0:05:50	0:05:51
DOCTOR SIGHS, RUBBER SNAPS	0:05:54	0:05:56
OK, Mr Henderson. I'm going to need you	0:05:58	0:06:01
to, uh, stand up, face the window,	0:06:01	0:06:03
and bend over the table.	0:06:03	0:06:05
My problem ain't back in that area, Doctor.	0:06:05	0:06:07
Look, Mr Henderson, your sleep problem	0:06:07	0:06:09
can be a symptom of a myriad of different conditions,	0:06:09	0:06:11
some of which, you know, are...	0:06:11	0:06:12
Well, you know, back in that area.	0:06:12	0:06:15
I don't like nobody behind me like that, Huds.	0:06:18	0:06:20
I'm telling you, I just don't like nobody playing	0:06:20	0:06:22
-with my penny. -I'll be very gentle.	0:06:22	0:06:23
I'll be in and out before you know it.	0:06:23	0:06:25
Just bend over. There you go.	0:06:28	0:06:30
Hold on, now. Get a good grip.	0:06:30	0:06:32
Just relax.	0:06:33	0:06:35
Relax.	0:06:35	0:06:36
# Sittin' on	0:06:36	0:06:37
# The dock of the bay	0:06:37	0:06:39
# Watching the	0:06:39	0:06:40
# Tiiiiiide	0:06:40	0:06:43
# Roll away	0:06:43	0:06:45
# Ooh, ooh... #	0:06:45	0:06:46
All right, again, Mr Henderson,	0:06:46	0:06:48
there's absolutely nothing wrong with you.	0:06:48	0:06:50
So take those for insomnia.	0:06:50	0:06:51
Give me a call if anything changes. All right?	0:06:51	0:06:53
-All right. -Do me a favour.	0:06:53	0:06:55
Stop being so hard on yourself, Mr Henderson.	0:06:55	0:06:58
Retirement can be a tough transition. All right?	0:06:58	0:07:00
OK. Oh, yeah. Hey, listen.	0:07:10	0:07:13
Don't mix those sleeping pills with alcohol	0:07:13	0:07:15
unless you want to kill yourself.	0:07:15	0:07:17
HE LAUGHS	0:07:17	0:07:19
OK. Who's next?	0:07:19	0:07:21
'And for those of you in the Southland,	0:07:21	0:07:23
'tomorrow's going to be another beautiful day with	0:07:23	0:07:26
'bright, sunny skies	0:07:26	0:07:28
'and temperatures into the mid-80s.	0:07:28	0:07:30
'A perfect day for some golf.	0:07:30	0:07:32
'And that's going to continue right into next week.	0:07:32	0:07:35
'Gorgeous blue skies and sensationally warm.	0:07:35	0:07:38
'It doesn't get any better than that.'	0:07:38	0:07:40
'This just in.	0:07:41	0:07:42
'Soul music fans around the globe	0:07:42	0:07:44
'are mourning the loss of Marcus Hooks.	0:07:44	0:07:47
'The legendary singer and songwriter	0:07:47	0:07:49
'apparently suffered a massive heart attack	0:07:49	0:07:51
'while performing last night in front of a capacity crowd	0:07:51	0:07:54
'at Kungstrardgarden Park in Stockholm, Sweden.	0:07:54	0:07:57
'His body's being flown home to New York,	0:07:57	0:07:59
'where a memorial service will be held next week.	0:07:59	0:08:01
'The seven-time Grammy Award winner	0:08:01	0:08:04
'was 63 years old.'	0:08:04	0:08:06
# I'll do anything for you... #	0:08:06	0:08:08
'We're back in just a moment.'	0:08:08	0:08:10
-TELEPHONE RINGS -Humh!	0:08:11	0:08:12
Kezian Motors. Can I help you?	0:08:14	0:08:16
Who?	0:08:17	0:08:18
Hinds, telephone!	0:08:20	0:08:22
Dealing drugs out of my garage?	0:08:27	0:08:28
Listen, you doing something illegal,	0:08:28	0:08:31
I'll find out and send your ass back to prison	0:08:31	0:08:34
so fucking fast, it will make your black monkey head spin.	0:08:34	0:08:37
You know, there was a time	0:08:41	0:08:42
I would've knocked your teeth down your throat	0:08:42	0:08:44
for saying some shit like that to me.	0:08:44	0:08:45
But I'm a changed man.	0:08:45	0:08:47
I'm trying to be all centred and shit.	0:08:47	0:08:49
Now, I could of called you a unibrow-shaving, pilaf-eating,	0:08:49	0:08:52
greasy-ass goat fucker, but I didn't, did I?	0:08:52	0:08:53
-Uh-uh. -cos I didn't want to hurt your feelings,	0:08:53	0:08:56
and I didn't want to piss you off,	0:08:56	0:08:57
just like I know deep, deep down inside,	0:08:57	0:08:59
you don't want to piss me off, either.	0:08:59	0:09:01
-Now, do you? -Uh-uh. Uh-uh. No. Uh-uh.	0:09:01	0:09:04
All right.	0:09:04	0:09:05
Peace.	0:09:05	0:09:07
HE COUGHS	0:09:07	0:09:09
Scruffy, Kibbles...	0:09:09	0:09:10
Yeah, this is Louis.	0:09:10	0:09:12
Hey. Mr Hinds.	0:09:12	0:09:13
It's Danny Epstein calling from New York. How are you today?	0:09:13	0:09:16
'Who?'	0:09:16	0:09:17
Marty's son.	0:09:17	0:09:18
'Oh, yeah?'	0:09:18	0:09:19
Shit, I ain't seen you since you were in diapers.	0:09:19	0:09:22
'Yeah. Well,'	0:09:22	0:09:24
I assume you heard about Marcus' passing, yeah?	0:09:24	0:09:26
Oh, yeah. I'm crying the tears of a motherfucking clown.	0:09:26	0:09:29
OK. Here's the thing. VH1 is putting together	0:09:29	0:09:32
a farewell tribute at the Apollo,	0:09:32	0:09:33
'and they got a lot of big names lined up.'	0:09:33	0:09:35
And they want Henderson and Hinds to perform, right?	0:09:35	0:09:37
That's right! The Real Deal back together again.	0:09:37	0:09:40
It's a great opportunity.	0:09:40	0:09:41
You talk to Floyd?	0:09:41	0:09:43
I did.	0:09:43	0:09:44
Mr Henderson is in.	0:09:44	0:09:46
'Good.'	0:09:46	0:09:47
Then I'm out.	0:09:47	0:09:48
# Born under a bad sign	0:09:56	0:10:00
# Been down since I began to crawl	0:10:02	0:10:05
# If it wasn't for bad luck	0:10:06	0:10:09
# You know I wouldn't have no luck at all	0:10:09	0:10:12
# Hard luck and trouble... #	0:10:16	0:10:18
BABY CRIES	0:10:18	0:10:19
INDISTINCT CHATTER AND LAUGHING	0:10:19	0:10:21
MUTTERING	0:10:33	0:10:36
That is disgusting.	0:10:42	0:10:43
Ooh!	0:10:43	0:10:44
I don't believe this. Hmm.	0:10:46	0:10:49
Hey!	0:10:49	0:10:50
Uhh!	0:10:50	0:10:52
THUD	0:10:52	0:10:54
Ohh. Damn!	0:11:03	0:11:05
What the fuck happened, man?	0:11:06	0:11:08
Hell if I know. I came in, found your ass laying there.	0:11:08	0:11:11
Bullshit. You looked me dead in my eyes.	0:11:11	0:11:13
Man, you recognised me.	0:11:13	0:11:14
I didn't recognise you. You done changed.	0:11:14	0:11:16
I come all the way down here,	0:11:17	0:11:18
and, man, you going to look me in my face	0:11:18	0:11:20
-and knock me the fuck out? -Should've called first.	0:11:20	0:11:21
How the hell I'm going to call	0:11:21	0:11:23
and you ain't got no phone?	0:11:23	0:11:24
-What kind of person ain't got no land phone? -Kind of person don't want to get no calls.	0:11:24	0:11:27
You don't even know why I came down	0:11:27	0:11:29
to this old fucked-up-the-ass neighbourhood.	0:11:29	0:11:31
I talked to little Ep. I know why you're here.	0:11:31	0:11:34
And the answer is no.	0:11:34	0:11:36
Did he tell you we're at the Apollo and they sold out?	0:11:36	0:11:39
Did he also tell you who going to be there?	0:11:39	0:11:41
Booker T Jones. Isaac Hayes. Bootsy Collins.	0:11:41	0:11:44
-Shakira. -I don't care.	0:11:44	0:11:46
Do it for Marcus.	0:11:46	0:11:47
Fuck Marcus.	0:11:47	0:11:49
Well, do it for me.	0:11:49	0:11:50
-Fuck you! -Come on, man.	0:11:50	0:11:52
-This is our shot. -At what?	0:11:52	0:11:53
At a comeback, fool. If we do this shit right,	0:11:53	0:11:56
we can get a record deal and get back on the road	0:11:56	0:11:58
like we was 30 years ago.	0:11:58	0:12:00
I ain't trying to be like 30 years ago!	0:12:00	0:12:01
I ain't trying to make no comeback.	0:12:01	0:12:03
I'm gone, and I want to stay gone.	0:12:03	0:12:05
Don't make me beg you, man.	0:12:06	0:12:08
HE SIGHS	0:12:08	0:12:09
Lao-Tzu says, "Free from desire, you realise the mystery.	0:12:09	0:12:15
"Caught in desire, you see only the manifestations."	0:12:15	0:12:18
What the fuck that even mean, man?	0:12:19	0:12:21
That means...	0:12:21	0:12:22
..get the fuck out.	0:12:24	0:12:27
Well, I guess you don't give a fuck about the money, then, huh?	0:12:32	0:12:35
What money? It's a funeral!	0:12:35	0:12:36
Nobody get paid to sing at no damn funeral!	0:12:36	0:12:39
-How much? -40 grand.	0:12:40	0:12:42
Apiece?	0:12:42	0:12:44
No, down the middle.	0:12:44	0:12:45
No, no, no, no, no. No, no, no, no!	0:12:45	0:12:48
That ain't even enough.	0:12:48	0:12:49
What the fuck you mean that's not enough, man?	0:12:49	0:12:51
I got a lifestyle to maintain here.	0:12:51	0:12:54
What kind of lifestyle, man,	0:12:54	0:12:56
you filthy motherfucker?	0:12:56	0:12:58
You got a pantry full of dog food. I don't see no dog.	0:12:58	0:13:00
Dog under the bed, nigger! You lucky	0:13:00	0:13:02
he ain't attacked your ass when you came in.	0:13:02	0:13:04
You're the dog, motherfucker!	0:13:04	0:13:05
Look, man, what happened to all that fucking money you done saved, man?	0:13:08	0:13:10
Saved? Shit.	0:13:10	0:13:13
I don't remember shit from Watergate	0:13:13	0:13:15
to when the space shuttle blew up. Hmm. Money I saved.	0:13:15	0:13:17
OK, what about the royalties? I used to get	0:13:17	0:13:19
over 30,000 a year off that shit.	0:13:19	0:13:21
I lost my royalties in a poker game. All right?	0:13:21	0:13:24
-Poker? -Listen here, man.	0:13:24	0:13:26
If you serious about un-assing me	0:13:26	0:13:28
from my lavish surroundings here,	0:13:28	0:13:30
man, you going to have to be a little more flexible	0:13:30	0:13:32
in your thinking. Say, oh...	0:13:32	0:13:35
60/40.	0:13:35	0:13:36
Man, you must be higher than a motherfucker.	0:13:36	0:13:38
We always split shit straight down the middle.	0:13:38	0:13:40
Ain't going to be nothing to split	0:13:40	0:13:42
if I don't show up, now, is there?	0:13:42	0:13:43
And I ain't showing up unless I get 60% of the proceeds.	0:13:43	0:13:47
You rich anyway, motherfucker.	0:13:47	0:13:48
I seen your little car wash commercials on the TV.	0:13:48	0:13:51
I transferred all my business affairs over to my nephew.	0:13:51	0:13:53
-I'm on a fixed income, man. -So what?	0:13:53	0:13:55
So your drawers!	0:13:55	0:13:57
That's why that 20 damn thousand dollars	0:13:57	0:13:59
-look good to me right now. -16!	0:13:59	0:14:01
That's your cut of a 60/40 split.	0:14:01	0:14:04
And those are my terms.	0:14:04	0:14:05
And they're non-negotiable.	0:14:05	0:14:07
55/45.	0:14:11	0:14:13
Fatherfuck you, man.	0:14:19	0:14:20
You're going to tell me 60/40.	0:14:20	0:14:23
You don't dictate to me!	0:14:23	0:14:25
I'm Floyd motherfucking Henderson.	0:14:25	0:14:27
You and Marc, I made you	0:14:27	0:14:29
and that motherfucker!	0:14:29	0:14:30
You can't sing, hum, or motherfucking skip.	0:14:30	0:14:34
Ain't that a bitch?	0:14:34	0:14:35
Skip on these motherfucking nuts!	0:14:35	0:14:37
You and Marcus, may you rest in shit.	0:14:38	0:14:40
Motherfucker. I'm Floyd fucking Henderson,	0:14:40	0:14:42
you Apostle-faced motherfucker!	0:14:42	0:14:44
This motherfucker slams this door in my face one more time...	0:14:44	0:14:48
I'm tired of this motherfucker!	0:14:48	0:14:49
Always had a problem with this bitch.	0:14:51	0:14:52
He ain't nothing. He's ignorant!	0:14:54	0:14:55
Motherfucker's just a idiot.	0:14:55	0:14:57
Chihuahua-head motherfucker, man, sitting up there,	0:14:57	0:15:00
always want to tell somebody what to damn do.	0:15:00	0:15:02
He going to sit there and talk the fool?	0:15:02	0:15:04
Ooh, my blood pressure's high, motherfucker.	0:15:04	0:15:07
Huh!	0:15:07	0:15:08
Don't let this motherfucker get you like this.	0:15:14	0:15:16
Huhh!	0:15:18	0:15:19
HINDS BARKS	0:15:20	0:15:22
What!	0:15:22	0:15:23
Stay!	0:15:23	0:15:24
First of all, I clearly want to state this for the record.	0:15:30	0:15:32
And I find this arrangement we got, man, despicable.	0:15:32	0:15:36
But I'm Floyd Henderson. I'm a trouper.	0:15:36	0:15:38
And you know I'd do any doggone thing, man,	0:15:38	0:15:40
to see this group get back on its feet,	0:15:40	0:15:42
cos you know that's the type of motherfucker I am.	0:15:42	0:15:44
But in the meantime,	0:15:44	0:15:46
I'm going back to my 600-a-night hotel room,	0:15:46	0:15:49
and I'm going to have me a nice hot bubble bath	0:15:49	0:15:52
to wash some of this filth and dirt and grime	0:15:52	0:15:54
from this black fucking hole you live in.	0:15:54	0:15:57
Then I'm having me a nice, juicy-ass steak, oh, yeah,	0:15:57	0:16:01
the size of your motherfucking back.	0:16:01	0:16:03
Then I'm going to take me a shit, shower and shave.	0:16:03	0:16:07
And I'll be here at 6am	0:16:07	0:16:08
to take you to the motherfucking airport.	0:16:08	0:16:10
-You got me? -I don't fly.	0:16:10	0:16:11
And I get up at 8.	0:16:11	0:16:12
My cousin out the penitentiary,	0:16:15	0:16:17
I'm going to have him kill this motherfucker!	0:16:17	0:16:18
DISTANT SIREN	0:16:18	0:16:20
Man talk to me like I'm a motherfucking kid.	0:16:20	0:16:22
I ain't no motherfucking kid.	0:16:22	0:16:23
Every time we...we start on the road,	0:16:23	0:16:25
he starts in saying the same shit.	0:16:25	0:16:28
-DANNY EPSTEIN: -Hey! Who's got my lunch?	0:16:28	0:16:31
-Who are you? -I'm Phillip Newman, sir,	0:16:31	0:16:33
the new intern. You hired me, like, 20 minutes ago.	0:16:33	0:16:35
Chuckles Newman's my uncle.	0:16:35	0:16:37
-He's the one that told you... -Stop talking.	0:16:37	0:16:38
-Very good. -I already got a job for you.	0:16:38	0:16:40
OK? Bing, bang, boom. Look at that.	0:16:40	0:16:41
-Yeah. -Henderson and Hinds, Marcus' old backup singers,	0:16:41	0:16:44
are being real dickheads about this tribute thing...	0:16:44	0:16:45
Oh, my God! Henderson and Hinds! The Real Deal.	0:16:45	0:16:48
They're the only band that got to play three songs	0:16:48	0:16:49
on a sing episode of Soul Train.	0:16:49	0:16:51
Don Cornelius was there as a witness, and I got it on VHS.	0:16:51	0:16:53
We don't do that here. All right?	0:16:53	0:16:55
-Yes, sir. -This is a record label,	0:16:55	0:16:57
not a fan club.	0:16:57	0:16:58
I want those two old fucks there on Saturday,	0:16:58	0:17:00
and I want you to make that happen.	0:17:00	0:17:01
Got it?	0:17:01	0:17:02
The Real Deal is back, and they not going to stop us now.	0:17:28	0:17:31
Uh-huh.	0:17:31	0:17:32
Ohh! Shit.	0:17:32	0:17:34
Oh.	0:17:34	0:17:34
What the fuck is that, man?	0:17:35	0:17:37
This is a gun.	0:17:37	0:17:38
I never travel through Klan country without one.	0:17:38	0:17:40
-You got a problem with that, pops? -Yeah,	0:17:40	0:17:42
I got a problem with that, man.	0:17:42	0:17:43
The last time I saw that gun,	0:17:43	0:17:45
you were pointing at me, and you were shooting it.	0:17:45	0:17:46
Listen here, Floyd. We ain't two old friends	0:17:46	0:17:48
out for some Sunday drive	0:17:48	0:17:49
down Memory Lane. All right?	0:17:49	0:17:51
Fact is, I can hardly stand the sight of your ass,	0:17:51	0:17:54
so you best not to provoke me.	0:17:54	0:17:56
Or what's going to happen?	0:17:56	0:17:57
There's a lot of empty road	0:17:57	0:17:59
between here and where we trying to go.	0:17:59	0:18:01
Where a nigger could disappear	0:18:01	0:18:02
and where nobody'd miss his black ass.	0:18:02	0:18:04
Well, let me see that gun.	0:18:06	0:18:07
Let me see it!	0:18:09	0:18:10
Be careful, fool.	0:18:10	0:18:11
You don't think I know how to hold a gun, man?	0:18:11	0:18:13
I'm a member of the NRA, man.	0:18:13	0:18:15
-GUNSHOT -Ohh!	0:18:15	0:18:17
Where's... Now, what's... God damn it!	0:18:17	0:18:19
Oh! Shit!	0:18:19	0:18:21
-Damn! -Ohh!	0:18:21	0:18:22
Drive! Drive! God damn it, drive!	0:18:23	0:18:25
-Ohh! -Help me! -Aaahh! -Grab the wheel, fool!	0:18:25	0:18:28
Look out! Now, turn! Turn!	0:18:28	0:18:32
-Ohh! -What the hell is wrong with you?!	0:18:34	0:18:36
Don't shoot no gun in a car!	0:18:36	0:18:38
You said... The safety wasn't on there.	0:18:38	0:18:41
Safety, my ass!	0:18:41	0:18:43
Safety wasn't...	0:18:43	0:18:44
Oh.	0:18:44	0:18:45
NRA?!	0:18:46	0:18:48
Negro Retards Association!	0:18:48	0:18:50
Dumb motherfucker.	0:18:50	0:18:52
HE GROANS	0:19:11	0:19:12
HE GRUNTS	0:19:14	0:19:15
What the fuck is that?	0:19:20	0:19:21
R-E-S-P-E-C-T.	0:19:22	0:19:24
Been a long time since we saw our name in lights.	0:19:25	0:19:28
What our name doing up in lights?	0:19:28	0:19:31
We're at the Apollo Theatre this weekend.	0:19:32	0:19:34
We ain't been on stage in over 30 years.	0:19:34	0:19:36
Now, the last thing you want to do is stink up the joint. Am I right?	0:19:36	0:19:39
And I got us free dinner to boot.	0:19:39	0:19:41
Man, we sure are lucky I kept these threads.	0:19:48	0:19:51
Do we look good!	0:19:51	0:19:53
Better hope that button don't pop off and kill nobody.	0:19:53	0:19:55
God damn, I wish these pants weren't squeezing my nuts so tight.	0:19:56	0:19:59
Maybe it'll help you hit those high notes.	0:19:59	0:20:01
I don't need help hitting the high notes.	0:20:01	0:20:04
Yeah, right. We'll see. We'll see.	0:20:04	0:20:06
Ha, ha! Busting out.	0:20:08	0:20:10
Ladies and gentlemen,	0:20:11	0:20:12
tonight, the Flagstaff Motor Inn	0:20:12	0:20:14
is proud to present to you back onstage	0:20:14	0:20:17
for the first time in nearly three decades	0:20:17	0:20:19
the unforgettable sweet soul sounds of...	0:20:19	0:20:22
The Real Deal!	0:20:26	0:20:29
-Whoo! -SPARSE APPLAUSE	0:20:29	0:20:30
# Don't you ever	0:20:38	0:20:40
# Be sad	0:20:41	0:20:42
# Lean on me	0:20:42	0:20:44
# When times are bad	0:20:44	0:20:46
# When the day comes	0:20:46	0:20:49
# And you are down	0:20:49	0:20:51
# In a river of trouble	0:20:51	0:20:53
# And are about to drown	0:20:53	0:20:55
-TOGETHER: -# Just hold on	0:20:55	0:20:57
# I'm coming	0:20:57	0:21:00
# Hold on	0:21:00	0:21:02
# I'm coming	0:21:02	0:21:03
# On my way	0:21:04	0:21:06
# Your lover	0:21:06	0:21:08
# When you be cold	0:21:08	0:21:10
# I'll be your cover	0:21:10	0:21:11
# Don't have to worry	0:21:13	0:21:14
# Cos I'm here	0:21:14	0:21:17
# No need to suffer, baby	0:21:17	0:21:19
# Cos I'm near	0:21:19	0:21:20
# Yea-ah	0:21:20	0:21:21
# Hold on	0:21:21	0:21:23
# I'm coming... #	0:21:23	0:21:24
# I'm coming	0:21:27	0:21:29
# Just hold on	0:21:29	0:21:31
# I'm coming	0:21:32	0:21:34
# Just hold on	0:21:34	0:21:36
-# I'm coming... # -FEEDBACK SCREECHES	0:21:36	0:21:38
# Look here Reach out to me	0:21:38	0:21:42
# For some satisfaction	0:21:42	0:21:44
# You know, Floyd, all she got to do	0:21:46	0:21:47
# Is call my name... # FEEDBACK SQUEALS	0:21:47	0:21:50
# For quick reaction	0:21:50	0:21:52
# Yeah, yeah, yeah	0:21:52	0:21:54
# Yeah... # FEEDBACK SQUEALS	0:21:54	0:21:57
HE COUGHS	0:21:57	0:21:59
Lou, Lou, you all right? You all right?	0:22:04	0:22:06
I can't breathe!	0:22:07	0:22:08
Louis.	0:22:08	0:22:10
Ohh! Keep going. Keep going. I can't breathe.	0:22:10	0:22:12
Ladies and gentlemen, please forgive us	0:22:18	0:22:20
for this technical difficulty.	0:22:20	0:22:21
Ow!	0:22:21	0:22:22
Aah!	0:22:22	0:22:23
Fucking eye, man!	0:22:23	0:22:25
I'm sorry, man. I got on these tight slacks!	0:22:25	0:22:27
Well, then, I'll sue your fat ass!	0:22:27	0:22:29
-You sue these nuts. Go on, get on outta here. -Jesus!	0:22:29	0:22:32
Take it from the top.	0:22:32	0:22:33
How are we going to take it from the top?	0:22:33	0:22:34
-I'm revved up to go, man. -You can't hardly breathe.	0:22:34	0:22:36
-You may need a chest X-ray. -I'm good!	0:22:36	0:22:37
Is there a doctor in the house?	0:22:37	0:22:38
I love you, Debbie.	0:22:38	0:22:40
Get off me, Ernest T!	0:22:40	0:22:42
Lou. Lou. Lou. Calm down, man.	0:22:42	0:22:44
Ain't but 12 motherfuckers out here, man.	0:22:44	0:22:45
It's still a audience!	0:22:45	0:22:47
I don't care if it's two or three. It's a audience.	0:22:47	0:22:49
That's what I'm talking about.	0:22:49	0:22:50
Your attitude is F'd up.	0:22:50	0:22:52
Same thing that messed us up back in the day.	0:22:52	0:22:54
No. You know what fucked our shit up back in the day?	0:22:54	0:22:56
-No. I don't know. -Oh, you know goddamn well	0:22:56	0:22:58
what fucked our shit up back in the day.	0:22:58	0:23:00
-Oh, I do, huh? -Yes, you do!	0:23:00	0:23:01
What fucked our shit up back in the day	0:23:01	0:23:03
was you sticking your Johnson in my woman!	0:23:03	0:23:07
-MURMURING AUDIENCE: -Ooh.	0:23:07	0:23:10
FOOTSTEPS	0:23:12	0:23:14
Ladies and gentlemen,	0:23:20	0:23:21
I'm Floyd Henderson.	0:23:21	0:23:23
This fool is Louis Hinds.	0:23:23	0:23:24
We are The Real Deal, and that's for real.	0:23:24	0:23:27
I want to thank you for being a super audience here tonight.	0:23:27	0:23:31
SOFTLY: Motherfucker.	0:23:31	0:23:33
I'm sorry I hit you, Debbie. Come back.	0:23:33	0:23:35
Shut the fuck up, or I'll knock your dick in the dirt.	0:23:35	0:23:38
Drunk son of a bitch.	0:23:39	0:23:40
Ohh...	0:23:40	0:23:41
# Happy... #	0:23:44	0:23:47
Hey, Louis, are we going to talk about last night,	0:23:47	0:23:48
or we just going to let it fester?	0:23:48	0:23:51
All right. Well, I was a little rusty, OK?	0:23:52	0:23:55
That's a insult to rust, ain't it?	0:23:55	0:23:57
Well, what about you, motherfucker?	0:23:57	0:23:58
Last night, look like you were stuck in cement.	0:23:58	0:24:01
I had a hip replacement, Louis.	0:24:01	0:24:02
Well, you should've paid a hundred more dollars	0:24:02	0:24:04
and got the deluxe model with some rhythm in it.	0:24:04	0:24:06
cos that motherfucker you got,	0:24:06	0:24:08
-it ain't working. -Oh, that's fine, man.	0:24:08	0:24:10
But that's not what we talking about.	0:24:10	0:24:11
I'm talking about Odetta.	0:24:11	0:24:12
Oh.	0:24:13	0:24:14
Louis, if I thought there was still going to be a problem between us...	0:24:14	0:24:17
You went where you shouldn't have gone,	0:24:17	0:24:19
period!	0:24:19	0:24:20
Now, there's some shit	0:24:20	0:24:22
that's just etched in stone.	0:24:22	0:24:23
First and foremost is	0:24:23	0:24:25
thou shall not dig for diamonds in another brother's mine!	0:24:25	0:24:30
Bullshit, man. You gotta take some responsibility here.	0:24:30	0:24:32
You think she didn't know, man,	0:24:32	0:24:33
about all of your smoking	0:24:33	0:24:35
and drinking and drugs	0:24:35	0:24:36
and other women? She knew.	0:24:36	0:24:37
She came running to me telling, "My man	0:24:37	0:24:39
"Louis did this. Louis did that. Hold me, Floyd."	0:24:39	0:24:42
All right, well, getting the pussy is one thing.	0:24:42	0:24:44
-You ain't had to marry her. -What?	0:24:44	0:24:45
You'd have to be a zip-down fool	0:24:45	0:24:46
to let her slide through your fingers, man.	0:24:46	0:24:48
All right, well, if I'm a fool, then you are, too.	0:24:48	0:24:50
You think I don't know that? She hurt my heart, too.	0:24:50	0:24:52
Good! That's a cold motherfucking comfort.	0:24:52	0:24:56
But it's comfort, nonetheless.	0:24:56	0:24:59
Well, how many times did you say you was married after Odetta?	0:25:16	0:25:19
Four.	0:25:21	0:25:23
Ohh!	0:25:23	0:25:24
I married this girl named Estelle to get over Odetta.	0:25:24	0:25:27
Then I married Henrietta.	0:25:27	0:25:28
She wasn't no good for me.	0:25:28	0:25:30
Then I married Josephine.	0:25:30	0:25:31
She definitely wasn't no good for me because she met Carl.	0:25:31	0:25:34
All right. That's three.	0:25:34	0:25:36
Who was lucky number four?	0:25:36	0:25:38
Her name was Consuelo.	0:25:38	0:25:40
She left me and went back to Cuba.	0:25:40	0:25:42
Ha, ha, ha! People actually go back to Cuba?	0:25:42	0:25:45
She said she'd rather spend the rest of her life	0:25:45	0:25:48
under that dictatorship than spend another night with me.	0:25:48	0:25:50
How 'bout you? How come you never got married?	0:25:52	0:25:54
I almost hooked up with this girl down in the Philippines,	0:25:54	0:25:57
in Manila.	0:25:57	0:25:58
-Wow. -But, uh, I couldn't learn to speak	0:25:59	0:26:02
Tagalog, and only English she knew	0:26:02	0:26:04
was, "Me love you long time for two dollar."	0:26:04	0:26:06
Yeah, I wasn't no good at relationships after Odetta.	0:26:08	0:26:11
You ever hear from her?	0:26:11	0:26:13
Who, Mai Mai?	0:26:13	0:26:14
No. Odetta.	0:26:14	0:26:15
Oh. No, man.	0:26:15	0:26:17
I heard from her, man.	0:26:18	0:26:19
It was sometime around Christmas.	0:26:19	0:26:21
You know, in that place she was living in Tulsa. You know?	0:26:21	0:26:23
HINDS MUTTERS	0:26:23	0:26:25
Fuck it. Pow, pow, pow, pow, pow.	0:26:25	0:26:27
What you doing?	0:26:27	0:26:28
-I saw a coyote. -Why don't you put that thing up	0:26:28	0:26:30
before somebody get hurt, man?	0:26:30	0:26:31
How come you think I don't know how to handle	0:26:31	0:26:33
-no damn piece, man? -Think?	0:26:33	0:26:34
I know.	0:26:34	0:26:36
Yeah?	0:26:36	0:26:38
Yeah, come fuck with me now, Louis.	0:26:38	0:26:41
Come on. You think I'm soft, huh?	0:26:41	0:26:42
Yeah. I'll bust one in your ass.	0:26:42	0:26:45
Floyd, you keep fucking around,	0:26:45	0:26:47
I'm going to stick that gun so far up your ass,	0:26:47	0:26:49
you going to taste gunpowder every time you talk.	0:26:49	0:26:50
Well, let me... GUNSHOT	0:26:50	0:26:52
Shit! HISSING	0:26:52	0:26:54
God damn it!	0:26:57	0:26:59
Louis, that was a accident. I swear.	0:26:59	0:27:00
I'm sweating. My hand's wet.	0:27:00	0:27:02
You all right?	0:27:02	0:27:04
You warm? You hot?	0:27:04	0:27:05
You dizzy? You light-headed?	0:27:05	0:27:07
Louis, I swear I would never want to hurt you, man.	0:27:07	0:27:09
I thought about killing you, but I'd never want to hurt you.	0:27:09	0:27:11
'All right. In our continuing tribute to Marcus Hooks,	0:27:11	0:27:14
'we're reaching all the way back in this next song.'	0:27:14	0:27:17
Lou. That's us, man.	0:27:17	0:27:19
-Listen. -'Martin Hooks And The Real Deal.	0:27:19	0:27:21
'Number Three in 1969, I'm Your Puppet.'	0:27:21	0:27:24
VOLUME INCREASES	0:27:24	0:27:26
# Pull the string	0:27:28	0:27:30
# And I'll wink at you	0:27:30	0:27:32
# I'm your puppet	0:27:32	0:27:34
# Mm-hmm, yeah	0:27:35	0:27:37
# I'll do funny things	0:27:37	0:27:39
# If you want me to	0:27:39	0:27:42
# I'm your puppet... #	0:27:42	0:27:43
Come on, Lou.	0:27:43	0:27:45
I'll say this for him... that motherfucker could sing.	0:27:50	0:27:53
No doubt. No doubt. Come on, help me...help me out.	0:27:53	0:27:55
-Second verse. -Second?	0:27:55	0:27:56
Pull my strings. Kiss.	0:27:56	0:27:58
-What... -You ready?	0:27:58	0:28:00
One, two, three. Hit it.	0:28:00	0:28:03
# Pull another string	0:28:03	0:28:04
# And I'll	0:28:04	0:28:05
# Kiss your lips	0:28:05	0:28:06
BOTH: # I'm your puppet	0:28:06	0:28:08
# Ohh, ohh, ohh... #	0:28:08	0:28:10
Tap.	0:28:10	0:28:12
# Snap your fingers	0:28:12	0:28:14
# And I'll turn	0:28:14	0:28:15
# You some flips	0:28:15	0:28:17
# I'm your puppet... #	0:28:17	0:28:18
-Man, my hip hurt like anything. -Drop step.	0:28:18	0:28:21
Drop step? You know I can't do that right now. Go, Lou.	0:28:21	0:28:25
Owww! Man.	0:28:25	0:28:26
Oh, shoot. Do it, Louie.	0:28:26	0:28:29
Oh! Oh! Oh!	0:28:30	0:28:31
BOTH: # I'm your puppet	0:28:31	0:28:34
-# Oh, yes, I am... # -One more time	0:28:34	0:28:36
There you go, Floyd.	0:28:36	0:28:38
Oh! Come on now.	0:28:38	0:28:39
Yeah, I got it now.	0:28:39	0:28:40
I got it.	0:28:40	0:28:42
# I'm your puppet... #	0:28:42	0:28:43
So where'd you book us next?	0:28:43	0:28:46
Yeah, yeah, yeah.	0:28:46	0:28:47
This is it?	0:28:49	0:28:50
-TOGETHER: -# Come on, children	0:28:58	0:29:00
# And gather around	0:29:00	0:29:01
# Want y'all to see	0:29:01	0:29:03
# We're putting down	0:29:03	0:29:05
# It's a thing	0:29:05	0:29:08
# Everybody can do	0:29:08	0:29:10
# So come on, children	0:29:10	0:29:12
# Do the boogie, too	0:29:12	0:29:14
# Boogie ain't nothing	0:29:14	0:29:16
# But gettin' down	0:29:16	0:29:18
# Boogie ain't nothing	0:29:18	0:29:20
# But gettin' down	0:29:20	0:29:22
# I got some boogie for you	0:29:22	0:29:24
# I got some boogie for you	0:29:24	0:29:26
# I got some boogie for you	0:29:26	0:29:29
# I got some boogie for you	0:29:29	0:29:30
# Floyd Henderson	0:29:30	0:29:32
# What is it?	0:29:32	0:29:33
# Boogie on down	0:29:33	0:29:35
# Louis Hinds	0:29:35	0:29:36
# Boogie on down	0:29:36	0:29:39
# Listen to the band	0:29:39	0:29:40
# We'll make it through	0:29:40	0:29:42
# All we got	0:29:42	0:29:44
# Is the boogie, too	0:29:44	0:29:47
# I got some boogie for you	0:29:47	0:29:49
# I got some boogie for you	0:29:49	0:29:51
# I got some boogie for you	0:29:51	0:29:53
# I got some boogie for you	0:29:53	0:29:55
# Whoo... #	0:29:55	0:29:57
Hey, Lou, what you got, baby? You got some boogie for me?	0:29:57	0:30:00
Come on, now. Oh, yeah!	0:30:00	0:30:03
Yeehaw!	0:30:05	0:30:07
Come on, fiddler.	0:30:07	0:30:10
I knew you were going to try to take over.	0:30:10	0:30:12
Look at him.	0:30:12	0:30:15
Go on, Lou.	0:30:15	0:30:18
-Come on. -Oww!	0:30:18	0:30:19
# Boogie ain't nothing	0:30:19	0:30:21
# But gettin' down	0:30:21	0:30:23
# Boogie ain't nothing	0:30:23	0:30:25
# But gettin' down	0:30:25	0:30:28
# Boogie ain't nothing but getting down	0:30:28	0:30:30
# Ow!	0:30:30	0:30:31
# Boogie ain't nothing	0:30:31	0:30:33
# But getting down	0:30:33	0:30:35
# Come on I got to boogie for you	0:30:35	0:30:37
# I got to boogie for you	0:30:37	0:30:40
# I got to boogie for you	0:30:40	0:30:42
# I got some boogie for you	0:30:42	0:30:44
# I got nothing but boogie	0:30:44	0:30:46
# Nothing but boogie for you Ooh	0:30:46	0:30:48
# I got nothing but boogie Yeah	0:30:48	0:30:50
# Nothing but boogie for you	0:30:50	0:30:51
# Boogie, boogie, boogie, boogie Oh, yeah	0:30:51	0:30:54
# Boogie, boogie, boogie, boogie	0:30:54	0:30:56
# Boogie, boogie, boogie, boogie Oh, yeah	0:30:56	0:30:58
# I got to boogie for you	0:30:58	0:31:00
# Aah! #	0:31:00	0:31:02
CHEERING	0:31:02	0:31:05
Share the love, baby.	0:31:09	0:31:11
All right, all right.	0:31:11	0:31:13
You know you pulled the Al Green up there, right?	0:31:13	0:31:15
No, I didn't, Lou. Don't start that...	0:31:15	0:31:16
We barely got offstage	0:31:16	0:31:17
when you ran your ass back out there.	0:31:17	0:31:19
Look, an encore is at the audience's discretion.	0:31:19	0:31:22
You're supposed to wait till they ask for it.	0:31:22	0:31:23
-You know they wanted it. -I don't care what they wanted.	0:31:23	0:31:25
That shit was unprofessional.	0:31:25	0:31:27
Man...	0:31:27	0:31:28
Say, I'm starting to remember why I love the road so much.	0:31:32	0:31:36
Yeah.	0:31:36	0:31:39
Mmm.	0:31:41	0:31:43
If my instincts serve me right,	0:31:45	0:31:47
you're about to find yourself another room tonight.	0:31:47	0:31:49
You know those little blue pills make you go blind, right?	0:31:49	0:31:51
Mmm, mmm.	0:31:51	0:31:53
Don't call me when you get that four-hour erection.	0:31:55	0:31:57
Hey, now, baby girl.	0:31:57	0:31:59
BOTH MOAN	0:31:59	0:32:01
Yeah, yeah. Come on.	0:32:03	0:32:04
Oh. Aah!	0:32:04	0:32:06
Yeah, give it to me.	0:32:06	0:32:07
Those little pills, give me strength.	0:32:08	0:32:10
A little strength.	0:32:10	0:32:11
Ugh!	0:32:11	0:32:13
I'm going to fuck your brains out.	0:32:13	0:32:14
Oh! Oh, you're heavy.	0:32:14	0:32:17
Uh,	0:32:19	0:32:21
what's wrong, baby?	0:32:21	0:32:23
Nothing.	0:32:23	0:32:24
I just, uh, you know, I...	0:32:24	0:32:27
I just never been with someone like you before.	0:32:27	0:32:30
It's true what they say. But let me tell you something.	0:32:30	0:32:32
Floyd Henderson going to be nice and gentle.	0:32:32	0:32:35
Your first taste of dark meat	0:32:35	0:32:36
going to be smooth and sweet, trust me.	0:32:36	0:32:38
No, I didn't mean that.	0:32:38	0:32:39
It's just, uh, you know,	0:32:39	0:32:42
I've never been with someone so old.	0:32:42	0:32:45
Old?	0:32:45	0:32:46
You ain't no teen queen your damn self.	0:32:46	0:32:49
Huh.	0:32:49	0:32:50
Come on, come on, come on.	0:32:50	0:32:52
Come on, mama. Come here, baby.	0:32:52	0:32:53
Baby, baby. Look here.	0:32:53	0:32:55
Let's take our decades of sexual experience	0:32:55	0:32:58
and combine them for one night	0:32:58	0:32:59
of exploration and bliss, can we do that?	0:32:59	0:33:01
I won't disappoint you.	0:33:01	0:33:03
I won't disappoint you.	0:33:03	0:33:05
All right.	0:33:05	0:33:07
That's what I'm talking about.	0:33:07	0:33:09
I want to suck one of them titties.	0:33:09	0:33:11
Oh, yeah? Well, I got something to show you.	0:33:11	0:33:13
Ooh. Ooh, hoo.	0:33:13	0:33:14
I'm so hot, I'm about to fuck myself.	0:33:14	0:33:16
Bite my lip off.	0:33:18	0:33:19
Oh. Look!	0:33:19	0:33:20
Oh, shoot, I'm leaking, girl.	0:33:20	0:33:22
Tonight I ain't got no control like that no more.	0:33:22	0:33:24
Now, I hope you don't mind a little hair.	0:33:24	0:33:27
Baby, I found my sexual awakening in the '60s.	0:33:27	0:33:31
Nothing I like better than a big old fluffy...	0:33:31	0:33:34
Damn, girl.	0:33:36	0:33:38
That's a whole bunch of hair you got down there.	0:33:38	0:33:39
Yeah, I call it the natural look.	0:33:39	0:33:41
You sick?	0:33:42	0:33:44
I know it's big.	0:33:44	0:33:45
You need a pick.	0:33:45	0:33:47
You want me to shave it?	0:33:47	0:33:48
We ain't got the time or apparatus for that type of job.	0:33:48	0:33:52
OK, disregard.	0:33:52	0:33:53
Oh!	0:33:53	0:33:54
-Oh! -Oh!	0:33:54	0:33:56
Look who's coming to dinner.	0:33:56	0:33:58
Right on time, ain't it?	0:33:58	0:34:00
They call me Mr Tibbs.	0:34:00	0:34:01
Oh.	0:34:01	0:34:03
You know what I'm going to do for you?	0:34:03	0:34:04
What you fixing to do?	0:34:04	0:34:06
You ever had a velveteen rub?	0:34:06	0:34:07
A velveteen rub.	0:34:07	0:34:10
Ain't... Ain't no cheese involved, is there?	0:34:10	0:34:12
Because I'm lactose intolerant.	0:34:12	0:34:14
Oh, yeah.	0:34:20	0:34:22
HE SCREAMS	0:34:25	0:34:28
Ooh!	0:34:30	0:34:32
You're choking my chicken!	0:34:32	0:34:33
Ugh!	0:34:45	0:34:46
Ugh.	0:34:47	0:34:48
That's quite a show you got going	0:34:48	0:34:50
under the big top there, Sparky.	0:34:50	0:34:52
I had to take another one of them damn pills	0:34:52	0:34:54
in the middle of the night, man.	0:34:54	0:34:55
This woman insatiable, man. I'm shooting dust.	0:34:55	0:34:57
-Oh, Floyd. -I'm right here, baby.	0:34:58	0:35:01
You ready for some more?	0:35:01	0:35:02
Yeah, come here.	0:35:02	0:35:03
-Come here. Come here. -Hi.	0:35:05	0:35:09
Think about that, boy.	0:35:09	0:35:11
There's my stallion.	0:35:11	0:35:13
Huh?	0:35:13	0:35:15
-I missed you. -Oh, you missed me?	0:35:15	0:35:16
Mmm-hmm.	0:35:16	0:35:17
-Mmm. -You need a little air on this thing.	0:35:17	0:35:19
Yeah.	0:35:19	0:35:21
Oh, you bad boy.	0:35:21	0:35:24
God damn.	0:35:24	0:35:25
You like that, huh?	0:35:25	0:35:27
I'm your little kitty cat.	0:35:27	0:35:28
WOMAN MEOWS	0:35:28	0:35:31
Chastity?	0:35:31	0:35:33
Mama?	0:35:34	0:35:35
Mama?	0:35:35	0:35:36
You little whore.	0:35:36	0:35:37
You're one to talk.	0:35:37	0:35:38
Oh, did you take out your teeth for him?	0:35:38	0:35:41
You watch how you talk to your mama.	0:35:41	0:35:43
Please, you can't talk to me like that.	0:35:43	0:35:44
You're not my daddy.	0:35:44	0:35:45
That's right, who's your daddy?	0:35:45	0:35:47
-You're my daddy. -Your big daddy.	0:35:47	0:35:48
BANGING	0:35:48	0:35:49
MAN: Rosalee, are you in there?!	0:35:49	0:35:50
Actually, that's my daddy.	0:35:50	0:35:53
Oh.	0:35:53	0:35:54
What are you thinking, Mama?	0:35:56	0:35:57
You ruined everything.	0:35:57	0:35:59
-I hate you. -You little brat.	0:35:59	0:36:01
You're a dirty... All right, I love you.	0:36:01	0:36:03
-Mmm. -Call me a lot of times.	0:36:03	0:36:04
Mama, what is wrong with you?	0:36:04	0:36:06
-I renounce you. You're a whore. -Aah!	0:36:06	0:36:09
-I'm a whore? -Yeah.	0:36:09	0:36:10
You just shamed the whole family, you with a black man.	0:36:10	0:36:13
TYRES SQUEAL	0:36:13	0:36:16
Whoa! Whoo! That was fun.	0:36:16	0:36:19
# So come, take me by the hand	0:36:26	0:36:29
# We'll leave this troubled land	0:36:29	0:36:31
# Yeah I know we can	0:36:31	0:36:32
# I know we can... #	0:36:32	0:36:34
I'll be damned, man.	0:36:34	0:36:35
Them broads stole our money, man.	0:36:35	0:36:37
Whoo, yeah, but they earned it.	0:36:37	0:36:39
Hello.	0:36:42	0:36:43
'Yeah, man. It's Floyd Henderson, man.	0:36:43	0:36:44
'We got a situation.'	0:36:44	0:36:46
What's the problem?	0:36:46	0:36:47
Well, my ex-partner,	0:36:47	0:36:48
the degenerate that he is, man,	0:36:48	0:36:50
got some trailer trash hos, man, rip us off.	0:36:50	0:36:53
'Oh, wow, I'm sorry to hear that.	0:36:53	0:36:54
'Is there anything I can do?'	0:36:54	0:36:56
Yeah, there's something you can do. We need money.	0:36:56	0:36:58
'If we don't get no money,	0:36:58	0:36:59
'we ain't going to make it to the Apollo.'	0:36:59	0:37:00
I'm not sure what the procedure for that would be.	0:37:00	0:37:03
I mean, there's just a lot of red tape here.	0:37:03	0:37:05
You know, uh...	0:37:05	0:37:06
-WHISPERS: -I'm going to have to get back to you.	0:37:06	0:37:08
-You do that. Get back with me now. -'Mr Henderson...'	0:37:08	0:37:11
We ain't going to get very far on ten gallons of gas,	0:37:11	0:37:14
I can tell you that.	0:37:14	0:37:16
I know where we can get some money.	0:37:16	0:37:18
I know how to get some money.	0:37:18	0:37:19
# Ain't no love, ain't no love	0:37:25	0:37:29
# Like my baby's love	0:37:29	0:37:32
# Like my baby's love	0:37:32	0:37:34
# Ain't no lonely days	0:37:34	0:37:37
# Ain't no lonely... #	0:37:38	0:37:40
Ooh, shit. What the hell is...	0:37:40	0:37:42
# Cos I ain't never Never found me a girl... #	0:37:42	0:37:48
Oh, hell, no. You didn't.	0:37:48	0:37:50
Yes, I did.	0:37:50	0:37:52
Hey.	0:37:56	0:37:57
Hey, hey, you're... What is wrong with you?	0:37:57	0:37:59
Don't be grabbing on me like that now.	0:37:59	0:38:01
I will knock your ass out before I let you go ring that doorbell.	0:38:01	0:38:03
Come on, get up on me, man. Come on.	0:38:03	0:38:04
You really want this? Huh?	0:38:04	0:38:06
-Huh? -Come on... Oh! God damn.	0:38:06	0:38:08
-Oh, man. Come on... -What?	0:38:08	0:38:09
-Oh! -What's wrong, what? -I got a pain in my chest, man.	0:38:09	0:38:11
Come on, man. Stop fucking with me.	0:38:11	0:38:13
Look like I'm fucking with you, man? Come on, man, do me a favour.	0:38:13	0:38:15
Get my heart medicine out of my bag.	0:38:15	0:38:17
-You got some heart med... -Oh! Come on, look.	0:38:17	0:38:19
Come on, man. Hurry up, man.	0:38:19	0:38:22
Hold on, man!	0:38:23	0:38:24
God damn, you got enough stuff in here to start a drug store!	0:38:25	0:38:28
What it say on the bottle?	0:38:28	0:38:29
Sucker, motherfucker.	0:38:29	0:38:31
I'm going to get your ass for this.	0:38:36	0:38:38
I'll leave the light on for you.	0:38:38	0:38:40
What up, dawg?	0:38:43	0:38:45
Um...	0:38:46	0:38:47
We're friends of, uh, Odetta's.	0:38:47	0:38:49
-Odetta? -Yeah, is she in?	0:38:49	0:38:52
No, she ain't here, man.	0:38:52	0:38:54
Is she coming back?	0:38:54	0:38:56
Seriously doubt it.	0:38:56	0:38:57
Not unless we fitting to have a zombie attack or some shit.	0:38:57	0:39:00
Eee!	0:39:00	0:39:02
What's up, Fu Manchu?	0:39:02	0:39:03
-Cleo! -Yeah?	0:39:03	0:39:05
Get your ass out here!	0:39:05	0:39:06
Two old niggers looking for your mama.	0:39:06	0:39:09
Come on in, man. You're letting the heat out.	0:39:10	0:39:13
Mama?	0:39:13	0:39:14
Cold outside.	0:39:14	0:39:16
Your arthritis going to kick up.	0:39:16	0:39:17
Who's that?	0:39:21	0:39:22
I don't know.	0:39:22	0:39:24
HE LAUGHS	0:39:24	0:39:25
Yeah?	0:39:29	0:39:30
Uh, how you doing, ma'am?	0:39:30	0:39:31
My name is Floyd Henderson. This is my...	0:39:31	0:39:33
I know who you are.	0:39:33	0:39:35
Guess you didn't hear about the funeral.	0:39:35	0:39:36
Funeral? Odetta...	0:39:36	0:39:39
When did she pass?	0:39:39	0:39:40
Well, she got sick right after Christmas.	0:39:40	0:39:42
After that, it went pretty fast.	0:39:42	0:39:45
So why'd you come to see her?	0:39:45	0:39:47
What, she owe you money or something?	0:39:47	0:39:48
-Oh, no. -We just in the neighbourhood.	0:39:48	0:39:51
Cleo, I can't find the bologna!	0:39:51	0:39:53
I'll be there in a minute!	0:39:53	0:39:55
Hurry up!	0:39:55	0:39:57
Well, if my mama wasn't dead, I'd tell her you stopped by.	0:39:57	0:40:01
Cleo!	0:40:01	0:40:02
-Just hold up a second. -C-L-E-O!	0:40:02	0:40:05
-What the hell you want? -I'm sorry...	0:40:05	0:40:06
I told you this was a bad idea to come here.	0:40:06	0:40:07
-Come on, man. Don't go there. -Let's just go, OK?	0:40:07	0:40:10
How old you think she is?	0:40:10	0:40:11
27, 28?	0:40:11	0:40:12
I don't know how old she is, and I don't care. Let's go.	0:40:12	0:40:14
Floyd Chillax, let me see something.	0:40:14	0:40:15
What are you doing?	0:40:15	0:40:17
Floyd, what the hell are you looking for?	0:40:17	0:40:19
Damn it.	0:40:19	0:40:20
I'm just confirming a suspicion. That's all I'm doing.	0:40:20	0:40:23
September 14, 1981. Bingo.	0:40:23	0:40:26
It kind of works itself out, don't it?	0:40:26	0:40:28
Put it back.	0:40:28	0:40:29
Listen.	0:40:31	0:40:32
Odetta left me, man,	0:40:32	0:40:34
Thanksgiving Day, man, 1980.	0:40:34	0:40:36
-So? -So you do the math, motherfucker.	0:40:36	0:40:38
Do the math? Nigga, please...	0:40:38	0:40:41
BASS GUITAR PLAYS Oh, shit. You hear that?	0:40:41	0:40:42
Hear what?	0:40:42	0:40:43
Listen, that bass line, right there.	0:40:43	0:40:46
Hmm?	0:40:46	0:40:48
Son of a bitch.	0:40:48	0:40:50
-RAPS: -# Oh, my name is Lester The Court Jester	0:40:50	0:40:53
# All you other rap niggas done messed up	0:40:53	0:40:55
# I take you to school a semester	0:40:55	0:40:57
# Take you to court and sequester	0:40:57	0:40:58
# Yeah! I'm judge and the jury	0:40:58	0:41:00
-# Bruce Lee, Fists of Fury... # -GUNSHOT	0:41:00	0:41:02
# You want to whip me the L-E-S-T-E-R... #	0:41:02	0:41:04
GUNSHOT	0:41:04	0:41:06
# Grab my girl by the waist Slap my girl in the face	0:41:06	0:41:08
# When her mama died I moved inside her crib... #	0:41:08	0:41:10
Hey, hey. Les, Les.	0:41:10	0:41:13
Hey, man, what you doing in here?	0:41:13	0:41:15
We're here trying to make some music.	0:41:15	0:41:17
That what y'all doing? I don't see no musicians.	0:41:17	0:41:20
Listen, you know who played the base line	0:41:20	0:41:24
on that stuff you got running under those so-called lyrics?	0:41:24	0:41:25
My man, right there.	0:41:25	0:41:28
-LAUGHING -Yeah, right, man.	0:41:28	0:41:31
He ain't no damn instrumentator.	0:41:31	0:41:34
Hey, yo, Big L, check it out, man. It's them, man.	0:41:34	0:41:36
-They ain't bullshitting. -Let me see this here.	0:41:36	0:41:38
The Real Deal, huh?	0:41:38	0:41:40
Hey, I mean, so what if we jacked your shit, man? Huh?	0:41:40	0:41:43
Good artists borrow,	0:41:43	0:41:46
great artists steal, man.	0:41:46	0:41:47
-You know who said that? -Pablo Picasso.	0:41:47	0:41:50
But literary scholars sometimes like to attribute it to TS Eliot.	0:41:50	0:41:53
Hell, no. It wasn't no damn Missy Elliot, man.	0:41:53	0:41:56
No, man, it was Bay Bay and them.	0:41:56	0:41:58
Bay Bay, yup.	0:41:58	0:42:00
That was Bay Bay, for sure, hey, Bay Bay.	0:42:00	0:42:02
Look, man.	0:42:02	0:42:03
You know what? I'm sorry.	0:42:03	0:42:05
I shouldn't have sampled your music without permission.	0:42:05	0:42:07
Why don't we all do a song together?	0:42:07	0:42:09
A song called Fuck You And Your Bass Line.	0:42:09	0:42:11
That's what I feel about it.	0:42:11	0:42:13
Here what I think about your damn bassline.	0:42:13	0:42:15
Henderson and Hinds!	0:42:15	0:42:17
-Take that shit with you. -Gold-faced motherfucker.	0:42:17	0:42:20
I made that shit gangster, that's what I did.	0:42:20	0:42:21
Let me tell you something, man, you...	0:42:21	0:42:23
-CLEO: -Hey! Stop it!	0:42:23	0:42:25
ALL YELL	0:42:25	0:42:27
Stop it!	0:42:27	0:42:29
Hey! This is my house. You hear me?	0:42:29	0:42:30
I don't need this shit right now.	0:42:30	0:42:32
You going to talk to me crazy in front of my boys?	0:42:32	0:42:34
Why you still talking? Shut the fuck up!	0:42:34	0:42:36
Pay-Pay and Zig-Zig,	0:42:36	0:42:38
let's dip, man.	0:42:38	0:42:40
Bye, old niggers.	0:42:43	0:42:44
Feel free to utilize my facilities while you're here	0:42:44	0:42:47
to make yourself another hit.	0:42:47	0:42:49
I know you ain't had a hit since lke hit Tina.	0:42:49	0:42:52
Get out of here.	0:42:52	0:42:53
# Get the fuck	0:42:53	0:42:56
# Out my grill	0:42:56	0:42:58
# 'Fore you get killed... #	0:42:58	0:43:01
My name is Lester The Court Jester.	0:43:01	0:43:03
What a disrespectful son of a bitch.	0:43:03	0:43:06
-Just lay off. -Just lay off?	0:43:06	0:43:08
I know your mama taught you better.	0:43:08	0:43:10
Odetta would've whooped his damn ass.	0:43:10	0:43:12
The fuck you know about what my mama would've done.	0:43:12	0:43:14
Were you here when she was dying of that cancer?	0:43:14	0:43:16
I don't think so. I think Lester was. The hell you know.	0:43:16	0:43:19
You're right. I don't know nothing.	0:43:19	0:43:20
That's right, he don't know shit.	0:43:20	0:43:21
No, he don't.	0:43:21	0:43:23
Now I'm going to go change and get dinner started	0:43:23	0:43:26
because you guys are staying, right?	0:43:26	0:43:27
-Oh, no. We need to hit the road. -Yes, ma'am. We are staying.	0:43:27	0:43:31
OK, then.	0:43:33	0:43:34
Hell, it's what Mama would've wanted.	0:43:35	0:43:37
Oh, yeah. That's Odetta's child, all right.	0:43:37	0:43:40
OK, I put some sheets on the bed in the guest room for you guys.	0:43:47	0:43:51
Thank you.	0:43:51	0:43:53
That's Carla Thomas, right?	0:43:53	0:43:55
Sure is. Your mother's favourite.	0:43:55	0:43:57
So how come you guys only put out that one album?	0:43:59	0:44:02
Well, when we wasn't fighting over your mother,	0:44:04	0:44:06
we had a problem in our record sales.	0:44:06	0:44:07
Yeah, as in we didn't sell any.	0:44:07	0:44:09
OK.	0:44:09	0:44:10
MEN'S VOICES	0:44:10	0:44:12
Well, you'd never know it wasn't a hit,	0:44:12	0:44:15
as much as Mama played it.	0:44:15	0:44:17
CHATTER	0:44:17	0:44:19
About 100 degrees, and you got a leather jacket on.	0:44:22	0:44:25
Appreciate it, Sam.	0:44:25	0:44:26
She said,	0:44:27	0:44:29
being on the road with y'all	0:44:29	0:44:31
was some of the best times of her life.	0:44:31	0:44:34
Oh, good days. Good days.	0:44:34	0:44:38
I wish I could've seen that.	0:44:38	0:44:41
Say, why don't you come to Memphis with us?	0:44:41	0:44:45
-Memphis? -Yeah.	0:44:45	0:44:47
-What? -We got a gig.	0:44:47	0:44:49
Whoa, whoa, whoa. Floyd, Floyd. The girl got a life.	0:44:49	0:44:51
She ain't got time to be ripping,	0:44:51	0:44:52
running up and down the road with two old niggers.	0:44:52	0:44:53
Why not?	0:44:53	0:44:55
Memphis is fun. We always have fun in Memphis.	0:44:55	0:44:58
You'll enjoy it. Trust me.	0:44:58	0:44:59
Fun? Look like I got time for fun?	0:44:59	0:45:02
Nah.	0:45:03	0:45:04
Hey, Louis.	0:45:12	0:45:14
You know, Cleo was telling me	0:45:14	0:45:17
that Odetta never told her nothing about her father,	0:45:17	0:45:19
not even his name.	0:45:19	0:45:21
But she did say he was a musician.	0:45:21	0:45:23
You ain't said nothing stupid to the girl, have you?	0:45:23	0:45:24
Like what?	0:45:24	0:45:25
Oh, like, uh,	0:45:25	0:45:28
"Cleo, you know, I'm your daddy."	0:45:28	0:45:29
Well, I'm still feeling out the situation.	0:45:29	0:45:32
What the fuck was that	0:45:32	0:45:33
"You ought to come to Memphis with us" shit?	0:45:33	0:45:35
Now that, right there, that's a recipe for disaster.	0:45:35	0:45:38
Louis, Louis, I know this ain't easy for you.	0:45:38	0:45:41
But I never thought I'd have a child.	0:45:41	0:45:44
Now I'm part of this big old circle called life.	0:45:44	0:45:46
A piece of Floyd Henderson, man, might be here to live on,	0:45:46	0:45:51
and maybe for ever.	0:45:51	0:45:52
If you don't shut up and go to sleep,	0:45:52	0:45:54
a big piece of Floyd Henderson ass might not wake up in the morning.	0:45:54	0:45:57
Oh, Louis, Louis.	0:45:57	0:45:59
I respect the fact that you want	0:45:59	0:46:00
to cloak your pain with your anger.	0:46:00	0:46:03
Good night.	0:46:08	0:46:10
Good night.	0:46:10	0:46:11
YAWNING	0:46:15	0:46:18
Oh, hey! What the fuck is that?	0:46:18	0:46:20
What's wrong?	0:46:20	0:46:21
You been taking them dick pills again?	0:46:21	0:46:22
I though it was my cholesterol meds, I swear I did.	0:46:22	0:46:25
You can't be spooning with a motherfucker with that!	0:46:25	0:46:27
What's wrong with you?	0:46:27	0:46:28
-Uh, I... -Nasty son of a bitch!	0:46:28	0:46:31
Give me some covers. I'm going to sleep on the floor.	0:46:31	0:46:32
Shit.	0:46:32	0:46:33
Go on, then. Sleep on the floor. Nobody wants you, Louis.	0:46:33	0:46:36
I don't like boy pussy no way.	0:46:36	0:46:38
I hope your back hurt like a motherfucker.	0:46:38	0:46:39
Better my back than my asshole.	0:46:39	0:46:42
Nasty... I'll beat your motherfucking...	0:46:42	0:46:44
All them years I spent in prison,	0:46:44	0:46:46
ain't nobody roll up on me like that.	0:46:46	0:46:48
I was going to ask you about that.	0:46:48	0:46:49
You ought to be ashamed of your goddamn self,	0:46:49	0:46:51
nasty son of a bitch.	0:46:51	0:46:53
PIANO PLAYS	0:46:59	0:47:01
-CLEO: -# Like I never had	0:47:10	0:47:13
# Made me feel good	0:47:15	0:47:18
# When I'm feeling bad	0:47:20	0:47:22
# Come on and comfort me	0:47:22	0:47:26
# Oh, baby, you know the way	0:47:26	0:47:29
# I showed you how to love me right	0:47:29	0:47:32
# So comfort me tonight	0:47:32	0:47:36
# Come on and comfort me, honey	0:47:38	0:47:42
# You know the way, baby	0:47:44	0:47:49
# Cos I showed you right	0:47:49	0:47:52
# I want it, I want it	0:47:54	0:47:58
# Why don't you	0:47:58	0:48:02
# Comfort me? #	0:48:04	0:48:08
PHONE RINGS	0:48:14	0:48:17
PHONE VIBRATES	0:48:17	0:48:19
Floyd!	0:48:22	0:48:24
Yo.	0:48:30	0:48:31
'Mr Henderson. Mr Henderson?'	0:48:31	0:48:32
No, this is Louis.	0:48:32	0:48:33
Mr Hinds.	0:48:33	0:48:35
It's Phillip Newman of FC Management.	0:48:35	0:48:37
How are you, man? I'm a huge fan.	0:48:37	0:48:39
So?	0:48:39	0:48:40
So...	0:48:40	0:48:42
I think I've solved your cash flow problems, my man.	0:48:42	0:48:46
I've withdrawn 10,000	0:48:46	0:48:49
from my old parents' savings account	0:48:49	0:48:50
to tide you over until things get sorted out.	0:48:50	0:48:52
Who'd you say you was again?	0:48:52	0:48:53
'Phillip.'	0:48:53	0:48:55
I wrote you letters when the man had you	0:48:55	0:48:56
locked down in the pen, you know?	0:48:56	0:48:58
I know you're innocent. Shit ain't right.	0:48:58	0:49:00
OK, Phillip, um, look here.	0:49:01	0:49:04
We're on our way to Memphis.	0:49:04	0:49:05
Um, why don't you meet us	0:49:05	0:49:07
at, um, the fountain at Peabody Hotel,	0:49:07	0:49:10
'5:00?'	0:49:10	0:49:13
Memphis. All right!	0:49:13	0:49:15
I'm hungrier than a mo...	0:49:16	0:49:18
There you are, girl. You make up your mind?	0:49:18	0:49:20
You want to go to Memphis with us, or not?	0:49:20	0:49:22
What you going to do?	0:49:22	0:49:23
What happened?	0:49:26	0:49:27
Nothing. Nothing happened.	0:49:29	0:49:31
Nothing happened.	0:49:32	0:49:33
-No. -Uh-uh, uh-uh.	0:49:36	0:49:37
Let him get his whupping.	0:49:37	0:49:39
LESTER LAUGHS	0:49:39	0:49:40
Why you hit her?	0:49:49	0:49:51
The hell you going to do about it, man?	0:49:51	0:49:54
I'm the nigger with the gun, man.	0:49:54	0:49:56
Oh, shit.	0:49:56	0:49:57
Damn! Ugh!	0:49:57	0:50:00
-Aah! -Come on.	0:50:00	0:50:01
Get your albino lke Turner ass up, uh-huh. Come on.	0:50:01	0:50:05
Aah! OK! Oh, shit! Aah!	0:50:05	0:50:09
My follicles, man!	0:50:09	0:50:10
Look her in the eye and say "I'm sorry I hit you,	0:50:10	0:50:13
"and I'm never going to put my hands on you again."	0:50:13	0:50:15
-My bad, baby. I ain't... -Say what I told you to say!	0:50:15	0:50:17
I'm sorry I hit you. I ain't never going to do it again.	0:50:17	0:50:19
Now, say you're sorry for sampling my bass line	0:50:19	0:50:22
and for stomping on my partner's record.	0:50:22	0:50:24
I'm sorry for sampling your bass line	0:50:24	0:50:27
-and stomping on your Real Deal record. -OK.	0:50:27	0:50:29
Now, we taking a road trip, and we need some gas money.	0:50:29	0:50:31
I ain't got no money, man!	0:50:31	0:50:33
Can you help us? I saw you out there selling that shit.	0:50:33	0:50:35
It's weed, it ain't crack man! I ain't got...	0:50:35	0:50:37
-Give me the money! -OK, OK.	0:50:37	0:50:39
There's money in my shorts...	0:50:39	0:50:40
Ain't nobody reaching in your drawers, get it out!	0:50:40	0:50:42
OK, OK.	0:50:42	0:50:43
I got to reach around my meat, man.	0:50:43	0:50:45
Here. Take it.	0:50:48	0:50:50
Take it.	0:50:50	0:50:51
Oh, damn. My hair hurts. Take it, man! Aah!	0:50:52	0:50:56
-Ow! You're breaking my arm! -Oh, hush.	0:50:56	0:50:58
That's just a little Chinese submission hold.	0:50:58	0:51:00
This is what it feels like when I break your arm.	0:51:00	0:51:03
BONES CRACK, LESTER SCREAMS	0:51:03	0:51:05
-Shit! -Break his arm.	0:51:05	0:51:06
Oh, you old bastard!	0:51:06	0:51:08
I know motherfuckers like you, Lester.	0:51:08	0:51:10
Used to see them on the yard every day.	0:51:10	0:51:13
You'd better hope you don't never go inside	0:51:13	0:51:16
because you, you straight up bitch material.	0:51:16	0:51:19
What about my car, man?	0:51:19	0:51:20
What about your car?	0:51:20	0:51:22
Oh, shit.	0:51:22	0:51:24
I ain't got no clothes on.	0:51:24	0:51:25
This is bullshit.	0:51:25	0:51:26
So what? You run around with your drawers	0:51:26	0:51:28
hanging off your ass anyway.	0:51:28	0:51:29
-I wasn't really going to shoot you! -Get the fuck out of here.	0:51:29	0:51:32
See, I'm the nigger with the gun now.	0:51:32	0:51:34
You better hope my arm don't get better.	0:51:34	0:51:36
I'm going to learn karate and kick your ass!	0:51:36	0:51:39
Fuck you!	0:51:39	0:51:40
It was a good thing you stepped in when you did what you did, partner,	0:51:42	0:51:45
because if I'd have got a piece of him,	0:51:45	0:51:47
I'd have fucked his shit up entirely, and you know that.	0:51:47	0:51:49
Come on.	0:51:49	0:51:51
I'm too old to be tussling with the motherf...	0:51:51	0:51:52
I'd have shot him. I'd have popped...	0:51:52	0:51:55
I'm six, seven years older. I'd have, like, tussled...	0:51:55	0:51:57
'Welcome back to the Soul Patrol.	0:52:01	0:52:03
'I'm Isaac Hayes.	0:52:03	0:52:04
'I want to give a shout-out	0:52:04	0:52:06
'to Floyd Henderson and Louis Hinds, The Real Deal.	0:52:06	0:52:09
'They're back in Memphis tonight performing at the House Of Soul.'	0:52:09	0:52:12
'Welcome back home, fellas.'	0:52:14	0:52:16
# Train number two is gone	0:52:16	0:52:20
# Train number three is been gone	0:52:20	0:52:23
# How long must I wait for you	0:52:23	0:52:26
# Look out with it	0:52:26	0:52:28
# Whoo, hey, yeah	0:52:28	0:52:30
# It's the Memphis train... #	0:52:30	0:52:33
The Orpheum Theatre!	0:52:33	0:52:35
Our show's up in there.	0:52:35	0:52:37
# How long must I wait for you?	0:52:39	0:52:41
# Yeah, yeah	0:52:41	0:52:44
# Ooh, wee	0:52:44	0:52:46
# The Memphis train	0:52:46	0:52:48
# Let me try it one more time	0:52:48	0:52:50
# Say, ooh, ooh, ooh, wee... #	0:52:50	0:52:53
Oh, my God.	0:52:53	0:52:56
Mr Henderson, Mr Hinds, let me just start off by saying...	0:52:56	0:52:58
Thank you.	0:52:58	0:53:00
-What's up? -Phillip, tonight we're playing at the House of Soul.	0:53:04	0:53:08
Make sure you be there, baby.	0:53:08	0:53:09
Right on.	0:53:09	0:53:12
Hello. Welcome to the Peabody. How can I help you?	0:53:12	0:53:15
You can help me by giving me	0:53:15	0:53:17
three of your best doggone suites, baby.	0:53:17	0:53:19
Well, it'll be my pleasure to assist you today.	0:53:19	0:53:22
May I see some identification, please?	0:53:22	0:53:23
OK.	0:53:23	0:53:24
Right there.	0:53:24	0:53:25
Go to hell, Louis.	0:53:25	0:53:27
Mr Henderson?	0:53:27	0:53:30
It is I.	0:53:30	0:53:31
ALARM BEEPS	0:53:31	0:53:34
Will you excuse me for just a minute, please?	0:53:37	0:53:39
OK.	0:53:39	0:53:40
Henderson.	0:53:42	0:53:44
-Ahh, I-I'm sorry, Mr Henderson. -Henderson.	0:53:44	0:53:46
We're unable to accommodate you.	0:53:46	0:53:49
Perhaps we could recommend another hotel.	0:53:49	0:53:51
For what, man? I'm in Memphis.	0:53:51	0:53:52
I want to stay at the Peabody.	0:53:52	0:53:54
Yes, sir, I understand you've stayed with us before,	0:53:54	0:53:56
and apparently, that's the problem.	0:53:56	0:53:58
It seems that the last time you stayed here...	0:53:58	0:54:00
March 12, 1978, to be exact...	0:54:00	0:54:03
you hosted a party, during which the room	0:54:03	0:54:06
and several other areas of the hotel	0:54:06	0:54:08
-sustained extensive damage. -Uh-oh.	0:54:08	0:54:10
I don't recollect nothing like that.	0:54:10	0:54:12
I think that's the night Sly and Bootsy	0:54:12	0:54:14
came by with the fire-eater.	0:54:14	0:54:16
Is that the one with the snake?	0:54:16	0:54:18
-That's the one. -Hmm.	0:54:18	0:54:20
Perhaps you could put those rooms in the name of Louis Hinds.	0:54:20	0:54:23
Yeah, perhaps.	0:54:23	0:54:25
Louis Hinds, we'll try that.	0:54:25	0:54:27
ALARM BLARES	0:54:30	0:54:31
I'm sorry you had to see that, Linda.	0:54:34	0:54:36
What's on there? Let me see that shit.	0:54:36	0:54:37
I want to see what's on there.	0:54:37	0:54:40
I need four rooms, Don.	0:54:40	0:54:42
Your best available.	0:54:42	0:54:44
DOOR OPENS	0:54:57	0:55:00
Oh, hey, guys.	0:55:00	0:55:01
Your tailor gave me several choices for tonight.	0:55:01	0:55:03
He said he's going to stop by around 7:30.	0:55:03	0:55:05
What the fuck?	0:55:05	0:55:06
Did you catch the sale over at the Build-A-Pimp?	0:55:06	0:55:08
You like that? It's fly, huh?	0:55:08	0:55:10
It's a get-down, get-down. It's live. It's funky.	0:55:10	0:55:13
And I think I'm going to get some poonanny.	0:55:13	0:55:14
To be honest with you,	0:55:14	0:55:16
I haven't been laid since Friends was on television.	0:55:16	0:55:18
So this is my night.	0:55:18	0:55:19
You sure that ain't one of your children?	0:55:19	0:55:22
You going to sing real nice tonight.	0:55:24	0:55:26
Who's the girl singer?	0:55:26	0:55:27
FLOYD LAUGHS	0:55:27	0:55:29
Oh, my goodness! Look at here! Oh, man.	0:55:30	0:55:34
-Hello, Louis. Good to see you. -You good, man?	0:55:34	0:55:36
Claudette. How you doing, girl?	0:55:43	0:55:46
I know you still ain't upset	0:55:46	0:55:48
about what happened in Baltimore that...	0:55:48	0:55:49
Oh! What's wrong with you, woman?	0:55:49	0:55:51
You going straight to hell, Floyd Henderson.	0:55:51	0:55:53
What you laughing at?	0:55:55	0:55:56
-You want some, too? -No.	0:55:56	0:55:59
# Fuck you. #	0:55:59	0:56:00
Eee.	0:56:00	0:56:02
# Fuck you, fuck you... #	0:56:02	0:56:03
Now we have no girl singer.	0:56:03	0:56:05
We just got to find a replacement, that's all.	0:56:05	0:56:07
It's too late.	0:56:07	0:56:08
Cleo.	0:56:09	0:56:10
You know all our songs, right?	0:56:10	0:56:12
Ho, ho, ho. No offence, man,	0:56:12	0:56:15
but I'm not playing with no rank amateur.	0:56:15	0:56:17
Come on, Wolfman, this ain't no rank amateur, man.	0:56:17	0:56:19
This Odetta Whitfield's daughter, man.	0:56:19	0:56:20
You got to recognise.	0:56:20	0:56:22
Shit. Let's roll, then, baby.	0:56:22	0:56:24
Yeah.	0:56:24	0:56:26
She can sing, can't she?	0:56:26	0:56:28
# Ow!	0:56:30	0:56:31
# Ow!	0:56:33	0:56:35
-# Oh, oh! -CROWD CHEERS	0:56:36	0:56:39
# Here we go	0:56:41	0:56:42
# Oh, yeah	0:56:42	0:56:45
# If music makes you move	0:56:47	0:56:51
# You can really groove	0:56:51	0:56:54
-# Groove on -CHEERING	0:56:54	0:56:57
# Groove on	0:56:57	0:57:00
# If you feel like you want to make love	0:57:00	0:57:03
# Under the stars above	0:57:03	0:57:06
# Love on	0:57:06	0:57:08
CHEERING	0:57:08	0:57:09
# Love on	0:57:09	0:57:11
-BOTH: -# If there's something that you want to say	0:57:13	0:57:15
# And talking is the only way	0:57:15	0:57:18
# Rap on	0:57:18	0:57:20
-CHEERING -# Rap on	0:57:20	0:57:24
# Cos whatever	0:57:24	0:57:28
# You want to do	0:57:28	0:57:29
# Ow You got to do your thing	0:57:29	0:57:33
CHEERING	0:57:33	0:57:35
# If you feel like you want to scream	0:57:38	0:57:39
SCREAMING	0:57:39	0:57:41
# If that's your way of letting off steam	0:57:41	0:57:42
# Scream on	0:57:42	0:57:44
SCREAMING	0:57:44	0:57:45
-ALL THREE: -# Scream on	0:57:45	0:57:48
# If you feel like you want to sing	0:57:50	0:57:52
# Cos singing is your thing	0:57:52	0:57:55
# Sing on	0:57:55	0:57:57
# Sing on	0:57:58	0:58:02
# If you want to make love all night	0:58:02	0:58:04
# Cos you feel it's right	0:58:04	0:58:08
-# Right on... # -Oh, yeah, girl.	0:58:08	0:58:10
-CHEERING -# Right on	0:58:10	0:58:13
# Cos whatever	0:58:13	0:58:16
# You want to do	0:58:16	0:58:19
# You got to do your thing	0:58:19	0:58:21
CHEERING	0:58:21	0:58:24
LAUGHING	0:58:24	0:58:27
I'm with the band. Yeah, it's a dream.	0:58:31	0:58:33
Yeah, it's a...it's a total dream.	0:58:33	0:58:35
Yeah. I play the harmuffica.	0:58:35	0:58:39
# Wa, wa	0:58:39	0:58:41
# Wa, wa, wa... #	0:58:41	0:58:43
I'll save you a seat.	0:58:43	0:58:44
# Cos whatever	0:58:44	0:58:47
# You want to do	0:58:47	0:58:50
# Yeah, baby, oh. #	0:58:50	0:58:55
CHEERING	0:58:55	0:58:56
# You got to do your thing	0:58:56	0:59:00
# Yeah... #	0:59:00	0:59:02
Yeah.	0:59:08	0:59:11
CHEERING	0:59:13	0:59:14
-CLEO LAUGHS -This is the most insane night of my life.	0:59:17	0:59:22
You know Isaac wants to put me in his studio?	0:59:22	0:59:24
He says he's got a song that'd be perfect for me.	0:59:24	0:59:27
Oh, he does, does he?	0:59:27	0:59:29
Uh... Come on, now. It ain't like that.	0:59:29	0:59:32
Oh, it's always like that,	0:59:32	0:59:34
like movies.	0:59:34	0:59:36
LAUGHING	0:59:36	0:59:37
Well, I'll be careful.	0:59:37	0:59:39
Just trying to look out for you, that's all.	0:59:39	0:59:42
Thanks, guys, for everything.	0:59:43	0:59:46
# You got to do your thing, hey. #	0:59:49	0:59:53
See you later.	0:59:53	0:59:55
# If you feel like making love	1:00:01	1:00:03
# Cos that's your thing	1:00:03	1:00:06
# Right on... #	1:00:06	1:00:09
Man, ain't that the Real Deal car?	1:00:09	1:00:11
Sure is, homie. You a fan?	1:00:11	1:00:13
Hell, yeah. I'm a big fan.	1:00:15	1:00:18
You know where they at?	1:00:18	1:00:20
cos I need to holler at 'em.	1:00:20	1:00:21
Actually, I'm their manager.	1:00:21	1:00:25
Really? Their manager?	1:00:25	1:00:28
HE LAUGHS	1:00:28	1:00:30
KNOCKING	1:00:30	1:00:31
Hold on a minute.	1:00:33	1:00:34
-Oh, hi, Floyd. -Hey.	1:00:37	1:00:39
Come on in. Check this place out.	1:00:39	1:00:41
I could get used to this.	1:00:41	1:00:43
I'll bet you could.	1:00:43	1:00:44
Let me get you a drink.	1:00:44	1:00:45
Yeah, I'll take one. But hold on, before you do that,	1:00:45	1:00:48
there's something I want to say to you.	1:00:48	1:00:49
It's been a blast connecting with you.	1:00:49	1:00:51
I want you to know that.	1:00:51	1:00:52
That's sweet of you.	1:00:52	1:00:54
And if you need anything,	1:00:54	1:00:55
like money or something like that,	1:00:55	1:00:56
don't you hesitate to call me now.	1:00:56	1:00:59
Not that money going to make up for the lost time between us	1:00:59	1:01:01
or nothing like that.	1:01:01	1:01:03
Lost time?	1:01:03	1:01:04
You have to understand,	1:01:04	1:01:05
Odetta never told me nothing about you.	1:01:05	1:01:08
Had I known about you from the beginning,	1:01:08	1:01:10
-I'd have been here from the start. -Whoa, whoa.	1:01:10	1:01:11
-Floyd... -She never said nothing to me about you.	1:01:11	1:01:12
You're not my father, Floyd.	1:01:12	1:01:14
You're not listening.	1:01:14	1:01:15
See, the thing you... what's that? Say what?	1:01:15	1:01:17
You're not my father.	1:01:17	1:01:18
I-I'm not?	1:01:18	1:01:20
No.	1:01:20	1:01:21
How do you know?	1:01:21	1:01:23
Because he knows who I am.	1:01:23	1:01:25
Or he did.	1:01:25	1:01:27
I mean, for all I know,	1:01:27	1:01:28
he could be dead.	1:01:28	1:01:29
I get a little money from him every once in a while.	1:01:31	1:01:33
It's a blind trust he set up years ago.	1:01:33	1:01:36
Something to do with his music royalties.	1:01:36	1:01:38
Music royalties?	1:01:38	1:01:41
BANGING	1:01:42	1:01:43
Oh!	1:01:43	1:01:44
You knocked up my wife, motherfucker.	1:01:45	1:01:47
Ooh. You stole her from me first.	1:01:47	1:01:50
What is wrong with you?	1:01:50	1:01:52
Whoo!	1:01:52	1:01:54
You lost your...	1:01:54	1:01:55
You didn't tell Cleo, did you?	1:01:55	1:01:57
No, I didn't tell her.	1:01:57	1:01:58
I should've told her, though.	1:01:58	1:01:59
I'll bet you laughing your ass off, wasn't you?	1:01:59	1:02:02
Going around, talking about I'm the girl's daddy	1:02:02	1:02:03
and big round circle of life, all that bullshit.	1:02:03	1:02:06
Giggle, giggle, motherfucker.	1:02:06	1:02:07
Well, just a little bit.	1:02:07	1:02:09
Floyd...	1:02:11	1:02:12
Look, Floyd...	1:02:12	1:02:14
Floyd, put it down. Put it down!	1:02:14	1:02:15
Dawg, come on!	1:02:15	1:02:18
You need to quit before you get hurt.	1:02:18	1:02:19
Oh! Oh! Whoa! Oh!	1:02:19	1:02:22
-Ugh! -Look, Floyd,	1:02:22	1:02:25
I didn't mean for it to happen, all right?	1:02:25	1:02:27
You know how she was.	1:02:27	1:02:28
Come here. Come here.	1:02:28	1:02:31
Come on, man. Stop acting a fool.	1:02:31	1:02:33
You all right?	1:02:34	1:02:35
Aw, shit. Quit acting a fool!	1:02:35	1:02:37
Fucking dad!	1:02:40	1:02:43
What the fuck is wrong with you?	1:02:43	1:02:46
Time out. Time out.	1:03:06	1:03:09
-Oh. -INHALER DISCHARGES	1:03:09	1:03:12
Still got a little pop in your punch there, partner.	1:03:13	1:03:15
Pop this, motherfucker!	1:03:15	1:03:17
Oh!	1:03:17	1:03:19
Ooh.	1:03:19	1:03:20
Shit. Ugh.	1:03:20	1:03:22
You dirty motherfucker,	1:03:22	1:03:23
hitting me in the nuts.	1:03:23	1:03:25
Ooh! Shit.	1:03:25	1:03:28
Louis, you just can't keep whooping on my ass.	1:03:28	1:03:31
I'm a motherfucking man, baby.	1:03:31	1:03:33
I'm a motherfucking man.	1:03:33	1:03:35
BOTH WHIMPER	1:03:35	1:03:38
Louis, how come you won't see your own daughter?	1:03:38	1:03:41
Oh, motherfucker, I wanted to see her,	1:03:41	1:03:43
but, you know...	1:03:43	1:03:45
It's time... After a while,	1:03:45	1:03:48
you know, it's just... it's just too much.	1:03:48	1:03:51
Why didn't O tell her?	1:03:51	1:03:53
Why didn't Odetta tell her, man?	1:03:53	1:03:55
What was she going to tell her, huh?	1:03:55	1:03:57
That her daddy was a alcoholic dopehead convict	1:03:57	1:04:00
that fucked up everything he touched, hmm?	1:04:00	1:04:02
No, no.	1:04:02	1:04:04
She was better off without me.	1:04:04	1:04:05
Oh, shit.	1:04:05	1:04:07
Anyhow, it's too late now.	1:04:07	1:04:08
Uh-uh.	1:04:08	1:04:09
It was a mistake getting to know her.	1:04:09	1:04:12
-Lou... -What?	1:04:12	1:04:13
What is wrong with you? You having a seizure?	1:04:13	1:04:15
What? What?	1:04:15	1:04:17
Oh.	1:04:17	1:04:19
Oh. Cleo.	1:04:19	1:04:20
-Cleo, wait. Ow! -Excuse me.	1:04:20	1:04:22
God damn it. Wait!	1:04:22	1:04:24
Let me talk to... Ow!	1:04:24	1:04:26
Move, God damn it!	1:04:26	1:04:27
Come here, Cleo!	1:04:27	1:04:29
Call the police.	1:04:29	1:04:30
Hey, yo, white boy.	1:04:33	1:04:34
You really in the music business?	1:04:34	1:04:36
Why, do you have a mix tape?	1:04:36	1:04:37
Shut the fuck up, white boy!	1:04:37	1:04:38
And stop sweating so goddamn much.	1:04:38	1:04:41
You smell like bacon.	1:04:41	1:04:42
And I'm a Muslim on Saturdays.	1:04:42	1:04:44
Fucking wrong with you, huh?	1:04:44	1:04:46
How you white and got a afro?	1:04:46	1:04:48
That ain't cool.	1:04:48	1:04:50
Damn, my head hurt!	1:04:50	1:04:52
Hey, there go Cleo. There go Cleo.	1:04:52	1:04:54
-CLEO: -Taxi.	1:04:54	1:04:56
-LESTER: -There go my baby, right there. Where she going?	1:04:56	1:04:59
-TAXI DRIVER: -Where to, honey?	1:04:59	1:05:00
Cleo!	1:05:00	1:05:01
Oh, hell, yeah. There go that old Snoop Dogg-looking motherfucker.	1:05:01	1:05:06
Real Deal, they fitting to be real dead!	1:05:06	1:05:09
I'm coming for you, old man!	1:05:09	1:05:11
Hey, yo, Les, let them old motherfuckers have it, man.	1:05:11	1:05:13
I'm going for it. Go for it, nigger.	1:05:13	1:05:14
Get them motherfuckers.	1:05:14	1:05:16
-FLOYD: -Hey, hey, hey.	1:05:16	1:05:18
Come on, now. You know I'm the only who drives the Mothership, man.	1:05:18	1:05:20
Watch this shit with Lester, he about to kill on these motherfuckers.	1:05:20	1:05:23
That's how we live, we do it like that.	1:05:23	1:05:25
HORN HONKS	1:05:25	1:05:26
-PHILLIP: -Louis!	1:05:26	1:05:28
I'm back!	1:05:28	1:05:30
Gun!	1:05:30	1:05:32
Yeah!	1:05:32	1:05:33
HE SCREAMS	1:05:35	1:05:36
Oh, shit! Motherfucking Lester got fucked up!	1:05:36	1:05:40
God damn!	1:05:40	1:05:41
LESTER WHIMPERS	1:05:41	1:05:42
-I'm out of this motherfucker... -What about Lester, man? -Fuck Lester.	1:05:42	1:05:45
Yeah, fuck Lester!	1:05:45	1:05:48
You don't even know Lester, man.	1:05:48	1:05:50
Aaah!	1:05:52	1:05:53
Why you run over me, man?!	1:05:53	1:05:56
You old dirty bastard!	1:05:56	1:05:59
Old Jim Brown, Fred Williamson,	1:06:01	1:06:04
two-the-hard-way motherfuckers!	1:06:04	1:06:07
I'll kill you, I swear...	1:06:07	1:06:09
Aah! Shit!	1:06:09	1:06:11
Let me kill you one time at least, man!	1:06:11	1:06:15
You done fucked up the Mothership. I ought to stab you in your throat.	1:06:15	1:06:17
Fuck you! Aah!	1:06:17	1:06:18
POLICE SIREN You hear that?	1:06:18	1:06:20
Shoot that motherfucker, Louis.	1:06:20	1:06:22
Get your hands up!	1:06:25	1:06:27
I can't, nigger. My arm's in a brace.	1:06:27	1:06:29
Drop the weapon now! Come on!	1:06:29	1:06:32
This is my first time ever being in here.	1:06:37	1:06:39
Quiet, please.	1:06:39	1:06:40
This filthy-ass motherfucking place,	1:06:46	1:06:48
man, got me itching.	1:06:48	1:06:49
Yo, turnkey!	1:06:51	1:06:53
Come on and let me out of this motherfucker!	1:06:53	1:06:55
You might want to wrap your mind around the fact	1:06:55	1:06:57
that we're going to miss that show.	1:06:57	1:06:58
Fuck you talking about, man?	1:06:58	1:07:00
We gotta be in New York tomorrow night.	1:07:00	1:07:02
Uh-uh. Not me.	1:07:02	1:07:04
I've had enough. I'm done.	1:07:04	1:07:05
What, you're walking out on me, Louis?	1:07:05	1:07:07
Look, Floyd, I was doing just fine	1:07:07	1:07:10
before you showed up at my door.	1:07:10	1:07:11
That's the thanks I get	1:07:11	1:07:12
for pulling you out of that fucking rat hole.	1:07:12	1:07:14
You was just sitting up in there,	1:07:14	1:07:15
just sitting there waiting to die.	1:07:15	1:07:16
Negro, please.	1:07:16	1:07:17
You ain't no different from me,	1:07:17	1:07:19
Especially since your nephew put your senile ass out to pasture	1:07:19	1:07:22
and stole your business.	1:07:22	1:07:23
Fuck you, Louis.	1:07:23	1:07:25
Crawl back under that damn rock you've been living.	1:07:25	1:07:28
I don't need you.	1:07:28	1:07:29
I'll do this shit by my damn self.	1:07:29	1:07:31
Yo! Turnkey!	1:07:31	1:07:35
Come on and let me out of this mother.	1:07:35	1:07:36
I've had enough, man. I want my lawyer.	1:07:36	1:07:38
Relax, relax.	1:07:38	1:07:39
You ain't going to need no lawyer.	1:07:39	1:07:41
Witnesses say your story checks out,	1:07:41	1:07:43
so you, sir, are good to go.	1:07:43	1:07:46
Yeah.	1:07:46	1:07:47
HE GROANS	1:07:47	1:07:49
Whoa. Hold on there, Chuck Berry.	1:07:49	1:07:52
You're going to need a lawyer.	1:07:52	1:07:54
Seems crossing state lines is in violation of his parole,	1:07:54	1:07:57
Not to mention possession of firearms	1:07:57	1:07:59
and driving without a license.	1:07:59	1:08:01
No license?	1:08:01	1:08:02
Step back for a minute.	1:08:03	1:08:04
I hope your ass rot up in here,	1:08:06	1:08:08
you criminal-bound motherfucker, you.	1:08:08	1:08:10
As Lao-Tzu says, "Let things flow forward as they may."	1:08:10	1:08:15
And I'm going to let it flow, too, baby.	1:08:15	1:08:17
And I got some Blackanese philosophical shit for your ass, pal.	1:08:17	1:08:22
You get by, Lou, but you don't get away.	1:08:22	1:08:24
You sit in shit, you start to smell like it,	1:08:24	1:08:26
so check the crack of your ass.	1:08:26	1:08:28
Here's something else for you.	1:08:28	1:08:30
Here go her number.	1:08:30	1:08:32
Call her...Daddy.	1:08:33	1:08:35
Fuck him, man!	1:08:37	1:08:38
Let's get on out of this motherfucker.	1:08:38	1:08:40
He ain't worth two damn flies smashed.	1:08:40	1:08:42
Hmph!	1:08:53	1:08:54
Hey. Yo!	1:09:02	1:09:04
Can I make a phone call?	1:09:07	1:09:08
'You walking out on me, Louis?'	1:09:23	1:09:26
I've had enough. I'm done.	1:09:26	1:09:27
'You all right, man?'	1:09:27	1:09:28
Um, yeah, yeah. I'm all right.	1:09:28	1:09:30
You're not all right. You can't hardly breathe.	1:09:30	1:09:32
You need a chest X-ray.	1:09:32	1:09:33
'I ain't trying to make no comeback.'	1:09:33	1:09:36
I'm gone, and I want to stay gone.	1:09:36	1:09:37
That's the thanks I get for pulling you out of that rat hole,	1:09:37	1:09:40
just sitting there waiting to die...	1:09:40	1:09:41
'Sitting there waiting to die...'	1:09:41	1:09:43
-Die, die... -It's too late.	1:09:43	1:09:44
Is there a doctor in the house?	1:09:44	1:09:46
Keep it short.	1:09:48	1:09:50
-'Hey...' -Hello? -'..it's Cleo. Please leave a message.'	1:09:50	1:09:54
BEEP	1:09:56	1:09:57
Cleo...um, this is, uh, Louis.	1:09:57	1:10:01
Louis Hinds.	1:10:01	1:10:03
Your father.	1:10:03	1:10:05
Wow, um, feels funny saying that.	1:10:06	1:10:09
I've, um, I've never said it before.	1:10:09	1:10:11
Um...	1:10:11	1:10:12
Listen...	1:10:12	1:10:14
HE SIGHS	1:10:14	1:10:16
I didn't mean what I said.	1:10:16	1:10:18
I was...	1:10:18	1:10:19
Odetta was the love of my life.	1:10:22	1:10:25
The worst thing that ever happened to me	1:10:25	1:10:27
was losing her and you.	1:10:27	1:10:31
But you turned out great.	1:10:31	1:10:32
She did a wonderful job with you.	1:10:32	1:10:35
You know your mother was an amazing woman.	1:10:35	1:10:38
And I just want you to know	1:10:38	1:10:40
I'm really, really glad I met you.	1:10:40	1:10:45
And I wish I... BEEP	1:10:45	1:10:47
Yo.	1:10:51	1:10:52
All right.	1:10:55	1:10:57
GUARD WHISTLES	1:10:57	1:10:59
MUTTERED CHATTER	1:11:02	1:11:05
What the fuck do you think you're doing?	1:11:05	1:11:08
-GUN CLICKS -Hmm? -Busting your ass out of jail.	1:11:08	1:11:10
What the fuck does it look like I'm doing?	1:11:10	1:11:12
Back up, Red. Get your keys out.	1:11:12	1:11:14
-Open that cell, OK? -Deputy, don't listen to him.	1:11:14	1:11:16
He will not shoot you. Not on purpose anyway.	1:11:16	1:11:18
Don't let him get you fucked up, Red.	1:11:18	1:11:21
I'll kill you disco-dead.	1:11:21	1:11:22
Now open that doggone cell, man.	1:11:22	1:11:24
Stop shaking. If you shake, I'm going to start shaking.	1:11:24	1:11:26
Next thing you know, kapow!	1:11:26	1:11:28
Go on in.	1:11:28	1:11:29
Now hand him the keys.	1:11:29	1:11:30
Hand them to him.	1:11:30	1:11:32
-OK? -Floyd...	1:11:32	1:11:33
are you sure you want to do this?	1:11:33	1:11:35
Does everything gotta be a fucking argument with you?	1:11:35	1:11:37
God damn! Come on out of there!	1:11:37	1:11:39
Close the door, Lou. Lock it up.	1:11:39	1:11:41
I'm a hostage.	1:11:41	1:11:43
You're going to be a dead hostage	1:11:43	1:11:44
if you don't shut the fuck up.	1:11:44	1:11:45
Now look here, Red.	1:11:47	1:11:49
I like you, almost.	1:11:49	1:11:50
You call anybody outside your mama, kapow.	1:11:50	1:11:53
OK?	1:11:53	1:11:55
Let's get out of here.	1:11:55	1:11:56
Anybody following us, man?	1:11:59	1:12:00
Not yet.	1:12:00	1:12:01
But you can bet your ass they will be.	1:12:01	1:12:04
Lou, we gotta dump the Mothership, man. We gotta dump it.	1:12:04	1:12:06
You'd abandon the Mothership?	1:12:06	1:12:08
We're fugitives from the law.	1:12:08	1:12:09
We gotta start thinking like it.	1:12:09	1:12:11
We're not fugitives, OJ.	1:12:11	1:12:13
You're a fugitive. I'm a hostage.	1:12:13	1:12:15
That's my story, and I'm sticking to it.	1:12:15	1:12:17
FLOYD LAUGHS	1:12:17	1:12:19
Wait, wait, wait. Hold, hold, hold, hold, hold, hold.	1:12:22	1:12:24
Look at that right there, man.	1:12:24	1:12:26
Ain't that Lester's car?	1:12:26	1:12:29
Motherfuckers.	1:12:29	1:12:31
We're hungry, man. Come up with some baked chicken or something.	1:12:35	1:12:39
They're at it again.	1:12:45	1:12:46
CAR HONKS	1:12:46	1:12:50
Oh, shit! Lester's car!	1:12:50	1:12:52
KNOCKING	1:12:59	1:13:02
-You hear that? -What?	1:13:02	1:13:04
KNOCKING	1:13:04	1:13:05
That.	1:13:05	1:13:07
Oh, my God! Oh, God, no! Oh, God...	1:13:07	1:13:11
Mr Hinds. Mr Henderson.	1:13:12	1:13:14
It's so good to see you.	1:13:14	1:13:15
Oh, my God.	1:13:15	1:13:17
Oh, it was so hot in there. You have no idea.	1:13:17	1:13:20
If there's anything I can get you,	1:13:20	1:13:22
like a latte, I'm here for you guys.	1:13:22	1:13:24
But first I really have to pee,	1:13:24	1:13:25
so I'm just going to hop on out.	1:13:25	1:13:27
If you could give me a hand out of here.	1:13:27	1:13:29
I've been locked in there,	1:13:29	1:13:30
and they've had the woofers going all day.	1:13:30	1:13:32
Oh, my God.	1:13:32	1:13:33
I just have to pee real bad, so if you don't mind.	1:13:33	1:13:36
It's so good to see you.	1:13:36	1:13:37
Oh, Mr Hinds...	1:13:37	1:13:38
Ahh...	1:13:45	1:13:48
'The body of Marcus Hooks	1:13:50	1:13:52
'arrived at Kennedy Airport earlier this morning,	1:13:52	1:13:53
'and in a processional befitting a king,	1:13:53	1:13:56
'will make its way to the Apollo Theatre,	1:13:56	1:13:58
'where it will lie in state...'	1:13:58	1:13:59
I'm watching it right now.	1:13:59	1:14:00
'..appropriately enough,	1:14:00	1:14:01
'in a piano-shaped coffin	1:14:01	1:14:02
'for the thousands of mourners gathered	1:14:02	1:14:04
'to pay tribute to the beloved soul pioneer.	1:14:04	1:14:06
'Meanwhile, in related news,	1:14:06	1:14:08
'authorities continue the search	1:14:08	1:14:09
'for Floyd Henderson and Louis Hinds,	1:14:09	1:14:11
'following a daring jailbreak early this morning.	1:14:11	1:14:13
'The two backup singers were on their way	1:14:13	1:14:15
'to New York City	1:14:15	1:14:16
'to perform at tonight's tribute honouring their one-time partner.'	1:14:16	1:14:19
Fucking A!	1:14:19	1:14:20
Yeah. No, no. I... I understand. Beep	1:14:22	1:14:24
Uh, that's my other line.	1:14:24	1:14:26
-I'll call you back. This is Danny. -Hello, Mr Epstein?	1:14:26	1:14:29
'Phillip Newman. I broke your stapler last week.'	1:14:29	1:14:31
-Are you kidding me? -'Hello?'	1:14:31	1:14:33
Where the hell are you?	1:14:33	1:14:34
Listen, I called because I just wanted to let you know	1:14:34	1:14:36
that everything's cool, and we're still on target.	1:14:36	1:14:38
We?	1:14:38	1:14:39
You're with Henderson and Hinds?	1:14:39	1:14:41
'Yes, sir.'	1:14:41	1:14:42
They say "motherfucker" a lot, but they're really good guys.	1:14:42	1:14:45
All right, well, good.	1:14:45	1:14:46
You can give them this message.	1:14:46	1:14:48
The network just called, and they're off the show.	1:14:48	1:14:49
But they can't do that!	1:14:49	1:14:51
Oh, really? It's VH1.	1:14:51	1:14:53
Have you seen Flava Of Love?	1:14:53	1:14:54
They can pretty much do whatever they want.	1:14:54	1:14:56
And another thing, you're fired.	1:14:56	1:14:58
Motherfucker! What the fuck?	1:14:58	1:15:00
What'd he say?	1:15:09	1:15:10
Uh, he said I'm fired,	1:15:12	1:15:15
and...and, uh, and you're off the show.	1:15:15	1:15:19
Are...are you serious, man?	1:15:25	1:15:27
I'm so sorry.	1:15:28	1:15:30
Nnn! Nnn! Nnn!	1:15:46	1:15:49
HE SOBS	1:15:49	1:15:51
You know, uh, according to the map,	1:16:12	1:16:15
that road leads to the turnpike.	1:16:15	1:16:17
I think we've still got time to make it.	1:16:17	1:16:20
Make what, Louis?	1:16:20	1:16:22
You heard what the motherfucker said! It's over!	1:16:22	1:16:25
Fuck that.	1:16:25	1:16:27
This shit ain't over till we say it's over, all right?	1:16:31	1:16:35
Things have changed,	1:16:37	1:16:38
and I have achieved a state of mental clarity.	1:16:38	1:16:42
Ain't that a bitch? You hear what this motherfucker said?	1:16:42	1:16:45
Ever since I knocked on your door, man,	1:16:45	1:16:47
you've been beating my balls at every fucking turn.	1:16:47	1:16:50
Now all of a sudden, you've got a state of clarity.	1:16:50	1:16:53
Where was your clarity in LA, Lou?	1:16:53	1:16:55
You can't just dial that shit up	1:16:55	1:16:56
like you calling for a pizza, motherfucker.	1:16:56	1:16:59
You got to go inside, do the work.	1:16:59	1:17:01
Consequently, I have a confession.	1:17:01	1:17:04
Floyd, you were right about me.	1:17:05	1:17:10
I have given up on a lot of things in my life.	1:17:10	1:17:13
But I ain't giving up on this. All right?	1:17:13	1:17:16
Come on, man, we've been through enough shit the last few days.	1:17:16	1:17:20
We can do this.	1:17:20	1:17:21
And I dare anybody to try to stop us.	1:17:21	1:17:24
Let's go, motherfucker.	1:17:24	1:17:26
Shotgun.	1:17:26	1:17:27
Get your ass in the backseat.	1:17:28	1:17:29
# Ain't no stoppin' us now	1:17:29	1:17:32
# We're on the move	1:17:32	1:17:34
# There's been so many things that's held us down	1:17:38	1:17:41
# But now it looks	1:17:41	1:17:43
# Like things are finally coming around	1:17:43	1:17:46
# Don't you let nothing, nothing	1:17:47	1:17:51
# Stand in your way	1:17:51	1:17:55
# I want y'all to listen, listen	1:17:55	1:17:59
# To every word I say Every word I say	1:17:59	1:18:02
# Ain't no stopping us now	1:18:02	1:18:04
# No, no, no	1:18:04	1:18:06
# We're on the move	1:18:06	1:18:07
# The movin' groovin'	1:18:07	1:18:11
# Ain't no stopping us now... #	1:18:11	1:18:13
-MR EPSTEIN: -Full sound and switch on all the floor monitors, all right?	1:18:13	1:18:15
Look at that. That's nice and subtle.	1:18:15	1:18:17
-I'm on it, then. Sound check. -OK. Thanks.	1:18:17	1:18:19
-Mr Epstein. -Yeah? -Hey, thank God you're here.	1:18:19	1:18:21
Oh, God, this isn't happening.	1:18:21	1:18:22
What are you doing here? I thought I fired you.	1:18:22	1:18:24
I just wanted to tell you I'm not alone.	1:18:24	1:18:26
You guys are insane!	1:18:32	1:18:34
Good to see you, too, Little Ep.	1:18:34	1:18:35
Yeah, this is never going to happen.	1:18:35	1:18:37
You'll be arrested the moment the cops spot you.	1:18:37	1:18:40
We don't care anything about that.	1:18:40	1:18:42
We just want to do our song.	1:18:42	1:18:44
Oh, one other thing. You got a few minutes?	1:18:44	1:18:46
Yeah, I got all the time in the world.	1:18:46	1:18:48
I'm just producing a television show	1:18:48	1:18:49
with dozens of huge musical acts	1:18:49	1:18:51
that goes live in 17.5 minutes,	1:18:51	1:18:53
but you know, let's grab some coffee and have a little chit-chat.	1:18:53	1:18:55
Wow. How long's he got?	1:19:00	1:19:02
We don't know.	1:19:04	1:19:05
All right. I'll see what I can do. OK?	1:19:07	1:19:10
Thank you.	1:19:10	1:19:12
-ANNOUNCER: -Ladies and gentlemen, ladies and gentlemen,	1:19:15	1:19:18
please take your seats.	1:19:18	1:19:20
The ceremony will begin shortly.	1:19:20	1:19:22
CHATTER	1:19:22	1:19:25
KNOCK ON DOOR	1:19:25	1:19:27
I'll get it.	1:19:27	1:19:28
Wow! The Black Moses.	1:19:32	1:19:35
-How's it going, man? -Hey, what's happening?	1:19:36	1:19:38
-What's up, baby? -Hey, fellas.	1:19:38	1:19:40
Hey, what's happening?	1:19:40	1:19:41
-The man. -My man.	1:19:41	1:19:43
OK, all right.	1:19:43	1:19:44
Heard you were here. Just wanted to wish you luck.	1:19:44	1:19:46
Oh, by the way,	1:19:47	1:19:48
brought somebody by to see you.	1:19:48	1:19:50
-Oh, is that right? -Yeah.	1:19:50	1:19:52
OK, everybody, let's move on out of here.	1:19:59	1:20:01
-Come on. -All right, you heard what Mr Henderson said.	1:20:01	1:20:04
-After you, young man. -OK.	1:20:04	1:20:07
I'm sorry I ran off the way I did.	1:20:25	1:20:28
I'm the one who ran out.	1:20:30	1:20:32
There's no need for you to apologise.	1:20:32	1:20:34
Can I help you with your tie?	1:20:40	1:20:41
Yeah, sure.	1:20:41	1:20:43
You know what you're doing?	1:20:43	1:20:45
Yeah, I know what I'm doing.	1:20:45	1:20:47
Here you go.	1:20:48	1:20:50
Mm! Ohh!	1:20:52	1:20:54
You all right?	1:20:54	1:20:56
Yeah. Just some water, please. Damn!	1:20:56	1:20:59
All cameras are on point. We just added two mics.	1:20:59	1:21:01
Mr Epstein! You better come quick.	1:21:01	1:21:03
Come on, I'm serious. Come on! It's important!	1:21:03	1:21:05
-All right. Take care of those. -15 minutes, Danny.	1:21:05	1:21:07
HE GROANS	1:21:08	1:21:10
He just collapsed. I think he's in a lot of pain.	1:21:10	1:21:12
Open your hand. Open your hand.	1:21:12	1:21:14
-Right there, right there. -OK, OK.	1:21:14	1:21:17
Be strong, brother. Hang on in there.	1:21:18	1:21:21
It ain't time for you to check out now.	1:21:21	1:21:23
Check out? What?	1:21:23	1:21:24
Come on, man. Everybody knows, man.	1:21:24	1:21:26
My aunt was taking the same doggone pills, man.	1:21:26	1:21:28
Took her about a week before she wasted away to nothing,	1:21:28	1:21:31
just kicking and screaming.	1:21:31	1:21:32
I don't know what killed her ass,	1:21:32	1:21:34
but if she was taking those, she had a bladder infection.	1:21:34	1:21:37
Say what?	1:21:37	1:21:38
Look, Doctor Dumbshit, I got a kidney stone.	1:21:38	1:21:41
Hurts like a motherfucker when I pee,	1:21:41	1:21:43
but it ain't going to kill me.	1:21:43	1:21:44
So you're not dying?	1:21:44	1:21:45
From the first slap and cry, we all start to die.	1:21:45	1:21:48
But I ain't on no accelerated programme, hell, no.	1:21:48	1:21:51
Ain't that about a bitch?	1:21:51	1:21:53
All that damn hard work, busting your ass out of jail,	1:21:53	1:21:56
and you ain't even dying.	1:21:56	1:21:57
I was kinda looking forward to seeing you go.	1:21:57	1:21:59
Excuse me, Danny. They're on in two.	1:21:59	1:22:01
All right. Where we at, guys?	1:22:01	1:22:02
OK, I'm good.	1:22:03	1:22:05
The Apollo, the Mecca.	1:22:08	1:22:10
This brings back memories, man.	1:22:10	1:22:12
How many times you think we've performed here?	1:22:12	1:22:13
Ooh, uh...ooh, five-O.	1:22:13	1:22:16
-50, really? -Five-O. -Oh! -Come on. Move, move.	1:22:16	1:22:20
That's them! Hold it! Hold it!	1:22:20	1:22:21
-POLICE RADIO: -'All units report, all units report.	1:22:21	1:22:24
'Suspects have been spotted.	1:22:24	1:22:25
'All units, apprehend them quietly and by the book.'	1:22:25	1:22:28
Hey, Lou, do you think they're gone, man?	1:22:29	1:22:31
I don't have X-ray vision, motherfucker!	1:22:31	1:22:33
How would I know?	1:22:33	1:22:34
Lower your voice, Lou. Doggone it, man.	1:22:34	1:22:36
It's so dark in here you can't see shit.	1:22:36	1:22:38
Hold up.	1:22:38	1:22:39
Let me see if I can reach my lighter.	1:22:39	1:22:40
Don't light no lighter up in here, man.	1:22:40	1:22:42
We'll blow up like a barbecue.	1:22:42	1:22:43
Hold on one minute.	1:22:43	1:22:45
Shit.	1:22:45	1:22:46
Marcus motherfucking Hooks.	1:22:49	1:22:53
Long way from Linwood Street, huh, motherfucker?	1:22:53	1:22:55
Fuck Linwood Street and him.	1:22:55	1:22:57
He used both of us, and you know it.	1:22:57	1:22:59
Come on, man. He just thought he'd be a bigger star going solo.	1:22:59	1:23:02
-He was right. -No, he wasn't.	1:23:02	1:23:04
He didn't want to split the money three ways.	1:23:04	1:23:06
Just look at him, sitting there	1:23:06	1:23:07
with that old shit-eating grin on his face.	1:23:07	1:23:09
You think you're all that, motherfucker, don't you?	1:23:09	1:23:12
I have to admit, every time I think about you,	1:23:12	1:23:13
I could just choke the shit out of you!	1:23:13	1:23:16
Stop it, stop it! Floyd, he ain't thinking shit. He's dead.	1:23:16	1:23:19
Say, ain't that my watch?	1:23:21	1:23:24
See? You thought I stole that mother...	1:23:24	1:23:26
I told you this motherfucker was a klepto!	1:23:26	1:23:28
Shit, look at that.	1:23:28	1:23:29
That's nice.	1:23:29	1:23:31
Probably stole that, too.	1:23:31	1:23:32
Motherfucker always had good taste, though.	1:23:32	1:23:34
I'm going to keep this.	1:23:34	1:23:36
Hey, Louis.	1:23:40	1:23:42
You think if, you know...	1:23:42	1:23:44
if he wouldn't have, you know, died,	1:23:44	1:23:46
you think we would have got back together?	1:23:46	1:23:47
Oh, hell, no.	1:23:47	1:23:49
But you know what?	1:23:49	1:23:51
We are together,	1:23:51	1:23:52
and I've been thinking about our little arrangement.	1:23:52	1:23:54
I'm going to go ahead	1:23:54	1:23:55
and break you off 50/50, all right?	1:23:55	1:23:58
Wow, Lou, that's...	1:23:58	1:23:59
that's real black of you, man.	1:23:59	1:24:02
Because there ain't no money.	1:24:02	1:24:04
-Say what? -Well, you said it yourself.	1:24:04	1:24:07
It's a funeral. Nobody pays you to sing, man.	1:24:07	1:24:09
You lied about the money?	1:24:09	1:24:10
-Yeah. -You motherfucker.	1:24:10	1:24:12
Hey, you can't say it wasn't worth it.	1:24:12	1:24:14
Well, I could say it.	1:24:14	1:24:16
But I'd be lying.	1:24:18	1:24:20
I love you, Lou.	1:24:20	1:24:21
My nigger.	1:24:21	1:24:23
But this motherfucker, you know, I can't help it.	1:24:23	1:24:25
Every time, I could just kill this motherfucker!	1:24:25	1:24:27
That's why he left, because you was always picking on him.	1:24:27	1:24:29
Stop fucking with him.	1:24:29	1:24:30
He fucked with my happiness.	1:24:30	1:24:33
APPLAUSE	1:24:33	1:24:35
Ladies and gentlemen,	1:24:41	1:24:42
I'm Isaac Hayes.	1:24:42	1:24:45
CHEERING AND APPLAUSE	1:24:45	1:24:47
Where the fuck are they, Danny?	1:24:47	1:24:49
My good friends, please join me	1:24:49	1:24:52
in saying farewell to brother Marcus Hooks.	1:24:52	1:24:55
AUDIENCE GASPS	1:24:58	1:25:00
It's Louis and Floyd! It's the Real Deal!	1:25:01	1:25:03
Oh!	1:25:03	1:25:06
Marcus Hooks And The Real Deal,	1:25:06	1:25:09
back together again.	1:25:09	1:25:11
Give them a hand. Give them a hand.	1:25:11	1:25:14
Reunited, y'all.	1:25:14	1:25:17
They got their shit together.	1:25:17	1:25:18
Yes! Let's go!	1:25:18	1:25:21
Stand by. Move in on my command.	1:25:21	1:25:23
Whoa, whoa, whoa, whoa, whoa!	1:25:23	1:25:24
Come on, Officer... detective person.	1:25:24	1:25:26
Please, just, you know, come on.	1:25:26	1:25:27
Let them sing one song. One little song.	1:25:27	1:25:29
It's not going to hurt anybody.	1:25:29	1:25:31
The Real Deal!	1:25:31	1:25:32
All right. One song.	1:25:34	1:25:37
But it better be good.	1:25:37	1:25:39
One song. The good one.	1:25:40	1:25:43
How's that hip?	1:25:47	1:25:49
Locked and loaded, baby.	1:25:49	1:25:50
Let's do this.	1:25:50	1:25:51
Band!	1:25:52	1:25:54
Let's take a walk in the park.	1:25:54	1:25:56
One, two, three, four!	1:25:56	1:25:58
# Oh, yeah	1:26:09	1:26:11
# When the rhythm gets to rollin'	1:26:11	1:26:14
# And then you add a spoonful of soul in	1:26:14	1:26:17
# And then I tried to let it all go then	1:26:17	1:26:21
# Oh, yeah	1:26:21	1:26:22
# Oh, it's easy to me	1:26:22	1:26:24
# You see, the way I ride the rhythm	1:26:24	1:26:28
# You see, the truth is all I can give 'em	1:26:28	1:26:31
# And the lyrics can come from livin'	1:26:31	1:26:34
# Oh, yeah, oh, it's easy to me	1:26:34	1:26:37
-ALL: -# Oh, yeah	1:26:37	1:26:39
# Music comes out of my heart	1:26:39	1:26:43
# Something like a walking the park	1:26:43	1:26:47
# It's just a walk in the park	1:26:47	1:26:50
# Oh, yeah	1:26:50	1:26:52
# And no-one else in here I heard it	1:26:52	1:26:54
# I don't know what I've done to deserve it	1:26:54	1:26:58
# You don't question it while you serve it	1:26:58	1:27:01
# Oh, yeah	1:27:01	1:27:03
# Oh, it was given to me	1:27:03	1:27:05
# I got something you inherit	1:27:05	1:27:08
# I don't know that you was born to share it	1:27:08	1:27:11
# And if you shoot Be sure you wear it	1:27:11	1:27:15
# Oh, yeah	1:27:15	1:27:17
# Oh, it comes naturally to me	1:27:17	1:27:18
# Uh-huh-uh	1:27:18	1:27:20
# Music comes out of my heart	1:27:20	1:27:22
# Yeah	1:27:22	1:27:24
# Something like a walk in the park	1:27:24	1:27:27
# It's just a walk in the park	1:27:27	1:27:29
-# Oh, yeah -Oh, yeah	1:27:29	1:27:32
# Oh, yeah! #	1:27:32	1:27:35
Y'all having a good time out here tonight?	1:27:35	1:27:37
This is what I'm talking about!	1:27:37	1:27:39
You know about that walk in the park, man?	1:27:39	1:27:41
Sure I know about that walk in the park.	1:27:41	1:27:43
You do? I'll tell you what.	1:27:43	1:27:44
Show them. Got to get down.	1:27:44	1:27:46
CHEERING	1:27:47	1:27:50
Ladies and gentlemen,	1:27:53	1:27:55
let's give a big Apollo welcome	1:27:55	1:27:57
to the stage for the first time, my daughter, Miss Cleo Whitfield!	1:27:57	1:28:02
# To make something out of nothin'	1:28:02	1:28:06
# That's what we all got in common	1:28:06	1:28:09
# So just hold on tight, I'm comin'	1:28:09	1:28:13
# Oh, yeah, yeah	1:28:13	1:28:15
# Said to me	1:28:15	1:28:16
# I'll give you something you can believe in	1:28:16	1:28:19
# And then enjoy yourself this evenin'	1:28:19	1:28:23
# And don't you dare think about leavin'	1:28:23	1:28:26
# Oh, yeah	1:28:26	1:28:28
# Sing along with me	1:28:28	1:28:32
# Music comes out of my heart	1:28:32	1:28:35
# Something like a walk in the park	1:28:35	1:28:37
# It's just a walk in the park	1:28:37	1:28:39
# It's just a walk in the park	1:28:39	1:28:41
-# Oh, yeah, oh, yeah -Oh, yeah	1:28:41	1:28:44
# Music comes out of my heart	1:28:45	1:28:48
# Something like a walk in the park	1:28:48	1:28:52
# It's just a walk in the park	1:28:52	1:28:55
# Oh, yeah	1:28:55	1:28:57
# Music comes out of my heart... #	1:28:59	1:29:02
One song.	1:29:02	1:29:03
# Something like a walk in the park	1:29:03	1:29:05
# A walk in the park	1:29:05	1:29:06
# It's just a walk in the park	1:29:06	1:29:08
# A walk in the park	1:29:08	1:29:10
# Oh, yeah	1:29:10	1:29:12
# Music comes out of my heart... #	1:29:12	1:29:14
I'm their manager!	1:29:14	1:29:16
# Something like a walk in the park	1:29:16	1:29:18
# Walk in the park	1:29:18	1:29:20
# It's just a walk in the park	1:29:20	1:29:21
# Just like a walk in the park... #	1:29:21	1:29:24
# Oh, yeah. #	1:29:29	1:29:32
Whoo!	1:29:46	1:29:47
# Doo-doo-doo, doo-doo-doo	1:30:18	1:30:20
# Haah. #	1:30:20	1:30:21
You're going to sing real nice tonight.	1:30:21	1:30:23
# All right, y'all. Got that funky time	1:30:25	1:30:29
# I can feel it I can feel it	1:30:29	1:30:35
# I can feel it... #	1:30:35	1:30:37
Any time the camera or the mic comes on,	1:30:39	1:30:41
I don't cheat myself.	1:30:41	1:30:42
That was rule number one I was taught as a kid.	1:30:42	1:30:45
And I definitely can't cheat the audience.	1:30:45	1:30:47
So I give 150%	1:30:47	1:30:48
every single time that I do anything.	1:30:48	1:30:51
Even the way I live my life.	1:30:51	1:30:53
I just cherish each doggone moment.	1:30:53	1:30:56
A black preacher's something else, ain't it?	1:30:56	1:30:58
You can't pay your rent after you come from church.	1:30:58	1:31:01
And if you ask the preacher for the 5,	1:31:03	1:31:05
he'll be like, "Fuck you in the name of Jesus."	1:31:05	1:31:08
My comedy is not fictitious.	1:31:08	1:31:11
My comedy has to come from my heart.	1:31:11	1:31:14
CLAPPING IN RHYTHM	1:31:14	1:31:17
I've been performing all my life.	1:31:44	1:31:46
So being in front of an audience	1:31:46	1:31:47
has never been a problem for me.	1:31:47	1:31:49
It's time to go?	1:31:49	1:31:51
Well, go on, then.	1:31:51	1:31:53
LAUGHTER AND APPLAUSE	1:31:53	1:31:56
You want to leave a lasting impression on your audience.	1:31:56	1:31:58
You know, and that's something I was taught, too,	1:31:58	1:32:01
when I first started.	1:32:01	1:32:02
Always make them remember you,	1:32:02	1:32:03
or remember something about you and the film.	1:32:03	1:32:06
I'm going back to my 600-a-night hotel room,	1:32:06	1:32:10
have me a nice-ass, uh, piece of pussy and shit.	1:32:10	1:32:14
OK?	1:32:14	1:32:16
Cut it.	1:32:16	1:32:18
HE SCREAMS	1:32:18	1:32:19
OK, just breathe. Breathe.	1:32:19	1:32:20
I'm not even in yet.	1:32:20	1:32:22
# I got to boogie for you	1:32:22	1:32:24
# I got to boogie for you	1:32:24	1:32:26
# I got nothin' but boogie	1:32:26	1:32:29
# Nothin' but boogie for you	1:32:29	1:32:31
# I got nothin' but boogie	1:32:31	1:32:33
-# Nothin' but boogie for you -Say what?	1:32:33	1:32:34
# Boogie, boogie	1:32:34	1:32:36
# Boogie, boogie Boogie, boogie	1:32:36	1:32:38
# Boogie, boogie Boogie, boogie, boogie, boogie... #	1:32:38	1:32:42
CHEERING	1:32:42	1:32:45
I want to say thanks to you all	1:32:45	1:32:47
because you all made me. Yeah.	1:32:47	1:32:51
I wouldn't have no TV show or movies.	1:32:55	1:32:58
You all was coming to see me,	1:32:58	1:33:00
and you all made me...	1:33:00	1:33:01
Chattanooga, Louisiana, Mississippi.	1:33:01	1:33:04
CHEERING	1:33:04	1:33:05
So thank you.	1:33:05	1:33:07
'I think if I had a few free passes	1:33:07	1:33:10
'like a lot of people,	1:33:10	1:33:11
'I don't think I would be as successful as I am.'	1:33:11	1:33:14
My task here on Earth	1:33:14	1:33:15
is I have to work harder than the average bear.	1:33:15	1:33:18
-It look easy, don't it? -But it's not.	1:33:18	1:33:22
Thank you, sweetheart. Thank you.	1:33:22	1:33:24
# I never can say goodbye	1:33:28	1:33:33
# No, no, no, I	1:33:33	1:33:35
# I never can say goodbye	1:33:35	1:33:39
# No, no, no,	1:33:39	1:33:41
# Even though the pain and heartaches	1:33:41	1:33:44
# Seem to follow me wherever I go	1:33:44	1:33:47
# Though I try and try to hide my feelings	1:33:47	1:33:51
# They always seem to show	1:33:51	1:33:54
# Then you try to say you're leaving me	1:33:54	1:33:57
# And I always have to say no	1:33:57	1:34:01
# Tell me why	1:34:01	1:34:03
# Is it so?	1:34:03	1:34:06
# I never can say goodbye	1:34:06	1:34:12
# No, no, no, no	1:34:12	1:34:14
# I never can say goodbye	1:34:14	1:34:20
# I keep thinkin' that our problems	1:34:20	1:34:23
# Soon are going to all work out	1:34:23	1:34:27
# But there's that same unhappy feeling	1:34:27	1:34:30
# That makes that anguish twist that doubt	1:34:30	1:34:33
# It's that same old dizzy hang-up	1:34:33	1:34:36
# Can't live with you or without	1:34:36	1:34:40
# Tell me why	1:34:40	1:34:43
# Is it so?	1:34:43	1:34:45
# I don't want to let you go	1:34:45	1:34:48
# I never can say goodbye	1:34:48	1:34:53
# I, I'll never	1:34:53	1:34:55
# Say goodbye	1:34:55	1:34:57
# I won't say goodbye	1:34:57	1:34:59
# I won't try	1:34:59	1:35:01
# I won't let you go	1:35:01	1:35:03
# Won't say goodbye	1:35:03	1:35:05
# I can't say goodbye	1:35:05	1:35:07
# No	1:35:07	1:35:08
# I won't. #	1:35:08	1:35:11

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