
Browse content similar to A Bunch of Amateurs. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
This film contains some strong language | 0:00:33 | 0:00:38 | |
That was one hell of a bang. | 0:01:13 | 0:01:15 | |
You ain't seen nothing yet. | 0:01:16 | 0:01:18 | |
Ugh! That is so gross. | 0:01:20 | 0:01:22 | |
-Ew! He's so old. -I know. | 0:01:24 | 0:01:28 | |
-She could be, like, his granddaughter. -That sucked. | 0:01:28 | 0:01:31 | |
Oh, my God! I don't believe it, you're... | 0:01:49 | 0:01:52 | |
..Sean Connery! | 0:01:54 | 0:01:56 | |
Oh, my God! Hi, Sean. | 0:01:56 | 0:02:00 | |
-Oh, Sean Connery! -Thank you. | 0:02:00 | 0:02:03 | |
SAT NAV: 'Please make a right turn.' | 0:02:07 | 0:02:09 | |
-'Make a right turn.' -I heard you the first time. | 0:02:12 | 0:02:16 | |
'You are now leaving Beverly Hills.' | 0:02:19 | 0:02:22 | |
'Are you sure you want to be in this neighbourhood?' | 0:02:28 | 0:02:31 | |
HE LAUGHS | 0:02:31 | 0:02:33 | |
'You have arrived at your destination.' | 0:02:42 | 0:02:45 | |
-Pride And Prejudice. -HE GROANS | 0:02:49 | 0:02:51 | |
I remember hearing you once say, Mr Darcy, | 0:02:54 | 0:02:58 | |
that you hardly ever forgave, | 0:02:58 | 0:03:01 | |
and that your resentment, once created, was kind of unappeasable. | 0:03:01 | 0:03:05 | |
I guess you're very cautious to its being created... | 0:03:05 | 0:03:09 | |
..and shit. | 0:03:10 | 0:03:12 | |
My daughter Amanda put my name on the VIP list. | 0:03:19 | 0:03:23 | |
We don't believe in VIP lists. | 0:03:23 | 0:03:26 | |
Do you know who I am? | 0:03:27 | 0:03:28 | |
-Do any of us really know who we are? -Just give me a ticket. | 0:03:28 | 0:03:33 | |
Like, wow. | 0:03:34 | 0:03:36 | |
And you never, like, allow yourself to be blinded by prejudice? | 0:03:36 | 0:03:42 | |
-I hope not. -Cool. | 0:03:42 | 0:03:45 | |
May I ask to what these questions tend? | 0:03:45 | 0:03:48 | |
MAN: Isn't that Jefferson Steel? WOMAN: I thought he was dead. | 0:03:48 | 0:03:53 | |
I do not get you at all, man. | 0:03:53 | 0:03:56 | |
I hear such different account of you that it's freaking me out. | 0:03:57 | 0:04:03 | |
Exceedingly. | 0:04:03 | 0:04:05 | |
Mr Steel? | 0:04:11 | 0:04:13 | |
I don't want you to think I'm the kind of desperate actor who goes around giving people his resume, | 0:04:14 | 0:04:18 | |
but here's my resume. | 0:04:18 | 0:04:20 | |
Hey, Dad. | 0:04:20 | 0:04:23 | |
So, what did you think? | 0:04:23 | 0:04:25 | |
CONVERSATIONS STOP | 0:04:25 | 0:04:27 | |
I loved it. | 0:04:27 | 0:04:29 | |
-Really? -Really. | 0:04:31 | 0:04:34 | |
So, you really liked it? | 0:04:39 | 0:04:41 | |
-I hated it. -What? | 0:04:41 | 0:04:43 | |
I think the director is a pretentious, talentless pervert. | 0:04:43 | 0:04:48 | |
Oh, that's just great. | 0:04:48 | 0:04:51 | |
My first time doing a classic, playing the lead, | 0:04:51 | 0:04:54 | |
and you're objecting to a small amount of justifiable nudity? | 0:04:54 | 0:04:58 | |
Justifiable? | 0:04:58 | 0:04:59 | |
-Forget it. -I don't get it. | 0:04:59 | 0:05:02 | |
I've given you everything I know how to give you | 0:05:02 | 0:05:04 | |
and you've thrown it right back in my face. | 0:05:04 | 0:05:06 | |
I don't want your contacts, I don't want a fancy car, | 0:05:06 | 0:05:10 | |
I don't want a house in Beverly Hills, | 0:05:10 | 0:05:13 | |
and when I want some career advice, I'll ask someone who's got a career. | 0:05:13 | 0:05:17 | |
-YOUNG GIRL: -'I'm ready for my close-up. | 0:05:31 | 0:05:33 | |
'Where is it, Dad? | 0:05:35 | 0:05:37 | |
'You never know what there could be in the desert. | 0:05:37 | 0:05:41 | |
'Poisonous spiders, caterpillars... | 0:05:41 | 0:05:43 | |
'Hi, Dad. Gotcha! Mwah!' | 0:05:48 | 0:05:52 | |
HE CHUCKLES | 0:05:53 | 0:05:55 | |
PHONE RINGS | 0:05:57 | 0:05:59 | |
ANSWER PHONE: 'Hi, this is Amanda Blacke. | 0:06:05 | 0:06:06 | |
'I can't take your call right now, so please leave a message. | 0:06:06 | 0:06:09 | |
'Unless you're my father, in which case, forget it.' | 0:06:09 | 0:06:13 | |
-BLEEP -That's very funny. Notice that I'm not laughing. | 0:06:13 | 0:06:18 | |
'Now, who the hell is Amanda Blacke? You're Amanda Steel. | 0:06:18 | 0:06:22 | |
'This is your father, call me some time.' | 0:06:22 | 0:06:25 | |
Ring, damn you! | 0:06:44 | 0:06:45 | |
PHONE RINGS | 0:06:48 | 0:06:49 | |
-Charlie Rosenberg. -'Charlie?' | 0:06:52 | 0:06:55 | |
Jefferson. | 0:06:55 | 0:06:57 | |
Can I call you back? I'm in a meeting. | 0:06:57 | 0:07:01 | |
'No, you're not, Charlie.' | 0:07:01 | 0:07:02 | |
Really, now is not a good... Sorry, Mr Rosenberg. | 0:07:02 | 0:07:04 | |
Hey, Jefferson! Ultimate Finality 4, what a movie! | 0:07:04 | 0:07:10 | |
One of the worst films I ever made in my life. | 0:07:10 | 0:07:13 | |
The motorcycle was cool. | 0:07:13 | 0:07:15 | |
And since then, Charlie, nothing. | 0:07:15 | 0:07:18 | |
Where are the offers, Charlie? | 0:07:18 | 0:07:20 | |
That's the problem with being a major star. | 0:07:20 | 0:07:23 | |
There just aren't enough projects big enough for Jefferson Steel. | 0:07:23 | 0:07:27 | |
You mean if I was less of a star, I could get a job? | 0:07:27 | 0:07:30 | |
-Exactly. -You're full of shit. | 0:07:30 | 0:07:32 | |
Yes, I am. | 0:07:32 | 0:07:34 | |
Charlie, if you don't get me a decent part, I'm out of here. | 0:07:34 | 0:07:39 | |
Are you threatening me? | 0:07:39 | 0:07:40 | |
-Isn't it obvious? -Of course. | 0:07:40 | 0:07:42 | |
Are you saying I can't do threatening? | 0:07:42 | 0:07:44 | |
Nadine? Nadine, back me up here. | 0:07:44 | 0:07:47 | |
Tell Jefferson how good he is at threatening. | 0:07:47 | 0:07:50 | |
Oh, you're terrifically threatening. In fact, you're almost scary. | 0:07:50 | 0:07:54 | |
You've got 24 hours to get me a job or I'm going to fire your sorry ass. | 0:07:58 | 0:08:04 | |
-Very good. Very, very good. -It's really very good. | 0:08:08 | 0:08:10 | |
This is hopeless. Who am I kidding? Jefferson's going to fire me. | 0:08:18 | 0:08:24 | |
My wife's going to divorce me, she'll take the house, | 0:08:24 | 0:08:26 | |
she'll get the dogs, she'll get the kids... | 0:08:26 | 0:08:29 | |
-Silver lining, huh? -It's not going to happen, Charlie. | 0:08:31 | 0:08:34 | |
Your wife already divorced you, and your kids have kids. | 0:08:34 | 0:08:39 | |
Nadine. | 0:08:39 | 0:08:40 | |
This is it. | 0:08:42 | 0:08:43 | |
This is it. | 0:08:45 | 0:08:46 | |
-Shakespeare? -Yeah. | 0:08:50 | 0:08:52 | |
A benefit to save a community theatre in England? In the sticks? | 0:08:52 | 0:08:58 | |
Yeah! | 0:08:58 | 0:09:00 | |
It's not even professional. Jefferson will never go for this. | 0:09:00 | 0:09:04 | |
Sure he will, he's desperate. | 0:09:04 | 0:09:06 | |
And besides, he'll be 6,000 miles away before he figures it out. | 0:09:06 | 0:09:10 | |
-This better be good, Charlie. -It's the best part there is, ever. | 0:09:10 | 0:09:16 | |
What is it? | 0:09:16 | 0:09:18 | |
King Lear. | 0:09:19 | 0:09:21 | |
-By Shakespeare? -That's the one. | 0:09:21 | 0:09:24 | |
And guess where it is. | 0:09:24 | 0:09:25 | |
-Now, how in the hell should I know, Charlie? -England. | 0:09:25 | 0:09:28 | |
It's your chance to reinvent yourself, get Jefferson Steel back on the map. | 0:09:28 | 0:09:32 | |
-By leaving the country? -Everyone has done England. | 0:09:32 | 0:09:35 | |
Nicole, Dustin, Gwyneth, Spacey. And here's the kicker... | 0:09:35 | 0:09:39 | |
..none of them have ever done Shakespeare in Stratford. | 0:09:41 | 0:09:46 | |
-It's a no-brainer. -I don't know, Charlie. | 0:09:46 | 0:09:50 | |
A man in my position, I have to consider all the options. | 0:09:50 | 0:09:54 | |
-We'll be landing in about 40 minutes, OK? -Great, thanks. | 0:10:27 | 0:10:31 | |
Excuse me. So sorry to bother you, Mr Steel. | 0:10:33 | 0:10:36 | |
No problem, honey. Who shall I sign it to? | 0:10:36 | 0:10:40 | |
The United Kingdom Immigration Department. | 0:10:40 | 0:10:43 | |
It's your landing card. | 0:10:43 | 0:10:44 | |
I knew that. | 0:10:44 | 0:10:46 | |
Guarda! L'attore americano. Si, e lui! | 0:10:54 | 0:10:57 | |
-E Tom Selleck! -Hey! | 0:10:57 | 0:11:01 | |
Hey, ciao, Tom! | 0:11:01 | 0:11:03 | |
TV: 'We now go live to Heathrow Airport | 0:11:05 | 0:11:07 | |
'for the Jefferson Steel press conference.' | 0:11:07 | 0:11:08 | |
'This is a pretty big departure for your career, Mr Steel.' | 0:11:08 | 0:11:11 | |
'I'm an actor. Theatre is my first love.' | 0:11:11 | 0:11:13 | |
'Mr Steele, what made you say yes to this?' | 0:11:13 | 0:11:16 | |
'Well, I get a lot of scripts sent to me. I think this one stood out.' | 0:11:16 | 0:11:20 | |
-How so? -The writing showed real promise. | 0:11:20 | 0:11:24 | |
Jefferson, can an American action hero really be King Lear? | 0:11:25 | 0:11:30 | |
To be, or not to be, that is the question. | 0:11:30 | 0:11:35 | |
That's Hamlet. | 0:11:35 | 0:11:36 | |
Jefferson, can you really save the theatre? | 0:11:38 | 0:11:42 | |
I'll give it my best shot. | 0:11:42 | 0:11:43 | |
But you'll be acting with amateurs. | 0:11:43 | 0:11:45 | |
You guys are a bit too hard on yourselves. | 0:11:45 | 0:11:48 | |
Some British actors are pretty damn good. | 0:11:48 | 0:11:51 | |
'Now boarding at Gate 11.' | 0:11:55 | 0:11:58 | |
Mr Steel! How do you do, Mr Steel? | 0:11:58 | 0:12:01 | |
I'm Dorothy Nettle. It's an honour to meet you. | 0:12:01 | 0:12:06 | |
Of course it is. Where's the limo? | 0:12:06 | 0:12:08 | |
It's not exactly a stretch limo, but we can pick up Radio Ipswich. | 0:12:13 | 0:12:18 | |
So, you just sit back and relax. It's about a two-and-a-half-hour drive. | 0:12:18 | 0:12:22 | |
I'm sure I don't have to say it, but everyone's really looking forward to working with you. | 0:12:22 | 0:12:26 | |
There's been a real buzz in the air since your agent told us you were coming. | 0:12:26 | 0:12:29 | |
-As a matter of fact... -No offence, | 0:12:29 | 0:12:31 | |
but I don't talk to the driver. It's in my contract. | 0:12:31 | 0:12:34 | |
-Nice meeting you, though. -Right. | 0:12:34 | 0:12:38 | |
Oh! | 0:13:23 | 0:13:24 | |
Welcome to Flint Farm, Mr Steel. | 0:13:25 | 0:13:27 | |
DOG GROWLS Don't mind Monty, he's very friendly. | 0:13:27 | 0:13:31 | |
-DOG BARKS -That's good, because if he bites me, I'll sue. | 0:13:31 | 0:13:36 | |
Brr! | 0:13:44 | 0:13:45 | |
This is such a privilege, Mr Steel. | 0:13:48 | 0:13:50 | |
I know. | 0:13:50 | 0:13:52 | |
And can I say, you are so much younger than you look in your films. | 0:13:52 | 0:13:57 | |
Not that you look old in them - you look young. | 0:13:59 | 0:14:02 | |
Very young, especially in the old ones. | 0:14:02 | 0:14:06 | |
Is there anything you would like? | 0:14:09 | 0:14:10 | |
A room with a bed, of course. That would be nice. | 0:14:10 | 0:14:13 | |
Of course. Yes, it's just at the top of the stairs. | 0:14:13 | 0:14:17 | |
After you, Mr Steel. | 0:14:17 | 0:14:19 | |
It's just the first door on the right, there. | 0:14:23 | 0:14:28 | |
Oh, I love all your films, especially The Fugitive. | 0:14:28 | 0:14:32 | |
I wasn't in The Fugitive. | 0:14:32 | 0:14:35 | |
-Are you sure? -Quite sure. | 0:14:35 | 0:14:38 | |
-Ow! -Mind the beam. | 0:14:39 | 0:14:42 | |
Mmm-hmm. | 0:14:42 | 0:14:43 | |
I've given you the master suite. | 0:14:48 | 0:14:51 | |
Where do I go to...you know, whiz? | 0:14:51 | 0:14:56 | |
Take a pee. | 0:14:56 | 0:14:57 | |
Yes, the facilities are down the corridor and on the right. | 0:14:57 | 0:15:01 | |
We thought you'd prefer somewhere unpretentious. | 0:15:01 | 0:15:04 | |
Well, you were wrong. | 0:15:04 | 0:15:06 | |
He's a real charmer, isn't he? | 0:15:11 | 0:15:13 | |
It's how these stars get into their characters. It's what they call method acting. | 0:15:13 | 0:15:19 | |
You see, King Lear is really grumpy, | 0:15:19 | 0:15:24 | |
whereas if he was playing Romeo, he'd be a real sweetie. | 0:15:24 | 0:15:27 | |
Where is the minibar? Where is the mini... | 0:15:28 | 0:15:33 | |
There is no minibar! | 0:15:35 | 0:15:37 | |
There is no minibar! | 0:15:38 | 0:15:41 | |
-Are you going to be all right, Mary? -Oh, we'll be fine. | 0:15:41 | 0:15:45 | |
Could I have room service, please? This is Jefferson Steel. Hello? Hello? | 0:15:49 | 0:15:52 | |
RECORDED MESSAGE: 'The number you have dialled has not been recognised.' | 0:15:52 | 0:15:55 | |
Oh! | 0:16:08 | 0:16:09 | |
It's 4:01 and we are not sleeping. | 0:16:10 | 0:16:15 | |
DOG GROWLS | 0:16:31 | 0:16:34 | |
Good doggy. | 0:16:37 | 0:16:39 | |
Eat, enjoy. | 0:16:39 | 0:16:41 | |
Now, where is that bathroom? | 0:16:45 | 0:16:47 | |
BOTH YELP | 0:16:52 | 0:16:53 | |
Oh, why... Oh, Mr Steel, this is a bit sudden. | 0:16:53 | 0:16:58 | |
I was just looking for the... I needed to... I... | 0:16:58 | 0:17:02 | |
-Yes? -Forget it. | 0:17:02 | 0:17:04 | |
-THUMP -Ow! Damn it. | 0:17:19 | 0:17:21 | |
COCK CROWS | 0:17:23 | 0:17:25 | |
DOG WHIMPERS | 0:17:25 | 0:17:27 | |
So, how do you think film stars like their fried bread, Monty? Hmm? Hmm? | 0:17:33 | 0:17:37 | |
Not too burnt. You're probably right. Would you like this? | 0:17:37 | 0:17:41 | |
So, what's he like? | 0:17:42 | 0:17:44 | |
Well, he is very handsome. | 0:17:46 | 0:17:48 | |
Good for his age, well preserved. | 0:17:48 | 0:17:51 | |
-You are just jealous. -Apparently, he's a sexaholic. | 0:17:52 | 0:17:57 | |
I read it in a magazine. He's insatiable. Anything in a skirt. | 0:17:57 | 0:18:01 | |
-Really? -Mmm. | 0:18:01 | 0:18:03 | |
-THUMP -Oh! Damn it! | 0:18:04 | 0:18:07 | |
-Morning, Mr Steel. -Mmm-hmm. | 0:18:23 | 0:18:25 | |
And what can I get you? | 0:18:25 | 0:18:28 | |
I think a suite at the Four Seasons would be nice, | 0:18:28 | 0:18:31 | |
and possibly a new pair of boots. | 0:18:31 | 0:18:34 | |
The full English? | 0:18:35 | 0:18:39 | |
I want a glass of guava juice, egg white frittata with brocollini, | 0:18:39 | 0:18:44 | |
rice, cheese and peppers, and a non-fat latte. | 0:18:44 | 0:18:48 | |
And toast? | 0:18:50 | 0:18:51 | |
-How's King Lear this morning? -I think he might be missing sex. | 0:19:06 | 0:19:09 | |
-Still grumpy? -Not as grumpy as when he finds out | 0:19:09 | 0:19:12 | |
I haven't got any guavalini, frittata juice or egg-white lattes. | 0:19:12 | 0:19:15 | |
No, don't tell him. | 0:19:17 | 0:19:19 | |
Good morning, Mr Steel. | 0:19:20 | 0:19:22 | |
-It's you again. -Dorothy. | 0:19:24 | 0:19:26 | |
Dorothy. | 0:19:26 | 0:19:28 | |
Would you tell your people that I'm just not happy with the accommodations? | 0:19:28 | 0:19:33 | |
Mary, apparently Mr Steel isn't happy with the accommodation. | 0:19:33 | 0:19:37 | |
Well, I'm very sorry, but he's in the best room I've got. | 0:19:37 | 0:19:40 | |
The management is very sorry, Mr Steel, | 0:19:40 | 0:19:42 | |
but apparently you are occupying the best room available. | 0:19:42 | 0:19:45 | |
-HE CHUCKLES -You are joking, right? | 0:19:45 | 0:19:49 | |
Are you joking, Mary? No, she's not joking. | 0:19:49 | 0:19:53 | |
Oh. | 0:19:53 | 0:19:54 | |
Well, we have to set off, Mr Steel. Rehearsal begins in five minutes. | 0:19:54 | 0:19:58 | |
Tell the car to wait. | 0:19:58 | 0:20:00 | |
-Where's the car? -Oh, it's only a little walk from here. | 0:20:05 | 0:20:08 | |
We don't walk in LA. | 0:20:08 | 0:20:10 | |
I don't want to be unreasonable, but I do have a few basic requirements. | 0:20:13 | 0:20:19 | |
Of course. | 0:20:19 | 0:20:20 | |
I want a warm, warm trailer... | 0:20:21 | 0:20:25 | |
..with a minibar, satellite TV and a hot tub. | 0:20:26 | 0:20:30 | |
-Is that all? -No. | 0:20:31 | 0:20:33 | |
I also get a personal trainer and a spiritual healer on call 24/7. | 0:20:33 | 0:20:39 | |
I'll see what I can do. Anything else? | 0:20:39 | 0:20:43 | |
Yes. Can you do something about this... | 0:20:43 | 0:20:47 | |
..weather? | 0:20:48 | 0:20:50 | |
Apparently not. | 0:20:52 | 0:20:54 | |
Where the hell is this place? | 0:20:57 | 0:21:00 | |
-We're here. This is it. -This is what? | 0:21:00 | 0:21:04 | |
Oh, my God! SHE SQUEALS | 0:21:04 | 0:21:07 | |
You're here, you're really here! | 0:21:09 | 0:21:11 | |
-This is my daughter, Verity. -I knew he'd come. I told you he'd come. | 0:21:11 | 0:21:15 | |
Darling, you shouldn't be outside without a coat, you'll catch a cold. | 0:21:15 | 0:21:18 | |
Oh, please, Mum. Like, I'm sure Jefferson Steel | 0:21:18 | 0:21:21 | |
is interested in my health problems. | 0:21:21 | 0:21:23 | |
SHE SQUEALS Oh, my God! | 0:21:24 | 0:21:27 | |
-Verity has a lot of allergies and she's prone to... -She's right. I'm not really interested. | 0:21:27 | 0:21:31 | |
You really are getting into the part, aren't you? | 0:21:32 | 0:21:35 | |
Ladies and gentlemen, Mr Jefferson Steel. | 0:21:35 | 0:21:39 | |
CHEERING AND APPLAUSE | 0:21:39 | 0:21:42 | |
There is nothing more humbling to an actor | 0:21:48 | 0:21:51 | |
than to receive the approbation of his fellow actors. | 0:21:51 | 0:21:55 | |
May I introduce Frank Dobbins, who is playing the Earl of Gloucester. | 0:21:55 | 0:21:59 | |
Wotcha! | 0:21:59 | 0:22:01 | |
-Janine Jarvis, who is playing Regan. -Hiya. | 0:22:01 | 0:22:04 | |
Hey. | 0:22:04 | 0:22:05 | |
-Kevin Patel, who is Edmund. -Respect, man. | 0:22:05 | 0:22:09 | |
Rupert Twisk, who is playing the Duke of Cornwall. | 0:22:09 | 0:22:12 | |
Am I? Oh, brilliant. | 0:22:12 | 0:22:14 | |
-And Edgar. -Oh, shit. | 0:22:14 | 0:22:16 | |
Verity Nettle is your loving daughter, Cordelia. | 0:22:16 | 0:22:19 | |
Hello, again. | 0:22:19 | 0:22:21 | |
And, of course, Nigel Dewberry, who will be giving us his Earl of Kent. | 0:22:21 | 0:22:26 | |
The privilege is all mine. | 0:22:26 | 0:22:29 | |
-Could I speak to you for just a moment? -Yes, of course. | 0:22:29 | 0:22:32 | |
I... | 0:22:32 | 0:22:34 | |
I don't recognise any of these people. | 0:22:38 | 0:22:41 | |
I mean, where's Judi Dench? Where's Kenny Branagh? | 0:22:41 | 0:22:45 | |
-Just throw in one of the Redgraves. -All otherwise engaged, I'm afraid. | 0:22:45 | 0:22:50 | |
-I need to talk to the director. -You are. | 0:22:53 | 0:22:55 | |
-You're the director? -Yes, I am. | 0:22:57 | 0:22:59 | |
-I thought you were the driver. -Well, I'm that too. | 0:22:59 | 0:23:02 | |
She's also playing the fool. | 0:23:02 | 0:23:04 | |
But as director, I'd like to get cracking with the rehearsal, OK? | 0:23:04 | 0:23:09 | |
-This dump isn't the rehearsal hall, is it? -No, of course not. | 0:23:09 | 0:23:12 | |
Oh, thank God. | 0:23:12 | 0:23:14 | |
This is our theatre. | 0:23:14 | 0:23:16 | |
-Here? -Well, actually, no. | 0:23:18 | 0:23:21 | |
Down there. | 0:23:25 | 0:23:26 | |
A poor thing, but our own. | 0:23:30 | 0:23:33 | |
What has the Royal Shakespeare Company come to? | 0:23:35 | 0:23:38 | |
The Royal Shakespeare Company? | 0:23:39 | 0:23:41 | |
My agent said I was going to do Lear at Stratford. | 0:23:43 | 0:23:48 | |
-And so you are. -Yes. We are The Stratford Players. | 0:23:48 | 0:23:52 | |
-Where Shakespeare was born, right? -Well, no, not... Not exactly. | 0:23:53 | 0:23:58 | |
You see, this is Stratford, it just isn't upon-Avon. | 0:23:58 | 0:24:02 | |
-This is Stratford St John. -Sinjun. | 0:24:02 | 0:24:06 | |
In Suffolk. We're just a small amateur theatre group. | 0:24:06 | 0:24:11 | |
-HE SHOUTS: -Charlie! | 0:24:23 | 0:24:25 | |
I'm going to kill Charlie Rosenberg, | 0:24:28 | 0:24:30 | |
and then I'm going to have him revived and then I'm going to kill him again. | 0:24:30 | 0:24:33 | |
I did explain all this in the letter. | 0:24:33 | 0:24:35 | |
The council have cut our funding | 0:24:35 | 0:24:37 | |
and unless we can raise the money, we're going to have to close. | 0:24:37 | 0:24:39 | |
A big name means big sponsorship and big publicity. | 0:24:39 | 0:24:42 | |
You're going to save our theatre. | 0:24:42 | 0:24:45 | |
Sorry to disappoint you, young lady, | 0:24:45 | 0:24:48 | |
but I'm not in the business of doing charity gigs. | 0:24:48 | 0:24:52 | |
But you promised. | 0:24:52 | 0:24:53 | |
It was on the news. You were really inspiring. | 0:24:53 | 0:24:56 | |
"Theatre's in my blood" and all that stuff. It was jolly moving. | 0:24:56 | 0:24:59 | |
I was acting, you idiot. | 0:24:59 | 0:25:01 | |
What the hell is the matter with this thing? I can't get LA. | 0:25:03 | 0:25:06 | |
You can't even get Luton, mate. | 0:25:06 | 0:25:08 | |
There's no signal round here. We're in a black hole. | 0:25:08 | 0:25:11 | |
There's a public telephone thingy down the lane by the pub. | 0:25:11 | 0:25:13 | |
But you'll need some coins, though. | 0:25:13 | 0:25:15 | |
Verity, go and get the "Save the theatre" swear box. | 0:25:15 | 0:25:18 | |
I'm not here to save your fucking theatre. | 0:25:18 | 0:25:21 | |
PHONE RINGS | 0:25:24 | 0:25:26 | |
-'Charlie!' -Jesus, Jefferson, what's going on? | 0:25:33 | 0:25:37 | |
I'm on a pig farm. | 0:25:37 | 0:25:41 | |
Jesus, Jefferson, it's two in the morning. | 0:25:41 | 0:25:44 | |
You booked me into the wrong Stratford, you idiot! | 0:25:44 | 0:25:50 | |
This is Stratford-on-Pig Farm. | 0:25:50 | 0:25:53 | |
Yeah, yeah, I'm sorry about that, I really am. | 0:25:53 | 0:25:56 | |
But you're getting great coverage. | 0:25:56 | 0:25:58 | |
-Get me out of here! Now! -I can't do that, Jefferson. | 0:25:58 | 0:26:02 | |
The story's too big. It would finish you. | 0:26:02 | 0:26:04 | |
So, you're telling me there's something worse | 0:26:04 | 0:26:07 | |
than working on a pig farm with a bunch of amateurs?! | 0:26:07 | 0:26:11 | |
PHONE SLAMS, DIAL TONE | 0:26:11 | 0:26:13 | |
A bunch of amateurs is waiting. | 0:26:16 | 0:26:19 | |
Shall we head back? | 0:26:19 | 0:26:20 | |
It's an easy mistake to make, Mr Steel. | 0:26:23 | 0:26:27 | |
There are several Stratfords in Britain. | 0:26:27 | 0:26:30 | |
Stratford-upon-Avon, of course. That's in Warwickshire. | 0:26:30 | 0:26:33 | |
Then there's Stratford in East London. | 0:26:33 | 0:26:36 | |
Stratford Tony in Wiltshire. | 0:26:36 | 0:26:37 | |
Yes, thank you both. I think Mr Steel gets the picture. | 0:26:37 | 0:26:39 | |
Stratford St Agnes in Somerset. | 0:26:39 | 0:26:42 | |
Stratford St Andrew, Stratford St Mary... | 0:26:42 | 0:26:45 | |
Excuse me... | 0:26:47 | 0:26:49 | |
-Frank. -..Frank. | 0:26:50 | 0:26:52 | |
Would you do me a favour, Frank? | 0:26:54 | 0:26:56 | |
Shut the fuck up. | 0:26:57 | 0:26:59 | |
-Oh, sorry. Sorry I'm late, Dot. -No, you're OK. | 0:27:02 | 0:27:05 | |
Just had to go into town, get some guava juice. | 0:27:05 | 0:27:08 | |
Right! So, Mr Steel, shall we give it a whirl? | 0:27:14 | 0:27:19 | |
I wonder, Dorothy, if we could have a word? | 0:27:19 | 0:27:22 | |
We've sort of had a clever idea for when Gloucester has his eyes gouged out. | 0:27:22 | 0:27:26 | |
Well, maybe later? OK. | 0:27:26 | 0:27:29 | |
Right, everyone, we're going to pick it up from Act 1, Scene 1 | 0:27:29 | 0:27:32 | |
just after Gloucester's exit. | 0:27:32 | 0:27:34 | |
Everyone should probably remember where they were. | 0:27:34 | 0:27:37 | |
Cornwall and Albany were this side, | 0:27:37 | 0:27:40 | |
and Danny and Tai, I think we had the two guards at the back, if you remember. OK! | 0:27:40 | 0:27:45 | |
OK, here we go. | 0:27:45 | 0:27:48 | |
Let's take it from the top of Lear's first big speech. | 0:27:48 | 0:27:52 | |
In your own time, Mr Steel. | 0:27:53 | 0:27:55 | |
Give me the map there. | 0:27:57 | 0:27:59 | |
You see, that's a problem. | 0:28:03 | 0:28:05 | |
I mean, right away I ask, "Give me the map," nobody gives me a map. | 0:28:05 | 0:28:09 | |
The whole thing's turning to shit here. | 0:28:09 | 0:28:12 | |
Couldn't you just pretend for now? | 0:28:12 | 0:28:14 | |
It's called acting. | 0:28:14 | 0:28:15 | |
Give me the map. | 0:28:19 | 0:28:21 | |
Know that we have divided in three our kingdom | 0:28:23 | 0:28:26 | |
and 'tis our fast intent to shake all cares and business from our age... | 0:28:26 | 0:28:30 | |
-HE MUTTERS QUICKLY: -conferring them on younger strengths, while we, | 0:28:30 | 0:28:33 | |
Unburthen'd, crawl towards death. | 0:28:33 | 0:28:34 | |
Interest of territory, cares of state... Etcetera, etcetera. | 0:28:34 | 0:28:38 | |
Where nature doth with merit challenge. | 0:28:38 | 0:28:41 | |
Gon... Gon... Gon... | 0:28:41 | 0:28:43 | |
-Gon... -Goneril. | 0:28:44 | 0:28:47 | |
That's me, and she's the one who says she loves you, but doesn't really. | 0:28:47 | 0:28:52 | |
Though that's obviously only the character, not in real life. | 0:28:52 | 0:28:55 | |
That's not to say that I don't like you in... | 0:28:55 | 0:28:58 | |
No, but that's not... | 0:29:00 | 0:29:03 | |
Your point is? | 0:29:03 | 0:29:04 | |
The point is that Mary's character is pronounced "Gon-er-il". | 0:29:04 | 0:29:09 | |
Well, you do know the play, Mr Steel. | 0:29:09 | 0:29:10 | |
Oh, yes, I know it. It's about a man whose three daughters drive him nuts. | 0:29:10 | 0:29:17 | |
And you've read it? | 0:29:17 | 0:29:19 | |
I like to start | 0:29:20 | 0:29:23 | |
with a blank canvas. | 0:29:23 | 0:29:24 | |
You haven't read it. | 0:29:27 | 0:29:29 | |
I'm sorry I had to put my foot down, but it's the law here. | 0:29:36 | 0:29:40 | |
You're not allowed to smoke in a public building. | 0:29:40 | 0:29:43 | |
-It's hardly even a barn. -Besides, Verity's allergic to the smoke. | 0:29:44 | 0:29:49 | |
It was her idea to write you in the first place. | 0:29:54 | 0:29:57 | |
We were desperate. | 0:29:58 | 0:30:00 | |
Thanks. | 0:30:01 | 0:30:03 | |
She seems to think you're wonderful. | 0:30:03 | 0:30:06 | |
-She's a very bright kid. -She is. | 0:30:07 | 0:30:10 | |
She's even read the play. | 0:30:12 | 0:30:15 | |
You know what happened to the last director who thought they were smarter than me? | 0:30:15 | 0:30:19 | |
They won an Oscar? | 0:30:20 | 0:30:22 | |
That's funny. | 0:30:23 | 0:30:25 | |
No wonder you're playing the fool. | 0:30:26 | 0:30:28 | |
Shall we go back? | 0:30:29 | 0:30:31 | |
Do I have a choice? | 0:30:31 | 0:30:33 | |
That's the spirit. | 0:30:33 | 0:30:35 | |
Lead on, Macduff. | 0:30:38 | 0:30:39 | |
I here disclaim all my paternal care... | 0:30:42 | 0:30:46 | |
propinquity and property of blood, | 0:30:46 | 0:30:49 | |
and as a stranger to my heart and me. | 0:30:49 | 0:30:53 | |
hold thee, from this, for ever. | 0:30:53 | 0:30:57 | |
Give it a rest, Nigel. Can you get us a packet of pork scratchings? | 0:30:57 | 0:31:01 | |
Well, I'm sorry, but it's not fair. | 0:31:01 | 0:31:03 | |
I should be Lear. It's every actor's dream. | 0:31:03 | 0:31:07 | |
You is a lawyer, Nige. Accept it, yeah? | 0:31:07 | 0:31:10 | |
But, I mean, he's so stilted and wooden. | 0:31:10 | 0:31:13 | |
I mean, what has Jefferson Steel got that I haven't? | 0:31:13 | 0:31:16 | |
Good looks, money, fame, a Beverly Hills mansion... How long have you got? | 0:31:16 | 0:31:21 | |
-Well, where is he, then? -He's having some extra rehearsals with Dorothy. | 0:31:21 | 0:31:24 | |
He'll need all the rehearsals he can get, because let's face it, he's no Laurence Olivier. | 0:31:24 | 0:31:29 | |
In fact, he might even be the first actor in history that's actually too old to play Lear. | 0:31:29 | 0:31:34 | |
-He'd make a damn good Yorick. -Who's Yorick? | 0:31:34 | 0:31:37 | |
The skull in Hamlet. | 0:31:37 | 0:31:40 | |
-Harsh. -But fair. | 0:31:40 | 0:31:41 | |
That is unfair. I think you're all being very cruel. | 0:31:41 | 0:31:45 | |
It is early days, and we shouldn't make any rash judgements. | 0:31:45 | 0:31:48 | |
Because he is totally fantastic. | 0:31:48 | 0:31:51 | |
Mary, you're dribbling. | 0:31:52 | 0:31:55 | |
Maybe you should think more about your motivation. | 0:31:59 | 0:32:02 | |
-How do you like Stratford, Mr Steel? -It's not what I expected. | 0:32:02 | 0:32:07 | |
How are you coping with King Lear? | 0:32:07 | 0:32:09 | |
Your daughter, Amanda, thinks it's perfect casting. | 0:32:09 | 0:32:11 | |
-You talked to my daughter? -Oh, yeah. She said, and I quote, | 0:32:11 | 0:32:14 | |
"Lear is an arrogant egomaniac and a lousy father..." | 0:32:14 | 0:32:16 | |
Excuse me, gentlemen. Mr Steel has had a long and exhausting day in rehearsal | 0:32:16 | 0:32:19 | |
and now has an important meeting to attend. | 0:32:19 | 0:32:21 | |
THEY ALL TALK AT ONCE | 0:32:21 | 0:32:23 | |
Thank you very much. | 0:32:23 | 0:32:25 | |
No, no, no, we really have got a meeting. With a sponsor. | 0:32:25 | 0:32:28 | |
He paid for your flights and all the production costs, so please be nice to him. | 0:32:28 | 0:32:33 | |
-Yeah. -Jefferson, this is Mike Bell, managing director of Anglian Breweries. | 0:32:33 | 0:32:40 | |
-Pleased to meet you, Jeff. -Thank you. | 0:32:40 | 0:32:43 | |
This is Lauren, my wife. | 0:32:43 | 0:32:45 | |
Hello. You're obviously not in beer. | 0:32:47 | 0:32:50 | |
No, Lauren is a fitness instructor. | 0:32:50 | 0:32:53 | |
I'm a big fan of yours, Mr Steel. | 0:32:53 | 0:32:55 | |
Well, that makes two of us. | 0:32:55 | 0:32:57 | |
Jefferson was asking if there was a way to tie the show in with your product. | 0:33:00 | 0:33:04 | |
-I was? -Mmm-hmm. -I'm ahead of you, Jeff. May I introduce King Beer. | 0:33:04 | 0:33:11 | |
THEY LAUGH | 0:33:11 | 0:33:15 | |
-It's like King Lear, you see? -I get it. | 0:33:15 | 0:33:17 | |
Go on, get it down you. The finest ale this side of Royston. | 0:33:17 | 0:33:22 | |
Right. | 0:33:24 | 0:33:25 | |
HE SPITS | 0:33:29 | 0:33:30 | |
Jetlag. | 0:33:32 | 0:33:33 | |
Do you deliberately set out to offend people? | 0:33:36 | 0:33:38 | |
No, it just comes natural. | 0:33:38 | 0:33:40 | |
-Hello. -Hello. | 0:33:41 | 0:33:43 | |
Except when they're pretty blondes. | 0:33:45 | 0:33:47 | |
COCK CROWS | 0:33:47 | 0:33:49 | |
It's so long. | 0:33:57 | 0:33:59 | |
Here we are, Mr Steel. Everything you asked for. | 0:33:59 | 0:34:04 | |
I don't have time for breakfast. I've got to find Dorothy. | 0:34:06 | 0:34:11 | |
Well, here's a fancy, Beverly-Hills-style breakfast for you. | 0:34:15 | 0:34:19 | |
Don't you start getting picky on me. | 0:34:23 | 0:34:26 | |
Next thing, you'll be suggesting that your people talk to my people. | 0:34:26 | 0:34:30 | |
Well, I don't have any people. | 0:34:30 | 0:34:32 | |
Dorothy. | 0:34:56 | 0:34:58 | |
Jefferson. Good morning. | 0:34:59 | 0:35:01 | |
I have some issues. | 0:35:01 | 0:35:03 | |
-Issues? -Mmm-hmm. | 0:35:03 | 0:35:05 | |
To be honest, I think this needs a rewrite. | 0:35:07 | 0:35:10 | |
-But this is Shakespeare. -Well, nobody's perfect. | 0:35:10 | 0:35:13 | |
I say we cut two acts, give it a happy ending. | 0:35:14 | 0:35:17 | |
We're going to do the play as written. | 0:35:17 | 0:35:20 | |
You never heard of improvisation? | 0:35:20 | 0:35:21 | |
You can't improvise Shakespeare. | 0:35:21 | 0:35:24 | |
How would we do the scene on the heath? | 0:35:24 | 0:35:26 | |
We're not doing the scene on the heath. | 0:35:26 | 0:35:29 | |
I don't do crazy. | 0:35:29 | 0:35:31 | |
Do I detect a hint of panic? All those words, all that acting. | 0:35:32 | 0:35:36 | |
I don't panic. | 0:35:36 | 0:35:38 | |
Where is everybody? Why aren't we rehearsing? | 0:35:38 | 0:35:41 | |
Well, it's a weekday. Everyone's got proper jobs. | 0:35:41 | 0:35:44 | |
We'll rehearse again this evening. | 0:35:44 | 0:35:46 | |
Well, what am I going to do all day? I'd be in my trailer, but I don't have a trailer. | 0:35:46 | 0:35:52 | |
Well, you could always help out here at the library. | 0:35:52 | 0:35:55 | |
Mmm. | 0:35:55 | 0:35:57 | |
I think I'll take a stroll. | 0:35:57 | 0:35:59 | |
OK. | 0:36:01 | 0:36:03 | |
Jeff, it's you! Mate, it's you. It's you, Jeff! | 0:36:15 | 0:36:19 | |
Morning, Jefferson! | 0:36:19 | 0:36:21 | |
Morning. Hello. | 0:36:21 | 0:36:24 | |
-Oh, hang on a minute. -Oh! | 0:36:31 | 0:36:34 | |
Yoo-hoo! | 0:36:34 | 0:36:35 | |
Hello? | 0:36:37 | 0:36:38 | |
There goes our local celebrity. | 0:36:40 | 0:36:43 | |
Trying to act inconspicuous. | 0:36:43 | 0:36:46 | |
Hi! | 0:36:46 | 0:36:47 | |
Singularly failing. | 0:36:47 | 0:36:49 | |
No pictures, please. | 0:36:56 | 0:36:58 | |
I've just taken a tour of downtown. | 0:37:13 | 0:37:16 | |
I've killed three minutes. What do I do now? | 0:37:17 | 0:37:20 | |
Young man? Have you got any books on herbaceous borders? | 0:37:20 | 0:37:25 | |
Do I look like a librarian? | 0:37:25 | 0:37:27 | |
-No. -Are you saying I can't do librarian? | 0:37:28 | 0:37:32 | |
Now, let me see. "Herbaceous." That would be under "H". | 0:37:35 | 0:37:39 | |
He seems very nice. Is he taken? | 0:37:39 | 0:37:42 | |
Cornwall and Albany | 0:37:46 | 0:37:48 | |
With my two daughters' dowers digest the third. | 0:37:48 | 0:37:51 | |
I do invest you jointly with my power, | 0:37:51 | 0:37:54 | |
Pre-eminence and all... | 0:37:54 | 0:37:56 | |
You have to admit, he has got such charisma. | 0:37:56 | 0:37:59 | |
Oh, God. Well, where is it, then? | 0:37:59 | 0:38:02 | |
..of a hundred knights... | 0:38:02 | 0:38:04 | |
He's getting to know the character, Janine, it doesn't happen overnight. | 0:38:04 | 0:38:08 | |
He's the same with me at home, tip-toeing around me, being polite. | 0:38:08 | 0:38:12 | |
Well, not polite, exactly, but you know... | 0:38:12 | 0:38:15 | |
-You know what I mean. Feeling his way. -You wish. | 0:38:15 | 0:38:19 | |
Tenner says he'll jack it in within the week. | 0:38:20 | 0:38:22 | |
-20 says he won't last three days. -You're on. | 0:38:22 | 0:38:25 | |
-Quiet! Shh! -Sorry. | 0:38:25 | 0:38:27 | |
Royal Lear, whom I have ever honour'd as my king, | 0:38:27 | 0:38:31 | |
Loved as my father, as my master follow'd, | 0:38:31 | 0:38:35 | |
As my great patron thought on in my prayers... | 0:38:35 | 0:38:39 | |
Why does he talk like that? Why can't we talk like real people? | 0:38:40 | 0:38:43 | |
I am playing in the manner the Bard intended. | 0:38:43 | 0:38:47 | |
In the way the plays have been performed throughout the ages | 0:38:48 | 0:38:50 | |
by all the great men of our theatre, Olivier, Gielgud, Richardson. | 0:38:50 | 0:38:56 | |
How about someone still alive? | 0:38:56 | 0:38:59 | |
Yeah, OK, I'll do the directing. Thank you, both. | 0:38:59 | 0:39:02 | |
Nigel, I think it's important to remember that Kent is Lear's friend. | 0:39:02 | 0:39:06 | |
-It needs to be warm. -Oh, God. | 0:39:06 | 0:39:09 | |
And, Jefferson, I think that Lear needs a bit more... | 0:39:09 | 0:39:13 | |
-passion. -Yes, if only. | 0:39:13 | 0:39:15 | |
I mean, he's reading it like a bloody shopping list. | 0:39:15 | 0:39:19 | |
Nigel? How many movies have you made? | 0:39:19 | 0:39:23 | |
How many movies with your name above the title? | 0:39:23 | 0:39:26 | |
How many love scenes have you played with gorgeous starlets? | 0:39:26 | 0:39:30 | |
I don't think many. | 0:39:30 | 0:39:31 | |
Bravo! | 0:39:31 | 0:39:33 | |
The Suffolk Herald hailed my Malvolio as definitive. | 0:39:33 | 0:39:39 | |
I rest my case. | 0:39:39 | 0:39:41 | |
Well, I defer to the director. | 0:39:41 | 0:39:44 | |
I think there is a definitive performance lying somewhere between | 0:39:44 | 0:39:50 | |
Californian realism and English mellifluence. | 0:39:50 | 0:39:56 | |
Yes, well, I expected rather more support than that, Dorothy. | 0:39:56 | 0:40:01 | |
I do have a certain reputation. | 0:40:01 | 0:40:03 | |
And I'm sorry, but I won't be treated like this. | 0:40:03 | 0:40:05 | |
I shall leave while you reconsider your position. | 0:40:05 | 0:40:08 | |
Nigel. | 0:40:08 | 0:40:09 | |
You're acting like an ass. | 0:40:11 | 0:40:13 | |
If anybody's going to be an ass around here, it's going to be me. I'm leaving. | 0:40:13 | 0:40:18 | |
Not before me. | 0:40:18 | 0:40:20 | |
I can slam the door louder! | 0:40:26 | 0:40:29 | |
ALL: Oh! | 0:40:31 | 0:40:33 | |
Charlie, listen to me. I've got more lines in this play than I had in my entire motion picture career. | 0:40:39 | 0:40:44 | |
Yeah, but they're such good ones. | 0:40:44 | 0:40:46 | |
Listen, you putz, you didn't tell me I was doing Lear. | 0:40:46 | 0:40:50 | |
-I did. -No, you told me Lear, | 0:40:50 | 0:40:52 | |
but you didn't tell me Shakespeare's Lear! | 0:40:52 | 0:40:56 | |
It could be the end of my career. | 0:40:56 | 0:40:59 | |
You know what else? I'm looking out my window at sheep. | 0:40:59 | 0:41:02 | |
Well, I hear you get a good leg of lamb out there. | 0:41:02 | 0:41:05 | |
I'm scared, Charlie. | 0:41:05 | 0:41:07 | |
Well, that's good. You're... You're doing scared really well. | 0:41:07 | 0:41:11 | |
I can't hear you, it's a bad connection. | 0:41:11 | 0:41:14 | |
'Talk to you a month from now.' | 0:41:14 | 0:41:16 | |
-Jefferson, it's Dorothy. -I'm packing. | 0:41:24 | 0:41:27 | |
We are all so sorry about last night. | 0:41:32 | 0:41:35 | |
The whole company is distraught. No-one's talking to Nigel. | 0:41:35 | 0:41:39 | |
I'm still packing. | 0:41:39 | 0:41:41 | |
We'd like to make it up to you. | 0:41:43 | 0:41:45 | |
-Where are we going? -Nearly there, Mr Steel. | 0:41:47 | 0:41:50 | |
Even when the sun is out, I'm freezing to death. | 0:41:52 | 0:41:55 | |
Oh, come along. | 0:41:55 | 0:41:56 | |
Oh. | 0:41:57 | 0:41:58 | |
Ta-da! Your trailer, sir. | 0:42:01 | 0:42:03 | |
That's better. | 0:42:07 | 0:42:09 | |
Your home away from home, Mr Steel. | 0:42:14 | 0:42:16 | |
The pub donated the jukebox, Mary supplied the sofa. | 0:42:16 | 0:42:20 | |
Kevin provided your minibar, and Frank provided the television. | 0:42:20 | 0:42:24 | |
You have to fiddle with the dish a bit. It's got to point 28 degrees east, | 0:42:24 | 0:42:28 | |
which can be a bit tricky when the wind gets up. | 0:42:28 | 0:42:31 | |
So, what, no hot tub? | 0:42:31 | 0:42:32 | |
I've cleaned it out completely. It shouldn't be whiffy at all. | 0:42:35 | 0:42:39 | |
You have me for another rehearsal. | 0:42:43 | 0:42:46 | |
What did you do with all the books? | 0:42:49 | 0:42:51 | |
What happened to the handsome one? | 0:43:00 | 0:43:02 | |
Oh! | 0:43:05 | 0:43:07 | |
-Sorry. -Hey, Amanda! Long time, no see. We should do lunch. | 0:43:08 | 0:43:15 | |
-That's why I'm here, remember? -Right. | 0:43:15 | 0:43:18 | |
So, how's business, Charlie? | 0:43:19 | 0:43:22 | |
You know, it's up, it's down. | 0:43:22 | 0:43:24 | |
How about you? You working? | 0:43:25 | 0:43:28 | |
I just got a call for an independent movie. A modern dress version of Sense And Sensibility. | 0:43:28 | 0:43:32 | |
The director saw me in Pride And Prejudice. | 0:43:32 | 0:43:34 | |
Oh, way to go! | 0:43:34 | 0:43:36 | |
You know, your dad would be thrilled. He's always been very proud of you. | 0:43:36 | 0:43:40 | |
Really? He never mentioned it to me. | 0:43:40 | 0:43:43 | |
Sorry. | 0:43:44 | 0:43:45 | |
Flip it. | 0:43:47 | 0:43:48 | |
-Are you going to be OK, Charlie? -I'll be great. | 0:43:48 | 0:43:52 | |
This is the future, Amanda. All agents will have offices like this. | 0:43:52 | 0:43:56 | |
This is better than the paperless office. | 0:43:56 | 0:43:58 | |
This is the office-less office. | 0:43:58 | 0:44:01 | |
Come, let's away to prison. | 0:44:03 | 0:44:06 | |
We two alone will sing like birds in the cage. | 0:44:07 | 0:44:12 | |
When thou dost ask me blessing... | 0:44:13 | 0:44:15 | |
..I'll kneel down, | 0:44:17 | 0:44:18 | |
And ask of thee forgiveness. | 0:44:18 | 0:44:19 | |
So we'll... We'll... | 0:44:20 | 0:44:23 | |
Live, and pray, and sing. | 0:44:25 | 0:44:27 | |
Live, and pray, and sing. | 0:44:28 | 0:44:31 | |
Oh, for heaven's sake! | 0:44:31 | 0:44:33 | |
I mean, are we going to have this on the opening night, eh? | 0:44:33 | 0:44:35 | |
Are we going to have Verity playing Cordelia AND Lear? | 0:44:35 | 0:44:39 | |
Some of us have a lot of lines to learn. | 0:44:39 | 0:44:43 | |
Dorothy, would now be a good time to talk about | 0:44:45 | 0:44:48 | |
our scene where Gloucester gets his eyes put out? | 0:44:48 | 0:44:51 | |
-Yes, OK. -OK. Fine. | 0:44:51 | 0:44:53 | |
Out, vile jelly! Where is thy lustre now? | 0:44:53 | 0:44:56 | |
HE SQUEALS | 0:44:56 | 0:44:58 | |
-What do you think? -I think I have to think about it. | 0:45:02 | 0:45:06 | |
As I was about to say, I would like everyone word-perfect by Sunday. | 0:45:09 | 0:45:16 | |
-THEY GASP Oh! -Sunday? | 0:45:16 | 0:45:17 | |
And I mean everyone. | 0:45:18 | 0:45:21 | |
Goneril, our eldest-born, speak first. | 0:45:24 | 0:45:28 | |
Sir, I do love you more than word can wield the matter. | 0:45:28 | 0:45:34 | |
Dearer than eyesight, space, and liberty. | 0:45:35 | 0:45:40 | |
Post speedily to my lord your husband, show him this letter. | 0:45:47 | 0:45:51 | |
The army of France is landed. | 0:45:51 | 0:45:54 | |
Seek out the traitor Gloucester. | 0:45:54 | 0:45:56 | |
-Then you say, "Hang him instantly." -PIG SQUEALS | 0:45:57 | 0:46:00 | |
..if this letter speed, | 0:46:02 | 0:46:04 | |
And my invention thrive... | 0:46:04 | 0:46:06 | |
Edmund the base | 0:46:06 | 0:46:07 | |
Shall top the legitimate. | 0:46:07 | 0:46:10 | |
I grow, I prosper. Now, gods, stand up for bastards! | 0:46:10 | 0:46:15 | |
Kevin Patel! | 0:46:16 | 0:46:18 | |
Sorry, Mum. | 0:46:18 | 0:46:20 | |
'Tis but the infirmity of his age. | 0:46:20 | 0:46:23 | |
Yet he hath ever but slenderly known himself. | 0:46:23 | 0:46:27 | |
Good, good. | 0:46:27 | 0:46:29 | |
I yet beseech your majesty, if for I want that glib and oily art | 0:46:29 | 0:46:34 | |
To speak and purpose not, | 0:46:34 | 0:46:36 | |
since what I well intend, I'll do it before I speak, that you make known. | 0:46:36 | 0:46:41 | |
It is no vicious blot | 0:46:41 | 0:46:43 | |
That hath deprived me of your grace and favour. | 0:46:43 | 0:46:46 | |
-Uh-huh. There you go, Verity. -Oh, great. | 0:46:46 | 0:46:48 | |
-Thank you, Ashley. -Bye-bye. -See you, Verity. -Bye, Verity. | 0:46:48 | 0:46:52 | |
Now I prithee, daughter, do not make me mad. | 0:46:55 | 0:46:59 | |
I will not trouble thee, my child. | 0:46:59 | 0:47:02 | |
Farewell. | 0:47:02 | 0:47:04 | |
We'll no more meet... | 0:47:04 | 0:47:06 | |
..no more see one another. | 0:47:07 | 0:47:12 | |
But yet thou art my flesh, my blood, my daughter. | 0:47:12 | 0:47:17 | |
So, can you eat this or are you going to explode? | 0:47:21 | 0:47:24 | |
I can eat most things. | 0:47:24 | 0:47:28 | |
Apart from wheat and dairy products, and shellfish and gluten. | 0:47:28 | 0:47:32 | |
And nuts, obviously, which could kill me or something equally dramatic. | 0:47:32 | 0:47:37 | |
-You're meant to feel sorry for me. -No, you can do that. | 0:47:40 | 0:47:45 | |
DOORBELL RINGS I'll get it. | 0:47:47 | 0:47:50 | |
I'm so sorry to disturb you, Dorothy, | 0:47:52 | 0:47:55 | |
but I have an announcement to make. I'm resigning from the production. | 0:47:55 | 0:47:59 | |
Not again! | 0:47:59 | 0:48:00 | |
This time it is a question of principle. | 0:48:01 | 0:48:03 | |
Oh, the principle being that you didn't get the best part? Oh, don't be so pompous, Nigel. | 0:48:03 | 0:48:08 | |
-Come in and have a drink. -But I am not being pompous. That appalling American! | 0:48:08 | 0:48:13 | |
He's an utter disgrace to the traditions of the amateur stage, | 0:48:13 | 0:48:16 | |
-to the noble name of The Stratford Players... -Sounds pompous to me. | 0:48:16 | 0:48:21 | |
Tell me about your mum. | 0:48:22 | 0:48:24 | |
Well, my dad left her when I was very young because he couldn't handle the commitment. | 0:48:25 | 0:48:31 | |
She was in the theatre, but then she gave it up to look after me. | 0:48:33 | 0:48:37 | |
You know, Dorothy, it was only for your sake | 0:48:40 | 0:48:42 | |
that I was prepared to humiliate myself to play the Earl of Kent. | 0:48:42 | 0:48:47 | |
It's a very difficult part, Nigel. You're the only one who can do it. | 0:48:47 | 0:48:52 | |
Do you really think so? | 0:48:52 | 0:48:54 | |
Do you remember that judge at the drama festival in Norwich? | 0:48:54 | 0:48:58 | |
Oh, no, I'm not sure, it was all such a long time ago. | 0:48:58 | 0:49:02 | |
One of the best Malvolios he'd seen. | 0:49:02 | 0:49:05 | |
"The best Malvolio ever in the history of the East Anglia Drama Festival" | 0:49:05 | 0:49:09 | |
were, I think, his exact words. | 0:49:09 | 0:49:11 | |
And that's why we need you. | 0:49:11 | 0:49:13 | |
Anyone can play Lear, but how many people can dazzle as Kent? | 0:49:13 | 0:49:18 | |
I can think of only one. | 0:49:19 | 0:49:22 | |
-You're not just saying that to get round me? -Would I? | 0:49:22 | 0:49:26 | |
-Now, I've got to go. -The gods reward your kindness! | 0:49:28 | 0:49:31 | |
I hope everyone's hungry. | 0:49:37 | 0:49:39 | |
I'm starving. | 0:49:40 | 0:49:42 | |
Jefferson's taking a breather from women at the moment. | 0:49:44 | 0:49:47 | |
-Aren't you, Jefferson? -Thanks, big mouth. | 0:49:47 | 0:49:50 | |
Apparently, the only woman in his life is his daughter. | 0:49:50 | 0:49:53 | |
She's not talking to me right now. | 0:49:53 | 0:49:56 | |
Is this where we're meant to feel sorry for you? | 0:49:56 | 0:49:59 | |
Touche. | 0:49:59 | 0:50:00 | |
-What does your daughter do? -Oh, Amanda's an actress, and she's really talented. | 0:50:01 | 0:50:06 | |
There was a time she used to think I was pretty good. | 0:50:06 | 0:50:09 | |
-What happened? -She grew up. | 0:50:09 | 0:50:12 | |
Is that the brewery man's wife with Jefferson? | 0:50:25 | 0:50:28 | |
Oh. Well, I expect she's part of the sponsorship package, | 0:50:29 | 0:50:33 | |
if you get my drift. | 0:50:33 | 0:50:35 | |
Yes, well, I can't wear Lycra, it brings me out in a rash. | 0:50:35 | 0:50:39 | |
Oh, never seen him quite so perky. | 0:50:40 | 0:50:43 | |
I wonder how long it will be before they're working out horizontally. | 0:50:43 | 0:50:46 | |
-Janine Jarvis, you have a filthy mind. -Mmm. | 0:50:46 | 0:50:49 | |
This isn't too much for you, is it, Mr Steel? | 0:50:54 | 0:50:57 | |
Of course not. Do I look like I've had enough? | 0:50:58 | 0:51:01 | |
No, no, no. Maybe a little. | 0:51:01 | 0:51:05 | |
-Ready to go again? -I don't know. | 0:51:05 | 0:51:08 | |
Hmm. | 0:51:10 | 0:51:11 | |
-Are you still OK? -I'm still hanging in there. | 0:51:14 | 0:51:17 | |
-Hi! -Hello. -Morning. | 0:51:17 | 0:51:19 | |
-Mum, you really think that's such a good idea? -What? | 0:51:19 | 0:51:22 | |
Having Lauren as Jefferson's personal trainer. | 0:51:22 | 0:51:26 | |
-Oh, really, Verity, you watch too much television. -I'm just saying. | 0:51:26 | 0:51:29 | |
-He's not my cup of tea. -I think you might be his. | 0:51:32 | 0:51:35 | |
Oh, don't be silly, Verity, he's too much in love with himself. | 0:51:35 | 0:51:38 | |
Besides, there is the little matter of age to consider. | 0:51:38 | 0:51:41 | |
Yeah, you are older than the women he usually goes for. | 0:51:41 | 0:51:43 | |
You are so rude. Who brought you up? | 0:51:44 | 0:51:48 | |
I spend too much time already pandering to that insufferable ego. | 0:51:48 | 0:51:51 | |
It's not his fault. | 0:51:51 | 0:51:53 | |
If you're treated like a king, you're going to end up behaving like one. | 0:51:53 | 0:51:57 | |
I think his heart's in the right place. | 0:51:58 | 0:52:01 | |
Let's just hope it holds out till opening night. | 0:52:02 | 0:52:05 | |
-Oh, that... Ooh! Ooh! -There? -Yeah, right there. | 0:52:05 | 0:52:09 | |
That's it, that's the spot. You got a big one here. | 0:52:09 | 0:52:11 | |
HE GROANS WITH PLEASURE | 0:52:11 | 0:52:14 | |
Oh, you're so stiff in there, Mr Steel. | 0:52:16 | 0:52:19 | |
Yeah. Oh, a little harder. A little harder. | 0:52:19 | 0:52:24 | |
And there they were, | 0:52:24 | 0:52:26 | |
Jefferson Steel and the brewer's wife in his bedroom, at it like knives. | 0:52:26 | 0:52:32 | |
I think it's disgusting. | 0:52:32 | 0:52:34 | |
Well, I'm shocked and disappointed, but I'm hardly surprised. | 0:52:34 | 0:52:37 | |
OK, everyone. Here we go. Let's pick it up from Act 1, Scene 3. | 0:52:37 | 0:52:41 | |
King Lear is dividing his time between his two daughters | 0:52:41 | 0:52:43 | |
and neither is happy with the domestic arrangements. | 0:52:43 | 0:52:46 | |
Yes, I know exactly how she feels. | 0:52:46 | 0:52:48 | |
OK, Mary? | 0:52:49 | 0:52:51 | |
By day and night he wrongs me. | 0:52:52 | 0:52:55 | |
Every hour he flashes into one gross crime or other | 0:52:55 | 0:52:58 | |
That sets us all at odds. I'll not endure it! | 0:52:58 | 0:53:01 | |
That's good, Mary, I can really feel your anger. | 0:53:01 | 0:53:05 | |
HE WHISTLES | 0:53:08 | 0:53:11 | |
I like to think of myself as broad-minded but I am not having that sort of thing going on under my roof. | 0:53:17 | 0:53:23 | |
What sort of thing? | 0:53:23 | 0:53:25 | |
Goodbye, Mr Steel. You have been a huge disappointment to me. | 0:53:25 | 0:53:30 | |
Where am I going to sleep? | 0:53:33 | 0:53:35 | |
You can sleep with one of your...floozies! | 0:53:35 | 0:53:39 | |
You never did like me, did you? | 0:53:45 | 0:53:47 | |
PHONE RINGS | 0:53:51 | 0:53:53 | |
Flint Farm. Bed and breakfast. | 0:53:58 | 0:54:00 | |
Jefferson Steel, please. This is his daughter, Amanda. | 0:54:00 | 0:54:03 | |
Mr Steel is no longer staying at this establishment. | 0:54:03 | 0:54:06 | |
We do try to uphold certain moral standards here, you know. | 0:54:06 | 0:54:09 | |
Excuse me? Do you know where I can reach him? | 0:54:10 | 0:54:14 | |
No, I have no idea where he is and nor do I wish to know. Goodnight. | 0:54:14 | 0:54:18 | |
Hello? | 0:54:18 | 0:54:20 | |
Hello? | 0:54:20 | 0:54:21 | |
Well, thank you very much. | 0:54:35 | 0:54:37 | |
I've just lost my Goneril. Mary is out of the play. | 0:54:37 | 0:54:40 | |
Good. She's out of her mind. | 0:54:40 | 0:54:42 | |
And I know all about you and Lauren! | 0:54:42 | 0:54:46 | |
Nothing happened. You don't know anything. | 0:54:46 | 0:54:50 | |
I know that, thanks to you, I've just lost a rather important member of my cast. | 0:54:50 | 0:54:54 | |
Yeah. | 0:54:54 | 0:54:55 | |
Me. I quit. | 0:54:56 | 0:54:58 | |
-I'm going home. -I've been waiting for this. | 0:54:59 | 0:55:01 | |
A celebrity tantrum. Well, maybe it's all for the best. | 0:55:01 | 0:55:05 | |
No, that's not your line. | 0:55:05 | 0:55:07 | |
You're supposed to say, "Please, Jefferson, stay." | 0:55:07 | 0:55:09 | |
No, no, no. No, I think you're doing the right thing. | 0:55:09 | 0:55:12 | |
I mean, obviously Lear is just too difficult for a film actor. | 0:55:12 | 0:55:15 | |
You can't cope with the verse, | 0:55:15 | 0:55:17 | |
and it is an awful lot of lines for someone your age. | 0:55:17 | 0:55:20 | |
So, fair enough. You gave it a go, but you're just not up to it. | 0:55:20 | 0:55:23 | |
I'll just have to find someone who is. Bye. | 0:55:23 | 0:55:26 | |
I guess I'm stuck in the stupid trailer. | 0:55:30 | 0:55:33 | |
Well, there's always my place if you don't mind the pigs. | 0:55:33 | 0:55:36 | |
Stupid trailer it is. | 0:55:36 | 0:55:38 | |
"Someone your age." | 0:55:53 | 0:55:55 | |
"Too difficult for a film star." | 0:55:58 | 0:56:02 | |
I am bound upon a wheel of fire, | 0:56:08 | 0:56:12 | |
which my own tears do... | 0:56:12 | 0:56:14 | |
Fuck it. | 0:56:21 | 0:56:22 | |
COCK CROWS | 0:56:31 | 0:56:34 | |
I do beseech you To understand my purposes aright. | 0:56:49 | 0:56:54 | |
As you are old and reverend, you should be wise. | 0:56:54 | 0:56:58 | |
Here do you have 100 knights and squires. | 0:56:58 | 0:57:02 | |
Men so disorder'd, so debauch'd and bold | 0:57:09 | 0:57:13 | |
That this our court, infected with their manners. | 0:57:13 | 0:57:16 | |
Thank you. | 0:57:21 | 0:57:23 | |
Shows like a riotous inn, | 0:57:23 | 0:57:25 | |
epicurism and lust | 0:57:25 | 0:57:27 | |
Makes it more like a tavern or a brothel | 0:57:27 | 0:57:31 | |
Than a graced palace. | 0:57:31 | 0:57:33 | |
Thank you, Mr Matthews. Very nice, we'll let you know. | 0:57:37 | 0:57:41 | |
-Is that it? -It was the best we could do at short notice. | 0:57:41 | 0:57:45 | |
Hello? | 0:57:48 | 0:57:49 | |
Am I too late? | 0:57:51 | 0:57:52 | |
-Good. -I'm telling you, nothing happened. | 0:57:53 | 0:57:55 | |
But you have to admit she is... She is cute. | 0:57:55 | 0:57:59 | |
And that's important, is it, for the part of Goneril? | 0:57:59 | 0:58:01 | |
It's important if she's the sponsor's wife. | 0:58:01 | 0:58:06 | |
-Ready. -Good point. | 0:58:06 | 0:58:09 | |
Hi. | 0:58:25 | 0:58:26 | |
I just wanted to say thanks for getting me the part. | 0:58:26 | 0:58:30 | |
Thank Dorothy. | 0:58:30 | 0:58:31 | |
Hey, if you ever need another workout... | 0:58:31 | 0:58:34 | |
I don't think so, thank you. I haven't quite recovered from the last one. | 0:58:34 | 0:58:39 | |
-SHE GIGGLES Oh, well, see you at rehearsal? -Right. | 0:58:39 | 0:58:44 | |
Ciao. | 0:58:44 | 0:58:45 | |
CAMERA SHUTTER CLICKS | 0:58:45 | 0:58:47 | |
-Great casting, Dorothy. -I think it's really going to work. | 0:58:51 | 0:58:55 | |
-I won't let you down. -Oh, of course not. | 0:58:55 | 0:58:57 | |
What we need to do now is to maximise sponsorship awareness. | 0:58:57 | 0:59:01 | |
Let me run this past you, Jeff. Lear's Bitter. | 0:59:01 | 0:59:05 | |
You see, the beer's bitter, | 0:59:05 | 0:59:07 | |
and Lear's also bitter because of his daughter. | 0:59:07 | 0:59:11 | |
Brilliant. | 0:59:11 | 0:59:12 | |
Mmm. Delicious. | 0:59:14 | 0:59:17 | |
Thanks, Jeff. I'll get some more in. Give us a hand, Lauren. | 0:59:17 | 0:59:21 | |
Forget Shakespeare, that was acting. | 0:59:23 | 0:59:26 | |
Oh, surprise, surprise! The casting couch triumphs again. | 0:59:29 | 0:59:33 | |
Mary will have a fit when she finds out that bimbo has got her part. | 0:59:33 | 0:59:38 | |
I best just go and tell her now. Excuse me. | 0:59:38 | 0:59:41 | |
Ladies and gentlemen, I hate to be the bearer of bad news... | 0:59:41 | 0:59:46 | |
..but I think there is something that you should all see. | 0:59:48 | 0:59:51 | |
What - sex romp? | 0:59:51 | 0:59:53 | |
"Has-been." | 0:59:53 | 0:59:55 | |
-Look, nothing happened! -Shut up, Lauren. We're going. | 0:59:55 | 0:59:59 | |
Listen to her, Mike. That's all bullshit. | 0:59:59 | 1:00:02 | |
No, you listen to me, you fucking fucker! | 1:00:02 | 1:00:04 | |
You can forget your fucking sponsorship and your fucking theatre. | 1:00:04 | 1:00:08 | |
In fact, the whole fucking lot of you can just fucking fuck off! | 1:00:08 | 1:00:12 | |
Not eloquent, but heartfelt. | 1:00:15 | 1:00:19 | |
Mmm-hmm. | 1:00:19 | 1:00:21 | |
-Mr Bell! -Piss off! -Mr Bell, would you like to make a comment? -No. | 1:00:21 | 1:00:24 | |
-Just any kind of comment. -No. -I have a comment for you. | 1:00:24 | 1:00:27 | |
Your beer tastes like pig shit. | 1:00:30 | 1:00:34 | |
JOURNALISTS LAUGH | 1:00:34 | 1:00:36 | |
You lied to me. | 1:00:41 | 1:00:43 | |
You don't know what happened or what didn't happen. | 1:00:45 | 1:00:48 | |
I think we just lost our sponsor, | 1:00:50 | 1:00:52 | |
and with no sponsorship, we have no further need of your services. | 1:00:52 | 1:00:56 | |
You're fired. | 1:00:57 | 1:00:59 | |
Nigel, you can take over the role. | 1:01:00 | 1:01:04 | |
This will be The Stratford Players' final production. | 1:01:04 | 1:01:08 | |
Poor fool and knave... | 1:01:11 | 1:01:15 | |
there is one part in my heart | 1:01:15 | 1:01:18 | |
That's sorry yet for thee. | 1:01:18 | 1:01:20 | |
He's coming. He's coming. Mr Steel, Mr Steel, what's the story? | 1:01:23 | 1:01:26 | |
What's the story, Mr Steel? | 1:01:27 | 1:01:29 | |
If we can try and get it, that is the story. | 1:01:29 | 1:01:32 | |
-Jefferson! -Mr Steel! | 1:01:37 | 1:01:39 | |
Who's in there with you now? | 1:01:41 | 1:01:43 | |
What makes you such a sexual master? Give me something. Just give me something. | 1:01:43 | 1:01:47 | |
He's like a tornado out of control. What's going on? | 1:01:47 | 1:01:49 | |
-Is it true you use Viagra? -Can you give us a scoop? | 1:01:49 | 1:01:52 | |
Is this your mobile love machine? | 1:01:52 | 1:01:54 | |
-Mr Steel, come back! -Shit! | 1:01:57 | 1:01:59 | |
-There goes my best story. -Come on, let's get it! | 1:01:59 | 1:02:02 | |
-Mr Steel! -Wait for me. Jefferson! | 1:02:02 | 1:02:06 | |
PHONE RINGS | 1:02:22 | 1:02:23 | |
What is it, Dad? This isn't a good time. | 1:02:23 | 1:02:27 | |
Tell me about it. I've just been fired. | 1:02:27 | 1:02:30 | |
God, what have you done now? | 1:02:30 | 1:02:32 | |
There was this woman. There's a story in the papers. | 1:02:32 | 1:02:34 | |
I don't want to hear it, Dad. You finally decide to do something worthwhile | 1:02:34 | 1:02:37 | |
and you can't keep your pants on? | 1:02:37 | 1:02:40 | |
-Will you give me a break, Amanda? -Yeah, yeah, you got it. | 1:02:42 | 1:02:45 | |
Amanda. | 1:02:47 | 1:02:49 | |
Shit. | 1:02:49 | 1:02:50 | |
-Miss Blacke? -Yes. | 1:02:51 | 1:02:54 | |
-Mr Kopyc will see you now. -Thank you. | 1:02:54 | 1:02:56 | |
Amanda. My people loved you in that Pride And Punishment thing. | 1:03:01 | 1:03:05 | |
Yeah, thanks. | 1:03:05 | 1:03:07 | |
Can you get naked? We want to get on with it. | 1:03:07 | 1:03:10 | |
-Excuse me, what? -Just take your clothes off. | 1:03:10 | 1:03:14 | |
Um... Which scene from Sense and Sensibility is this? | 1:03:14 | 1:03:18 | |
-The orgy scene. -Sorry, I don't remember an orgy scene. | 1:03:18 | 1:03:22 | |
You will once I've shot it. It's going to be hot. | 1:03:22 | 1:03:25 | |
Hmm? Loving it. | 1:03:27 | 1:03:29 | |
Oh, God. | 1:03:31 | 1:03:33 | |
-Jefferson! Jefferson! -Mr Steel! | 1:03:33 | 1:03:38 | |
Jefferson, give us a quote. | 1:03:38 | 1:03:40 | |
This cold night will turn us all to fools and madmen. | 1:03:40 | 1:03:44 | |
What? | 1:03:44 | 1:03:46 | |
-Hey! -Hey! Watch out! | 1:03:46 | 1:03:48 | |
Shit! | 1:03:49 | 1:03:51 | |
HORN HONKS | 1:03:51 | 1:03:52 | |
THUNDER RUMBLES | 1:03:52 | 1:03:55 | |
Just because it's in the papers it doesn't mean it's true. | 1:03:57 | 1:04:01 | |
In fact, it means it probably isn't true. | 1:04:01 | 1:04:04 | |
There's a photograph of the two of them. | 1:04:05 | 1:04:07 | |
Yeah, I've got a photo of me and Mickey Mouse. | 1:04:07 | 1:04:10 | |
It doesn't mean we're shagging. | 1:04:10 | 1:04:13 | |
Did it occur to you that Lauren is a sports masseuse? | 1:04:16 | 1:04:19 | |
She gives people massages, that's her job. | 1:04:19 | 1:04:22 | |
The newspaper has a first-hand source. | 1:04:23 | 1:04:26 | |
Yeah, and who does this source sound like? | 1:04:26 | 1:04:30 | |
"This appalling lothario is a disgrace to the traditions of the amateur stage... | 1:04:30 | 1:04:35 | |
"and has blackened the noble name of The Stratford Players." | 1:04:35 | 1:04:39 | |
Fortune, good night. Smile once more, turn thy wheel! | 1:04:44 | 1:04:49 | |
You arse, Nigel! | 1:04:49 | 1:04:51 | |
-I beg your pardon? -You complete and utter arse! | 1:04:51 | 1:04:54 | |
-This is your doing, isn't it? -It could have been anyone. | 1:04:55 | 1:04:59 | |
"The noble name of The Stratford Players"? | 1:04:59 | 1:05:02 | |
-It's pure Nigel-ese. -It had to be said by someone. | 1:05:02 | 1:05:05 | |
And you know for a fact that he was having an affair with Lauren? | 1:05:05 | 1:05:07 | |
Mary heard them together in his bedroom. | 1:05:07 | 1:05:10 | |
She's a sports masseuse, you idiot! | 1:05:10 | 1:05:13 | |
Ah. | 1:05:15 | 1:05:16 | |
And this is the sum total of your evidence, is it? | 1:05:16 | 1:05:19 | |
Possibly. | 1:05:19 | 1:05:21 | |
You really are a pathetic man, Nigel. | 1:05:21 | 1:05:23 | |
If I were Jefferson, I think I'd kill you. | 1:05:23 | 1:05:27 | |
In fact, I may kill you myself! | 1:05:27 | 1:05:29 | |
I suppose a nightcap's out of the question, then? | 1:05:31 | 1:05:34 | |
-Where is he? -He's gone. He nearly ran me over! | 1:05:51 | 1:05:55 | |
I should have let him! | 1:05:59 | 1:06:00 | |
That would have made a great picture. | 1:06:02 | 1:06:04 | |
I want civilisation. | 1:06:10 | 1:06:12 | |
And I want people. | 1:06:15 | 1:06:17 | |
THUNDER CLAPS | 1:06:17 | 1:06:19 | |
I want a town. I want a city! | 1:06:22 | 1:06:26 | |
I want a Four Seasons. | 1:06:28 | 1:06:30 | |
I want a Four Seasons! | 1:06:30 | 1:06:33 | |
I need a Four Seasons! | 1:06:35 | 1:06:37 | |
CAR HORN HONKS | 1:06:37 | 1:06:39 | |
HORN BLARES | 1:06:40 | 1:06:42 | |
Blow, wind, and crack your cheeks! | 1:07:28 | 1:07:32 | |
Rage! Blow! | 1:07:34 | 1:07:36 | |
You cataracts and hurriacanoes, spout | 1:07:37 | 1:07:42 | |
Till you have drench'd our steeples and drown'd the cocks! | 1:07:42 | 1:07:47 | |
You sulphurous and thought-executing fires... | 1:07:49 | 1:07:53 | |
Singe my white head! | 1:07:53 | 1:07:55 | |
And thou, all-shaking thunder, | 1:07:57 | 1:08:01 | |
Crack nature's moulds. | 1:08:01 | 1:08:03 | |
-All germens spill at once... -Jefferson. | 1:08:06 | 1:08:10 | |
..that make ingrateful man! | 1:08:10 | 1:08:14 | |
Jefferson! | 1:08:14 | 1:08:16 | |
Jefferson. | 1:08:17 | 1:08:19 | |
I am a man | 1:08:20 | 1:08:21 | |
More sinn'd against than sinning. | 1:08:21 | 1:08:26 | |
I know. I know. | 1:08:26 | 1:08:29 | |
Good morning. | 1:08:58 | 1:08:59 | |
Good morning. | 1:09:03 | 1:09:04 | |
I feel... | 1:09:06 | 1:09:08 | |
terrible. | 1:09:08 | 1:09:10 | |
-You look terrible. -Thank you. | 1:09:10 | 1:09:13 | |
Here, drink this. | 1:09:13 | 1:09:14 | |
Last night, did I do anything...embarrassing? | 1:09:15 | 1:09:20 | |
Apart from running over a journalist and trashing the mobile library, no. | 1:09:20 | 1:09:25 | |
That's a relief. | 1:09:25 | 1:09:27 | |
I'm so sorry. | 1:09:27 | 1:09:28 | |
Please, don't be. | 1:09:31 | 1:09:33 | |
I think we all owe you an apology. | 1:09:33 | 1:09:36 | |
I have never felt so humiliated in my life. | 1:09:37 | 1:09:40 | |
It's a cruel business, honey. Not that I'd know. | 1:09:41 | 1:09:45 | |
It wasn't my Lizzie Bennet that impressed the director, it was my boobs. | 1:09:45 | 1:09:49 | |
Whatever it takes. | 1:09:49 | 1:09:51 | |
I can't believe I'm going to say this, but Dad was right. | 1:09:51 | 1:09:55 | |
Now, that reminds me, say goodbye to him. | 1:09:55 | 1:09:59 | |
-Charlie, what are you doing? -It's time to end it. | 1:10:01 | 1:10:04 | |
PHONE RINGS | 1:10:04 | 1:10:05 | |
Charlie, don't be stupid, you're not going to kill yourself. | 1:10:05 | 1:10:08 | |
-Give me one good reason. -Your phone's ringing. | 1:10:08 | 1:10:11 | |
Oh, OK. | 1:10:11 | 1:10:13 | |
Charlie Rosenberg. | 1:10:17 | 1:10:19 | |
HE CLEARS THROAT Worry ye not! | 1:10:19 | 1:10:22 | |
Our American friend may have scuttled back across the pond, | 1:10:23 | 1:10:28 | |
but the show must go on. | 1:10:28 | 1:10:31 | |
-Hey, Nigel. -Oh, shit. | 1:10:33 | 1:10:36 | |
-I thought you'd gone. -You sold me out. | 1:10:37 | 1:10:40 | |
God, no, no. No, no, it was all Mary's fault. | 1:10:40 | 1:10:44 | |
Oh, so, now you've sold me out? | 1:10:44 | 1:10:47 | |
-You're lying, Nigel. -Jefferson... | 1:10:47 | 1:10:49 | |
Looks like someone's in for a kicking, Nigel. | 1:10:49 | 1:10:51 | |
-A tenner says he breaks your arms, mate. -20, your legs. | 1:10:51 | 1:10:55 | |
Quick, Nigel! | 1:10:55 | 1:10:56 | |
-Mum, stop them. -No, Nigel could do with the exercise. | 1:10:56 | 1:11:00 | |
Nigel! | 1:11:03 | 1:11:05 | |
Nigel! | 1:11:06 | 1:11:07 | |
Nigel. | 1:11:10 | 1:11:11 | |
You're not going to hit me, are you? | 1:11:21 | 1:11:23 | |
You must have wanted this part very badly. | 1:11:23 | 1:11:26 | |
After all my years with The Stratford Players, it was going to be my crowning glory. | 1:11:26 | 1:11:31 | |
I have an idea. | 1:11:34 | 1:11:36 | |
Why don't you just play Lear and I'll play Kent? | 1:11:40 | 1:11:44 | |
I mean, it's just a play. | 1:11:44 | 1:11:45 | |
Please, I can't bear the kindness, just hit me. | 1:11:45 | 1:11:50 | |
Aw... | 1:11:50 | 1:11:52 | |
Oh, Nigel. | 1:11:55 | 1:11:58 | |
I think we should all apologise. Mary for starting the rumour, | 1:11:59 | 1:12:03 | |
you lot for spreading it, and me most of all for being stupid enough | 1:12:03 | 1:12:06 | |
to believe anything I read in the papers. | 1:12:06 | 1:12:09 | |
I'm so sorry, Mr Steel. | 1:12:11 | 1:12:13 | |
And you're welcome back at Flint Farm any time, | 1:12:14 | 1:12:16 | |
and you can do whatever you want in your room. | 1:12:16 | 1:12:18 | |
Not that you were doing anything. | 1:12:18 | 1:12:21 | |
I mean, what were we thinking? | 1:12:24 | 1:12:27 | |
The Stratford Players is the one thing that keeps this village together. | 1:12:27 | 1:12:31 | |
Even the church only holds services once a month. | 1:12:31 | 1:12:34 | |
This stupid theatre is all we've got. | 1:12:34 | 1:12:37 | |
It's the heart of our community and we were just going to throw it all away. | 1:12:38 | 1:12:44 | |
Hold on a minute. | 1:12:45 | 1:12:47 | |
If anyone's going to have a big moving speech here, it's going to be me. | 1:12:47 | 1:12:52 | |
I have something I want to say to you people. | 1:12:54 | 1:12:57 | |
I know sometimes I can be a bit of an ass. | 1:12:57 | 1:13:00 | |
ALL: No. | 1:13:00 | 1:13:02 | |
Most of the time. | 1:13:02 | 1:13:04 | |
ALL: Yeah. | 1:13:04 | 1:13:05 | |
But until now, I've always thought of amateurs as unprofessional. | 1:13:05 | 1:13:10 | |
Nothing could be further from the truth. | 1:13:10 | 1:13:12 | |
In fact, you're the ones who deserve the respect, not people like me, | 1:13:12 | 1:13:15 | |
because where's the glory for you guys? I mean, where's the money? | 1:13:15 | 1:13:19 | |
Where's the fame? | 1:13:19 | 1:13:21 | |
Come to think of it, why the hell do you do it? | 1:13:22 | 1:13:25 | |
Well, it's our chance to step outside our own ordinary lives. | 1:13:26 | 1:13:30 | |
To create something bigger than ourselves. | 1:13:30 | 1:13:33 | |
To share in the power of theatre. | 1:13:34 | 1:13:36 | |
And it gets us out of the house. | 1:13:37 | 1:13:39 | |
-Yeah. -Exactly. | 1:13:39 | 1:13:40 | |
Well, whatever it is... | 1:13:40 | 1:13:43 | |
I mean, I want to say I'd be proud, | 1:13:44 | 1:13:47 | |
I'd be honoured, if you'd let me be a part of your show, | 1:13:47 | 1:13:51 | |
and I promise I won't let you down. | 1:13:51 | 1:13:54 | |
Nice, nice speech. | 1:14:02 | 1:14:04 | |
But can I just remind everyone that we no longer have any financial backing? | 1:14:04 | 1:14:09 | |
Well, I'll just have to go back to Mike Bell and tell him the truth. | 1:14:09 | 1:14:14 | |
I'm afraid Jefferson insulting his beer is worse than him shagging his wife. | 1:14:14 | 1:14:17 | |
Hey, Nigel must be loaded. How much did you get for the Jefferson Steel story? | 1:14:17 | 1:14:21 | |
-Nothing! -Nothing? | 1:14:21 | 1:14:23 | |
Nothing? | 1:14:23 | 1:14:24 | |
Are you telling me that you gave them | 1:14:24 | 1:14:27 | |
"Jefferson Steel In Saucy Suffolk Sex Romp" for nothing? | 1:14:27 | 1:14:31 | |
I am going to hit him. | 1:14:33 | 1:14:34 | |
Ooh! | 1:14:34 | 1:14:35 | |
-Wait a minute. -What? | 1:14:35 | 1:14:39 | |
Blimey, it's a media circus! | 1:14:43 | 1:14:46 | |
Morning! | 1:14:49 | 1:14:51 | |
Welcome. Welcome to Jefferson Steel country. | 1:14:51 | 1:14:54 | |
Do come and see the play. I'm playing Edgar and Cornwall. Hello! | 1:14:54 | 1:14:59 | |
Oh, yes, he tried to have his wicked way with me, but I wasn't having any of it. | 1:14:59 | 1:15:04 | |
That's why I had to extricate myself from the play. | 1:15:04 | 1:15:07 | |
I mean, that man could not keep his hands off me. | 1:15:07 | 1:15:11 | |
Off me. | 1:15:12 | 1:15:14 | |
Oh, he was a stallion in bed. He could never get enough. | 1:15:15 | 1:15:22 | |
And I thought I knew everything about Kama Sutra. | 1:15:22 | 1:15:26 | |
Mummy! | 1:15:26 | 1:15:27 | |
And then, of course, we became lovers. | 1:15:29 | 1:15:32 | |
With Jefferson around, none of my farm animals were safe. | 1:15:34 | 1:15:36 | |
LOUD-HAILER: 'Tonight, The Stratford Players present Jefferson Steel in King Lear. | 1:16:07 | 1:16:12 | |
'Four funerals and a wedding. | 1:16:12 | 1:16:14 | |
'Tonight, The Stratford Players present Jefferson...' | 1:16:15 | 1:16:18 | |
-Dorothy? -Yeah. | 1:16:21 | 1:16:22 | |
-Rupert and I had one last thought about the putting-the-eyes-out scene. -Right. | 1:16:22 | 1:16:26 | |
-Ooh! -Out, vile jelly! Where is thy lustre now? | 1:16:28 | 1:16:31 | |
-Could work. -Yeah? | 1:16:37 | 1:16:40 | |
-In a different play. -OK. | 1:16:40 | 1:16:43 | |
OK. | 1:16:43 | 1:16:45 | |
-Janine? -I know, I look a freak. | 1:16:48 | 1:16:50 | |
You look fantastic! | 1:16:50 | 1:16:53 | |
-Oh? Do you think so? -Yeah. | 1:16:53 | 1:16:56 | |
OK. "Rusty Steel, not sharp enough." | 1:17:08 | 1:17:11 | |
Very good. What about this one, right? | 1:17:11 | 1:17:14 | |
"Tarnished Steel gives leaden performance." | 1:17:14 | 1:17:17 | |
Yes! OK, let's watch the show. | 1:17:17 | 1:17:21 | |
OK, everyone, that's 15 minutes. | 1:17:27 | 1:17:30 | |
Are you ready, Jefferson? How you feeling? Are you nervous? | 1:17:30 | 1:17:35 | |
Of course I'm not nervous. | 1:17:35 | 1:17:37 | |
I... I'm terrified. | 1:17:39 | 1:17:40 | |
Not a problem. I can do Lear. | 1:17:40 | 1:17:43 | |
Joke. | 1:17:43 | 1:17:45 | |
I'm far more terrified than you are. | 1:17:45 | 1:17:48 | |
-In fact, I think I'm about to throw up. -Go, Nigel, go. | 1:17:48 | 1:17:51 | |
ELIZABETHAN MUSIC PLAYS | 1:17:55 | 1:17:58 | |
I thought the king had more affected the Duke of Albany than Cornwall. | 1:18:09 | 1:18:14 | |
It did always seem so to us. | 1:18:14 | 1:18:17 | |
Let's go out and show them what a bunch of amateurs can do. | 1:18:17 | 1:18:21 | |
CHEERING AND APPLAUSE | 1:18:25 | 1:18:28 | |
Attend the lords of France and Burgundy, Gloucester. | 1:18:32 | 1:18:36 | |
I shall, my lord. | 1:18:36 | 1:18:38 | |
Meantime, we shall express our darker purpose. | 1:18:40 | 1:18:46 | |
Give me the map there. | 1:18:46 | 1:18:48 | |
Know that we have divided | 1:18:51 | 1:18:54 | |
In three our kingdom... | 1:18:54 | 1:18:56 | |
..and 'tis our fast intent to shake all cares and business from our age, | 1:18:58 | 1:19:02 | |
Conferring them on younger strengths | 1:19:02 | 1:19:05 | |
while we, unburthen'd, crawl toward death. | 1:19:05 | 1:19:09 | |
Tell me, my daughters, | 1:19:09 | 1:19:11 | |
Which of you shall we say... | 1:19:11 | 1:19:13 | |
Sir, I do love you more than word can wield the matter. | 1:19:13 | 1:19:19 | |
Dearer than eyesight, space, and liberty. | 1:19:19 | 1:19:23 | |
Poor fool and knave. | 1:19:23 | 1:19:26 | |
I have one part in my heart | 1:19:26 | 1:19:28 | |
That's sorry yet for thee. | 1:19:28 | 1:19:31 | |
# He that has and a little tiny wit... # | 1:19:32 | 1:19:37 | |
O, you are men of stone! | 1:19:39 | 1:19:41 | |
Had I your tongues and eyes... | 1:19:42 | 1:19:44 | |
I'd use them so that heaven's vault would crack. | 1:19:44 | 1:19:50 | |
She's gone for ever. | 1:19:52 | 1:19:55 | |
I might have saved her... | 1:19:56 | 1:19:58 | |
Now she's gone for ever! | 1:19:59 | 1:20:02 | |
Cordelia, Cordelia, why do... | 1:20:03 | 1:20:08 | |
Verity? | 1:20:11 | 1:20:13 | |
Verity? | 1:20:13 | 1:20:14 | |
Say something. | 1:20:15 | 1:20:17 | |
She isn't breathing. | 1:20:18 | 1:20:20 | |
Someone, call for an ambulance. | 1:20:20 | 1:20:22 | |
GASPS AND CHATTERING | 1:20:22 | 1:20:24 | |
-She's had an allergic reaction. -She's in anaphylactic shock. | 1:20:25 | 1:20:28 | |
You're going to need adrenaline, a laryngoscope, ventilatory support. | 1:20:28 | 1:20:31 | |
-Are you a doctor? -No, but I played one in a movie. | 1:20:31 | 1:20:34 | |
I think we'll take over from here. | 1:20:34 | 1:20:36 | |
Oh, watch out for peri-operative complications. | 1:20:36 | 1:20:39 | |
Yes, thank you. I'll do that. | 1:20:39 | 1:20:40 | |
I love you, darling. | 1:20:40 | 1:20:42 | |
Is she OK? | 1:20:46 | 1:20:47 | |
You're very lucky, you got her here just in time. | 1:20:47 | 1:20:50 | |
She's going to be fine. | 1:20:50 | 1:20:51 | |
Thank God. In the movie I did, the kid dies. | 1:20:51 | 1:20:54 | |
Just a bad reaction to something she must have eaten. | 1:20:56 | 1:20:59 | |
There were probably some nuts in the chocolate. | 1:20:59 | 1:21:00 | |
Normally, I'm so careful, but what with the opening night and everything... | 1:21:00 | 1:21:03 | |
Don't worry. She'll need some bed rest for a few days, | 1:21:03 | 1:21:06 | |
but she'll back to her old self in a week or two. | 1:21:06 | 1:21:08 | |
-I'll let you know when she wakes up. -Thank you. | 1:21:08 | 1:21:10 | |
Thank you. | 1:21:13 | 1:21:14 | |
For giving her the chocolates? | 1:21:14 | 1:21:17 | |
For saving her life. | 1:21:17 | 1:21:18 | |
-Miss Nettle, Mr Steel? -God, what? | 1:21:32 | 1:21:34 | |
Have you seen the papers? | 1:21:36 | 1:21:38 | |
-You're the hero of the hour. -Oh! | 1:21:38 | 1:21:40 | |
Oh, just look at this review. | 1:21:44 | 1:21:46 | |
"Startling, brilliant, moving. | 1:21:47 | 1:21:51 | |
"Steel commands the stage." | 1:21:52 | 1:21:54 | |
I haven't had reviews like that since... | 1:21:54 | 1:21:57 | |
I never have had reviews like that. | 1:22:00 | 1:22:02 | |
And you didn't even get a curtain call. | 1:22:02 | 1:22:04 | |
Something else came up. | 1:22:06 | 1:22:09 | |
With no Cordelia, we've got no show. | 1:22:09 | 1:22:11 | |
I'm sorry there isn't a happy ending. | 1:22:11 | 1:22:14 | |
Me too. | 1:22:15 | 1:22:17 | |
I know that life isn't like that. | 1:22:17 | 1:22:20 | |
-I know it's not like in the movies. -Ah, Miss Nettle? Verity's awake. | 1:22:21 | 1:22:26 | |
Guess it's time to say goodbye. | 1:22:39 | 1:22:41 | |
I'm not very good at goodbyes. | 1:22:42 | 1:22:44 | |
But if ever you're in Beverly Hills, drop by. | 1:22:45 | 1:22:50 | |
I mean it. | 1:22:52 | 1:22:53 | |
-How about Tuesday? -Ooh, I can't do Tuesday. | 1:22:56 | 1:22:58 | |
I've got a cesspit to empty. | 1:22:58 | 1:22:59 | |
Wednesday? Wednesday's good for me. | 1:22:59 | 1:23:01 | |
Mr Steel, can I just say I'm sorry for everything? | 1:23:01 | 1:23:04 | |
Particularly for the fact that you didn't give her one | 1:23:04 | 1:23:07 | |
that night when you stumbled into her bedroom. | 1:23:07 | 1:23:09 | |
I'll regret it for the rest of my life. | 1:23:09 | 1:23:11 | |
I think it would have been a night to remember. | 1:23:14 | 1:23:17 | |
I'll never forgive myself. | 1:23:17 | 1:23:19 | |
Oh, I'm sorry... | 1:23:24 | 1:23:25 | |
Thank you. | 1:23:33 | 1:23:35 | |
Mr Steel? | 1:23:38 | 1:23:39 | |
It's been a pleasure. | 1:23:42 | 1:23:44 | |
Come on, Nigel, give us a hug. | 1:23:46 | 1:23:49 | |
No, Jefferson. You are still in England. | 1:23:49 | 1:23:52 | |
It's a shame you have to go. I've managed to find a new Cordelia. | 1:23:57 | 1:24:01 | |
O my dear father! | 1:24:12 | 1:24:14 | |
Restoration hang thy medicine on my lips | 1:24:17 | 1:24:21 | |
and let this kiss | 1:24:21 | 1:24:22 | |
Repair those violent harms | 1:24:22 | 1:24:25 | |
that my two sisters | 1:24:25 | 1:24:26 | |
Have in thy reverence made. | 1:24:26 | 1:24:28 | |
I don't know what to say. | 1:24:34 | 1:24:36 | |
Oh, I think you do. | 1:24:36 | 1:24:37 | |
Pray, do not mock me... | 1:24:41 | 1:24:44 | |
..for I am a very foolish, fond old man. | 1:24:48 | 1:24:54 | |
Do not laugh at me, | 1:24:54 | 1:24:57 | |
for, as I am a man, I think this lady to be my child. | 1:24:57 | 1:25:02 | |
And so I am. | 1:25:03 | 1:25:07 | |
I am. | 1:25:07 | 1:25:08 | |
Thank you. | 1:25:16 | 1:25:18 | |
You can thank Verity. | 1:25:18 | 1:25:20 | |
She was the one who thought Amanda might have some insight | 1:25:20 | 1:25:23 | |
into playing the daughter of a madman. | 1:25:23 | 1:25:25 | |
AMANDA LAUGHS | 1:25:25 | 1:25:26 | |
So, shall we rehearse? | 1:25:26 | 1:25:29 | |
Be your tears wet? | 1:25:33 | 1:25:36 | |
I pray weep not. | 1:25:36 | 1:25:38 | |
If you have poison for me, I will drink it. | 1:25:39 | 1:25:43 | |
I know you do not love me, for your sisters | 1:25:46 | 1:25:50 | |
have, as I do remember, | 1:25:50 | 1:25:55 | |
done me wrong. | 1:25:55 | 1:25:56 | |
You have some cause. | 1:25:58 | 1:26:01 | |
They have not. | 1:26:03 | 1:26:05 | |
No cause. | 1:26:06 | 1:26:08 | |
No cause. | 1:26:10 | 1:26:11 | |
I might have saved her, and now she's gone... | 1:26:18 | 1:26:23 | |
..for ever. | 1:26:25 | 1:26:27 | |
Cordelia, Cordelia, | 1:26:30 | 1:26:35 | |
stay a little. | 1:26:35 | 1:26:37 | |
What is't thou say'st? | 1:26:40 | 1:26:42 | |
Her voice was ever soft | 1:26:44 | 1:26:48 | |
and gentle... | 1:26:48 | 1:26:50 | |
..and low. | 1:26:52 | 1:26:53 | |
An excellent thing in woman. | 1:26:55 | 1:26:58 | |
The weight of this sad time we must obey. | 1:27:00 | 1:27:03 | |
Speak what we feel, not what we ought to say. | 1:27:03 | 1:27:08 | |
The oldest hath borne most. | 1:27:08 | 1:27:10 | |
We that are young shall never see so much, nor live so long. | 1:27:10 | 1:27:17 | |
APPLAUSE | 1:27:21 | 1:27:24 | |
Bravo! | 1:27:24 | 1:27:26 | |
Bravo! | 1:27:26 | 1:27:28 | |
-Enjoy that? -Yeah. | 1:27:28 | 1:27:29 | |
I told you it works better in a bigger venue. | 1:27:30 | 1:27:34 | |
You really are mad. | 1:27:34 | 1:27:36 | |
What's the point in being a movie star if you can't hire the Old Vic for a few nights? | 1:27:36 | 1:27:40 | |
AUDIENCE MEMBERS: Bravo! Bravo! | 1:27:40 | 1:27:43 | |
APPLAUSE | 1:27:43 | 1:27:46 | |
Hey, Dorothy, what are we going to do next year? | 1:27:51 | 1:27:54 | |
-Next year? -But the theatre's saved. | 1:27:54 | 1:27:57 | |
You don't really have to come back. | 1:27:57 | 1:27:59 | |
-How about Richard III? -Yeah, you're good at sequels. | 1:27:59 | 1:28:03 | |
Then Richard III it is. | 1:28:03 | 1:28:05 | |
-What's that about again? -It's about power and seduction. | 1:28:05 | 1:28:09 | |
Well, I'll have to do some research. | 1:28:09 | 1:28:11 | |
THEY CHUCKLE | 1:28:11 | 1:28:13 | |
He's coming back over my dead body. | 1:28:15 | 1:28:18 | |
Bravo! | 1:28:18 | 1:28:20 | |
APPLAUSE CONTINUES | 1:28:23 | 1:28:25 |